October 30, 2025 • 29 mins
A horror and fantasy anthology series that delves into the eerie and the unknown, offering stories that unsettle and provoke thought. Its minimalist production enhances the chilling narratives.
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
Usual padcasting system prevents the first of the series.
Speaker 2 (00:03):
That you and unusual dramatic program.
Speaker 1 (00:05):
Litten, directed by Little Sooper and featuring Ernest Chapple.
Speaker 2 (00:19):
Wire Please Wire please, three levels. A little house age
twenty feet long, fifteen feet wide.
Speaker 3 (00:42):
It's made of carrigated iron.
Speaker 4 (00:43):
Sheets with a high peaked rope.
Speaker 2 (00:45):
It sort of hangs over the edge of the mountaintop
with nothing but the spice of times we stretching all
the way down the Pasadena better than a mild belawyer.
Speaker 3 (01:00):
Get out to California.
Speaker 2 (01:01):
What if you do go up there sometime and take
a look at that little house, But look at it.
Speaker 5 (01:06):
You the fence that surrounds it.
Speaker 3 (01:09):
That's far enough to the fence.
Speaker 2 (01:12):
You go out for hill Boulevard toward Pasylvania, which you
turn off on an Angela's pressed highway.
Speaker 6 (01:17):
That's lack matter.
Speaker 3 (01:19):
Just keep fine driving up here and you get there.
Be brought on joing the top of mount.
Speaker 6 (01:24):
At the end of the highway.
Speaker 3 (01:28):
Do you have a look through a big telescope that's
the sky at night at the things up.
Speaker 4 (01:33):
There, things for far away. You sprain your brain just trying.
Speaker 2 (01:38):
To imagine how far away they are.
Speaker 5 (01:41):
With nothing between you and.
Speaker 4 (01:42):
Then billions and billions.
Speaker 3 (01:45):
Of miles of nothing.
Speaker 2 (01:48):
I don't know what it does to you. But brother
five three, listen, do you know there are.
Speaker 3 (01:54):
Holes in the sky?
Speaker 4 (01:56):
No, I mean it.
Speaker 5 (01:57):
I've seen it.
Speaker 2 (01:58):
There's a thing in the constellation androm and on my
way over that.
Speaker 3 (02:01):
I'm not going to get technical with you.
Speaker 7 (02:03):
Let's listen.
Speaker 3 (02:04):
There's this thing astronomers.
Speaker 4 (02:05):
Call out the horse's head nebula.
Speaker 5 (02:08):
You know what it is.
Speaker 3 (02:10):
It's a hole. It's a great big patch of nothing.
Does nothing? How many stars?
Speaker 4 (02:21):
There is just a whole?
Speaker 2 (02:24):
No, nobody knows anything about it. Astronomers look at it.
They take pictures of it, and there it stays there.
It is now and tomorrow and the next day and
a million years from now, and it's been there always, Yes,
it has. It's so far away that what you see
now is the way it looked a billion years ago.
Speaker 3 (02:47):
Before there was anybody to see it.
Speaker 7 (02:48):
Sound stand, there's lots more of those peoples.
Speaker 1 (02:54):
So what's all this got to do with a little
house up Frontip Mint Wilson, Okay, this was.
Speaker 3 (03:07):
Quite some time ago.
Speaker 2 (03:08):
I've been living in California seat for several years. I
had a couple of Bucks, had a nice little place
near Vanais. That was before the valley got to be
so popular with movie people, radio, comic people like that.
Speaker 3 (03:20):
And it wasn't bad living alone.
Speaker 2 (03:23):
Waking up in the middle of the night, hearing the
seven Pacific light whistled, and crossing out around Chancewood, listening
to a dog howling way out across the valley.
Speaker 5 (03:35):
Going back to the mountain.
Speaker 4 (03:38):
I don't yes that to sleep so.
Speaker 8 (03:40):
Easy to see.
Speaker 2 (03:43):
Well, these people from Cleveland were out there. Aldo Manucci
and Hugh Grant.
Speaker 3 (03:47):
We used to be great friends.
Speaker 4 (03:48):
Aldo and you and I.
Speaker 2 (03:50):
So nothing would do, but they'd come to stay with me.
Speaker 7 (03:53):
It was all right.
Speaker 3 (03:53):
I'd had a Dodge convertible.
Speaker 2 (03:56):
The boys got quite a kick out of California.
Speaker 3 (03:58):
That's how we came to grow up to Wilson.
Speaker 2 (04:00):
That day Aldo and Hugh had been, you know, looking
around for our places.
Speaker 4 (04:05):
They had some ideas. So one day we were.
Speaker 2 (04:08):
Having breakfast and they were looking at an auto of
these flat bulletin.
Speaker 5 (04:12):
Aldo said, let's go to Mount Wilson.
Speaker 4 (04:15):
So we did, so we did. I've been up there
once before. You know how it is in California. I
knew it.
Speaker 5 (04:26):
I thought I knew everything I found out different.
Speaker 2 (04:31):
We were inside the big dome where the one hundred
inch telescope is black, being inside.
Speaker 3 (04:37):
Of giants watch.
Speaker 4 (04:40):
The telescope is in the middle.
Speaker 2 (04:42):
A big spidery framework with the letters climbing all over it.
Speaker 3 (04:45):
Up under this dome, the tourists.
Speaker 2 (04:48):
Stand on the kind of a catwalk around the edge.
Probably the astronomer exclaimed, with much of these things.
Speaker 8 (04:53):
To the upper nachos and sand.
Speaker 2 (04:56):
There was just a few of us that day standing
close to a little kind of poken listening with our
mouths upon them.
Speaker 3 (05:02):
Yeah, it is like a corpus.
Speaker 2 (05:05):
I got to think in that day, how the astana
looked like a priest of the nice.
Speaker 4 (05:10):
Old white haired fellow was.
Speaker 3 (05:13):
A preach, and I was thinking he was talking about
the heavens too.
Speaker 5 (05:18):
I changed all before.
Speaker 8 (05:20):
But my mouth was as wide open as huge.
Speaker 5 (05:22):
And now those.
Speaker 7 (05:26):
Moving through space three the moves around the Sun. That's
the raps about eighteen and a half miles from sector.
Speaker 9 (05:37):
So, therefore see, we must, in order to teach this
telescope focus accurately around the celestial objects who are good
and neutralize the penis. The telescope itself, like the will o,
there is controllable in any direction.
Speaker 6 (05:54):
By this most.
Speaker 5 (06:01):
Notice the motion of the telescope.
Speaker 7 (06:05):
And the final movement, the rotation of the entire dome
is that is synchronized with the feed of the Earth
to space. What's the steps above?
Speaker 3 (06:24):
Look at it, look across, look outside.
Speaker 4 (06:28):
We we ain't moving. The sky's gone by.
Speaker 10 (06:32):
Look at you, I see it.
Speaker 3 (06:34):
It's an octrical illusion all though.
Speaker 7 (06:36):
No, it's not an optical illusion in relation to space.
This start we are on is sand and slid through
these motions. Here in the dome, the mirror of the
telescope is kept aimed exactly at one start, far out
of space.
Speaker 4 (06:52):
What's space? This getot the air?
Speaker 10 (06:58):
The two miles there then?
Speaker 4 (07:00):
And then or stars?
Speaker 7 (07:05):
Yes, the stars and the places where there are no stars.
Speaker 2 (07:18):
My skin twisted a little when he said that the
places whither are those stars?
Speaker 5 (07:23):
There's yours?
Speaker 2 (07:26):
Well, the show was over and we went outside unto
the sunlight. We walked across the long wooden bridge, into
a deep gully in front of the bone, and down
a little path passd the thing they call a seiler
stats the small dom on legs about a hundred feet past.
