April 22, 2025 • 29 mins
An anthology series presenting original radio plays, showcasing a variety of genres and storytelling styles. Each episode offers a unique narrative experience.
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Speaker 1 (00:02):
The National Broadcasting Company presents Radio City Playhouse Attraction forty nine.
(00:28):
Here is the director of Radios that he Playhouse, Harry W.
Speaker 2 (00:31):
Jenkins.
Speaker 3 (00:32):
Thank you, Fred Good Evening, Ladies and gentlemen. Tonight and
you play by Alan Sloane, an outstanding radio writer whose
scripts have been heard on almost every important dramatic series.
Mister Sloan has just returned from Europe, where he was
sent by the United Nations. He has spent the past
eight months visiting displaced person camps and recording special material
(00:55):
for a series of documentary broadcasts. We hope mister Sloan
will be writing many scripts for Radio City playoffs also
with us Tonight is Miss Virginia Dwyer, in our opinion,
one of radio's most sensitive and most talented dramatic accressies.
You have heard her many times on NBC The Eternal Light,
(01:16):
front Page Foul Mister District Attorney, to name only a
few co starred with Miss Dwyer is our good friend
Bernard Grant, a familiar and very welcome personality to all
regular Radio City Playhoufs listeners. Here then, is our show
Pension in six forty three by Alan Sloan, starring Virginia
(01:37):
Dwyer as Evy and Bernard Grant as Alan Attraction forty
nine on Radio City Playoffs.
Speaker 2 (02:03):
That's for Missus McBride in four twenty one.
Speaker 4 (02:06):
Oh hello, mister Clark. Nice to see you again.
Speaker 1 (02:09):
Your usual room, Yes, if you have it, please we
make a point of saving mister Clark. How long have
you been a regular with us in the hotel?
Speaker 4 (02:17):
Too long? I understand.
Speaker 2 (02:20):
Uh, mister Clark, if you don't mind my asking, Yes,
how is your wife?
Speaker 4 (02:27):
Do? They say? Improving?
Speaker 2 (02:30):
They say, I'm glad to hear that. I hope everything
will be all right soon.
Speaker 3 (02:36):
Hunt me show mister Clark to six forty three, Jimmy six.
Speaker 5 (02:41):
Four to three as usual, Yes, sir, Hello mister Clark.
Speaker 4 (02:43):
Hello Jimmy. Do you see even the bell hop knows it?
Six floor mister Clark.
Speaker 2 (03:01):
Thanks Jimmy, he'll look tired, mister Clark, all right, Yes,
I am.
Speaker 4 (03:08):
The train was.
Speaker 5 (03:08):
Hot, dusty, but I'll have a shower and forty winks
and I'll be all right.
Speaker 4 (03:12):
We got mister Clark six four three, Thank you. I
just drop the bag anyway, Jimmy, Yes, sir, I'll just
check the bathroom.
Speaker 3 (03:22):
See that you've everything you want.
Speaker 4 (03:23):
It'll be all right. No, there's no powers, but I'll
send the mate up with them.
Speaker 5 (03:28):
Thanks, thank you, mister Clark.
Speaker 2 (03:32):
Anything else, why just.
Speaker 4 (03:33):
Call for Jimmy. I'll do that.
Speaker 5 (03:36):
Are you going to the hospital tonight, mister Clark, Yes
I am. You better make that a short forty winks.
The bus leaves at nine o'clock and it's after eight.
Speaker 4 (03:42):
Now. I will thanks a lot, Jimmy. The mate will
be up with the towers in just a moment, mister Clark.
Speaker 5 (03:52):
Oh, weary, weary, weary.
Speaker 4 (03:57):
My head hurts, hurt. Oh, Ben feels so good. Might
take a shoe off now, the other one. It's more
like it. No wonder. Everybody knows me from the bell
(04:18):
hops up.
Speaker 5 (04:19):
I've been coming here so long, too long, dear Lord,
one of these days, make it the last time, and
make me forget the first time, the first time I
went to see her.
Speaker 6 (04:33):
I have, mister Clark, But in your wife's condition, five
minutes is oh, we can.
Speaker 4 (04:37):
Allow you five minutes. But nurse, I've come all the
way from the I'm sorry. Do you have to stay
in this case? I have to do? We go there?
Ring her here? Oh?
Speaker 5 (04:52):
Well, can she have these in her room. Candy, flowers, perfume, candy.
Speaker 6 (05:00):
She likes to keep the boxes and the ribbons, the flowers.
Speaker 5 (05:04):
What's wrong with flowers?
Speaker 6 (05:06):
Sometimes the patience eat them?
Speaker 4 (05:09):
Oh? How about the perfume. I'm sorry, mister Clark. It's
the client.
Speaker 5 (05:14):
She used to be so crazy about it. I thought
maybe if if she smelled it would help her. Maybe
bring her that kind of it's only the littlest.
Speaker 4 (05:23):
Bottle, but it's the glass. Huh the bottle.
Speaker 6 (05:26):
Mister Clark, bless jagged edges.
Speaker 4 (05:29):
Dear lord.
Speaker 6 (05:31):
Oh, nothing sudden, mister Clark. Just take it slow, just
be very quiet and calm, and don't get her excited.
Speaker 5 (05:40):
Missus Clark, nurse.
Speaker 4 (05:41):
Thank you, Harry.
Speaker 6 (05:42):
Wait outside, come on, missus Clark. Let's it come right
on in now, sit down. Uh, you've a visitor.
Speaker 4 (05:57):
Talk to hello. It's me the Allan. You know me, sweetheart, Alan,
don't you know me? Look? Look flowers. I brought you flowers.
I brought you candy, honey, but chewy kind look baby candy.
(06:22):
I'm sorry, mister Clark. I'm afraid you're not going to
be able Wait wait, wait, get me time.
Speaker 5 (06:28):
Ev Look, look perfume, see you kind the kind you like.
Let me rub some on your wrist, darling, Just let
me put a drop on, Just let me please, It's
all right, honey, it's only me. I won't hurt you,
no perfume. Don't be afraid, Ei, I won't touch I
(06:51):
won't just say something.
Speaker 4 (06:54):
Say hello, Allan, please ev say hello Clark. Let me
fly once more? Maybe? Don't you know me? Your husband?
Don't you you see?
Speaker 5 (07:09):
I'm sorry, mister Clark.
Speaker 4 (07:12):
I might as well be talking to a wall.
Speaker 6 (07:15):
Perhaps you'd better go, Harry, Are you.
Speaker 4 (07:21):
Ready to go back to your room now? Missus Clark?
Speaker 1 (07:24):
Watch you're telling me goodbyeybe?
