August 6, 2025 • 29 mins
A horror and fantasy anthology series that delves into the eerie and the unknown, offering stories that unsettle and provoke thought. Its minimalist production enhances the chilling narratives.
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
Quiet Please, Quiet Please. The American Broadcasting Company presents Quiet Please,
(00:35):
which is written and directed by Willis Cooper and which
features Ernest Chappel. Quiet Please for Today is called tap
the Heat. Bogdan, I'm Bogdan and I can lick an
(00:55):
him out of the house. I'm Bogdvitch. That's my name,
and I'm from Senegatta. I a lick on him out
of the house. Especially Irishers in Senegata. We look them
all Irish Austrians everybody. We don't kid around in Senagada.
You remember town in Sanagorta called Sara Jevo. He's my hometown,
(01:18):
Sata Chevel. And when I am a little kid, I
go to school with Gambrillo, Gambrillo Preceeship. I thought everybody
know who is little Gavrilo Princeship with the glasses in
the bombs? Ah? Why blowed up the art to front
the check for the nant in sarda Vel right the
way they have the big walk. We don't like people
(01:42):
in Senagada. We don't like nobody see, and I don't
like you.
Speaker 2 (01:53):
What you say?
Speaker 1 (01:55):
What means Senegada? It means black mountains. That's the kind
of mountains. We got in Sinegona, big black mean mountains.
Houses hang inside the black mountains, boots climb around God
bring gans hiding mountains. Cut people's heads off? Where two
(02:16):
big constant fell got knife that long? You don't munk
your round in Sinegonda? What them fellows laughing about their laughing? Bogan?
Here your fellows? Your cut out the laughing. I break
your hat. You hear me?
Speaker 3 (02:31):
Pop?
Speaker 1 (02:32):
Don you be quiet? Yeah, that's better once you're drinking.
Speaker 2 (02:41):
Yeah, these for babies. Bring me shrive EMTs, bring.
Speaker 1 (02:48):
Me paddle shive events. That's better.
Speaker 2 (02:52):
Yeah, you drink some leven bets.
Speaker 1 (02:58):
I'll make your jok. Have to be a mind to
drinks liver of its look it see that's how drinks.
Speaker 2 (03:11):
Liver of his boy.
Speaker 1 (03:14):
Sure, I'm a strong man. Have to be a strong man.
Come from synagogal drinks liver of which makes steel kill people.
Sure I make steal. Sure I killed people. I'm a mind. Okay,
and I hate iras d Sure I tell you why.
(03:36):
On the contest, fellow manusurd Wire, you don't know minus
minus a guid Manu's awful dead and you never make
him dead. You're not ever gonna say some more top
to heat. Booked on you always say you balked on
your butt word your top the heat. You say, you
(03:59):
big bad boy bnk you top to heat. Okay, he
now that we're gonna call me bok no more, not
from where he is s not me. You see this,
You know what that is? That man is still wi
(04:23):
Hey stop the music. Yeah, that's better. Sure that man
is so wire, that piece steal. That man is your
dwi than he lock nice. Sure you buy me some
more sliver of bits. I tell you all about minus
the wire, then how he turned into a little piece steel.
(04:46):
That's the boy like sliver bits. First, I've tell you
about my Evoric. My Eletoric is Polish girlfriend. Chemish folks
live down four blocks beside Commercial Up.
Speaker 4 (05:01):
No.
Speaker 1 (05:02):
Her father's name is Cosmerly, got one leg shot off
from war nineteen sixteen. Her mother is dead. Maya's got
blonde hair, Maya's got bluest eyes I ever see. Maya
is young and got mouthed like ripe shetty. Then she
got little speaking South Chicago. Now you know what I think?
(05:28):
One time Maya Mturic is in love to me. I
think so, I just guess. But you talk of Maya
in love with my Vtic. I say, Maya, you're married
to me?
Speaker 5 (05:44):
Yeah, yeah, yeah, I'm not going to marry you, big fellow.
Speaker 1 (05:47):
You when I say, why not married to me?
Speaker 5 (05:50):
Maya, Yeah, I'm going to marry speaking men better English.
At you? You think I want to be married to
big Bombnick Steel and thinks live with.
Speaker 4 (05:59):
All the time.
Speaker 1 (06:00):
And I say, I learned good English, Maya. I learned
saying now is the time for all good men to
come to the aid of that party.
Speaker 5 (06:10):
It's just like a stage street, Maya, I'm not going
to marry big ugly man. I always talk how he
killed people.
Speaker 1 (06:16):
All the time, and I say, may I only kill
four people. And that is back in Senagorea. I forgot
their names. Albody I Vankimovitch And if you say so,
I don't kill nobody here, Maya Vi.
Speaker 5 (06:31):
I think you are no good big bombs of them.
Speaker 1 (06:34):
You know what she kissed me on my face, that
Mariya vi Storik was I love?
Speaker 6 (06:48):
Yeah?
Speaker 1 (06:49):
Really, I didn't keep my promise. I make the monry
v Shorrek. I just killed one man, though many soul.
Why I never see Irisher before? I think he's some
kind foreigner. He talked funny. I don't like him, but
(07:10):
he don't care. He lap all the time. Sometimes he
sings songs. He's singing pretty good. I go down to
Maria's house this night. I stand outside and listen when
I hear something to the window. You you know what
I hear through the window. I hear him manners or.
Speaker 3 (07:33):
Come on, give us a kiss, Maria. He'll never miss one.
Speaker 5 (07:37):
No, man, I don't give kissing.
Speaker 4 (07:39):
Don't you ever give kisses of that big lad headed
bohon boyfriend of yours?
Speaker 5 (07:42):
And that lad had a boyfriend.
Speaker 4 (07:44):
I got had big left foot. It bogged in the
one on the electric furnace. I topty heat better like
nobody toy.
Speaker 5 (07:54):
Don't talk like that man.
Speaker 3 (07:58):
You don't love him to you know?
Speaker 6 (07:59):
And Anna what alana mannut?
Speaker 3 (08:02):
That is a term of endearment.
Speaker 4 (08:03):
It's frequently indulging by the people of Arab my dear,
and they're speaking to the woman they love.
Speaker 6 (08:09):
HeLa also a cushler.
Speaker 5 (08:12):
McCree, And what's a kushler McCree?