Then they studied the sun and sun spots and things
like that. With that was kind up there a long time,
(07:48):
the middle of the afternoon and there was a chill
in the air.
Speaker 5 (07:52):
Who were just talking.
Speaker 4 (07:53):
It's an odd place.
Speaker 3 (07:54):
And they get kind of impressed with people in pressure.
Speaker 5 (08:00):
Strangers.
Speaker 3 (08:02):
They live up there all by themselves.
Speaker 4 (08:04):
They look at the skies, the sea.
Speaker 3 (08:09):
You always get the feeling they know a lot more
than the time. Yeah, doctors, I preach.
Speaker 5 (08:16):
I guess I said that, didn't that?
Speaker 7 (08:19):
Oh, they're right.
Speaker 4 (08:22):
The path leads through the woods.
Speaker 3 (08:23):
The biggest live books you ever saw in through the woods.
Speaker 4 (08:26):
Rover of the old hotel.
Speaker 3 (08:27):
So I said, hey, how about a beer before we
start down?
Speaker 4 (08:30):
The beer that's for me.
Speaker 10 (08:32):
You can't get a hot licking up here, russ.
Speaker 3 (08:34):
I don't think so.
Speaker 5 (08:35):
Anyway.
Speaker 2 (08:35):
I wouldn't want to drink, not with all that l
road ahead of me.
Speaker 4 (08:37):
No jumps take don't drink rush. I didn't want to
ride that road. But nobody's had a drink a liquor.
Maybe you couldn't have a beardy kind of way a
beer walk hut th.
Speaker 3 (08:46):
He what's his friends for? I never noticed that before.
Speaker 2 (08:50):
Quite a fence, A hard time getting over that.
Speaker 4 (08:53):
What would you want to get over there for I
don't know what do.
Speaker 10 (08:57):
You suppose is on the other side.
Speaker 4 (08:58):
And when they got the other strings, I can't see anything.
Speaker 2 (09:01):
Such a little house out there and still.
Speaker 4 (09:04):
Yeah, funny looking places.
Speaker 5 (09:06):
Things goes right around him.
Speaker 4 (09:08):
I'm gonna gate. Noah, come on, let's get a bit.
Speaker 3 (09:11):
I want to look at this us.
Speaker 4 (09:12):
Probably they got something valuable in there.
Speaker 8 (09:14):
Sure scientist against him into something.
Speaker 3 (09:16):
This place is all part of that stuff.
Speaker 4 (09:18):
Hey, look shin where? Yeah, how I'll come out?
Speaker 1 (09:22):
Oh wait, what's it?
Speaker 3 (09:23):
Say?
Speaker 4 (09:24):
Ye, I'll make the bids of past.
Speaker 8 (09:27):
I'm just say under.
Speaker 3 (09:31):
At all.
Speaker 4 (09:32):
Yeah, we just to go on that lake still, I
don't care. There's a door up at the end of
that trestle.
Speaker 2 (09:39):
Maybe we could get back and get into that other.
Speaker 10 (09:41):
Sp where the pressle starts.
Speaker 3 (09:42):
Huh, what do you wanna do in there? For?
Speaker 7 (09:44):
I'll come on.
Speaker 5 (09:45):
We gotta get gone.
Speaker 7 (09:46):
I'm just curious, you.
Speaker 5 (09:47):
Know what I mean?
Speaker 11 (09:49):
Place not come in handy?
Speaker 4 (09:50):
Oh yeah, see especially flake.
Speaker 5 (09:54):
He's everybody out like this.
Speaker 4 (09:56):
Uh the thing let's be full of stuff. He was
like rush set, same pipet stuff.
Speaker 5 (10:00):
Yeah, it might be, might not be.
Speaker 9 (10:02):
Hey, here comes that tell that made the steel up there?
Speaker 4 (10:05):
That's eve though he won't tell you.
Speaker 3 (10:08):
We'll find out.
Speaker 8 (10:09):
Hey, fellow, ah, yeah, hey, were you talking to me?
Speaker 7 (10:14):
Yeah?
Speaker 9 (10:14):
What's in that funny looking.
Speaker 4 (10:15):
Building over there?
Speaker 1 (10:18):
No?
Speaker 4 (10:19):
Yeah, but the idea depends that you don't want people
to go in this.
Speaker 5 (10:23):
I should like to see what's in it?
Speaker 10 (10:25):
Said, there's nothing in it?
Speaker 7 (10:28):
You sure an absolution?
Speaker 3 (10:31):
Uh?
Speaker 4 (10:31):
Could we get past to go in there?
Speaker 5 (10:33):
Baby?
Speaker 7 (10:33):
No, you saw the signs, didn't you.
Speaker 3 (10:36):
Yeah, So it's something about U tunnel of the law.
Speaker 4 (10:39):
He didn't reat it very cat he didn't read it.
I did it again, right.
Speaker 3 (10:47):
Y.
Speaker 4 (10:47):
I'm like a building to pass beyond the fan under
the penalty. I see what it means. Either can say
anything about the law?
Speaker 6 (11:03):
Well, yet.
Speaker 7 (11:10):
Not at all?
Speaker 4 (11:11):
Well, what does it mean?
Speaker 3 (11:13):
Then?
Speaker 10 (11:13):
I'll give you a little tend sis.
Speaker 5 (11:16):
I would decide to time up?
Speaker 6 (11:19):
Is that so?
Speaker 5 (11:20):
Yeah?
Speaker 3 (11:21):
Do you really know what's in there?
Speaker 5 (11:22):
Mister?
Speaker 3 (11:24):
What?
Speaker 8 (11:26):
That's okay, let's let's.
Speaker 5 (11:30):
Go get that beer.
Speaker 8 (11:38):
Well, and of course you know what was.
Speaker 4 (11:39):
Up your way ahead of me.
Speaker 5 (11:41):
My Cleveland pals were in California just for the vacation.
Speaker 2 (11:45):
It was a bank i'd had my eye on for
a while off in the Pacific Palisade wasn't the first
bank of Nucci and who Grant and I had worked
a d lion. I didn't go much for this place up,
I'm not working with nothing in a fence around it.
Although and you well, after all, could you find a
better place to stash away some good nobody could get in?
(12:05):
They said, And if we could, we also. I bought
the idea. Finally, and to make a long story sharp,
we took I think it was fifty.
Speaker 4 (12:15):
Three thousand dollars out of the bank.
Speaker 2 (12:17):
Fifty three fifty four.
Speaker 4 (12:19):
What's the difference.
Speaker 5 (12:20):
It's all gone down.
Speaker 2 (12:26):
It's a long drive from Pacific Cola safe over Sunset Boulevard,
then U Dot the blend of the valley, Uberanize the
Sunland down fast the sanitarium, and putting a boulevard to
where you turn off on the Angelus Pressed highways. The
long drive, especially at one o'clock in the morning.
Speaker 8 (12:44):
That was when we pulled out a Pacific Flasade.
Speaker 3 (12:47):
This was summer. Uh.
Speaker 4 (12:50):
After the train on the mountain road, you're.
Speaker 3 (12:52):
Not allowed to smoke.
Speaker 5 (12:53):
You see a fire warden might come.
Speaker 2 (12:55):
Along, and those guys can tell somebody smoking in the
car a half mile off they'll show you in the
hand for forest fires. Now, we didn't want anybody stopping it.
It was risky or not anyway, because practically nobody ever
dries up there late.
Speaker 8 (13:08):
At night or early in the morning.
Speaker 4 (13:11):
I mean, why we.
Speaker 2 (13:13):
Didn't meet anybody or all three of us were jittery.
Speaker 4 (13:16):
Was no cigarette?
Speaker 2 (13:18):
That road stuffing up in daylight? Okay, in the dark.