Speaker 4 (07:28):
I'll come back again real soon, a bee, darling.
Speaker 6 (07:32):
Oh, it's only just the first visit, miss Clark. It
takes time, you know, maybe in a few weeks?
Speaker 4 (07:39):
How many week or none? Four years? How often? May
I come? Every two weeks?
Speaker 5 (07:46):
All right, I'll be back, won't do you have a flowersness?
And take this money too?
Speaker 4 (07:52):
Will you? If she asks for little things that are
all right, will you please buy them for you know?
Speaker 7 (08:00):
I do? Right?
Speaker 4 (08:03):
I guess I might as well go.
Speaker 5 (08:05):
Thank you nice for your trump that door, all right?
Speaker 4 (08:10):
And take the perfume too, well.
Speaker 5 (08:12):
She she used to be crazy about it. She used
to be so crazy about perfew.
Speaker 4 (08:25):
Every two weeks for three years.
Speaker 5 (08:28):
Same hotels, same room, same.
Speaker 4 (08:33):
Maybe, dear Lord, one of these days, make it the
last time. Make it the last time, Oh made with
the towels?
Speaker 5 (08:46):
I guess, come in, come in just a minute?
Speaker 4 (08:51):
Just was it? Other shoe? Was it? Oh? Dog? Bother
coming out? Evie? Hello, Allan? You who come in?
Speaker 5 (09:10):
I I thought you were the mate with the towels?
Speaker 2 (09:13):
Ivie?
Speaker 4 (09:16):
W what are you doing here? What are you doing out?
Speaker 6 (09:21):
I'm paying you did it?
Speaker 4 (09:22):
But they didn't tell me.
Speaker 5 (09:24):
They didn't call, they didn't write, they didn't wire.
Speaker 4 (09:27):
Nobody told me you had been released. Oh yev Eve,
don't touch me.
Speaker 5 (09:32):
Don't touch me. I was only going to take my
wife into my arms.
Speaker 4 (09:37):
I was only going to say that, I Evie, Evie,
you're well. Oh you must be, darling.
Speaker 5 (09:46):
They've let you come to meet me, haven't they.
Speaker 4 (09:48):
And it's such a wonderful surprise.
Speaker 6 (09:51):
Oh, this will surprise you even more.
Speaker 4 (09:55):
What are you doing with that gun? Give it to
me later, lad give it to me. Maybe'd be a
good girl. Give it to me back, I said, back, peebe,
don't don't do things like this. You're so oh ebe.
Speaker 6 (10:11):
Go ahead, Alan, say it, Say it, Alan, man, that's it,
isn't that man?
Speaker 4 (10:23):
Crazy? Please?
Speaker 5 (10:25):
I like to hear you say, say please, Darling, you're upset, now.
Speaker 4 (10:33):
Down not upset?
Speaker 6 (10:34):
Alan, I'm crazy, Remember he said I was. You told
the doctor you sent me to that place.
Speaker 4 (10:42):
For your own good ev I wanted you to get well,
mad crazy man a breakdown. Anybody can have a breakdown.
Speaker 6 (10:53):
There's nothing the matter with me.
Speaker 7 (10:56):
I just hate you, that's all.
Speaker 6 (10:59):
And I'm gonna kill you.
Speaker 7 (11:02):
Dead.
Speaker 4 (11:03):
No, I'm going to kill you.
Speaker 5 (11:06):
No, no, no, no no, You're not only crazy people
do things like that. And you just said there wasn't
anything the matter with you.
Speaker 4 (11:13):
Why they let you.
Speaker 5 (11:15):
Come to see me, didn't they? So you must be
all right again? And if you're all right, white, you
don't want to kill me, don't just see Darling.
Speaker 4 (11:23):
I love to hear you talk like that. Let me
come to see you.
Speaker 6 (11:28):
Scrab me.
Speaker 5 (11:29):
Of course they did, don't you remember they?
Speaker 4 (11:32):
Evie.
Speaker 5 (11:33):
Let's let's have a drink to your recovery, like like
old times again.
Speaker 4 (11:36):
We'll have it that. I was just going to call
room service, Darling.
Speaker 6 (11:42):
Drinks I've forgotten what drinks taste like. Oh, I've had
room service.
Speaker 4 (11:51):
For three years. I've lived in a room. That's that's
all over. Now they've they've let you come to me,
and now I'll take your home.
Speaker 6 (12:00):
Let me come to you.
Speaker 4 (12:01):
But you're here.
Speaker 6 (12:02):
That's right, Alan, that's right.
Speaker 4 (12:05):
I escape. I hit a guard on the head.
Speaker 7 (12:10):
With my clock, little clock.
Speaker 6 (12:13):
You gave me, Allen without an alarm, Alan, Why couldn't
I on alarm?
Speaker 4 (12:21):
EV get back?
Speaker 6 (12:25):
I still have a gun, Alen. Oh you didn't know
guards had guns, did you. I've got it now. I
put my clock in the stocking.
Speaker 7 (12:37):
And I hit him on the head with it. And
now I've got his gun.
Speaker 4 (12:43):
And I'm gonna kidd you. No, you're not going to
kill anybody, darling.
Speaker 5 (12:46):
You're going to sit down and talk about this, and
I'll send down.
Speaker 6 (12:50):
To stay away from that pole.
Speaker 5 (12:52):
Anything you say, anything you say, Oh, how.
Speaker 4 (12:58):
Scared you are? You're down.
Speaker 6 (13:02):
I can kid you just as well sitting down.
Speaker 4 (13:05):
If you escape, you know they would be looking for you.
Speaker 5 (13:07):
Let me call them and say you're safe.
Speaker 6 (13:10):
You touch that phone, I'll shoot you. And I don't
want to do that, yes, of course not.
Speaker 4 (13:19):
You don't want to shoot me. I'm your husband, and
that right away.
Speaker 6 (13:25):
Alan. I don't want to watch you squirm and wiggle.
I like to watch you trying to get away. Alan, Yes,
how does it feel to be a prisoner?
Speaker 4 (13:37):
But I'm not a prisoner. I'm Alan. Don't you remember?
I remember?
Speaker 7 (13:41):
I just want the stalking and the guard fell down
and I put the clock in the toll the stocking.
Speaker 5 (13:49):
Yes, I remember the clock, even the little white clock
with the chromium on it.
Speaker 4 (13:52):
No alarm.
Speaker 7 (13:54):
Why didn't my clock have an alarm?
Speaker 4 (13:55):
Alan? Why won't you tell me Candy? Please forget about
the alarm? The alarm eating any bell? Bells they started you,
that's all, believe me. That's tolorists to it. Now. Now
let's talk about something happened.