Speaker 4 (08:15):
Pulsing me hat Elena tis only using conversation when one speaking.
Speaker 3 (08:19):
To the woman he loves.
Speaker 6 (08:21):
Do you love me? Manos?
Speaker 3 (08:23):
Why else would have be asking you for a kissing?
Speaker 6 (08:25):
Don't you ask all girls for kiss mamos.
Speaker 1 (08:27):
That I do not?
Speaker 3 (08:29):
Only then I love? Will you gives a kissing?
Speaker 6 (08:33):
I'm afraid to mamus afraid?
Speaker 3 (08:36):
What are you afraid? How will you tell me?
Speaker 6 (08:38):
Bog then.
Speaker 4 (08:41):
Why I'll take that big handhanded steel pusher and I'll
twist his square head off on the little finger.
Speaker 1 (08:45):
And I thought, on his face, you're gonna throw my
head at you? Leave my girl long? You are your
buts your up a little square pieces. That's what I
said while I was climbing through the window. Uh where
(09:06):
you don't throw my head in my face? But he
give me two black eyes he put in there, pulled
my ears off my head. Now you know what I
don't my ya, she'll laugh, she'll laugh at Bogan. So
that's why I make up my mind. I'm gonna kill
man the sib wire. Nobody laughs, said Bogan. Steel is
(09:35):
made of iron, to.
Speaker 4 (09:36):
Which is added other ingredients. Carbon is the essential ingredient
and is added to the iron ore during the melting process.
The mass of molten metal in the furnace is called
a heat and the process of pouring the mass from
the furnace into the fire clay lined ladles is called
tapping y.
Speaker 1 (09:59):
I don't work no more. Or in the steel Foundily
I quit. I used to work in the steel foundily.
Over in Hammah life, I quit. I don't want to
work no more. Manus, you're not there anymore, So why
I work? Manasa? The wiry dead, ain't you Manus? Sure?
(10:21):
It's all I left a big strong manus or the
wise little stealing that way, maybe too pounds. You see,
they don't have open heart furnaces anymore. And steel Foundly
where I work, got big electric furnace. Not have to
have so many men when you got electric furnace, I
(10:41):
guess it or something. I don't know. Lots of people
don't like the electric furnace. But I like for the good.
I like progress. That's the word. Shure me both done.
I like these progress Manus. He is kind of roachnik
(11:02):
for man. He's told everybody what he's gonna do. He
fired people all the time and liar more, but he
leaves me along. In Fandre, he big strong Irish fella,
but he's not big and strong like Bogdan. When bog
Gun is at work, Bolkkan got too many things to
hit with bill at steel hunks, limestone, scoop, shovel, big
(11:26):
long steel rod with hook on it, plenty things to
make book gun stronger than Manus and fombre. So he
leaves me alone pretty much. Just how I bog down
when you're gonna top heat, and I topped him when
he's ready. See that's my job, both down tops heat.
(11:47):
He's laugh all time. This mona is a wild. When
he's not saying about dark mountains and roses, he sings
pretty good.
Speaker 4 (11:57):
Me.
Speaker 1 (11:58):
I don't sing much like work. I drink, I fight.
That's enough, But I'm not satisfied my job. I want
better job. I talk one day the monus required, I say, Manners,
you're mad on me?
Speaker 6 (12:17):
Are you even mad at you?
Speaker 1 (12:18):
Bogged in?
Speaker 4 (12:19):
And I haven't your face into work? Coup And I'm
just a boy that could do it again, So why
should I be mad at you?
Speaker 1 (12:25):
I thought you was mad on me.
Speaker 4 (12:27):
When I get mad at you, boggden, you'll feel the
way to me. Fist on your nose, that's the way you'll.
Speaker 3 (12:32):
Know what do you want?
Speaker 1 (12:34):
Then? I don't want the top to heat no more?
Speaker 4 (12:40):
Would you like to be vice President? In charge of maybe,
or but you like to be private secretary maybe and
run a typewriter like that.
Speaker 1 (12:47):
I can't run no type writer.
Speaker 4 (12:49):
Maybe you'd like to go into the paymaster's office and
count the shillings fire.
Speaker 1 (12:52):
I don't want to be in no monkey in office?
Speaker 3 (12:55):
Oh where do you want to be a monkey? Then, Bogden?
Speaker 4 (12:58):
Maybe you'd rather be a chimpanzee or all? Maybe I
could get into the zoo and shy. You'd be a
very neat haranger tang if.
Speaker 1 (13:05):
You had a tail, Not no monkey.
Speaker 4 (13:08):
Ah, yes you are a monkey, Boggin.
Speaker 3 (13:11):
I made a monkey after the other night with your girl.
Speaker 1 (13:16):
I want to run electric crane?
Speaker 3 (13:19):
You do?
Speaker 1 (13:21):
I can run electric cry Listen.
Speaker 4 (13:24):
Take a McDonough that runs the train on the day shift.
Was thirty one years learning how to run it out?
Speaker 1 (13:29):
Have you know?
Speaker 4 (13:30):
And murder Pemberton that's on the night shift. It was
twelve years just getting to be an apprentice.
Speaker 1 (13:36):
I don't know how to run the electric crane.
Speaker 3 (13:38):
Not down my floor.
Speaker 4 (13:39):
You run no electric crane, my boy galloping up and
down over men's heads with a ladle full of white
hot run and steel and splashing it all over it all.
Speaker 1 (13:47):
I can run electric cry get.
Speaker 4 (13:49):
Back at your job, bogged inha with out whenever your
bohong name is, and don't be bothering me with your
ambitions and such.
Speaker 2 (13:54):
Go on now, I go ta heat boggin go away
at duddy.
Speaker 1 (14:03):
Nobody gonna talk that way to bout ganpatropics.
Speaker 4 (14:06):
You know that.
Speaker 1 (14:08):
You did find that out, didn't you? Many sore Look
at mammasky Manus just the old Uni got steel, just
special heat or white hot and big tea kettle, just iron, carbon, limestone,
banavian and man, that's all he is. Manus so dwire
(14:30):
that hit me on the eye and take away my girl,
Maia etronic can not let me run elect the crane
nut monkey with both dogs.
Speaker 4 (14:44):
The electric furnace is differentiated from the open hearth furnace
for melting steel.
Speaker 3 (14:48):
Is shaped much like a giant tea kettle, and.
