August 16, 2023 • 60 mins
A tribute to Robbie Robertson, RIP, feat. Eric Clapton, The Band, Bob Dylan, Jerry Garcia Band w/Bruce Hornsby & The Grateful Dead with Neil Young live from Bill Graham Memorial Concert, Golden Gate Park, SF, November 1991.
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Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
(00:00):
Reckless. I love phones even mindedbar barn step from the next time.
(00:38):
I got a brand new life onthe road side. Resting up, I
got a brand new chink wed ontop. Men with the human skull.
Come on, take from the walkwaythat always you never love? You love?
You love? So you love?Do you love? I've got a
(01:22):
tuns on hand in a graveyard minejust twenty two and I don't mind.
Who do you love? Do youlove? Who do you love? Who
do you love? I'm gonna lovedown, use a rattle tank whip,
(01:59):
take it easy. I I don'tget an old li Who do you love?
Who do you love? Who doyou love? Who do you love?
(02:50):
I ain't black in the night,I went, I swagger, I
ain't hurt. Somebody screamed, youshouldn't hurt. To them what I said,
do you love? Who do youlove? Who do you love?
Do you love? Filey took mefather hand, said we both I understand.
(03:24):
Who do you love? Who doyou love? Who do you love?
To your love? Hold on.Welcome to rabbit Hole Radio. It's
(04:23):
Tuesday night, six pm. Ihope you're having a wonderful evening. Thanks
for tuning in. You're listening tok x FM one oh four seven,
Human Crafted Radio, Laguna Beach's onlyFM, so thanks for tuning in.
You may have heard Eric Clapton thereintroducing Robbie Robertson. That was a tasty,
(04:45):
tasty live cover of who Do YouLove? A Bo Diddley tune.
That was Robbie Robertson and Eric Clapton. And Robbie Robertson had quite a history
with that tune as he was partof the Hawks when Roddy Hawkins and the
Hawks recorded it as a single innineteen sixty three. A very young Robbie
(05:10):
Robertson playing lead guitar on that one, so he goes way back with that
song. The B side to thatsingle, Who Do You Love, was
the song Bo Diddley, So that'svery cool. So we mentioned Robbie Robertson.
Sadly he passed away last week Augustninth, I P Robbie Robertson.
(05:31):
We have a show dedicated to thegreat Robbie Robertson and what a career he
had. This next tune is alive cover of a Robbie Robertson composition recorded
by the band by one of myfavorite artists, and it's one of my
favorite songs from the band and thisartist. This is also a live version
(05:53):
features Bruce Hornsby on keyboards. Andenjoy uciness to me and I'll serve down
the dam of train to store muchcame ri came tore up the chance again.
(06:26):
In the world of sixty five,we was hung. Just pare your
mind with me Chances richland Field.It was a time. I remember,
(06:46):
Oh some seed, all the bells, see, all the people were saying.
(07:42):
Next to my wife in Jennis Morday, she called off for me virtual
pcup see and July I don't mindcharming one and a dark chare and the
(08:15):
one is don't done, take whatyou mean? And the rest nation never
chang every pair. All the bellswere bringing and see all the people were
(08:58):
singing love h h like my fatherbefore me. I'm a peaceful man like
(13:01):
my father be bothered me. Itook grab stall, just eat you counting
free. But I can't keep ladyin me. It's gray swivel aw rods
(13:28):
on my feet. You can't changeback up when he's saying the fee take
oh my bells bringing wor say loveno love, no, no no,
(15:35):
So that was the Jerry Garcia Bandcovering a Robbie Robertson's song The Night They
Drove Old Dixie Down. That performancewas at the Hampton Coliseum in Hampton,
Virginia in November of nineteen ninety one, just six days after the Grateful Dead.