Speaker 6 (14:12):
No, the bell, Allen, talk about the bell.
Speaker 7 (14:16):
Talk Alan, the bell.
Speaker 5 (14:18):
If you put the gun down, I'll tell you all
about everything, even about the bet.
Speaker 6 (14:22):
Away from that door. All right, come back here, Alan,
you make me nervous. Sit on the bed and tell me.
Speaker 5 (14:32):
What you want to Forget about the bells, Darling, there
is that.
Speaker 6 (14:39):
Better I want to remember, and I can kill you.
Speaker 4 (14:44):
Better.
Speaker 6 (14:46):
Tell me all about the bells.
Speaker 4 (14:48):
You mean the big bell on the church down the street.
Speaker 5 (14:50):
Even the school bell and the doorbell, the one that
chimed the back door, of the buzz, the alarm clock
in the bedroom, the bells.
Speaker 4 (14:55):
They rang on the radio, and even the telephone.
Speaker 7 (14:57):
Telephone, telephone. You took the telephone away. You didn't want
me to talk to anybody.
Speaker 4 (15:04):
No, I didn't want you to hear the bell. Why
why I told you it used to bother you.
Speaker 5 (15:11):
But by the way, let me see that gun, will you.
You know I've never seen a gun so clean?
Speaker 6 (15:16):
Get away?
Speaker 4 (15:17):
Get away?
Speaker 6 (15:19):
Now a telephone.
Speaker 7 (15:22):
Why did the bell used to bother me?
Speaker 4 (15:25):
Of some point? You don't remember?
Speaker 5 (15:27):
Make me remember? Make me.
Speaker 4 (15:30):
Donny, Donny our baby? Donny? Do we have a baby?
Not anymore?
Speaker 6 (15:39):
Why did you say Donny.
Speaker 4 (15:41):
Because that was his name, Evie, I don't want to
do this.
Speaker 5 (15:45):
Why did you say Donny because because once, a long
time ago, there was a Donny, a sturdy, little tan
and blonde Donnie can't remember Donny Donny's strength and hand
and sturdy.
Speaker 4 (16:05):
He worshiped him. You were making a cake one day,
don't you remember? You're in the kitchen making a cake.
When are you making?
Speaker 7 (16:21):
Mommy, I'm making a cake.
Speaker 6 (16:23):
Honey, bo for me, for you and me and daddy.
You go outside and wait for Daddy to come home,
and when he does, you can both lick the bowl.
Go on now, stairs, all right, don Donny, Yes, mommy,
don't run away from the house to your stay. Almos
on hear me?
Speaker 2 (16:40):
Okay, mommy, I say them.
Speaker 6 (16:41):
That's a good boy. Kids, especially boys. Oh good grief,
my icing, Oh heaven't hold your horses. I'm coming. Danny,
get off the road, Danny, look out. That's a story.
Speaker 4 (17:25):
You made it up.
Speaker 5 (17:26):
No, no, it's true. And when the telephone rings, you
remember it. No, No, yes, when any bell rings, you
remember it.
Speaker 6 (17:38):
I was going to kill you because you made me
stay in that place.
Speaker 4 (17:43):
No, I'll kill you if that story is true.
Speaker 7 (17:46):
If you killed my son.
Speaker 4 (17:48):
With your car, it was an accident, an accident. Don't
you think I've suffered.
Speaker 7 (17:52):
Not the way I am, not for three years old
by yourself.
Speaker 6 (17:58):
All right, Alan, that's enough, no more talk. Turn around now,
all right, don't turn around.
Speaker 4 (18:05):
I want to look at you.
Speaker 7 (18:08):
I want to see you suffer.
Speaker 6 (18:10):
I'm gonna play games with you.
Speaker 7 (18:11):
Alan.
Speaker 6 (18:13):
Count count to three, one, two, don't worry. I know
how to work this gun.
Speaker 4 (18:23):
See, don't kill me. Maybe, please, you'll be all alone
if you kill me.
Speaker 6 (18:27):
One two and now.
Speaker 5 (18:32):
Don't move.
Speaker 6 (18:34):
Who is that is that?
Speaker 7 (18:36):
The guards since come to take me back?
Speaker 4 (18:39):
Don't it's not the gods, ev it's just the maid
guard you wanted to be the gods. Let me go
answer the door.
Speaker 6 (18:52):
It's the guards.
Speaker 4 (18:52):
I'll kill you.
Speaker 6 (18:53):
If it's the maid, don't let her in. I remember,
I'm right behind you.
Speaker 4 (19:00):
Oh it's you. Your to I'll put in the bathroom.
Speaker 7 (19:02):
That's all right, I'll put them away ward.
Speaker 4 (19:04):
Idea, it's all right for them. Look on your face.
You thought it was a god.
Speaker 6 (19:13):
Just the maid with the towels, you said, but you
hoped it was a god.
Speaker 4 (19:17):
No, dear, I'll just put these towels away. Now they're
here to lock yourself in the bathroom so I can't
kill you.
Speaker 6 (19:22):
Oh no, you don't put them down. Throw them down
on the floor, throw them down right there. I'll kill
you now you mus stand right on the towels, be
so pretty red blood on the right toe.
Speaker 4 (19:36):
Maybe you know you're not going to kill me. I
love you. You'll know that people don't kill those who
love them.
Speaker 6 (19:40):
You love me, you know I do You well, I
hate you. Why do you keep looking at your watch?
Speaker 4 (19:47):
Would you like to look at my watch? Ev It's pretty,
isn't it. I'll get you a prettier one this week.
Speaker 7 (19:51):
You never bring me anything.
Speaker 6 (19:53):
You torture me, but you never bring me anything.
Speaker 7 (19:57):
You just take things away from me. Did the telephone
way so I couldn't talk to anybody, And you locked
me in the house all days so I couldn't see anybody.
Speaker 4 (20:05):
I had to weav dear. I thought I could take
care of you by myself after the baby.
Speaker 5 (20:10):
Oh, Evie, I used to bring your things when I
came home, watches and flowers, pretty things.
Speaker 4 (20:17):
You couldn't go out, so I brought you things. You
said you were lonesome.
Speaker 5 (20:22):
Why so I brought you something once to keep your company? Remember,
I felt sorry for you, Evie, because you couldn't go out,
so I brought you little things each evening. Don't you
remember the evening I brought you the kitten.
Speaker 4 (20:37):
Our little soft, fuzzy ball of a kitten. Don't you remember,
ev Evie? Evie, in here, I brought you something wonderful, Darling.
Speaker 3 (20:56):
I don't want me.
Speaker 6 (20:58):
There's no use trying to think.