Speaker 4 (14:51):
When the heat is ready to be tapped, the entire
furnace is tipped up on trunions and the molten white
hot steel is poured from the spot into a lad
in the sopping people.
Speaker 5 (15:11):
I don't want to see you never know more.
Speaker 1 (15:13):
Both done the matter your money A product or can
not good enough.
Speaker 5 (15:17):
For you who than just a bad man for me?
Speaker 2 (15:19):
Who can never gets to be form and it sproga
never gets to be nothing.
Speaker 5 (15:22):
You think I want to be nice, it's go rapling
all your life.
Speaker 1 (15:26):
You don't love me no more? My god.
Speaker 5 (15:28):
I never said I love you.
Speaker 1 (15:30):
Never you said you're dead?
Speaker 2 (15:31):
Yes, you give me kids?
Speaker 5 (15:33):
What's the true?
Speaker 1 (15:34):
If your kisses other fellas are?
Speaker 5 (15:36):
I kiss everybody?
Speaker 1 (15:37):
I want to you ecuse that man is a wise man?
Speaker 6 (15:41):
Your business?
Speaker 5 (15:41):
I kiss Manus?
Speaker 1 (15:42):
Where's my business?
Speaker 5 (15:44):
Why it's your business?
Speaker 6 (15:45):
If I kiss Manos a bias?
Speaker 1 (15:47):
Because if you're kid seeing my.
Speaker 5 (15:49):
Bed, I kid you killing shocks?
Speaker 1 (15:53):
You swear?
Speaker 5 (15:54):
My god, what's the difference If I swear you make
me mad, you make me laugh.
Speaker 1 (15:58):
Don't say shocks.
Speaker 5 (15:59):
I see it chopped every time.
Speaker 1 (16:01):
Or one may I love you?
Speaker 5 (16:03):
I don't love you.
Speaker 1 (16:04):
You think you're gonna marry this money.
Speaker 5 (16:07):
I'm gonna marry you.
Speaker 1 (16:08):
You're gonna be a widow.
Speaker 5 (16:10):
It is that I'm gonna call the policeman. They're gonna
hang you. Oh I'm not afraid too. You try hurt
Manos to give you some more black eyes?
Speaker 1 (16:18):
Not what MyoD? Please love me?
Speaker 6 (16:22):
I love Manus?
Speaker 1 (16:24):
Hey hate money hey.
Speaker 5 (16:26):
Killing you better sneak up them when he's not looking.
When you try to kill him. It's the only way
you can do it. It's gonna break you and two
pieces with hell.
Speaker 1 (16:33):
If you're not gonna marry to me, you're not gonna
marry that that money is or life. You wait and
see you, you with all you.
Speaker 4 (16:46):
The temperature of molten steel ranges from three thousand to
four thousand degrees fahrenheit, in which condition it flows like water.
Speaker 1 (16:55):
Organic matter brought.
Speaker 4 (16:56):
Into contact with molten steel secretly vanishes and a brief.
Speaker 1 (16:59):
Burst to claim and a absorbed into the metal itself
in her eye, ever be not made love Mary.
Speaker 3 (17:17):
From the rolls.
Speaker 6 (17:20):
Trolley man, what you sing so sweet?
Speaker 3 (17:26):
This is the song of my own country.
Speaker 4 (17:27):
I push emphy and it makes me homesick for the
darkling mountains above eve and rotters.
Speaker 6 (17:33):
Dark mountains and islands, black mountains, not sure where.
Speaker 4 (17:37):
Mountains and hills if any kind you can push your
mind through, mostly green under the sun and the rain
gray in the toils, when the shadows of the night
fall on trolley and the mountains are sure enough.
Speaker 6 (17:50):
Black, black mountains, mountains of death mine, no.
Speaker 3 (17:55):
Mountains of beauty, and what's the metada the black mountains?
Speaker 5 (18:01):
Bog then tears off the black mountains in his country.
Tuents and a.
Speaker 3 (18:04):
Girl, Ah, forget Bogden.
Speaker 5 (18:06):
He hates your man.
Speaker 3 (18:07):
What did he do to me?
Speaker 1 (18:08):
Then?
Speaker 5 (18:10):
When bog then taps the heat?
Speaker 3 (18:11):
Yes, what do you do? All right? I stand not
too close?
Speaker 1 (18:16):
And watch does he stand flows?
Speaker 3 (18:18):
Oh, he's not an easily frightened man. He stands close.
Speaker 4 (18:21):
It's Bobden that dips out the fire clay plug in
the furnace spout so that the hot steel can pour out.
Speaker 3 (18:27):
And that's not a job for a man who's afraid.
Speaker 5 (18:29):
Tell me what it is like.
Speaker 3 (18:30):
Man's well, the great.
Speaker 4 (18:32):
Gears grind and the big furnace tips up, and the
gas flames are licking away at the ladle down on the.
Speaker 3 (18:40):
At the temperature the steel, of course, two or three
thousand degrees.
Speaker 4 (18:43):
Yes, Now Bobden stands with a kind of a pick
at the spout of the kettle, and he picks away
at the hide and clay, And soon as the little
red nose at the first floor breaks through, then there's
a roar, and a white hot steel pours down into
the lady and there spats left up into the air
from the surface of the liquid steel, and they fly
about and burn holes in the men's problem.
Speaker 3 (19:04):
Ah, there's the smell of burned earth and hot steel, and.
Speaker 4 (19:08):
Men stand fascinated each time it happens, for it's really
it's like.
Speaker 2 (19:13):
A glimpse into the mouth of hell.
Speaker 3 (19:16):
And no man ever tires of it.
Speaker 2 (19:19):
No, they say, these men broke it's not afraid.
Speaker 5 (19:23):
What did man fall into the stein?
Speaker 3 (19:25):
It doesn't happen.
Speaker 4 (19:27):
Were once in a great, great wire and then he's
never seen it. But they say, there's a flash of
yellow flame.
Speaker 3 (19:36):
And never the sound of a man's crying out, and
he's gone.
Speaker 4 (19:41):
Then his people take a little dab of the steel
in which he died, and that they take and hold
the funeral.
Speaker 3 (19:46):
Services over the steel. Or for the man who's part
of it. Now, let's talk to things more pleasant. Ally,
shall I sing you the.