(15:56):
Neil Young and others performed a memorialconcert for Bill Graham in Golden Gate
Park in San Francisco six days earlier. Now that'll be relevant later in the
show, as we have a cutfrom that. But the Night They Drove
Old Dixie Down. Wow. RobbieRobertson is a Canadian. He came to
the American South and what he sawinspired him to write that song. And
(16:21):
if I understand the stories correctly,he wrote it for leve On Helm to
sing. But that was the JGBkeeping that song alive and relevant. In
nineteen ninety one, it appeared onthe band's second studio album, simply entitled
The Band, also known I thinkis the Brown Album. So now we're
(16:42):
going to have a few songs fromthe band themselves, all written by Robbie
Robertson, or at least co writtenright by Robbie Robertson. Rest in peace.
Robbie enjoy. I pulled in thenagar. Wasn't feeling about head fasting.
(17:11):
I just need some place where Ican leave my hand. And mister,
can you tell me where a manmight find a bend? He just
cried and shook my hand. No, was all he said. Take a
(17:32):
load of fatty, take a loadof reading. Take a load of fatty.
You put the load, run loadright on it. I picked up
(17:55):
my bag. I went looking fora place to hide when it's all coming,
and the devil walk inside the side. I said, Hey, carm
come on, let's go down town. She said, I gotta go,
(18:17):
but my friend get sleeping around.Take a load off family, take a
load of free. Take a lordof family. You put the load right
long, right on me. Godown with miss Morsin and dothing. You
(18:48):
can't see he's just go looke louswearing on the death of day. Well,
look my friend walk about the youngand lee. He said to me,
a favorite son. Won't just stayand keeping in a le cumpany say
(19:10):
a load of fatty, take aload, take the lord of fail.
You put the lord right along righton crazy chest to follow me and because
(19:37):
him fall, he said, Iwill fix you right if you take check
my doll, I said, waitto getting chester, no time to beautiful.
Man said that's okay. On won'tyou feed you when you can't ye,
(20:00):
take a load off, fatty,take a load of free. Take
a load off, fanny. Youput the load right along right and you
(20:30):
can't and ball not to take medown the line. My bag is singing
load and I do believe his timeto get out of his name. You
know she all in one. Yousent me here with her regards one one.
(20:55):
Take a load off, fatty,take a load really take the lord
of faith. They put the lordrun along right on me oldly told me
(21:36):
I'm a fool. So I walkedon down the road, and my mouth
went through the house that brings asmile sat upon my grandfather's me. And
what do you think he said tome? When you way, you will
remail me everything. You will behanging on rain on your when you you
(22:03):
will real live hor soul that you'reborn at road and never know. Only
showed me the fork in the room. You can take to the left to
go straight to the rain. Useyour days and see your knights. Careful
(22:26):
where he's gonna been Watch what youeat, sleep with a light, and
you gotta be. When you awake, you will remember everything. You will
be a shame. Don't know whenyou'll believe. You will relieve on the
(22:47):
soul that you were born to theroad and never know. Only want me.
It's no world the street don't reachyes, screw what am I supposed
to do? Read the right onthe wall through it when I was very
(23:12):
small. When you awake, youwill remember everything. You will be hanging
on saying no when you you willlay a borne when you go and never
(23:33):
know, wash my dams in mywater. I gotta date with the captain's
daughter. You're going to tell yourbrother with shirt, go another one another
(23:56):
me be right and you might bewrong. I ain't gonna word all day
along the strow's gonna come, andthe frost go on the bank. My
old cart froze on last name.No reason to hel wake up in the
(24:19):
morning day and if my father woulddo anything, stand on around the roses
do it makes different way turn Ican't get over you. When the pain
(25:10):
still burns, it makes the difference. Not on day, shadow never seems
to fade away, and the sundon't shine any more they fall down.
(25:51):
Oh my dog, I know it'strue, lowees On to put the lines
(26:18):
once oflon to me bore, itmakes to difference how my god lines skin.