It was half fast four when we got to the top.
The hotel was dark. Cabinets with that.
Speaker 6 (13:33):
That's the guy just like stocks with us.
Speaker 4 (13:39):
Why did they put him and reach up and such a.
Speaker 3 (13:42):
I remember the old guy in a hundred inch lome
nothing between.
Speaker 6 (13:46):
Us and the star.
Speaker 4 (13:50):
Down below.
Speaker 5 (13:52):
If you ever been up there at night, you know
what I mean.
Speaker 8 (13:55):
That's like looking down at.
Speaker 2 (13:56):
The stars the lights is seventeen eighteen nineteen passive being
in Los Angeles, Hollywood. Then I San Fernando, Culver City,
Santa Monica. That my care standing and I haven't seen
that is never mind how many years.
Speaker 5 (14:17):
Well we stumbled to the pitch store.
Speaker 6 (14:22):
We go off for past three times.
Speaker 5 (14:24):
Very far back and refining, that'll be a fall. He
still couldn't risk your cigarette. It's few Grant was in
front then the Nado. We each had you pad.
Speaker 4 (14:41):
Few had a part of picks and wire cutters.
Speaker 6 (14:44):
Then get through a steel table.
Speaker 5 (14:47):
All of a sudden you jumped into the center.
Speaker 3 (14:49):
Out.
Speaker 5 (14:51):
Where are you stand still with?
Speaker 4 (14:54):
Start listen from that.
Speaker 5 (14:58):
Any yeah?
Speaker 3 (15:00):
No see I.
Speaker 7 (15:04):
No, look the dome over there, can you see somebody?
Speaker 3 (15:08):
No?
Speaker 5 (15:10):
And two big.
Speaker 4 (15:11):
Windows up there, but that big round the dome looks
like somebody watch us.
Speaker 3 (15:15):
Yeah, turve it other, I'll cut it out.
Speaker 5 (15:18):
I'm gonna try the fens with a couple or the
black light jump.
Speaker 3 (15:21):
No, I wish we watch yeah pretty generously.
Speaker 6 (15:26):
Just don't like that place, though, I get out of
the way.
Speaker 4 (15:28):
Most would help you.
Speaker 11 (15:30):
Just keep out of our ways.
Speaker 8 (15:32):
Yeah, wait.
Speaker 5 (15:35):
Everything that a wire made?
Speaker 4 (15:37):
Nothing?
Speaker 11 (15:38):
No insta alright, alright, I'll try another strand Yeah, let's
see if you can slide under there one of you
me whom Yeah, I got'ta let it get it one
fly another look out here around then.
Speaker 5 (15:55):
And I'll try, uh.
Speaker 4 (15:57):
What't like take off my thoat?
Speaker 9 (15:58):
Yeah?
Speaker 4 (16:00):
Uh stu, let's see.
Speaker 11 (16:04):
How about it?
Speaker 5 (16:06):
He's through?
Speaker 6 (16:06):
Alright, go ahead me you it's all right, got another
scram set. I'll make you now you just true?
Speaker 3 (16:20):
Yeah, where are y'all doing right here?
Speaker 10 (16:24):
How about you?
Speaker 8 (16:25):
Hey Eld the blue kids for us coming up?
Speaker 5 (16:28):
Got him got here?
Speaker 3 (16:31):
I come all set, all set, I'm all set.
Speaker 2 (16:36):
I'm as all set as I ever will be. I figure,
I don't like any part of this place.
Speaker 5 (16:41):
I don't like the dock.
Speaker 3 (16:42):
I don't like the stars up above us. I don't
like the lights down below.
Speaker 5 (16:46):
I don't like the silence.
Speaker 2 (16:48):
I don't like climbing around the top of a mountain
with nothing under me.
Speaker 5 (16:51):
But thin air.
Speaker 2 (16:52):
For a mile or more, all I can hear is
a few one out of in front of me, cracking
through the weeds, cursing one on wha sashin against the
sharp rock, and I can see his two black shapes
in front of the blacker shape. That's the building, a
little house with nothing in it now though, and the
hue were panting fifty eight hundred feet.
Speaker 6 (17:13):
You know, her breath is pretty short.
Speaker 2 (17:16):
It's tough going, especially when you're dragging a briefcase full
of money too.
Speaker 5 (17:20):
You're scared and sweat and is hired.
Speaker 2 (17:22):
And then all of a sudden run of the building
alongside one of the stress hold.
Speaker 6 (17:28):
Up the little.
Speaker 5 (17:31):
Boasts him up.
Speaker 2 (17:33):
He was a little guy, he spried's sprouder than I am.
Up there a mile in the air, and I guess
he's not as scared as I am. So I look
up and he's sprawling on the trestle with nine million
stars behind him, reaching down to me.
Speaker 6 (17:48):
I scrambled up.
Speaker 5 (17:50):
I never know how I made it either, and we
are the second held us up there with us.
Speaker 8 (17:56):
Quire minute and rest.
Speaker 5 (18:00):
Knocked out there.
Speaker 4 (18:03):
Yeah, heard anything good?
Speaker 5 (18:07):
Just the wind bus I.
Speaker 8 (18:12):
No, I thought I heard something just it's just the window. Listen,
I see the window.
Speaker 5 (18:21):
Well, So we stood up.
Speaker 2 (18:25):
So Hugh walked the rest of the way down the
little trestle. We followed them, stumbling over the planks.
Speaker 5 (18:33):
And there was the door.
Speaker 2 (18:37):
They rattled a bar on it. There was the padlock.
So you took the big cutters and he wrenched away
at the bar. We shivered there in the cowld, waiting
to see if anybody heard us. That wasn't a sound,
so you tried again. The thought fell off.
Speaker 5 (19:03):
Cat you still think out.
Speaker 8 (19:06):
And then open the door.
Speaker 5 (19:10):
H say, where's the black like wake? I' know where
he can see us. Put your fingers open and turned
it down.
Speaker 4 (19:18):
Turn it in there, okay, I gotta see anything.
Speaker 5 (19:22):
When the guy said there was nothing in there, I
can't see a thing.
Speaker 4 (19:25):
Open up the light a little more and got it open.
Speaker 2 (19:28):
So lacking there that's something I matter with a light.
Speaker 4 (19:31):
Other that look turned that light off me five looked loud,
like shutting through the sight.
Speaker 2 (19:37):
Nothing nothing, It's gotta be something in there. Nothing, the
man said, ain't even people luring.
Speaker 5 (19:44):
Well, I'll find out if it's anything in that.
Speaker 4 (19:46):
Lad don't als can't tell what's libna be.
Speaker 5 (19:49):
Man, I'll look at untass the briefcase.
Speaker 4 (19:51):
In no, no play a wire?
Speaker 5 (19:53):
Cut us in?
Speaker 4 (19:54):
Where are they? Yeah?
Speaker 8 (19:55):
The other mighty?
Speaker 5 (19:56):
Look out?
Speaker 10 (19:57):
Where is he still?
Speaker 11 (19:58):
Just wake up?
Speaker 4 (19:59):
I'm dead.
Speaker 5 (20:01):
I don't know what they Uh is I guess?
Speaker 8 (20:03):
And a shop with luck to night?
Speaker 3 (20:05):
No kidding, I'll give it them cutters.
Speaker 11 (20:06):
Uh yeah, shine the light in there.
Speaker 8 (20:11):
Shoot, can't see anything?
Speaker 6 (20:12):
Can you go?
Speaker 10 (20:13):
Then get out of the doorway.
Speaker 11 (20:15):
Keep the light in there.
Speaker 4 (20:16):
Go ahead, un look at the firework.
Speaker 5 (20:18):
Alright, look out.
