August 9, 2025 • 27 mins
A horror and fantasy anthology series that delves into the eerie and the unknown, offering stories that unsettle and provoke thought. Its minimalist production enhances the chilling narratives.
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Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
Fire, Please, Fire please.
Speaker 2 (00:31):
The mutual broadcasting system prevents quiet Please, which is wasn't
in directed by Willis Cooper, which thinks of the STAFFLD
Quirrett please for tonight is called thirteen and eight.
Speaker 1 (00:52):
I don't remember when was the first time I seen him.
I don't think when was the fire of the Harbor
Hotel last August.
Speaker 3 (00:59):
Wasn't when the fillow jumped out of the wind lit
on the street car, got carry street blocks and his
nice shifts.
Speaker 1 (01:05):
Yeah, last foget. I guess that was the first time
I've seen him a lot of times since then. Well,
I never had talked much about it. The first time
me and this kid buzzed, we was covering the fire.
Speaker 3 (01:17):
You know how it is when the hotel gets on
the fire in the middle of the night. It could
be it should be a big story. You see the
shot of a guy doing the swan dive out the
twentiest story and get one of them prizes.
Speaker 1 (01:26):
Only the Harbor Hotel is only three.
Speaker 3 (01:28):
Stories high, and this guy landed on a street car
and all they got was a practice clavic or wherever
that is when I get the pictures, only no prize.
Speaker 1 (01:37):
I'll tell you about it.
Speaker 3 (01:38):
See here has about twelve fifteen photogs there from different papers,
and a lot of reporters and cops and firemanent things too,
many of the bubblegum kids with their box cameras getting
in everybody's ways.
Speaker 1 (01:49):
In a while, getting stood on the heads in the
gutter by working skiffs like me. All of a sudden,
it's buzzy hollos. Hey look at a guy in the.
Speaker 3 (01:56):
Winter, and I looked him, so does everybody else, and
everybody has got his camera aimed at the guy and
his citizens steps right in front of me.
Speaker 1 (02:05):
Well, you know what is a lensloud We get him
all the time. The citizens they want to crawl into.
Speaker 3 (02:09):
A picture on these po targets making and so they
get their pushes in the paper and there by the minions, but.
Speaker 1 (02:14):
They buy the millions. So we got to kind of yell.
Speaker 3 (02:17):
We yell sometimes when you see a lenslouse, lous enough
of pure so went off the other guy, see we
hollow thirteen and eight.
Speaker 1 (02:24):
Then everybody is on it his guard. See, and the
lenslouse think got a prayer? So I have a thirteen
and eight and all the other At times they look
around and then the feller jumps out the window and
I'm the only guy.
Speaker 3 (02:36):
Looking, and I banged the shutter while I figure the
lens mouse is right in the middle of the picture.
Speaker 1 (02:41):
He was googling into my lens.
Speaker 3 (02:43):
But maybe I also got the fellow jumping out from
the window in the background, and we could route out
the lenslouse.
Speaker 1 (02:48):
And just at the shout of the guy flying through
the air with a greatness of east, well up runs
Biggie Wallenstein from the press and ra parks.
Speaker 3 (02:56):
And me knitting you we'll hollering and waving their cameras
because they missed the sure on account.
Speaker 1 (03:00):
I hollered thirteen of me and I said, listen, I'm
just trying to a nice guy in the comrade.
Speaker 3 (03:06):
I listened the picture to don't I And they said
there wasn't nobody And I said, what do you mean?
You're adjectives And they say there wasn't nobody And I
was just trying to draw him off the picture.
Speaker 1 (03:15):
They said, there was too it this guy, wasn't.
Speaker 3 (03:17):
It bunting and it buzz he he looks kind of funny.
He said, good, there was and then it's Sticky Wallace down.
He said that this was the days we take the
plate wepping of buts it.
Speaker 1 (03:27):
I said, well it's fill them and you.
Speaker 3 (03:28):
Can't butt sillim And I say, and besides, this is
the new days when you lay off and maybe I'll
take your face and bust.
Speaker 1 (03:35):
And they swarzed me and the fire was out, oh
buzzing me.
Speaker 4 (03:40):
We went back to the office, don't we go in
the dock room and I cooked the filum.
Speaker 3 (03:57):
Sure enough, I got a sam station in a shout
at the guys giming out of the window, and they
ain't no sign of the.
Speaker 1 (04:03):
Fella I've seen in front of me. The lens loves
so I said, hey, but that's funny, But I says,
this fuck always says listen, you know there wasn't nobody there.
And he laughed and says, hey, that was a pretty
good sick going off them other fellas like that rockle. No,
(04:27):
what am I crazy or something? I ain't say there
was a guy there or else wasn't I holl at
thirteen at night and I got a fifteen dollar bonus check.
It was just the same old Hollo thirteen a day again.
If I see a fella googling into my.
Speaker 5 (04:40):
Lens, well fine, two more times.
Speaker 1 (04:56):
I've seen a guy giming off. You see a guy
and you don't say him, and he looks like somebody
at home, or maybe it's because you see him every
once in a while.
Speaker 3 (05:04):
And he gets to recognize him. Life well with this gun,
I only get to mc looking through the wire sam
like camera with one eye, and I got nearsighted to
that eye a little bit.
Speaker 1 (05:16):
But must be popped right in front of the mayor
one day while he is saying welcome to some ambassadors
or something.
Speaker 3 (05:21):
In his luck asked and it's very class and I
all around thirteen of eight, and the mayor jumps and
his luck.
Speaker 1 (05:29):
Ass small dogs and I shoot just as him and
one of.
Speaker 3 (05:32):
The ambassadors buff their heads again. Pass for it, and
oh boy, I've got another fifteen dollars on it.
Speaker 1 (05:38):
Other God, we don't like the mayor see head at
the next Kilnton.
Speaker 3 (05:42):
Diggie Wallenstein keep prefers up charges against me, he says,
Brother rock O cart Sully's guilty of conduct.
