E61 - Saxy Rock n Roll, featuring The Champs, Rockin' Rebels, Ike Turner, Clarence Clemons performing live The Boss & E-Street Band and with Jerry Garcia, George Thorogood, Roxy Music, David Bowie, U2, INXS, Roxy Music George Michael and Duran Duran.
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Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
(00:06):
K x r n LP Again anygalle member supported k x f M on
one oh four point seven k xFM radio dot org. This disclaimer is
a statement notifying listening audiences that anyopinions expressed in our shows are not representative
of Laguna Radio, Inc. It'smanagement or its board of directors. Remember
(01:03):
Elast have never never HeLa Welcome torabbit Hole Radio. I'm your host,
(02:36):
Ross Herring. You're listening to kXFMO seven, Laguna Beach's only FM radio.
We are human crafted and thank youfor tuning in. So we kick
things off tonight with the Champs withan epic recording Timeless Really Tequila. That's
a Latin inspired surf instrumental originally writtenand recorded at ninth, teen fifty eight
(03:00):
Going Way Back There by Chuck Rioand recorded by The Champs. Kila became
a number one hit on both thepop and R and B charts at the
time of its release and get this. It was released as a single,
but it was the B side toa single by the name of Train to
Nowhere. It won the Grammy Awardfor Best R and B Performance in nineteen
(03:23):
fifty nine, and fast forwarding tonineteen eighty five. Many of you may
remember that or recognize it from PeeWee Hermann's Big Adventure where there's quite a
scene with that song and it's awesome. So welcome tonight. We have a
bit of a theme going. I'llchallenge you to listen and see what's common
(03:45):
among the songs are going to play. Feel free to text in nine four
nine seven, one, five,five nine three six I believe is the
number. Want to also welcome somenew listener. There's John and Jim right
here in Laguna Beach, and Barneythere Wheat and Terrier. We're sending out
(04:08):
good wishes for a speedy recovery toyour surgery today. So let's continue on
with the show God made you.Women have heard of the life as you've
(06:46):
heard the noise they make. Butlet me run induce my new rocket.
Ain'ty eight it straight, just oneway. Everybody likes my rocket. It
riding style, full in all along. He ain't more than is smart and
(07:26):
designed like ridival top in the cowson mine morning with me right all round
time for join. Now your horny stuff in my rocket and don't be
(08:33):
laidy. Then we're pulling out aboutthe hands passing going around the corner and
get a field. Everybody in mycar's gonna take a little little roll on
house bosing and cruising along from theCalifornia shore to New York City to me,
(09:26):
don't never stop. You get hearit on the radio anywhere you do.
City has a riddle, love ofplot. He comes to the noise
of the city line wants you togo away. He's guise taking the line.
The fingers do the walking every day. Yalla comes to young girls.
(09:46):
She wants to take the worlds.He thinks it's all the dream. She
gotta right the old way down.So what's in the whistle set? Make
your mama sitting down to your awaydisks, give a surprised and you need
to carry her away. When theworld I travel stuff so ravel, everyone's
(10:58):
plays the beach starts to press onmy bulletproof behind it turns out to be
loose. Give me my guitar.I want to go fund to see the
holding in my hands. I'm theDevil in the sky and lies playing in
a rock and roll band. I'mthe Devil and the Sky and the tale
(11:20):
lies in a rock and roll band. It's cool the sun The day we
(12:41):
touched the ground a champe snow scoutingon the grounds street like this belos to
me, and so Angel the lfifty three street sides like symphony with a
(13:31):
chople chain of low stream FLEs andshe's got to be let it thing a
time as she sees the truth behindthe lives and town. So Angel,
(14:33):
yeah, yeah, out have yougot the cut to you empty glass for
sins as fasting when lusts she sandyanyway, it starts giving so to the
