December 8, 2024 • 27 mins
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Speaker 1 (00:01):
Quiet Please, Quiet Please.
Speaker 2 (00:11):
M The American Broadcasting Company presents Quiet Please, which is
(00:34):
written and directed by Willis Cooper and which features Ernest Chappel.
Quiet Please for Today is called step the Heat Bogdan.
Speaker 1 (00:50):
I'm vull gone that I can lick at him out
of the house. I'm Volgnevich, that's my name, and I'm
from Senagoda, and I can lick at him out of
the house. Especially Irish in Senegata. We look them all Irishes, Austrians, everybody.
We don't get around in Senegatta. Yeah, you remember down
(01:10):
in Senagatta called College Jevo. He's my own time Sarajevo.
And when I'm a little kid, I go to school
with Gabrillo, Gabriella appreciated. Got everybody knows little Gabrillo apprenticeship
with the glasses in the bombs. Ah, why blowed up
that oxygen? Find to check Ferdinand and Sara jevl right
(01:32):
the way they have the big wad. We don't like people, Inda,
We don't like nobody see and I don't like you.
What do you say? What means Senegada? It means black mouth.
And that's the kind of us we got in Senegaga,
(01:56):
big black mean mouth houses inside the black mountains. Goods
climb around God brea guns hide in mountain, cut people's
heads off? Where do big gunstant bells? Got knife? Do? Lord?
You don't muck your round. He'sa gotta what them fellas
(02:17):
laughing about their laughing. Gone, Hey, you're gonna you cut
off the laughing.
Speaker 3 (02:21):
I break your head, your EARI bogun, you're required.
Speaker 1 (02:27):
Yeah, that's gonna. Once you drink. Yeah, he's for baby inglish.
Bring me a bottle. Shut of it that. Yeah, you drink,
(02:47):
I'll make your joke. I have to be a man
that drinks a little bit. Look it, that's how drinks
livers life. Sure, I'm strong man, has to be a
strong man. Come from sea. God a drinks liver which
makes steel kill people. That sure, I excuse, sure, I
(03:14):
guilty and I hate that. Sure, I tell you why,
fellow manos, why you don't know minosour manos and its
white awful? Did then you know who made him dead?
(03:36):
You're not ever gonna say some more taps they eat
for God. He always say you balked on your brother,
word your top the heat, He said, you big good
word bahnk you top to eat. He not ever gonna
call me bok no more, not from where he is said,
(03:56):
not me that you see this oa, you know what
that is? That man is good? Hey stop the egg. Yeah,
that's better. Sure that man is good. Whire that piece steel?
(04:16):
That man is good. Wise donny licknight. Sure you buy
me some more of it. I tell you all that
man is good. Why then how he turned into a
little bit of steel? That's the boy likes live with it. First,
I tell you about my Evitoic. My Ejoric is Polish
(04:38):
girl and Chainish or folks live down four blocks that
starts commercial ven. My father's name is cons Mean. He
got one leg shut off war in nineteen sixteen. A
mother's dead, Mayer's got land hair, Mayer's got bluish eyes.
I ever see may is young and got mouth leg
(05:00):
right shaty. Then she got little speetings out of Chicago.
Now you know what I think? One time my Charic
is in love to me. I think, so I just
get but you're fucking my in love with Maya the child.
(05:21):
I say, may you're married to me.
Speaker 4 (05:25):
I'm not going to marry you. Did fellow you when.
Speaker 1 (05:28):
I say, why not married to me?
Speaker 4 (05:30):
My, Yeah, I'm learning to marry, teaching men better English.
At you you think I want to be married to
be bombing steel and drinks a little bit all the time.
Speaker 1 (05:39):
Then I say, I learned good English. Maya. I learned
saying now is the time for all good men to
come to theater, said Parry. It's just like I stayed stream, Maya.
Speaker 4 (05:51):
I'm not going to marry the baly men. And I
always tell how people.
Speaker 1 (05:55):
All the time, And I say, my, I only kill
all people. And that is back in till god I
forgot their names are but Ivankamovitch. And if you say so,
I don't kill nobody here, my jac I think you
know what? She keeps me on my face, that Maya
(06:16):
historic Yeah, welly, I didn't keep my promise. I make
the money. I just killed one man. Though man's a while.
(06:39):
I never see Irisher before. I think he's some kind foreigner.
He's not funny. I don't like him, but he don't care.
He laugh all the time. Sometimes he's using songs. He's
pretty good. I go down to Maria's house this night.
I stand outside and listen. When I hear something to
the window. You you know what I hear through the window.
(07:03):
I hear mothers.
Speaker 5 (07:07):
Come on, give us the case, Maria, you'll never miss one.
Speaker 4 (07:11):
I don't give.
Speaker 3 (07:12):
Why don't you ever give cases of that big lad
had a bong boyfriend yours and that lad.
Speaker 4 (07:16):
Had a boyfriend that god had.
Speaker 3 (07:18):
Big left foot involved in the one on the electric furnace.
Speaker 1 (07:22):
I tuppy, but they're like nobody.
Speaker 4 (07:26):
You don't talk like that, man, Well, you don't love them?
Speaker 1 (07:30):
Do you know?
Speaker 4 (07:32):
What's alana?
Speaker 3 (07:33):
Mana?