Speaker 4 (20:24):
Where'd they go?
Speaker 5 (20:26):
Touch them? How them?
Speaker 4 (20:27):
I say, bounce, move the light around.
Speaker 11 (20:29):
It can't see a thing.
Speaker 4 (20:30):
They can't be there there it'll be the light just in.
Speaker 11 (20:34):
The seaseless Ah, cut it out there's probably some kind
of stuff on the floor, powdered.
Speaker 3 (20:40):
Maybe they fell into it.
Speaker 11 (20:41):
Yeah, stand to one side, Russ, What are you gonna do?
Speaker 5 (20:44):
I'm going in to look around.
Speaker 4 (20:46):
You gonna gun down there? Yes, this little petty though.
Speaker 2 (20:48):
Alright, come on, Russ, you stay here and watch and listen.
Speaker 5 (20:52):
I wouldn't go in there. You don't.
Speaker 3 (20:53):
Nobody asks you to.
Speaker 5 (20:54):
I'm going come on out there and listen to you.
Speaker 11 (20:57):
You got the screaming miamies too, and come on with
that guy.
Speaker 5 (21:00):
There's nothing in there, so you come on. Let's get
out of here. I'll shut out.
Speaker 3 (21:04):
Yeah, m was run to take that down too.
Speaker 4 (21:06):
We can stick it in there. I go ahead out
over the life. You'll go first, all right, I'm standing
there and keep their ears? Say you say? I can
see us?
Speaker 3 (21:20):
Lessen now though, don't go in there.
Speaker 4 (21:22):
I got through. Hey here here alright, listen, how so
keep your ice and hears open up.
Speaker 5 (21:30):
We'll be back back.
Speaker 4 (21:32):
Hey here you alright? How little here?
Speaker 2 (21:36):
Here?
Speaker 5 (21:37):
How do let's see in there?
Speaker 4 (21:40):
Hey here, I'll kill us something? Come out with him here?
I come here, I'm god.
Speaker 3 (21:50):
Q Hey you.
Speaker 7 (21:54):
How do hey?
Speaker 3 (21:57):
What's in there?
Speaker 4 (21:57):
YouTube?
Speaker 10 (21:59):
H I can see you you can stand up now,
they won't come out.
Speaker 5 (22:16):
I assure, come out, I center.
Speaker 3 (22:24):
I've got a gun.
Speaker 4 (22:26):
No that happens.
Speaker 10 (22:27):
Stand up.
Speaker 4 (22:29):
When my friends come out, they're.
Speaker 10 (22:31):
Not coming out of that stand up.
Speaker 3 (22:36):
Wouldn't believe you.
Speaker 5 (22:37):
When I told it? What's in there?
Speaker 4 (22:42):
What's in there?
Speaker 10 (22:43):
I said, I've told you there's nothing behind that.
Speaker 4 (22:47):
Though my friends went in there, they're not there.
Speaker 10 (22:51):
No, there's nothing in that.
Speaker 3 (22:55):
You understand that.
Speaker 10 (22:57):
They're not.
Speaker 5 (23:01):
Lessen?
Speaker 4 (23:02):
No, you was, I well, I supposed to w ver
with attendant.
Speaker 5 (23:08):
Tell me what I got to show? Show me what?
Speaker 7 (23:13):
Come with me?
Speaker 3 (23:14):
No, come with me?
Speaker 4 (23:16):
I was, you got it? Wait way tell me.
Speaker 2 (23:38):
Across the little tress away from the door, closed down
my friends through another door, you know, a long shut
in the dark.
Speaker 5 (23:50):
And I was glad I couldn't see it. Held another
door down the ship.
Speaker 2 (23:58):
I'm the past past it steal a step, reaching up
into the sky, shining in the skylight, looking like one
of those visitors from Mars you heard about on a radio.
Across the little wooden bridge with two eyes of a
hundred and stones staring down at me in a cold wind, coming.
Speaker 5 (24:16):
Up the other side of the mountain and up the
ramp in the the tomb itself.
Speaker 4 (24:30):
And up the iron stairs.
Speaker 2 (24:34):
Follow me a little yellow light at the head of
the stairs, and then out on a camp in the dark,
with the floor forty feet flowers.
Speaker 5 (24:44):
Stop another ladder.
Speaker 3 (24:46):
My legs are getting tired up, and follow me.
Speaker 2 (24:50):
Stop another dizzy ladder, and another, and across another spidery
rock and sitting in this s.
Speaker 5 (25:01):
They can't speak.
Speaker 2 (25:03):
The trope is dry, the light seek trembling, icy cold
in that great dome out part about the floor.
Speaker 7 (25:10):
I can't tell you, says still you woke for why
didn't so?
Speaker 5 (25:14):
Still?
Speaker 6 (25:14):
I said, you don't have to be shown.
Speaker 12 (25:18):
Wait, like let it destinations. You can look now look
that's what slip through the teles. Now look sun.
Speaker 4 (25:36):
What do you see? Stars?
Speaker 3 (25:41):
Millions of stars?
Speaker 4 (25:42):
Wait, look again, what do you see?
Speaker 8 (25:53):
Nothing?
Speaker 5 (25:55):
Nothing?
Speaker 7 (25:56):
What now?
Speaker 4 (26:03):
Stars against millions?
Speaker 5 (26:06):
No, a black cloud?
Speaker 3 (26:07):
Now nothing?
Speaker 10 (26:12):
That's nothing you see?
Speaker 7 (26:14):
Is a million light years away?
Speaker 3 (26:17):
What is it?
Speaker 7 (26:18):
There's nothing there to see but from there are spurs
of places in this universe where there's nothing far placements
near placements. Do you understand what I mean?
Speaker 4 (26:34):
You said what you meant.
Speaker 10 (26:35):
When you said when I said there's nothing behind that?
Speaker 4 (26:39):
Done?
Speaker 7 (26:41):
Yes?
Speaker 4 (26:42):
Well, where where your friends from?
Speaker 7 (26:46):
Disguided friends?
Speaker 3 (26:48):
I don't know?
Speaker 10 (26:50):
Perhap take your.
Speaker 5 (26:52):
Eye from the telescope.
Speaker 4 (26:54):
Wait, look now, if you dare or what look?
Speaker 7 (27:09):
Yes?
Speaker 2 (27:10):
You guess what I saw? You guess what I saw
clawing through black clouds at nothing? You guess what eyes
I saw? I saw nothing? Yes, the little house is
still there and Mount Wilson. You can go look at
(27:32):
it if you want.
Speaker 5 (27:33):
To, but don't go too close. Maybe some of you
will tell you is just a place where they store equipment.
Speaker 8 (27:39):
Maybe why did they keep the door locked in?
Speaker 5 (27:45):
Well, just one other thing. Don't you go.
Speaker 2 (27:50):
Around opening doors you don't know anything about it.
Speaker 5 (27:53):
There might be nothing behind one of them.
Speaker 2 (28:11):
You've just heard Quiet Please, which is written and directed
by Willis Cooper.
Speaker 4 (28:16):
The Nano talk to You is Ernest Chapel and Amanda played.
Speaker 2 (28:21):
Albert Manucci is Martin, Lawrence Paddle Mally was Hugh Grant
and James Dundyke the astronomer. The music was composed and
played by Gene Prazzo, an actor. What about Quiet Please?
For next week yours our writer producer Willis Cooper, y.
Speaker 12 (28:35):
I've written what I think is an exciting and unusual
lunch stary for next week Chappie, you will welcome, as
I guess, the charming star of stage and.
Speaker 4 (28:43):
Radio, Quaudia Morgan.
Speaker 2 (28:45):
Quiet please for next week is entitled I've been looking
for you until next week, then.
Speaker 8 (28:53):
Quietly, yours, Dennis Chapel.