(14:58):
same word usual little songs themselves eateat e e e, well they That
(16:00):
was you two with Angel of Harlemfrom their nineteen eighty eight release LP release
Rattle and Hum, which is ahybrid live studio album from YouTube and the
film that's actually soundtrack from the filmthat was directed by Phil Juano and released
(16:22):
by Paramount Pictures in October nineteen eightyeight. That's a cool one, dig
the sacks on that. Before that, we had Devil in Disguise by George
Thurllgood from his twelfth studio LP,Ride Till I Die, released in two
thousand and three. That's a coverof a JJ Kale tune. Before that,
(16:45):
we had Rocket eighty eight I Turnerand Jackie Brentston originally recorded as Rocket
eighty eight Memphis, Tennessee, nineteenfifty one. Going back for that,
I didn't know Ike Turner got intothe visit that early. Wow, he's
(17:06):
a legend and that's a cool one. Let's see him. Before that,
we had Wild Weekend the Rocking Rebelsof Sacks solo. That was nineteen sixty
two. It reached number eight onthe US Pop Chart and twenty eight on
the USR and BEA charted nineteen sixtythree. So we went back for a
few than those. Want to givea couple shout outs to the programming here
(17:30):
at KXFM. Listen on the weekends. There's awesome shows. Saturday's Sunday Early
Risers, Saturday Morning Rocking with theDoc seven am to nine am with Doc
Bob, Sunday Coast Highway Shuffles Showten am to twelve pm Steve Reid awesome
(17:51):
show and Don't Change the Dial.That's followed by TNN Radio from twelve to
three Jimmy Alvarez. Very very coolprogram. I mean strongly suggest you tune
in whenever you can. Thank youfor tuning into rabbit Hole Radio. I'll
give you a hint on what thesongs have in common. They feature an
(18:11):
instrument. Won't give it away yet, but let's see if these songs do.
It's a rabbit hole I've been infor a couple of weeks. Don't
(18:33):
ask me what you know us true. Don't have to tell you I love
you. That's just hard. Iwas standing. You are then too well
(18:59):
to go? Yeah I did,and they can never chealous apart. M
m m. We could year fivethousand year if I hurt you. I
(19:29):
made one from in tears. Itold you if we could fly, because
we all have wings. The summerus is slow. I was standing.
(19:53):
You were then to worlds connid American. Never am terras her. I was
(20:36):
scanning. You were to light shiningAmerican. Never tell us hard you were
standing. I was stand well,delight and never tells her. She's don't
(21:48):
tell the land to my hand cameback. Then you're then that never been
(22:12):
Chuck Awstead spur will a fire somewhatand my soul today burning by that burning.
(23:00):
Come my cousins, last body cold. They spurn win stream to buy
in my soul. Tonight I've beendancing tonight away let me go leave water
(23:29):
spa Why is come. We can'tstep and mixing this name, but they
spurning bird fist tell people will Inever to lay gasping and then come come
(24:23):
to finding by a will never manpraising you to sp She bought to the
(26:44):
golden just behind the bridge. Helays down. He brownsed to my life's
a finely thing. Am I stillto the young He kissed the burn bed.
She took his ring to kiss babyvisit. It took him in and
took her and redferns have taken andthe finger night. She wants a young
(27:11):
Ambrican. She wants be gone allnight, but she wants to gone Ambrica.
The wife from the bench a windowsfaces slinking back the morning because ASSISI
fasces a blood in mistake. Ifa bitch taking the pen, put the
(27:36):
freak and the starting from the plainthis is a staff and cuts his hand,
showing nothing. It simp said thesums a cross where a steer was
gone. She wants a gone Aricon. She has gone alright what she wants
(28:02):
the young god all the way frommuch time, a bad winter bags off
the boot flow live with dusty swimtears, have to die for the fifty
more had he wants to you,the young man. All right, all
(28:30):
right, he wants the young ameryca. Do you remember you're blessing in Nixon?
