September 3, 2025 • 53 mins
DJUTV on NBA Young boy affiliate D DAWG, Crashes Out on 16 Shotem, Memo600 turning on Lil Durk Durk
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Episode Transcript
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Speaker 1 (00:00):
A real tone.
Speaker 2 (00:01):
It's a real money in the room, real tune TV.
Speaker 1 (00:04):
Let him know who we got in the building.
Speaker 2 (00:07):
It's a boy, Dju, Dju TV, DJ you Go Crazy, DJ,
University Devo Fresh You feel me? Dju?
Speaker 1 (00:19):
What we on gang.
Speaker 2 (00:22):
Real tone is a whole lot of money in the room.
You know that. How you doing today, brother.
Speaker 3 (00:27):
I'm I'm doing Koel, I'm doing well. I'm doing well.
You know what I'm saying. Let me first and foremost say,
is an honor to have you back on our platform.
You know what I'm saying. Last time we win VV.
You know what I'm saying. And you know, I look
at you as one of those piers in the game
who like you know you, You came up bruh and
(00:47):
a lot of.
Speaker 1 (00:47):
People mad about it. You know what I'm saying.
Speaker 3 (00:49):
But it's hard to deny that Dju has single handedly,
at least right now headed into the third quarter, is
the face of Chicago. You know what I'm saying. I've
seen yelling Habit. I've seen butter habit. I've seen got
Jay Maine have it. I've seen you know, dirt obviously
(01:10):
the voice, you know what I'm saying, But the face
you know, he went from being behind the camera to
in front of the camera at least exclusively on Real Tune.
Man Dju in the building.
Speaker 2 (01:22):
Yeah for sure, Hey, Real Tooms, you wanna let you
know I appreciate you. You know what I'm saying as well.
Every time we talk, you give me nothing but good vibes,
good energy. You know what I'm saying. You always give
me my flywers. I definitely appreciate that, especially you know,
coming from a colleague. You know what I'm saying, coming
from a pier. You know, we come from two different
places on the map, but shit, we both got the
same type of vision. So shit, I appreciate you, bro,
(01:44):
and and I thank you for allowing me to shut
my story on your platform. And I'll tell you this,
Real Tune, I fucked so much game. I don't fuck
no bloggers, to be honest with you, So only time
up see me in front of the cameras if it's
on Real Tone TV.
Speaker 1 (02:00):
Nowhere else right right right now, for shit show, for
shit show? Well so much where to start?
Speaker 2 (02:12):
You got some over that Real Tone Where you want
to start?
Speaker 3 (02:14):
Man, Well, since the last time we've sat down, a
lot has transpired in the.
Speaker 1 (02:19):
News, right, NBA young boy.
Speaker 3 (02:25):
He's been released and his people are out and there
doing interviews. Some way, somehow, you find yourself interviewing a
member of the NBA camp. Now, typically that wouldn't be
a problem, but you, as King Vaughan's DJ, I want
(02:45):
to know why would you do that interview?
Speaker 2 (02:48):
Like?
Speaker 1 (02:48):
How did that even come about?
Speaker 2 (02:50):
I mean, why not? You know what I'm saying this
is this is history in the making, you know, like,
this is monumental. You know what I'm saying, This some shit.
Like I told d Dog in the beginning of the interview,
they ain't see this coming. You know what I'm saying,
I dare to do the unthinkable, you feel me, like,
(03:12):
but but but furthermore, to answer your question, I'm a journalist, bro,
you know, so journalists gotta cover all sides of the story.
You feel me. You can't just cover one side and
neglect the other side. You know, you can't be biased.
You know what I'm saying. That's not good journalism. So
I'm done, Bro. Listen here I of interview. All the
(03:35):
Dirt ops, all Dirt homies, all Vaughn ops, all Vaughn homies,
all FBG Duck ops and all his homies. So why
can't go interview nobody from fo K Trade? You know
what I'm saying, I of interview people who goddamnit, King
(03:55):
Vaughan and made they family cry, you know what I'm saying?
So shit, why not go interview NBA d Dog the
biggest crash out of Baton Rouge, the You know what
I'm saying, NBA young boy homie, why not, let's let's
go see what he's talking about. So I thought it'd
be I thought it was. I thought it was a
great opportunity to real tone. I think my audience thought
(04:16):
it was great as well. We had half a meal.
Speaker 3 (04:19):
Mmm, well, let let me let me ask you this. Right,
they reached out to you. You didn't reach out to them.
Speaker 2 (04:27):
They reached out to me. That's correct.
Speaker 3 (04:30):
So okay, if they reached out to you, they had
to know you were King Vaughan's DJ.
Speaker 2 (04:37):
Yeah, they knew who it was. Bro.
Speaker 3 (04:39):
So what led to the confrontation Because it looked like,
just on camera at least, that you were getting pressed
in the interview. They tried to make it where the flag, Like,
where did that energy come from?
Speaker 2 (04:53):
I ain't gonna lie the energy the energy was off
from the beginning. You feel them be all the way
one hundred with your real tone, like this is my
opportunity to share with the audience. Would be going on
behind the scenes, right, so check this out. When I
pulled up on them, bro, the first thing they said
to me was give me your phone. I'm like, what
they like, give me your phone. I'm like, what you mean?
(05:15):
Give you my phone? The niggas aggressive, he bro, give
me your phone. Man, just give me the phone like that.
You know. Now, I'm fresh off the plane, I'm by myself.
You know what I'm saying. I'm all the way down
in Louisiana. What you mean give you my phone? You
fear me? So he telling me. He he mad shit.
(05:36):
If he was coming to interview young boy, nigga would
have had to leave your phone where you was at.
I'm what, so we get to we get to kind
of like going back and forth over this phone. Shit.
I wasn't going you know what I'm saying. So I'm like,
all right, I get it. You know, y'all paranoid, y'all
think I'm gonna drop drop below. You know what I'm saying,
(05:57):
y'all think of Hey, I ain't come out here that
you feel me like, and I know y'all didn't call
me out here for that, Like, like why invite me
out here if that's the type of time that y'all think.
I'm on? You know what I'm saying. So the nigga,
NBA D Dog, he was just acting like hella paranoid
before the interview, bro like that nigga was like literally
staring at me, watching every move I make type shit
(06:21):
you feel me. I had to run out to my
car to get something. Bro, Hey, them niggas crazy. I'm
not gonna lie this. That interview experience was one of
a kind. I had never experienced no shit like that.
Nigga took my phone, tossed it in the grass and
taught me to be there for you in the interview
over you know what I'm saying. So at that point,
I'm like, okay, okay, me let me be cool. You
(06:43):
feel me, let me do my job, let me make
it back home safe. So we both was uncomfortable. I
was uncomfortable. NBA D Dog was uncomfortable as well. He'll
tell you that. But I don't understand why would you
invite me me down here to come interview you, if
you go be so uncomfortable, if you if you gonna
(07:04):
be so paranoid, if you think I'm going to drop
your low, why invite me out here? You know what
I'm saying. So it was it was a little tension
before the interview, for sure.
Speaker 1 (07:16):
So why did he choose you to interview him?
Speaker 3 (07:19):
You know what I'm saying, just knowing the situation and
the delicacy of it, you know what I'm saying, Because
one can understand why he's paranoid, you know what I mean,
Like Dirk is in jail right now for work, a
murder for hire.
Speaker 1 (07:31):
You brought Vaughn's DJ. You know what I'm saying. One
can kind of see. But but why would he invite you?
You know what i mean? Like he could have invited me.
You know what I'm saying. I pull up the band reul.
Speaker 3 (07:41):
Y'all know I have been out there a couple of times,
shout our big head the dome doctor.
Speaker 1 (07:44):
You know what I'm saying. We'd go down the list.
Speaker 3 (07:46):
But you know, you know, I see Adam twenty two
making his runs different hoods.
Speaker 2 (07:52):
You know what I'm saying.
Speaker 1 (07:52):
But somehow, some way he found his way with with
with the face of Chicago, Like, how did that happen?
Speaker 2 (08:02):
Cause they knew, they knew, you know, they knew you
know what I'm saying. They knew the you know, they knew,
they knew the you know, they knew the controversy that
could come from behind it. You know what I'm saying.
They knew it would be a crazy look you know,
so shit it was with it. I was with it.
Speaker 3 (08:21):
Did you at any point feel like you might not
make it home?
Speaker 2 (08:27):
Hell no, hell nah? If anything, I ain't even gonna
say because I don't want to speak nothing, you know,
and I don't want nobody to hell and think they
But nah, hell nah, I knew I was gonna make
it back home, you feel But I tell you this, though,
I tell you this, I was prepared for anything that
was coming my way. You know what I'm saying, Like
I knew that when I was getting on the plane.
(08:48):
You see, I'm saying like, I don't live life in
fear real tune. You hit me like I don't. I
don't live life in phel you know. So I'm covered
in the blood of Jesus. Whatever gonna happen go.
Speaker 3 (08:59):
Happen, right, So after after he throws your phone, y'all
get into the interview. But you you held your own
in an interview. I can't say that. You know what I'm saying,
But what was the flag? Thing that transpired? Hold what
your life may listen, hold your life.
Speaker 2 (09:18):
Man, holdless flag. I don't know why he wanted me
to hold that flag. I don't want to hold that. Mother,
you feel me, like, what the fuck? I didn't. I
refuse to hold it, grab it or whatever he was
asking me to do, because I don't know what that
green flag represents. You know what I'm saying. So yeah,
(09:38):
you know I you know, some some people's leaving comments like, man,
he was trying to he was trying to form unity
with you by telling you to But what I'm thinking
in my head is if he got a flag, then
I should have a flag. And if it's like that,
we are tied flags together, you know what I'm saying,
and hold our flags up. But I'm not I'm not.
(09:59):
I ain't got no fun. I'm not a gang member.
So the reaction you got is the reaction any gang
member has gotten from me when they tried to get
me to do some gang affiliated ship. Let me tell
you something real. Tune off from the streets of Chicago.
You hear me on some gd bed vice lord type ship.
I mean shout six oh seven unk. But like, Bro,
(10:21):
it has been times where nigga a nigga, But what
would come to shake up with me? And nah nah
you know, put the put put the hair down, and
the nigga on that with me for not shaking up
with him. I'd have been in those type of positions,
you know what I'm saying. So, but I always stayed
on my team. I always stayed neutral. I'm gonna tell
(10:42):
you something, Bro, growing up in the streets of Chicago,
they're not being gang affiliated. Nigga probably getting them in
most ship is affiliated because you ain't got nobody to
have your back, you know what I'm saying. So a
nigga gonna try you because he know you ain't got
nobody behind you. You see I'm saying. But I'd have
been through all that back myself, and I'm thirty four
years old and I'm blessed to say I'm still here.
(11:03):
So hell now, I'm not holding your flag. Hell no,
I'm not shaking up with you.
Speaker 3 (11:07):
You know what I'm saying, Like, no, what do you
make of the criticisms that you got for interviewing d Dog?
Speaker 2 (11:18):
Yeah? Uh, I did receive a lot of backlash from it.
You know, my brother DJ Bands, he called me right away,
you feel me. He like, cause I had taught to
bands to day before. You know, Bands, that's my brother.
My Bands is like Bands is like little Dirt, right
hand man, you know what I'm saying. So he called me,
(11:42):
and he cause I had right So I had talked
to him the day before. So he called me when
I got back and he like, he like, bro, Hey,
what the fuck did you do that? You know what
I'm saying. I'm like, shit, really just trying to bridge
the gap, you know. And he just talked me though,
you know, because because everybody understand what I'm doing, you know.
