Reese On The Radio On NewsTalk 1080 WTIC 2-6pm ET 7/31/25

• Don't Be Ugly
• Stupidest Thing I've Read Today: 
  Kamala Wrote A Book?
• Sgt James Rutkowski
• Russiagate
• Hollywood News - Eddie Murphy
• Negro Nonsense

Episode Transcript

Speaker 1 (00:23):
Hey, yeah, they they should calm down.

Speaker 2 (00:26):
The show is about to style on the radio.

Speaker 3 (00:29):
Turn it up, Turn it up, Turn it up loud
like a dream come true.

Speaker 1 (00:35):
Your dreams.

Speaker 4 (00:39):
Up.

Speaker 1 (00:40):
Due to the nature of this program, discretion does not exist.

Speaker 5 (00:43):
It's Race on the radio right now on w t
I see News Talk ten eight.

Speaker 1 (00:53):
Hello, let's go, h I'm gonna go see these guys tonight.

Speaker 6 (01:05):
What's going on all you scalaway nut megas across the
fruited plane.

Speaker 7 (01:12):
It's Reese on the radio on WTIC News Talk ten
to eighty. Let's get it pop in. We got so
much stuff to get into today. I've got news, I've
got views, I've got headlines, I've got Russia Gate, more
unsealed declassified documents coming out today. And I've got some

(01:33):
audio that just burns the Democrats.

Speaker 1 (01:36):
It's so bad.

Speaker 7 (01:37):
I also hear there's a senator who vows to expose
tonight on YouTube. I don't know what it is, but
I will tell you guys about that as well. The
Epstein files. They you know, the CBS is now investigating
it intently. You know, the video tape of inside the jail,
They've got all that stuff there. They're so enamored with

(01:59):
this story now good and got them to talk about
it for years.

Speaker 1 (02:02):
But now they're all over it. Thank god. Hey, you
know what, better late than never? Uh right.

Speaker 7 (02:13):
I'm so happy now that the mainstream media, or Sarah
Palin used to call them, the lame stream media, finally
joining the rest of us in the twenty first century,
covering the stories that we wanted to know eons ago.
Thanks for joining us, folks. Welcome back is the DeLorean. Okay,
since you got back from the past. I want to

(02:35):
talk about something today because I was thinking about this
last night, saying to myself, if I do this monologue,
I might hurt feelings. I might say something that I'll
get a call from my bosses and say, Reese, a
lot of people called and they were really really upset
with what you've said on the air that day. And

(02:59):
I kept going over and over and I said, there's
a way to do this. There's a way to do
this that makes my point where I don't have to
hurt people. I don't have to be mean spirited because
what I want to say isn't mean spirited. I'm just
coming from a very honest place. And before I tell

(03:22):
or do the opening monologue. There's a video circulating about
an interview that Jerry Seinfeld did with Howard Stern on
his program It's not about Howard Start, It's about Jerry Seinfeld.
And Jerry Seinfeld talked about the brilliance of a joke.

(03:43):
Many of you may have seen it, be it on Instagram, TikTok,
wherever it is you get your Internet or interweb stuff.
But he says this joke, He talks about this joke
and how he tweaked it. The first joke was, who
are these people who don't answer phone calls?

Speaker 1 (04:06):
You're not that important?

Speaker 7 (04:10):
And he said that that hurt people's feelings in the audience.
So he tweeked it by then telling the joke by saying,
who are these people who were calling you? They're not
that important? Said the joke work, same joke, but it
twists who the subject is and it insults people who

(04:30):
aren't present. And I thought, how smart of him understanding
comedy in that way. That's the reason why he's one
of the masters. I like Seinfeld, don't really watch his
stand up, but he is funny and brilliant. So I
took that video and applied it to today's opening monologue

(04:55):
because I thought it was you know, made sense. So
I'm gonna start off the monologue by saying I was once.

Speaker 1 (05:05):
Ugly, hideous even.

Speaker 7 (05:09):
Oh yes, as a child had a big, giant head.
My head was I was called squarehead. As a child.
My nickname was Bummy Eddie. I was ridiculed and mocked
in my neighborhood often and bullied. Oh boy, was I bullied.
I told you about my bully. His name was Cornflake.

(05:29):
His real name was James, but I only knew him
as Cornflake. In fact, it was only after I stopped
getting my butt kicked by Cornflake I realized he had
an actual name, James. But I was bullied by this
and mocked. No girl dated me or liked me. I

(05:51):
was a mess, folks. I was a mess, and I
understood that. And having never ever had a girlfriend in
junior high or high school, I knew that something had
to change.

Speaker 1 (06:08):
It was me.

Speaker 7 (06:10):
I had to dress better. I had to stop being
socially awkward. I had to learn how to navigate through
and around my peers so that I could become an
acceptable member. It was hard, it was difficult. I watched

(06:31):
movies and television. I talked to friends and neighbors and
other cool kids.

Speaker 1 (06:37):
I watched how they worked and I adapted.

Speaker 7 (06:43):
I even dare I say, stole a little bit of
their style and incorporated it into my own.

Speaker 1 (06:52):
I liked funny comedians.

Speaker 7 (06:55):
I often talk right here on this program about how
my mother loved Robin Williams.

Speaker 1 (07:01):
Anything he was in my mother was all over.

Speaker 7 (07:05):
And I was a bit jealous of Robin Williams because
he made my mom laugh, and I wanted to make
my mother laugh.

Speaker 1 (07:12):
I got that opportunity as I got older.

Speaker 7 (07:14):
I loved my mother used to sit around and listen
to my podcast all the time, and I would hear
her chuckle. It was like the biggest reward to make
my mom laugh the way she did, and to make
her laugh the way that Robin Williams did. Forget him.
I was in heaven and I realized that that was appealing.

(07:37):
I learned that style from things like from guys like
Richard Pryor and Eddie Murphy and Red Fox. I was
becoming attractive, I was becoming likable.

Speaker 1 (07:53):
It took years.

Speaker 7 (07:56):
I'm talking about the guy who was ten years old
versus the guy who.

Speaker 1 (08:01):
Was twenty years old. Were night and day.

Speaker 7 (08:07):
I knew that I could become an attractive person, not
just in looks, but in style, in approach I could
gain I would say, a little bit of gravitas, and

(08:28):
it turned me into the beautiful man that I am today. Oh, hell,
I'm gorgeous, even if you don't think so, Even if
you were to look at me, or to see me
in any other case and say, I don't know, maybe
you know he's a Hartford five.

Speaker 1 (08:44):
I don't, and that's fine with me.

Speaker 7 (08:48):
But growing up I realized that I was not going
to be attractive to everyone, but I made myself attractive
to some. I knew that I could be a peace
and it took a long time. I knew I couldn't
do it overnight. I had to learn to be okay

(09:10):
with where I was in life and make the best
of that. Now, why why is all of that important
to this opening monologue? Well, folks, the ugly people are
in charge, or at least they think they are, and

(09:31):
I'm trying to figure out when it happened. Oh, it
would have been great if that had happened when I
was ugly, or at least I thought I was. It
would be great if it was like that when I
was a kid. That you mean to tell me my
ugliness has power. I could make the beautiful people bow

(09:51):
down to me, that I had that power, that I
can use my ugliness as a means to get the
beautiful people to heal.

Speaker 1 (10:02):
Look at you, Lee Majors.

Speaker 7 (10:08):
Your attractiveness and getting the star on the six million
dollar man is white supremacy. They should give that job
to an ugly black man. Boy, if I knew I
had that power. You guys know what I'm talking about,

(10:29):
This Sydney Sweeney thing. They haven't learned. It's growing, The
conversation is growing, and the ugly people think that they're
still in charge. Yes, we know what happened four or
five years ago, when everybody was just relinquishing their power

(10:50):
to the uglies.

Speaker 1 (10:52):
I know, I understand that.

Speaker 7 (10:55):
I know that people needed to feel bad or better
about themselves by reliquishing or feeling guilty about their wealth,
their privilege, their prominence, held their beauty. They needed to
shame themselves and hand it all over to a bunch
of people with holes in their faces and metal dripping

(11:15):
off their noses. I don't know what happened, but that's
not the world that I want to live in. I
don't want to live in a world where I now
have to be completely overrun by slovenly, unkept, disgusting looking

(11:36):
people with purple hair. It is unfathomable. I need something
to reach.

Speaker 1 (11:43):
Don't we all.

Speaker 7 (11:46):
Sure We're never ever going to look like Sidney Sweeney.
I am never ever going to look like some of
these heart throbs and you know whatever, these bird chest
boys who are dancing all on stage, I'm never gonna
look like them.

Speaker 1 (11:59):
I get it.

Speaker 7 (12:00):
I'm a tordun at thirty five pound fifty five year old.

Speaker 1 (12:06):
I'm never gonna look like them.

Speaker 7 (12:07):
Hell, I don't even think Denzel Washington is attractive, but
for some odd reason women find him gorgeous. And I'm
never gonna look as good as him, never, And I've
accepted that.

Speaker 1 (12:21):
But here's the thing. People are always.

Speaker 7 (12:25):
Asking ugly people to its or people are always saying
that ugly people need to accept who they are and
what they look like. Well, I'd like to extend that
olive branch to you, beautiful people. I need you to
accept how beautiful you are and how much joy you

(12:47):
bring to the world. You do I'm telling you you do.

Speaker 1 (12:54):
Believe it or.

Speaker 7 (12:55):
Not, there are people right now joining a gym, jogging, exercising,
making themselves better. Why because of you, you're making the
world a better place. Never give that up. Those of

(13:17):
you who are naturally beautiful, Why would you ever relink
that God puts you here to beautify the world. That
is nothing to be ashamed of. Ever tell the ugly
folks to pound sand and work on it, get on it.

(13:39):
You see, I had this theory back in the day,
and a lot of people got mad at me for this,
and they may even be mad about it today. I
had a theory about tattoos and them getting one. But
I had a theory back in the days about tattoos
and not the guys who originally would get tattoos, you know,
the ones who get like the heart with mom. Maybe

(14:01):
they get something significant on their arm. They were in
the military, so that was kind of you know, the
culture sailors or you know, was a big one when
I was growing up. But then we started to see
people who really didn't need a tattoo getting tattoos. And
then you'd meet him and you talk to him, and
you found out that they were vapid and empty and

(14:22):
had nothing even remotely worth talking to to them about,
you know who they are. And I came up with
a theory and says, the reason why that person got
that outrageous tattoo was because if they have that, at
least they have something to engage other people with. It's
like an ornament. It's like a snow globe on your arm. Hey,

(14:44):
where'd you get that from?

Speaker 8 (14:45):
Oh?

Speaker 7 (14:45):
This tattoo artist down in the village, he's really really interesting.

Speaker 1 (14:49):
I did this one because that's.

Speaker 7 (14:50):
My grandmother, and there's my mom, and this one goes
to my great great grandmother.