(26:41):
The hurt where my bays shown makestdifference. They're just a face in
the crown on the dinner street.And the sun shine any more and the
(27:15):
rain fall down on my dar Pleaseall letters. I just can't keep rose
(27:41):
like a gambler says read a manread in the dark. No rest you
breath no more without being not likean d Gisela says, it's a losing
(28:22):
batter. Still be cattle in theside, do shine any more? And
(28:51):
the races far down on my ahWell, I love you so much and
(29:11):
it's all just to dake myself cometelling you that I live. That's so
alone, Be warm. I hatemyself for loving you and the weakness that
(31:37):
it showed. You just painted feeson a trip down suicide road. The
stage was set, the lights wentout on a roundly on old tale in
(32:00):
myself for love you, and I'mbed the cutting fall. I hate that
foolish game with play and the needthat was expressence and the mercy that you
(32:25):
shout to me whoever would against.I went out all along Broadway, and
I feel the please within the hollowplace where mothers weep and Al's play with
(32:47):
see your songs of freedom. Theman forever strip acting out his folly while
(33:12):
his back is being with like asleep in orman. He's beating Jan's team
or for a moment's glory. It'sa dirty rider shame. Here are those
(33:50):
who worship loring Is. I'm notone of them. In this age the
favorite place I'm searching for a jam, the crystal ball upon the wall hasn't
shown me nothing yet. I paidthe price solitude, But at least time
(34:20):
out of day I can't recalling usefulthing you ever did for me. Sept
(34:50):
pat me on the back one timewhen I was on my knee. We
studied Eacher his eyes he with me. No use to apologize. What difference
(35:10):
would it make? So sing yourpraise of progress in ather do machine the
(35:37):
naked truth these di taboos. Wheneverit can be seen. The lady left
you shines on me. Return youwell. I hate myself for loving you,
(35:57):
and I should get old. Thatwas Bob Dylan, ably backed by
(36:40):
the band in somewhat of a reunionfrom the Planet Waves album, which was
his fourteenth studio album released in nineteenseventy four. Let's see it was the
band that accompanied Dylan on his electrictour of Europe in nineteen sixty six.
(37:01):
And they were booed like punk rock, like the Sex Pistols in Dallas,
Texas, and they were true rockand roll warriors. And that that album,
Oh Man, Planet Waves is afantastic record. Putting this show together
in honor of Robbie Robertson gave mea chance to revisit it and explore it
(37:22):
in a whole new light. Andthat is the first of three songs we'll
have off that album, which featuresBob Dylan with the band, and there
You Go. Before that, wehad It Makes No Difference by the Band,
written by Robbie Robertson and Rick Danko, sung by Rick Danko, first
released on their nineteen seventy five albumNorthern Lights Southern Cross, their sixth studio
(37:46):
LP. Before that, When YouAwake by the Band, written by Robert
Robbie Robertson and Richard Manuel, andthat was on the band self titled album
nineteen sixty nine. And so we'regonna continue with another cut off Planet Waves,
Bob Doing and the band. Ilove you more than every, more
(38:25):
than time, and more than love. I love you more than money and
money lostars of Boe, love youmore than madness, all that dreams upon
the sea. I love you morethan life itself. You need that much
to me. Ever sends you upright in the suckers been complete. I
(38:52):
say good bye to a hundred roomsand faces in the street we look cornyards
the jester, which ever hitter fromthe sun. I love you more than
ever. I haven't yet begun.You breathe on me and made my life
(39:15):
favorite I want to live. WhenI was deeping poverty taught me how to
give, bade the tears up frommy dreams. Egg called me from the
hole. I love you more thanever, invites me to the soul.
(39:50):
Baby babies on your three What ismore? You saved my life. I
bride tooth for teach. Your lovecuts like a night. But the thoughts
of you don't ever rest. Theykill me by life. But I sacrifice
the world for you to watch.My senses time the tune that is yours
(40:20):
and mine to play upon this earth. We'll play it out the best we
know whatever it is word what thelost is lost we can't regain when went
down in the blood. The happinessto me is you, and I love
your more than blood. It's neverbeen my duty to remake the world at
(40:49):
large, more than my intensives tosound abouttle charm, because I love you
more than all of them, withthe love that doesn't fan. And if
there is eterning tea, I loveyou there again. Oh can't you see
(41:30):
that you were born to stand bymy side and I was born to be
with you. You were born tobe my bride. You're the other half
of what I You're the missing peaceand I love you more than ever with
the love that doesn't seem. Turnthe tide on me each day and teach
(41:57):
my eyes to see just being nextyear is a natural thing for me.
