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December 17, 2024 29 mins
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Episode Transcript

Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
Fire please, fire please.

Speaker 2 (00:29):
The American broadcasting company is as Dia.

Speaker 3 (00:32):
Please, which is written and directed by Willis Cooper, which
features Ernest Chappel Dias Please the days as Doc bray Manti.

Speaker 2 (01:00):
Yes, yes, yes, I'll be there. Yes, I'm there, I'm here, Yes, hello, Yes,
this is it's the bodycon Who did whom?

Speaker 1 (01:15):
Did you think it was? Well, this is my room.

Speaker 2 (01:18):
I'm not in the habit of having people in my room,
and I'm not here. No, there's nobody in my room.

Speaker 1 (01:23):
Bob, Yes, I'm in.

Speaker 2 (01:26):
My room, but there's nobody in my room.

Speaker 1 (01:28):
Expect me, all right.

Speaker 2 (01:32):
Were there any calls from me?

Speaker 1 (01:34):
No calls?

Speaker 2 (01:35):
Well, all right, hang up and let me sit down,
all right, get me gramasy nine one oh four four.

Speaker 4 (01:55):
Yes, hello, listen, women, Crippenson please, oh rooman that you didn't.

Speaker 1 (02:03):
Recognize your voice? Woman? Are you?

Speaker 4 (02:06):
I'm just agasted. I've just had the most explordinary experience. Well,
I was waiting for Madison, having the bus there on
Fourth Avenue. Well, I guess I should play for it properly,
you know, right across from Watermakers where the subway stations.
The limit of the street kind of you know, I
was waiting there for madis naping the bus. And you
know how our second hand book stores along Fourth Avenue
they have tables outside, carry away these plastic six to

(02:27):
fifty cent.

Speaker 1 (02:29):
Wait a minute, room, there's somebody the doors.

Speaker 3 (02:39):
Well we're not who who did that?

Speaker 1 (02:48):
Kids?

Speaker 5 (02:48):
Again, there wasn't anybody's woman, I mean there was some
kid or something. Hello woman, woman, are you there?

Speaker 2 (03:02):
Hello woman?

Speaker 1 (03:05):
Somebody cut us off? Hello?

Speaker 2 (03:07):
Hello?

Speaker 1 (03:08):
Off it? Hello?

Speaker 2 (03:09):
You cut us off?

Speaker 4 (03:11):
You did two?

Speaker 2 (03:13):
Get me grammar sy nions one O four four again,
wait a minute, grammarcy nion one O four four, make
it snappy two?

Speaker 1 (03:27):
Hello?

Speaker 2 (03:28):
Oh hello woman?

Speaker 1 (03:29):
We were cut off with we.

Speaker 4 (03:31):
I went to the drawer and yes, I know, well
I was waiting for the bus.

Speaker 2 (03:36):
No, yes, I did say that, didn't I tell.

Speaker 3 (03:38):
About the second hand books?

Speaker 1 (03:40):
Well? I bought a book?

Speaker 2 (03:43):
Yes, I did. Twenty five cents you get.

Speaker 4 (03:49):
No, no, no, you give up magic No no no,
not contracts, magic, real black magic, just like for you.

Speaker 1 (04:03):
Sure.

Speaker 2 (04:04):
I nearly broke my neck up my way home, so
walking along reading and after I got off the Madison
had a buzz.

Speaker 1 (04:10):
I said over a cat cat c a t cat
blackness the eight of spage.

Speaker 3 (04:15):
Wouldn't that freeze you.

Speaker 2 (04:17):
Oh but that isn't anything.

Speaker 4 (04:18):
Somebody followed me.

Speaker 2 (04:20):
Wait a minute, I wonder if I could be him
that was at the door he was supposed Oh no,
it's had literally Yussel, silverman that lives down the hall.

Speaker 6 (04:27):
He always wants to sell me to guards.

Speaker 2 (04:29):
To guards by having the famous idea where he gets him.

Speaker 4 (04:33):
I think he fishes them from somewhere the little dickens.

Speaker 1 (04:37):
No.

Speaker 4 (04:37):
Wait, woman, I want to read to you from the
magic book.

Speaker 1 (04:41):
But it's fabulous.

Speaker 7 (04:42):
Women.

Speaker 4 (04:42):
You want to know how to get people washed?