Speaker 1 (14:54):
Who's Yeah, now they're interesting.

Speaker 9 (14:57):
Now.

Speaker 7 (14:57):
I know a lot of people get mad at me
for saying that. I'm not talking about to if it
don't apply, let it fly. But see, now I've noticed
there's a different thing going on. It's not about tattoos.
Now they're putting metal in the face and it's everywhere
all over them doing the big giant gauges in the ear,

(15:18):
big giant holes in the ears. Yeah, you'll see them
out there. And what happens when they walk by you're
looking at them? Why, because otherwise you'd never notice. Otherwise
they're just another face in the crowd. And we live
in a culture today that everyone must be noticed. And

(15:38):
because they don't see themselves as beautiful, they have to
turn themselves into freaks. Because now the freaks are in charge.
The crazy people run the asylum now. And why because
good natured people, good sold people don't want their beauty

(16:05):
to make others feel bad. This makes you a saint,
but also a fool. They will never forgive you for
being beautiful. They will only shame you and dismiss you
and be hurtful to you. Once you give them that power,

(16:29):
it is hard to give it up because they've never
had it before and they don't know how to wield
it other than to put you down. So enough, give
it up. Embrace your beauty. I demand it.

Speaker 1 (16:47):
I ask you. You are doing the world a service.

Speaker 7 (16:53):
Continue, be beautiful, flourish, make beautiful babies.

Speaker 1 (16:59):
I don't care if they're blonde hair and blue eyed.
We need more of you. Be fruitful and multiply.

Speaker 7 (17:09):
Ah, don't let these don't let these horrible people tell
you that you don't deserve to belong.

Speaker 1 (17:17):
They belong to.

Speaker 7 (17:19):
Perhaps they can adapt, perhaps they can recognize their.

Speaker 1 (17:25):
Own inner beauty, and then maybe.

Speaker 7 (17:28):
People will start finding them attractive overall, and they won't
just look at them as just service people, service folks,
or surface beauty with a whole bunch of holes in
their face. Think about it, Beautiful people unite. We love you,
we respect you, and we need more of you. We'll

(17:50):
take a break. It's Resun Radio on wt I see News.

Speaker 1 (17:53):
Talk ten eighty. Hey we're back rees on radio News
Talk ten eighty.

Speaker 7 (17:59):
Look this whole thing about beauty and being attractive.

Speaker 1 (18:05):
You gotta understand what this is about. And if it's
one of those.

Speaker 7 (18:12):
Things where you're not allowed to say certain things because
it comes off a certain way. So imagine there's a
booby trap inside or embedded in a conversation.

Speaker 1 (18:26):
Let me explain it to you this way.

Speaker 7 (18:29):
If I were a white man and I were on
this network saying, white folks, it's okay for us to
say that we're beautiful, It's okay for us to be
beautiful and attractive, this would be deemed white supremacist talk.

Speaker 1 (18:46):
If we were to leave it.

Speaker 7 (18:47):
To the bozos who think that they're in charge, right,
all of the knuckleheads on Instagram, Facebook, Twitter, and all
the social media, as a black man saying I love
Sydney sweety. She's an attractive and hot and very beautiful,
blonde haired, blue eyed, white woman, and she's the salt

(19:09):
of the earth.

Speaker 1 (19:09):
Dammit.

Speaker 7 (19:15):
Every black person listening would go, look at that sellout,
wanna be white? But see the only thing that separates
if I were a white person and being a black person.

Speaker 1 (19:28):
Saying that.

Speaker 7 (19:30):
Is giving a damn, And I don't give a damn.
You see, the power is somewhere in the ether. You
can hold it, or you can give it away, or
you can see it without even trying. What's happening in

(19:51):
this American Eagle controversy is now spreading to the New
York Times.

Speaker 1 (19:56):
Try this on for size. They did this yesterday.

Speaker 7 (20:01):
The New York Times team up to bash conservative women
for being skinny. Liberals are getting fatter, Conservatives getting skinnier,
And it all comes back to the most important thing
in life. This is the conversation people are happening. Maybe
it's the summer, Maybe it's people trying to distract themselves
from the news that's really really killing them, and that

(20:23):
is nobody wants to be a Democrat, no one wants
to be woke, and they're trying to resuscitate wokeness. Perhaps
that's the reason. If I were to go out on
a limb, I'd say, that's exactly what it is.

Speaker 1 (20:37):
But you don't. Woke has gotten the impression.

Speaker 7 (20:40):
And again, when you give someone power, they will abuse it.

Speaker 1 (20:44):
It doesn't matter who it is.

Speaker 7 (20:47):
If you give them unadulterated power, if you give them
unchecked power, they will abuse it.

Speaker 1 (20:54):
They will see how far they can go.

Speaker 7 (20:58):
It's human. We all want to be good. Some people
are really really good. I will say a vast majority
of people are really really good. But if you put
a particular kind of power in a person's hands where

(21:22):
it sort of piques something that is really dear to them,
they can be influenced, if not tempted, to abuse it,
because again it's unchecked.

Speaker 1 (21:44):
It's just who we are.

Speaker 7 (21:46):
I can do that, and then you start to test it,
and if it feels good, and if you've convinced yourself
that what you're doing is good.

Speaker 1 (21:56):
You can overstep.

Speaker 7 (22:00):
If somebody is close to you, they can go to
and say hey, hey, hey, hey, you're going too far.
Maybe you might moderate all right, yeah you might be
right and maybe going too far, but.

Speaker 1 (22:08):
I'm doing the right thing.

Speaker 7 (22:09):
You can convince yourself of that that's what's happening to
these people. Remember, they were never operating out of the
goodness of their heart. What do you think woke was about?
Do you think woke was about? I think it's unfair
that they have all of this privilege. I think it's
unfair that they're on every magazine and in every newspaper,

(22:31):
and on every commercial and in every movie, and if
they should spread the wealth fairly and equally. Do you
think I was their motivation? No, all of this came
out of anger. All of it over time, constantly washing
over people like a wave, kept deteriorating all.

Speaker 1 (22:57):
Of what we knew.

Speaker 7 (22:58):
And then finally people got in charge and said, I
can actually do something about it. I'm going to be
the person who is going to save the ugly folks.

Speaker 1 (23:10):
I say that tongue in cheek.

Speaker 7 (23:14):
Then all of these people start giving it away, just
start giving a little bit away of their power.

Speaker 1 (23:19):
Why.

Speaker 7 (23:21):
Part of it is because they don't want to be
abused by these people. They don't want the pitchforks at
their house. But they also feel, in some way, I
don't know, they feel great about themselves. They feel like
they've accomplished something.

Speaker 1 (23:35):
I was a savior. I did the right thing.

Speaker 7 (23:40):
Look at me, and then what happens when no one's looking,
They turn against you.

Speaker 1 (23:47):
Okay, we're done with you.

Speaker 7 (23:48):
Thank you for letting us in the door, thank you
for giving us the keys to the castle. Now you
can go. And now you're on the outside looking in,
saying what happened? Why is it that you're a pariah now?
Because you were never one of them. You were never

(24:08):
one of their friends. You were the enemy who was
swayed by their anger, by their bitterness. You felt bad
for them, and you were taken advantage of. And now
you're wondering what to do with yourself because we don't

(24:28):
want you.

Speaker 1 (24:29):
You're a trader. You just are. You're a trader.

Speaker 7 (24:35):
No one can no can ever, no one can ever
trust you with the keys anymore.

Speaker 1 (24:44):
She go to the back to back of the line.
We've got this.

Speaker 7 (24:48):
I just want to tell people that, look, if you're beautiful,
and this isn't to say that other people aren't beautiful.

Speaker 1 (24:54):
Have you seen Selma Hayak? Have you seen her?

Speaker 7 (25:00):
Have you seen her today? Still as hot as ever?
I'm not gonna lie. She's she was absolutely a she
was like a dime plus fifteen cents back in the Donna.
Wasn't even that Quentin Tarantino movie that he was in,
dust Till Dawn?

Speaker 1 (25:17):
Was that the name of it?

Speaker 2 (25:18):
Either that or done to Done till Dead somebody?

Speaker 7 (25:21):
Yeah, dust till Dawn? Yeah, But George Clooney and Quentin Tarantino.
The when she was in there with the with the
with the snake around her or her neck clutch was flogged.
So I'm like, who is this? But yes, that beautiful
women everywhere of all shapes, sizes, races. I mean, I
could think of a dozen just off the top of
my head that aren't white and blonde. That I mean,

(25:46):
immaculate looking woman all over the place. But this nonsense
that we have to exclude certain individuals because they're not
in the minority is bogus. I don't want to limit
beauty in my life. I don't want to start scaling

(26:06):
it down. Who are these people? Wretched, I tell you,
wrenched individuals.

Speaker 1 (26:14):
I can't even imagine that I saw this.

Speaker 7 (26:19):
They have this video that came out yesterday, well it
didn't come out yesterday, but apparently Sidney Sweeney's in another
ad where she's in some sort of like suede bikini
for shoes and with wearing a cowboy hat. She walks
up on the screen. I was watching it yesterday on Fox,
and she came up with a screen. My wife is over,

(26:40):
like literally sitting in the liver room with me, and
it shows up on the screen and I go, whoa.
And I look at my wife and I go, I
am so sorry. Ro Sand looks at me and says, oh, no, no, no,
no apology needed. She's looking at the same thing I'm
looking at.

Speaker 1 (27:01):
She couldn't believe how gorgeous she was.

Speaker 7 (27:04):
Now, hell, that's the reason why I married her, because
she's cool as hell. But she didn't, you know what
I'm saying. There was nothing to be jealous about. She
recognized how hot Sidney Sweeney looked because I had never
seen him. I was like, whoa, really, and she was like, no, no,
no apology need. She looks amazing. But see, that's because

(27:27):
my wife isn't bitter as a lot of people aren't.
They appreciate that beauty it enriches their life, and it can.
Beauty is there to enrich your life. It's not about objectification.
It's not about any of that nonsense. It's about all

(27:49):
of us. My wife looked at her.

Speaker 1 (27:51):
And said, I gotta get in the gym. That's the
first thing she said. I gotta get in the gym. Folks.

Speaker 7 (27:58):
That's what we call inspire. Now, I, being the hero
and brilliant man that I am, looked at my wife
and said, baby, come on, nah, you look fantastic.

Speaker 1 (28:18):
And I'm sticking to that. She's not. She's beautiful, crazy,
the luckiest man alive. But you got it.

Speaker 7 (28:27):
I mean, come on, all that other stuff is nonsense, insane,
I might add. Now, Frank is saund telling me that
everybody is beautiful. Frank, with all due respect, some people
are beautiful on the inside.

Speaker 9 (28:44):
Oh no, there's only one natural beauty in America.

Speaker 1 (28:48):
Yes, I know the Queen.

Speaker 7 (28:52):
Hey, I can, and her name is Sidney Sweeney. And
I can name a couple others.