Speaker 5 (07:34):
This is a term of endamment frequently indulged in by
the people of Araby Day.
Speaker 1 (07:38):
And they're speaking to the woman they love.
Speaker 3 (07:42):
Also a cushier magree and what's a cushla McCree personally
hatlana because only using conversation when one speaking to the
woman he loves.
Speaker 4 (07:52):
Do you love me manas?
Speaker 5 (07:53):
That's why he else would be asking me for kist?
Speaker 4 (07:56):
Don't you ask us?
Speaker 1 (07:57):
Man? But I do not on them my love.
Speaker 4 (08:03):
Mistake?
Speaker 3 (08:04):
That's right, you're afraid I'll be killing me broke? Then
why I take that big handhanded steel pusher and I
twisted his square head off on the little finger, and
I saw.
Speaker 1 (08:15):
It in his face. You're gonna throw my head out.
You live, my girl. Long you are as you're bust
you off a little squab, he says, that's what I
said while I was climbing through the window. Uh yeah,
you don't pull my head in my face. But he
(08:37):
give me two black eyes he put in there, pull
my ears off my head. And you know what doesn't Yes,
she laughed, she'll laugh at bog gun. So that's why
I make up my mind that gonna kill man. Nobody laughs.
Speaker 3 (09:01):
He is made of irons and which is added other ingredients.
Carbon is the essential ingredient, and he's added to the
iron or during the melting process. The mass of molten
metal in the furnace is called the heat, and the
process of pouring the mass from the furnace into the
fire play line ladles is called happing.
Speaker 1 (09:18):
Maybe I don't work no more in the steel family.
I quit. I used to work in the steel family.
Over in Hammah life, I quit. I don't want to
work no more. The moment said, why you're not there anymore?
So why I work? Money? Said he dead? Ain't you manus? Yeah,
(09:44):
it's all in left A big strong money is of
WHI it is seeing that way maybe two pods. You see,
they don't have open hot furnaces anymore in the steel
family that I work, got big electric furnace. Not have
to have so many men when you've got electric pens.
I guess so or something. I don't know. Lots of
(10:07):
people don't like the electric ferns. I like pretty good.
I like progress. That's the word sure me, Bogdan, I
like this progress man words why he is kind of
approaching it because poor man, he's got everybody what he's
gonna do. He fired people all the time, and wire more.
(10:29):
But he leads me along in pondre. He beat strong
Irish data, but he's not digging strong like goog Gan.
When bog Gun is at work, book don't got too
many things to hit with billet, steel hunks, limestone, scoop, shovel,
big long steel rod would look on it. Twenty things
to make book done stronger than manners in fans. So
(10:53):
he leaves me alone pretty much. Just how I bog
down when you're gonna top he and I stopped him
when he's day. That's my job both bark top seat.
He's lap whole time. This mother said, why one he's
not saying about dark mountains and roses. He seems pretty
(11:13):
good me that I don't sing much. I work, drank
guy fight. That's enough. But I'm not satisfied my job.
I want better job. I talk one day the Monas Appliet.
I say, Monas, you're mad on me.
Speaker 3 (11:33):
I wasn't even mad at you, bob it. I haven't
your face into what pros, and I'm just going to
do it again. So why should I be mad at you?
Speaker 1 (11:41):
I thought you was mad on me.
Speaker 3 (11:43):
When I get mad at you about you'll feel the
way of me. Fist on your nose. That's the way
you'll know.
Speaker 1 (11:49):
What do you want?
Speaker 3 (11:50):
Then?
Speaker 1 (11:51):
I don't want to talk to he's no more.
Speaker 3 (11:55):
But you like to be vice president in Chagos? Maybe?
Or could you like to be tied the secretary maybe
and run a typewriter like that.
Speaker 1 (12:02):
I can't run a.
Speaker 3 (12:03):
Type Maybe you'd like to go into the paymaster's office
and counter shillings fire.
Speaker 1 (12:07):
I don't want to be in more monkey in office?
Speaker 3 (12:10):
Where do you want to be?
Speaker 1 (12:11):
A monkey invaded?
Speaker 3 (12:12):
Maybe you'd rather be a chimpanzee or a gorilla. Maybe
I can get into the zoo and shy. You'd be
a very neater ringer thing. If you had a tail monkey, Yes,
you have a monkey, boggin. I made that monkey of
the other night with your girl.
Speaker 1 (12:30):
I want to run electric crane, you do, I can
run electric ray.
Speaker 3 (12:36):
Listen, take him a gun if that runs the train
on the day shift was thirty one years learning how
to run it out? Have you know, America Pemberton, that's
tom a night shift it was twelve years. Just get
it to be an apprentice.
Speaker 1 (12:48):
I don't know how to run electric cray. Have done
my flow?
Speaker 3 (12:51):
You run the elector crying right, get upring up and
down over men's heads with a lady who call a
white hot run and steel and splashing.
Speaker 1 (12:57):
It all over his alf I can run elector right
back at.
Speaker 3 (13:01):
Your job, bobbed whenever you're blowing, and don't be bothered me.
We get ambitions and let's go on. Now, go away up.
Speaker 1 (13:14):
Nobody gonna talk that way to boot the trope that
you know that you did find that out, didn't you?