(12:03):
But he just told me, like shit, got to be careful,
you know what I'm saying. Because this beef, this NBA
young boy versus Little Dirt, Little dirt versus young boy,
this ship, this ship, biggest hip hop beef since Got
Big and Tupac, you know what I'm saying. So I
received I received some backlash, but not too much. But
(12:26):
the people that really matter, they just told me to
be careful. You know what I'm saying.
Speaker 3 (12:33):
Right, do you feel like, because you know, the Big
and Tupac situation was then East Coast West Coast, do
you think this is becoming Chicago Louisiana situation?
Speaker 2 (12:41):
I just want to say that because that that created narrative.
I guess it was kind of coming off that way
in my interview with NBA d Doll. But let me
tell you this, right, all of it, all of this
ship is designed by the government. You know what I'm saying,
That beef, that East Coast West Coast ship, Big and Tupac,
that was designed by the government. You know what I'm saying,
(13:04):
Like they knew that Tupac and Biggie were the two
biggest rappers, the two biggest public figures of hip hop,
you know what I'm saying, back in the nineties. In
some way, somehow they were able to design a beef
how the fuck well be and CALLI beefing with a
(13:24):
nigga New York. You know what I'm saying, Like, make
it make sense? Right? So all of this shit government made,
government designed you feel me? It started with Big and
Tupac and it just and it just trickled down. You
got jay Z and Nas, you got fifty cent of
jar Ruth, you know what I'm saying, And it just
trickled down. I remember the days where when a rapper
(13:48):
died it'd be crazy, right Like when Tupac died, that
shit was crazy, when Big Dad, that shit was crazy. Nowadays,
nigga rappers dying every day, It's not crazy no more.
You know what I'm saying, It's actually like expected, you
know what I'm saying, Like, so, nah, I don't want
(14:10):
to push the narrative that this is a Chicago versus Louisiana.
First of aut, Chicago is a city, Louisiana is a state.
You know what I'm saying, Like, I don't want to
paint that narrative. I really want to be the one
too make peace. I really want to be the one
too bridge a gap, you know what I'm saying, Because
all this, all this is over some boot like you know,
(14:34):
so yeah, I don't think no, it ain't no beef
between Chicago and Louisiana. Hell nah, I want to go
to Marty gar I don't say that. I don't want
nobody got damn walking up on me on Marty Garrod
somebot from DJ you what you want game? What's that
shit was talking to to d Do Doll? You know?
So no, it ain't ain't it ain't that.
Speaker 3 (14:52):
Let me let me ask you one last question regarding
this situation. Where where does that beef between the young
Boy camp and the Von camp even stem from?
Speaker 2 (15:03):
Oh man, that's a good question, real tone, man. What
they say, ninety eight percent of street beef start over
a woman. Correct you heard that before? Real tone?
Speaker 3 (15:15):
Amen?
Speaker 1 (15:15):
Amen?
Speaker 2 (15:20):
Yeah, I mean shit, bro, man, come on, bro, bro,
this beef started because Von was fucking young boy, baby mama.
You feel me, the baby mama. That's that's that's that's
fucking basketball player right now, what's it? What was dude
named Deyontay Murray or some ship? Vaughn was fucking old girl.
(15:44):
That's that's that's that's young boy, baby mama. So whatever
was going on behind the behind closed doors, you know,
I don't know what was said between VN and Young
Boy or whatever, but King Vaughn was fucking inba boy
baby mama. What's her name? Jania? Right? Yeah? Oh wow,
(16:05):
wow yeah?
Speaker 1 (16:07):
I thought it was over Asian nog.
Speaker 2 (16:11):
No, hell no, Vamas. Vama's fucking with young Boy, baby Mama. Bro,
shorty head man, look man, look hey, real told there's
a lot of money in the room.
Speaker 1 (16:25):
You in me because you were DJ, so you have
to have seen some stuff.
Speaker 2 (16:29):
Man, It's so much. It's still so much to that
story that hasn't been revealed. And so that's another reason
why when I was talking to NBA D Dog, I
was literally trying to get their perspective on all of this,
you know what I'm saying. So, yeah, bro, all this,
all this really started because Vonn was fucking young Boy
(16:53):
baby Mama. And so I imagine you know the reason why
Vn got on that with Kwondo Rondo is because Quondo
Rondo is affiliated with NBA Young Boy. You know what
I'm saying. Uh, Chicago street niggas who got the mentality
that if I can't get you, I'm gonna get your homer.
(17:16):
You feel me, If I can't get you, I'm gonna
get your brother, you know what I'm saying. So I
think that's you know how that kind of happened, you know,
But that's just my opinion. None of us know what
made King Vaughn walk up on Kwondo Rondo and punching him.
That's gonna be the biggest mystery got for the rest
of hip hop time if you asks me, Hey, real tone,
(17:37):
it's a real money in the room.
Speaker 4 (17:38):
Hey, real tone, it's a real money in the room.
Speaker 3 (17:44):
While because everybody that we've talked about has been in
the conversations of pushing peace, you know what I mean,
including yourself, but somebody whom it seems like we just
can't push peace with it's sixteen.
Speaker 2 (17:55):
Shot him. You're a feeling dude. Dude, you're talking about
sweets team. Dude. Her, that's a little girl to me,
that's a little girl. To me, that's a little girl.
That's not a little boy. It's not a young man.
Sweet sixteen, it's a little girl to me. So what
you wanna know about Sweet sixteen? Real tone?
Speaker 3 (18:17):
Well, I I noticed in our last interview you kind
of mentioned that you didn't mess with him because of
some back and forth going on way back when. But
the situation has escalated online to where we seen he's
bought your logo.
Speaker 2 (18:34):
Sixteen was at home punching on his keyboard trying to
get my channel deleted. It's exactly what he was doing.
I got all the I got all the documents and
everything right here in my email feel me. Just when
the me Most six hundred interview was going viral, he
was at home trying to get my shit deleted on
God trademark my logo, yes, he did. So let me
show this for the people. If you got a B business,
(18:56):
if you got a product or clothe the brand or
anything in with you use the clothing. I mean, you
use a logo, make sure trademark your shit. I'm telling
this to the people. You feel me learned from DJU. Yes,
I fucked up. Yeah he won that battle. I take
my L. I take my al Real tune. You hit me,
and you want to know why. I'll proudly take my
(19:16):
al Real tune Because you can't spell the word million
without two l's. So I take that L. I take
that L. The fuck I'm in the game, bro, I'm
not nigga. I'm not a friend to lose. I take
that L. We was on top of the shit soon
as he started doing it, So let me break this
shit down for you. Me and Sweet sixteen was on
(19:37):
Instagram Live together and if you watch the Instagram Live,
we was talking about linking up, putting back on you know,
let it back on, be back once. You know what
I mean, Like when we got off Instagram Live, that
nigga got straight on the internet and trademarked my logo.
He did, and shout out to my brother Fresh, because
my brother Fresh told me right before that shit happened.
(20:00):
He told me, he said, man, you better trademark your
logo and try to get that motherfucker. I swear to god,
my nighbors told me that shit. And once I went
to go do it, the nigga Rahan or the girl
sixteen sweet sixteen, she was already doing it. You know
what I'm saying. I got all, man, I got all.
(20:20):
I got all the documents right here on my phone,
real tune, like everything, every step he made, every move
he made. I was watching him the whole time because
I'm like, man, I'm sorry, I keep calling he. I mean,
I keep calling she and he. I was watching her
the whole time because I'm like, man, let's see how
far the bitch go go with this shit. Man. Let
(20:42):
me let me see what she doing. Man. And so
we watched it, We monitored it. You know what I'm saying,
I could have I had initially fouled an opposition for
the trademark. But then I was like, nah, you know what,
because I'm I'm I'm I'm cool with rebranding because in reality,
every three to four years, you damn the need to
(21:03):
rebrand and people like new shit. You get tired of
the old shit, you see I'm saying, So granted, were
talking about a logo that could stay the same. I
had my logo for nine years, but he went and
trademarked it, you know what I'm saying. And when he
trademarked it, he started putting trademark complaints on my chinnel
(21:25):
when the Memo six hundred interview was going viral, So
let me break that down right June one, twenty twenty five,
I dropped the MIMO six hundred interview. That bitch going up.
What was my competition doing while he was at home
trying to get my shit shut down? He's spending all
his energy on me instead of spending his energy on
himself in his own channel. And that's the reason why
(21:47):
his shit looked like the way it is. Sixteen fucked up,
sixteen broke you feel me? So she don't know what
to do. The best thing sixteen can do right now,
with her career is for DJU TV. You feel me.
Everybody talking about this bitch playing chess, man, that bitch
playing check us. That one move, bitch, that was the
(22:10):
Checkers move, because all I gotta do is change my
logo and and rebrand this shit. Let me tell you something, bro,
you can steal my logo, but you can't steal my drive.
You can't steal my hustle, you can't steal my ambition.
You can't steal my personality. You feel nigga, I don't
even need a logo if you want to be honest,
(22:31):
I'm not selling clothes. I don't need a logo. I
could put these interviews up with no logo and they
still go rock. So shout out to that bitch as
little girl. She thought she was doing some shit. Man,
that bitch ain't doing shit, but turn me up real tune.
That bitch made me mad. I ain't gonna die yet.
She made me mad with that one. That's cool because
you know what, Now every motherfucking day, every day, drop
(22:54):
around this bitch and I'm finna have my new logo
blasted all over with Chicago on folksing them every bus stop,
every train stop at the corner. Stole nigga. You go
see dj U TV everywhere since a motherfucker want to
play with me, I ain't nobody to play with. You
can call me a goofy, you can call me a lamb,
you can call me all this and that because I'm
(23:16):
not no street guy or am I not mad? I
that be the fans doing all that talking, cause the niggas,
the niggas know my body. Trust me. The niggas know
my body. And I'm not saying that like I'm a
tough guy because I'm not a tough guy. I'm not
a street nigga. I'm not a you know what I'm saying.
I'm not a gangster. But don't play with me. Don't
(23:38):
play with me cause I'm gonna play all day. I'm
gonna play all day. So shout out to Sweet sixteen.
You feel me. She did her big one. But let
me ask you this real tune, Like I I I
now you stole DJU logo. Now what you see what
I'm saying? Like, now what you finna do what You're
finna start uploading your interviews and using like the world
(24:01):
don't know who dj University is by now, Like come
on gang. So he's just trying to make himself feel
better about the fucked up position that he in right now,
and it is what it is. Fuck DJ, you go crazy, man,
(24:22):
real told this a lot of money in the hotness, motherfucker.
You just up the ass bitch mine man.
Speaker 3 (24:28):
And I hate that too, man, just because it's like,
you know.
Speaker 2 (24:33):
Andy, she been hating on me from the start. Man
when I when I first met him, I first met
the little hole back in like twenty twenty one, you
feel me. We had an event together, like I was
the DJ for the event and he was the photographer.
You know what I'm saying, And shout out to my homegirl.
She the one that put it together because at the
time I had just started doing the interviews and I
(24:56):
was on the phone with her like on a daily basis,
and she like, well, you know, I know sixteen shot 'em.
You know, so if you wanna holler at her, you know,
I C, I C I could kind of you know
what I'm saying, set that up, you know What's what
my homegirl told me. And so she she had like
a a pop up shop of some in Chicago, and
(25:17):
she booked me to be the DJ. And she booked
Sixteen to be the photographer. And so that's when me
and sixteen first met, and I had sat down and
chopped it up with him. You know what I'm saying.
We talked. She gave me some great advice, I will
admit she did. You know at the time, I was
(25:37):
living in Atlanta, Georgia, Okay, I was really My first
intentions were to like be the Zach TV of Atlanta.