Speaker 9 (28:57):
Let me tell you, you don't judge your beauty a
woman's beauty at five o'clock at night. You judge it
at five o'clock in the morning. These white women, at
that hour, they were as white as a bottle of milk.
And it's unbelievable how white they are.

Speaker 1 (29:14):
Hey, you know what, Listen, to me.

Speaker 7 (29:16):
I'm gonna say this again, and I'll say it from
the bottom of my heart. Okay, you will not ever
ever disgrace the salt of the earth defined beautiful.

Speaker 9 (29:25):
White, nature's beauty. Look at what happened to Connecticut. We've
had record amounts of people going to the beach there
to turn people away. Who's at those beaches getting a
sunthad trying to look black?

Speaker 1 (29:39):
Oh no, no, I won't. Listen.

Speaker 7 (29:40):
That's one of my biggest lines. I'll tell them, like
everybody wants to be black until the police are.

Speaker 9 (29:44):
Called, wants to be a black. Listen, Nature's beauty is
the black wom This guy called up yesterday, Craig talking
about hot blondes. There are no hot blondes, my friend
at five o'clock.

Speaker 1 (29:58):
Listen to me. That's first of all, I know, oh
that's nonsense. I never believe in that.

Speaker 7 (30:01):
But Frank, I know I knew as soon as I
saw you, was like, this guy's got to defend black women.
This isn't to say that black women hold on. This
isn't to say that black women aren't gorgeous. The most
beautiful woman in the world that I can tell you,
I'm telling you. There are a lot of people who
cannot beat this woman. In my view, I think she's gorgeous,
and that's Kelly Rowland. I still say she's at the

(30:22):
top of my list the beautiful women in this world.
And she is a black woman, the woman from Destiny's Child.
She is one of the most gorgeous women in the world.
I used to have a huge crush on Gabrielle Union,
and Megan Good is another one. All three of those
women are top tier as far as my level of beauty.
But I'm not gonna sit up here and just shame
the beauty of the blonde hair, blue eyed white woman.

(30:44):
I'm sorry, I disagree with you because I woke up
with a blonde I woke up with a blonde hair,
blue eyed white woman for four years back in the nineties.

Speaker 1 (30:58):
No, I definitely was not you get.

Speaker 7 (31:00):
Out of here, a mean guy. Not gonna just defame
my beautiful white women.

Speaker 1 (31:09):
Again.

Speaker 7 (31:09):
I'm just saying this craziness, this whole thing about now,
it's now it's going to be associated with conservatism, with maga.
Looking good is now associated with maga Republicans. I'll take it.
I'll take it any day of the week. You know
if you I mean, if that's the way we're gonna

(31:30):
look at it. And we walk down the street and
we're looking at somebody and they're either overweight or got
a whole bunch of holes in their face.

Speaker 1 (31:38):
Am I gonna go? Who?

Speaker 10 (31:40):
We know?

Speaker 7 (31:40):
Who you voted for? You look vaccinated? Okay, that was
a joke. Don't be mad. I know a lot of
people got vaccinated. I'm not trying to crap on you.
We gotta take a break when we come back, more news,
more views. Will take your phone calls. I know a
lot of people want to chime in on the subject.

Speaker 11 (32:00):
You can.

Speaker 1 (32:01):
It's like zero five two two WT. I see, it's
like zero five two two nine to eight four two.
It's recent and radio on WT. I see new Stalk
ten eighty.

Speaker 7 (32:10):
We're back. It's Reesa on the radio WT. I see
news Talk ten eighty. I know for a fact that
anybody on the leftist listening to that and just going, man,
he just I don't care. I don't care. The nonsense

(32:30):
is over with. I can't play games with these people anymore.
And I can't. I can't even listen to the outrage.
I've seen every video there is that has been protesting
this ad and I'm sorry there ain't a looker amongst you.
And when I was growing up, that was just jealousy
and envy and looking at that woman and being absolutely

(32:55):
upset that deep down your boyfriend it's checking out Sidney
Sweeten and that makes you feel inadequate.

Speaker 1 (33:05):
That's all because you already have low self esteem.

Speaker 12 (33:10):
Work on it.

Speaker 7 (33:11):
I mean that's the whole thing, right, self esteem. Let's
go to a guy who's dated more strippers than Hugh Hefner,
White minke Is call him for Florida.

Speaker 1 (33:20):
What's going on, Buddy oh Man?

Speaker 10 (33:23):
Well, yeah, the thing is no, not everybody's beautiful, because
beauty is defined by its opposite member. So if everybody's beautiful,
nobody's beautiful.

Speaker 1 (33:34):
Very good, very good point Oka.

Speaker 10 (33:37):
And as far as his last guy, look man, I
don't know he's got jungle fever or whatever. There is
not a black woman on the planet who wakes up
every day and has to deal with that thing on
top of her head that doesn't secretly wish she was
a blonde haired, white girl with good hair.

Speaker 7 (33:55):
You know, it's I always remember that line from from Amy,
You remember that you know a black rage scene where
the comic book guy is in.

Speaker 1 (34:05):
Like, deep down, we all wants to be white, and
Jason gets up and says, isn't that true?

Speaker 10 (34:13):
You know we talked about this before, and I actually
feel sorrier for black women than anybody because they live
in a society in which it is one hundred percent
clear their beauty standard is not the accepted standard.

Speaker 11 (34:30):
It's just not.

Speaker 10 (34:31):
It's never gonna be. I don't care how many you
push at us. I don't care if you find half
white Zendia and try to tell me she's a babe.

Speaker 13 (34:38):
She's not.

Speaker 10 (34:40):
Black models. The only ones who were really successful except
for the freaky like diversity highers are the ones that
had just enough Caucasian features to pass and had good hair.

Speaker 1 (34:51):
Very true.

Speaker 7 (34:53):
I have gotta find this picture. I've got to post
it back on Facebook. But I do it every time
this conversation comes up. Ebony magazine back in nineteen sixty eight,
I'm almost certain, but I'll find it because I know
it's on my Facebook page and it always comes up
now and again. But Ebony Magazine, the pre I mean
pre eminent black magazine, had a picture on its cover

(35:18):
of black women sort of like in the Partridge Family
sort of patterns, or like the Brady Bunch patterns, and
it had pictures of all of these different black women.
The headline on the Ebony magazine cover says, when did
black women start becoming attractive?

Speaker 1 (35:39):
I almost lost my mind.

Speaker 7 (35:40):
I went this was in a black magazine in the sixties,
Like what like I And every time I post it,
people go really, I'm like, yes, that's what I'm And
it's not to say that there weren't any, but here's
where the rub is. And it goes right to your point.
The women on the picture all light skin, all of them.

Speaker 11 (36:00):
Yeah, dude, of course.

Speaker 10 (36:01):
Bro. Look, I grew up in the Deep South, Okay,
and in the shadow of segregation, of slavery, and I
know for sure that colorism is a thing, a hundred thing.

Speaker 7 (36:14):
Even in colleges, even in black colleges. Remember they used
to have what's called the paper bag test.

Speaker 10 (36:22):
Yeah, spike Ly, you made a movie about it called
school Days, Dark skins and white skins having like dance
battles and whatnot.

Speaker 1 (36:29):
That's right.

Speaker 10 (36:31):
Yeah, So dude, it's the thing. And and I feel bad,
but we've also placed too much importance on beauty in
our country, so being beautiful is like usually the least
important or impressive thing about something in The reason people
like Sydney Sweeney in a sea of beautiful women in
the world is because Sydney Sweeney's personality shines through. She

(36:54):
seems like a normal chick. She's not running her mouth
about a bunch of stuff that she's too dumb to understand.
Right Like most of the Sidney Sweeney knows her role.
She's a hot piece of tale who seems like the
dream girl next door.

Speaker 1 (37:09):
Yeah, and you know what, it's nice.

Speaker 7 (37:11):
There's a reason why I'm defending her in this regard,
and that is that what you just described has been
lost in the culture overall. The girl next door used
to be the thing. It didn't matter who it was.
Everybody had that ideal of the girl next door. By
the way, that doesn't matter what the race is. The

(37:33):
girl next door was a person who just understands she's cute,
she's funny, and the boy next door liked her and
wished that he could date her.

Speaker 1 (37:40):
Any guy in the world could identify with that.

Speaker 10 (37:42):
And on this standard, right, you and I are the
same age, yep, So our cultural girl's next door if
you look at them. There was a good possibility that
I could have lived next door to somebody who looked
like Elizabeth Shitt.

Speaker 12 (37:59):
Yes, this shoe is a pretty girl, but she was
a reasonable, normal human amount of attractiveness.

Speaker 1 (38:05):
That's right.

Speaker 10 (38:06):
I don't think many people in the world live next
to somebody who looks like Sidney Sweeney. That girl's jeans
came together perfectly, you know. Opposed to her for using
what she's got, But if she was just pretty, it
wouldn't be the thing. It'scause she's pretty and she seems
like she's in on the joke.

Speaker 7 (38:24):
Yep, Mike, we gotta go with top of the Hour, buddy,
But but I appreciate you.

Speaker 1 (38:28):
Thank you man.

Speaker 7 (38:29):
Let's get to our newsroom with John Silvan's wt I
S news. Will be back after this at RIESA on
the radio. By the way, stick around because today, you
guys know what today is, right, It's Thursday.

Speaker 1 (38:40):
I haven't done this in a couple of weeks.

Speaker 7 (38:44):
So don't just don't be mad because I know you
missed it, because it's Thursday, and you know what Thursday means.
And it's perfect because it goes right to the conversation.
I just had with White Mike. What day is it?
For those of you who just got here, maybe you're new.
Thursday's Negro nonsense to day.

Speaker 6 (39:02):
Negro nonsense nonsense.

Speaker 7 (39:16):
That's right, Negro nonsense. Today the beauty edition. You don't
want to miss this. And I want to thank Boston
Julie for uh, for taking care of some behind the
scenes stuff, because I got some great stuff that's gonna
go with that when we come back. So it's something
I was talking about earlier, so stick around for that.
It's roughly about about the five o'clock hour. Also, we've

(39:37):
got Sergeant James Rotowski, who's gonna be calling it at
five o'clock about uh, about what I guess, which is
a crazy story about who the heart for chief of
police said.

Speaker 1 (39:48):
You may have heard it during Top of the Hour news.

Speaker 7 (39:51):
Uh, the interim chief, James Ravella has actually now been
given the permanent job. We'll talk about that. I've got
some personal views on that. So I want to get
to it before we get to the guys that we
know who are on the phones. I want to get
to Glenn, who's on the I eighty four.

Speaker 1 (40:04):
How are you, Glenn?

Speaker 11 (40:07):
Yeah? Doing real well?

Speaker 10 (40:09):
The only thing I gotta say, is uh, you know,
at the top of the hour, your news nothing about
Russia Gate hoax. I'm calling it Obama Gate.