Speaker 7 (21:00):
Can stop? Tell me with presents and things.
Speaker 5 (21:02):
Ivy, don't just sit in that chair by the window
all the time. Look it's it's a kitten, a tiny
little kitten. A kitten, a tiny little kitten, something a
little and soft for.
Speaker 4 (21:12):
You to take care of. Look at her, isn't she
take it away? A tiny little kitty, Evie.
Speaker 5 (21:19):
Oh, come on, honey, just hold her once she needs
a money, take it away.
Speaker 4 (21:24):
Listen to her cry. She wants you to hold it,
Put it on me. Just patter and she'll stop crying.
She'll purr.
Speaker 5 (21:30):
Just pat her and listen to her persey.
Speaker 6 (21:34):
Yeah, it's a little unsoft.
Speaker 4 (21:43):
Hebe any what you're doing any stuffy hair? She killed her,
She just twisted the life up.
Speaker 7 (21:54):
Some day I'll kill you too.
Speaker 4 (21:56):
You'll see, You'll see you see when you when you
(22:18):
kill the kitten. I just had to send you away
to the hospital. It was better for you, safer for you.
Oh you were scared of me, weren't you? Just the
way you are now it's nearly eight forty five.
Speaker 5 (22:29):
You know we ought to go down to eat something
before the dining room closes.
Speaker 4 (22:33):
You must be hungry now I'm hungry.
Speaker 7 (22:35):
I'm hungry to see you die.
Speaker 6 (22:38):
I wish I didn't need.
Speaker 4 (22:39):
To use a gun. I wish I could squeeze you,
squeeze you like a.
Speaker 6 (22:43):
Kitten and kill you with my hands, my hands.
Speaker 4 (22:47):
Let me let me see your hands. IV Dear, you
want me to send for a maneture.
Speaker 7 (22:51):
Wish I could tear your eyes out.
Speaker 4 (22:52):
Or somebody from the beauty parlor. I could pick up
the phone right now.
Speaker 6 (22:56):
And call stop that and stop looking at all.
Speaker 4 (23:00):
You're s shedding, lady.
Speaker 6 (23:01):
You're not going any place right?
Speaker 4 (23:02):
Could I get a drink of water? Oh?
Speaker 6 (23:04):
I know all about that, Alan, those things I've learned
in the hospital. That's called salivary inhibition. You're scared, you see,
and your mouth is as dry as cotton. You know,
maybe I ought to stop cotton in your mouth. That
makes people scream so they can't be heard.
Speaker 4 (23:24):
You know, I know I don't really want any water?
Told me? Do you know that just to drink? I
need a drink? Let me phone downstairs for her.
Speaker 6 (23:33):
No, No, this time, I'm not going to count Alan.
You'll never know just when I'm going to pull his trigger.
Any minute now, Alan, any minute here? Why I like
it here?
Speaker 7 (23:52):
I haven't been in such a pretty room for so long.
Speaker 4 (23:54):
Let me take you home, you haven't been home for
so long. It's pretty rooms. Then we can catch it
track no trains, all right, and we'll call it a movie.
Let's go to a movie. Wouldn't you like to go
to see a picture show? It's still time.
Speaker 6 (24:04):
Time doesn't mean anything to you. You're just living for
a second.
Speaker 5 (24:09):
The second I.
Speaker 4 (24:10):
Pull is triggered. Yes, yes, darling, look at me. That's right,
I am looking at you, honey, see I see. Oh,
I like to see you so scared.
Speaker 7 (24:25):
I see the poor little man perspired.
Speaker 4 (24:28):
Ruining is good sound to go a visiting cherry. Would
you like to see me change my shirt?
Speaker 5 (24:31):
Eavy, there's another in my Padn't that suitcase any thing?
Speaker 4 (24:35):
Say? But let me change my shirt for dinner. I'm
very hungry. You must be hungry too. It's a long
time since they rang the dinner bell downstairs. He said, Yes,
I didn't mean to.
Speaker 7 (24:49):
I didn't scare me bell bell.
Speaker 4 (24:55):
You see, I can say it. No down there, that's wonderfully,
be wonderful. You see you say you're all right. You
can go home with me. You're all right, and you
don't have to kill me. No, you don't have to Nacy.
Speaker 6 (25:11):
Oh, yes I do, and I'm going to It's about
time I kill you. You're still clever, Allan.
Speaker 4 (25:19):
How you stole me?
Speaker 7 (25:20):
How you put me off telling me stories about babies.
Speaker 4 (25:22):
And killings babies. Donnie, Remember, Donny, I was Sadden.
Speaker 6 (25:26):
Don I never was a Donny. It's time, Allan, It's time.
Speaker 4 (25:33):
No, No, it's just a few minutes before nine. Nothing
special about that time.
Speaker 7 (25:37):
You think it's my time and yours.
Speaker 6 (25:41):
Alan, I'm going to shoot you.
Speaker 4 (25:46):
No, Donny, Donny, Donny, look out the rout. Hello, mister clock,
(26:13):
Shimmy the bell hop.
Speaker 5 (26:14):
You said you might take forty wings.
Speaker 4 (26:15):
You gott to catch the bus with a hospital in
ten minutes, Jimmy.
Speaker 2 (26:23):
Clock, is anything wrong?
Speaker 5 (26:24):
No, No, I'm all right, but there's been an accident.
Get me the Hillside Sanitarium.
Speaker 1 (26:59):
You'll have just just heard Tension in six forty three,
as written by Alan Sloan Attraction forty nine on Radio
City Playhouse. Virginia Dwyer played Evy. Bernard Grant was Allen.
Other players in the cast included Nelson Mstead, Grace, Kenny
Bill Lipton, and Sarah Fussel. The music was composed and
conducted by Roy Shield. The entire production was under the
(27:21):
supervision of Harry W.
Speaker 4 (27:23):
Jenkins. This is Harry John again.
Speaker 3 (27:47):
Our thanks to Virginia Dwyer and Bernard Grant for their
exciting performances tonight, and a sincere.
Speaker 4 (27:53):
Invitation to ol of you to be with us next Monday,
when Radio.
Speaker 3 (27:57):
City Playhouse will present Level.
Speaker 4 (27:59):
Crossing as Attraction fifty.
Speaker 3 (28:02):
This coming Thursday, eight BY Requests would present Hits and
Run starring mister Paul Henry. That's next Thursday, Item five
on eight by requests. Remember too, that the Screen Director's
Guild is doing fort Apache with John Wayne on Friday, another.
Speaker 4 (28:19):
In NBC's parade of exciting new programs. Good Night, everybody.