Speaker 2 (04:45):
Oh I stared not wait, how to ride a broom?
Oh that's oh wait, how to.

Speaker 1 (04:53):
Make you dready?

Speaker 4 (04:54):
Spirits appear from the Yoni the yondy Oh boy, listened
to this, jim Da.

Speaker 1 (05:01):
Would raise up a naughty spirit.

Speaker 2 (05:03):
To teach me all the secrets of evil.

Speaker 4 (05:05):
Of them Thom must need.

Speaker 2 (05:07):
Wait a minute, woman, I've got to clamp on.

Speaker 1 (05:09):
My leg way light of don.

Speaker 2 (05:12):
Yeah, let teach well, for goodness sake, listen to this.

Speaker 4 (05:17):
Thom must needs.

Speaker 2 (05:18):
First stumble unawares over a catty.

Speaker 1 (05:22):
This fell c a t T E woman, a catty
of the blackest hue. Imagine woman, Well, I did trip over.

Speaker 6 (05:31):
The black Cathy, Wait, listen to this over.

Speaker 4 (05:36):
The black Cabby the cat whilst I just read the
protius page of this book.

Speaker 2 (05:43):
Wait this we could page forty Oh your dinner said
it won't run a way seven mind chick, absolutely comprehensively totally.

Speaker 6 (05:59):
If that was the woman, that's the very page I was, woman,
Do you smell anything?

Speaker 1 (06:07):
Well?

Speaker 6 (06:07):
That's right? How did you sell on the telephone?

Speaker 1 (06:08):
I felt something, though, so I s nothing?

Speaker 2 (06:11):
Running?

Speaker 1 (06:11):
Goodness? You suppose it's brimstone?

Speaker 2 (06:14):
Are you listening? Well, wait till I find my place again.

Speaker 6 (06:20):
Here?

Speaker 1 (06:22):
Then must now place?

Speaker 4 (06:23):
I left from on thy right here?

Speaker 1 (06:29):
Mm hmmm, and close I left.

Speaker 6 (06:32):
Eye and say, honorify women for the word honorific abilities.
I love a case?

Speaker 1 (06:39):
Cat said, said you ever hear a word like that?
Honorific ability? Shooting?

Speaker 8 (06:50):
What did you say, leman?

Speaker 6 (06:52):
Explosion?

Speaker 1 (06:54):
I didn't hear anything.

Speaker 4 (06:56):
I must be blasting in the street or something.

Speaker 1 (06:59):
Okay, somebody else the door?

Speaker 2 (07:00):
Wait a minute, woman, m hm.

Speaker 1 (07:10):
Right here, yep, wow, we'll follow yourself. What do you want?
Do you? Mike Samerica? Piment concert man? Who are you?
You're not Joseph Silverman? Now send me a man.

Speaker 7 (07:24):
Who come in.

Speaker 1 (07:26):
Thanks?

Speaker 2 (07:29):
Well, all right, little boy, what's the final little boy?

Speaker 1 (07:36):
What a Meredith?

Speaker 9 (07:38):
You ain't?

Speaker 1 (07:39):
Why I am not? You get out of here, you
little devil that I stop seeing such a silly fool nratith.
You just call me, didn't You called you your checked
off blackchat and you are reading the book and then
you said the words don't finish your fallen conversation that

(08:03):
woman couldn't and Meredith, then you are while.

Speaker 8 (08:07):
We hu.

Speaker 2 (08:11):
Yes, hello, womans, Yeah, there was somebody who.

Speaker 6 (08:19):
H yeah, No, I'm not woman, I'm.

Speaker 1 (08:24):
Just wait a minute, woman, Yes, how is this a picture?
I'm oh yeah, what's that?

Speaker 10 (08:38):
Pin?

Speaker 1 (08:38):
A pen?

Speaker 6 (08:40):
Just the second?

Speaker 2 (08:40):
Woman?

Speaker 1 (08:42):
A pin's that's a funny writing?

Speaker 2 (08:57):
Well, sorry, woman is little fellow?

Speaker 1 (09:02):
Is wid?

Speaker 3 (09:04):
You say?

Speaker 1 (09:04):
Woman? Hello?

Speaker 7 (09:06):
Woman?

Speaker 1 (09:07):
Hello? Woman?

Speaker 8 (09:09):
Momman?