Speaker 11 (40:22):
Crickets out there.

Speaker 1 (40:23):
Yeah, I'm not I'm not saying.

Speaker 10 (40:26):
I'm just saying, overall that's gone in last week. It's like,
that's a major piece of news.

Speaker 7 (40:32):
That shoot in every huge, huge and it's going to
get covered. And I'm gonna tell you this, and I
know that it cannot be covered. Here's why I and
I'm I really do mean this because I understand it.
It is not something that can be covered in the
top of the news hour for this reason. And I've
got the audio sound bites that I'm going to be
playing in a bit that break down this thing in

(40:54):
such a way. I've got a the audio sound bite
of somebody who was inside cybersecurity at the SEC death
Secretary of the Defense Office, who is on camera talking
about how they intended to stop Donald Trump from being

(41:17):
inaugurated in twenty seventeen. I've got that audio, so you
don't want to miss it. I've got that coming up
very soon.

Speaker 1 (41:25):
You got it. I promise I will get to it.
You got it, must, man.

Speaker 7 (41:29):
I appreciate you that being said, folks, it's time to
get to headlines, because I got plenty of them that
I don't have in front of me.

Speaker 1 (41:41):
It figures all right.

Speaker 7 (41:42):
In the news today, ex ABC News reporter Terry Moran
has finally come forward with what we've always known about ABC.

Speaker 1 (41:52):
News that it's biased.

Speaker 7 (41:54):
Yeah, so apparently in the sub stack yesterday, go look
it up. Terry morancently fired Disney employee, comes out and
says that the news organization does not like Trump, and
even he says, these are his words, he said, and
this bias UH is bound to impact coverage, not so

(42:16):
much out of manevolent bias, but out of what is
called a kind of deafness. The old news divisions don't
want to hear many voices of the country because those
voices aren't in the newsroom.

Speaker 1 (42:28):
Yes, news teams go.

Speaker 7 (42:30):
Out with a microphone and a camera, and it costs
people at Trump rallies, But to me that often comes
off as weirdly anthropolitan, as inaccurate, and he says it's
kind of like trying to understand the nature, but nature
by visiting a zoo. He says that the newsroom took

(42:50):
all the white men out at ABC News and just
brought in all of these so called diverse people with
the same voice. And there's nobody with a dissenting view
in the newsroom at ABC News.

Speaker 1 (43:02):
Terry Moran working there for twenty eight years.

Speaker 7 (43:05):
And of course this is the guy who went after
Donald Trump and of course Stephen Miller, which cost him
to get fired because again, all he did was expose
what was on the inside of the newsrooms. Somebody called
up the other day this news item I thought was important.
He called up twice, and I kind of dismissed him

(43:26):
as just being a kook, even though he called up
just to be a pain of behind.

Speaker 1 (43:30):
What was his name, Paul.

Speaker 7 (43:32):
It was talking about how much he cannot stand jd
Vance and how he likes Mark Rubio. Nothing against that,
But I saw this report and I thought it was
worth noting because Paul was so interested in making it
clear that he couldn't stand jd Vance. And if you
were listening to the show that day, I told you

(43:54):
that jd Vance it was his election to.

Speaker 1 (43:57):
Lose in twenty twenty eight.

Speaker 7 (43:58):
Well, it looks like polling has already started on him.
And according to polling data of some fourteen hundred registered voters.
It looks like jd vance against Pete Boudhaj edge is
forty four to forty three with thirteen percent undecided. Jd

(44:21):
vance against Alexandria Acasio Cortes, he beats her by three points,
forty four to forty one percent.

Speaker 1 (44:30):
And if he.

Speaker 7 (44:30):
Weren't to face off against Greasey Gavin Newsom of California, well,
the margin is forty five to forty two jd vance.
That's the recent polling data for jd Vance against three
people who are more than likely.

Speaker 1 (44:50):
Issueing as the Democrat nominee.

Speaker 7 (44:53):
Seven Connecticut universities have campus speech policies that restrict free
speech in some aspect, according to a recent report released
by the Foundation for Individual Rights and Expression. That's a
Fire FIRI, a free speech advocacy organization, recently released their

(45:14):
twenty twenty five report spotlighting speech codes on college campuses.
While the number of schools earning red light scores, there
are a number of them that would get red light scores,
meaning that they have at least one policy that substantially
restricts free speech. They declined from the previous year. None
of the Connecticut schools got a red report However, the

(45:37):
Connecticut Central Connecticut State University, Southern Connecticut State University, the
University of Connecticut also known as Yukon, Yale University, Trinity College,
and Wesleyan College all received a yellow light rating. According
to the report, a yellow light means the school maintains
policies that could easily be applied to suppress protected speech,

(46:00):
or maintains policies that, while clearly restricting freedom of speech,
restrict relatively narrow categories of speech. Narrow categories of speech,
and we already knew that here in Connecticut anyway. Now
for the stupidest thing I read today.

Speaker 11 (46:23):
Yes, you do.

Speaker 4 (46:26):
It could very well be the stupidest person on the
face of the earth.

Speaker 1 (46:33):
Get ready.

Speaker 14 (46:34):
Just over a year ago, I launched my campaign for
President of the United States, one hundred and seven days
traveling the country fighting for our future, the shortest presidential
campaign in modern history. It was intense, high stakes, and
deeply personal for me and for so.

Speaker 10 (46:54):
Many of you.

Speaker 14 (46:55):
Since leaving office, I've spent a lot of time reflecting
on those days, talking with my team, my family, my friends,
and pulling my thoughts together, in essence, writing a journal
that is this book. One hundred and seven Days with
candor and reflection. I've written a behind the scenes account

(47:17):
of that journey. I believe there's value in sharing what
I saw, what I learned, and what I know it
will take to move forward. In writing this book, one
truth kept coming back to me. Sometimes the fight takes
a while, but I remain full of hope and I

(47:37):
remain clear eyed. I will never stop fighting to make
our country reflect the very best of its ideals. Always
on behalf of the people. So thank you for being
in this fight with me. I am forever grateful and
I cannot wait for you to read this, and I'll
see you out there.

Speaker 15 (47:58):
Take care.

Speaker 1 (47:58):
I'm sure you all could reckon.

Speaker 7 (47:59):
It is that voice that is none other than Vice
president and presidential candidate Kamali Harris. Of course, after a
loss has written a book called one hundred and seven Days.
The beauty of it is is that people immediately responded
online to the fact that she's written a book. Let
me read a couple of them for you, Nick Sorder writes,
trying to sell some books to pay down your five

(48:21):
million dollar debt to Beyonce for that endorsement, writes him,
Nick Disorder.

Speaker 1 (48:27):
Another one writes should have titled it.

Speaker 7 (48:30):
Luckily voters didn't get to see more of me, or
I would have lost even more. Dan Rutherford writes, one
hundred and seven bottles of Vodka on the wall that
should be the title in his view. Jim Hansen writes,
I can't wait to hear the inside story about how
you burned one point five billion dollars in one hundred

(48:50):
and seven days and accomplished absolutely nothing.

Speaker 1 (48:54):
That's good. Another person writes, no, thank you.

Speaker 7 (48:58):
I've already become unburn and I would like to keep
it that way. Lastly, Patriot Paul writes, I won't be
able to read it pop up pictures and images of
VENN diagrams and yellow.

Speaker 1 (49:11):
School buses, so everybody's swipping on it. I don't.

Speaker 7 (49:17):
It will probably be a best seller because some you know,
the book publisher will probably buy a bunch of copies
of it in the beginning, and then they'll give it away. So,
you know, I thought it was the stupidest thing I
read today.

Speaker 1 (49:30):
There you go, what can you say? Eight six zero
five two two w T I see, let's go to friend.
How are you sir?

Speaker 10 (49:37):
Hey?

Speaker 16 (49:37):
Hey, I'm good.

Speaker 12 (49:39):
So what prompted me to call was your two words.

Speaker 16 (49:43):
They look vaccinated. Oh dude, don't back up from that.
Someone's wearing a mask, you know they're vaccinated.

Speaker 1 (49:52):
That's right.

Speaker 8 (49:53):
If someone's walking with a cane.

Speaker 3 (49:56):
And they never used to, they're probably that's part of
the vaccinated look.

Speaker 8 (50:00):
And then by the bye, like it seems to like
shrivel people up.

Speaker 16 (50:04):
I mean, there's a lot of placebo out there. Uh.

Speaker 8 (50:07):
Hirenthetically, you got to go back to that antro word
that you passed over, which was a good move and
throw and then you just kept talking.

Speaker 1 (50:16):
Yeah. I couldn't thought.

Speaker 7 (50:17):
First of all, it was it was jumbled and the
page cut off exactly at.

Speaker 1 (50:22):
That part where it was so I was like I
didn't know.

Speaker 7 (50:24):
I was like I thought I had it, but I
was just like, what the heck is that word?

Speaker 1 (50:27):
I couldn't even make it out.

Speaker 17 (50:28):
So I thought you just weren't taking the shot.

Speaker 7 (50:31):
No, No, it was just like what I thought I
had it, but it was like it didn't look like
it was clear.

Speaker 1 (50:35):
So I didn't want to. I didn't want to.

Speaker 12 (50:36):
Screw it up.

Speaker 3 (50:38):
Excellent, and one thing from yesterday you you abbreviated it nicely.

Speaker 16 (50:43):
That's the pot calling the kettle. Okay, of course, the
pot calling your kettle black. I have an addendum on that.

Speaker 11 (50:48):
Once I get accused of that.

Speaker 16 (50:50):
Oh, I call everybody.

Speaker 8 (50:52):
All kinds of names.

Speaker 12 (50:53):
Uh oh, you know, one way or another.

Speaker 3 (50:55):
You know, I smoke pot before noon, but I'll call
you a dirt bag.

Speaker 16 (50:58):
You know, absolutely?

Speaker 8 (51:00):
Uh So, who better than the pot to call the
kettle black based on.

Speaker 16 (51:05):
The accent that it takes one.

Speaker 1 (51:07):
To know one indeed, and let.

Speaker 8 (51:09):
Me let me wrap it up with that another half
a point.

Speaker 16 (51:12):
I'm actually working on like.

Speaker 8 (51:13):
A fen proto poem, but I'll it's not quite ready,
so just let me set it up that like I
got attacked by a junkie three years ago, and it
ended up he won the battle and lost the war.

Speaker 16 (51:25):
It shut him down.

Speaker 3 (51:26):
Two weeks of me walking around and cuts on my
face and arm in a sling, and everybody knows me
and said what happened that I told him, and his
revenue stream dried up, and uh you know, like you know,
he did get arrested. He just don't do it, never
want a trial.

Speaker 18 (51:41):
But anyway, my point was everyone had this guy for
like black Rambo.

Speaker 3 (51:45):
You know, like dudhas, you know, and he was someone
who would hit a sixty.