And I could never let you go, non't matter what goes on, because
I love you more than ever,now that the past is gone, when
(43:01):
you stealing and war is in iteaster time too, and you have jees
down a negativity, don't fitch,I just don't put on it. He
(43:23):
is pointing down on remark. Theygot some only willing there and the reva
side of you you see Saint Annie. He's till kes it lies blue,
(43:57):
I think is there leaving in aneye and the strange get up and take
her ship and my beds friend thedoctor. You won't even tell me what
(44:19):
it is out sweeping in love herpeasants go with goddess in glow. She
speaks English and she's as you tothe room. He's so lame and can't
(44:50):
bellow to go to him two andshe steals your eyes and easy to scream.
Even my house and watching hill andsee the watching all things. We
(45:16):
must hit one or the other.Neither of them be when the play you
see, give it to go backto the way you because time start me
(45:39):
you and then it expanders. Sellthe largeans. They just stand around the
most A black male, a sergeant, arms any any other lady's close A
(46:09):
began, which is to rive billit to my best. But I'm looking
just like I started, littly,seemed hidden, hard and still, and
(47:22):
nobody said it stand behind me whenthe game got es with the jobs on
me house, nobody even that calledmy back to me, or to see
(47:45):
how do you believe I had?That was Bob Dylan and the band Live
(48:22):
with just Like Tom Thumbs Blues fromtheir nineteen sixty six tour of UK.
That track, in particular is availableon the Live nineteen sixty six The Royal
Albert Hall Concert two disc live albumby Bob Dylan, released in nineteen ninety
eight, the second installment in theongoing Bob Dylan bootleg series on Legacy Recordings.
(48:46):
That's a cool One Just Like TomThumbs Blues was originally recorded in the
studio in sixty five and released onprobably my favorite Bob Dylan album, Highway
sixty one Revisited. So we're honoringRobbie Robertson and this next cut is from
later in his career Rattle Bone fromnineteen ninety eight solo Robbie Robertson beIN on
(49:45):
mine, who was messed up?Hair ain't on mine? With the closed
words, just the alice. He'sbeen deeping. He'd been doing too much
sleeping. The guy his hair andhis feathers, and told him he was
lading on until he did shanty downthe street like a cannibal. B man
happen m ride a far shaking herto washing far along. Ride a farm,
(50:30):
Ride a farm, not a sadhe says, Ride bright side below.
(51:36):
Here's when we go off the battom, past the power lines, that
little side without a sorrow, hiddenfrom the strum, the keepers, the
(52:01):
ancient picture keepers of the drama.They need to serve the Sa Sa Robbie
(53:32):
Robertson solo. So sadly we've reachedthe end of this episode of rabbit Hole
Radio on k x FM one Ofour seven, Laguna Beach. Thanks for
tuning in. Always grateful you chooseto spend this time with me, and
we honor together. Robbie Robertson,rest in Peace. Our final track Tonight
(53:52):
We're gonna go out with Forever Younga Bob Dylan song from Planet Ways or
Third of the Evening. This oneis a live version at the Bill Grand
Memorial Concert in Golden Gate Park Novembernineteen ninety one with Neil Young and The
Grateful Dead Peace. I got aletter here from Bob. It's too big
(54:22):
to read, so we're gonna haveto play and sing it for you.
May God bless and keep you always. They all wishes, all called true.
(54:45):
May you always do for others andlet others do for you. You
grow a little ladder to the starttime on every wrong there, staying far
(55:19):
ever or ever ever yar, Mayyou stay far ever you. May you
(56:08):
grow up to be righteous, Mayyou grow up to be true. May
you always know the truth and seethe lights around there. May you always
(56:31):
be courageous, stand upright and bestrong. And may you stand far ever
are or ever wherever are they staya, wherever we are, whereverevery.
(58:34):
May you stay far wherever you.May your hands always be busy. May
(58:57):
your feet always be swift. Mayyou have a strong foundation when the winds
are changing the ship. May yourheart always be joyful, Be your side
(59:22):
always be si. May you stayare every whever you. May you stay
(01:00:07):
far ever, young, forever ever, May you stay far ever young.