I ain't gonna lie. That was my first idea. I'm like, man,
I'm finna get out here and interview all these atl
hoods because they don't do that in the eight. You
know what I'm saying. Atlanta more like Black Hollywood, where
it's like everybody trying to be pretty and where fake jewelry. Look,
(26:02):
let me tell you about The eight real quick. I
ain't gonna get off subject. But in Atlanta, every nigga
got some fake jewelry. Every bit, you got a fake booty, okay,
But it's a lot of good shit that be going
on in the A of course, right, It's hoods everywhere.
So my initial idea was to be like Zach TV
of atl But when I chopped it up with sixteen,
(26:22):
she told me like, man, got atl cool, got al
shit cool, But if you really want to take off,
I think you should move back home. And when she
said that, I said, oh shit, say lasts is say lasts.
So I moved back home. I started doing my thing.
(26:44):
He claimed that he moved out to LA. Whether he
moved to LA or stayed in Chicago, I would still
go take off on her. So that's all it was, bro.
You know, we met. I told him what I was
gonna do, and I did it, and so he started
looking at it. Damn, this nigga told me he was
finna take off, and he doing shit, and he taking
off on me, his numbers rising way higher than mineig
(27:09):
niggas start getting nervous, real tune. So that's all this
shit is about. Bro, we do we do the same thing.
And yeah, you know, jealousy, you know, fuck just shina
what man, he can't make no money no more. Everybody
in Chicago want to do interviews with Dju. It's a
vibe with Dju. You know what I'm saying, DJ, you
go take care of fucking make sure Suger eat, masure,
(27:32):
FuG A drink, make sure loug a smoke, make sure
suck it cool cause love come to sit down with
DJU was a vibe. On the other hand, you got
this this little girl sweet sixteen telling you like man,
I don't know, man, I don't I don't do none
of that. Man, I don't pay nobody, I don't bat nobody,
no food, don't do none of that. All right, Well,
(27:54):
what the fuck? I'm finna come do an interview with you.
Folk there. If you ain't trying to show no love,
you just trying to profit off odd stories. You want
to come sit down with you for free so you
can make all the money off date. Man, Come on, bro,
these man come on value and that makes it makes sense?
Make it makes sense, bro. So yeah, shots, Sweet sixteen,
(28:15):
Oh shots, Sweet sixteen. She turned me up. I'm lit
now now I can't stop. Now I'm finna really go
to the end. Real told there's a lot of money
in the room. Game. It's a lot of money in
the room, A lot to you.
Speaker 3 (28:28):
Yeah, when DJA you in the room, is a lot
of money in the room. Listen, DJ you, what's next
for you?
Speaker 2 (28:33):
Right?
Speaker 3 (28:34):
Like we see you? You stay in the tabloids. You've
maintained consistently been going at this thing for about three
years now, four years now, and that's very hard to do.
Most businesses failed within the first year. What's next for
dj U TV? I want to see a book?
Speaker 2 (28:55):
You keep talking about this book? Man, I'm finna just
keep on on drop. I'm and keep on popping. I
ain't done. You know what I'm saying. What's next? It's
the same shit you've been seeing right now. I just
want to display consistency, you know what I'm saying. Like,
let me tell y'all something right, Success is the best revenge. Okay.
(29:17):
So no, I don't want to fight sixteen. No, I
don't want to kill sixteen. No. I don't want to
physically harm sixteen at all. That bitch will see the
success every time that bitch in my past. You go
see them numbers, you feel me? I can drop one
video that mother do way more numbers than he Didne
(29:40):
did in the last three four months. So what's next
for DJU? I'm finna keep popping it. I ain't done.
I ain't done. This shit, brother, is shit a marathon
out of sprint, you know, Like I look up to
my lad TV, I look up to my say cheez TV.
(30:01):
I'll look up to my Real Tune TV. You know
what I'm saying. Like everybody else mm, I don't care,
uh huh and I don't care to Cap Mama.
Speaker 1 (30:20):
Dj U TV man. Well over here a Real Tune bro.
Speaker 3 (30:24):
You know you always got support out here in Texas.
You know, Texas love DJU. I remember when you came
to my event. All the youngsters know what I'm saying
looking up to you. You know what I'm saying, waii ins.
You know what I'm saying, like from the trenches all
across America.
Speaker 2 (30:38):
And they went crazy when.
Speaker 1 (30:39):
They they they seen Dju, they went crazy. You know
what I'm saying.
Speaker 3 (30:44):
So you know, just know you got love. You know
what I'm saying, and and and and just let know
that you know we see you. You know what I'm saying.
I know that might not mean much to people, especially
when you grinding, because you can always do better when
you ground it.
Speaker 1 (30:58):
But for what you've been able.
Speaker 3 (30:59):
To accomplished in the amount of time that you've been
able to accomplish it, in the city that you've been
able to accomplish it, it's nothing short of legendary. And
that's Real Tune TV signing out.
Speaker 2 (31:13):
I Real tone.
Speaker 4 (31:14):
This the real money in the room. I real tone,
this a real money in the room.
Speaker 3 (31:20):
Dj U, I I have to ask you, right Memo
six hundred. I've interviewed me moo oh you be.
Speaker 2 (31:28):
With them stuffers home and they went shit get wrecked, Liz.
Speaker 3 (31:34):
I, I've interviewed me mo. He was a cool dude. Yeah,
I interviewed him in Dallas on the roofshop.
Speaker 2 (31:41):
Go ahead, go ahead, go ahead.
Speaker 3 (31:42):
See yeah, Well when I interviewed him.
Speaker 1 (31:46):
When I interviewed him, he was cool. But when he
got with you, it was like you pressed him steppers
before I was silent.
Speaker 2 (31:53):
O got heard steppers after you was kicking him with
dirt bro about No, I didn't know, you don't And
I'm a DJ what you're talking about? And I was
by DJ talking about you're trying to make you try
to make a point and I'm tired of letting it.
It's like you slide rob be letting all nas.
Speaker 3 (32:10):
A lot of people, even Poetic flock O calls you
a little dirt meat rider.
Speaker 5 (32:15):
There's other interviewer, go, DJ, you straight d riding. This
is I thought interviewers were supposed to be unbiased.
Speaker 2 (32:21):
Bright.
Speaker 5 (32:21):
This dude came in with a pure agenda, and I
think it was goofy.
Speaker 3 (32:27):
Because you pressed him so hard. My question to you is,
why did you go so hard on Memo six hundred man?
Speaker 2 (32:36):
First of all, or flock Oh you feel me he's
a fuckick eater. Excuse my profanity. I know you probably
ABU to cut some of that out. But I met
Flocko one time in California. I thought he was showing
me love. But you know these niggas phony, you know
what I'm saying, So I only want he showed me
(32:58):
fake love if he's talking about me in the regard
that he's talking about me. Now, you know, I understand
content is content, so I'm never taking anything offensive. So
he has some content right by the Flocko. Okay, cool,
Now to your question about Memo six hundred. Memo six
hundred head went to Instagram and made a post sneaked
(33:21):
this in Little Dirt. You know what I'm saying. After
a song was leak in which Lord Dirt saying the song.
Excuse me if I'm saying the line wrong, but he
says something alone the lines of I cut Timo off
cause he ain't served no purpose. I cut or no, no,
he said I cut Timo off because he was worthless.
I called whatever he's saying. He said some alone the
(33:42):
lines of cutting Memo off cause he was worthless or
not serving a purpose, something like that. Right, it was
a leak song. The song didn't even make it to
his album. It was something that somebody leaked. So I
put emphasis on a leak song because Lord Dirt didn't
put this song out. So yeah, Dirt said this in
his music. But even if you ask me, bro, like
(34:05):
if a nigga saying his song that Memo ain't serve
no purpose, shit, that's how he feel. I don't feel.
I don't even feel like that was a diss you
know what I'm saying. Like Memo was once one of
Little Dirt's artists. You know, he had to cut ties
with him and he and he said in the song
that he felt like Memo was worthless. Now, if you
(34:28):
want to go back to that time, I tell you
Mimo was worthless. But I ain't. I ain't known that.
My point is, Memo got online and started sneak this
in Dirt on Instagram. Okay, Little Dirt locked up. He
fighting for his life. Little Dirt is the guy that
put Memo six hundred in great position to succeed as
(34:50):
a rap artist. You know what I'm saying. So, like
I told Memo on camera and off camera, I understand
you feel some type of way because Bro cut you off.
And then he's, you know, saying this in his song
or whatever, but sneak this and him on the internet.
You taking it too far, And I can't respect that.
(35:11):
Nobody respect that. I'm the only one that's gonna speak
up because I got the platform to speak up. Bro,
photo them, not with me, Mo, when he know that
you feel me, photo them not go say you know
what I'm saying for them gonna get on his and
he know that you see what I'm saying. So I
was just letting him know, like, Bro, you bogus, and
(35:31):
you know you bogus. He know he bogus. That's why
when he was sitting in this same see, he ain't
had none to say because he ain't got none to say.
He know he bogus. He know he wrong. You chasing
that shit? Bro, you make a posts talking about that's
why I'm free? And he locked up. Guess who won?
Speaker 6 (35:50):
Like what, like what what type of shit is that
you're supposed to be a street You're supposed to be
a real like, so I didn't respect that.
Speaker 2 (36:02):
When Memo make that can posts, I'll tell you this
real tune. I screenshot at that shit immediately I knew
I was finna get on his ask. It was just
a matter of time on God, because he bogus.
Speaker 3 (36:18):
You don't think he was wrong after because it wasn't
just Dirk right moona duke r ip.
Speaker 2 (36:25):
He talked about I ain't gonna lie, I'm gonna cut
you off real tone. But even with the duke part
like that, I ain't got nothing to do with that
for real. I mean to do with the shit either.
But like the money do I Duke Lim was shooting
at me, mooing his homies, you feel me. I get that.
But Duke, it's dead, you know what I'm saying. So
(36:49):
now you this and a dead guy. This is somebody
alive and this is somebody that's dead. Those are two different.
This is you see what I'm saying. And when you
get to this nigga that's dead, his loved ones, oh yeah,
now they really finna get on that with you, you
know what I'm saying. And for Memo to be from
(37:09):
six hundred to be this fuck from old Block. That's
just too close. Bro, that's too close. Bro, that back
door open. Bro, your group of friends are too close
to this group of friends for you to be doing
that shit. So, Nigga, I was really trying to save
the nigga life in the interview. I'm really trying to
(37:30):
tell him, Bro, you tweaking that nigga Mimo acting like
he chasing death right now in real tune. He acts
like he want to die. He know what he's doing,
he know what he's doing. But he doing that shit
for likes. He doing that shit for views, He doing
that shit for engagement, And I know what I know.
So I stand on how I feel. I stand on
what I said. You see what I'm saying.
Speaker 1 (37:53):
When I did the interview with him, he was very
respectful to Dirk.
Speaker 3 (37:57):
Even when Dirk was brought up, he didn't mention his
Do you feel like if Dirk was home, he'd be
talking like he's talking?
Speaker 2 (38:04):
Hell nah, you know that everybody got something to say
about smirking now that he locked up, Bro, this shit
show you how the world is, how people is, the
fans everybody wish she wasch you You feel me. They
with you when you hot, you fall off? Fuck you
you a lame, you a loser. You woo woo woo
like man man free smirk. Bro, it's certain shit that
(38:28):
I don't. It's a certain shit I just don't. I'm
fucking with you know what I'm saying. Let me tell
you some real tune. A lot of his niggas be
putting on the facade for the internet. You hit me,
and I ain't for that, Bro, I ain't for that.
And then they be trying to come on DJU TV
and pop shit. Nah, Bro, I ain't for that. You
(38:49):
ain't finna come over here popping it. You know what
I'm saying. You ain't finna come over here popping it.
Goddamn it. Hell no, So shout out to me most
six hundred. But he know he bogus. He know he bogus.