Speaker 1 (28:46):
This program came to you from our studios in New York,
Bred Collins speaking. This is NBC, the National Broadcasting Company.
The National Broadcasting Company presents Radio City Playhouse Attraction forty nine.
(00:28):
Here is the director of Radios that he Playhouse, Harry W.
Speaker 2 (00:31):
Jenkins.
Speaker 3 (00:32):
Thank you, Fred Good Evening, Ladies and gentlemen. Tonight and
you play by Alan Sloane, an outstanding radio writer whose
scripts have been heard on almost every important dramatic series.
Mister Sloan has just returned from Europe, where he was
sent by the United Nations. He has spent the past
eight months visiting displaced person camps and recording special material
(00:55):
for a series of documentary broadcasts. We hope mister Sloan
will be writing many scripts for Radio City playoffs also
with us Tonight is Miss Virginia Dwyer, in our opinion,
one of radio's most sensitive and most talented dramatic accressies.
You have heard her many times on NBC The Eternal Light,
(01:16):
front Page Foul Mister District Attorney, to name only a
few co starred with Miss Dwyer is our good friend
Bernard Grant, a familiar and very welcome personality to all
regular Radio City Playhoufs listeners. Here then, is our show
Pension in six forty three by Alan Sloan, starring Virginia
(01:37):
Dwyer as Evy and Bernard Grant as Alan Attraction forty
nine on Radio City Playoffs.
Speaker 2 (02:03):
That's for Missus McBride in four twenty one.
Speaker 4 (02:06):
Oh hello, mister Clark. Nice to see you again.
Speaker 1 (02:09):
Your usual room, Yes, if you have it, please we
make a point of saving mister Clark. How long have
you been a regular with us in the hotel?
Speaker 4 (02:17):
Too long? I understand.
Speaker 2 (02:20):
Uh, mister Clark, if you don't mind my asking, Yes,
how is your wife?
Speaker 4 (02:27):
Do? They say? Improving?
Speaker 2 (02:30):
They say, I'm glad to hear that. I hope everything
will be all right soon.
Speaker 3 (02:36):
Hunt me show mister Clark to six forty three, Jimmy six.
Speaker 5 (02:41):
Four to three as usual, Yes, sir, Hello mister Clark.
Speaker 4 (02:43):
Hello Jimmy. Do you see even the bell hop knows it?
Six floor mister Clark.
Speaker 2 (03:01):
Thanks Jimmy, he'll look tired, mister Clark, all right, Yes,
I am.
Speaker 4 (03:08):
The train was.
Speaker 5 (03:08):
Hot, dusty, but I'll have a shower and forty winks
and I'll be all right.
Speaker 4 (03:12):
We got mister Clark six four three, Thank you. I
just drop the bag anyway, Jimmy, Yes, sir, I'll just
check the bathroom.
Speaker 3 (03:22):
See that you've everything you want.
Speaker 4 (03:23):
It'll be all right. No, there's no powers, but I'll
send the mate up with them.
Speaker 5 (03:28):
Thanks, thank you, mister Clark.
Speaker 2 (03:32):
Anything else, why just.
Speaker 4 (03:33):
Call for Jimmy. I'll do that.
Speaker 5 (03:36):
Are you going to the hospital tonight, mister Clark, Yes
I am. You better make that a short forty winks.
The bus leaves at nine o'clock and it's after eight.
Speaker 4 (03:42):
Now. I will thanks a lot, Jimmy. The mate will
be up with the towers in just a moment, mister Clark.
Speaker 5 (03:52):
Oh, weary, weary, weary.
Speaker 4 (03:57):
My head hurts, hurt. Oh, Ben feels so good. Might
take a shoe off now, the other one. It's more
like it. No wonder. Everybody knows me from the bell
(04:18):
hops up.
Speaker 5 (04:19):
I've been coming here so long, too long, dear Lord,
one of these days, make it the last time, and
make me forget the first time, the first time I
went to see her.
Speaker 6 (04:33):
I have, mister Clark, But in your wife's condition, five
minutes is oh, we can.
Speaker 4 (04:37):
Allow you five minutes. But nurse, I've come all the
way from the I'm sorry. Do you have to stay
in this case? I have to do? We go there?
Ring her here? Oh?
Speaker 5 (04:52):
Well, can she have these in her room. Candy, flowers, perfume, candy.
Speaker 6 (05:00):
She likes to keep the boxes and the ribbons, the flowers.
Speaker 5 (05:04):
What's wrong with flowers?
Speaker 6 (05:06):
Sometimes the patience eat them?
Speaker 4 (05:09):
Oh? How about the perfume. I'm sorry, mister Clark. It's
the client.
Speaker 5 (05:14):
She used to be so crazy about it. I thought
maybe if if she smelled it would help her. Maybe
bring her that kind of it's only the littlest.
Speaker 4 (05:23):
Bottle, but it's the glass. Huh the bottle.
Speaker 6 (05:26):
Mister Clark, bless jagged edges.
Speaker 4 (05:29):
Dear lord.
Speaker 6 (05:31):
Oh, nothing sudden, mister Clark. Just take it slow, just
be very quiet and calm, and don't get her excited.
Speaker 5 (05:40):
Missus Clark, nurse.
Speaker 4 (05:41):
Thank you, Harry.
Speaker 6 (05:42):
Wait outside, come on, missus Clark. Let's it come right
on in now, sit down. Uh, you've a visitor.
Speaker 4 (05:57):
Talk to hello. It's me the Allan. You know me, sweetheart, Alan,
don't you know me? Look? Look flowers. I brought you flowers.
I brought you candy, honey, but chewy kind look baby candy.
(06:22):
I'm sorry, mister Clark. I'm afraid you're not going to
be able Wait wait, wait, get me time.
Speaker 5 (06:28):
Ev Look, look perfume, see you kind the kind you like.
Let me rub some on your wrist, darling, Just let
me put a drop on, Just let me please, It's
all right, honey, it's only me. I won't hurt you,
no perfume. Don't be afraid, Ei, I won't touch I
(06:51):
won't just say something.
Speaker 4 (06:54):
Say hello, Allan, please ev say hello Clark. Let me
fly once more? Maybe? Don't you know me? Your husband?
Don't you you see?
Speaker 5 (07:09):
I'm sorry, mister Clark.
Speaker 4 (07:12):
I might as well be talking to a wall.
Speaker 6 (07:15):
Perhaps you'd better go, Harry, Are you.
Speaker 4 (07:21):
Ready to go back to your room now? Missus Clark?
Speaker 1 (07:24):
Watch you're telling me goodbyeybe?
Speaker 4 (07:28):
I'll come back again real soon, a bee, darling.