(01:00:49):
Kayaks are in LPI. Get anygala it be
Reckless. I love phones even mindedbar barn step from the next time.
(00:38):
I got a brand new life onthe road side. Resting up, I
got a brand new chink wed ontop. Men with the human skull.
Come on, take from the walkwaythat always you never love? You love?
You love? So you love?Do you love? I've got a
(01:22):
tuns on hand in a graveyard minejust twenty two and I don't mind.
Who do you love? Do youlove? Who do you love? Who
do you love? I'm gonna lovedown, use a rattle tank whip,
(01:59):
take it easy. I I don'tget an old li Who do you love?
Who do you love? Who doyou love? Who do you love?
(02:50):
I ain't black in the night,I went, I swagger, I
ain't hurt. Somebody screamed, youshouldn't hurt. To them what I said,
do you love? Who do youlove? Who do you love?
Do you love? Filey took mefather hand, said we both I understand.
(03:24):
Who do you love? Who doyou love? Who do you love?
To your love? Hold on.Welcome to rabbit Hole Radio. It's
(04:23):
Tuesday night, six pm. Ihope you're having a wonderful evening. Thanks
for tuning in. You're listening tok x FM one oh four seven,
Human Crafted Radio, Laguna Beach's onlyFM, so thanks for tuning in.
You may have heard Eric Clapton thereintroducing Robbie Robertson. That was a tasty,
(04:45):
tasty live cover of who Do YouLove? A Bo Diddley tune.
That was Robbie Robertson and Eric Clapton. And Robbie Robertson had quite a history
with that tune as he was partof the Hawks when Roddy Hawkins and the
Hawks recorded it as a single innineteen sixty three. A very young Robbie
(05:10):
Robertson playing lead guitar on that one, so he goes way back with that
song. The B side to thatsingle, Who Do You Love, was
the song Bo Diddley, So that'svery cool. So we mentioned Robbie Robertson.
Sadly he passed away last week Augustninth, I P Robbie Robertson.
(05:31):
We have a show dedicated to thegreat Robbie Robertson and what a career he
had. This next tune is alive cover of a Robbie Robertson composition recorded
by the band by one of myfavorite artists, and it's one of my
favorite songs from the band and thisartist. This is also a live version
(05:53):
features Bruce Hornsby on keyboards. Andenjoy uciness to me and I'll serve down
the dam of train to store muchcame ri came tore up the chance again.
(06:26):
In the world of sixty five,we was hung. Just pare your
mind with me Chances richland Field.It was a time. I remember,
(06:46):
Oh some seed, all the bells, see, all the people were saying.
(07:42):
Next to my wife in Jennis Morday, she called off for me virtual
pcup see and July I don't mindcharming one and a dark chare and the
(08:15):
one is don't done, take whatyou mean? And the rest nation never
chang every pair. All the bellswere bringing and see all the people were
(08:58):
singing love h h like my fatherbefore me. I'm a peaceful man like
(13:01):
my father be bothered me. Itook grab stall, just eat you counting
free. But I can't keep ladyin me. It's gray swivel aw rods
(13:28):
on my feet. You can't changeback up when he's saying the fee take
oh my bells bringing wor say loveno love, no, no no,
(15:35):
So that was the Jerry Garcia Bandcovering a Robbie Robertson's song The Night They
Drove Old Dixie Down. That performancewas at the Hampton Coliseum in Hampton,
Virginia in November of nineteen ninety one, just six days after the Grateful Dead.
(15:56):
Neil Young and others performed a memorialconcert for Bill Graham in Golden Gate
Park in San Francisco six days earlier. Now that'll be relevant later in the
show, as we have a cutfrom that. But the Night They Drove
Old Dixie Down. Wow. RobbieRobertson is a Canadian. He came to
the American South and what he sawinspired him to write that song. And
(16:21):
if I understand the stories correctly,he wrote it for leve On Helm to
sing. But that was the JGBkeeping that song alive and relevant. In
nineteen ninety one, it appeared onthe band's second studio album, simply entitled
The Band, also known I thinkis the Brown Album. So now we're
(16:42):
going to have a few songs fromthe band themselves, all written by Robbie
Robertson, or at least co writtenright by Robbie Robertson. Rest in peace.