That's why he ain't said nothing. Even after the interview
came out and everything went viral and everybody was, you
know what I mean, chiming in on it, he ain't
saying nothing. The best he came up with was that
(39:10):
ship was a skit. Oh the fuck it wasn't cut
it out? Do this, do this is like comic view. Motherfuck,
I'm not making those skits. Y'all crazy, right right right?
Speaking of me?
Speaker 1 (39:24):
Mos six hundred.
Speaker 4 (39:26):
Like real tone, it's a real money in the room, DJ,
you your couch.
Speaker 3 (39:34):
For years, people have been saying it's been cursed after
people have.
Speaker 2 (39:39):
Real tone, slow down game. They ain't been saying that
shit for years. Bro, that shit was just twenty twenty four.
Speaker 1 (39:45):
Bro, well it's twenty twenty five now, right.
Speaker 2 (39:48):
That shit with the couch gone.
Speaker 1 (39:50):
Oh, you don't have the couch anymore.
Speaker 2 (39:54):
Man, I just got tired of I just got tired of. Fuck.
I just got tired of all them. You know, I'm sorry, Bro,
I can't say I got tired of the comments because
the trolls be the trop Man. That shit, I don't know.
That shit was fucking my mental real tone. I'm not
(40:15):
gonna lie like I think I told you that in
our last interview. You know what I'm saying, Like, I mean,
I don't know, bro, death is death is not easy, man,
to interview so many guys and see them die shortly afterwards. Bro, Man,
(40:36):
I don't know, Bro, that shit. That's not a good feeling,
you know what I'm saying. So I got rid of
the couch to get rid of that energy, you know
what I'm saying, Because it got to the point where
people didn't want to People was coming to my fucking
studio but didn't want to sit on the couch. Literally
(40:56):
like it got like that. You feel me shout out
to our action and Savage right him and his people.
They pulled up with some bean bags. They put some
bean bags down, got damn it in front of the
couch and sat down and did they interviews like that.
You know what I'm saying. I remember when I interviewed
with Mama Duck and she brought her whole family. The
last interview I did with Mama Duck, the Mama Duck
(41:17):
in the Big Clout family, one of her daughters refused
to sit on the couch. So I'm peeping this, you
know what I'm saying, Because energy speaks volume. So people
feel like there are some bad energy on this couch
to where they don't even want to sit on it
no more. And granted it's a fucking couch. The couch
is not the reason that niggas outside dying, you know
(41:40):
what I'm saying. The couch is not the reason why
niggas outside sliding. My point is the energy right, the
vibrations right, the frequencies. You know what I'm saying. I'm
ready to level up, Real Tune. I don't want to
be I don't want to be in this Chicago box.
(42:02):
Just interview on the street niggas and crash outs and
the crackheads and the you know what I mean. Like,
I want to grow, You feel me? I want to grow?
So yeah, I feel like the couch had to go
and I love that couch. Man, that's my couch. Bro.
I got that couch from my granddaddy. On folks them great.
Don't nobody even know? Bro, I used to sleep on
that couch every mother. Now you can make some lame
(42:24):
mass jokes and say, oh ha haha, djuyo broke can
living in the studio ha haha. Hey, I don't give
a fuck what you say. Hey, hey, hey, Real Tune
a mother dj you indeed mother thing in the book,
but they can't call him broke. You hit me, nigga
used to sleep on that mother ouch every night. I
was manifesting my success. You see what I'm saying. We
(42:47):
didnet have a hundred street niggas. This bit our light.
Saw that a light sould my mother. I's down, wipe
that bitch down. I'm sleep and I used to get
the best sleep of my life on that mother couch.
And I'll wake up early in the morning, get on
my computer, start editing, start start researching. You know what
I'm saying, Bro, I work twenty four seven, But it
(43:10):
was the energy, you know, bloodhound litd Jeff lud Scorne
eight hundred tj thhf uh liud twin right uh t
slick uh man who else? Br I ain't gonna lie.
(43:30):
It's It's been a lot of guys that I had
of interviewed that thene passed away. There's been a lot
of guys I've interviewed that then went to jail. You
know what I'm saying. I know I interviewed the streets
of Chicago for show, but like I wish all these
guys the best. You know what I'm saying. I'll be
telling all these guys like, man, there's more to life
than this street shit. But unfortunately a lot of these
(43:53):
guys they just be stuck in that street shit to
where they don't know nothing else, you know what I'm saying,
Like they can't do nothing else, you feel me? So yeah,
I had to get rid of the couch. Man. It's
in storage though it ain't. I ain't throw it away.
I might bring it back later, but right now I'm off.
I got a cool down. You know what I'm saying?
Speaker 1 (44:18):
Nah for shit show?
Speaker 2 (44:20):
Uh?
Speaker 3 (44:20):
Do you know all of the artists who had either
their been shot, killed or went to prison.
Speaker 2 (44:30):
That set on your couch? That's what I was just
trying to name off all of them. Shit be a lot, though,
Like you said, do I know how many? Yeah? Yeah, nothing,
number off of my head?
Speaker 1 (44:41):
Hell can you name 'em?
Speaker 2 (44:42):
Mom? Which one died or in jail?
Speaker 3 (44:49):
I was thinking both, but I didn't know that it
was that many on both sides. Like it is, there
been over ten that has died and been in jail
that set on your couch.
Speaker 2 (44:59):
Like I mean, I was just try the name off
the ones that died. Let me try again for you, right, Bloodhound.
Little Jeff died a few weeks after I interview Little
schoon Dad twenty four hours after I interview twenty four
T Slick from Glow Gang eight hundred tj uh THHF
(45:20):
Little Twin. These are the ones. These all the guys
that passed away, but look Fulio from Florida Right I interview,
even though he wasn't on the couch. Shout out to
Trey Tray, Free band Gang, shout out to aar Row.
I'm saying, shout out r ip right RP to trade track,
(45:44):
Free band Gang, RP to ar Row from m block. Man,
it's a lot. I don't want to miss nobody type shit.
But on the jail side of things, Free Little Dirt, right, Free,
No Limit, Cairo right, free Love, Reese right, free FBG,
(46:09):
butter Okay, Free King Yellow, free seven five seven B
eight Who else in jail? Uh? That's all That's all
I can think about right now. Excuse me if I'm
missing anybody, you know, because that there has been so
(46:31):
many a recipeace to every young man that I've had
the pleasure of speaking with, and free all the guys
that's locked up that I've spoke with, Free blood as
free band okd even though he locked up for for
(46:52):
killing the little girl, Free him, fucking but free him eight.
Real tone, Let's wrap this up. Man. My mama gonna
get mad at me for saying this shit that I'm
telling you.
Speaker 3 (47:04):
Game, I just I just had one more, one more question, DJ,
do you know?
Speaker 1 (47:12):
Do you do you know why King Yellow went to jail.
Speaker 2 (47:16):
He's I think he got locked up for trying to
pimp some hobs something. Man, So Keen Yellow Pete, you
know he got there in Vegas, ship, I don't know
what he got going on. I had actually talked to
Yellow right before he got locked up, and I was
trying to book them for another interview. But uh say,
cheese head did I'm like right when I was hitting him,
So I'm like, all, all right, well, they damn touch
(47:38):
basis with you on the same shit. I wanted to
touch basis with you over there. When the NBA D
dog shit was going up, Ken Yealler was making videos,
you know, you know, blogging about it, and I had
called him because you know how this YouTube ship, right, like,
as long as your video is eight minutes are longer,
you could run ads, meaning you can make more money
(47:59):
for your video. So he was making videos that was
like four minutes long. So I gave him a call
and I said, hey, y'all, I just saw your video.
I'm not mad that you was talking about me. You know,
I don't care about that shit. I'm calling to give
you some advice. We need to make this folk minute
video or eight minute videos so you can make some
more money off your video. And Ken Yeller told me, man,
(48:20):
I don't give a fuck that YouTube shit. Man. I'm
out here, y I'm out here doing my thing. And
when he said that, I'm thinking in my mind like, Okay,
what could he be possibly doing that could be making
more money than YouTube? He cause, I ain't gonna lie.
YouTube changed my life. Okay, So I ain't really interested
(48:42):
in nothing else. I don't know nothing else that could
make me the money that YouTube makes me. You see
what I'm saying. So I take my shit serious. You
hear me. When I learned that the eight minute videos
made more money than a seven minute videos. Eight you
ain't seen a minute, and you ain't seen a video
on my channel less than eight minutes yet. So yeah,
I think I think Ken Yeller just got discouraged, you
(49:06):
know what I'm saying. But Yeller is a great guy.
Yeller is a family man. You feel me. Yeller moved
to Vegas to get away from the shot rack boards
and free king. Yeller, Man, I hope, you know, I
hope everything is alright. He come home soon.
Speaker 3 (49:22):
Man.
Speaker 1 (49:25):
No for shit show, DJ you go crazy.
Speaker 2 (49:29):
Real Tone is a lot of money in the room, man,
you know how fuck you? You know that?
Speaker 3 (49:33):
No a salute for shit show? Shit show til next time.
Is there anything you wanna let your fans know?
Speaker 2 (49:42):
Yeah? I just wanna let my fans know that I
fuck with y'all as much as y'all fuck me. You
feel me. I love y'all because without y'all, there's no me,
you know what I mean? I hope I didn't come
off away in this interview. I know, you know, fans
love the troll DJU, but hey, but dig this. Everything
(50:04):
got said, I'm meant, and I stand on it, I'm saying.
So I just want to thank y'all for rocking with me.
You know, I got I got another YouTube channel. I
got a second one. It's a reaction channel. So if
y'all can you know, subscribe to my reaction channel, i'mnna
be getting that mothers shout out to Real Tune. You know, Hey,
(50:27):
make sure y'all hit that subscribe button because y'all be watching,
but y'all don't subscribe. So right now I need you
to subscribe to Real Tune TV. Help Real Tune TV
get to that four hundred K because we on our
way to a half a meal. No fuck Real Tune,
I tell him all the time. I don't fuck no bloggers, none, none, none,
(50:49):
But I fucked Real Tune. And I like to put
inmphasis on that because I don't fuck nobody period. I'm
not a friendly guy. I'm not. You can just call
and be like, Hey, DJ you, what's going on? Ain't
shit going on? What the fuck you calling me? Folk?
What you finna ask me for? Niggas be calling to
be doing all that small talk? Man, I just show you. Man. Look, man,
(51:13):
were gonna get up out of here, but I'm gonna
just show you. This. A nigga to me earlier with
all of the small talk in the world. Hey, what's
up DJ you? How you doing? Bro? I was just
thinking about you. How you feeling woo whoo? After we
got doing all that, this nigga asks me, and it's
a grown ass man texting me character donate help your
(51:35):
boy get a few groceries. It'll be highly appreciated. I
ain't counting your pockets nothing, just figured out ass. Since
I am tapped in with Dju himself, ain't. I ain't
respond to him real tune. Three hours later, this same
(51:57):
grown ass man texting my phone. I don't even know
this nigga, never met him in life. This same nigga
that's on my phone. I only needed twenty dollars for
a blunt At least, I'm telling the truth. You gotta
respect it. But I'm still gonna support you anyway, my nigga. Hey,
check this out. I don't need Joe support my nigga.
You feel me, shouldn't no grown man be comfortable with
(52:17):
asking another mother oh man for grocery money? What the fuck? Hey,
real toune, it's a lot of money in the room.
I got a I got a little boy on the way.
My baby boy, you be here in September. I'm very excited.
I'm super duper mother excited, and so when my baby
boy get here, I definitely ain't got shit. None of
(52:37):
these grown ass, worthless ass don't serve a purpose ass
memos six hundred ass nigga. I'm done, real tone, I'm
done gang. I ain't got enhing to say. Gang. Fuck.