Speaker 11 (09:12):
Where are you?

Speaker 5 (09:20):
What are you laughing at? H?

Speaker 1 (09:21):
Why you learned just this lesson?

Speaker 8 (09:23):
Fine?

Speaker 1 (09:24):
So why you wanted to learn all the secrets of legalism,
didn't you?

Speaker 9 (09:28):
Meredith?

Speaker 1 (09:29):
Sure you get stuck life moans the fact you murdered them.
You're you did everything the books said. You called me
to teach me. Oh boy, so you got a line
start murder. What are we trying next? You decide him

(09:52):
with the painful a stomach. I get a heard of
that voter they call it sometimes.

Speaker 6 (09:57):
Which fine?

Speaker 1 (09:58):
That hi kilding you are as Oh my?

Speaker 8 (10:05):
Why are you two dreadful murders? Horrible? You a little devil?

Speaker 1 (10:09):
Thank you mother?

Speaker 12 (10:13):
Excuse me?

Speaker 1 (10:16):
Hello? Hello, hello.

Speaker 8 (10:21):
Loma.

Speaker 1 (10:22):
Huh Loman, I.

Speaker 8 (10:24):
Thought you were dead?

Speaker 1 (10:25):
You what some okay?

Speaker 8 (10:28):
And you're not dead? Woman?

Speaker 11 (10:31):
Well man.

Speaker 8 (10:34):
Me mad with me?

Speaker 11 (10:38):
My Lomann, I'm so happy.

Speaker 1 (10:43):
Yeah, I'm y Sorry, Medica. I don't know what could
have happened. That's always work before. Oh well, got a luckless,
I always said. And who do you want to Murga?

Speaker 8 (10:55):
Now?

Speaker 1 (10:55):
Yeah, you gotta look at you. I want to know
who you are. That's busy. My name is Bunch from
a demon bo.

Speaker 2 (11:03):
You just jump right out of here.

Speaker 1 (11:05):
You I won't do it. You better don't do what
you call me? Here I am come on. I want
to learn. You don't want to learn a thing.

Speaker 8 (11:14):
What can you learn? Men?

Speaker 1 (11:16):
Teach me all the evil magic in the lunar? Really?
But are sixty four ways of murdering people by magic
America sixty four months shows you how to produce on
Earth fires, flash sicknesses, stop wars, rock people, or it's
just turn people to fish radio. Whoa let people jump

(11:37):
out of windows?

Speaker 6 (11:38):
Very interesting, Roge gode.

Speaker 1 (11:42):
Gosh, that's right, theo jack you're cookie. Thanks?

Speaker 6 (11:47):
How old are you?

Speaker 1 (11:48):
A couple of minutes? You don't look at some of
my swes. I might turn into different things, all evil things,
and that's that's otis and great by it, honest, like
a fish lay down the bottom of the ocean. Selly,
how I imagine, come on, let's murder somebody. Let's make

(12:09):
somebody jump off the empire staked hut.

Speaker 8 (12:13):
And I cannot be how mm hmm oh.

Speaker 1 (12:17):
Easy think someone lumen Okay, okay, now say after me,
Sibody Biberty, just jump. Oh my goodness, how sick you rumour? Here?

Speaker 8 (12:38):
He jumped?

Speaker 6 (12:39):
Bye bye?

Speaker 1 (12:40):
Woman got on that time. I don't believe this. And
you wait and see that just because I said, sure.

Speaker 9 (12:49):
You somebody said half sebody.

Speaker 1 (12:54):
Said, but that's what I said, set it backwards, answer it?

Speaker 8 (13:00):
Yes, Oh hullo Roland.

Speaker 6 (13:04):
You see I can't hear.

Speaker 2 (13:08):
I can't hear you very well, woman, what's all i'd noise?

Speaker 1 (13:11):
So what people?

Speaker 8 (13:13):
What people? I'm trying to get into?

Speaker 6 (13:16):
What form booth they're going.

Speaker 8 (13:18):
To think, where are you woman?

Speaker 2 (13:20):
Players and top of the Empire State building.

Speaker 1 (13:24):
So how in the world did you get you? What?

Speaker 8 (13:28):
You just up there?

Speaker 1 (13:38):
You Meredith, You're the dumbest man I ever saw you
in your savity ship. You know what, that's the first
good thing I've done it two million, seven and two years,
five months and nine days, and I could cut your
heart out for it without fight. Night.