(28:51):
Do you remember the bills you haveto pay even yesterday, every never
(29:12):
got just you and your bible sevils so well in the damn everywhere,
not on this living from the cattle. Well, well, well what you
can, he said, kids,just in piece of the person I ever
sit on your hands on the bussesof bivors bussing, and all the caperl
(29:32):
seekinners, and that bos the love. Well if that bus the love,
well, it ain't that barbet door. What's been rocking just like you all
night with the young American? Johgod o, all right, you want
(30:00):
me your you ain't upset the canand the lad got a gris stop the
stack and waits out a song.Chap come tramps, don't let your hands
sweet that you gotta feel. Man, you can say no more one night
(30:22):
to suck on the dr Can youretire that can the revender for running for
daytime? Din't your father just onfaces? Ain't you one dance the home
that can make me read down andclean? I ain't gonna h wow that
(31:27):
was a nice rocking set. Thatwas Young Americans David Bowie from his ninth
studio album released in nineteen seventy fiveentitled Young Americans. Love that Song,
Love the saxophone on that song.Before that, we had Both Ends Burning
by Roxy Music. That's a singlefrom their nineteen seventy five album, another
(31:48):
nineteen seventy five LP Siren, fifthstudio album by Roxy Music. They have
his cool, cool catalog before thatin excess would Never tear Us apart from
the sixth studio album entitled Kick releasedin eighty seven. So that was a
cool set with some excellent saxophone.So, if you haven't guessed yet,
(32:12):
what's common among all this group ofsongs, They heavily feature saxophone and they're
all very rock and So I wantto give a shout out to loyal listeners
Mike and Rick in Northern California andSteve and Indio for your contributions to this
show, this episode, specifically forrecommendations on killer saxophone rock songs. So
(32:38):
these next two songs feature arguably thegreatest rocks rock and roll saxophone player ever,
Clarence Clemens. Although that's a fundebate when you bring um Bobby Keys
into the equation. But they're livecuts with two different bands. Clarence Clemens
enjoy very run all sailing up anddown for a shot, and so got
(34:07):
from the top. Don't know danticize, Lord, you know they need us
each See that's dream, you seethat's dream. You see that's Drea pass
(35:00):
his time around some other land.But you know he charms and b don't
get in the way stuffing. Youconsume nothing that you need to do.
(35:50):
By true, dreame b Spain,it's like to keep suchange that will not
(39:51):
be the and that shamefuls he nobear its people gotta try to see a
(40:12):
little each other. That's true.Why that's true, Why that's true?
(40:50):
You can see that it's true.Who rangers at the home coming in a
(41:58):
hall of late last on the magicrack, drove his sleek machine over Jersey
state line, powful girl sitting onall the verdage, drigger warm Beard in
a Sauco marine rad polls the down, rolls up his pans together, take
(42:22):
a stabbing romance, and disappear downfrom day with a maximum law man run
down from the over chasing a ratingin repair for good with the kids round
(42:44):
there and lift just like shadows,all silent, golden hands and from the
churches to the jails to night allsave in Yes we take our stand you
(43:15):
the night Nimes of Temple, thetwo unted before night. We're gonna made
met that child as side side thePrincess Fair City lad Man listen, I
would on the turf by this fellabeing brought out un well, love of
(43:37):
gout Arry down, you am gastolesday the streets a live the stecret detrivat
contact spa day basson can't crash guitarsjust like Sweet Wise U sweet folding back
machine. We are the hunted,like stall in the writing roll bass off
(44:07):
against each other out the streets tonight side Vision is testing the lay streets
(44:53):
like the side the best girls againsttot M. Not only I love is
the shot dark corners, but guessyou should n listen with me the same
(48:24):
too. Hearts beat, soul injuries, running through night so tenued in a
pap and whispers of soul refusal andsouder, The turns up town, the
(48:53):
rats all dream guns and down asshot sicker down, the always in the
night and what he's watching when Lamyspulls away or the girl shuts up little
(49:15):
bit room like outside the streets onheart and a real death was between what's
flash, ain't what's fir? Tosee the man, the poets down and
here all right, nothing at all. They just stand back and let it
all be, and the quick atnight they rea thro their room and try
(49:40):
to make an honest stand, butthey wind up wounded, not even dead.
Tonight it jump great, wh mI feel so unch your as a
(51:23):
take your hand and deep to dancefor as a music dies, something in
your eyes close to mind a silverscreen dog. It's sad God, I've
(51:44):
haven't gonna dance again. Guilty agod blood, but it's easy to pretend
we are not. I should knowthat I to cheat a waste and chat
said I didn't a give, soI'm never gonna dance again when time can
(52:22):
never man, the cats whispers toa friend to the heart and mind figgers
skind. There's no comfort in thetruth. I'm never gonna dance again.