Robbie enjoy. I pulled in thenagar. Wasn't feeling about head fasting.
(17:11):
I just need some place where Ican leave my hand. And mister,
can you tell me where a manmight find a bend? He just
cried and shook my hand. No, was all he said. Take a
(17:32):
load of fatty, take a loadof reading. Take a load of fatty.
You put the load, run loadright on it. I picked up
(17:55):
my bag. I went looking fora place to hide when it's all coming,
and the devil walk inside the side. I said, Hey, carm
come on, let's go down town. She said, I gotta go,
(18:17):
but my friend get sleeping around.Take a load off family, take a
load of free. Take a lordof family. You put the load right
long, right on me. Godown with miss Morsin and dothing. You
(18:48):
can't see he's just go looke louswearing on the death of day. Well,
look my friend walk about the youngand lee. He said to me,
a favorite son. Won't just stayand keeping in a le cumpany say
(19:10):
a load of fatty, take aload, take the lord of fail.
You put the lord right along righton crazy chest to follow me and because
(19:37):
him fall, he said, Iwill fix you right if you take check
my doll, I said, waitto getting chester, no time to beautiful.
Man said that's okay. On won'tyou feed you when you can't ye,
(20:00):
take a load off, fatty,take a load of free. Take
a load off, fanny. Youput the load right along right and you
(20:30):
can't and ball not to take medown the line. My bag is singing
load and I do believe his timeto get out of his name. You
know she all in one. Yousent me here with her regards one one.
(20:55):
Take a load off, fatty,take a load really take the lord
of faith. They put the lordrun along right on me oldly told me
(21:36):
I'm a fool. So I walkedon down the road, and my mouth
went through the house that brings asmile sat upon my grandfather's me. And
what do you think he said tome? When you way, you will
remail me everything. You will behanging on rain on your when you you
(22:03):
will real live hor soul that you'reborn at road and never know. Only
showed me the fork in the room. You can take to the left to
go straight to the rain. Useyour days and see your knights. Careful
(22:26):
where he's gonna been Watch what youeat, sleep with a light, and
you gotta be. When you awake, you will remember everything. You will
be a shame. Don't know whenyou'll believe. You will relieve on the
(22:47):
soul that you were born to theroad and never know. Only want me.
It's no world the street don't reachyes, screw what am I supposed
to do? Read the right onthe wall through it when I was very
(23:12):
small. When you awake, youwill remember everything. You will be hanging
on saying no when you you willlay a borne when you go and never
(23:33):
know, wash my dams in mywater. I gotta date with the captain's
daughter. You're going to tell yourbrother with shirt, go another one another
(23:56):
me be right and you might bewrong. I ain't gonna word all day
along the strow's gonna come, andthe frost go on the bank. My
old cart froze on last name.No reason to hel wake up in the
(24:19):
morning day and if my father woulddo anything, stand on around the roses
do it makes different way turn Ican't get over you. When the pain
(25:10):
still burns, it makes the difference. Not on day, shadow never seems
to fade away, and the sundon't shine any more they fall down.
(25:51):
Oh my dog, I know it'strue, lowees On to put the lines
(26:18):
once oflon to me bore, itmakes to difference how my god lines skin.