Speaker 1 (05:49):
I'm becoming and the plug didn't testify for me. I'll
we put out of the guilt or something. All I'm
doing is trying to be a good guy. Yes, well,
I'll tell you about the third time, the time I
got the raiding. Just tell on this uh big time
Charlie with a pinball machine. See he was differ the Dutch.
Speaker 3 (06:13):
No, they haven't put the finger on him, but bag
and the Dutch says how he's told spend the next
forty years making little ones out of stigmins or whatever
they do down John had. So it's today when they're
gonna shot him in the car and take them down Highway.
Speaker 1 (06:24):
Sixty six and stuff him in the pope.
Speaker 3 (06:28):
All the papers have got the guys around to make
the farewells down to the takeoffs. He's been in the
big can out on California apples. We're standing around outside waiting.
Speaker 1 (06:36):
For the fight to come up to see a biggy Wallace.
Time is stand alongside me.
Speaker 6 (06:41):
You're gonna have a thirteen to mate on the fifth time,
k O, I'm gonna shove your cameras on your throat.
Speaker 1 (06:45):
You and who else the universities guys, I'm not kidding
two well, listen, thank you. I don't holler unless I
see somebody. You've never seen anybody that reste two times
I did too. I'm only trying to do your favorite.
You should do me favorites of heads up to coming.
Speaker 7 (06:59):
Keep your nose clean.
Speaker 1 (06:59):
Now, I don't go shu hey. Hey see how about
it like police?
Speaker 7 (07:05):
You get a puck a handle that chee Okay, yeah,
oh that.
Speaker 1 (07:13):
One more? One more. I haven't take his head off, chief, Okay,
hold it, hold it.
Speaker 7 (07:23):
Sure we got the name. We took one way to
get in the car.
Speaker 1 (07:26):
Okay, come on, Dan. And then I see this your
character again, this landlod. Oh go ahead. I say to
myself that that's one of us. It's immediate. I mean,
I move around so he ain't in front of me,
but he moves.
Speaker 3 (07:41):
Too, and they're just getting in the car and somebody
else is stepping up close to this sis and I
yell out thirteen.
Speaker 1 (08:05):
So that's how I got the only shot.
Speaker 3 (08:07):
Of his big shots blowing a hole through the chief
of police with a gun that somebody slippers. And you
know what, Diggy Wallenstein, if it hadn't have been for
his camera, Biggy Wallenstein with I got his head blows
right off.
Speaker 1 (08:20):
Only he was holding up the camera to his face
and all the gun is threw in the box and
all the other shots he made. Yeah, this sends lost
the standard right in front of me. But he wasn't
in the picture.
Speaker 3 (08:30):
When I developed it, there wasn't nobody but the big
shot with his gun, the chief of police.
Speaker 1 (08:36):
Standing there with a dumb look on his animal, a
hole in his test you could take a heart with it,
and I get a school had a raise. Well, I
(09:01):
want to tell you about this kid, but as I
was telling you about, they wanted to get it quite
a lot. You see, he is sprang out from college
where he was a deal I've built after the.
Speaker 3 (09:10):
War, and seeve Humble is the city out of there,
the highest buzz. Well, we're getting kind of famously icon
of scoops I'm getting, and of course budgets so he
can in on it too, And I figured maybe he's
good luck. Besides, he's smart. He was the guy, for instance,
that named the street car, you know, the killer car.
(09:32):
You know, the kind of pumpy old lady at Lake
Park forty nine they.
Speaker 1 (09:36):
Had run away from the motem remember hit the automable
with them kids from the University of the very next week. Yeah,
it was buzz that bought that up. How did you
think of that? Buzz? I didn't think it took any
special genius to think that one of rock on. Yeah,
sure I did anybody think of it? I wouldn't lose Well, yeah, photographer,
(09:58):
I wish I could think of things you are doing.
All right, we'll just take your rocket. Oh sure, yes, Oh,
one thing though, rock huh.
Speaker 6 (10:07):
One of these days they're gonna wake up with a
busted No, you're whole world. No, not me, I mean
that thirteen and eighth steps, What about it? It's been
a great gag. One of these days are gonna pull
it once too often, some of your valued colleagues will
put the arm on you.
Speaker 1 (10:22):
Well, listen, I am kidding, Bud, You're not kidding me. Oh,
there is a guy. I mean, this is the same guy.
You know.
Speaker 8 (10:31):
It's a gag.
Speaker 1 (10:33):
You can recognize him.
Speaker 7 (10:34):
Well, how come I've never seen him?
Speaker 1 (10:36):
Mate? You see him, said you did on your pale leon. Listen,
but cross my heart, I hope you die. There is
a guy. I'm telling you. He follows me around, the
little man with a green coat. No, no green coat.
But he's a real guy.
Speaker 7 (10:51):
Well, how come he never appears in any of those pictures.
Speaker 1 (10:55):
Don't kid me, Rocco.
Speaker 7 (10:57):
I wouldn't tell the other guys either.
Speaker 8 (10:58):
If I were you.
Speaker 1 (10:59):
I think they're getting tired of it.
Speaker 7 (11:01):
I told you I ain't kid more body.
Speaker 6 (11:02):
For okay, but don't come to me for sympathy when
I gang up on you.
Speaker 1 (11:07):
They ain't gonna gang up on anybody.
Speaker 8 (11:31):
That was all for you.
Speaker 1 (11:32):
I okay, Hello, hello, mister stumble. No, sir, I was
just going in the doctrum to develop it. Yes, sir,
I sure do need a news camera. Hey right here,
what's less of it?
Speaker 3 (11:49):
Oh no, I got the holder out in the pions,
all right. I think I think I got a good shot. Sure,
oh sure, I never seen you hit me, but I
think I know who it was. Thigi Walstein. Yeah, sure,
from behind me.