(52:49):
Guilty feat I've gotten lore, butit's easy to pretend I'm wy not.
I should have not shout to Jada, don't waste them checks that I've been
ever, so I'm never gonna danceagain the way tonight, the will stake
(53:37):
sing so round. I wisday wecould do this, crown baby, It's
better this way. We art eachother, wisdom thing we want to say.
We could have been so good together. We could have missed this bed
forever. God, please dance.I haven't gonna dance again. Guilty feet
(54:06):
have gotten a re's easy to pretendany not to cheat. The waist and
chants that I've been give so I'venever't gonna dance again. The where with
(54:45):
to go shine out so right.That was George Michael and Wam with Careless
(55:47):
Whisper from Wham's second studio LP,Make It Big, released in nineteen eighty
four. I guess they knew whatthey were talking about. Love the sexy
saxophone on that one. Before that, we had a couple vintage live tracks,
Wow jungle Land from Bruce Springstein andthe East Street Band from their nineteen
(56:09):
eighty River tour, and that wasrecorded in Tempe, Arizona. Jungle Land
is off. It's the closing songon Bruce Springsteen's nineteen seventy five album Born
to Run. That's a Classic Wowand piano is awesome on that too.
Gotta love Bruce Springstein and the EastreetBand. And then before that we had
(56:30):
Jerry Garcia Band with They Love eachOther featuring Clarence Clemens. That was recorded
in nineteen eighty nine, September sixteenthat the Popular Creek Music Theater in hoffman
Estates, Illinois. Boy, leaveit to Jerry to find the spots to
play and find his audience. Speakingof audiences, I want to thank you
(56:52):
all for tuning in to rabbit HoleRadio this edition. This is Kxfman Crafted
Radio, Laguna Beaches Only FM Radioat one oh four point seven on your
dial or streaming. We're gonna goout tonight with Duran. Duran stream you
(57:59):
know umps you Loclin, Your myname is real and she just I don't
be live with when she sends showsreal. I've seen y'all, Beach,
(58:52):
I've seen your team to must videoswell, but then I show that you
(59:13):
know, it's just name me realand shetty. When she says she shows
(59:37):
he was she a real catal
K x r n LP Again anygalle member supported k x f M on
one oh four point seven k xFM radio dot org. This disclaimer is
a statement notifying listening audiences that anyopinions expressed in our shows are not representative
of Laguna Radio, Inc. It'smanagement or its board of directors. Remember
(01:03):
Elast have never never HeLa Welcome torabbit Hole Radio. I'm your host,
(02:36):
Ross Herring. You're listening to kXFMO seven, Laguna Beach's only FM radio.
We are human crafted and thank youfor tuning in. So we kick
things off tonight with the Champs withan epic recording Timeless Really Tequila. That's
a Latin inspired surf instrumental originally writtenand recorded at ninth, teen fifty eight
(03:00):
Going Way Back There by Chuck Rioand recorded by The Champs. Kila became
a number one hit on both thepop and R and B charts at the
time of its release and get this. It was released as a single,
but it was the B side toa single by the name of Train to
Nowhere. It won the Grammy Awardfor Best R and B Performance in nineteen
(03:23):
fifty nine, and fast forwarding tonineteen eighty five. Many of you may
remember that or recognize it from PeeWee Hermann's Big Adventure where there's quite a
scene with that song and it's awesome. So welcome tonight. We have a
bit of a theme going. I'llchallenge you to listen and see what's common
(03:45):
among the songs are going to play. Feel free to text in nine four
nine seven, one, five,five nine three six I believe is the
number. Want to also welcome somenew listener. There's John and Jim right
here in Laguna Beach, and Barneythere Wheat and Terrier. We're sending out
(04:08):
good wishes for a speedy recovery toyour surgery today. So let's continue on
with the show God made you.Women have heard of the life as you've
(06:46):
heard the noise they make. Butlet me run induce my new rocket.