I love y'all for fuck y'all on God, DJ, you
go chrazy, ain't real tone? It's your money on
A real tone.
Speaker 2 (00:01):
It's a real money in the room, real tune TV.
Speaker 1 (00:04):
Let him know who we got in the building.
Speaker 2 (00:07):
It's a boy, Dju, Dju TV, DJ you Go Crazy, DJ,
University Devo Fresh You feel me? Dju?
Speaker 1 (00:19):
What we on gang.
Speaker 2 (00:22):
Real tone is a whole lot of money in the room.
You know that. How you doing today, brother.
Speaker 3 (00:27):
I'm I'm doing Koel, I'm doing well. I'm doing well.
You know what I'm saying. Let me first and foremost say,
is an honor to have you back on our platform.
You know what I'm saying. Last time we win VV.
You know what I'm saying. And you know, I look
at you as one of those piers in the game
who like you know you, You came up bruh and
(00:47):
a lot of.
Speaker 1 (00:47):
People mad about it. You know what I'm saying.
Speaker 3 (00:49):
But it's hard to deny that Dju has single handedly,
at least right now headed into the third quarter, is
the face of Chicago. You know what I'm saying. I've
seen yelling Habit. I've seen butter habit. I've seen got
Jay Maine have it. I've seen you know, dirt obviously
(01:10):
the voice, you know what I'm saying, But the face
you know, he went from being behind the camera to
in front of the camera at least exclusively on Real Tune.
Man Dju in the building.
Speaker 2 (01:22):
Yeah for sure, Hey, Real Tooms, you wanna let you
know I appreciate you. You know what I'm saying as well.
Every time we talk, you give me nothing but good vibes,
good energy. You know what I'm saying. You always give
me my flywers. I definitely appreciate that, especially you know,
coming from a colleague. You know what I'm saying, coming
from a pier. You know, we come from two different
places on the map, but shit, we both got the
same type of vision. So shit, I appreciate you, bro,
(01:44):
and and I thank you for allowing me to shut
my story on your platform. And I'll tell you this,
Real Tune, I fucked so much game. I don't fuck
no bloggers, to be honest with you, So only time
up see me in front of the cameras if it's
on Real Tone TV.
Speaker 1 (02:00):
Nowhere else right right right now, for shit show, for
shit show? Well so much where to start?
Speaker 2 (02:12):
You got some over that Real Tone Where you want
to start?
Speaker 3 (02:14):
Man, Well, since the last time we've sat down, a
lot has transpired in the.
Speaker 1 (02:19):
News, right, NBA young boy.
Speaker 3 (02:25):
He's been released and his people are out and there
doing interviews. Some way, somehow, you find yourself interviewing a
member of the NBA camp. Now, typically that wouldn't be
a problem, but you, as King Vaughan's DJ, I want
(02:45):
to know why would you do that interview?
Speaker 2 (02:48):
Like?
Speaker 1 (02:48):
How did that even come about?
Speaker 2 (02:50):
I mean, why not? You know what I'm saying this
is this is history in the making, you know, like,
this is monumental. You know what I'm saying, This some shit.
Like I told d Dog in the beginning of the interview,
they ain't see this coming. You know what I'm saying,
I dare to do the unthinkable, you feel me, like,
(03:12):
but but but furthermore, to answer your question, I'm a journalist, bro,
you know, so journalists gotta cover all sides of the story.
You feel me. You can't just cover one side and
neglect the other side. You know, you can't be biased.
You know what I'm saying. That's not good journalism. So
I'm done, Bro. Listen here I of interview. All the
(03:35):
Dirt ops, all Dirt homies, all Vaughn ops, all Vaughn homies,
all FBG Duck ops and all his homies. So why
can't go interview nobody from fo K Trade? You know
what I'm saying, I of interview people who goddamnit, King
(03:55):
Vaughan and made they family cry, you know what I'm saying?
So shit, why not go interview NBA d Dog the
biggest crash out of Baton Rouge, the You know what
I'm saying, NBA young boy homie, why not, let's let's
go see what he's talking about. So I thought it'd
be I thought it was. I thought it was a
great opportunity to real tone. I think my audience thought
(04:16):
it was great as well. We had half a meal.
Speaker 3 (04:19):
Mmm, well, let let me let me ask you this. Right,
they reached out to you. You didn't reach out to them.
Speaker 2 (04:27):
They reached out to me. That's correct.
Speaker 3 (04:30):
So okay, if they reached out to you, they had
to know you were King Vaughan's DJ.
Speaker 2 (04:37):
Yeah, they knew who it was. Bro.
Speaker 3 (04:39):
So what led to the confrontation Because it looked like,
just on camera at least, that you were getting pressed
in the interview. They tried to make it where the flag, Like,
where did that energy come from?
Speaker 2 (04:53):
I ain't gonna lie the energy the energy was off
from the beginning. You feel them be all the way
one hundred with your real tone, like this is my
opportunity to share with the audience. Would be going on
behind the scenes, right, so check this out. When I
pulled up on them, bro, the first thing they said
to me was give me your phone. I'm like, what
they like, give me your phone. I'm like, what you mean?
(05:15):
Give you my phone? The niggas aggressive, he bro, give
me your phone. Man, just give me the phone like that.
You know. Now, I'm fresh off the plane, I'm by myself.
You know what I'm saying. I'm all the way down
in Louisiana. What you mean give you my phone? You
fear me? So he telling me. He he mad shit.
(05:36):
If he was coming to interview young boy, nigga would
have had to leave your phone where you was at.
I'm what, so we get to we get to kind
of like going back and forth over this phone. Shit.
I wasn't going you know what I'm saying. So I'm like,
all right, I get it. You know, y'all paranoid, y'all
think I'm gonna drop drop below. You know what I'm saying,
(05:57):
y'all think of Hey, I ain't come out here that
you feel me like, and I know y'all didn't call
me out here for that, Like, like why invite me
out here if that's the type of time that y'all think.
I'm on? You know what I'm saying. So the nigga,
NBA D Dog, he was just acting like hella paranoid
before the interview, bro like that nigga was like literally
staring at me, watching every move I make type shit
(06:21):
you feel me. I had to run out to my
car to get something. Bro, Hey, them niggas crazy. I'm
not gonna lie this. That interview experience was one of
a kind. I had never experienced no shit like that.
Nigga took my phone, tossed it in the grass and
taught me to be there for you in the interview
over you know what I'm saying. So at that point,
I'm like, okay, okay, me let me be cool. You
(06:43):
feel me, let me do my job, let me make
it back home safe. So we both was uncomfortable. I
was uncomfortable. NBA D Dog was uncomfortable as well. He'll
tell you that. But I don't understand why would you
invite me me down here to come interview you, if
you go be so uncomfortable, if you if you gonna
(07:04):
be so paranoid, if you think I'm going to drop
your low, why invite me out here? You know what
I'm saying. So it was it was a little tension
before the interview, for sure.
Speaker 1 (07:16):
So why did he choose you to interview him?
Speaker 3 (07:19):
You know what I'm saying, just knowing the situation and
the delicacy of it, you know what I'm saying, Because
one can understand why he's paranoid, you know what I mean,
Like Dirk is in jail right now for work, a
murder for hire.
Speaker 1 (07:31):
You brought Vaughn's DJ. You know what I'm saying. One
can kind of see. But but why would he invite you?
You know what i mean? Like he could have invited me.
You know what I'm saying. I pull up the band reul.
Speaker 3 (07:41):
Y'all know I have been out there a couple of times,
shout our big head the dome doctor.
Speaker 1 (07:44):
You know what I'm saying. We'd go down the list.
Speaker 3 (07:46):
But you know, you know, I see Adam twenty two
making his runs different hoods.
Speaker 2 (07:52):
You know what I'm saying.
Speaker 1 (07:52):
But somehow, some way he found his way with with
with the face of Chicago, Like, how did that happen?
Speaker 2 (08:02):
Cause they knew, they knew, you know, they knew you
know what I'm saying. They knew the you know, they knew,
they knew the you know, they knew the controversy that
could come from behind it. You know what I'm saying.
They knew it would be a crazy look you know,
so shit it was with it. I was with it.
Speaker 3 (08:21):
Did you at any point feel like you might not
make it home?
Speaker 2 (08:27):
Hell no, hell nah? If anything, I ain't even gonna
say because I don't want to speak nothing, you know,
and I don't want nobody to hell and think they
But nah, hell nah, I knew I was gonna make
it back home, you feel But I tell you this, though,
I tell you this, I was prepared for anything that
was coming my way. You know what I'm saying, Like
I knew that when I was getting on the plane.
(08:48):
You see, I'm saying like, I don't live life in
fear real tune. You hit me like I don't. I
don't live life in phel you know. So I'm covered
in the blood of Jesus. Whatever gonna happen go.
Speaker 3 (08:59):
Happen, right, So after after he throws your phone, y'all
get into the interview. But you you held your own
in an interview. I can't say that. You know what I'm saying,
But what was the flag? Thing that transpired? Hold what
your life may listen, hold your life.
Speaker 2 (09:18):
Man, holdless flag. I don't know why he wanted me
to hold that flag. I don't want to hold that. Mother,
you feel me, like, what the fuck? I didn't. I
refuse to hold it, grab it or whatever he was
asking me to do, because I don't know what that
green flag represents. You know what I'm saying. So yeah,
(09:38):
you know I you know, some some people's leaving comments like, man,
he was trying to he was trying to form unity
with you by telling you to But what I'm thinking
in my head is if he got a flag, then
I should have a flag. And if it's like that,
we are tied flags together, you know what I'm saying,
and hold our flags up. But I'm not I'm not.
(09:59):
I ain't got no fun. I'm not a gang member.
So the reaction you got is the reaction any gang
member has gotten from me when they tried to get
me to do some gang affiliated ship. Let me tell
you something real. Tune off from the streets of Chicago.
You hear me on some gd bed vice lord type ship.
I mean shout six oh seven unk. But like, Bro,
(10:21):
it has been times where nigga a nigga, But what
would come to shake up with me? And nah nah
you know, put the put put the hair down, and
the nigga on that with me for not shaking up
with him. I'd have been in those type of positions,
you know what I'm saying. So, but I always stayed
on my team. I always stayed neutral. I'm gonna tell
(10:42):
you something, Bro, growing up in the streets of Chicago,
they're not being gang affiliated. Nigga probably getting them in
most ship is affiliated because you ain't got nobody to
have your back, you know what I'm saying. So a
nigga gonna try you because he know you ain't got
nobody behind you. You see I'm saying. But I'd have
been through all that back myself, and I'm thirty four
years old and I'm blessed to say I'm still here.
(11:03):
So hell now, I'm not holding your flag. Hell no,
I'm not shaking up with you.
Speaker 3 (11:07):
You know what I'm saying, Like, no, what do you
make of the criticisms that you got for interviewing d Dog?
Speaker 2 (11:18):
Yeah? Uh, I did receive a lot of backlash from it.
You know, my brother DJ Bands, he called me right away,
you feel me. He like, cause I had taught to
bands to day before. You know, Bands, that's my brother.
My Bands is like Bands is like little Dirt, right
hand man, you know what I'm saying. So he called me,
(11:42):
and he cause I had right So I had talked
to him the day before. So he called me when
I got back and he like, he like, bro, Hey,
what the fuck did you do that? You know what
I'm saying. I'm like, shit, really just trying to bridge
the gap, you know. And he just talked me though,
you know, because because everybody understand what I'm doing, you know.
(12:03):
But he just told me, like shit, got to be careful,
you know what I'm saying. Because this beef, this NBA
young boy versus Little Dirt, Little dirt versus young boy,
this ship, this ship, biggest hip hop beef since Got
Big and Tupac, you know what I'm saying. So I
received I received some backlash, but not too much. But
(12:26):
the people that really matter, they just told me to
be careful. You know what I'm saying.