Speaker 8 (51:51):
Eight year old, skinny, old white man in a face
piece of concrete.

Speaker 16 (51:54):
That's who he was.

Speaker 18 (51:55):
And I just want to make the point that, like,
how many to reiterate it, how many Mark said it yesterday?
How many Jonathan's did we never hear of? Because their
answers to the question how do you plan to raise
a half a million dollars by November?

Speaker 16 (52:07):
Was insufficient?

Speaker 8 (52:08):
And that's all we have.

Speaker 16 (52:10):
Is guys like that.

Speaker 7 (52:12):
Yeah, I know it's funny, it's so, it's so swampy,
it's disgusting.

Speaker 1 (52:17):
But you know what, I'll tell you this.

Speaker 7 (52:19):
After Mark started posting what Jonathan said on this show,
the response has been overwhelming and I'm loving it because
it's like there is a fed up nature in this
that we can really capitalize on it.

Speaker 1 (52:33):
I mean not in a positive way, not a negative one.
You know, it's not one to exploit.

Speaker 8 (52:38):
Let me close with this, the toxic triumvirate of Ben Proto,
William Tong and Mary Fay. Somebody yelled timber three times?

Speaker 1 (52:47):
All right, you got it.

Speaker 7 (52:50):
Let's speak to the aforementioned market was Hardford? How are you, sir?

Speaker 10 (52:55):
Long? Much time?

Speaker 19 (52:56):
So, first of all I gotta tell you when you
play Jack clipmate Combine, I was thinking, remember when she
went to South America to find the root cause of
the problem.

Speaker 9 (53:05):
With the border.

Speaker 15 (53:06):
Instead of going to the.

Speaker 19 (53:07):
Border, I was just thinking, now she should find the
root clause of house. She lost the election by actually
visiting the border.

Speaker 7 (53:14):
Right, that would actually be I would do my I
would do my book signing.

Speaker 19 (53:19):
You can go find the root cause, hey, you need
to have a feature.

Speaker 10 (53:24):
Yeah, I don't know.

Speaker 19 (53:25):
How you set it up. But questions that Connecticut's media
isn't asking and I know you said you're gonna talk
about it, but nobody has asked the mayor ronin Rala
Pollam why he was gunning for somebody from the LBGTQ
community a couple of months ago. It was a black male,
a gay black male Philadelphia. They didn't vet found out

(53:47):
he was a problem child down there, so they skipped him.
Now they had a Hispanic, I mean a Latina lesbian
from Boston. She was out last week and now he
settles for a seventy something year old white straight male
in Revella, which is great.

Speaker 10 (54:06):
I'm happy for my relatives.

Speaker 7 (54:07):
And Mark, Can I make you feel can I can
I make you feel a little better about our relationship
because I know you probably don't know this, but I
want to tell you a little secret behind my sauce. Okay,
I actually do read your post, but I want you
to know this because you probably don't. I really really
do take the stuff that you write into consideration. That

(54:30):
point you just made is one of my major focuses
on that story. And the reason why is because when
you posted it on X I immediately related to it because
I have a personal story that is exactly what the
point you're making is that how Revella becomes the chief
after all of that nonsense about getting this person in

(54:53):
that person. So I really do I take what you
write into consideration. I was like, you know what, that's
a good point. So just know that when you write
that kind of stuff, I'm really really reading into it
and going that makes sense.

Speaker 15 (55:09):
I'm glad.

Speaker 1 (55:09):
So no, no, I respect listen.

Speaker 7 (55:11):
I respect your I respect your intellectedness because you are
asking the right questions. This is the one thing nobody
brought up afterwards by saying to the mayor you you
ended up back where you already were. It's the most
important part of the story. So I'm gonna talk to Rotowski.

Speaker 4 (55:30):
Uh.

Speaker 7 (55:30):
James is gonna be on the show at four o'clock,
so we're gonna talk to him about that.

Speaker 12 (55:35):
Awesome.

Speaker 17 (55:35):
I can't wait to hear his opinion on all this.

Speaker 1 (55:38):
You got it, boss man, Thank you?

Speaker 11 (55:39):
All right?

Speaker 7 (55:40):
Uh yeah, like I said, Uh, Sergeant James Rodowski, the
president of the Hartford Police Union, is going to join
us at four o'clock. We'll talk about the hiring of
interim chief now Chief James Ravella, uh, who is in
the seventies.

Speaker 1 (55:53):
Because you might recall the last time.

Speaker 7 (55:55):
We talked to James, Uh, it was it was known
that he was you know, revelop may not take it
because of his age. You know, he may have aged
out in his own view, but he's taken a job.
We'll talk a little bit about that when we return.
Stick around. We got news, we got views, and we've
got weather coming up, and traffic with Jason Klerina and
the BPS Traffic Center.

Speaker 1 (56:15):
So stand by. We'll be back.

Speaker 7 (56:16):
It's recent the radio, as appropriate as that tag could
possibly be. Let's get into it. Caller earlier was talking
about the Russia scandal. This is very very big, ladies
and gentlemen, and people have been dragged into this of

(56:40):
their own doing because they publicly lied, saying that information
that was coming out years ago, drip drip of information
coming out years ago they said.

Speaker 1 (56:53):
Was a lie.

Speaker 7 (56:55):
And now that we have our hands on the Durham Report,
which many people are trying to suggest was a nothing burger,
turns out to be far worse than many expected. Now
I needed to get this to like really really drill
this down. James Clapper and John Brennan wrote an op

(57:22):
ed yesterday, and the reason why it was released was
to subvert to draw attention away from the documents they
knew would be released today because.

Speaker 1 (57:34):
Somebody leaked to them that.

Speaker 7 (57:37):
This was coming out today, So they had to sort
of come out with an answer before the dirty deeds
came to light. Now you have to ask yourself, if
you're one of those people, why would they be writing this.

Speaker 1 (57:56):
If they did nothing wrong? Just lawyer up.

Speaker 7 (58:02):
In fact, James Clapper went so far as to say
on Kristen Stewart's show or whatever her name is on CNN,
he had already lawyered up. So why is he talking?
Because the goose is cooked? What's being revealed. Cannot stop

(58:23):
them from being indicted. Cannot stop them from being charged
with crimes. When you lawyer up, you shut up at
the advice of your attorney, keep your mouth shut. But
these guys are sacrificial at this point. They must protect

(58:44):
the golden goose, and that is Barack Obama. That's why
they're talking. Barack Obama's goose must be saved that he
just asked to. So the Washington Examiner did an article
called fact checking Brennan and Clapper's false Russia Gate narrative

(59:04):
in the New York Times.

Speaker 1 (59:05):
Up it. We'll get into that in a second.

Speaker 7 (59:11):
Getting the media, because you know, you have a fawning,
boot licking media that's going to cover Brennan.

Speaker 1 (59:17):
And Clappers behind because they hate Trump.

Speaker 7 (59:20):
They're gonna sit in here and say, yeah, it's not true,
it's not true.

Speaker 1 (59:22):
This is that.

Speaker 7 (59:23):
And the third we'll break that down because a lot
of people in the chat room who are on the
left who are trying to also protect Barack Obama. And
by the way, are you being paid, you protectors of
Barack Obama who are in my chat room?

Speaker 1 (59:36):
Are you being paid?

Speaker 7 (59:39):
Are you protecting him because he cares about you? You
always make that claim about me and Donald Trump. Is
that why you do it? Is that why you defend
Barack Obama? Because he cares about you? He told you that.
So I want to play this audio for you and
for those of you are watching at recent radio, dot
com or on social media, you get to.

Speaker 1 (59:58):
See it yourself.

Speaker 7 (01:00:00):
This is Colonel John Mills. Sorry, Colonel John Mills. He
is the director of cybersecurity at this Secretary Defense's office.

Speaker 1 (01:00:12):
And what do you revealed to the Epic Times.

Speaker 7 (01:00:16):
Has rarely been seen and or heard of, even though
he wrote a book about it.

Speaker 5 (01:00:21):
Two days after the election in twenty sixteen, I was
called up on the NSA phone. The person said I
had to be on the intelligence community assessment that was
assembling to finalize the Russian narrative because we were going
to prove that Trump was a Russian asset and we

(01:00:41):
were going to delay or block the inauguration of Donald J.
Trump for the first term. I just couldn't believe that.

Speaker 1 (01:00:49):
This is what you were told. This is what I
was told on the phone.

Speaker 10 (01:00:53):
So this.

Speaker 5 (01:00:55):
Was a deep state coup from the beginning that it
actually in early twenty sixteen. We went through the process
in November. The final product came out in the first
few days of January twenty seventeen. But bottom line, the
supposed top secret review, there was nothing there to show

(01:01:17):
that Russia was trying to manipulate the campaign or the
outcome of the election in the favor of Donald J. Trump,
the Trump campaign was somehow colluding with Russia.

Speaker 2 (01:01:29):
There there was no evidence of anything.

Speaker 7 (01:01:32):
Director of Cybersecurity, he was told to agree with the assessment.

Speaker 1 (01:01:41):
But who wrote the assessment? Right? Who wrote it? Who
was in charge of it? Well, John Mills tells us.

Speaker 5 (01:01:51):
So when the document, the Intel Community Assessment, came back
to the Department of Defense, because that's what happens in
these reviews. The team members the document, the final end
product goes back to all the departments and agencies for
review and finalization approval. When I came back, my recommendation
was non concur There was no evidence to support any

(01:02:14):
of these assertions. And I was told John stand down, Nope,
you don't need to complete the staffing. The Secretary, which
is Ash Carter, who's dead now, had already signed off
because Comy and Brennan were personally hands on keyboard writing
this assessment. You never have a Director of CIA or

(01:02:37):
director of FBI personally writing the Intel Community assessment that
was very brief.

Speaker 2 (01:02:43):
It was absolutely nuts.

Speaker 5 (01:02:45):
It was absolutely nuts, and it was some of the
most outrageous things I ever said or heard in government service,
mill uniformed or civilian.

Speaker 2 (01:02:55):
This was insanity.

Speaker 5 (01:02:56):
The voice on the other end, I know exactly who
it was, and I put put their name to the
Durham Investigation. John, We're gonna finalize the Russian narrative, prove
Donald J. Trump as a Russian asset, and delay or
block the inauguration.

Speaker 7 (01:03:17):
Now, of course we know what the outcome was, but
the damage had already been done.

Speaker 1 (01:03:24):
And we know because we've already seen the emails.

Speaker 7 (01:03:29):
One in particular that came from the senior vice president
of Open Society. Yeah, that one who wrote them email
to Debbie Wasserman Schultz. And in that email, and I'll
surmise and I'll just paraphrase what was in it was that, Yeah,

(01:03:52):
we're we go. We're going to approve pretty much what
Hillary Clinton has been able to get through the Steel dossier,
and the FBI and the CIA are going to pour
more oil on the fire. They were going to assist
Hillary Clinton in what she was already trying to do

(01:04:16):
and not get people in the press to believe that
Donald Trump was a Russian asset. The intelligence aside the
intelligence community was jumping on board. Hey, Hillary, great idea.
We'll back up the Steele dossier and we'll change the

(01:04:37):
assessment that we had all summer to Donald Trump had
no involvement with Russians and Russians had no involvement at all.
We'll change that after the election to see if we
can stop him from being inaugurated.