Speaker 1 (12:08):
And I'm pretty sure it was all the fox on
the start that jumped on my camera. I was laying down.
Oh I just seen footprints going up and down on
my camera right in front of my nose. Yes, sir, No, sir, No, sir, no, sir.
Nothing for sure. That was kind of reception resection, like automatic.
(12:32):
I've seen the funny stuff in front of me an automatic,
I say, thirteen.
Speaker 7 (12:35):
Of night, then bom I'm dead.
Speaker 8 (12:38):
Huh.
Speaker 1 (12:40):
Oh, well it was. It was a beat up world
camera anyway, okay, right away, yes, sir, alrighty matter rock
out and get work over and I shut up. Who's
in the doctor? Nobody anybody in there?
Speaker 7 (12:57):
I guess Hi a rock over? Wad you get the
black guy?
Speaker 1 (13:00):
Would you get it?
Speaker 3 (13:01):
Why?
Speaker 1 (13:02):
A duck one with me?
Speaker 7 (13:02):
Okay?
Speaker 1 (13:04):
Then of the soup locket and maybe I can smack it.
Think guys, think where's the soup? Oh yeah, you say
it again? They won They set the time of day
(13:26):
thirteen and eight.
Speaker 9 (13:28):
Yes, they seen him again. They're biging a hole in
the river.
Speaker 1 (13:41):
How was the time I can't see in the dark.
Speaker 10 (13:45):
In the time.
Speaker 1 (13:46):
Uh yeah this uh, this fella got a text here
or whatever it is. And they hold 'em up with
a pullet full late. Yeah. My friend of lenslaw steps
in front of me and I just say some slop.
I get it caught on them mouth and they fall
down and I pressed the singing as I fall down
the rope break sunnaple letting. The guy falls back in
the drink and they jump on my camera. You gotta
show the man falling rock on white character and smear
(14:07):
all over the phone. Yeah, he's cooking up. You can
get in the hyphones adventure fridge. I hope that night, Polk,
I m in the white light a minute. Okay, oh boy,
(14:35):
hey look at that.
Speaker 7 (14:37):
Fine rock terrific. Wait a minute, I mean tell you
what your guy, your lasser was standing.
Speaker 1 (14:45):
In front of you. Yeah, hey, hey look here, I wait,
like at the front of the light.
Speaker 10 (14:55):
I see I look here, I don't see they just
head he's.
Speaker 1 (15:01):
Half see no see yeah, but he's there, you'll say me,
they're all right. But why do you suppose you can
see right through? Well, you know what.
Speaker 3 (15:36):
I stuck his hair negative over the Kinsey grill one
night where I know that's me sticking while.
Speaker 1 (15:41):
It's time, and I walk in with it Himinori Fox
is getting at the table organizing some beers. I just
walk over to them. I said, look, I want to
tell you something. I'm nasty. I just want to prove them.
I just can't prove I never hollered thirty the night
for nothing.
Speaker 3 (15:57):
I want you to see this here, I said, Well,
see what happens when you're in a five guy, my love,
my clock and.
Speaker 1 (16:05):
Full of three beers and Biggie wanta stn over to
leave me hit him in the d and.
Speaker 3 (16:10):
Or a clock is just off the front, over the
office and getting his camera so I can't jump on it.
Speaker 1 (16:17):
I mean, they're sorry. And the only one thing that's
Father's none of.
Speaker 3 (16:20):
Us is why he is the guy so you can
see through one and then Bickie Wallace, I'm putting his schedule, dear.
Speaker 1 (16:27):
Maybe the guy is a ghost. And you know what,
I am out on the thing with Buzz the next afternoon.
Speaker 3 (16:43):
Who is there also the Biggie Walace time he gives
me a big hello, I get him one that we're
pals and we're gonna.
Speaker 1 (16:51):
Stand alongside each other lining up his shop. He boughs
the flash pot from me and press the show we're
brothers and things, and he grins at me and he's says,
now I.
Speaker 3 (17:00):
Don't holler Rocos, And I say, why should I holler?
Speaker 1 (17:03):
Ain't anybody in there with the chickens any left? So
we line up our shots because they won't see too
much to like it.
Speaker 3 (17:11):
It's a kind of a pulse shed where they found
thirty four thousand dollars and twenty dollars bills, and I'm
writing my eyes through the wire opinions.
Speaker 1 (17:19):
All of a sudden thirteen to eight and pretty near
dropped my cameras.
Speaker 3 (17:23):
I bust the sand and pipe dump right and listen,
there wasn't anybody there at all, nobody.
Speaker 1 (17:29):
But me and Biggie.
Speaker 7 (17:30):
I seen him, I picking rocco.
Speaker 1 (17:31):
I just don't seen them. They're crazy.
Speaker 7 (17:33):
He was standing him right there in front of a boat.
Speaker 1 (17:35):
But where did they go then? I don't know. Listen, Bud,
you wouldn't be pulling a gag on your power with
just me. Yeah, you I seen the rocks.
Speaker 7 (17:42):
It's because you think I pulled a gag on you
a couple of times. So it was a gag and yo,
I know what you would pull out now, sack you down.
Speaker 3 (18:09):
Well, now I am backing the top with another butt
at Camma and a little too subplace until I got
no picture and I feel off.
Speaker 1 (18:25):
Yes, huh, get it away from there. I ain't talking
to you.
Speaker 9 (18:31):
I'll let him.
Speaker 1 (18:32):
Thank you? What did.
Speaker 7 (18:40):
You have?
Speaker 1 (18:43):
You are? Holy? Yes? You know what.
Speaker 9 (18:52):
He's got a.
Speaker 1 (18:53):
Picture of that guy on his seller.
Speaker 7 (18:56):
And you can see right through him.
Speaker 1 (19:19):
Yeah, what do you want? Come on? Oh boy, what's cooking?
Kill the car? Did it again?
Speaker 2 (19:25):
Uh?
Speaker 1 (19:25):
Till her car?