Speaker 6 (14:09):
Well, woman's happy in Hollywood. I'm gracious he's getting a
thousand dollars a week. And that new picture of the
manage jumped over.

Speaker 1 (14:18):
The Empire State and jump over it. You know, Hollywood
poisons off. I don't think I wanted them how to poisons?
I wonder how women happy?

Speaker 2 (14:39):
Happy woman?

Speaker 1 (14:42):
Twice women. And let's bring down to school.

Speaker 2 (14:47):
God kids, that little Yussel silver.

Speaker 6 (14:50):
Medals bring out his fool, I should.

Speaker 1 (14:52):
Say not, No, I doesn't give a lot of kids
that kind of take. Bringing down that school house. And
let me show you how to put up a duty
chance in some kind of the deep horses gay how
to give us people come on often a fan in
my mad and maybe his wife will get it and
she'll turn green in Heaven's no why wish I wouldn't

(15:15):
say Heaven make me? Are you? I wouldn't want Dixie
to get up.

Speaker 2 (15:21):
Whatever it is?

Speaker 1 (15:23):
No, no, why in love with woman's one? I was one?
Oh mad? Okay, but she married woman. I was heartbroken
and still last. Okang, Well say a pressure a little

(15:49):
finger over the next thing.

Speaker 6 (15:52):
Sure see both hands, Sure see, I'm gonna say the back.

Speaker 1 (16:04):
I forgot thought hat against f becat for.

Speaker 10 (16:17):
That.

Speaker 1 (16:19):
Well, so what'll to thing back? A lot love, Melodis, that's.

Speaker 11 (16:27):
That's all.

Speaker 1 (16:27):
You were in love with Loulin's wife. This is what
are you talking about? Somebody who's that a lot of talent?

Speaker 8 (16:42):
This is boy, not if you've done the read.

Speaker 1 (16:45):
I didn't do anything, Meredis you said of a tel
do some jet?

Speaker 11 (16:54):
Lady, darling, Oh I love you so much, nerdy, No
way to marry.

Speaker 8 (17:08):
I mean.

Speaker 7 (17:11):
I changed you, my Merdice. It's you, I know, Oh
my goodness, I sure do love your medity.

Speaker 1 (17:18):
You never lady, don't kick yourself.

Speaker 9 (17:22):
I know, little boy, y'all to be ashamed of yourself.

Speaker 8 (17:24):
Family man looking.

Speaker 7 (17:25):
Over there and love with me.

Speaker 1 (17:27):
I'm enjoying it. Lady, kick him again?

Speaker 9 (17:29):
Oh no, you have to me Maridic dollar time I've
gone and that's my husband. So I love you. So
you're just grinom they can hear me with my.

Speaker 7 (17:44):
No, Mandy, you mean she's gonna be so happy.

Speaker 1 (17:51):
She's got the fact merdy.

Speaker 7 (17:53):
I just love you so much, but I don't like
your apartment down. What if we're gonna have to do
something about it?

Speaker 1 (18:02):
Just a minute?

Speaker 7 (18:02):
You getting married?

Speaker 2 (18:04):
Married?

Speaker 7 (18:04):
Of course?

Speaker 8 (18:06):
What if my family father loomen It's true.

Speaker 9 (18:11):
I love and no matter if I don't know how much.

Speaker 12 (18:14):
Money you're making.

Speaker 7 (18:15):
I said to be thought them.

Speaker 9 (18:17):
In sil God of trusting to woman got his job
in the movie how much do you?

Speaker 1 (18:24):
Five dot of the week?

Speaker 9 (18:25):
And I wish you'd go away?

Speaker 11 (18:26):
You boy ready he's got on with me, yes, ma'am.

Speaker 7 (18:34):
That's something you would have to take play up right away.

Speaker 8 (18:38):
I wish you wouldn't call it.

Speaker 7 (18:41):
Ah nice red.

Speaker 8 (18:43):
I just love with another.

Speaker 9 (18:50):
You'll have to go out with me and buy your
new clothes.

Speaker 1 (18:54):
Who fu?

Speaker 7 (18:56):
I like you well, I'm going to march you.

Speaker 9 (18:59):
Injoy, sir and make you get a farmy two para
suits twenty two dollars.