Speaker 5 (29:10):
This is a mutual broadcasting system.
Usual padcasting system prevents the first of the series.
Speaker 2 (00:03):
That you and unusual dramatic program.
Speaker 1 (00:05):
Litten, directed by Little Sooper and featuring Ernest Chapple.
Speaker 2 (00:19):
Wire Please Wire please, three levels. A little house age
twenty feet long, fifteen feet wide.
Speaker 3 (00:42):
It's made of carrigated iron.
Speaker 4 (00:43):
Sheets with a high peaked rope.
Speaker 2 (00:45):
It sort of hangs over the edge of the mountaintop
with nothing but the spice of times we stretching all
the way down the Pasadena better than a mild belawyer.
Speaker 3 (01:00):
Get out to California.
Speaker 2 (01:01):
What if you do go up there sometime and take
a look at that little house, But look at it.
Speaker 5 (01:06):
You the fence that surrounds it.
Speaker 3 (01:09):
That's far enough to the fence.
Speaker 2 (01:12):
You go out for hill Boulevard toward Pasylvania, which you
turn off on an Angela's pressed highway.
Speaker 6 (01:17):
That's lack matter.
Speaker 3 (01:19):
Just keep fine driving up here and you get there.
Be brought on joing the top of mount.
Speaker 6 (01:24):
At the end of the highway.
Speaker 3 (01:28):
Do you have a look through a big telescope that's
the sky at night at the things up.
Speaker 4 (01:33):
There, things for far away. You sprain your brain just trying.
Speaker 2 (01:38):
To imagine how far away they are.
Speaker 5 (01:41):
With nothing between you and.
Speaker 4 (01:42):
Then billions and billions.
Speaker 3 (01:45):
Of miles of nothing.
Speaker 2 (01:48):
I don't know what it does to you. But brother
five three, listen, do you know there are.
Speaker 3 (01:54):
Holes in the sky?
Speaker 4 (01:56):
No, I mean it.
Speaker 5 (01:57):
I've seen it.
Speaker 2 (01:58):
There's a thing in the constellation androm and on my
way over that.
Speaker 3 (02:01):
I'm not going to get technical with you.
Speaker 7 (02:03):
Let's listen.
Speaker 3 (02:04):
There's this thing astronomers.
Speaker 4 (02:05):
Call out the horse's head nebula.
Speaker 5 (02:08):
You know what it is.
Speaker 3 (02:10):
It's a hole. It's a great big patch of nothing.
Does nothing? How many stars?
Speaker 4 (02:21):
There is just a whole?
Speaker 2 (02:24):
No, nobody knows anything about it. Astronomers look at it.
They take pictures of it, and there it stays there.
It is now and tomorrow and the next day and
a million years from now, and it's been there always, Yes,
it has. It's so far away that what you see
now is the way it looked a billion years ago.
Speaker 3 (02:47):
Before there was anybody to see it.
Speaker 7 (02:48):
Sound stand, there's lots more of those peoples.
Speaker 1 (02:54):
So what's all this got to do with a little
house up Frontip Mint Wilson, Okay, this was.
Speaker 3 (03:07):
Quite some time ago.
Speaker 2 (03:08):
I've been living in California seat for several years. I
had a couple of Bucks, had a nice little place
near Vanais. That was before the valley got to be
so popular with movie people, radio, comic people like that.
Speaker 3 (03:20):
And it wasn't bad living alone.
Speaker 2 (03:23):
Waking up in the middle of the night, hearing the
seven Pacific light whistled, and crossing out around Chancewood, listening
to a dog howling way out across the valley.
Speaker 5 (03:35):
Going back to the mountain.
Speaker 4 (03:38):
I don't yes that to sleep so.
Speaker 8 (03:40):
Easy to see.
Speaker 2 (03:43):
Well, these people from Cleveland were out there. Aldo Manucci
and Hugh Grant.
Speaker 3 (03:47):
We used to be great friends.
Speaker 4 (03:48):
Aldo and you and I.
Speaker 2 (03:50):
So nothing would do, but they'd come to stay with me.
Speaker 7 (03:53):
It was all right.
Speaker 3 (03:53):
I'd had a Dodge convertible.
Speaker 2 (03:56):
The boys got quite a kick out of California.
Speaker 3 (03:58):
That's how we came to grow up to Wilson.
Speaker 2 (04:00):
That day Aldo and Hugh had been, you know, looking
around for our places.
Speaker 4 (04:05):
They had some ideas. So one day we were.
Speaker 2 (04:08):
Having breakfast and they were looking at an auto of
these flat bulletin.
Speaker 5 (04:12):
Aldo said, let's go to Mount Wilson.
Speaker 4 (04:15):
So we did, so we did. I've been up there
once before. You know how it is in California. I
knew it.
Speaker 5 (04:26):
I thought I knew everything I found out different.
Speaker 2 (04:31):
We were inside the big dome where the one hundred
inch telescope is black, being inside.
Speaker 3 (04:37):
Of giants watch.
Speaker 4 (04:40):
The telescope is in the middle.
Speaker 2 (04:42):
A big spidery framework with the letters climbing all over it.
Speaker 3 (04:45):
Up under this dome, the tourists.
Speaker 2 (04:48):
Stand on the kind of a catwalk around the edge.
Probably the astronomer exclaimed, with much of these things.
Speaker 8 (04:53):
To the upper nachos and sand.
Speaker 2 (04:56):
There was just a few of us that day standing
close to a little kind of poken listening with our
mouths upon them.
Speaker 3 (05:02):
Yeah, it is like a corpus.
Speaker 2 (05:05):
I got to think in that day, how the astana
looked like a priest of the nice.
Speaker 4 (05:10):
Old white haired fellow was.
Speaker 3 (05:13):
A preach, and I was thinking he was talking about
the heavens too.
Speaker 5 (05:18):
I changed all before.
Speaker 8 (05:20):
But my mouth was as wide open as huge.
Speaker 5 (05:22):
And now those.
Speaker 7 (05:26):
Moving through space three the moves around the Sun. That's
the raps about eighteen and a half miles from sector.
Speaker 9 (05:37):
So, therefore see, we must, in order to teach this
telescope focus accurately around the celestial objects who are good
and neutralize the penis. The telescope itself, like the will o,
there is controllable in any direction.
Speaker 6 (05:54):
By this most.
Speaker 5 (06:01):
Notice the motion of the telescope.
Speaker 7 (06:05):
And the final movement, the rotation of the entire dome
is that is synchronized with the feed of the Earth
to space. What's the steps above?
Speaker 3 (06:24):
Look at it, look across, look outside.
Speaker 4 (06:28):
We we ain't moving. The sky's gone by.
Speaker 10 (06:32):
Look at you, I see it.
Speaker 3 (06:34):
It's an octrical illusion all though.
Speaker 7 (06:36):
No, it's not an optical illusion in relation to space.
This start we are on is sand and slid through
these motions. Here in the dome, the mirror of the
telescope is kept aimed exactly at one start, far out
of space.
Speaker 4 (06:52):
What's space? This getot the air?
Speaker 10 (06:58):
The two miles there then?
Speaker 4 (07:00):
And then or stars?
Speaker 7 (07:05):
Yes, the stars and the places where there are no stars.
Speaker 2 (07:18):
My skin twisted a little when he said that the
places whither are those stars?
Speaker 5 (07:23):
There's yours?
Speaker 2 (07:26):
Well, the show was over and we went outside unto
the sunlight. We walked across the long wooden bridge, into
a deep gully in front of the bone, and down
a little path passd the thing they call a seiler
stats the small dom on legs about a hundred feet past.
Then they studied the sun and sun spots and things
like that. With that was kind up there a long time,
(07:48):
the middle of the afternoon and there was a chill
in the air.