Ain'ty eight it straight, just oneway. Everybody likes my rocket. It
riding style, full in all along. He ain't more than is smart and
(07:26):
designed like ridival top in the cowson mine morning with me right all round
time for join. Now your horny stuff in my rocket and don't be
(08:33):
laidy. Then we're pulling out aboutthe hands passing going around the corner and
get a field. Everybody in mycar's gonna take a little little roll on
house bosing and cruising along from theCalifornia shore to New York City to me,
(09:26):
don't never stop. You get hearit on the radio anywhere you do.
City has a riddle, love ofplot. He comes to the noise
of the city line wants you togo away. He's guise taking the line.
The fingers do the walking every day. Yalla comes to young girls.
(09:46):
She wants to take the worlds.He thinks it's all the dream. She
gotta right the old way down.So what's in the whistle set? Make
your mama sitting down to your awaydisks, give a surprised and you need
to carry her away. When theworld I travel stuff so ravel, everyone's
(10:58):
plays the beach starts to press onmy bulletproof behind it turns out to be
loose. Give me my guitar.I want to go fund to see the
holding in my hands. I'm theDevil in the sky and lies playing in
a rock and roll band. I'mthe Devil and the Sky and the tale
(11:20):
lies in a rock and roll band. It's cool the sun The day we
(12:41):
touched the ground a champe snow scoutingon the grounds street like this belos to
me, and so Angel the lfifty three street sides like symphony with a
(13:31):
chople chain of low stream FLEs andshe's got to be let it thing a
time as she sees the truth behindthe lives and town. So Angel,
(14:33):
yeah, yeah, out have yougot the cut to you empty glass for
sins as fasting when lusts she sandyanyway, it starts giving so to the
(14:58):
same word usual little songs themselves eateat e e e, well they That
(16:00):
was you two with Angel of Harlemfrom their nineteen eighty eight release LP release
Rattle and Hum, which is ahybrid live studio album from YouTube and the
film that's actually soundtrack from the filmthat was directed by Phil Juano and released
(16:22):
by Paramount Pictures in October nineteen eightyeight. That's a cool one, dig
the sacks on that. Before that, we had Devil in Disguise by George
Thurllgood from his twelfth studio LP,Ride Till I Die, released in two
thousand and three. That's a coverof a JJ Kale tune. Before that,
(16:45):
we had Rocket eighty eight I Turnerand Jackie Brentston originally recorded as Rocket
eighty eight Memphis, Tennessee, nineteenfifty one. Going back for that,
I didn't know Ike Turner got intothe visit that early. Wow, he's
(17:06):
a legend and that's a cool one. Let's see him. Before that,
we had Wild Weekend the Rocking Rebelsof Sacks solo. That was nineteen sixty
two. It reached number eight onthe US Pop Chart and twenty eight on
the USR and BEA charted nineteen sixtythree. So we went back for a
few than those. Want to givea couple shout outs to the programming here
(17:30):
at KXFM. Listen on the weekends. There's awesome shows. Saturday's Sunday Early
Risers, Saturday Morning Rocking with theDoc seven am to nine am with Doc
Bob, Sunday Coast Highway Shuffles Showten am to twelve pm Steve Reid awesome
(17:51):
show and Don't Change the Dial.That's followed by TNN Radio from twelve to
three Jimmy Alvarez. Very very coolprogram. I mean strongly suggest you tune
in whenever you can. Thank youfor tuning into rabbit Hole Radio. I'll
give you a hint on what thesongs have in common. They feature an
(18:11):
instrument. Won't give it away yet, but let's see if these songs do.
It's a rabbit hole I've been infor a couple of weeks. Don't
(18:33):
ask me what you know us true. Don't have to tell you I love
you. That's just hard. Iwas standing. You are then too well
(18:59):
to go? Yeah I did,and they can never chealous apart. M
m m. We could year fivethousand year if I hurt you. I
(19:29):
made one from in tears. Itold you if we could fly, because
we all have wings. The summerus is slow. I was standing.
(19:53):
You were then to worlds connid American. Never am terras her. I was
(20:36):
scanning. You were to light shiningAmerican. Never tell us hard you were
standing. I was stand well,delight and never tells her. She's don't
(21:48):
tell the land to my hand cameback. Then you're then that never been
(22:12):
Chuck Awstead spur will a fire somewhatand my soul today burning by that burning.