Speaker 3 (12:33):
Right, do you feel like, because you know, the Big
and Tupac situation was then East Coast West Coast, do
you think this is becoming Chicago Louisiana situation?
Speaker 2 (12:41):
I just want to say that because that that created narrative.
I guess it was kind of coming off that way
in my interview with NBA d Doll. But let me
tell you this, right, all of it, all of this
ship is designed by the government. You know what I'm saying,
That beef, that East Coast West Coast ship, Big and Tupac,
that was designed by the government. You know what I'm saying,
(13:04):
Like they knew that Tupac and Biggie were the two
biggest rappers, the two biggest public figures of hip hop,
you know what I'm saying, back in the nineties. In
some way, somehow they were able to design a beef
how the fuck well be and CALLI beefing with a
(13:24):
nigga New York. You know what I'm saying, Like, make
it make sense? Right? So all of this shit government made,
government designed you feel me? It started with Big and
Tupac and it just and it just trickled down. You
got jay Z and Nas, you got fifty cent of
jar Ruth, you know what I'm saying, And it just
trickled down. I remember the days where when a rapper
(13:48):
died it'd be crazy, right Like when Tupac died, that
shit was crazy, when Big Dad, that shit was crazy. Nowadays,
nigga rappers dying every day, It's not crazy no more.
You know what I'm saying, It's actually like expected, you
know what I'm saying, Like, so, nah, I don't want
(14:10):
to push the narrative that this is a Chicago versus Louisiana.
First of aut, Chicago is a city, Louisiana is a state.
You know what I'm saying, Like, I don't want to
paint that narrative. I really want to be the one
too make peace. I really want to be the one
too bridge a gap, you know what I'm saying, Because
all this, all this is over some boot like you know,
(14:34):
so yeah, I don't think no, it ain't no beef
between Chicago and Louisiana. Hell nah, I want to go
to Marty gar I don't say that. I don't want
nobody got damn walking up on me on Marty Garrod
somebot from DJ you what you want game? What's that
shit was talking to to d Do Doll? You know?
So no, it ain't ain't it ain't that.
Speaker 3 (14:52):
Let me let me ask you one last question regarding
this situation. Where where does that beef between the young
Boy camp and the Von camp even stem from?
Speaker 2 (15:03):
Oh man, that's a good question, real tone, man. What
they say, ninety eight percent of street beef start over
a woman. Correct you heard that before? Real tone?
Speaker 3 (15:15):
Amen?
Speaker 1 (15:15):
Amen?
Speaker 2 (15:20):
Yeah, I mean shit, bro, man, come on, bro, bro,
this beef started because Von was fucking young boy, baby mama.
You feel me, the baby mama. That's that's that's that's
fucking basketball player right now, what's it? What was dude
named Deyontay Murray or some ship? Vaughn was fucking old girl.
(15:44):
That's that's that's that's young boy, baby mama. So whatever
was going on behind the behind closed doors, you know,
I don't know what was said between VN and Young
Boy or whatever, but King Vaughn was fucking inba boy
baby mama. What's her name? Jania? Right? Yeah? Oh wow,
(16:05):
wow yeah?
Speaker 1 (16:07):
I thought it was over Asian nog.
Speaker 2 (16:11):
No, hell no, Vamas. Vama's fucking with young Boy, baby Mama. Bro,
shorty head man, look man, look hey, real told there's
a lot of money in the room.
Speaker 1 (16:25):
You in me because you were DJ, so you have
to have seen some stuff.
Speaker 2 (16:29):
Man, It's so much. It's still so much to that
story that hasn't been revealed. And so that's another reason
why when I was talking to NBA D Dog, I
was literally trying to get their perspective on all of this,
you know what I'm saying. So, yeah, bro, all this,
all this really started because Vonn was fucking young Boy
(16:53):
baby Mama. And so I imagine you know the reason why
Vn got on that with Kwondo Rondo is because Quondo
Rondo is affiliated with NBA Young Boy. You know what
I'm saying. Uh, Chicago street niggas who got the mentality
that if I can't get you, I'm gonna get your homer.
(17:16):
You feel me, If I can't get you, I'm gonna
get your brother, you know what I'm saying. So I
think that's you know how that kind of happened, you know,
But that's just my opinion. None of us know what
made King Vaughn walk up on Kwondo Rondo and punching him.
That's gonna be the biggest mystery got for the rest
of hip hop time if you asks me, Hey, real tone,
(17:37):
it's a real money in the room.
Speaker 4 (17:38):
Hey, real tone, it's a real money in the room.
Speaker 3 (17:44):
While because everybody that we've talked about has been in
the conversations of pushing peace, you know what I mean,
including yourself, but somebody whom it seems like we just
can't push peace with it's sixteen.
Speaker 2 (17:55):
Shot him. You're a feeling dude. Dude, you're talking about
sweets team. Dude. Her, that's a little girl to me,
that's a little girl. To me, that's a little girl.
That's not a little boy. It's not a young man.
Sweet sixteen, it's a little girl to me. So what
you wanna know about Sweet sixteen? Real tone?
Speaker 3 (18:17):
Well, I I noticed in our last interview you kind
of mentioned that you didn't mess with him because of
some back and forth going on way back when. But
the situation has escalated online to where we seen he's
bought your logo.
Speaker 2 (18:34):
Sixteen was at home punching on his keyboard trying to
get my channel deleted. It's exactly what he was doing.
I got all the I got all the documents and
everything right here in my email feel me. Just when
the me Most six hundred interview was going viral, he
was at home trying to get my shit deleted on
God trademark my logo, yes, he did. So let me
show this for the people. If you got a B business,
(18:56):
if you got a product or clothe the brand or
anything in with you use the clothing. I mean, you
use a logo, make sure trademark your shit. I'm telling
this to the people. You feel me learned from DJU. Yes,
I fucked up. Yeah he won that battle. I take
my L. I take my al Real tune. You hit me,
and you want to know why. I'll proudly take my
(19:16):
al Real tune Because you can't spell the word million
without two l's. So I take that L. I take
that L. The fuck I'm in the game, bro, I'm
not nigga. I'm not a friend to lose. I take
that L. We was on top of the shit soon
as he started doing it, So let me break this
shit down for you. Me and Sweet sixteen was on
(19:37):
Instagram Live together and if you watch the Instagram Live,
we was talking about linking up, putting back on you know,
let it back on, be back once. You know what
I mean, Like when we got off Instagram Live, that
nigga got straight on the internet and trademarked my logo.
He did, and shout out to my brother Fresh, because
my brother Fresh told me right before that shit happened.
(20:00):
He told me, he said, man, you better trademark your
logo and try to get that motherfucker. I swear to god,
my nighbors told me that shit. And once I went
to go do it, the nigga Rahan or the girl
sixteen sweet sixteen, she was already doing it. You know
what I'm saying. I got all, man, I got all.
(20:20):
I got all the documents right here on my phone,
real tune, like everything, every step he made, every move
he made. I was watching him the whole time because
I'm like, man, I'm sorry, I keep calling he. I mean,
I keep calling she and he. I was watching her
the whole time because I'm like, man, let's see how
far the bitch go go with this shit. Man. Let
(20:42):
me let me see what she doing. Man. And so
we watched it, We monitored it. You know what I'm saying,
I could have I had initially fouled an opposition for
the trademark. But then I was like, nah, you know what,
because I'm I'm I'm I'm cool with rebranding because in reality,
every three to four years, you damn the need to
(21:03):
rebrand and people like new shit. You get tired of
the old shit, you see I'm saying, So granted, were
talking about a logo that could stay the same. I
had my logo for nine years, but he went and
trademarked it, you know what I'm saying. And when he
trademarked it, he started putting trademark complaints on my chinnel
(21:25):
when the Memo six hundred interview was going viral, So
let me break that down right June one, twenty twenty five,
I dropped the MIMO six hundred interview. That bitch going up.
What was my competition doing while he was at home
trying to get my shit shut down? He's spending all
his energy on me instead of spending his energy on
himself in his own channel. And that's the reason why
(21:47):
his shit looked like the way it is. Sixteen fucked up,
sixteen broke you feel me? So she don't know what
to do. The best thing sixteen can do right now,
with her career is for DJU TV. You feel me.
Everybody talking about this bitch playing chess, man, that bitch
playing check us. That one move, bitch, that was the
(22:10):
Checkers move, because all I gotta do is change my
logo and and rebrand this shit. Let me tell you something, bro,
you can steal my logo, but you can't steal my drive.
You can't steal my hustle, you can't steal my ambition.
You can't steal my personality. You feel nigga, I don't
even need a logo if you want to be honest,
(22:31):
I'm not selling clothes. I don't need a logo. I
could put these interviews up with no logo and they
still go rock. So shout out to that bitch as
little girl. She thought she was doing some shit. Man,
that bitch ain't doing shit, but turn me up real tune.
That bitch made me mad. I ain't gonna die yet.
She made me mad with that one. That's cool because
you know what, Now every motherfucking day, every day, drop
(22:54):
around this bitch and I'm finna have my new logo
blasted all over with Chicago on folksing them every bus stop,
every train stop at the corner. Stole nigga. You go
see dj U TV everywhere since a motherfucker want to
play with me, I ain't nobody to play with. You
can call me a goofy, you can call me a lamb,
you can call me all this and that because I'm
(23:16):
not no street guy or am I not mad? I
that be the fans doing all that talking, cause the niggas,
the niggas know my body. Trust me. The niggas know
my body. And I'm not saying that like I'm a
tough guy because I'm not a tough guy. I'm not
a street nigga. I'm not a you know what I'm saying.
I'm not a gangster. But don't play with me. Don't
(23:38):
play with me cause I'm gonna play all day. I'm
gonna play all day. So shout out to Sweet sixteen.
You feel me. She did her big one. But let
me ask you this real tune, Like I I I
now you stole DJU logo. Now what you see what
I'm saying? Like, now what you finna do what You're
finna start uploading your interviews and using like the world
(24:01):
don't know who dj University is by now, Like come
on gang. So he's just trying to make himself feel
better about the fucked up position that he in right now,
and it is what it is. Fuck DJ, you go crazy, man,
(24:22):
real told this a lot of money in the hotness, motherfucker.
You just up the ass bitch mine man.
Speaker 3 (24:28):
And I hate that too, man, just because it's like,
you know.
Speaker 2 (24:33):
Andy, she been hating on me from the start. Man
when I when I first met him, I first met
the little hole back in like twenty twenty one, you
feel me. We had an event together, like I was
the DJ for the event and he was the photographer.
You know what I'm saying, And shout out to my homegirl.
She the one that put it together because at the
time I had just started doing the interviews and I
(24:56):
was on the phone with her like on a daily basis,
and she like, well, you know, I know sixteen shot 'em.
You know, so if you wanna holler at her, you know,
I C, I C I could kind of you know
what I'm saying, set that up, you know What's what
my homegirl told me. And so she she had like
a a pop up shop of some in Chicago, and
(25:17):
she booked me to be the DJ. And she booked
Sixteen to be the photographer. And so that's when me
and sixteen first met, and I had sat down and
chopped it up with him. You know what I'm saying.
We talked. She gave me some great advice, I will
admit she did. You know at the time, I was
(25:37):
living in Atlanta, Georgia, Okay, I was really My first
intentions were to like be the Zach TV of Atlanta.
I ain't gonna lie. That was my first idea. I'm like, man,
I'm finna get out here and interview all these atl
hoods because they don't do that in the eight. You
know what I'm saying. Atlanta more like Black Hollywood, where
it's like everybody trying to be pretty and where fake jewelry. Look,
(26:02):
let me tell you about The eight real quick. I
ain't gonna get off subject. But in Atlanta, every nigga
got some fake jewelry. Every bit, you got a fake booty, okay,
But it's a lot of good shit that be going
on in the A of course, right, It's hoods everywhere.