Speaker 6 (07:32):
Oh, it's only just the first visit, miss Clark. It
takes time, you know, maybe in a few weeks?
Speaker 4 (07:39):
How many week or none? Four years? How often? May
I come? Every two weeks?
Speaker 5 (07:46):
All right, I'll be back, won't do you have a flowersness?
And take this money too?
Speaker 4 (07:52):
Will you? If she asks for little things that are
all right, will you please buy them for you know?
Speaker 7 (08:00):
I do? Right?
Speaker 4 (08:03):
I guess I might as well go.
Speaker 5 (08:05):
Thank you nice for your trump that door, all right?
Speaker 4 (08:10):
And take the perfume too, well.
Speaker 5 (08:12):
She she used to be crazy about it. She used
to be so crazy about perfew.
Speaker 4 (08:25):
Every two weeks for three years.
Speaker 5 (08:28):
Same hotels, same room, same.
Speaker 4 (08:33):
Maybe, dear Lord, one of these days, make it the
last time. Make it the last time, Oh made with
the towels?
Speaker 5 (08:46):
I guess, come in, come in just a minute?
Speaker 4 (08:51):
Just was it? Other shoe? Was it? Oh? Dog? Bother
coming out? Evie? Hello, Allan? You who come in?
Speaker 5 (09:10):
I I thought you were the mate with the towels?
Speaker 2 (09:13):
Ivie?
Speaker 4 (09:16):
W what are you doing here? What are you doing out?
Speaker 6 (09:21):
I'm paying you did it?
Speaker 4 (09:22):
But they didn't tell me.
Speaker 5 (09:24):
They didn't call, they didn't write, they didn't wire.
Speaker 4 (09:27):
Nobody told me you had been released. Oh yev Eve,
don't touch me.
Speaker 5 (09:32):
Don't touch me. I was only going to take my
wife into my arms.
Speaker 4 (09:37):
I was only going to say that, I Evie, Evie,
you're well. Oh you must be, darling.
Speaker 5 (09:46):
They've let you come to meet me, haven't they.
Speaker 4 (09:48):
And it's such a wonderful surprise.
Speaker 6 (09:51):
Oh, this will surprise you even more.
Speaker 4 (09:55):
What are you doing with that gun? Give it to
me later, lad give it to me. Maybe'd be a
good girl. Give it to me back, I said, back, peebe,
don't don't do things like this. You're so oh ebe.
Speaker 6 (10:11):
Go ahead, Alan, say it, Say it, Alan, man, that's it,
isn't that man?
Speaker 4 (10:23):
Crazy? Please?
Speaker 5 (10:25):
I like to hear you say, say please, Darling, you're upset, now.
Speaker 4 (10:33):
Down not upset?
Speaker 6 (10:34):
Alan, I'm crazy, Remember he said I was. You told
the doctor you sent me to that place.
Speaker 4 (10:42):
For your own good ev I wanted you to get well,
mad crazy man a breakdown. Anybody can have a breakdown.
Speaker 6 (10:53):
There's nothing the matter with me.
Speaker 7 (10:56):
I just hate you, that's all.
Speaker 6 (10:59):
And I'm gonna kill you.
Speaker 7 (11:02):
Dead.
Speaker 4 (11:03):
No, I'm going to kill you.
Speaker 5 (11:06):
No, no, no, no no, You're not only crazy people
do things like that. And you just said there wasn't
anything the matter with you.
Speaker 4 (11:13):
Why they let you.
Speaker 5 (11:15):
Come to see me, didn't they? So you must be
all right again? And if you're all right, white, you
don't want to kill me, don't just see Darling.
Speaker 4 (11:23):
I love to hear you talk like that. Let me
come to see you.
Speaker 6 (11:28):
Scrab me.
Speaker 5 (11:29):
Of course they did, don't you remember they?
Speaker 4 (11:32):
Evie.
Speaker 5 (11:33):
Let's let's have a drink to your recovery, like like
old times again.
Speaker 4 (11:36):
We'll have it that. I was just going to call
room service, Darling.
Speaker 6 (11:42):
Drinks I've forgotten what drinks taste like. Oh, I've had
room service.
Speaker 4 (11:51):
For three years. I've lived in a room. That's that's
all over. Now they've they've let you come to me,
and now I'll take your home.
Speaker 6 (12:00):
Let me come to you.
Speaker 4 (12:01):
But you're here.
Speaker 6 (12:02):
That's right, Alan, that's right.
Speaker 4 (12:05):
I escape. I hit a guard on the head.
Speaker 7 (12:10):
With my clock, little clock.
Speaker 6 (12:13):
You gave me, Allen without an alarm, Alan, Why couldn't
I on alarm?
Speaker 4 (12:21):
EV get back?
Speaker 6 (12:25):
I still have a gun, Alen. Oh you didn't know
guards had guns, did you. I've got it now. I
put my clock in the stocking.
Speaker 7 (12:37):
And I hit him on the head with it. And
now I've got his gun.
Speaker 4 (12:43):
And I'm gonna kidd you. No, you're not going to
kill anybody, darling.
Speaker 5 (12:46):
You're going to sit down and talk about this, and
I'll send down.
Speaker 6 (12:50):
To stay away from that pole.
Speaker 5 (12:52):
Anything you say, anything you say, Oh, how.
Speaker 4 (12:58):
Scared you are? You're down.
Speaker 6 (13:02):
I can kid you just as well sitting down.
Speaker 4 (13:05):
If you escape, you know they would be looking for you.
Speaker 5 (13:07):
Let me call them and say you're safe.
Speaker 6 (13:10):
You touch that phone, I'll shoot you. And I don't
want to do that, yes, of course not.
Speaker 4 (13:19):
You don't want to shoot me. I'm your husband, and
that right away.
Speaker 6 (13:25):
Alan. I don't want to watch you squirm and wiggle.
I like to watch you trying to get away. Alan, Yes,
how does it feel to be a prisoner?
Speaker 4 (13:37):
But I'm not a prisoner. I'm Alan. Don't you remember?
I remember?
Speaker 7 (13:41):
I just want the stalking and the guard fell down
and I put the clock in the toll the stocking.
Speaker 5 (13:49):
Yes, I remember the clock, even the little white clock
with the chromium on it.
Speaker 4 (13:52):
No alarm.
Speaker 7 (13:54):
Why didn't my clock have an alarm?
Speaker 4 (13:55):
Alan? Why won't you tell me Candy? Please forget about
the alarm? The alarm eating any bell? Bells they started you,
that's all, believe me. That's tolorists to it. Now. Now
let's talk about something happened.
Speaker 6 (14:12):
No, the bell, Allen, talk about the bell.