Speaker 4 (19:55):
Rules of what do they do with the rest of
the stee Well, it's very true for the man's part
of it, and there's no telling.
Speaker 3 (20:01):
But what happens to see it to be used?
Speaker 4 (20:03):
Now?
Speaker 3 (20:05):
And I've seen again in one.
Speaker 1 (20:18):
Well I've want is more sve of it. I don't
feel good. Bring me more bottle silver its bring beer
for my city fride here h he ought to drink sliver.
It is for man man like both don that man stwi.
(20:42):
He married Maria Vitrolic God, yeah that's better. Yeah, god die.
He married Maria Vitrolics. Now Mary vi Truk is with
just the same like Vodan says, she's gonna be. She
(21:04):
went off and out in the cemetery, just popping. Went
on the little peace steam inside little pece steal like
this little ways to steal an inside little piece steelers. Listen,
you'll hear something shout off you everybody.
Speaker 2 (21:26):
You're down the area?
Speaker 1 (21:29):
Which year he had done? By the little steeling he
got fatter. You still don't hear, But I mind not
singing my nose with wire, hear injustice, plain come inside
little steal.
Speaker 2 (21:45):
Ain't that sure?
Speaker 1 (21:47):
I hear him lots of times. Don't scare me. I
sing right along with him. See you hesing uhboub the
dark wall there was there. I met Mary double zo Tralley.
(22:12):
He seemed pretty good together about it.
Speaker 4 (22:14):
To be.
Speaker 1 (22:16):
Mathers said I couldn't heard him. May I said, I
couldn't heard him, But Maya's the widow who Maya etchotic Manus?
Speaker 3 (22:30):
How you like Manus?
Speaker 1 (22:32):
Your dumb monkey around with Bogan? Bogan pretty smart guy
and he don't like nobody. Bogan don't even like Maya
vatrotik no more, Dad, don't even like me.
Speaker 3 (22:55):
Manusa.
Speaker 4 (22:55):
Dwyer thirty three, a foreman and the number one foundry,
was instantly killed day when he fell into a fifteen
ton ladle.
Speaker 1 (23:02):
Full of molten steel.
Speaker 4 (23:03):
The only witness of the tragedy was bugged On Patrovitch,
a laborer who lost three fingers of his left hand.
Speaker 1 (23:14):
Their fingers. I pushed him in with my left hand.
I bumped my hand against the edge of the later
it was hot and not so hot. Liked this steel
that was glowing into it from the big kettle, though
not so hot like wear Mana's or why we topped
a heat the big five driver of steel. It comes
(23:36):
out the spouty splash down. You listen to you, you're
only the gears making noistles. When they tipped the kettle
up higher to get all the steel. You'll hear whistles
where train is scooping down above our heads to.
Speaker 2 (23:48):
Lift up later and make it longer.
Speaker 1 (23:49):
Classes you'll hear all kinds of noisous to the bomber.
You'll hear Mana's dwyer talk in your ear. You're awful
close to the lips there, and you hear yourself say
I'm not scared. You hear yourself say you're scared. Mother's
a wuire and wishes make noise. You look through black
(24:11):
goggle that manus the wire and you see you're the
only man and that is steal down there, and you're loft.
That's man's a wire manus abarty hollow. Oh yes, And
you hear yourself say I see something boat sons hop
steal down there. And then you look through black goggle.
(24:34):
You see mother said, why lean over and see what's
your point? I put my hand left hand on his
shoulder and I hollan there see and he leaned far
over and whistle blows fell out, look away for me.
I give him just little turtle shoved me fall just
(25:02):
like the match spelling. You go make blame me some out,
never see him again. So you'll hear me holler, hey,
hey got bump manas falls in steel and old man
come running. We shut off balling and nobody getting do
nothing or no more. Mina's a blier, not see him
(25:24):
at all. Only I can smell him a little bit
about smell him steal a berquay and in all big
noises and compy, I can hear this. Who you're there
down by? Stealing out is all that's left. Mom's a dryer.
Speaker 2 (25:41):
I see if you hear.
Speaker 1 (25:45):
A n time to go home, you'll go where you
old woman? You time to I go home when I
get ready? Come? Yeah, you know who this woman, this
old woman is?
Speaker 3 (26:01):
You know that?
Speaker 1 (26:01):
Okay, you tell him? I what is your name? Old woman?
Speaker 6 (26:05):
Come home?
Speaker 1 (26:06):
Tell him your name? He wants them all.
Speaker 6 (26:08):
I am your Victoric Dwyer Petravis.
Speaker 1 (26:14):
See she says she was never gonna marry to me.
Speaker 2 (26:18):
As the man you have had enough for to night, I.
Speaker 1 (26:23):
Say, I want y Maria. He said you were.
Speaker 2 (26:29):
Married to me.
Speaker 6 (26:30):
I said I wouldn't marry you.
Speaker 1 (26:33):
Mayan knows what happened to man Is, but my can't
prove it. Kenya, Maya, but you will die Manas didn't kill.
Speaker 6 (26:46):
Me, Manus will.
Speaker 2 (26:49):
Man no, swell you take.
Speaker 1 (26:52):
This little old stealing gonna kill big.
Speaker 2 (26:55):
Strong bod don hah, come ama us.
Speaker 1 (27:01):
Let's see. The moon was a Riasic gobob a Green molds.
The was Limey, the.
Speaker 4 (27:35):
Widow of Bugen Petrovitch, former steelworker who was killed last
Thursday when a small ing at his steel he was
keeping for a souvenir, fell from a shelf above his
head and crashed his skull. Will make her debut tonight
at the Idelawer Theater as a singer. Missus Petrovitch, the
former Mario Vicharik, will present a group of Irish songs,
(27:57):
including the popular ballad Rose of Missus Petrovitch will be
remembered as the widow of Manuson Wi.
Speaker 1 (28:44):
The title of today's Quiet Please story is sat the
heat booked on. It was written and directed by Willis Cooper,
and the man who spoke to you was Ernest Champell.