Speaker 6 (19:26):
All the street cars mails the tracks on the south
side and kill the mailman on tumble one pickets.
Speaker 1 (19:31):
Oh all right, here we go again. Come on, you
want pictures of it now for the fun's all over,
Come on to come on.
Speaker 7 (19:36):
He gave me TAXTI money.
Speaker 1 (19:54):
M hmm. There's nothing very much street car block in
the street that snows up on the sidewalk out a bit.
I got me four five shots to the art department
because hain't up with dotted line the next and stuffing bus.
You got a lot of stuff and the people that
seen it. I'm pretty soon big you want to thanks man,
buzs it.
Speaker 3 (20:12):
Listen to the barber tell how he was given some
old guy at shampoo and he read Bungle Bungle Bungle,
and the mail man comes sail into the windows, scattering
post the cards all over the shop.
Speaker 1 (20:21):
I had set them on the kurds, licking the bottle
ale and writing down name.
Speaker 7 (20:24):
Did any get chants rocco?
Speaker 1 (20:26):
I write this stuff. Hey, yeah, that's it.
Speaker 9 (20:31):
I didn't want to talk about.
Speaker 1 (20:33):
Leave me show it to you. So yeah, look I
made a print.
Speaker 9 (20:40):
Listen, biggie, what do you suppose this?
Speaker 3 (20:43):
This?
Speaker 1 (20:44):
I don't know, but it scares me. Did you see
anybody here?
Speaker 5 (20:50):
No?
Speaker 1 (20:53):
Do you think you and me is nut. You know what,
I wouldn't take no bets on his rock what they
say with the paper. I told him he was a
double ex soldier though you know it? Hey, yes, do
you think we're haunted? I wouldn't bet I'm not either. Hey,
(21:13):
look what he's a lot of plainer in your picture.
I noticed it.
Speaker 7 (21:21):
Yes, why see you push though?
Speaker 1 (21:24):
No, but there's something awful familiar about him here. That's
what I thought. Wa away quick.
Speaker 7 (21:34):
With the number and everything.
Speaker 6 (21:36):
Trumble wanted to well, alright, how yeah, I want to
get back. You find out something, n o, bud, I'll
meet my girl.
Speaker 1 (21:48):
What hey, thick, come quick? That guy again the front
of the car. Hey them, come on, I'm just going
(22:15):
in the dock room and tremble.
Speaker 3 (22:17):
Oh yeah, I make the tromble, yes, sir, Well, budges
right there would Yeah, he can tell you.
Speaker 1 (22:30):
No, sure I ain't developed it, chure No, I know well, no, sir,
I sure trot there with somebody under that car when
I was taking a picture and when we went back. No,
that's right. I couldn't see anybody either, but I just
sworn it. Well, I don't know. Well, I'm gonna cook
(22:53):
the film right now. Yes, yes, quite as soon as
I guess developed. Yes, Hey, anybody in the back room
(23:32):
give me a biggie, willing si biggie. This is scalla. Listen. Well,
wait night, I gotta pull myself together. Yeah, you know
that picture I took when I thought i'd seen that
chatter under the car? Yeah? Yeah, Well in the picture
(23:55):
there is a guy under the car and he's all
smacked up. Why not kidding? Yeah? Sure, oh you you
couldn't see through a midtime.
Speaker 3 (24:08):
Well listen, big ye, I'm scared because you gotta shot
in front of the conic Ad bar.
Speaker 1 (24:14):
I gotta have it. I never missed the shop my life. Yeah,
I gotta send over by kid with it. What I
can't s the stumble? Oh I can't. I can't show
what the buzz either. What listen, big ye? I burned
it up the film, I burned it up. Well you
(24:36):
can see the guys say playing in this picture. Yeah yeah,
it's buzz h m hmm.
Speaker 7 (24:51):
What somebody's doing down in the lobby.
Speaker 1 (24:55):
You can why? Well what forth, buds? Come on, you're
going with me?
Speaker 7 (24:59):
We gotta see serious, Simon Boying.
Speaker 1 (25:01):
Well, I mean, don't myself hid it hurry up.
Speaker 7 (25:03):
I'll wait for you.
Speaker 1 (25:03):
I have been looking all over up for you.
Speaker 7 (25:05):
Want honey on the way, We'll get the camera, a
lot of films. We'll film to rock a purry hate
it now.
Speaker 1 (25:10):
I mean she's down here.
Speaker 7 (25:11):
Ye'll be right here. I gotta make a phone call.
Speaker 1 (25:14):
Mm hmm.
Speaker 6 (25:31):
Let me talk to Steve Tumble, Alma, who want to Tumble?
This is sad I found rock all right? Yeah, so
I want to thank you again. It's gonna be a
full story.
Speaker 1 (25:45):
I promise you.
Speaker 7 (25:48):
We're gonna let out to the car bonds now until
the car is waiting for you.
Speaker 6 (25:51):
So on.
Speaker 1 (25:54):
Mm hmmm.
Speaker 8 (26:06):
Who but of tonight's gwine please?
Speaker 1 (26:17):
Story is thirteen and eight. It is written and directed
by Willis Cooper and the man who spoke to you
was Ernest Capel and Murray Form played Viggie was was
played by Ed Raggy and a variety of voices in
the choice about half hours, Rippers, cops, Doug office voice,
a step where by Dave Paddle Mallory. Music for quiet
(26:40):
Please as usual was played by Albert Burman. Our words
from our writer, director Willis.
Speaker 10 (26:46):
Cooper, you couldn't possibly have recognized yourself anybody who ever
knew living at bed in thirteen and eight, because I
invented them all myself, and any resemblance to anybody else
is an amazing coincidence.
Speaker 8 (27:00):
Next week is called how Beautiful upon the mom.
Speaker 1 (27:04):
Mm hmmm h m, and so uto next week. At
the same time, I am quietly yours earnest sample m
hm m.