So my initial idea was to be like Zach TV
of atl But when I chopped it up with sixteen,
(26:22):
she told me like, man, got atl cool, got al
shit cool, But if you really want to take off,
I think you should move back home. And when she
said that, I said, oh shit, say lasts is say lasts.
So I moved back home. I started doing my thing.
(26:44):
He claimed that he moved out to LA. Whether he
moved to LA or stayed in Chicago, I would still
go take off on her. So that's all it was, bro.
You know, we met. I told him what I was
gonna do, and I did it, and so he started
looking at it. Damn, this nigga told me he was
finna take off, and he doing shit, and he taking
off on me, his numbers rising way higher than mineig
(27:09):
niggas start getting nervous, real tune. So that's all this
shit is about. Bro, we do we do the same thing.
And yeah, you know, jealousy, you know, fuck just shina
what man, he can't make no money no more. Everybody
in Chicago want to do interviews with Dju. It's a
vibe with Dju. You know what I'm saying, DJ, you
go take care of fucking make sure Suger eat, masure,
(27:32):
FuG A drink, make sure loug a smoke, make sure
suck it cool cause love come to sit down with
DJU was a vibe. On the other hand, you got
this this little girl sweet sixteen telling you like man,
I don't know, man, I don't I don't do none
of that. Man, I don't pay nobody, I don't bat nobody,
no food, don't do none of that. All right, Well,
(27:54):
what the fuck? I'm finna come do an interview with you.
Folk there. If you ain't trying to show no love,
you just trying to profit off odd stories. You want
to come sit down with you for free so you
can make all the money off date. Man, Come on, bro,
these man come on value and that makes it makes sense?
Make it makes sense, bro. So yeah, shots, Sweet sixteen,
(28:15):
Oh shots, Sweet sixteen. She turned me up. I'm lit
now now I can't stop. Now I'm finna really go
to the end. Real told there's a lot of money
in the room. Game. It's a lot of money in
the room, A lot to you.
Speaker 3 (28:28):
Yeah, when DJA you in the room, is a lot
of money in the room. Listen, DJ you, what's next
for you?
Speaker 2 (28:33):
Right?
Speaker 3 (28:34):
Like we see you? You stay in the tabloids. You've
maintained consistently been going at this thing for about three
years now, four years now, and that's very hard to do.
Most businesses failed within the first year. What's next for
dj U TV? I want to see a book?
Speaker 2 (28:55):
You keep talking about this book? Man, I'm finna just
keep on on drop. I'm and keep on popping. I
ain't done. You know what I'm saying. What's next? It's
the same shit you've been seeing right now. I just
want to display consistency, you know what I'm saying. Like,
let me tell y'all something right, Success is the best revenge. Okay.
(29:17):
So no, I don't want to fight sixteen. No, I
don't want to kill sixteen. No. I don't want to
physically harm sixteen at all. That bitch will see the
success every time that bitch in my past. You go
see them numbers, you feel me? I can drop one
video that mother do way more numbers than he Didne
(29:40):
did in the last three four months. So what's next
for DJU? I'm finna keep popping it. I ain't done.
I ain't done. This shit, brother, is shit a marathon
out of sprint, you know, Like I look up to
my lad TV, I look up to my say cheez TV.
(30:01):
I'll look up to my Real Tune TV. You know
what I'm saying. Like everybody else mm, I don't care,
uh huh and I don't care to Cap Mama.
Speaker 1 (30:20):
Dj U TV man. Well over here a Real Tune bro.
Speaker 3 (30:24):
You know you always got support out here in Texas.
You know, Texas love DJU. I remember when you came
to my event. All the youngsters know what I'm saying
looking up to you. You know what I'm saying, waii ins.
You know what I'm saying, like from the trenches all
across America.
Speaker 2 (30:38):
And they went crazy when.
Speaker 1 (30:39):
They they they seen Dju, they went crazy. You know
what I'm saying.
Speaker 3 (30:44):
So you know, just know you got love. You know
what I'm saying, and and and and just let know
that you know we see you. You know what I'm saying.
I know that might not mean much to people, especially
when you grinding, because you can always do better when
you ground it.
Speaker 1 (30:58):
But for what you've been able.
Speaker 3 (30:59):
To accomplished in the amount of time that you've been
able to accomplish it, in the city that you've been
able to accomplish it, it's nothing short of legendary. And
that's Real Tune TV signing out.
Speaker 2 (31:13):
I Real tone.
Speaker 4 (31:14):
This the real money in the room. I real tone,
this a real money in the room.
Speaker 3 (31:20):
Dj U, I I have to ask you, right Memo
six hundred. I've interviewed me moo oh you be.
Speaker 2 (31:28):
With them stuffers home and they went shit get wrecked, Liz.
Speaker 3 (31:34):
I, I've interviewed me mo. He was a cool dude. Yeah,
I interviewed him in Dallas on the roofshop.
Speaker 2 (31:41):
Go ahead, go ahead, go ahead.
Speaker 3 (31:42):
See yeah, Well when I interviewed him.
Speaker 1 (31:46):
When I interviewed him, he was cool. But when he
got with you, it was like you pressed him steppers
before I was silent.
Speaker 2 (31:53):
O got heard steppers after you was kicking him with
dirt bro about No, I didn't know, you don't And
I'm a DJ what you're talking about? And I was
by DJ talking about you're trying to make you try
to make a point and I'm tired of letting it.
It's like you slide rob be letting all nas.
Speaker 3 (32:10):
A lot of people, even Poetic flock O calls you
a little dirt meat rider.
Speaker 5 (32:15):
There's other interviewer, go, DJ, you straight d riding. This
is I thought interviewers were supposed to be unbiased.
Speaker 2 (32:21):
Bright.
Speaker 5 (32:21):
This dude came in with a pure agenda, and I
think it was goofy.
Speaker 3 (32:27):
Because you pressed him so hard. My question to you is,
why did you go so hard on Memo six hundred man?
Speaker 2 (32:36):
First of all, or flock Oh you feel me he's
a fuckick eater. Excuse my profanity. I know you probably
ABU to cut some of that out. But I met
Flocko one time in California. I thought he was showing
me love. But you know these niggas phony, you know
what I'm saying, So I only want he showed me
(32:58):
fake love if he's talking about me in the regard
that he's talking about me. Now, you know, I understand
content is content, so I'm never taking anything offensive. So
he has some content right by the Flocko. Okay, cool,
Now to your question about Memo six hundred. Memo six
hundred head went to Instagram and made a post sneaked
(33:21):
this in Little Dirt. You know what I'm saying. After
a song was leak in which Lord Dirt saying the song.
Excuse me if I'm saying the line wrong, but he
says something alone the lines of I cut Timo off
cause he ain't served no purpose. I cut or no, no,
he said I cut Timo off because he was worthless.
I called whatever he's saying. He said some alone the
(33:42):
lines of cutting Memo off cause he was worthless or
not serving a purpose, something like that. Right, it was
a leak song. The song didn't even make it to
his album. It was something that somebody leaked. So I
put emphasis on a leak song because Lord Dirt didn't
put this song out. So yeah, Dirt said this in
his music. But even if you ask me, bro, like
(34:05):
if a nigga saying his song that Memo ain't serve
no purpose, shit, that's how he feel. I don't feel.
I don't even feel like that was a diss you
know what I'm saying. Like Memo was once one of
Little Dirt's artists. You know, he had to cut ties
with him and he and he said in the song
that he felt like Memo was worthless. Now, if you
(34:28):
want to go back to that time, I tell you
Mimo was worthless. But I ain't. I ain't known that.
My point is, Memo got online and started sneak this
in Dirt on Instagram. Okay, Little Dirt locked up. He
fighting for his life. Little Dirt is the guy that
put Memo six hundred in great position to succeed as
(34:50):
a rap artist. You know what I'm saying. So, like
I told Memo on camera and off camera, I understand
you feel some type of way because Bro cut you off.
And then he's, you know, saying this in his song
or whatever, but sneak this and him on the internet.
You taking it too far, And I can't respect that.
(35:11):
Nobody respect that. I'm the only one that's gonna speak
up because I got the platform to speak up. Bro,
photo them, not with me, Mo, when he know that
you feel me, photo them not go say you know
what I'm saying for them gonna get on his and
he know that you see what I'm saying. So I
was just letting him know, like, Bro, you bogus, and
(35:31):
you know you bogus. He know he bogus. That's why
when he was sitting in this same see, he ain't
had none to say because he ain't got none to say.
He know he bogus. He know he wrong. You chasing
that shit? Bro, you make a posts talking about that's
why I'm free? And he locked up. Guess who won?
Speaker 6 (35:50):
Like what, like what what type of shit is that
you're supposed to be a street You're supposed to be
a real like, so I didn't respect that.
Speaker 2 (36:02):
When Memo make that can posts, I'll tell you this
real tune. I screenshot at that shit immediately I knew
I was finna get on his ask. It was just
a matter of time on God, because he bogus.
Speaker 3 (36:18):
You don't think he was wrong after because it wasn't
just Dirk right moona duke r ip.
Speaker 2 (36:25):
He talked about I ain't gonna lie, I'm gonna cut
you off real tone. But even with the duke part
like that, I ain't got nothing to do with that
for real. I mean to do with the shit either.
But like the money do I Duke Lim was shooting
at me, mooing his homies, you feel me. I get that.
But Duke, it's dead, you know what I'm saying. So
(36:49):
now you this and a dead guy. This is somebody
alive and this is somebody that's dead. Those are two different.
This is you see what I'm saying. And when you
get to this nigga that's dead, his loved ones, oh yeah,
now they really finna get on that with you, you
know what I'm saying. And for Memo to be from
(37:09):
six hundred to be this fuck from old Block. That's
just too close. Bro, that's too close. Bro, that back
door open. Bro, your group of friends are too close
to this group of friends for you to be doing
that shit. So, Nigga, I was really trying to save
the nigga life in the interview. I'm really trying to
(37:30):
tell him, Bro, you tweaking that nigga Mimo acting like
he chasing death right now in real tune. He acts
like he want to die. He know what he's doing,
he know what he's doing. But he doing that shit
for likes. He doing that shit for views, He doing
that shit for engagement, And I know what I know.
So I stand on how I feel. I stand on
what I said. You see what I'm saying.
Speaker 1 (37:53):
When I did the interview with him, he was very
respectful to Dirk.
Speaker 3 (37:57):
Even when Dirk was brought up, he didn't mention his
Do you feel like if Dirk was home, he'd be
talking like he's talking?
Speaker 2 (38:04):
Hell nah, you know that everybody got something to say
about smirking now that he locked up, Bro, this shit
show you how the world is, how people is, the
fans everybody wish she wasch you You feel me. They
with you when you hot, you fall off? Fuck you
you a lame, you a loser. You woo woo woo
like man man free smirk. Bro, it's certain shit that
(38:28):
I don't. It's a certain shit I just don't. I'm
fucking with you know what I'm saying. Let me tell
you some real tune. A lot of his niggas be
putting on the facade for the internet. You hit me,
and I ain't for that, Bro, I ain't for that.
And then they be trying to come on DJU TV
and pop shit. Nah, Bro, I ain't for that. You
(38:49):
ain't finna come over here popping it. You know what
I'm saying. You ain't finna come over here popping it.
Goddamn it. Hell no, So shout out to me most
six hundred. But he know he bogus. He know he bogus.