A lot of the disc you played Maya j Pattle
Lady was Marris and Karl Emery told how steelers me
(29:07):
as usual. Music for Quia Please is played by Alfred Perman. Alfred,
what about next week? Here's our writer, director Willis Cooper,
thank you for listening to Quiet Please. I started for
next week. It's called be Who's Valentine? And so until
next week. At the same time, I am quietly yours,
(29:28):
ernest Temple,
Quiet Please, Quiet Please. The American Broadcasting Company presents Quiet Please,
(00:35):
which is written and directed by Willis Cooper and which
features Ernest Chappel. Quiet Please for Today is called tap
the Heat. Bogdan, I'm Bogdan and I can lick an
(00:55):
him out of the house. I'm Bogdvitch. That's my name,
and I'm from Senegatta. I a lick on him out
of the house. Especially Irishers in Senegata. We look them
all Irish Austrians everybody. We don't kid around in Senagada.
You remember town in Sanagorta called Sara Jevo. He's my hometown,
(01:18):
Sata Chevel. And when I am a little kid, I
go to school with Gambrillo, Gambrillo Preceeship. I thought everybody
know who is little Gavrilo Princeship with the glasses in
the bombs? Ah? Why blowed up the art to front
the check for the nant in sarda Vel right the
way they have the big walk. We don't like people
(01:42):
in Senagada. We don't like nobody see, and I don't
like you.
Speaker 2 (01:53):
What you say?
Speaker 1 (01:55):
What means Senegada? It means black mountains. That's the kind
of mountains. We got in Sinegona, big black mean mountains.
Houses hang inside the black mountains, boots climb around God
bring gans hiding mountains. Cut people's heads off? Where two
(02:16):
big constant fell got knife that long? You don't munk
your round in Sinegonda? What them fellows laughing about their laughing? Bogan?
Here your fellows? Your cut out the laughing. I break
your hat. You hear me?
Speaker 3 (02:31):
Pop?
Speaker 1 (02:32):
Don you be quiet? Yeah, that's better once you're drinking.
Speaker 2 (02:41):
Yeah, these for babies. Bring me shrive EMTs, bring.
Speaker 1 (02:48):
Me paddle shive events. That's better.
Speaker 2 (02:52):
Yeah, you drink some leven bets.
Speaker 1 (02:58):
I'll make your jok. Have to be a mind to
drinks liver of its look it see that's how drinks.
Speaker 2 (03:11):
Liver of his boy.
Speaker 1 (03:14):
Sure, I'm a strong man. Have to be a strong man.
Come from synagogal drinks liver of which makes steel kill people.
Sure I make steal. Sure I killed people. I'm a mind. Okay,
and I hate iras d Sure I tell you why.
(03:36):
On the contest, fellow manusurd Wire, you don't know minus
minus a guid Manu's awful dead and you never make
him dead. You're not ever gonna say some more top
to heat. Booked on you always say you balked on
your butt word your top the heat. You say, you
(03:59):
big bad boy bnk you top to heat. Okay, he
now that we're gonna call me bok no more, not
from where he is s not me. You see this,
You know what that is? That man is still wi
(04:23):
Hey stop the music. Yeah, that's better. Sure that man
is so wire, that piece steal. That man is your
dwi than he lock nice. Sure you buy me some
more sliver of bits. I tell you all about minus
the wire, then how he turned into a little piece steel.
(04:46):
That's the boy like sliver bits. First, I've tell you
about my Evoric. My Eletoric is Polish girlfriend. Chemish folks
live down four blocks beside Commercial Up.
Speaker 4 (05:01):
No.
Speaker 1 (05:02):
Her father's name is Cosmerly, got one leg shot off
from war nineteen sixteen. Her mother is dead. Maya's got
blonde hair, Maya's got bluest eyes I ever see. Maya
is young and got mouthed like ripe shetty. Then she
got little speaking South Chicago. Now you know what I think?
(05:28):
One time Maya Mturic is in love to me. I
think so, I just guess. But you talk of Maya
in love with my Vtic. I say, Maya, you're married
to me?
Speaker 5 (05:44):
Yeah, yeah, yeah, I'm not going to marry you, big fellow.
Speaker 1 (05:47):
You when I say, why not married to me?
Speaker 5 (05:50):
Maya, Yeah, I'm going to marry speaking men better English.
At you? You think I want to be married to
big Bombnick Steel and thinks live with.
Speaker 4 (05:59):
All the time.
Speaker 1 (06:00):
And I say, I learned good English, Maya. I learned
saying now is the time for all good men to
come to the aid of that party.
Speaker 5 (06:10):
It's just like a stage street, Maya, I'm not going
to marry big ugly man. I always talk how he
killed people.
Speaker 1 (06:16):
All the time, and I say, may I only kill
four people. And that is back in Senagorea. I forgot
their names. Albody I Vankimovitch And if you say so,
I don't kill nobody here, Maya Vi.
Speaker 5 (06:31):
I think you are no good big bombs of them.
Speaker 1 (06:34):
You know what she kissed me on my face, that
Mariya vi Storik was I love?
Speaker 6 (06:48):
Yeah?
Speaker 1 (06:49):
Really, I didn't keep my promise. I make the monry
v Shorrek. I just killed one man, though many soul.
Why I never see Irisher before? I think he's some
kind foreigner. He talked funny. I don't like him, but
(07:10):
he don't care. He lap all the time. Sometimes he
sings songs. He's singing pretty good. I go down to
Maria's house this night. I stand outside and listen when
I hear something to the window. You you know what
I hear through the window. I hear him manners or.
Speaker 3 (07:33):
Come on, give us a kiss, Maria. He'll never miss one.
Speaker 5 (07:37):
No, man, I don't give kissing.
Speaker 4 (07:39):
Don't you ever give kisses of that big lad headed
bohon boyfriend of yours?
Speaker 5 (07:42):
And that lad had a boyfriend.
Speaker 4 (07:44):
I got had big left foot. It bogged in the
one on the electric furnace. I topty heat better like
nobody toy.
Speaker 5 (07:54):
Don't talk like that man.
Speaker 3 (07:58):
You don't love him to you know?
Speaker 6 (07:59):
And Anna what alana mannut?
Speaker 3 (08:02):
That is a term of endearment.
Speaker 4 (08:03):
It's frequently indulging by the people of Arab my dear,
and they're speaking to the woman they love.
Speaker 6 (08:09):
HeLa also a cushler.
Speaker 5 (08:12):
McCree, And what's a kushler McCree?
Speaker 4 (08:15):
Pulsing me hat Elena tis only using conversation when one speaking.