Speaker 8 (27:28):
Quiet please come to you from New
Speaker 1 (27:29):
York less a mutual not captain systems
Fire, Please, Fire please.
Speaker 2 (00:31):
The mutual broadcasting system prevents quiet Please, which is wasn't
in directed by Willis Cooper, which thinks of the STAFFLD
Quirrett please for tonight is called thirteen and eight.
Speaker 1 (00:52):
I don't remember when was the first time I seen him.
I don't think when was the fire of the Harbor
Hotel last August.
Speaker 3 (00:59):
Wasn't when the fillow jumped out of the wind lit
on the street car, got carry street blocks and his
nice shifts.
Speaker 1 (01:05):
Yeah, last foget. I guess that was the first time
I've seen him a lot of times since then. Well,
I never had talked much about it. The first time
me and this kid buzzed, we was covering the fire.
Speaker 3 (01:17):
You know how it is when the hotel gets on
the fire in the middle of the night. It could
be it should be a big story. You see the
shot of a guy doing the swan dive out the
twentiest story and get one of them prizes.
Speaker 1 (01:26):
Only the Harbor Hotel is only three.
Speaker 3 (01:28):
Stories high, and this guy landed on a street car
and all they got was a practice clavic or wherever
that is when I get the pictures, only no prize.
Speaker 1 (01:37):
I'll tell you about it.
Speaker 3 (01:38):
See here has about twelve fifteen photogs there from different papers,
and a lot of reporters and cops and firemanent things too,
many of the bubblegum kids with their box cameras getting
in everybody's ways.
Speaker 1 (01:49):
In a while, getting stood on the heads in the
gutter by working skiffs like me. All of a sudden,
it's buzzy hollos. Hey look at a guy in the.
Speaker 3 (01:56):
Winter, and I looked him, so does everybody else, and
everybody has got his camera aimed at the guy and
his citizens steps right in front of me.
Speaker 1 (02:05):
Well, you know what is a lensloud We get him
all the time. The citizens they want to crawl into.
Speaker 3 (02:09):
A picture on these po targets making and so they
get their pushes in the paper and there by the minions, but.
Speaker 1 (02:14):
They buy the millions. So we got to kind of yell.
Speaker 3 (02:17):
We yell sometimes when you see a lenslouse, lous enough
of pure so went off the other guy, see we
hollow thirteen and eight.
Speaker 1 (02:24):
Then everybody is on it his guard. See, and the
lenslouse think got a prayer? So I have a thirteen
and eight and all the other At times they look
around and then the feller jumps out the window and
I'm the only guy.
Speaker 3 (02:36):
Looking, and I banged the shutter while I figure the
lens mouse is right in the middle of the picture.
Speaker 1 (02:41):
He was googling into my lens.
Speaker 3 (02:43):
But maybe I also got the fellow jumping out from
the window in the background, and we could route out
the lenslouse.
Speaker 1 (02:48):
And just at the shout of the guy flying through
the air with a greatness of east, well up runs
Biggie Wallenstein from the press and ra parks.
Speaker 3 (02:56):
And me knitting you we'll hollering and waving their cameras
because they missed the sure on account.
Speaker 1 (03:00):
I hollered thirteen of me and I said, listen, I'm
just trying to a nice guy in the comrade.
Speaker 3 (03:06):
I listened the picture to don't I And they said
there wasn't nobody And I said, what do you mean?
You're adjectives And they say there wasn't nobody And I
was just trying to draw him off the picture.
Speaker 1 (03:15):
They said, there was too it this guy, wasn't.
Speaker 3 (03:17):
It bunting and it buzz he he looks kind of funny.
He said, good, there was and then it's Sticky Wallace down.
He said that this was the days we take the
plate wepping of buts it.
Speaker 1 (03:27):
I said, well it's fill them and you.
Speaker 3 (03:28):
Can't butt sillim And I say, and besides, this is
the new days when you lay off and maybe I'll
take your face and bust.
Speaker 1 (03:35):
And they swarzed me and the fire was out, oh
buzzing me.
Speaker 4 (03:40):
We went back to the office, don't we go in
the dock room and I cooked the filum.
Speaker 3 (03:57):
Sure enough, I got a sam station in a shout
at the guys giming out of the window, and they
ain't no sign of the.
Speaker 1 (04:03):
Fella I've seen in front of me. The lens loves
so I said, hey, but that's funny, But I says,
this fuck always says listen, you know there wasn't nobody there.
And he laughed and says, hey, that was a pretty
good sick going off them other fellas like that rockle. No,
(04:27):
what am I crazy or something? I ain't say there
was a guy there or else wasn't I holl at
thirteen at night and I got a fifteen dollar bonus check.
It was just the same old Hollo thirteen a day again.
If I see a fella googling into my.
Speaker 5 (04:40):
Lens, well fine, two more times.
Speaker 1 (04:56):
I've seen a guy giming off. You see a guy
and you don't say him, and he looks like somebody
at home, or maybe it's because you see him every
once in a while.
Speaker 3 (05:04):
And he gets to recognize him. Life well with this gun,
I only get to mc looking through the wire sam
like camera with one eye, and I got nearsighted to
that eye a little bit.
Speaker 1 (05:16):
But must be popped right in front of the mayor
one day while he is saying welcome to some ambassadors
or something.
Speaker 3 (05:21):
In his luck asked and it's very class and I
all around thirteen of eight, and the mayor jumps and
his luck.
Speaker 1 (05:29):
Ass small dogs and I shoot just as him and
one of.
Speaker 3 (05:32):
The ambassadors buff their heads again. Pass for it, and
oh boy, I've got another fifteen dollars on it.
Speaker 1 (05:38):
Other God, we don't like the mayor see head at
the next Kilnton.
Speaker 3 (05:42):
Diggie Wallenstein keep prefers up charges against me, he says,
Brother rock O cart Sully's guilty of conduct.