Money so dy? Look at minus Monus just told you
ain't got steel. The special heat brought white hot and
big tea kettle, just iron carbon limestone, bab young man,
(13:36):
that's probably is manners. So's wired that hit me on
the eye and take away my girl ma e a
tronic and not let me running like the crane turned
the monkey with both.
Speaker 3 (13:52):
Whattric furnace is differentiated from the open hot furnace for
melting steel ship much like a giant tea kettle. I
don't want to heat his ready to be tapped. The
entire furnace is topped up on pruning, and the modern
white hot steel is all groove pop into a lady
in the Soviet people.
Speaker 1 (14:17):
I don't want to see you never know more bout
done the matter your mine of ethnic book and not
good enough for.
Speaker 4 (14:22):
You than just a bad man for me who can
never gets to be Roman, who never gets to be lucky?
Speaker 3 (14:28):
Do you think I want to be nice?
Speaker 1 (14:29):
If roughening all my life, you don't love me no
more than my you? You yes, you give my kids
if you akiss the other fellas I kiss everybody. I
want to kids. That manus life your business? I kis
where's my business?
Speaker 4 (14:48):
Why is your businesses? That Ki's managed to.
Speaker 1 (14:50):
Bias Because if you GISs you in my bed, I
you feel them.
Speaker 4 (14:57):
What's the difference where you make me marry you make
me laugh.
Speaker 1 (15:01):
Don't say I think us every time of work. I
love you, I don't love you. You think you're gonna
marry this money.
Speaker 4 (15:09):
I'm gonna marry.
Speaker 1 (15:10):
You're gonna be with all you do that I'm.
Speaker 4 (15:13):
Gonna call the policeman. You're gonna hange you. Oh, I
know the pray you try hurt man, and to give
you some of black eyes, not boodie.
Speaker 1 (15:22):
Please love me.
Speaker 3 (15:23):
I love man.
Speaker 1 (15:27):
I killing you cann't sneak up the money.
Speaker 4 (15:29):
He's not looking when you try killing. It's the only
way you can do it.
Speaker 5 (15:32):
You do not break you.
Speaker 1 (15:34):
If you're not gonna marry. I mean you're not going
to marry That money is all black. You wait and
see you you with all you.
Speaker 3 (15:46):
The temperature of molten steel ranges from three thousands to
four thousand degrees Fahrenheits, in which condition it flows like water.
Organic matter brought into contact with moulton steel simply vanished.
She's gonna b re birth to claim and as absorbed.
Speaker 1 (16:00):
There's a level of ever. Man made me love Mary
rolls un.
Speaker 3 (16:24):
The song of the own country at Limay and makes
me home. See for the darkling mountains above.
Speaker 5 (16:29):
And watts, dark mountains and island black montas sure with
mountains and pails if any time you can push in
mind too, mostly green under the sun and green grain
when the shadows of a nice fall on Trellis mountains
are sure in a black.
Speaker 4 (16:47):
Black mountains, mountains of death.
Speaker 5 (16:49):
Mine mountains of beauty, and question Metada, the black mountains of.
Speaker 4 (16:57):
The black mountains in this country too, until ago.
Speaker 3 (17:00):
Off to get bog him. What did you do to me?
Speaker 1 (17:03):
Then?
Speaker 3 (17:06):
Yes, it stands not too close? And watch does he ten?
He's not an easily frightened man. He stands close. It's bobbed,
and it dips out the fire clay plug in the
furnace spot so that the hot steel can pour out.
And that's not a job for a man who's afraid.
Speaker 4 (17:22):
Tell me what it is like.
Speaker 3 (17:24):
Well, the great.
Speaker 5 (17:26):
Gears grind, and the big furnace tips up, and the
gas lanes are licking away at the ladle down on
the with the temperature of the steel, of course to
two or three thousand degrees. Now Boban stands with a
kind of a pick at the stalt of the kettle,
and he picks away the hide and clay, and soon
after little red nose of the first flow breaks through.
Speaker 3 (17:45):
Then there's a rar and that white hot steel pours
down into the ladle, and the spats leap up into
the air from the surface of the liquid steel, and
they fly about and burn holes in the men's clothes.
Speaker 1 (17:55):
Ah, there's the smell of burned earth and.
Speaker 5 (17:58):
Hot steel, and men's tend fascinated each time it happens.
It's really it's like a glimpse into the mouth of hair.
Speaker 1 (18:06):
And no man ever tired of it.
Speaker 5 (18:12):
It is not afraid.
Speaker 4 (18:13):
What does a man fall into the steel?
Speaker 3 (18:15):
And that doesn't happen. We're once in a great great wires.
Speaker 5 (18:21):
He's never seen it, but they say there's a flash
of yellow flame, and never the sound of a man's
crying out, and he's got man as people take a
little dab of the steel of which he died, and
that they take and hold the funeral services over the steel.
Or for the man who's part of it, now.
Speaker 3 (18:39):
Let's talk things more pleasant, or shall I see the
rules of what do they do with the rest of
the steed? Well, it's very true for the man who's
part of it, and there's no talent got to what
happened if the steel was to be used. Now shall
I sing again? And one?
Speaker 1 (19:04):
I love all? There is more shive of this, and
I don't feel good. Bring me more bottles, live of it,
Bring beer for my city plan. Here there they are.