(23:00):
Come my cousins, last body cold. They spurn win stream to buy
in my soul. Tonight I've beendancing tonight away let me go leave water
(23:29):
spa Why is come. We can'tstep and mixing this name, but they
spurning bird fist tell people will Inever to lay gasping and then come come
(24:23):
to finding by a will never manpraising you to sp She bought to the
(26:44):
golden just behind the bridge. Helays down. He brownsed to my life's
a finely thing. Am I stillto the young He kissed the burn bed.
She took his ring to kiss babyvisit. It took him in and
took her and redferns have taken andthe finger night. She wants a young
(27:11):
Ambrican. She wants be gone allnight, but she wants to gone Ambrica.
The wife from the bench a windowsfaces slinking back the morning because ASSISI
fasces a blood in mistake. Ifa bitch taking the pen, put the
(27:36):
freak and the starting from the plainthis is a staff and cuts his hand,
showing nothing. It simp said thesums a cross where a steer was
gone. She wants a gone Aricon. She has gone alright what she wants
(28:02):
the young god all the way frommuch time, a bad winter bags off
the boot flow live with dusty swimtears, have to die for the fifty
more had he wants to you,the young man. All right, all
(28:30):
right, he wants the young ameryca. Do you remember you're blessing in Nixon?
(28:51):
Do you remember the bills you haveto pay even yesterday, every never
(29:12):
got just you and your bible sevils so well in the damn everywhere,
not on this living from the cattle. Well, well, well what you
can, he said, kids,just in piece of the person I ever
sit on your hands on the bussesof bivors bussing, and all the caperl
(29:32):
seekinners, and that bos the love. Well if that bus the love,
well, it ain't that barbet door. What's been rocking just like you all
night with the young American? Johgod o, all right, you want
(30:00):
me your you ain't upset the canand the lad got a gris stop the
stack and waits out a song.Chap come tramps, don't let your hands
sweet that you gotta feel. Man, you can say no more one night
(30:22):
to suck on the dr Can youretire that can the revender for running for
daytime? Din't your father just onfaces? Ain't you one dance the home
that can make me read down andclean? I ain't gonna h wow that
(31:27):
was a nice rocking set. Thatwas Young Americans David Bowie from his ninth
studio album released in nineteen seventy fiveentitled Young Americans. Love that Song,
Love the saxophone on that song.Before that, we had Both Ends Burning
by Roxy Music. That's a singlefrom their nineteen seventy five album, another
(31:48):
nineteen seventy five LP Siren, fifthstudio album by Roxy Music. They have
his cool, cool catalog before thatin excess would Never tear Us apart from
the sixth studio album entitled Kick releasedin eighty seven. So that was a
cool set with some excellent saxophone.So, if you haven't guessed yet,
(32:12):
what's common among all this group ofsongs, They heavily feature saxophone and they're
all very rock and So I wantto give a shout out to loyal listeners
Mike and Rick in Northern California andSteve and Indio for your contributions to this
show, this episode, specifically forrecommendations on killer saxophone rock songs. So
(32:38):
these next two songs feature arguably thegreatest rocks rock and roll saxophone player ever,
Clarence Clemens. Although that's a fundebate when you bring um Bobby Keys
into the equation. But they're livecuts with two different bands. Clarence Clemens
enjoy very run all sailing up anddown for a shot, and so got
(34:07):
from the top. Don't know danticize, Lord, you know they need us
each See that's dream, you seethat's dream. You see that's Drea pass
(35:00):
his time around some other land.But you know he charms and b don't
get in the way stuffing. Youconsume nothing that you need to do.
(35:50):
By true, dreame b Spain,it's like to keep suchange that will not
(39:51):
be the and that shamefuls he nobear its people gotta try to see a
(40:12):
little each other. That's true.Why that's true, Why that's true?