Speaker 1 (05:49):
I'm becoming and the plug didn't testify for me. I'll
we put out of the guilt or something. All I'm
doing is trying to be a good guy. Yes, well,
I'll tell you about the third time, the time I
got the raiding. Just tell on this uh big time
Charlie with a pinball machine. See he was differ the Dutch.
Speaker 3 (06:13):
No, they haven't put the finger on him, but bag
and the Dutch says how he's told spend the next
forty years making little ones out of stigmins or whatever
they do down John had. So it's today when they're
gonna shot him in the car and take them down Highway.
Speaker 1 (06:24):
Sixty six and stuff him in the pope.
Speaker 3 (06:28):
All the papers have got the guys around to make
the farewells down to the takeoffs. He's been in the
big can out on California apples. We're standing around outside waiting.
Speaker 1 (06:36):
For the fight to come up to see a biggy Wallace.
Time is stand alongside me.
Speaker 6 (06:41):
You're gonna have a thirteen to mate on the fifth time,
k O, I'm gonna shove your cameras on your throat.
Speaker 1 (06:45):
You and who else the universities guys, I'm not kidding
two well, listen, thank you. I don't holler unless I
see somebody. You've never seen anybody that reste two times
I did too. I'm only trying to do your favorite.
You should do me favorites of heads up to coming.
Speaker 7 (06:59):
Keep your nose clean.
Speaker 1 (06:59):
Now, I don't go shu hey. Hey see how about
it like police?
Speaker 7 (07:05):
You get a puck a handle that chee Okay, yeah,
oh that.
Speaker 1 (07:13):
One more? One more. I haven't take his head off, chief, Okay,
hold it, hold it.
Speaker 7 (07:23):
Sure we got the name. We took one way to
get in the car.
Speaker 1 (07:26):
Okay, come on, Dan. And then I see this your
character again, this landlod. Oh go ahead. I say to
myself that that's one of us. It's immediate. I mean,
I move around so he ain't in front of me,
but he moves.
Speaker 3 (07:41):
Too, and they're just getting in the car and somebody
else is stepping up close to this sis and I
yell out thirteen.
Speaker 1 (08:05):
So that's how I got the only shot.
Speaker 3 (08:07):
Of his big shots blowing a hole through the chief
of police with a gun that somebody slippers. And you
know what, Diggy Wallenstein, if it hadn't have been for
his camera, Biggy Wallenstein with I got his head blows
right off.
Speaker 1 (08:20):
Only he was holding up the camera to his face
and all the gun is threw in the box and
all the other shots he made. Yeah, this sends lost
the standard right in front of me. But he wasn't
in the picture.
Speaker 3 (08:30):
When I developed it, there wasn't nobody but the big
shot with his gun, the chief of police.
Speaker 1 (08:36):
Standing there with a dumb look on his animal, a
hole in his test you could take a heart with it,
and I get a school had a raise. Well, I
(09:01):
want to tell you about this kid, but as I
was telling you about, they wanted to get it quite
a lot. You see, he is sprang out from college
where he was a deal I've built after the.
Speaker 3 (09:10):
War, and seeve Humble is the city out of there,
the highest buzz. Well, we're getting kind of famously icon
of scoops I'm getting, and of course budgets so he
can in on it too, And I figured maybe he's
good luck. Besides, he's smart. He was the guy, for instance,
that named the street car, you know, the killer car.
(09:32):
You know, the kind of pumpy old lady at Lake
Park forty nine they.
Speaker 1 (09:36):
Had run away from the motem remember hit the automable
with them kids from the University of the very next week. Yeah,
it was buzz that bought that up. How did you
think of that? Buzz? I didn't think it took any
special genius to think that one of rock on. Yeah,
sure I did anybody think of it? I wouldn't lose Well, yeah, photographer,
(09:58):
I wish I could think of things you are doing.
All right, we'll just take your rocket. Oh sure, yes, Oh,
one thing though, rock huh.
Speaker 6 (10:07):
One of these days they're gonna wake up with a
busted No, you're whole world. No, not me, I mean
that thirteen and eighth steps, What about it? It's been
a great gag. One of these days are gonna pull
it once too often, some of your valued colleagues will
put the arm on you.
Speaker 1 (10:22):
Well, listen, I am kidding, Bud, You're not kidding me. Oh,
there is a guy. I mean, this is the same guy.
You know.
Speaker 8 (10:31):
It's a gag.
Speaker 1 (10:33):
You can recognize him.
Speaker 7 (10:34):
Well, how come I've never seen him?
Speaker 1 (10:36):
Mate? You see him, said you did on your pale leon. Listen,
but cross my heart, I hope you die. There is
a guy. I'm telling you. He follows me around, the
little man with a green coat. No, no green coat.
But he's a real guy.
Speaker 7 (10:51):
Well, how come he never appears in any of those pictures.
Speaker 1 (10:55):
Don't kid me, Rocco.
Speaker 7 (10:57):
I wouldn't tell the other guys either.
Speaker 8 (10:58):
If I were you.
Speaker 1 (10:59):
I think they're getting tired of it.
Speaker 7 (11:01):
I told you I ain't kid more body.
Speaker 6 (11:02):
For okay, but don't come to me for sympathy when
I gang up on you.
Speaker 1 (11:07):
They ain't gonna gang up on anybody.
Speaker 8 (11:31):
That was all for you.
Speaker 1 (11:32):
I okay, Hello, hello, mister stumble. No, sir, I was
just going in the doctrum to develop it. Yes, sir,
I sure do need a news camera. Hey right here,
what's less of it?
Speaker 3 (11:49):
Oh no, I got the holder out in the pions,
all right. I think I think I got a good shot. Sure,
oh sure, I never seen you hit me, but I
think I know who it was. Thigi Walstein. Yeah, sure,
from behind me.
Speaker 1 (12:08):
And I'm pretty sure it was all the fox on
the start that jumped on my camera. I was laying down.