He ought to bring sliver of it just for man
man like Bob. Yeah that none of why he married
(19:27):
Maria each other that, yeah, that's better. Yeah, dad, he's
married Mariaton. Now might be people with just a seeing
like Bogdan says, she's going to be. She went up
(19:48):
and acting cemetery is popping with only little Stein inside it,
Little be Stein like this little one to speed and
inside little be Steve.
Speaker 2 (19:59):
Listen, mh you.
Speaker 1 (20:01):
Hear something, Try not to everybody you don't hear, which
you get done? Right? A little steeling got that we
still don't hear? Right? Manus singing, mother's a wire hearing
(20:22):
in just this plain com inside of the ceiling. Sure
I hear much times, don't scare me.
Speaker 3 (20:30):
I sing right.
Speaker 1 (20:31):
Along with him, okaying about the dark water. It was there,
I mad and Mary dos trolley. We sing pretty good together,
(20:52):
brother to be. Mother said I couldn't hurt him like
I said, I couldn't hurt him but my as a
with an erotic Manus. How you like Manus? You're a
dumb monkey around with Bogan Bogan Pretta's my guy, and
(21:14):
you don't like nobody Bogan. Don't even like Maya gratodik
no more, dads don't even like me.
Speaker 3 (21:30):
Manusa Dwyer, thirty three year foreman and the number one foundry,
was instantly killed today when he fell into a fifteen
ton ladle full of molten steel. The only witness of
the tragedy was bogged in Petrovic, a laborer who lost
three fingers of his left hand.
Speaker 1 (21:47):
The fingers I pushed him with my left hand. I
bumped my hand against the edgit it later it was
hot and not so hot like to steal it was though,
and it was from the big detail, though not so
i'd like where Manus with wire we toped the big
river of steel. It comes out of spouting splash down.
(22:10):
You listening here only the years making noises. But they
tipped the kettle uphire to get all this fear.
Speaker 3 (22:16):
You'll hear.
Speaker 1 (22:16):
Wrists were crying, scooping down above our heads to lift
up later and make it a longer time. You your
all kinds of noises is fun. You're here minus the wire,
talking your ears. You're there. Then you hear yourself say,
I'm not scared. You hear your sell say you're scared.
Manus with wire, I mean whistles, make noise. You look
(22:40):
through black godle that Manus the wire, and you see
he is only mine and that is steel down there,
and you laugh at Manus the wire. Manus a diary.
Can you hear yourself say, all right, see something, Oh God,
ip stealed on there. And then you look through black God.
(23:01):
You can see Manu says wire. Lean over and see
what your points. I put my hand, left hand on
his shoulder, and I had damn see and he leaned
fower over. The winter blows down and lay for me.
I give him just little general shop be off, just
(23:28):
like a match spelling. You go make blame me out,
never see him again. So you hear me holla, hey,
hey God, Bob, Manas can stick you. And old man
comes running. We shut off bothering him. Nobody can't do
that him no more. Manas does not see him at all.
(23:48):
Only I can smell him a little bit of the
dont smell of steel at birth play and in all
big noises in the counting. Here good, you're here done
by stealing all the left? So do I see if
you heard? You go where you are? Woman? You I
(24:14):
go home when I get ready. You know who this woman,
this old woman is. You know that you're telling man?
Speaker 3 (24:23):
What is your name?
Speaker 1 (24:24):
Old woman? Tell him your name?
Speaker 4 (24:27):
He wants to know imry of each child.
Speaker 3 (24:30):
You see.
Speaker 1 (24:35):
He says she was never going to marry to me.
Speaker 3 (24:37):
A mar.
Speaker 4 (24:40):
You have had enough that, I say, I want.
Speaker 1 (24:46):
You said you were married me.
Speaker 4 (24:49):
I said I wouldn't marry.
Speaker 1 (24:51):
You knows what happened to mine? Don't you can't build it? Okay,
thank you die manas didn't kill me? Swim you take
this little steeling got going kill big strong both times.
(25:14):
Come on, let's see. The moon was riic god, bob
agre mold that was light.
Speaker 3 (25:48):
The window, according control, it's former steelworker who was killed
last Thursday, went a smile ing at his steel he
was keeping for a souvenir, fell from a shelf above
his head and pressed his skull. We make her debut
and as the idolower theater as a singer. This is
a Travis the farmer marry of e Shark who present
a group of Irish songs, including the popular ballad Roses Police.
(26:11):
As is the Trovich would be remembered as a widow
as manics his wise.
Speaker 1 (26:30):
H m hm.
Speaker 3 (26:41):
H h.
Speaker 1 (26:50):
The title of today is Quiet Please. Story is that's
the heat booked on.
Speaker 2 (26:56):
It was written and directed by Willis Cooper and the
man who spoke to you Ernest Champel and a lot.
Speaker 1 (27:02):
Of the Beelay Maya Jay pattle Mally was most and
Carl Emriray told how steelers made because he was really
really good. Quiet Please and played by alfre Bermant. What
about next week? Here is our right director with a
stuper thank you for listening to quiet Place.
Speaker 3 (27:20):
I'll start for next week, Charles see who's talent trying?
And so until next.
Speaker 1 (27:27):
Week at the same time, I am quietly or is
Ernest Chapel now a listening reminder? Sank
Quiet Please, Quiet Please.