Speaker 7 (14:16):
Talk Alan, the bell.
Speaker 5 (14:18):
If you put the gun down, I'll tell you all
about everything, even about the bet.
Speaker 6 (14:22):
Away from that door. All right, come back here, Alan,
you make me nervous. Sit on the bed and tell me.
Speaker 5 (14:32):
What you want to Forget about the bells, Darling, there
is that.
Speaker 6 (14:39):
Better I want to remember, and I can kill you.
Speaker 4 (14:44):
Better.
Speaker 6 (14:46):
Tell me all about the bells.
Speaker 4 (14:48):
You mean the big bell on the church down the street.
Speaker 5 (14:50):
Even the school bell and the doorbell, the one that
chimed the back door, of the buzz, the alarm clock
in the bedroom, the bells.
Speaker 4 (14:55):
They rang on the radio, and even the telephone.
Speaker 7 (14:57):
Telephone, telephone. You took the telephone away. You didn't want
me to talk to anybody.
Speaker 4 (15:04):
No, I didn't want you to hear the bell. Why
why I told you it used to bother you.
Speaker 5 (15:11):
But by the way, let me see that gun, will you.
You know I've never seen a gun so clean?
Speaker 6 (15:16):
Get away?
Speaker 4 (15:17):
Get away?
Speaker 6 (15:19):
Now a telephone.
Speaker 7 (15:22):
Why did the bell used to bother me?
Speaker 4 (15:25):
Of some point? You don't remember?
Speaker 5 (15:27):
Make me remember? Make me.
Speaker 4 (15:30):
Donny, Donny our baby? Donny? Do we have a baby?
Not anymore?
Speaker 6 (15:39):
Why did you say Donny.
Speaker 4 (15:41):
Because that was his name, Evie, I don't want to
do this.
Speaker 5 (15:45):
Why did you say Donny because because once, a long
time ago, there was a Donny, a sturdy, little tan
and blonde Donnie can't remember Donny Donny's strength and hand
and sturdy.
Speaker 4 (16:05):
He worshiped him. You were making a cake one day,
don't you remember? You're in the kitchen making a cake.
When are you making?
Speaker 7 (16:21):
Mommy, I'm making a cake.
Speaker 6 (16:23):
Honey, bo for me, for you and me and daddy.
You go outside and wait for Daddy to come home,
and when he does, you can both lick the bowl.
Go on now, stairs, all right, don Donny, Yes, mommy,
don't run away from the house to your stay. Almos
on hear me?
Speaker 2 (16:40):
Okay, mommy, I say them.
Speaker 6 (16:41):
That's a good boy. Kids, especially boys. Oh good grief,
my icing, Oh heaven't hold your horses. I'm coming. Danny,
get off the road, Danny, look out. That's a story.
Speaker 4 (17:25):
You made it up.
Speaker 5 (17:26):
No, no, it's true. And when the telephone rings, you
remember it. No, No, yes, when any bell rings, you
remember it.
Speaker 6 (17:38):
I was going to kill you because you made me
stay in that place.
Speaker 4 (17:43):
No, I'll kill you if that story is true.
Speaker 7 (17:46):
If you killed my son.
Speaker 4 (17:48):
With your car, it was an accident, an accident. Don't
you think I've suffered.
Speaker 7 (17:52):
Not the way I am, not for three years old
by yourself.
Speaker 6 (17:58):
All right, Alan, that's enough, no more talk. Turn around now,
all right, don't turn around.
Speaker 4 (18:05):
I want to look at you.
Speaker 7 (18:08):
I want to see you suffer.
Speaker 6 (18:10):
I'm gonna play games with you.
Speaker 7 (18:11):
Alan.
Speaker 6 (18:13):
Count count to three, one, two, don't worry. I know
how to work this gun.
Speaker 4 (18:23):
See, don't kill me. Maybe, please, you'll be all alone
if you kill me.
Speaker 6 (18:27):
One two and now.
Speaker 5 (18:32):
Don't move.
Speaker 6 (18:34):
Who is that is that?
Speaker 7 (18:36):
The guards since come to take me back?
Speaker 4 (18:39):
Don't it's not the gods, ev it's just the maid
guard you wanted to be the gods. Let me go
answer the door.
Speaker 6 (18:52):
It's the guards.
Speaker 4 (18:52):
I'll kill you.
Speaker 6 (18:53):
If it's the maid, don't let her in. I remember,
I'm right behind you.
Speaker 4 (19:00):
Oh it's you. Your to I'll put in the bathroom.
Speaker 7 (19:02):
That's all right, I'll put them away ward.
Speaker 4 (19:04):
Idea, it's all right for them. Look on your face.
You thought it was a god.
Speaker 6 (19:13):
Just the maid with the towels, you said, but you
hoped it was a god.
Speaker 4 (19:17):
No, dear, I'll just put these towels away. Now they're
here to lock yourself in the bathroom so I can't
kill you.
Speaker 6 (19:22):
Oh no, you don't put them down. Throw them down
on the floor, throw them down right there. I'll kill
you now you mus stand right on the towels, be
so pretty red blood on the right toe.
Speaker 4 (19:36):
Maybe you know you're not going to kill me. I
love you. You'll know that people don't kill those who
love them.
Speaker 6 (19:40):
You love me, you know I do You well, I
hate you. Why do you keep looking at your watch?
Speaker 4 (19:47):
Would you like to look at my watch? Ev It's pretty,
isn't it. I'll get you a prettier one this week.
Speaker 7 (19:51):
You never bring me anything.
Speaker 6 (19:53):
You torture me, but you never bring me anything.
Speaker 7 (19:57):
You just take things away from me. Did the telephone
way so I couldn't talk to anybody, And you locked
me in the house all days so I couldn't see anybody.
Speaker 4 (20:05):
I had to weav dear. I thought I could take
care of you by myself after the baby.
Speaker 5 (20:10):
Oh, Evie, I used to bring your things when I
came home, watches and flowers, pretty things.
Speaker 4 (20:17):
You couldn't go out, so I brought you things. You
said you were lonesome.
Speaker 5 (20:22):
Why so I brought you something once to keep your company? Remember,
I felt sorry for you, Evie, because you couldn't go out,
so I brought you little things each evening. Don't you
remember the evening I brought you the kitten.
Speaker 4 (20:37):
Our little soft, fuzzy ball of a kitten. Don't you remember,
ev Evie? Evie, in here, I brought you something wonderful, Darling.
Speaker 3 (20:56):
I don't want me.
Speaker 6 (20:58):
There's no use trying to think.
Speaker 7 (21:00):
Can stop? Tell me with presents and things.