Oh I just seen footprints going up and down on
my camera right in front of my nose. Yes, sir, No, sir, No, sir, no, sir.
Nothing for sure. That was kind of reception resection, like automatic.
(12:32):
I've seen the funny stuff in front of me an automatic,
I say, thirteen.
Speaker 7 (12:35):
Of night, then bom I'm dead.
Speaker 8 (12:38):
Huh.
Speaker 1 (12:40):
Oh, well it was. It was a beat up world
camera anyway, okay, right away, yes, sir, alrighty matter rock
out and get work over and I shut up. Who's
in the doctor? Nobody anybody in there?
Speaker 7 (12:57):
I guess Hi a rock over? Wad you get the
black guy?
Speaker 1 (13:00):
Would you get it?
Speaker 3 (13:01):
Why?
Speaker 1 (13:02):
A duck one with me?
Speaker 7 (13:02):
Okay?
Speaker 1 (13:04):
Then of the soup locket and maybe I can smack it.
Think guys, think where's the soup? Oh yeah, you say
it again? They won They set the time of day
(13:26):
thirteen and eight.
Speaker 9 (13:28):
Yes, they seen him again. They're biging a hole in
the river.
Speaker 1 (13:41):
How was the time I can't see in the dark.
Speaker 10 (13:45):
In the time.
Speaker 1 (13:46):
Uh yeah this uh, this fella got a text here
or whatever it is. And they hold 'em up with
a pullet full late. Yeah. My friend of lenslaw steps
in front of me and I just say some slop.
I get it caught on them mouth and they fall
down and I pressed the singing as I fall down
the rope break sunnaple letting. The guy falls back in
the drink and they jump on my camera. You gotta
show the man falling rock on white character and smear
(14:07):
all over the phone. Yeah, he's cooking up. You can
get in the hyphones adventure fridge. I hope that night, Polk,
I m in the white light a minute. Okay, oh boy,
(14:35):
hey look at that.
Speaker 7 (14:37):
Fine rock terrific. Wait a minute, I mean tell you
what your guy, your lasser was standing.
Speaker 1 (14:45):
In front of you. Yeah, hey, hey look here, I wait,
like at the front of the light.
Speaker 10 (14:55):
I see I look here, I don't see they just
head he's.
Speaker 1 (15:01):
Half see no see yeah, but he's there, you'll say me,
they're all right. But why do you suppose you can
see right through? Well, you know what.
Speaker 3 (15:36):
I stuck his hair negative over the Kinsey grill one
night where I know that's me sticking while.
Speaker 1 (15:41):
It's time, and I walk in with it Himinori Fox
is getting at the table organizing some beers. I just
walk over to them. I said, look, I want to
tell you something. I'm nasty. I just want to prove them.
I just can't prove I never hollered thirty the night
for nothing.
Speaker 3 (15:57):
I want you to see this here, I said, Well,
see what happens when you're in a five guy, my love,
my clock and.
Speaker 1 (16:05):
Full of three beers and Biggie wanta stn over to
leave me hit him in the d and.
Speaker 3 (16:10):
Or a clock is just off the front, over the
office and getting his camera so I can't jump on it.
Speaker 1 (16:17):
I mean, they're sorry. And the only one thing that's
Father's none of.
Speaker 3 (16:20):
Us is why he is the guy so you can
see through one and then Bickie Wallace, I'm putting his schedule, dear.
Speaker 1 (16:27):
Maybe the guy is a ghost. And you know what,
I am out on the thing with Buzz the next afternoon.
Speaker 3 (16:43):
Who is there also the Biggie Walace time he gives
me a big hello, I get him one that we're
pals and we're gonna.
Speaker 1 (16:51):
Stand alongside each other lining up his shop. He boughs
the flash pot from me and press the show we're
brothers and things, and he grins at me and he's says,
now I.
Speaker 3 (17:00):
Don't holler Rocos, And I say, why should I holler?
Speaker 1 (17:03):
Ain't anybody in there with the chickens any left? So
we line up our shots because they won't see too
much to like it.
Speaker 3 (17:11):
It's a kind of a pulse shed where they found
thirty four thousand dollars and twenty dollars bills, and I'm
writing my eyes through the wire opinions.
Speaker 1 (17:19):
All of a sudden thirteen to eight and pretty near
dropped my cameras.
Speaker 3 (17:23):
I bust the sand and pipe dump right and listen,
there wasn't anybody there at all, nobody.
Speaker 1 (17:29):
But me and Biggie.
Speaker 7 (17:30):
I seen him, I picking rocco.
Speaker 1 (17:31):
I just don't seen them. They're crazy.
Speaker 7 (17:33):
He was standing him right there in front of a boat.
Speaker 1 (17:35):
But where did they go then? I don't know. Listen, Bud,
you wouldn't be pulling a gag on your power with
just me. Yeah, you I seen the rocks.
Speaker 7 (17:42):
It's because you think I pulled a gag on you
a couple of times. So it was a gag and yo,
I know what you would pull out now, sack you down.
Speaker 3 (18:09):
Well, now I am backing the top with another butt
at Camma and a little too subplace until I got
no picture and I feel off.
Speaker 1 (18:25):
Yes, huh, get it away from there. I ain't talking
to you.
Speaker 9 (18:31):
I'll let him.
Speaker 1 (18:32):
Thank you? What did.
Speaker 7 (18:40):
You have?
Speaker 1 (18:43):
You are? Holy? Yes? You know what.
Speaker 9 (18:52):
He's got a.
Speaker 1 (18:53):
Picture of that guy on his seller.
Speaker 7 (18:56):
And you can see right through him.
Speaker 1 (19:19):
Yeah, what do you want? Come on? Oh boy, what's cooking?
Kill the car? Did it again?
Speaker 2 (19:25):
Uh?
Speaker 1 (19:25):
Till her car?
Speaker 6 (19:26):
All the street cars mails the tracks on the south
side and kill the mailman on tumble one pickets.