Speaker 2 (00:11):
M The American Broadcasting Company presents Quiet Please, which is
(00:34):
written and directed by Willis Cooper and which features Ernest Chappel.
Quiet Please for Today is called step the Heat Bogdan.
Speaker 1 (00:50):
I'm vull gone that I can lick at him out
of the house. I'm Volgnevich, that's my name, and I'm
from Senagoda, and I can lick at him out of
the house. Especially Irish in Senegata. We look them all Irishes, Austrians, everybody.
We don't get around in Senegatta. Yeah, you remember down
(01:10):
in Senagatta called College Jevo. He's my own time Sarajevo.
And when I'm a little kid, I go to school
with Gabrillo, Gabriella appreciated. Got everybody knows little Gabrillo apprenticeship
with the glasses in the bombs. Ah, why blowed up
that oxygen? Find to check Ferdinand and Sara jevl right
(01:32):
the way they have the big wad. We don't like people, Inda,
We don't like nobody see and I don't like you.
What do you say? What means Senegada? It means black mouth.
And that's the kind of us we got in Senegaga,
(01:56):
big black mean mouth houses inside the black mountains. Goods
climb around God brea guns hide in mountain, cut people's
heads off? Where do big gunstant bells? Got knife? Do? Lord?
You don't muck your round. He'sa gotta what them fellas
(02:17):
laughing about their laughing. Gone, Hey, you're gonna you cut
off the laughing.
Speaker 3 (02:21):
I break your head, your EARI bogun, you're required.
Speaker 1 (02:27):
Yeah, that's gonna. Once you drink. Yeah, he's for baby inglish.
Bring me a bottle. Shut of it that. Yeah, you drink,
(02:47):
I'll make your joke. I have to be a man
that drinks a little bit. Look it, that's how drinks
livers life. Sure, I'm strong man, has to be a
strong man. Come from sea. God a drinks liver which
makes steel kill people. That sure, I excuse, sure, I
(03:14):
guilty and I hate that. Sure, I tell you why,
fellow manos, why you don't know minosour manos and its
white awful? Did then you know who made him dead?
(03:36):
You're not ever gonna say some more taps they eat
for God. He always say you balked on your brother,
word your top the heat, He said, you big good
word bahnk you top to eat. He not ever gonna
call me bok no more, not from where he is said,
(03:56):
not me that you see this oa, you know what
that is? That man is good? Hey stop the egg. Yeah,
that's better. Sure that man is good. Whire that piece steel?
(04:16):
That man is good. Wise donny licknight. Sure you buy
me some more of it. I tell you all that
man is good. Why then how he turned into a
little bit of steel? That's the boy likes live with it. First,
I tell you about my Evitoic. My Ejoric is Polish
(04:38):
girl and Chainish or folks live down four blocks that
starts commercial ven. My father's name is cons Mean. He
got one leg shut off war in nineteen sixteen. A
mother's dead, Mayer's got land hair, Mayer's got bluish eyes.
I ever see may is young and got mouth leg
(05:00):
right shaty. Then she got little speetings out of Chicago.
Now you know what I think? One time my Charic
is in love to me. I think, so I just
get but you're fucking my in love with Maya the child.
(05:21):
I say, may you're married to me.
Speaker 4 (05:25):
I'm not going to marry you. Did fellow you when.
Speaker 1 (05:28):
I say, why not married to me?
Speaker 4 (05:30):
My, Yeah, I'm learning to marry, teaching men better English.
At you you think I want to be married to
be bombing steel and drinks a little bit all the time.
Speaker 1 (05:39):
Then I say, I learned good English. Maya. I learned
saying now is the time for all good men to
come to theater, said Parry. It's just like I stayed stream, Maya.
Speaker 4 (05:51):
I'm not going to marry the baly men. And I
always tell how people.
Speaker 1 (05:55):
All the time, And I say, my, I only kill
all people. And that is back in till god I
forgot their names are but Ivankamovitch. And if you say so,
I don't kill nobody here, my jac I think you
know what? She keeps me on my face, that Maya
(06:16):
historic Yeah, welly, I didn't keep my promise. I make
the money. I just killed one man. Though man's a while.
(06:39):
I never see Irisher before. I think he's some kind foreigner.
He's not funny. I don't like him, but he don't care.
He laugh all the time. Sometimes he's using songs. He's
pretty good. I go down to Maria's house this night.
I stand outside and listen. When I hear something to
the window. You you know what I hear through the window.
(07:03):
I hear mothers.
Speaker 5 (07:07):
Come on, give us the case, Maria, you'll never miss one.
Speaker 4 (07:11):
I don't give.
Speaker 3 (07:12):
Why don't you ever give cases of that big lad
had a bong boyfriend yours and that lad.
Speaker 4 (07:16):
Had a boyfriend that god had.
Speaker 3 (07:18):
Big left foot involved in the one on the electric furnace.
Speaker 1 (07:22):
I tuppy, but they're like nobody.
Speaker 4 (07:26):
You don't talk like that, man, Well, you don't love them?
Speaker 1 (07:30):
Do you know?
Speaker 4 (07:32):
What's alana?
Speaker 3 (07:33):
Mana?