Speaker 1 (01:04:54):
We'll put oil on the fire.

Speaker 7 (01:04:58):
That is a fact now because we have the email,
We have the email that was sent, and all the
people who have been reached so far are Mum's the word.
Where's Obama today? Where's his spokesperson today? Will his spokesperson
say go to our earlier statement?

Speaker 1 (01:05:21):
I doubt it?

Speaker 7 (01:05:25):
Where's everybody screaming and hollering. Let's get to the fact
check now. According to Doham and Clapper, they say, let's
recap the Trump administration's claims focus on the intelligence community's
findings about Russian interference in twenty sixteen US presidential election,

(01:05:48):
which were published in January of twenty sixteen. Well, what
they're trying to say here is that Russia was involved
in interfering in the election, and there description, if you will,
of interference were Facebook ads to the tune of one
hundred and five or one hundred and fifty thousand dollars

(01:06:12):
while both campaigns were spending billions. This is what they
called interference and proof thereof Well, Washington Examiner writes, this
is not, in fact what the Trump administration has focused on.
Gabard and Ratcliffe have not questioned the intelligence community's findings

(01:06:35):
that Russia meddled in the twenty sixteen election. Instead, their
focus has been on an additional conclusion that the Obama
administration drew that russia Into intention was to help Trump win.
Memos released by the CIA and the DNIS show that

(01:06:55):
this was not actually true, and that Brennan, Clapper, and
others had virtually no evidence to support the conclusion that
Russia President Vladimir Putin preferred Trump.

Speaker 1 (01:07:09):
In fact, they had.

Speaker 7 (01:07:10):
Far more reliable evidence that suggested Putin expected Secretary of
State Hillary Clinton to win, and that Putin even had
concerns about a Trump presidency. Brennan and Clapp are also right.
While some external critiques have noted that parts of the

(01:07:31):
Russia investigation could have been handled better. Multiple thorough year's
long reviews of the assessment have validated its findings and
the rigor of its analysis. Year's long reviews of how
the Crossfire Hurricane investigation came to be have not been validated.
The Trump administration had not validated the Trump of the

(01:07:53):
Obama administration's actions. In fact, almost all of them had
found significant misconduct and subsequent poor judgment, particularly at the
FBI under then Director James Comey. Two reviews from the
House Permanent Select Community Committee and Intelligence and one from
the CIA in a Lessons Learned review found severe problems

(01:08:16):
with the intelligence community's assessment at the heart of the
current controversy. Those reviews found that Brennan in particular, set
aside the typical safeguards that insure analytical rigor in order
to reach a conclusion.

Speaker 1 (01:08:31):
That Putin wanted to help Trump, with no credible evidence.

Speaker 7 (01:08:36):
That's in the Durham report that they were cooking the books.

Speaker 1 (01:08:44):
They also write Brennan and Clapper.

Speaker 7 (01:08:47):
The most noteworthy was the unanimous bipartisan five volume report
issued by this Senate Select Committee on Intelligence, whose Republican
members at the time included Marco rum now the Secretary
of State, and Senator Tom Cotton now the committee chairman,
that you've heard repeated everywhere.

Speaker 1 (01:09:06):
MSNBC, CNN, regular news.

Speaker 7 (01:09:09):
Yeah, that's Marco. Robio even agreed with this assessment. The
Washington Times writes this, this is not the most noteworthy
review of Russia Gate, but it is one that the
Democrats and their allies in the media have cited to
defend themselves against what Gabard and Ratcliffe are uncovering. That's

(01:09:31):
because the Senate Intelligence Committee report did not really focus
on questions about whether Trump was targeted by the intelligence
community or that law enforcements or by law enforcement. The
five volume report examined Russia's activities into the twenty sixteen election,
including its hacking operations or its use of social media,

(01:09:56):
and these activities are not in disci they're conflating. The two.

Speaker 1 (01:10:05):
One volume of the report did.

Speaker 7 (01:10:08):
Look at the drafting of the ICA in question, and
it did not find problems. However, the Senate Intelligence Committee
investigators did not appear to have access to the same
underlying evidence that Ratcliffe has exposed, including internal emails that

(01:10:28):
directly contradict what Brennan has said. Publicly about the assessment,
such as the denial as his denials that the Steele
dossier was used in its creation, which are that documents
that have been revealed today.

Speaker 1 (01:10:48):
So no one knew.

Speaker 7 (01:10:49):
So the Select Committee never had these documents. Why because
they were found by Cash Patel in burn bags. That's
where they were. We get back, we'll talk a little
bit more about this, and also to Washington Examiner's expose
a little further. Plus your phone calls, We'll be back.
It's resenta radio on WTIC news Talk ten eighty. Let's

(01:11:12):
get to this email. This is again covering exactly my
point about all of this from Leonard Bernardo.

Speaker 1 (01:11:22):
Allegedly.

Speaker 7 (01:11:23):
This is an email that was sent, as were others,
to Debbie Wasserman Schultz, who was then the head of
the DNC, the Democratic National Committee, Hillary Rodham Clinton approved
Julia's idea about Trump and Russian hackers hampering US elections.
That should distract people from our own missing email, especially

(01:11:43):
if the affair goes to the Olympic level. The point
is making the Russians play a US domestic issue, say
something like a critical infrastructure threat, for the election to
feel menace. Since both president of the United States and
Vice President of the United States have acknowledged the fact

(01:12:05):
that the intelligence community would speed up searching for evidence
that is regrettably still unavailable.

Speaker 1 (01:12:11):
However, this seems to be signs GRU penetration.

Speaker 7 (01:12:16):
They appear heavily or hardly skilled, in competent, bumbling idiots,
and somebody called them an absence of direct evidence. CrowdStrike
and threat Connect will supply the media, and GRU will
hopefully carry.

Speaker 1 (01:12:31):
On to give more facts.

Speaker 7 (01:12:34):
That from Leonard Bernardo, Senior Vice president of Open Society.
That's all you need to know. Don't tell me otherwise.
It's a huge scandal, my friends. Let's get to some weather,
traffic and news. Jason Calerina is God Weather, and Mark
Christopher's in a BPS traffic center.

Speaker 1 (01:12:55):
How are we doing, sir? It is because I'm here.

Speaker 7 (01:12:59):
Uh, let's get to our guest today, who's got, of course,
some exciting news to tell us. A Sergeant James Rotowski,
the Hartford Police union president, is on the line with us.

Speaker 1 (01:13:12):
Now, how you doing so? Did you forget the hotline number?
Did you not know where to find it?

Speaker 15 (01:13:17):
Yeah?

Speaker 10 (01:13:17):
I forgot the hotline number. That's bad.

Speaker 1 (01:13:19):
No, No, it's okay, man.

Speaker 12 (01:13:20):
How you been buddy, good, good, not bad, busy, happy
about the appointment of our new police chief, James Ravella.

Speaker 7 (01:13:29):
Well he's not really the new police chief. He's just
the same old police chief.

Speaker 1 (01:13:33):
You know. It's that what's what's the old who song?
Same as the old boss.

Speaker 7 (01:13:41):
Well, let's talk about that in a little bit, because
it goes without saying that Mayor ra Runin has kind of,
in the public eye, no matter how you slice it,
kind of made a mess of this. Now I don't
want you to co sign that. I'm just gonna tell
you from my point of view in a minute. The others

(01:14:01):
that he made a mess of this. He did anything
and everything to go down this ridiculous road of a
diversity higher that was supposed to be to the benefit
of the folks in Hartford. And that's great, that's noble.
I'm sure his intentions were good. But why come back
to Chief Revella? Can you explain that or should we

(01:14:23):
you know? Or do you not care?

Speaker 17 (01:14:26):
No?

Speaker 15 (01:14:27):
I think it's an important point, right I look at
there is. We can't have this conversation and not acknowledge it.
You know, a misstep in January and then you know,
Revella comes in in February as an interim chief, and
I mean it's sincerely you figure it took Mayor aroun
In probably six months to figure it out, and in

(01:14:48):
my opinion, he got it right. And I look at
that and go, if everybody in the world can make
a mistake and then figure it out and then come
back with a winning formula, we might be a lot better.

Speaker 7 (01:15:01):
But he took a lot of time. And what I
mean by this is look, and I take this from
a very very personal point of view. I don't know
if Chief Ravella looks at it this way, because if
I'm and correct me if I'm wrong. With our discussion
a few times back, Revella wasn't going to take it
over because was it was it said in some way,

(01:15:24):
either on the record or off the record, that he
had reached this point where he was just going to
go home and sort of spend his you know, his
latter part of his life with his family, with his
wife and kind of take it easy.

Speaker 1 (01:15:35):
Was that was that known?

Speaker 15 (01:15:37):
Yes, I think one of the conversations that we have
often is the Chief was making the decision whether he
wanted to be at the beach or at the pool.

Speaker 7 (01:15:45):
Right right exactly and so then to have this happen,
and let me tell you where I'm coming from, and
a lot of people sort of share this sentiment, is
that the mayor went in all of these directions and
it just kept flat on its face. In my personal experience,
and I'll tell this briefly, I worked for a company
called Tel Aviv Car Service in Manhattan. It was my

(01:16:07):
first job when I moved to the city, and I
was an assistant dispatcher, a job that normally you have
to you know, you kind of have there's a degree
of nepotism in order to get the job. But I
learned from the ground up as a guy who's paying
eight dollars an hour, and I did the job, they
wouldn't pay me as an assistant dispatcher.

Speaker 1 (01:16:23):
They kept paying me eight dollars an.

Speaker 7 (01:16:24):
Hour, and then they literally went over my head instead
of giving me the job.

Speaker 1 (01:16:28):
Once I learned and brought somebody from the outside.

Speaker 7 (01:16:30):
The guy was there a week and he walked off
the job to go to lunch and never came back.
And when they came and offered me the job, I
told them go spit. I said, go pounce in. I said,
you know you're not going to go through all of that.
You brought in a guy from outside and hire them
and not even give me the job after you saw
me in there doing it at the at the receptionist wage.

Speaker 1 (01:16:52):
You're not going to give it to me. You brought
in a guy from outside, isn't.

Speaker 7 (01:16:56):
I mean, Ravella's got a right to kind of look
at the mayor and go, hey, buddy, no.

Speaker 10 (01:17:03):
But he can look at all of us like that
right this.