(40:50):
You can see that it's true.Who rangers at the home coming in a
(41:58):
hall of late last on the magicrack, drove his sleek machine over Jersey
state line, powful girl sitting onall the verdage, drigger warm Beard in
a Sauco marine rad polls the down, rolls up his pans together, take
(42:22):
a stabbing romance, and disappear downfrom day with a maximum law man run
down from the over chasing a ratingin repair for good with the kids round
(42:44):
there and lift just like shadows,all silent, golden hands and from the
churches to the jails to night allsave in Yes we take our stand you
(43:15):
the night Nimes of Temple, thetwo unted before night. We're gonna made
met that child as side side thePrincess Fair City lad Man listen, I
would on the turf by this fellabeing brought out un well, love of
(43:37):
gout Arry down, you am gastolesday the streets a live the stecret detrivat
contact spa day basson can't crash guitarsjust like Sweet Wise U sweet folding back
machine. We are the hunted,like stall in the writing roll bass off
(44:07):
against each other out the streets tonight side Vision is testing the lay streets
(44:53):
like the side the best girls againsttot M. Not only I love is
the shot dark corners, but guessyou should n listen with me the same
(48:24):
too. Hearts beat, soul injuries, running through night so tenued in a
pap and whispers of soul refusal andsouder, The turns up town, the
(48:53):
rats all dream guns and down asshot sicker down, the always in the
night and what he's watching when Lamyspulls away or the girl shuts up little
(49:15):
bit room like outside the streets onheart and a real death was between what's
flash, ain't what's fir? Tosee the man, the poets down and
here all right, nothing at all. They just stand back and let it
all be, and the quick atnight they rea thro their room and try
(49:40):
to make an honest stand, butthey wind up wounded, not even dead.
Tonight it jump great, wh mI feel so unch your as a
(51:23):
take your hand and deep to dancefor as a music dies, something in
your eyes close to mind a silverscreen dog. It's sad God, I've
(51:44):
haven't gonna dance again. Guilty agod blood, but it's easy to pretend
we are not. I should knowthat I to cheat a waste and chat
said I didn't a give, soI'm never gonna dance again when time can
(52:22):
never man, the cats whispers toa friend to the heart and mind figgers
skind. There's no comfort in thetruth. I'm never gonna dance again.
(52:49):
Guilty feat I've gotten lore, butit's easy to pretend I'm wy not.
I should have not shout to Jada, don't waste them checks that I've been
ever, so I'm never gonna danceagain the way tonight, the will stake
(53:37):
sing so round. I wisday wecould do this, crown baby, It's
better this way. We art eachother, wisdom thing we want to say.
We could have been so good together. We could have missed this bed
forever. God, please dance.I haven't gonna dance again. Guilty feet
(54:06):
have gotten a re's easy to pretendany not to cheat. The waist and
chants that I've been give so I'venever't gonna dance again. The where with
(54:45):
to go shine out so right.That was George Michael and Wam with Careless
(55:47):
Whisper from Wham's second studio LP,Make It Big, released in nineteen eighty
four. I guess they knew whatthey were talking about. Love the sexy
saxophone on that one. Before that, we had a couple vintage live tracks,
Wow jungle Land from Bruce Springstein andthe East Street Band from their nineteen
(56:09):
eighty River tour, and that wasrecorded in Tempe, Arizona. Jungle Land
is off. It's the closing songon Bruce Springsteen's nineteen seventy five album Born
to Run. That's a Classic Wowand piano is awesome on that too.
Gotta love Bruce Springstein and the EastreetBand. And then before that we had
(56:30):
Jerry Garcia Band with They Love eachOther featuring Clarence Clemens. That was recorded
in nineteen eighty nine, September sixteenthat the Popular Creek Music Theater in hoffman
Estates, Illinois. Boy, leaveit to Jerry to find the spots to
play and find his audience. Speakingof audiences, I want to thank you
(56:52):
all for tuning in to rabbit HoleRadio this edition. This is Kxfman Crafted
Radio, Laguna Beaches Only FM Radioat one oh four point seven on your
dial or streaming. We're gonna goout tonight with Duran. Duran stream you
(57:59):
know umps you Loclin, Your myname is real and she just I don't
be live with when she sends showsreal. I've seen y'all, Beach,
(58:52):
I've seen your team to must videoswell, but then I show that you
(59:13):
know, it's just name me realand shetty. When she says she shows
(59:37):
he was she a real catal
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