Speaker 5 (07:34):
This is a term of endamment frequently indulged in by
the people of Araby Day.
Speaker 1 (07:38):
And they're speaking to the woman they love.
Speaker 3 (07:42):
Also a cushier magree and what's a cushla McCree personally
hatlana because only using conversation when one speaking to the
woman he loves.
Speaker 4 (07:52):
Do you love me manas?
Speaker 5 (07:53):
That's why he else would be asking me for kist?
Speaker 4 (07:56):
Don't you ask us?
Speaker 1 (07:57):
Man? But I do not on them my love.
Speaker 4 (08:03):
Mistake?
Speaker 3 (08:04):
That's right, you're afraid I'll be killing me broke? Then
why I take that big handhanded steel pusher and I
twisted his square head off on the little finger, and
I saw.
Speaker 1 (08:15):
It in his face. You're gonna throw my head out.
You live, my girl. Long you are as you're bust
you off a little squab, he says, that's what I
said while I was climbing through the window. Uh yeah,
you don't pull my head in my face. But he
(08:37):
give me two black eyes he put in there, pull
my ears off my head. And you know what doesn't Yes,
she laughed, she'll laugh at bog gun. So that's why
I make up my mind that gonna kill man. Nobody laughs.
Speaker 3 (09:01):
He is made of irons and which is added other ingredients.
Carbon is the essential ingredient, and he's added to the
iron or during the melting process. The mass of molten
metal in the furnace is called the heat, and the
process of pouring the mass from the furnace into the
fire play line ladles is called happing.
Speaker 1 (09:18):
Maybe I don't work no more in the steel family.
I quit. I used to work in the steel family.
Over in Hammah life, I quit. I don't want to
work no more. The moment said, why you're not there anymore?
So why I work? Money? Said he dead? Ain't you manus? Yeah,
(09:44):
it's all in left A big strong money is of
WHI it is seeing that way maybe two pods. You see,
they don't have open hot furnaces anymore in the steel
family that I work, got big electric furnace. Not have
to have so many men when you've got electric pens.
I guess so or something. I don't know. Lots of
(10:07):
people don't like the electric ferns. I like pretty good.
I like progress. That's the word sure me, Bogdan, I
like this progress man words why he is kind of
approaching it because poor man, he's got everybody what he's
gonna do. He fired people all the time, and wire more.
(10:29):
But he leads me along in pondre. He beat strong
Irish data, but he's not digging strong like goog Gan.
When bog Gun is at work, book don't got too
many things to hit with billet, steel hunks, limestone, scoop, shovel,
big long steel rod would look on it. Twenty things
to make book done stronger than manners in fans. So
(10:53):
he leaves me alone pretty much. Just how I bog
down when you're gonna top he and I stopped him
when he's day. That's my job both bark top seat.
He's lap whole time. This mother said, why one he's
not saying about dark mountains and roses. He seems pretty
(11:13):
good me that I don't sing much. I work, drank
guy fight. That's enough. But I'm not satisfied my job.
I want better job. I talk one day the Monas Appliet.
I say, Monas, you're mad on me.
Speaker 3 (11:33):
I wasn't even mad at you, bob it. I haven't
your face into what pros, and I'm just going to
do it again. So why should I be mad at you?
Speaker 1 (11:41):
I thought you was mad on me.
Speaker 3 (11:43):
When I get mad at you about you'll feel the
way of me. Fist on your nose. That's the way
you'll know.
Speaker 1 (11:49):
What do you want?
Speaker 3 (11:50):
Then?
Speaker 1 (11:51):
I don't want to talk to he's no more.
Speaker 3 (11:55):
But you like to be vice president in Chagos? Maybe?
Or could you like to be tied the secretary maybe
and run a typewriter like that.
Speaker 1 (12:02):
I can't run a.
Speaker 3 (12:03):
Type Maybe you'd like to go into the paymaster's office
and counter shillings fire.
Speaker 1 (12:07):
I don't want to be in more monkey in office?
Speaker 3 (12:10):
Where do you want to be?
Speaker 1 (12:11):
A monkey invaded?
Speaker 3 (12:12):
Maybe you'd rather be a chimpanzee or a gorilla. Maybe
I can get into the zoo and shy. You'd be
a very neater ringer thing. If you had a tail monkey, Yes,
you have a monkey, boggin. I made that monkey of
the other night with your girl.
Speaker 1 (12:30):
I want to run electric crane, you do, I can
run electric ray.
Speaker 3 (12:36):
Listen, take him a gun if that runs the train
on the day shift was thirty one years learning how
to run it out? Have you know, America Pemberton, that's
tom a night shift it was twelve years. Just get
it to be an apprentice.
Speaker 1 (12:48):
I don't know how to run electric cray. Have done
my flow?
Speaker 3 (12:51):
You run the elector crying right, get upring up and
down over men's heads with a lady who call a
white hot run and steel and splashing.
Speaker 1 (12:57):
It all over his alf I can run elector right
back at.
Speaker 3 (13:01):
Your job, bobbed whenever you're blowing, and don't be bothered me.
We get ambitions and let's go on. Now, go away up.
Speaker 1 (13:14):
Nobody gonna talk that way to boot the trope that
you know that you did find that out, didn't you?