Speaker 7 (19:04):
Will die for two dollars.

Speaker 1 (19:05):
I've never let.

Speaker 7 (19:06):
Woman take more than twenty two dollars for a sus
mid life, and you've got to get the new side
of Dolly.

Speaker 10 (19:13):
Who hidden it?

Speaker 7 (19:16):
I want you to look like a young lover. Lease,
nothing too good for the man I love.

Speaker 1 (19:23):
Did you buy a woman five to treat?

Speaker 10 (19:26):
Not?

Speaker 9 (19:26):
Certainly the good I'm not.

Speaker 7 (19:28):
Furthermore, I took one beside with me when I left
a blue dollar.

Speaker 9 (19:34):
Oh don't you just love those purple justs on it?

Speaker 7 (19:38):
Suit? Well, I'll be shut up with the door. I'm
such a lovely shade of green to you.

Speaker 9 (19:47):
And don't you just love the flame thirty nine ten?

Speaker 7 (19:52):
And not as a tenny of a dollar nineteen?

Speaker 1 (19:55):
Gracious, that's my life.

Speaker 7 (19:57):
But I just love her.

Speaker 10 (20:00):
Kiss me there, Mandy, I should love you surely lumin
out of us so we can have a thousand dollars
a week out there.

Speaker 9 (20:12):
In Hollywood, lying around on.

Speaker 7 (20:14):
The beaches in the sun.

Speaker 9 (20:16):
And she's never did the law and drive in and
and and throwing his money away in the shooting gallows.

Speaker 10 (20:22):
Yes, just that, I say, honey, dollars, Now you're worth
worthless finger to the bone for your little good fruit.

Speaker 12 (20:31):
Little just make our little penhouse and really love love
for her mare, And it's a nice when you come home,
uncle delivering on them so and you'll god pie twice
a week.

Speaker 7 (20:46):
You'll learned a lot of me.

Speaker 10 (20:49):
I just.

Speaker 1 (20:52):
Pie.

Speaker 9 (20:53):
I love it, chocolate ice.

Speaker 8 (20:57):
Where are you going?

Speaker 1 (20:58):
Son?

Speaker 7 (21:00):
And you will set home and so had lovely night
and look at the caleb. No, oh yes, don't you
want to please?

Speaker 10 (21:11):
Sipe?

Speaker 8 (21:12):
Sixty?

Speaker 1 (21:12):
I do?

Speaker 7 (21:14):
Um, she loves you so much.

Speaker 2 (21:21):
No marriage, no, sir, this is that this is gone
far enough sixty.

Speaker 6 (21:28):
I'm not going to stand for it.

Speaker 7 (21:29):
Don't love me.

Speaker 11 (21:31):
Supplies do not here.

Speaker 1 (21:33):
You're much too fast, That's what it says. And beside
your lemons.

Speaker 7 (21:37):
What but I love you.

Speaker 6 (21:39):
I don't care to get back to Loman.

Speaker 8 (21:46):
Oh that's green, yellow billy.

Speaker 1 (22:03):
You trying to kill a boy. You are no girl?
I tell you why?

Speaker 11 (22:11):
Thank you the show up? I love you now.

Speaker 9 (22:15):
I know I don't want anything to.

Speaker 1 (22:18):
Do with the girl.

Speaker 8 (22:18):
It's like maybe, don't you know?

Speaker 1 (22:20):
A wait, just where you're going?

Speaker 8 (22:22):
I'm going on the little who loves me?

Speaker 1 (22:25):
A way?

Speaker 2 (22:25):
Don't you need to me?

Speaker 7 (22:26):
Who?

Speaker 8 (22:30):
Oh my goodness, frees you?

Speaker 10 (22:35):
No?

Speaker 1 (22:46):
Oh man, god, where were you me? I was then
the black, green and yellow? But you are flapping as
the bar I can change myself in the things to
do something to get rid of it. So I turned
myself into a father. You really drop I jumped the boy.

(23:08):
It's your snack and nose.

Speaker 7 (23:11):
I think got enough for you too, Barge.

Speaker 1 (23:15):
That's what you think you good.

Speaker 6 (23:17):
Ob he I can your brother.

Speaker 2 (23:21):
I'm a desperate man.