Speaker 3 (08:19):
To the woman he loves.
Speaker 6 (08:21):
Do you love me? Manos?
Speaker 3 (08:23):
Why else would have be asking you for a kissing?
Speaker 6 (08:25):
Don't you ask all girls for kiss mamos.
Speaker 1 (08:27):
That I do not?
Speaker 3 (08:29):
Only then I love? Will you gives a kissing?
Speaker 6 (08:33):
I'm afraid to mamus afraid?
Speaker 3 (08:36):
What are you afraid? How will you tell me?
Speaker 6 (08:38):
Bog then.
Speaker 4 (08:41):
Why I'll take that big handhanded steel pusher and I'll
twist his square head off on the little finger.
Speaker 1 (08:45):
And I thought, on his face, you're gonna throw my
head at you? Leave my girl long? You are your
buts your up a little square pieces. That's what I
said while I was climbing through the window. Uh where
(09:06):
you don't throw my head in my face? But he
give me two black eyes he put in there, pulled
my ears off my head. Now you know what I
don't my ya, she'll laugh, she'll laugh at Bogan. So
that's why I make up my mind. I'm gonna kill
man the sib wire. Nobody laughs, said Bogan. Steel is
(09:35):
made of iron, to.
Speaker 4 (09:36):
Which is added other ingredients. Carbon is the essential ingredient
and is added to the iron ore during the melting process.
The mass of molten metal in the furnace is called
a heat and the process of pouring the mass from
the furnace into the fire clay lined ladles is called
tapping y.
Speaker 1 (09:59):
I don't work no more. Or in the steel Foundily
I quit. I used to work in the steel foundily.
Over in Hammah life, I quit. I don't want to
work no more. Manus, you're not there anymore, So why
I work? Manasa? The wiry dead, ain't you Manus? Sure?
(10:21):
It's all I left a big strong manus or the
wise little stealing that way, maybe too pounds. You see,
they don't have open heart furnaces anymore. And steel Foundly
where I work, got big electric furnace. Not have to
have so many men when you got electric furnace, I
(10:41):
guess it or something. I don't know. Lots of people
don't like the electric furnace. But I like for the good.
I like progress. That's the word. Shure me both done.
I like these progress Manus. He is kind of roachnik
(11:02):
for man. He's told everybody what he's gonna do. He
fired people all the time and liar more, but he
leaves me along. In Fandre, he big strong Irish fella,
but he's not big and strong like Bogdan. When bog
Gun is at work, Bolkkan got too many things to
hit with bill at steel hunks, limestone, scoop, shovel, big
(11:26):
long steel rod with hook on it, plenty things to
make book gun stronger than Manus and fombre. So he
leaves me alone pretty much. Just how I bog down
when you're gonna top heat, and I topped him when
he's ready. See that's my job, both down tops heat.
(11:47):
He's laugh all time. This mona is a wild. When
he's not saying about dark mountains and roses, he sings
pretty good.
Speaker 4 (11:57):
Me.
Speaker 1 (11:58):
I don't sing much like work. I drink, I fight.
That's enough, But I'm not satisfied my job. I want
better job. I talk one day the monus required, I say, Manners,
you're mad on me?
Speaker 6 (12:17):
Are you even mad at you?
Speaker 1 (12:18):
Bogged in?
Speaker 4 (12:19):
And I haven't your face into work? Coup And I'm
just a boy that could do it again, So why
should I be mad at you?
Speaker 1 (12:25):
I thought you was mad on me.
Speaker 4 (12:27):
When I get mad at you, boggden, you'll feel the
way to me. Fist on your nose, that's the way you'll.
Speaker 3 (12:32):
Know what do you want?
Speaker 1 (12:34):
Then? I don't want the top to heat no more?
Speaker 4 (12:40):
Would you like to be vice President? In charge of maybe,
or but you like to be private secretary maybe and
run a typewriter like that.
Speaker 1 (12:47):
I can't run no type writer.
Speaker 4 (12:49):
Maybe you'd like to go into the paymaster's office and
count the shillings fire.
Speaker 1 (12:52):
I don't want to be in no monkey in office?
Speaker 3 (12:55):
Oh where do you want to be a monkey? Then, Bogden?
Speaker 4 (12:58):
Maybe you'd rather be a chimpanzee or all? Maybe I
could get into the zoo and shy. You'd be a
very neat haranger tang if.
Speaker 1 (13:05):
You had a tail, Not no monkey.
Speaker 4 (13:08):
Ah, yes you are a monkey, Boggin.
Speaker 3 (13:11):
I made a monkey after the other night with your girl.
Speaker 1 (13:16):
I want to run electric crane?
Speaker 3 (13:19):
You do?
Speaker 1 (13:21):
I can run electric cry Listen.
Speaker 4 (13:24):
Take a McDonough that runs the train on the day shift.
Was thirty one years learning how to run it out?
Speaker 1 (13:29):
Have you know?
Speaker 4 (13:30):
And murder Pemberton that's on the night shift. It was
twelve years just getting to be an apprentice.
Speaker 1 (13:36):
I don't know how to run the electric crane.
Speaker 3 (13:38):
Not down my floor.
Speaker 4 (13:39):
You run no electric crane, my boy galloping up and
down over men's heads with a ladle full of white
hot run and steel and splashing it all over it all.
Speaker 1 (13:47):
I can run electric cry get.
Speaker 4 (13:49):
Back at your job, bogged inha with out whenever your
bohong name is, and don't be bothering me with your
ambitions and such.
Speaker 2 (13:54):
Go on now, I go ta heat boggin go away
at duddy.
Speaker 1 (14:03):
Nobody gonna talk that way to bout ganpatropics.
Speaker 4 (14:06):
You know that.
Speaker 1 (14:08):
You did find that out, didn't you? Many sore Look
at mammasky Manus just the old Uni got steel, just
special heat or white hot and big tea kettle, just iron, carbon, limestone,
banavian and man, that's all he is. Manus so dwire
(14:30):
that hit me on the eye and take away my girl,
Maia etronic can not let me run elect the crane
nut monkey with both dogs.
Speaker 4 (14:44):
The electric furnace is differentiated from the open hearth furnace
for melting steel.
Speaker 3 (14:48):
Is shaped much like a giant tea kettle, and.