Speaker 1 (19:31):
Oh all right, here we go again. Come on, you
want pictures of it now for the fun's all over,
Come on to come on.
Speaker 7 (19:36):
He gave me TAXTI money.
Speaker 1 (19:54):
M hmm. There's nothing very much street car block in
the street that snows up on the sidewalk out a bit.
I got me four five shots to the art department
because hain't up with dotted line the next and stuffing bus.
You got a lot of stuff and the people that
seen it. I'm pretty soon big you want to thanks man,
buzs it.
Speaker 3 (20:12):
Listen to the barber tell how he was given some
old guy at shampoo and he read Bungle Bungle Bungle,
and the mail man comes sail into the windows, scattering
post the cards all over the shop.
Speaker 1 (20:21):
I had set them on the kurds, licking the bottle
ale and writing down name.
Speaker 7 (20:24):
Did any get chants rocco?
Speaker 1 (20:26):
I write this stuff. Hey, yeah, that's it.
Speaker 9 (20:31):
I didn't want to talk about.
Speaker 1 (20:33):
Leave me show it to you. So yeah, look I
made a print.
Speaker 9 (20:40):
Listen, biggie, what do you suppose this?
Speaker 3 (20:43):
This?
Speaker 1 (20:44):
I don't know, but it scares me. Did you see
anybody here?
Speaker 5 (20:50):
No?
Speaker 1 (20:53):
Do you think you and me is nut. You know what,
I wouldn't take no bets on his rock what they
say with the paper. I told him he was a
double ex soldier though you know it? Hey, yes, do
you think we're haunted? I wouldn't bet I'm not either. Hey,
(21:13):
look what he's a lot of plainer in your picture.
I noticed it.
Speaker 7 (21:21):
Yes, why see you push though?
Speaker 1 (21:24):
No, but there's something awful familiar about him here. That's
what I thought. Wa away quick.
Speaker 7 (21:34):
With the number and everything.
Speaker 6 (21:36):
Trumble wanted to well, alright, how yeah, I want to
get back. You find out something, n o, bud, I'll
meet my girl.
Speaker 1 (21:48):
What hey, thick, come quick? That guy again the front
of the car. Hey them, come on, I'm just going
(22:15):
in the dock room and tremble.
Speaker 3 (22:17):
Oh yeah, I make the tromble, yes, sir, Well, budges
right there would Yeah, he can tell you.
Speaker 1 (22:30):
No, sure I ain't developed it, chure No, I know well, no, sir,
I sure trot there with somebody under that car when
I was taking a picture and when we went back. No,
that's right. I couldn't see anybody either, but I just
sworn it. Well, I don't know. Well, I'm gonna cook
(22:53):
the film right now. Yes, yes, quite as soon as
I guess developed. Yes, Hey, anybody in the back room
(23:32):
give me a biggie, willing si biggie. This is scalla. Listen. Well,
wait night, I gotta pull myself together. Yeah, you know
that picture I took when I thought i'd seen that
chatter under the car? Yeah? Yeah, Well in the picture
(23:55):
there is a guy under the car and he's all
smacked up. Why not kidding? Yeah? Sure, oh you you
couldn't see through a midtime.
Speaker 3 (24:08):
Well listen, big ye, I'm scared because you gotta shot
in front of the conic Ad bar.
Speaker 1 (24:14):
I gotta have it. I never missed the shop my life. Yeah,
I gotta send over by kid with it. What I
can't s the stumble? Oh I can't. I can't show
what the buzz either. What listen, big ye? I burned
it up the film, I burned it up. Well you
(24:36):
can see the guys say playing in this picture. Yeah yeah,
it's buzz h m hmm.
Speaker 7 (24:51):
What somebody's doing down in the lobby.
Speaker 1 (24:55):
You can why? Well what forth, buds? Come on, you're
going with me?
Speaker 7 (24:59):
We gotta see serious, Simon Boying.
Speaker 1 (25:01):
Well, I mean, don't myself hid it hurry up.
Speaker 7 (25:03):
I'll wait for you.
Speaker 1 (25:03):
I have been looking all over up for you.
Speaker 7 (25:05):
Want honey on the way, We'll get the camera, a
lot of films. We'll film to rock a purry hate
it now.
Speaker 1 (25:10):
I mean she's down here.
Speaker 7 (25:11):
Ye'll be right here. I gotta make a phone call.
Speaker 1 (25:14):
Mm hmm.
Speaker 6 (25:31):
Let me talk to Steve Tumble, Alma, who want to Tumble?
This is sad I found rock all right? Yeah, so
I want to thank you again. It's gonna be a
full story.
Speaker 1 (25:45):
I promise you.
Speaker 7 (25:48):
We're gonna let out to the car bonds now until
the car is waiting for you.
Speaker 6 (25:51):
So on.
Speaker 1 (25:54):
Mm hmmm.
Speaker 8 (26:06):
Who but of tonight's gwine please?
Speaker 1 (26:17):
Story is thirteen and eight. It is written and directed
by Willis Cooper and the man who spoke to you
was Ernest Capel and Murray Form played Viggie was was
played by Ed Raggy and a variety of voices in
the choice about half hours, Rippers, cops, Doug office voice,
a step where by Dave Paddle Mallory. Music for quiet
(26:40):
Please as usual was played by Albert Burman. Our words
from our writer, director Willis.
Speaker 10 (26:46):
Cooper, you couldn't possibly have recognized yourself anybody who ever
knew living at bed in thirteen and eight, because I
invented them all myself, and any resemblance to anybody else
is an amazing coincidence.
Speaker 8 (27:00):
Next week is called how Beautiful upon the mom.
Speaker 1 (27:04):
Mm hmmm h m, and so uto next week. At
the same time, I am quietly yours earnest sample m
hm m.
Speaker 8 (27:28):
Quiet please come to you from New
Speaker 1 (27:29):
York less a mutual not captain systems
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