Speaker 5 (07:52):
Who were just talking.
Speaker 4 (07:53):
It's an odd place.
Speaker 3 (07:54):
And they get kind of impressed with people in pressure.
Speaker 5 (08:00):
Strangers.
Speaker 3 (08:02):
They live up there all by themselves.
Speaker 4 (08:04):
They look at the skies, the sea.
Speaker 3 (08:09):
You always get the feeling they know a lot more
than the time. Yeah, doctors, I preach.
Speaker 5 (08:16):
I guess I said that, didn't that?
Speaker 7 (08:19):
Oh, they're right.
Speaker 4 (08:22):
The path leads through the woods.
Speaker 3 (08:23):
The biggest live books you ever saw in through the woods.
Speaker 4 (08:26):
Rover of the old hotel.
Speaker 3 (08:27):
So I said, hey, how about a beer before we
start down?
Speaker 4 (08:30):
The beer that's for me.
Speaker 10 (08:32):
You can't get a hot licking up here, russ.
Speaker 3 (08:34):
I don't think so.
Speaker 5 (08:35):
Anyway.
Speaker 2 (08:35):
I wouldn't want to drink, not with all that l
road ahead of me.
Speaker 4 (08:37):
No jumps take don't drink rush. I didn't want to
ride that road. But nobody's had a drink a liquor.
Maybe you couldn't have a beardy kind of way a
beer walk hut th.
Speaker 3 (08:46):
He what's his friends for? I never noticed that before.
Speaker 2 (08:50):
Quite a fence, A hard time getting over that.
Speaker 4 (08:53):
What would you want to get over there for I
don't know what do.
Speaker 10 (08:57):
You suppose is on the other side.
Speaker 4 (08:58):
And when they got the other strings, I can't see anything.
Speaker 2 (09:01):
Such a little house out there and still.
Speaker 4 (09:04):
Yeah, funny looking places.
Speaker 5 (09:06):
Things goes right around him.
Speaker 4 (09:08):
I'm gonna gate. Noah, come on, let's get a bit.
Speaker 3 (09:11):
I want to look at this us.
Speaker 4 (09:12):
Probably they got something valuable in there.
Speaker 8 (09:14):
Sure scientist against him into something.
Speaker 3 (09:16):
This place is all part of that stuff.
Speaker 4 (09:18):
Hey, look shin where? Yeah, how I'll come out?
Speaker 1 (09:22):
Oh wait, what's it?
Speaker 3 (09:23):
Say?
Speaker 4 (09:24):
Ye, I'll make the bids of past.
Speaker 8 (09:27):
I'm just say under.
Speaker 3 (09:31):
At all.
Speaker 4 (09:32):
Yeah, we just to go on that lake still, I
don't care. There's a door up at the end of
that trestle.
Speaker 2 (09:39):
Maybe we could get back and get into that other.
Speaker 10 (09:41):
Sp where the pressle starts.
Speaker 3 (09:42):
Huh, what do you wanna do in there? For?
Speaker 7 (09:44):
I'll come on.
Speaker 5 (09:45):
We gotta get gone.
Speaker 7 (09:46):
I'm just curious, you.
Speaker 5 (09:47):
Know what I mean?
Speaker 11 (09:49):
Place not come in handy?
Speaker 4 (09:50):
Oh yeah, see especially flake.
Speaker 5 (09:54):
He's everybody out like this.
Speaker 4 (09:56):
Uh the thing let's be full of stuff. He was
like rush set, same pipet stuff.
Speaker 5 (10:00):
Yeah, it might be, might not be.
Speaker 9 (10:02):
Hey, here comes that tell that made the steel up there?
Speaker 4 (10:05):
That's eve though he won't tell you.
Speaker 3 (10:08):
We'll find out.
Speaker 8 (10:09):
Hey, fellow, ah, yeah, hey, were you talking to me?
Speaker 7 (10:14):
Yeah?
Speaker 9 (10:14):
What's in that funny looking.
Speaker 4 (10:15):
Building over there?
Speaker 1 (10:18):
No?
Speaker 4 (10:19):
Yeah, but the idea depends that you don't want people
to go in this.
Speaker 5 (10:23):
I should like to see what's in it?
Speaker 10 (10:25):
Said, there's nothing in it?
Speaker 7 (10:28):
You sure an absolution?
Speaker 3 (10:31):
Uh?
Speaker 4 (10:31):
Could we get past to go in there?
Speaker 5 (10:33):
Baby?
Speaker 7 (10:33):
No, you saw the signs, didn't you.
Speaker 3 (10:36):
Yeah, So it's something about U tunnel of the law.
Speaker 4 (10:39):
He didn't reat it very cat he didn't read it.
I did it again, right.
Speaker 3 (10:47):
Y.
Speaker 4 (10:47):
I'm like a building to pass beyond the fan under
the penalty. I see what it means. Either can say
anything about the law?
Speaker 6 (11:03):
Well, yet.
Speaker 7 (11:10):
Not at all?
Speaker 4 (11:11):
Well, what does it mean?
Speaker 3 (11:13):
Then?
Speaker 10 (11:13):
I'll give you a little tend sis.
Speaker 5 (11:16):
I would decide to time up?
Speaker 6 (11:19):
Is that so?
Speaker 5 (11:20):
Yeah?
Speaker 3 (11:21):
Do you really know what's in there?
Speaker 5 (11:22):
Mister?
Speaker 3 (11:24):
What?
Speaker 8 (11:26):
That's okay, let's let's.
Speaker 5 (11:30):
Go get that beer.
Speaker 8 (11:38):
Well, and of course you know what was.
Speaker 4 (11:39):
Up your way ahead of me.
Speaker 5 (11:41):
My Cleveland pals were in California just for the vacation.
Speaker 2 (11:45):
It was a bank i'd had my eye on for
a while off in the Pacific Palisade wasn't the first
bank of Nucci and who Grant and I had worked
a d lion. I didn't go much for this place up,
I'm not working with nothing in a fence around it.
Although and you well, after all, could you find a
better place to stash away some good nobody could get in?
(12:05):
They said, And if we could, we also. I bought
the idea. Finally, and to make a long story sharp,
we took I think it was fifty.
Speaker 4 (12:15):
Three thousand dollars out of the bank.
Speaker 2 (12:17):
Fifty three fifty four.
Speaker 4 (12:19):
What's the difference.
Speaker 5 (12:20):
It's all gone down.
Speaker 2 (12:26):
It's a long drive from Pacific Cola safe over Sunset Boulevard,
then U Dot the blend of the valley, Uberanize the
Sunland down fast the sanitarium, and putting a boulevard to
where you turn off on the Angelus Pressed highways. The
long drive, especially at one o'clock in the morning.
Speaker 8 (12:44):
That was when we pulled out a Pacific Flasade.
Speaker 3 (12:47):
This was summer. Uh.
Speaker 4 (12:50):
After the train on the mountain road, you're.
Speaker 3 (12:52):
Not allowed to smoke.
Speaker 5 (12:53):
You see a fire warden might come.
Speaker 2 (12:55):
Along, and those guys can tell somebody smoking in the
car a half mile off they'll show you in the
hand for forest fires. Now, we didn't want anybody stopping it.
It was risky or not anyway, because practically nobody ever
dries up there late.
Speaker 8 (13:08):
At night or early in the morning.
Speaker 4 (13:11):
I mean, why we.
Speaker 2 (13:13):
Didn't meet anybody or all three of us were jittery.
Speaker 4 (13:16):
Was no cigarette?
Speaker 2 (13:18):
That road stuffing up in daylight? Okay, in the dark.
It was half fast four when we got to the top.
The hotel was dark. Cabinets with that.