(26:41):
The hurt where my bays shown makestdifference. They're just a face in
the crown on the dinner street.And the sun shine any more and the
(27:15):
rain fall down on my dar Pleaseall letters. I just can't keep rose
(27:41):
like a gambler says read a manread in the dark. No rest you
breath no more without being not likean d Gisela says, it's a losing
(28:22):
batter. Still be cattle in theside, do shine any more? And
(28:51):
the races far down on my ahWell, I love you so much and
(29:11):
it's all just to dake myself cometelling you that I live. That's so
alone, Be warm. I hatemyself for loving you and the weakness that
(31:37):
it showed. You just painted feeson a trip down suicide road. The
stage was set, the lights wentout on a roundly on old tale in
(32:00):
myself for love you, and I'mbed the cutting fall. I hate that
foolish game with play and the needthat was expressence and the mercy that you
(32:25):
shout to me whoever would against.I went out all along Broadway, and
I feel the please within the hollowplace where mothers weep and Al's play with
(32:47):
see your songs of freedom. Theman forever strip acting out his folly while
(33:12):
his back is being with like asleep in orman. He's beating Jan's team
or for a moment's glory. It'sa dirty rider shame. Here are those
(33:50):
who worship loring Is. I'm notone of them. In this age the
favorite place I'm searching for a jam, the crystal ball upon the wall hasn't
shown me nothing yet. I paidthe price solitude, But at least time
(34:20):
out of day I can't recalling usefulthing you ever did for me. Sept
(34:50):
pat me on the back one timewhen I was on my knee. We
studied Eacher his eyes he with me. No use to apologize. What difference
(35:10):
would it make? So sing yourpraise of progress in ather do machine the
(35:37):
naked truth these di taboos. Wheneverit can be seen. The lady left
you shines on me. Return youwell. I hate myself for loving you,
(35:57):
and I should get old. Thatwas Bob Dylan, ably backed by
(36:40):
the band in somewhat of a reunionfrom the Planet Waves album, which was
his fourteenth studio album released in nineteenseventy four. Let's see it was the
band that accompanied Dylan on his electrictour of Europe in nineteen sixty six.
(37:01):
And they were booed like punk rock, like the Sex Pistols in Dallas,
Texas, and they were true rockand roll warriors. And that that album,
Oh Man, Planet Waves is afantastic record. Putting this show together
in honor of Robbie Robertson gave mea chance to revisit it and explore it
(37:22):
in a whole new light. Andthat is the first of three songs we'll
have off that album, which featuresBob Dylan with the band, and there
You Go. Before that, wehad It Makes No Difference by the Band,
written by Robbie Robertson and Rick Danko, sung by Rick Danko, first
released on their nineteen seventy five albumNorthern Lights Southern Cross, their sixth studio
(37:46):
LP. Before that, When YouAwake by the Band, written by Robert
Robbie Robertson and Richard Manuel, andthat was on the band self titled album
nineteen sixty nine. And so we'regonna continue with another cut off Planet Waves,
Bob Doing and the band. Ilove you more than every, more
(38:25):
than time, and more than love. I love you more than money and
money lostars of Boe, love youmore than madness, all that dreams upon
the sea. I love you morethan life itself. You need that much
to me. Ever sends you upright in the suckers been complete. I
(38:52):
say good bye to a hundred roomsand faces in the street we look cornyards
the jester, which ever hitter fromthe sun. I love you more than
ever. I haven't yet begun.You breathe on me and made my life
(39:15):
favorite I want to live. WhenI was deeping poverty taught me how to
give, bade the tears up frommy dreams. Egg called me from the
hole. I love you more thanever, invites me to the soul.
(39:50):
Baby babies on your three What ismore? You saved my life. I
bride tooth for teach. Your lovecuts like a night. But the thoughts
of you don't ever rest. Theykill me by life. But I sacrifice
the world for you to watch.My senses time the tune that is yours
(40:20):
and mine to play upon this earth. We'll play it out the best we
know whatever it is word what thelost is lost we can't regain when went
down in the blood. The happinessto me is you, and I love
your more than blood. It's neverbeen my duty to remake the world at
(40:49):
large, more than my intensives tosound abouttle charm, because I love you
more than all of them, withthe love that doesn't fan. And if
there is eterning tea, I loveyou there again. Oh can't you see
(41:30):
that you were born to stand bymy side and I was born to be
with you. You were born tobe my bride. You're the other half
of what I You're the missing peaceand I love you more than ever with
the love that doesn't seem. Turnthe tide on me each day and teach
(41:57):
my eyes to see just being nextyear is a natural thing for me.