Speaker 4 (14:51):
When the heat is ready to be tapped, the entire
furnace is tipped up on trunions and the molten white
hot steel is poured from the spot into a lad
in the sopping people.
Speaker 5 (15:11):
I don't want to see you never know more.
Speaker 1 (15:13):
Both done the matter your money A product or can
not good enough.
Speaker 5 (15:17):
For you who than just a bad man for me?
Speaker 2 (15:19):
Who can never gets to be form and it sproga
never gets to be nothing.
Speaker 5 (15:22):
You think I want to be nice, it's go rapling
all your life.
Speaker 1 (15:26):
You don't love me no more? My god.
Speaker 5 (15:28):
I never said I love you.
Speaker 1 (15:30):
Never you said you're dead?
Speaker 2 (15:31):
Yes, you give me kids?
Speaker 5 (15:33):
What's the true?
Speaker 1 (15:34):
If your kisses other fellas are?
Speaker 5 (15:36):
I kiss everybody?
Speaker 1 (15:37):
I want to you ecuse that man is a wise man?
Speaker 6 (15:41):
Your business?
Speaker 5 (15:41):
I kiss Manus?
Speaker 1 (15:42):
Where's my business?
Speaker 5 (15:44):
Why it's your business?
Speaker 6 (15:45):
If I kiss Manos a bias?
Speaker 1 (15:47):
Because if you're kid seeing my.
Speaker 5 (15:49):
Bed, I kid you killing shocks?
Speaker 1 (15:53):
You swear?
Speaker 5 (15:54):
My god, what's the difference If I swear you make
me mad, you make me laugh.
Speaker 1 (15:58):
Don't say shocks.
Speaker 5 (15:59):
I see it chopped every time.
Speaker 1 (16:01):
Or one may I love you?
Speaker 5 (16:03):
I don't love you.
Speaker 1 (16:04):
You think you're gonna marry this money.
Speaker 5 (16:07):
I'm gonna marry you.
Speaker 1 (16:08):
You're gonna be a widow.
Speaker 5 (16:10):
It is that I'm gonna call the policeman. They're gonna
hang you. Oh I'm not afraid too. You try hurt
Manos to give you some more black eyes?
Speaker 1 (16:18):
Not what MyoD? Please love me?
Speaker 6 (16:22):
I love Manus?
Speaker 1 (16:24):
Hey hate money hey.
Speaker 5 (16:26):
Killing you better sneak up them when he's not looking.
When you try to kill him. It's the only way
you can do it. It's gonna break you and two
pieces with hell.
Speaker 1 (16:33):
If you're not gonna marry to me, you're not gonna
marry that that money is or life. You wait and
see you, you with all you.
Speaker 4 (16:46):
The temperature of molten steel ranges from three thousand to
four thousand degrees fahrenheit, in which condition it flows like water.
Speaker 1 (16:55):
Organic matter brought.
Speaker 4 (16:56):
Into contact with molten steel secretly vanishes and a brief.
Speaker 1 (16:59):
Burst to claim and a absorbed into the metal itself
in her eye, ever be not made love Mary.
Speaker 3 (17:17):
From the rolls.
Speaker 6 (17:20):
Trolley man, what you sing so sweet?
Speaker 3 (17:26):
This is the song of my own country.
Speaker 4 (17:27):
I push emphy and it makes me homesick for the
darkling mountains above eve and rotters.
Speaker 6 (17:33):
Dark mountains and islands, black mountains, not sure where.
Speaker 4 (17:37):
Mountains and hills if any kind you can push your
mind through, mostly green under the sun and the rain
gray in the toils, when the shadows of the night
fall on trolley and the mountains are sure enough.
Speaker 6 (17:50):
Black, black mountains, mountains of death mine, no.
Speaker 3 (17:55):
Mountains of beauty, and what's the metada the black mountains?
Speaker 5 (18:01):
Bog then tears off the black mountains in his country.
Tuents and a.
Speaker 3 (18:04):
Girl, Ah, forget Bogden.
Speaker 5 (18:06):
He hates your man.
Speaker 3 (18:07):
What did he do to me?
Speaker 1 (18:08):
Then?
Speaker 5 (18:10):
When bog then taps the heat?
Speaker 3 (18:11):
Yes, what do you do? All right? I stand not
too close?
Speaker 1 (18:16):
And watch does he stand flows?
Speaker 3 (18:18):
Oh, he's not an easily frightened man. He stands close.
Speaker 4 (18:21):
It's Bobden that dips out the fire clay plug in
the furnace spout so that the hot steel can pour out.
Speaker 3 (18:27):
And that's not a job for a man who's afraid.
Speaker 5 (18:29):
Tell me what it is like.
Speaker 3 (18:30):
Man's well, the great.
Speaker 4 (18:32):
Gears grind and the big furnace tips up, and the
gas flames are licking away at the ladle down on the.
Speaker 3 (18:40):
At the temperature the steel, of course, two or three
thousand degrees.
Speaker 4 (18:43):
Yes, Now Bobden stands with a kind of a pick
at the spout of the kettle, and he picks away
at the hide and clay, And soon as the little
red nose at the first floor breaks through, then there's
a roar, and a white hot steel pours down into
the lady and there spats left up into the air
from the surface of the liquid steel, and they fly
about and burn holes in the men's problem.
Speaker 3 (19:04):
Ah, there's the smell of burned earth and hot steel, and.
Speaker 4 (19:08):
Men stand fascinated each time it happens, for it's really
it's like.
Speaker 2 (19:13):
A glimpse into the mouth of hell.
Speaker 3 (19:16):
And no man ever tires of it.
Speaker 2 (19:19):
No, they say, these men broke it's not afraid.
Speaker 5 (19:23):
What did man fall into the stein?
Speaker 3 (19:25):
It doesn't happen.
Speaker 4 (19:27):
Were once in a great, great wire and then he's
never seen it. But they say, there's a flash of
yellow flame.
Speaker 3 (19:36):
And never the sound of a man's crying out, and
he's gone.
Speaker 4 (19:41):
Then his people take a little dab of the steel
in which he died, and that they take and hold
the funeral.
Speaker 3 (19:46):
Services over the steel. Or for the man who's part
of it. Now, let's talk to things more pleasant. Ally,
shall I sing you the.
Speaker 4 (19:55):
Rules of what do they do with the rest of
the stee Well, it's very true for the man's part
of it, and there's no telling.