That's why he ain't said nothing. Even after the interview
came out and everything went viral and everybody was, you
know what I mean, chiming in on it, he ain't
saying nothing. The best he came up with was that
(39:10):
ship was a skit. Oh the fuck it wasn't cut
it out? Do this, do this is like comic view. Motherfuck,
I'm not making those skits. Y'all crazy, right right right?
Speaking of me?
Speaker 1 (39:24):
Mos six hundred.
Speaker 4 (39:26):
Like real tone, it's a real money in the room, DJ,
you your couch.
Speaker 3 (39:34):
For years, people have been saying it's been cursed after
people have.
Speaker 2 (39:39):
Real tone, slow down game. They ain't been saying that
shit for years. Bro, that shit was just twenty twenty four.
Speaker 1 (39:45):
Bro, well it's twenty twenty five now, right.
Speaker 2 (39:48):
That shit with the couch gone.
Speaker 1 (39:50):
Oh, you don't have the couch anymore.
Speaker 2 (39:54):
Man, I just got tired of I just got tired of. Fuck.
I just got tired of all them. You know, I'm sorry, Bro,
I can't say I got tired of the comments because
the trolls be the trop Man. That shit, I don't know.
That shit was fucking my mental real tone. I'm not
(40:15):
gonna lie like I think I told you that in
our last interview. You know what I'm saying, Like, I mean,
I don't know, bro, death is death is not easy, man,
to interview so many guys and see them die shortly afterwards. Bro, Man,
(40:36):
I don't know, Bro, that shit. That's not a good feeling,
you know what I'm saying. So I got rid of
the couch to get rid of that energy, you know
what I'm saying, Because it got to the point where
people didn't want to People was coming to my fucking
studio but didn't want to sit on the couch. Literally
(40:56):
like it got like that. You feel me shout out
to our action and Savage right him and his people.
They pulled up with some bean bags. They put some
bean bags down, got damn it in front of the
couch and sat down and did they interviews like that.
You know what I'm saying. I remember when I interviewed
with Mama Duck and she brought her whole family. The
last interview I did with Mama Duck, the Mama Duck
(41:17):
in the Big Clout family, one of her daughters refused
to sit on the couch. So I'm peeping this, you
know what I'm saying, Because energy speaks volume. So people
feel like there are some bad energy on this couch
to where they don't even want to sit on it
no more. And granted it's a fucking couch. The couch
is not the reason that niggas outside dying, you know
(41:40):
what I'm saying. The couch is not the reason why
niggas outside sliding. My point is the energy right, the
vibrations right, the frequencies. You know what I'm saying. I'm
ready to level up, Real Tune. I don't want to
be I don't want to be in this Chicago box.
(42:02):
Just interview on the street niggas and crash outs and
the crackheads and the you know what I mean. Like,
I want to grow, You feel me? I want to grow?
So yeah, I feel like the couch had to go
and I love that couch. Man, that's my couch. Bro.
I got that couch from my granddaddy. On folks them great.
Don't nobody even know? Bro, I used to sleep on
that couch every mother. Now you can make some lame
(42:24):
mass jokes and say, oh ha haha, djuyo broke can
living in the studio ha haha. Hey, I don't give
a fuck what you say. Hey, hey, hey, Real Tune
a mother dj you indeed mother thing in the book,
but they can't call him broke. You hit me, nigga
used to sleep on that mother ouch every night. I
was manifesting my success. You see what I'm saying. We
(42:47):
didnet have a hundred street niggas. This bit our light.
Saw that a light sould my mother. I's down, wipe
that bitch down. I'm sleep and I used to get
the best sleep of my life on that mother couch.
And I'll wake up early in the morning, get on
my computer, start editing, start start researching. You know what
I'm saying, Bro, I work twenty four seven, But it
(43:10):
was the energy, you know, bloodhound litd Jeff lud Scorne
eight hundred tj thhf uh liud twin right uh t
slick uh man who else? Br I ain't gonna lie.
(43:30):
It's It's been a lot of guys that I had
of interviewed that thene passed away. There's been a lot
of guys I've interviewed that then went to jail. You
know what I'm saying. I know I interviewed the streets
of Chicago for show, but like I wish all these
guys the best. You know what I'm saying. I'll be
telling all these guys like, man, there's more to life
than this street shit. But unfortunately a lot of these
(43:53):
guys they just be stuck in that street shit to
where they don't know nothing else, you know what I'm saying,
Like they can't do nothing else, you feel me? So yeah,
I had to get rid of the couch. Man. It's
in storage though it ain't. I ain't throw it away.
I might bring it back later, but right now I'm off.
I got a cool down. You know what I'm saying?
Speaker 1 (44:18):
Nah for shit show?
Speaker 2 (44:20):
Uh?
Speaker 3 (44:20):
Do you know all of the artists who had either
their been shot, killed or went to prison.
Speaker 2 (44:30):
That set on your couch? That's what I was just
trying to name off all of them. Shit be a lot, though,
Like you said, do I know how many? Yeah? Yeah, nothing,
number off of my head?
Speaker 1 (44:41):
Hell can you name 'em?
Speaker 2 (44:42):
Mom? Which one died or in jail?
Speaker 3 (44:49):
I was thinking both, but I didn't know that it
was that many on both sides. Like it is, there
been over ten that has died and been in jail
that set on your couch.
Speaker 2 (44:59):
Like I mean, I was just try the name off
the ones that died. Let me try again for you, right, Bloodhound.
Little Jeff died a few weeks after I interview Little
schoon Dad twenty four hours after I interview twenty four
T Slick from Glow Gang eight hundred tj uh THHF
(45:20):
Little Twin. These are the ones. These all the guys
that passed away, but look Fulio from Florida Right I interview,
even though he wasn't on the couch. Shout out to
Trey Tray, Free band Gang, shout out to aar Row.
I'm saying, shout out r ip right RP to trade track,
(45:44):
Free band Gang, RP to ar Row from m block. Man,
it's a lot. I don't want to miss nobody type shit.
But on the jail side of things, Free Little Dirt, right, Free,
No Limit, Cairo right, free Love, Reese right, free FBG,
(46:09):
butter Okay, Free King Yellow, free seven five seven B
eight Who else in jail? Uh? That's all That's all
I can think about right now. Excuse me if I'm
missing anybody, you know, because that there has been so
(46:31):
many a recipeace to every young man that I've had
the pleasure of speaking with, and free all the guys
that's locked up that I've spoke with, Free blood as
free band okd even though he locked up for for
(46:52):
killing the little girl, Free him, fucking but free him eight.
Real tone, Let's wrap this up. Man. My mama gonna
get mad at me for saying this shit that I'm
telling you.
Speaker 3 (47:04):
Game, I just I just had one more, one more question, DJ,
do you know?
Speaker 1 (47:12):
Do you do you know why King Yellow went to jail.
Speaker 2 (47:16):
He's I think he got locked up for trying to
pimp some hobs something. Man, So Keen Yellow Pete, you
know he got there in Vegas, ship, I don't know
what he got going on. I had actually talked to
Yellow right before he got locked up, and I was
trying to book them for another interview. But uh say,
cheese head did I'm like right when I was hitting him,
So I'm like, all, all right, well, they damn touch
(47:38):
basis with you on the same shit. I wanted to
touch basis with you over there. When the NBA D
dog shit was going up, Ken Yealler was making videos,
you know, you know, blogging about it, and I had
called him because you know how this YouTube ship, right, like,
as long as your video is eight minutes are longer,
you could run ads, meaning you can make more money
(47:59):
for your video. So he was making videos that was
like four minutes long. So I gave him a call
and I said, hey, y'all, I just saw your video.
I'm not mad that you was talking about me. You know,
I don't care about that shit. I'm calling to give
you some advice. We need to make this folk minute
video or eight minute videos so you can make some
more money off your video. And Ken Yeller told me, man,
(48:20):
I don't give a fuck that YouTube shit. Man. I'm
out here, y I'm out here doing my thing. And
when he said that, I'm thinking in my mind like, Okay,
what could he be possibly doing that could be making
more money than YouTube? He cause, I ain't gonna lie.
YouTube changed my life. Okay, So I ain't really interested
(48:42):
in nothing else. I don't know nothing else that could
make me the money that YouTube makes me. You see
what I'm saying. So I take my shit serious. You
hear me. When I learned that the eight minute videos
made more money than a seven minute videos. Eight you
ain't seen a minute, and you ain't seen a video
on my channel less than eight minutes yet. So yeah,
I think I think Ken Yeller just got discouraged, you
(49:06):
know what I'm saying. But Yeller is a great guy.
Yeller is a family man. You feel me. Yeller moved
to Vegas to get away from the shot rack boards
and free king. Yeller, Man, I hope, you know, I
hope everything is alright. He come home soon.
Speaker 3 (49:22):
Man.
Speaker 1 (49:25):
No for shit show, DJ you go crazy.
Speaker 2 (49:29):
Real Tone is a lot of money in the room, man,
you know how fuck you? You know that?
Speaker 3 (49:33):
No a salute for shit show? Shit show til next time.
Is there anything you wanna let your fans know?
Speaker 2 (49:42):
Yeah? I just wanna let my fans know that I
fuck with y'all as much as y'all fuck me. You
feel me. I love y'all because without y'all, there's no me,
you know what I mean? I hope I didn't come
off away in this interview. I know, you know, fans
love the troll DJU, but hey, but dig this. Everything
(50:04):
got said, I'm meant, and I stand on it, I'm saying.
So I just want to thank y'all for rocking with me.
You know, I got I got another YouTube channel. I
got a second one. It's a reaction channel. So if
y'all can you know, subscribe to my reaction channel, i'mnna
be getting that mothers shout out to Real Tune. You know, Hey,
(50:27):
make sure y'all hit that subscribe button because y'all be watching,
but y'all don't subscribe. So right now I need you
to subscribe to Real Tune TV. Help Real Tune TV
get to that four hundred K because we on our
way to a half a meal. No fuck Real Tune,
I tell him all the time. I don't fuck no bloggers, none, none, none,
(50:49):
But I fucked Real Tune. And I like to put
inmphasis on that because I don't fuck nobody period. I'm
not a friendly guy. I'm not. You can just call
and be like, Hey, DJ you, what's going on? Ain't
shit going on? What the fuck you calling me? Folk?
What you finna ask me for? Niggas be calling to
be doing all that small talk? Man, I just show you. Man. Look, man,
(51:13):
were gonna get up out of here, but I'm gonna
just show you. This. A nigga to me earlier with
all of the small talk in the world. Hey, what's
up DJ you? How you doing? Bro? I was just
thinking about you. How you feeling woo whoo? After we
got doing all that, this nigga asks me, and it's
a grown ass man texting me character donate help your
(51:35):
boy get a few groceries. It'll be highly appreciated. I
ain't counting your pockets nothing, just figured out ass. Since
I am tapped in with Dju himself, ain't. I ain't
respond to him real tune. Three hours later, this same
(51:57):
grown ass man texting my phone. I don't even know
this nigga, never met him in life. This same nigga
that's on my phone. I only needed twenty dollars for
a blunt At least, I'm telling the truth. You gotta
respect it. But I'm still gonna support you anyway, my nigga. Hey,
check this out. I don't need Joe support my nigga.
You feel me, shouldn't no grown man be comfortable with
(52:17):
asking another mother oh man for grocery money? What the fuck? Hey,
real toune, it's a lot of money in the room.
I got a I got a little boy on the way.
My baby boy, you be here in September. I'm very excited.
I'm super duper mother excited, and so when my baby
boy get here, I definitely ain't got shit. None of
(52:37):
these grown ass, worthless ass don't serve a purpose ass
memos six hundred ass nigga. I'm done, real tone, I'm
done gang. I ain't got enhing to say. Gang. Fuck.
I love y'all for fuck y'all on God, DJ, you
go chrazy, ain't real tone? It's your money on
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