And I could never let you go, non't matter what goes on, because
I love you more than ever,now that the past is gone, when
(43:01):
you stealing and war is in iteaster time too, and you have jees
down a negativity, don't fitch,I just don't put on it. He
(43:23):
is pointing down on remark. Theygot some only willing there and the reva
side of you you see Saint Annie. He's till kes it lies blue,
(43:57):
I think is there leaving in aneye and the strange get up and take
her ship and my beds friend thedoctor. You won't even tell me what
(44:19):
it is out sweeping in love herpeasants go with goddess in glow. She
speaks English and she's as you tothe room. He's so lame and can't
(44:50):
bellow to go to him two andshe steals your eyes and easy to scream.
Even my house and watching hill andsee the watching all things. We
(45:16):
must hit one or the other.Neither of them be when the play you
see, give it to go backto the way you because time start me
(45:39):
you and then it expanders. Sellthe largeans. They just stand around the
most A black male, a sergeant, arms any any other lady's close A
(46:09):
began, which is to rive billit to my best. But I'm looking
just like I started, littly,seemed hidden, hard and still, and
(47:22):
nobody said it stand behind me whenthe game got es with the jobs on
me house, nobody even that calledmy back to me, or to see
(47:45):
how do you believe I had?That was Bob Dylan and the band Live
(48:22):
with just Like Tom Thumbs Blues fromtheir nineteen sixty six tour of UK.
That track, in particular is availableon the Live nineteen sixty six The Royal
Albert Hall Concert two disc live albumby Bob Dylan, released in nineteen ninety
eight, the second installment in theongoing Bob Dylan bootleg series on Legacy Recordings.
(48:46):
That's a cool One Just Like TomThumbs Blues was originally recorded in the
studio in sixty five and released onprobably my favorite Bob Dylan album, Highway
sixty one Revisited. So we're honoringRobbie Robertson and this next cut is from
later in his career Rattle Bone fromnineteen ninety eight solo Robbie Robertson beIN on
(49:45):
mine, who was messed up?Hair ain't on mine? With the closed
words, just the alice. He'sbeen deeping. He'd been doing too much
sleeping. The guy his hair andhis feathers, and told him he was
lading on until he did shanty downthe street like a cannibal. B man
happen m ride a far shaking herto washing far along. Ride a farm,
(50:30):
Ride a farm, not a sadhe says, Ride bright side below.
(51:36):
Here's when we go off the battom, past the power lines, that
little side without a sorrow, hiddenfrom the strum, the keepers, the
(52:01):
ancient picture keepers of the drama.They need to serve the Sa Sa Robbie
(53:32):
Robertson solo. So sadly we've reachedthe end of this episode of rabbit Hole
Radio on k x FM one Ofour seven, Laguna Beach. Thanks for
tuning in. Always grateful you chooseto spend this time with me, and
we honor together. Robbie Robertson,rest in Peace. Our final track Tonight
(53:52):
We're gonna go out with Forever Younga Bob Dylan song from Planet Ways or
Third of the Evening. This oneis a live version at the Bill Grand
Memorial Concert in Golden Gate Park Novembernineteen ninety one with Neil Young and The
Grateful Dead Peace. I got aletter here from Bob. It's too big
(54:22):
to read, so we're gonna haveto play and sing it for you.
May God bless and keep you always. They all wishes, all called true.
(54:45):
May you always do for others andlet others do for you. You
grow a little ladder to the starttime on every wrong there, staying far
(55:19):
ever or ever ever yar, Mayyou stay far ever you. May you
(56:08):
grow up to be righteous, Mayyou grow up to be true. May
you always know the truth and seethe lights around there. May you always
(56:31):
be courageous, stand upright and bestrong. And may you stand far ever
are or ever wherever are they staya, wherever we are, whereverevery.
(58:34):
May you stay far wherever you.May your hands always be busy. May
(58:57):
your feet always be swift. Mayyou have a strong foundation when the winds
are changing the ship. May yourheart always be joyful, Be your side
(59:22):
always be si. May you stayare every whever you. May you stay
(01:00:07):
far ever, young, forever ever, May you stay far ever young.
(01:00:49):
Kayaks are in LPI. Get anygala it be
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