Speaker 6 (13:33):
That's the guy just like stocks with us.
Speaker 4 (13:39):
Why did they put him and reach up and such a.
Speaker 3 (13:42):
I remember the old guy in a hundred inch lome
nothing between.
Speaker 6 (13:46):
Us and the star.
Speaker 4 (13:50):
Down below.
Speaker 5 (13:52):
If you ever been up there at night, you know
what I mean.
Speaker 8 (13:55):
That's like looking down at.
Speaker 2 (13:56):
The stars the lights is seventeen eighteen nineteen passive being
in Los Angeles, Hollywood. Then I San Fernando, Culver City,
Santa Monica. That my care standing and I haven't seen
that is never mind how many years.
Speaker 5 (14:17):
Well we stumbled to the pitch store.
Speaker 6 (14:22):
We go off for past three times.
Speaker 5 (14:24):
Very far back and refining, that'll be a fall. He
still couldn't risk your cigarette. It's few Grant was in
front then the Nado. We each had you pad.
Speaker 4 (14:41):
Few had a part of picks and wire cutters.
Speaker 6 (14:44):
Then get through a steel table.
Speaker 5 (14:47):
All of a sudden you jumped into the center.
Speaker 3 (14:49):
Out.
Speaker 5 (14:51):
Where are you stand still with?
Speaker 4 (14:54):
Start listen from that.
Speaker 5 (14:58):
Any yeah?
Speaker 3 (15:00):
No see I.
Speaker 7 (15:04):
No, look the dome over there, can you see somebody?
Speaker 3 (15:08):
No?
Speaker 5 (15:10):
And two big.
Speaker 4 (15:11):
Windows up there, but that big round the dome looks
like somebody watch us.
Speaker 3 (15:15):
Yeah, turve it other, I'll cut it out.
Speaker 5 (15:18):
I'm gonna try the fens with a couple or the
black light jump.
Speaker 3 (15:21):
No, I wish we watch yeah pretty generously.
Speaker 6 (15:26):
Just don't like that place, though, I get out of
the way.
Speaker 4 (15:28):
Most would help you.
Speaker 11 (15:30):
Just keep out of our ways.
Speaker 8 (15:32):
Yeah, wait.
Speaker 5 (15:35):
Everything that a wire made?
Speaker 4 (15:37):
Nothing?
Speaker 11 (15:38):
No insta alright, alright, I'll try another strand Yeah, let's
see if you can slide under there one of you
me whom Yeah, I got'ta let it get it one
fly another look out here around then.
Speaker 5 (15:55):
And I'll try, uh.
Speaker 4 (15:57):
What't like take off my thoat?
Speaker 9 (15:58):
Yeah?
Speaker 4 (16:00):
Uh stu, let's see.
Speaker 11 (16:04):
How about it?
Speaker 5 (16:06):
He's through?
Speaker 6 (16:06):
Alright, go ahead me you it's all right, got another
scram set. I'll make you now you just true?
Speaker 3 (16:20):
Yeah, where are y'all doing right here?
Speaker 10 (16:24):
How about you?
Speaker 8 (16:25):
Hey Eld the blue kids for us coming up?
Speaker 5 (16:28):
Got him got here?
Speaker 3 (16:31):
I come all set, all set, I'm all set.
Speaker 2 (16:36):
I'm as all set as I ever will be. I figure,
I don't like any part of this place.
Speaker 5 (16:41):
I don't like the dock.
Speaker 3 (16:42):
I don't like the stars up above us. I don't
like the lights down below.
Speaker 5 (16:46):
I don't like the silence.
Speaker 2 (16:48):
I don't like climbing around the top of a mountain
with nothing under me.
Speaker 5 (16:51):
But thin air.
Speaker 2 (16:52):
For a mile or more, all I can hear is
a few one out of in front of me, cracking
through the weeds, cursing one on wha sashin against the
sharp rock, and I can see his two black shapes
in front of the blacker shape. That's the building, a
little house with nothing in it now though, and the
hue were panting fifty eight hundred feet.
Speaker 6 (17:13):
You know, her breath is pretty short.
Speaker 2 (17:16):
It's tough going, especially when you're dragging a briefcase full
of money too.
Speaker 5 (17:20):
You're scared and sweat and is hired.
Speaker 2 (17:22):
And then all of a sudden run of the building
alongside one of the stress hold.
Speaker 6 (17:28):
Up the little.
Speaker 5 (17:31):
Boasts him up.
Speaker 2 (17:33):
He was a little guy, he spried's sprouder than I am.
Up there a mile in the air, and I guess
he's not as scared as I am. So I look
up and he's sprawling on the trestle with nine million
stars behind him, reaching down to me.
Speaker 6 (17:48):
I scrambled up.
Speaker 5 (17:50):
I never know how I made it either, and we
are the second held us up there with us.
Speaker 8 (17:56):
Quire minute and rest.
Speaker 5 (18:00):
Knocked out there.
Speaker 4 (18:03):
Yeah, heard anything good?
Speaker 5 (18:07):
Just the wind bus I.
Speaker 8 (18:12):
No, I thought I heard something just it's just the window. Listen,
I see the window.
Speaker 5 (18:21):
Well, So we stood up.
Speaker 2 (18:25):
So Hugh walked the rest of the way down the
little trestle. We followed them, stumbling over the planks.
Speaker 5 (18:33):
And there was the door.
Speaker 2 (18:37):
They rattled a bar on it. There was the padlock.
So you took the big cutters and he wrenched away
at the bar. We shivered there in the cowld, waiting
to see if anybody heard us. That wasn't a sound,
so you tried again. The thought fell off.
Speaker 5 (19:03):
Cat you still think out.
Speaker 8 (19:06):
And then open the door.
Speaker 5 (19:10):
H say, where's the black like wake? I' know where
he can see us. Put your fingers open and turned
it down.
Speaker 4 (19:18):
Turn it in there, okay, I gotta see anything.
Speaker 5 (19:22):
When the guy said there was nothing in there, I
can't see a thing.
Speaker 4 (19:25):
Open up the light a little more and got it open.
Speaker 2 (19:28):
So lacking there that's something I matter with a light.
Speaker 4 (19:31):
Other that look turned that light off me five looked loud,
like shutting through the sight.
Speaker 2 (19:37):
Nothing nothing, It's gotta be something in there. Nothing, the
man said, ain't even people luring.
Speaker 5 (19:44):
Well, I'll find out if it's anything in that.
Speaker 4 (19:46):
Lad don't als can't tell what's libna be.
Speaker 5 (19:49):
Man, I'll look at untass the briefcase.
Speaker 4 (19:51):
In no, no play a wire?
Speaker 5 (19:53):
Cut us in?
Speaker 4 (19:54):
Where are they? Yeah?
Speaker 8 (19:55):
The other mighty?
Speaker 5 (19:56):
Look out?
Speaker 10 (19:57):
Where is he still?
Speaker 11 (19:58):
Just wake up?
Speaker 4 (19:59):
I'm dead.
Speaker 5 (20:01):
I don't know what they Uh is I guess?
Speaker 8 (20:03):
And a shop with luck to night?
Speaker 3 (20:05):
No kidding, I'll give it them cutters.
Speaker 11 (20:06):
Uh yeah, shine the light in there.
Speaker 8 (20:11):
Shoot, can't see anything?
Speaker 6 (20:12):
Can you go?
Speaker 10 (20:13):
Then get out of the doorway.
Speaker 11 (20:15):
Keep the light in there.
Speaker 4 (20:16):
Go ahead, un look at the firework.
Speaker 5 (20:18):
Alright, look out.
Speaker 4 (20:24):
Where'd they go?
Speaker 5 (20:26):
Touch them? How them?