Money so dy? Look at minus Monus just told you
ain't got steel. The special heat brought white hot and
big tea kettle, just iron carbon limestone, bab young man,
(13:36):
that's probably is manners. So's wired that hit me on
the eye and take away my girl ma e a
tronic and not let me running like the crane turned
the monkey with both.
Speaker 3 (13:52):
Whattric furnace is differentiated from the open hot furnace for
melting steel ship much like a giant tea kettle. I
don't want to heat his ready to be tapped. The
entire furnace is topped up on pruning, and the modern
white hot steel is all groove pop into a lady
in the Soviet people.
Speaker 1 (14:17):
I don't want to see you never know more bout
done the matter your mine of ethnic book and not
good enough for.
Speaker 4 (14:22):
You than just a bad man for me who can
never gets to be Roman, who never gets to be lucky?
Speaker 3 (14:28):
Do you think I want to be nice?
Speaker 1 (14:29):
If roughening all my life, you don't love me no
more than my you? You yes, you give my kids
if you akiss the other fellas I kiss everybody. I
want to kids. That manus life your business? I kis
where's my business?
Speaker 4 (14:48):
Why is your businesses? That Ki's managed to.
Speaker 1 (14:50):
Bias Because if you GISs you in my bed, I
you feel them.
Speaker 4 (14:57):
What's the difference where you make me marry you make
me laugh.
Speaker 1 (15:01):
Don't say I think us every time of work. I
love you, I don't love you. You think you're gonna
marry this money.
Speaker 4 (15:09):
I'm gonna marry.
Speaker 1 (15:10):
You're gonna be with all you do that I'm.
Speaker 4 (15:13):
Gonna call the policeman. You're gonna hange you. Oh, I
know the pray you try hurt man, and to give
you some of black eyes, not boodie.
Speaker 1 (15:22):
Please love me.
Speaker 3 (15:23):
I love man.
Speaker 1 (15:27):
I killing you cann't sneak up the money.
Speaker 4 (15:29):
He's not looking when you try killing. It's the only
way you can do it.
Speaker 5 (15:32):
You do not break you.
Speaker 1 (15:34):
If you're not gonna marry. I mean you're not going
to marry That money is all black. You wait and
see you you with all you.
Speaker 3 (15:46):
The temperature of molten steel ranges from three thousands to
four thousand degrees Fahrenheits, in which condition it flows like water.
Organic matter brought into contact with moulton steel simply vanished.
She's gonna b re birth to claim and as absorbed.
Speaker 1 (16:00):
There's a level of ever. Man made me love Mary
rolls un.
Speaker 3 (16:24):
The song of the own country at Limay and makes
me home. See for the darkling mountains above.
Speaker 5 (16:29):
And watts, dark mountains and island black montas sure with
mountains and pails if any time you can push in
mind too, mostly green under the sun and green grain
when the shadows of a nice fall on Trellis mountains
are sure in a black.
Speaker 4 (16:47):
Black mountains, mountains of death.
Speaker 5 (16:49):
Mine mountains of beauty, and question Metada, the black mountains of.
Speaker 4 (16:57):
The black mountains in this country too, until ago.
Speaker 3 (17:00):
Off to get bog him. What did you do to me?
Speaker 1 (17:03):
Then?
Speaker 3 (17:06):
Yes, it stands not too close? And watch does he ten?
He's not an easily frightened man. He stands close. It's bobbed,
and it dips out the fire clay plug in the
furnace spot so that the hot steel can pour out.
And that's not a job for a man who's afraid.
Speaker 4 (17:22):
Tell me what it is like.
Speaker 3 (17:24):
Well, the great.
Speaker 5 (17:26):
Gears grind, and the big furnace tips up, and the
gas lanes are licking away at the ladle down on
the with the temperature of the steel, of course to
two or three thousand degrees. Now Boban stands with a
kind of a pick at the stalt of the kettle,
and he picks away the hide and clay, and soon
after little red nose of the first flow breaks through.
Speaker 3 (17:45):
Then there's a rar and that white hot steel pours
down into the ladle, and the spats leap up into
the air from the surface of the liquid steel, and
they fly about and burn holes in the men's clothes.
Speaker 1 (17:55):
Ah, there's the smell of burned earth and.
Speaker 5 (17:58):
Hot steel, and men's tend fascinated each time it happens.
It's really it's like a glimpse into the mouth of hair.
Speaker 1 (18:06):
And no man ever tired of it.
Speaker 5 (18:12):
It is not afraid.
Speaker 4 (18:13):
What does a man fall into the steel?
Speaker 3 (18:15):
And that doesn't happen. We're once in a great great wires.
Speaker 5 (18:21):
He's never seen it, but they say there's a flash
of yellow flame, and never the sound of a man's
crying out, and he's got man as people take a
little dab of the steel of which he died, and
that they take and hold the funeral services over the steel.
Or for the man who's part of it, now.
Speaker 3 (18:39):
Let's talk things more pleasant, or shall I see the
rules of what do they do with the rest of
the steed? Well, it's very true for the man who's
part of it, and there's no talent got to what
happened if the steel was to be used. Now shall
I sing again? And one?
Speaker 1 (19:04):
I love all? There is more shive of this, and
I don't feel good. Bring me more bottles, live of it,
Bring beer for my city plan. Here there they are.