Speaker 15 (01:17:06):
You're talking about forty years of law enforcement experience. He's
I think it's in the early seventies. He's been through
this gauntlet a couple of times. And to have that
stability of someone who can build relationships and have those conversations.
And again we'll go back to yet January was the fiasco,
and apparently July is the fix to that. And I

(01:17:29):
appreciate that maybe it took the mayor a little bit
of time to realize the valuable nature of someone of
Chief Rebella's caliber, because he hadn't really been exposed to
that with you, Chief Toty, or with interim Chief Howl.
And then have somebody come in and really lay out

(01:17:51):
the playing field and go, this is kind of what
a chief does because you know.

Speaker 10 (01:17:55):
You look at the level of experience of the mayor.
He didn't have any.

Speaker 15 (01:17:58):
Really experience in that role.

Speaker 1 (01:18:00):
You know what a.

Speaker 12 (01:18:01):
Police chiefs look like.

Speaker 10 (01:18:02):
And you know, you look at that and go, hey,
this is how many times and and I'm to blame
them with this too.

Speaker 15 (01:18:08):
You know how many times have you walked into it?
And again we learned you walk into a certain area
and you think that this is the way it's going
to run, because that's the best thing in the world.

Speaker 10 (01:18:15):
And then you try to.

Speaker 15 (01:18:16):
Make a move and it's an absolute you know, a
part in church, and you're like, what happened? We didn't
talk to the people you were supposed to talk, that
little guidance to say, hey, listen, you know a little
bit maybe more maybe on the right, little less left,
And maybe that's how we got here. And the result is,

(01:18:37):
you know something. Maybe it took time for that maturation
process overall. But I think the maturation process is happening.
And I look at what's best for the community, and
I look who we have there for stabilization, for leadership.

Speaker 10 (01:18:52):
I think it's a good move.

Speaker 7 (01:18:54):
I know, I think it's a good move too. I
don't think we're pooh poohing the fact that it's a
good move. But I think that there's a lot of
this just this.

Speaker 1 (01:19:01):
You know.

Speaker 7 (01:19:01):
Again, look these faculty lounge decisions that always drive me crazy.
And again, I'm probably to be honest with you, my
back is a little up on the administration writ large.

Speaker 1 (01:19:12):
No matter what administration it is.

Speaker 7 (01:19:13):
The guys don't talk to the people who are on
the ground level. This should have been a conversation with
the chief. With Chief Ravella from the start, it should
have gone. It should have used his leadership to find
a person who is going to be perfect to lead
the men and women of the Hartford Police Department, instead
of a conversation with a bunch of yucks who is like,

(01:19:36):
I think this would be great for PR if we
got ourselves a lot. T ain't a lesbian or a
black homosexual.

Speaker 1 (01:19:43):
This is stupid. This is about people's lives.

Speaker 7 (01:19:46):
This is about making Hartford safe, not about whether or
not it looks good on a resume.

Speaker 15 (01:19:54):
No, and I'll agree with you that I look at
that and go maybe I'll go back to what I
said earlier. The maturation processes that you realize that we're
looking at merit right, some sort of meritocracy here going
what's best for the community, because we can sit down
there in check boxes and put people in the position
that we think that are looking good, but ultimately those

(01:20:16):
companies are going to fail. And maybe the mayor did
have it at fifteen, because.

Speaker 10 (01:20:20):
I do know that super Vella was part of.

Speaker 15 (01:20:23):
The interviewing of other people that they had lined up
to come in to take this position, and how they
fell apart. I don't know was in privy to that,
but I look at the result of it and went, Okay,
maybe it is Maybe maybe we're looking towards a little
bit on the merit side of things now and going
this is what we need instead of putting the community

(01:20:45):
at risk with check in a box and going this
is this is my idea. I think this is good.
Maybe now maybe the conversations with the cheap about hey,
this is what a police department needs, this is the
direction that they need to go, and.

Speaker 10 (01:21:00):
You know, we've gone through all these processes, and.

Speaker 15 (01:21:02):
Maybe the mayor did. Maybe the mayor sat down one
day and said, listen, we talked to all these people,
and holy Christmas, you're you're the best fit for the job.
And maybe you know, Chief Reveleicant. Yes, and maybe he said,
I have to check with my wife. I don't know
how that conversation.

Speaker 7 (01:21:17):
Well, I listen, you've been promising me you're going to
get the chief on the program. Please let him know that.
Now he's the chief, he's got to come on now.
So I'm tell him, I promise I won't. I won't
put him up against the mayor. That's not what I
want to congratulate him.

Speaker 15 (01:21:29):
I think I think you would enjoy that conversation. I
think you guys would have a great episode having a conversation.

Speaker 1 (01:21:37):
Yeah, I think No.

Speaker 7 (01:21:38):
Like I said, look, I understand he understands the gig.

Speaker 1 (01:21:41):
I know that.

Speaker 7 (01:21:43):
Look, the confidence in the Hartford Police in him and
his confidence in them is going to be a great
mesh to get the job done and get it done right.

Speaker 4 (01:21:54):
Uh.

Speaker 7 (01:21:54):
You knew that. You talked about that from the beginning.
You were happy that he was placed as interim, that
he was going to be there. You raved about him,
as did other officers who were talking about his leadership.
They understood exactly how important he was to the role.
You know, he had to be brought back because of
course he was a significant part of that in making
that whole system and that department hole. So we're glad

(01:22:18):
that he's there, but there is going to come a
time where Chief Ravella is going to have to go.
I don't know how long he's going to be there.
But here's my last question, and hopefully you can answer
it for me. Will he be a part of the
process with the mayor in choosing his replacement instead of,
you know, spanning the globe for some box to tick.

(01:22:41):
Now that we've gone through this nonsense.

Speaker 15 (01:22:45):
I believe again that maturation process of seeking counsel and
looking at Chief Ravella and what he has offered in
that selection process, I believe the mayor will I really do.

Speaker 7 (01:22:57):
I hope he does, because no offense. People were outraged.
That's how silly this was, because it's just look, I mean,
it's an embarrassment to the mayor. I know he doesn't
like that pr that every time he's choosing someone they
end up not being a fit or having to step
out because of some other issue. But for crying out loud,

(01:23:17):
this is just one of those things, especially when we're
talking about the police, the same thing we do if
we were fire or or any other I mean you know,
sort of a public worker system that you would talk
to the people involved and ask them who's the best
fit for the job, who's done the Netherlands work internally
instead of externally. So one you make it feel like

(01:23:41):
when you're in the job, you got an opportunity to rise,
but you also don't feel like you're being undermined by
bringing somebody on the outside who doesn't know the temperature
of the room.

Speaker 10 (01:23:53):
Absolutely.

Speaker 15 (01:23:54):
And it's funny you mentioned that because I was watching
the two channels a while ago and I'm watching you
know that show where they swapped the been or the
wipe out in the different houses. Yeah, you kind of
walked around.

Speaker 10 (01:24:03):
Yeah, that's kind of what it is, and like you
look at that and go the house doesn't run right?

Speaker 1 (01:24:09):
Well, yes, it never does.

Speaker 10 (01:24:11):
It never does.

Speaker 15 (01:24:12):
And you're like, okay, well dance when you ask. And
that's when you sit down there and go, okay, who
are you looking to seguay in here?

Speaker 11 (01:24:18):
Yeah?

Speaker 15 (01:24:19):
I think that's important. I still think it's important. We're
building from the ground up, taking that person that started
as an officer, putting them all the way through the ranks,
and then putting him in charge of where the department
is going to go. The intimate knowledge is priceless.

Speaker 1 (01:24:33):
Yeah, you're one hundred percent right.

Speaker 7 (01:24:34):
Sergeant James Rotowski, the president of the Hartford Police Union,
Thank you, boss man.

Speaker 1 (01:24:40):
As always, Ben, You're always welcome.

Speaker 15 (01:24:43):
Reisa greatly appreciate your time. Thank you.

Speaker 1 (01:24:45):
You got it, sir. That's it.

Speaker 7 (01:24:47):
He talked about that trading spouse's thing, and that's such
a good point.

Speaker 1 (01:24:52):
So many public officials do this thing.

Speaker 7 (01:24:56):
I've never understood, and a lot of people do this
as well. It's it drives me off the wall, this
idea that things are mutually substitutable. You might have remembered
I talked about how we talked about how Governor Lamont
immediately talked about reforms in the police in the state

(01:25:17):
of Connecticut after the events of George Floyd, and many
police officers told me personally that that was a slap
in the face by the governor to suggest that what
happened with Derek Chauvin was in some way indicative of
police even if Derek Chauvin was guilty or not guilty,

(01:25:39):
or you know, this was procedure or not, but he
was using Derek Chauvin as a template to say that's
who all of us are, and that mutually substitutable nonsense
is what I don't get. And that played a huge
role in this whole finding a police chief for Hartford,
That's what it was about. I could just pluck anybody

(01:26:01):
out of anywhere I can just you know, like like
Brian Shackman's darting across the Connecticut right. I mean it
just it doesn't make any sense, not Brian. Brian's thing
is brilliant. Don't get me wrong. I love that idea,
trust me, I've actually tried it.

Speaker 1 (01:26:17):
I love it. But you can't do that when you're
picking a police chief.

Speaker 7 (01:26:22):
Okay, finding out where you're gonna visit so you can
introduce new fans and new people in departs of Connecticut.
Great idea, picking your police chief, your fire chief. You're
not gonna go darting around the globe to find somebody.
Our next police chief is from Copenhagen Bozo's And I

(01:26:43):
know you listen, mayor look if this is if it
angers you, don't be mad at me. You did this.
Don't be angry at anybody but yourself. You ended up
right back where you started. And that's actually getting somebody
who understands, the police, understands the men and women who
are in uniform in Hartford. It took you a long

(01:27:05):
time to get to the place where we already were,
So don't.

Speaker 1 (01:27:09):
Get mad at being criticized. You screwed up.

Speaker 7 (01:27:14):
You screwed up, and just because you got it right
now doesn't mean you shouldn't be admonished for it or
called out for it. Get it right the next time.
Because Revella can't stay forever. He needs to get home
to his family too, enjoy the rest of his life.
He's given a lot of his time to the service.
Let's show him some respect. Let's let him choose the

(01:27:36):
next guy, not you put the dart down. Seriously, you're
not good at this, just at least in that you
might be great at other things that this thing you're
not good at.

Speaker 1 (01:27:49):
Just be able to accept that I may not know
what I'm doing.

Speaker 7 (01:27:53):
And that's the role of a true leader to recognize
where you got it wrong.

Speaker 1 (01:28:00):
I hope you learned.

Speaker 7 (01:28:02):
We all know he woked, we all know he won'd
China help. Let's get another check of our weather in traffic.
We got Jason Oh no, not Jason Ketaway, who's in
for weather? Today Joey, I just forgot his name. Yeah, okay,
somebody's got weather. But Mark Christopher's definitely got traffic in

(01:28:22):
the BPS traffic center.

Speaker 1 (01:28:23):
Hey, Mark, I gotta remember. I gotta put my darn
mic up.