Speaker 1 (23:23):
You can't have me, can too. Look if you make
a pas for me, I've just changed myself into an
elephant or a chair or a horse or something. Oh luck,
my goodness, alphone, look tea, I no you don't. I'm
still too fast for you. I came here because you come.

(23:47):
You should made my wife removy. So just let me
teach you something. Not you want so dumb about doing things. Fact,
you can have a lot of fun together. Come on,
I'll show you how to think of that.

Speaker 6 (24:01):
I don't want you.

Speaker 1 (24:02):
I want you to go away. I can't go away.
I'm gonna be here forever. That's the rule. I don't
want you. You called me.

Speaker 2 (24:09):
Oh, I didn't thank you.

Speaker 1 (24:10):
But you did. Come on, practice disappear. I don't want
to disappear. Rip hasn't got any set.

Speaker 2 (24:18):
Off for me.

Speaker 1 (24:19):
Adam bombs in the world. Boy, it's gotta be terrific. Listen,
you just you think it's just an idea. Don't you
ever have any good ideas?

Speaker 8 (24:33):
Much?

Speaker 1 (24:34):
Well, I shouldn't say not, thanks sir, don't you ever
have any bad ideas?

Speaker 6 (24:43):
Getting rid of you?

Speaker 12 (24:44):
Nah?

Speaker 1 (24:45):
That's a good thought. Minute if I could can't be done,
I told you please go away. Let's change people.

Speaker 6 (24:52):
Into different thing?

Speaker 1 (24:54):
Sure, manic, Wait, we could turn.

Speaker 6 (24:55):
Looman into a figure came trouble.

Speaker 1 (24:58):
You're telling me, let's change into a pencil shop for
that car with orange captive plan fata and a light
yellow background with three nine stones. And come on, how
do you do it? You just set at one certain quin,
say what you wanted to be.

Speaker 2 (25:19):
We're all sure. Maybe she could change herself back.

Speaker 9 (25:24):
Nah?

Speaker 1 (25:25):
Once they changed they stop?

Speaker 6 (25:29):
Good?

Speaker 1 (25:31):
Can I change you into Suton branch me? You can't
change me?

Speaker 6 (25:38):
Can you can you?

Speaker 1 (25:40):
Boss? I know all you can do is teach me
how to do things evil? Think you wouldn't change me
into something you taught me how sucked in? Didn't I
run around? You can't? You told me you couldn't matter
of my own good bo don't take good? Let me
see us? Yes, they just say no a boccess guards

(26:07):
a clo.

Speaker 8 (26:08):
Lain on you.

Speaker 1 (26:09):
I got your last but a little bron god, I
can't give your hydrophobia a fountain pen. I write ten
letters about yourself. I got it, sad please me.

Speaker 2 (26:22):
Oh yes, please, I command you no, no, no, still,
I command you to becoming.

Speaker 7 (26:46):
Oh h h h m hmm hello, whom.

Speaker 8 (26:58):
Mm hmmm room, that's who.

Speaker 1 (27:07):
Bus. But oh yes, I.

Speaker 7 (27:14):
Turned him into.

Speaker 6 (27:15):
Something is.

Speaker 1 (27:17):
I don't know?

Speaker 7 (27:20):
No, I don't know women, sure.

Speaker 10 (27:29):
Goodbye?

Speaker 1 (27:35):
Wasn't that trade?

Speaker 7 (27:37):
I forgot that? I turned him into ny too.

Speaker 6 (28:08):
The title of today is quiet Please Sorry? Is that's
gray Magic? It was Brittain and directed by Willis Cooper.
The man of Strip through of Nith Chapel and Dodge
was my thing, if I said mon Y was Polly
Cole and Jewish music for Cia Pleases by Albert Burman.

(28:32):
You sounds credit today and mister William Jay in the
French Truck. Not gonna worry about next week, I write
a director.

Speaker 1 (28:41):
With Cooper, thank you for listening to Brian Bruce.

Speaker 7 (28:45):
Next week, I'm a sorry for yourself.

Speaker 6 (28:47):
The other side of the side, and so on to
the next week. At the same time, I'm quietly yours,
Ernie Chapel and now listening reminders. Right now, the whole
world is talking about the possibility of the Berlin Blackhade
being lifted. Our official sources have confirmed the stories that

(29:11):
ABC doesn't have heard it first more than ten days
in advance. On New Person's regular Sunday night programs, listen
to persons
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