He ought to bring sliver of it just for man
man like Bob. Yeah that none of why he married
(19:27):
Maria each other that, yeah, that's better. Yeah, dad, he's
married Mariaton. Now might be people with just a seeing
like Bogdan says, she's going to be. She went up
(19:48):
and acting cemetery is popping with only little Stein inside it,
Little be Stein like this little one to speed and
inside little be Steve.
Speaker 2 (19:59):
Listen, mh you.
Speaker 1 (20:01):
Hear something, Try not to everybody you don't hear, which
you get done? Right? A little steeling got that we
still don't hear? Right? Manus singing, mother's a wire hearing
(20:22):
in just this plain com inside of the ceiling. Sure
I hear much times, don't scare me.
Speaker 3 (20:30):
I sing right.
Speaker 1 (20:31):
Along with him, okaying about the dark water. It was there,
I mad and Mary dos trolley. We sing pretty good together,
(20:52):
brother to be. Mother said I couldn't hurt him like
I said, I couldn't hurt him but my as a
with an erotic Manus. How you like Manus? You're a
dumb monkey around with Bogan Bogan Pretta's my guy, and
(21:14):
you don't like nobody Bogan. Don't even like Maya gratodik
no more, dads don't even like me.
Speaker 3 (21:30):
Manusa Dwyer, thirty three year foreman and the number one foundry,
was instantly killed today when he fell into a fifteen
ton ladle full of molten steel. The only witness of
the tragedy was bogged in Petrovic, a laborer who lost
three fingers of his left hand.
Speaker 1 (21:47):
The fingers I pushed him with my left hand. I
bumped my hand against the edgit it later it was
hot and not so hot like to steal it was though,
and it was from the big detail, though not so
i'd like where Manus with wire we toped the big
river of steel. It comes out of spouting splash down.
(22:10):
You listening here only the years making noises. But they
tipped the kettle uphire to get all this fear.
Speaker 3 (22:16):
You'll hear.
Speaker 1 (22:16):
Wrists were crying, scooping down above our heads to lift
up later and make it a longer time. You your
all kinds of noises is fun. You're here minus the wire,
talking your ears. You're there. Then you hear yourself say,
I'm not scared. You hear your sell say you're scared.
Manus with wire, I mean whistles, make noise. You look
(22:40):
through black godle that Manus the wire, and you see
he is only mine and that is steel down there,
and you laugh at Manus the wire. Manus a diary.
Can you hear yourself say, all right, see something, Oh God,
ip stealed on there. And then you look through black God.
(23:01):
You can see Manu says wire. Lean over and see
what your points. I put my hand, left hand on
his shoulder, and I had damn see and he leaned
fower over. The winter blows down and lay for me.
I give him just little general shop be off, just
(23:28):
like a match spelling. You go make blame me out,
never see him again. So you hear me holla, hey,
hey God, Bob, Manas can stick you. And old man
comes running. We shut off bothering him. Nobody can't do
that him no more. Manas does not see him at all.
(23:48):
Only I can smell him a little bit of the
dont smell of steel at birth play and in all
big noises in the counting. Here good, you're here done
by stealing all the left? So do I see if
you heard? You go where you are? Woman? You I
(24:14):
go home when I get ready. You know who this woman,
this old woman is. You know that you're telling man?
Speaker 3 (24:23):
What is your name?
Speaker 1 (24:24):
Old woman? Tell him your name?
Speaker 4 (24:27):
He wants to know imry of each child.
Speaker 3 (24:30):
You see.
Speaker 1 (24:35):
He says she was never going to marry to me.
Speaker 3 (24:37):
A mar.
Speaker 4 (24:40):
You have had enough that, I say, I want.
Speaker 1 (24:46):
You said you were married me.
Speaker 4 (24:49):
I said I wouldn't marry.
Speaker 1 (24:51):
You knows what happened to mine? Don't you can't build it? Okay,
thank you die manas didn't kill me? Swim you take
this little steeling got going kill big strong both times.
(25:14):
Come on, let's see. The moon was riic god, bob
agre mold that was light.
Speaker 3 (25:48):
The window, according control, it's former steelworker who was killed
last Thursday, went a smile ing at his steel he
was keeping for a souvenir, fell from a shelf above
his head and pressed his skull. We make her debut
and as the idolower theater as a singer. This is
a Travis the farmer marry of e Shark who present
a group of Irish songs, including the popular ballad Roses Police.
(26:11):
As is the Trovich would be remembered as a widow
as manics his wise.
Speaker 1 (26:30):
H m hm.
Speaker 3 (26:41):
H h.
Speaker 1 (26:50):
The title of today is Quiet Please. Story is that's
the heat booked on.
Speaker 2 (26:56):
It was written and directed by Willis Cooper and the
man who spoke to you Ernest Champel and a lot.
Speaker 1 (27:02):
Of the Beelay Maya Jay pattle Mally was most and
Carl Emriray told how steelers made because he was really
really good. Quiet Please and played by alfre Bermant. What
about next week? Here is our right director with a
stuper thank you for listening to quiet Place.
Speaker 3 (27:20):
I'll start for next week, Charles see who's talent trying?
And so until next.
Speaker 1 (27:27):
Week at the same time, I am quietly or is
Ernest Chapel now a listening reminder? Sank
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