Speaker 5 (21:02):
Ivy, don't just sit in that chair by the window
all the time. Look it's it's a kitten, a tiny
little kitten. A kitten, a tiny little kitten, something a
little and soft for.
Speaker 4 (21:12):
You to take care of. Look at her, isn't she
take it away? A tiny little kitty, Evie.
Speaker 5 (21:19):
Oh, come on, honey, just hold her once she needs
a money, take it away.
Speaker 4 (21:24):
Listen to her cry. She wants you to hold it,
Put it on me. Just patter and she'll stop crying.
She'll purr.
Speaker 5 (21:30):
Just pat her and listen to her persey.
Speaker 6 (21:34):
Yeah, it's a little unsoft.
Speaker 4 (21:43):
Hebe any what you're doing any stuffy hair? She killed her,
She just twisted the life up.
Speaker 7 (21:54):
Some day I'll kill you too.
Speaker 4 (21:56):
You'll see, You'll see you see when you when you
(22:18):
kill the kitten. I just had to send you away
to the hospital. It was better for you, safer for you.
Oh you were scared of me, weren't you? Just the
way you are now it's nearly eight forty five.
Speaker 5 (22:29):
You know we ought to go down to eat something
before the dining room closes.
Speaker 4 (22:33):
You must be hungry now I'm hungry.
Speaker 7 (22:35):
I'm hungry to see you die.
Speaker 6 (22:38):
I wish I didn't need.
Speaker 4 (22:39):
To use a gun. I wish I could squeeze you,
squeeze you like a.
Speaker 6 (22:43):
Kitten and kill you with my hands, my hands.
Speaker 4 (22:47):
Let me let me see your hands. IV Dear, you
want me to send for a maneture.
Speaker 7 (22:51):
Wish I could tear your eyes out.
Speaker 4 (22:52):
Or somebody from the beauty parlor. I could pick up
the phone right now.
Speaker 6 (22:56):
And call stop that and stop looking at all.
Speaker 4 (23:00):
You're s shedding, lady.
Speaker 6 (23:01):
You're not going any place right?
Speaker 4 (23:02):
Could I get a drink of water? Oh?
Speaker 6 (23:04):
I know all about that, Alan, those things I've learned
in the hospital. That's called salivary inhibition. You're scared, you see,
and your mouth is as dry as cotton. You know,
maybe I ought to stop cotton in your mouth. That
makes people scream so they can't be heard.
Speaker 4 (23:24):
You know, I know I don't really want any water?
Told me? Do you know that just to drink? I
need a drink? Let me phone downstairs for her.
Speaker 6 (23:33):
No, No, this time, I'm not going to count Alan.
You'll never know just when I'm going to pull his trigger.
Any minute now, Alan, any minute here? Why I like
it here?
Speaker 7 (23:52):
I haven't been in such a pretty room for so long.
Speaker 4 (23:54):
Let me take you home, you haven't been home for
so long. It's pretty rooms. Then we can catch it
track no trains, all right, and we'll call it a movie.
Let's go to a movie. Wouldn't you like to go
to see a picture show? It's still time.
Speaker 6 (24:04):
Time doesn't mean anything to you. You're just living for
a second.
Speaker 5 (24:09):
The second I.
Speaker 4 (24:10):
Pull is triggered. Yes, yes, darling, look at me. That's right,
I am looking at you, honey, see I see. Oh,
I like to see you so scared.
Speaker 7 (24:25):
I see the poor little man perspired.
Speaker 4 (24:28):
Ruining is good sound to go a visiting cherry. Would
you like to see me change my shirt?
Speaker 5 (24:31):
Eavy, there's another in my Padn't that suitcase any thing?
Speaker 4 (24:35):
Say? But let me change my shirt for dinner. I'm
very hungry. You must be hungry too. It's a long
time since they rang the dinner bell downstairs. He said, Yes,
I didn't mean to.
Speaker 7 (24:49):
I didn't scare me bell bell.
Speaker 4 (24:55):
You see, I can say it. No down there, that's wonderfully,
be wonderful. You see you say you're all right. You
can go home with me. You're all right, and you
don't have to kill me. No, you don't have to Nacy.
Speaker 6 (25:11):
Oh, yes I do, and I'm going to It's about
time I kill you. You're still clever, Allan.
Speaker 4 (25:19):
How you stole me?
Speaker 7 (25:20):
How you put me off telling me stories about babies.
Speaker 4 (25:22):
And killings babies. Donnie, Remember, Donny, I was Sadden.
Speaker 6 (25:26):
Don I never was a Donny. It's time, Allan, It's time.
Speaker 4 (25:33):
No, No, it's just a few minutes before nine. Nothing
special about that time.
Speaker 7 (25:37):
You think it's my time and yours.
Speaker 6 (25:41):
Alan, I'm going to shoot you.
Speaker 4 (25:46):
No, Donny, Donny, Donny, look out the rout. Hello, mister clock,
(26:13):
Shimmy the bell hop.
Speaker 5 (26:14):
You said you might take forty wings.
Speaker 4 (26:15):
You gott to catch the bus with a hospital in
ten minutes, Jimmy.
Speaker 2 (26:23):
Clock, is anything wrong?
Speaker 5 (26:24):
No, No, I'm all right, but there's been an accident.
Get me the Hillside Sanitarium.
Speaker 1 (26:59):
You'll have just just heard Tension in six forty three,
as written by Alan Sloan Attraction forty nine on Radio
City Playhouse. Virginia Dwyer played Evy. Bernard Grant was Allen.
Other players in the cast included Nelson Mstead, Grace, Kenny
Bill Lipton, and Sarah Fussel. The music was composed and
conducted by Roy Shield. The entire production was under the
(27:21):
supervision of Harry W.
Speaker 4 (27:23):
Jenkins. This is Harry John again.
Speaker 3 (27:47):
Our thanks to Virginia Dwyer and Bernard Grant for their
exciting performances tonight, and a sincere.
Speaker 4 (27:53):
Invitation to ol of you to be with us next Monday,
when Radio.
Speaker 3 (27:57):
City Playhouse will present Level.
Speaker 4 (27:59):
Crossing as Attraction fifty.
Speaker 3 (28:02):
This coming Thursday, eight BY Requests would present Hits and
Run starring mister Paul Henry. That's next Thursday, Item five
on eight by requests. Remember too, that the Screen Director's
Guild is doing fort Apache with John Wayne on Friday, another.
Speaker 4 (28:19):
In NBC's parade of exciting new programs. Good Night, everybody.
Speaker 1 (28:46):
This program came to you from our studios in New York,
Bred Collins speaking. This is NBC, the National Broadcasting Company.
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