Speaker 3 (20:01):
But what happens to see it to be used?
Speaker 4 (20:03):
Now?
Speaker 3 (20:05):
And I've seen again in one.
Speaker 1 (20:18):
Well I've want is more sve of it. I don't
feel good. Bring me more bottle silver its bring beer
for my city fride here h he ought to drink sliver.
It is for man man like both don that man stwi.
(20:42):
He married Maria Vitrolic God, yeah that's better. Yeah, god die.
He married Maria Vitrolics. Now Mary vi Truk is with
just the same like Vodan says, she's gonna be. She
(21:04):
went off and out in the cemetery, just popping. Went
on the little peace steam inside little pece steal like
this little ways to steal an inside little piece steelers. Listen,
you'll hear something shout off you everybody.
Speaker 2 (21:26):
You're down the area?
Speaker 1 (21:29):
Which year he had done? By the little steeling he
got fatter. You still don't hear, But I mind not
singing my nose with wire, hear injustice, plain come inside
little steal.
Speaker 2 (21:45):
Ain't that sure?
Speaker 1 (21:47):
I hear him lots of times. Don't scare me. I
sing right along with him. See you hesing uhboub the
dark wall there was there. I met Mary double zo Tralley.
(22:12):
He seemed pretty good together about it.
Speaker 4 (22:14):
To be.
Speaker 1 (22:16):
Mathers said I couldn't heard him. May I said, I
couldn't heard him, But Maya's the widow who Maya etchotic Manus?
Speaker 3 (22:30):
How you like Manus?
Speaker 1 (22:32):
Your dumb monkey around with Bogan? Bogan pretty smart guy
and he don't like nobody. Bogan don't even like Maya
vatrotik no more, Dad, don't even like me.
Speaker 3 (22:55):
Manusa.
Speaker 4 (22:55):
Dwyer thirty three, a foreman and the number one foundry,
was instantly killed day when he fell into a fifteen
ton ladle.
Speaker 1 (23:02):
Full of molten steel.
Speaker 4 (23:03):
The only witness of the tragedy was bugged On Patrovitch,
a laborer who lost three fingers of his left hand.
Speaker 1 (23:14):
Their fingers. I pushed him in with my left hand.
I bumped my hand against the edge of the later
it was hot and not so hot. Liked this steel
that was glowing into it from the big kettle, though
not so hot like wear Mana's or why we topped
a heat the big five driver of steel. It comes
(23:36):
out the spouty splash down. You listen to you, you're
only the gears making noistles. When they tipped the kettle
up higher to get all the steel. You'll hear whistles
where train is scooping down above our heads to.
Speaker 2 (23:48):
Lift up later and make it longer.
Speaker 1 (23:49):
Classes you'll hear all kinds of noisous to the bomber.
You'll hear Mana's dwyer talk in your ear. You're awful
close to the lips there, and you hear yourself say
I'm not scared. You hear yourself say you're scared. Mother's
a wuire and wishes make noise. You look through black
(24:11):
goggle that manus the wire and you see you're the
only man and that is steal down there, and you're loft.
That's man's a wire manus abarty hollow. Oh yes, And
you hear yourself say I see something boat sons hop
steal down there. And then you look through black goggle.
(24:34):
You see mother said, why lean over and see what's
your point? I put my hand left hand on his
shoulder and I hollan there see and he leaned far
over and whistle blows fell out, look away for me.
I give him just little turtle shoved me fall just
(25:02):
like the match spelling. You go make blame me some out,
never see him again. So you'll hear me holler, hey,
hey got bump manas falls in steel and old man
come running. We shut off balling and nobody getting do
nothing or no more. Mina's a blier, not see him
(25:24):
at all. Only I can smell him a little bit
about smell him steal a berquay and in all big
noises and compy, I can hear this. Who you're there
down by? Stealing out is all that's left. Mom's a dryer.
Speaker 2 (25:41):
I see if you hear.
Speaker 1 (25:45):
A n time to go home, you'll go where you
old woman? You time to I go home when I
get ready? Come? Yeah, you know who this woman, this
old woman is?
Speaker 3 (26:01):
You know that?
Speaker 1 (26:01):
Okay, you tell him? I what is your name? Old woman?
Speaker 6 (26:05):
Come home?
Speaker 1 (26:06):
Tell him your name? He wants them all.
Speaker 6 (26:08):
I am your Victoric Dwyer Petravis.
Speaker 1 (26:14):
See she says she was never gonna marry to me.
Speaker 2 (26:18):
As the man you have had enough for to night, I.
Speaker 1 (26:23):
Say, I want y Maria. He said you were.
Speaker 2 (26:29):
Married to me.
Speaker 6 (26:30):
I said I wouldn't marry you.
Speaker 1 (26:33):
Mayan knows what happened to man Is, but my can't
prove it. Kenya, Maya, but you will die Manas didn't kill.
Speaker 6 (26:46):
Me, Manus will.
Speaker 2 (26:49):
Man no, swell you take.
Speaker 1 (26:52):
This little old stealing gonna kill big.
Speaker 2 (26:55):
Strong bod don hah, come ama us.
Speaker 1 (27:01):
Let's see. The moon was a Riasic gobob a Green molds.
The was Limey, the.
Speaker 4 (27:35):
Widow of Bugen Petrovitch, former steelworker who was killed last
Thursday when a small ing at his steel he was
keeping for a souvenir, fell from a shelf above his
head and crashed his skull. Will make her debut tonight
at the Idelawer Theater as a singer. Missus Petrovitch, the
former Mario Vicharik, will present a group of Irish songs,
(27:57):
including the popular ballad Rose of Missus Petrovitch will be
remembered as the widow of Manuson Wi.
Speaker 1 (28:44):
The title of today's Quiet Please story is sat the
heat booked on. It was written and directed by Willis Cooper,
and the man who spoke to you was Ernest Champell.
A lot of the disc you played Maya j Pattle
Lady was Marris and Karl Emery told how steelers me
(29:07):
as usual. Music for Quia Please is played by Alfred Perman. Alfred,
what about next week? Here's our writer, director Willis Cooper,
thank you for listening to Quiet Please. I started for
next week. It's called be Who's Valentine? And so until
next week. At the same time, I am quietly yours,
(29:28):
ernest Temple,
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