Speaker 4 (20:27):
I say, bounce, move the light around.
Speaker 11 (20:29):
It can't see a thing.
Speaker 4 (20:30):
They can't be there there it'll be the light just in.
Speaker 11 (20:34):
The seaseless Ah, cut it out there's probably some kind
of stuff on the floor, powdered.
Speaker 3 (20:40):
Maybe they fell into it.
Speaker 11 (20:41):
Yeah, stand to one side, Russ, What are you gonna do?
Speaker 5 (20:44):
I'm going in to look around.
Speaker 4 (20:46):
You gonna gun down there? Yes, this little petty though.
Speaker 2 (20:48):
Alright, come on, Russ, you stay here and watch and listen.
Speaker 5 (20:52):
I wouldn't go in there. You don't.
Speaker 3 (20:53):
Nobody asks you to.
Speaker 5 (20:54):
I'm going come on out there and listen to you.
Speaker 11 (20:57):
You got the screaming miamies too, and come on with
that guy.
Speaker 5 (21:00):
There's nothing in there, so you come on. Let's get
out of here. I'll shut out.
Speaker 3 (21:04):
Yeah, m was run to take that down too.
Speaker 4 (21:06):
We can stick it in there. I go ahead out
over the life. You'll go first, all right, I'm standing
there and keep their ears? Say you say? I can
see us?
Speaker 3 (21:20):
Lessen now though, don't go in there.
Speaker 4 (21:22):
I got through. Hey here here alright, listen, how so
keep your ice and hears open up.
Speaker 5 (21:30):
We'll be back back.
Speaker 4 (21:32):
Hey here you alright? How little here?
Speaker 2 (21:36):
Here?
Speaker 5 (21:37):
How do let's see in there?
Speaker 4 (21:40):
Hey here, I'll kill us something? Come out with him here?
I come here, I'm god.
Speaker 3 (21:50):
Q Hey you.
Speaker 7 (21:54):
How do hey?
Speaker 3 (21:57):
What's in there?
Speaker 4 (21:57):
YouTube?
Speaker 10 (21:59):
H I can see you you can stand up now,
they won't come out.
Speaker 5 (22:16):
I assure, come out, I center.
Speaker 3 (22:24):
I've got a gun.
Speaker 4 (22:26):
No that happens.
Speaker 10 (22:27):
Stand up.
Speaker 4 (22:29):
When my friends come out, they're.
Speaker 10 (22:31):
Not coming out of that stand up.
Speaker 3 (22:36):
Wouldn't believe you.
Speaker 5 (22:37):
When I told it? What's in there?
Speaker 4 (22:42):
What's in there?
Speaker 10 (22:43):
I said, I've told you there's nothing behind that.
Speaker 4 (22:47):
Though my friends went in there, they're not there.
Speaker 10 (22:51):
No, there's nothing in that.
Speaker 3 (22:55):
You understand that.
Speaker 10 (22:57):
They're not.
Speaker 5 (23:01):
Lessen?
Speaker 4 (23:02):
No, you was, I well, I supposed to w ver
with attendant.
Speaker 5 (23:08):
Tell me what I got to show? Show me what?
Speaker 7 (23:13):
Come with me?
Speaker 3 (23:14):
No, come with me?
Speaker 4 (23:16):
I was, you got it? Wait way tell me.
Speaker 2 (23:38):
Across the little tress away from the door, closed down
my friends through another door, you know, a long shut
in the dark.
Speaker 5 (23:50):
And I was glad I couldn't see it. Held another
door down the ship.
Speaker 2 (23:58):
I'm the past past it steal a step, reaching up
into the sky, shining in the skylight, looking like one
of those visitors from Mars you heard about on a radio.
Across the little wooden bridge with two eyes of a
hundred and stones staring down at me in a cold wind, coming.
Speaker 5 (24:16):
Up the other side of the mountain and up the
ramp in the the tomb itself.
Speaker 4 (24:30):
And up the iron stairs.
Speaker 2 (24:34):
Follow me a little yellow light at the head of
the stairs, and then out on a camp in the dark,
with the floor forty feet flowers.
Speaker 5 (24:44):
Stop another ladder.
Speaker 3 (24:46):
My legs are getting tired up, and follow me.
Speaker 2 (24:50):
Stop another dizzy ladder, and another, and across another spidery
rock and sitting in this s.
Speaker 5 (25:01):
They can't speak.
Speaker 2 (25:03):
The trope is dry, the light seek trembling, icy cold
in that great dome out part about the floor.
Speaker 7 (25:10):
I can't tell you, says still you woke for why
didn't so?
Speaker 5 (25:14):
Still?
Speaker 6 (25:14):
I said, you don't have to be shown.
Speaker 12 (25:18):
Wait, like let it destinations. You can look now look
that's what slip through the teles. Now look sun.
Speaker 4 (25:36):
What do you see? Stars?
Speaker 3 (25:41):
Millions of stars?
Speaker 4 (25:42):
Wait, look again, what do you see?
Speaker 8 (25:53):
Nothing?
Speaker 5 (25:55):
Nothing?
Speaker 7 (25:56):
What now?
Speaker 4 (26:03):
Stars against millions?
Speaker 5 (26:06):
No, a black cloud?
Speaker 3 (26:07):
Now nothing?
Speaker 10 (26:12):
That's nothing you see?
Speaker 7 (26:14):
Is a million light years away?
Speaker 3 (26:17):
What is it?
Speaker 7 (26:18):
There's nothing there to see but from there are spurs
of places in this universe where there's nothing far placements
near placements. Do you understand what I mean?
Speaker 4 (26:34):
You said what you meant.
Speaker 10 (26:35):
When you said when I said there's nothing behind that?
Speaker 4 (26:39):
Done?
Speaker 7 (26:41):
Yes?
Speaker 4 (26:42):
Well, where where your friends from?
Speaker 7 (26:46):
Disguided friends?
Speaker 3 (26:48):
I don't know?
Speaker 10 (26:50):
Perhap take your.
Speaker 5 (26:52):
Eye from the telescope.
Speaker 4 (26:54):
Wait, look now, if you dare or what look?
Speaker 7 (27:09):
Yes?
Speaker 2 (27:10):
You guess what I saw? You guess what I saw
clawing through black clouds at nothing? You guess what eyes
I saw? I saw nothing? Yes, the little house is
still there and Mount Wilson. You can go look at
(27:32):
it if you want.
Speaker 5 (27:33):
To, but don't go too close. Maybe some of you
will tell you is just a place where they store equipment.
Speaker 8 (27:39):
Maybe why did they keep the door locked in?
Speaker 5 (27:45):
Well, just one other thing. Don't you go.
Speaker 2 (27:50):
Around opening doors you don't know anything about it.
Speaker 5 (27:53):
There might be nothing behind one of them.
Speaker 2 (28:11):
You've just heard Quiet Please, which is written and directed
by Willis Cooper.
Speaker 4 (28:16):
The Nano talk to You is Ernest Chapel and Amanda played.
Speaker 2 (28:21):
Albert Manucci is Martin, Lawrence Paddle Mally was Hugh Grant
and James Dundyke the astronomer. The music was composed and
played by Gene Prazzo, an actor. What about Quiet Please?
For next week yours our writer producer Willis Cooper, y.
Speaker 12 (28:35):
I've written what I think is an exciting and unusual
lunch stary for next week Chappie, you will welcome, as
I guess, the charming star of stage and.
Speaker 4 (28:43):
Radio, Quaudia Morgan.
Speaker 2 (28:45):
Quiet please for next week is entitled I've been looking
for you until next week, then.
Speaker 8 (28:53):
Quietly, yours, Dennis Chapel.
Speaker 5 (29:10):
This is a mutual broadcasting system.
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