Speaker 7 (01:28:27):
And I want to thank uh James Rotowski for calling
in last minute because he had something else that was
going on and it ended up early, so he was
almost supposed to be on tomorrow, So I'm thankful that
he was on today.

Speaker 1 (01:28:38):
Stand by it. About five o'clock, we got Hollywood News.

Speaker 7 (01:28:40):
We also got Negro nonsense that goes into what the
opening monologue was about. Wilson got what had happened was,
which we might do early. Yeah, we'll keep it as
it is. We'll talk about all of that and much
much more. I gotta get into in a minute this
John Larson audio, because U is, let's just be honest.

(01:29:03):
The election season has begun in Connecticut just as and
we're gonna be inundated with stories about it, and we
just need to get on our election on as it were.
But John Larson, of course, is being asked about his challengers,
and he said something which goes to something in an

(01:29:25):
earlier call today about no one in the media.

Speaker 10 (01:29:29):
Oh.

Speaker 7 (01:29:29):
In fact, it was Marko Wes Hartford talking about nobody
in the media asking anything, because when I hear something,
I keep saying to myself in gosh, boy, if you
guys only knew.

Speaker 1 (01:29:42):
When I tell you that, I can't wait to get there.

Speaker 7 (01:29:45):
I can't wait to get there because I am going
to scour scour these places so that I can get
a microphone in front of these guys.

Speaker 1 (01:29:55):
So when they say something.

Speaker 7 (01:29:57):
I am going to ask a question that When and
they say something that deserves a question and must be asked,
I'm going to ask and I'm going to play it here.

Speaker 1 (01:30:07):
On the show.

Speaker 7 (01:30:07):
I am going to shout Raison radio wt I c
let me ask her a question, sir or ma'am or
whatever you are.

Speaker 1 (01:30:15):
I'm just I gotta ask you what when you just
said such and such, what did you mean?

Speaker 7 (01:30:20):
Instead of the cameras just catching it and then getting
the sound bite to put on the news, They've got
to ask the question.

Speaker 1 (01:30:26):
You've got to make a mess.

Speaker 7 (01:30:27):
When you hear what John Larson says, you gotta ask
yourself what the.

Speaker 1 (01:30:33):
Hell did he mean by that? And it was right
there plain as they I would have been.

Speaker 7 (01:30:38):
In the comments sections at WT and AGENT just going
what did that mean?

Speaker 1 (01:30:44):
And it was thoughtful? You can hear now.

Speaker 7 (01:30:46):
I know people are going to rag about Larson and
saying that you know he had that little freeze up
not too long ago. Maybe he's not there. That's gonna
be hurtful anyway, I think, to be honest with you,
if I'm gonna call it, i'll call it. I don't
think he wins reelection. I don't think he does now.
If these chumps don't have the guts to call out

(01:31:06):
his age, if they don't have the guts to call
out that not just he's out of touch, but say
that he's unfit. You deserve to lose. You want to win, right,
you're the new guy on the block. Stop lying, and
that means omitting the facts.

Speaker 1 (01:31:24):
Larcion's up there. It's time from the go.

Speaker 7 (01:31:27):
If you really want to win, if you really want
to capture the heartbeat of your party, you're gonna have
to tell him, sorry, Larson, your time has passed. But
when I play this, if they're smart, if his opponents
are smart, they'll be asking the same question I asked
when I heard it stick around. Let's get another check

(01:31:50):
of whether in traffic Matt Benz, who's got the keys
to my bema is filling in for Jason Gattarino with
weather and Mark Christopher's in the BPS traffic center ARC.
Who am I in a rush passpid the keys to

(01:32:12):
the truck? Yeah, Mike Benz, Matt Bens. I'm sorry, Matt Ben's.
If you're listening, that one's for you, sir. It's recent
On the radio wt I see News Talk ten eighty,
John Larson was asked about, uh, his his challenger, Luke
Bronan getting into the race, and he was asked, of
course by a whole bevy of reporters, and he talked

(01:32:36):
about change. And when I heard this and watched it
actually on w t n H, I said to myself, what.

Speaker 1 (01:32:47):
That that doesn't bother you? What does he mean by that? Now?

Speaker 7 (01:32:52):
Bronan is talking to stuff about changing of the guard, right.
He cares about things that are new and fresh. Climate change.

Speaker 1 (01:32:59):
That's old, Bronan, that's not new, it's old.

Speaker 7 (01:33:06):
Please stop telling yourself that that's like a new plight
that's been around since I was a baby.

Speaker 13 (01:33:12):
Uh.

Speaker 1 (01:33:12):
And now he's talking about AI, Like what what? What
are you going to do with Ai.

Speaker 7 (01:33:16):
Bronan, What's what's the thing that democrats are going to
do with Ai?

Speaker 1 (01:33:20):
You tried that already.

Speaker 7 (01:33:22):
But listen to John Larson here and let's see if
you come up with the same question that I did
after he said it.

Speaker 13 (01:33:28):
Is there out there a feeling in the country about
winds of change? Yes, there is, and you can't ignore
it and deny that. So the question is are you
part of the change?

Speaker 1 (01:33:41):
All right?

Speaker 13 (01:33:41):
Answer yes, from the perspective that we're the ones that
can create the change and do it not only now,
but when we're reelected.

Speaker 15 (01:33:53):
Now.

Speaker 7 (01:33:53):
I heard that, and I said, what create the change?
Who creates the change? See Brunot's talking about change happening
like as we get older, as time goes on, change

(01:34:13):
takes place.

Speaker 1 (01:34:14):
People have different perspectives. Things.

Speaker 7 (01:34:16):
With technology, we learn new things, right, with intelligence, we
gain new perspectives. Oh that's not true. This is that
is a natural change. But Larson is talking about creating
the change, and not one person said to him, what

(01:34:38):
are you talking about creating change? Change is not created.
What you're talking about is force. What does that mean?
How do we create the change by getting elected? Because
that's what that is. And that's what he believes in. Hey, look,

(01:35:02):
don't take my word for it. You understand how this works.
Where we are in our society, All of this unnatural behavior,
all of it, this has not been progressive.

Speaker 1 (01:35:14):
This has not been grassroots.

Speaker 7 (01:35:17):
When we find out deep down, we find out that
all of it is artificial, especially when it comes from
their side. It has never been a natural progression. The
change in boy's behaviors were forced, was forced. It wasn't natural.
Boys just didn't decide to be soft. They were shamed
into it. They were forced into that shame. Boys didn't

(01:35:42):
automatically out of nowhere felt uncomfortable about their boyishness.

Speaker 1 (01:35:48):
They were constantly beat over the head by a.

Speaker 7 (01:35:51):
System that refused to adapt to them, told them that
they were in charge. That promoted, and an very unorganic way,
the plight of women. More and more girls started going
to college, more and more boys were being left behind.

Speaker 1 (01:36:11):
That wasn't natural. None of it was.

Speaker 7 (01:36:16):
Everything you've seen that has been the downfall of our
great society has been forced upon us. Everyone has been
told to heal that said the natural order of things,
of things were bad, and we couldn't push back on him.
And we were told that those things were change. The
crazy part about it is is that in order for

(01:36:37):
us to accept that change, we were told that what's
wrong with you?

Speaker 1 (01:36:44):
You don't like change, what's wrong with change?

Speaker 7 (01:36:51):
And as if I said on this microphone and many others,
nobody said change was good except for them. And when
they do talk about change, they're never talking about change
that favors us.

Speaker 1 (01:37:06):
When they talk about change, they.

Speaker 7 (01:37:08):
Talk about change that's against us, against the natural order
of things. Yeah, it doesn't matter LGBTQ. Sure have we
always had them as a part of our society, absolutely,
but we've never had them on the level that we've
seen today. And we've never seen the uptick that we've
seen in the last ten years. It was all of

(01:37:30):
a sudden flatline, all of a sudden whoo hockey stick
way up? Why was that natural? Was that organic? No
change has ever happened like that ever in the history
of our world. That has never happened. There has always
been progressive change, but not in that way. So when

(01:37:55):
Larson's talking about there, which nobody had the guts in
there to ask him, was what do you mean make change?

Speaker 1 (01:38:02):
How do you make change? Larson?

Speaker 7 (01:38:04):
You're seventy seven years old, I couldn't trust you to
change a light bulb.

Speaker 1 (01:38:07):
What are you talking about?

Speaker 13 (01:38:09):
Is there out there a feeling in the country about
winds of change?

Speaker 4 (01:38:13):
Yes?

Speaker 7 (01:38:14):
There is, Yes, See, winds of change natural.

Speaker 13 (01:38:19):
And you can't ignore it and deny that. So the
question is are you part of the change? All right?
Answer yes, from the perspective that we're the ones that
can create the change.

Speaker 1 (01:38:32):
So he's going to go against the wind because change.

Speaker 7 (01:38:38):
Again, Larsen is old enough to know that change is
a natural thing. So to say that, to say that
out loud as a politician, understanding where we are in
our world, understanding who Bob Larsen is in the grand
scheme of things when it comes to crack change in

(01:39:02):
our society, it was worth asking what the hell are
you talking about? People should be nervous about that. By
the way, that should be disqualified.

Speaker 1 (01:39:16):
In my view, if I'm running against him, I'd make
him own.

Speaker 10 (01:39:21):
Up to that.

Speaker 7 (01:39:21):
What are you talking about? What are you What are
you talking about? Forcing down the throats of people in Connecticut?
And by the way, anyone who doesn't challenge him on
that is complicit. They're okay with that. Now you may
think that I'm making a big deal out of nothing,

(01:39:42):
but mark my words, folks, he said that for a
reason he's being asked why he's being challenged, even being
asked about his challengers.

Speaker 1 (01:39:54):
He is trying to make.

Speaker 7 (01:39:56):
A case to why he belongs and he is saying
that as an elected official, he has the power, and
he's had the power for a great deal of time,
and he is tending out let's use their term a
dog whistle to his constituents. You want that change, don't you?

(01:40:17):
You know the ones that's been so elusive, you know,
with people talking about their freedoms, you know, pushing back
on us by using the word freedom. I can get
that change for you, folks.

Speaker 13 (01:40:29):
That pushback part of the change, all right, answer yes,
from the perspective that we're the ones that can create
the change and do it not only now, but when
we're reelected.

Speaker 1 (01:40:44):
You can create the change. Let's try this out. Let's
go to brob in Meridan. Hello, Rob, how are you?

Speaker 9 (01:40:51):
I'm doing good?

Speaker 10 (01:40:52):
Oh that was a quick job.

Speaker 4 (01:40:54):
Yeah. Yeah, I'm talking about change. And I don't want
you to think this has any thing to do.

Speaker 10 (01:41:00):
With George Floyd or you know, don't.

Speaker 4 (01:41:05):
Twist this whole thing around. But I don't know if
you remember a long, long time ago. There's a place
in Texas called Yeah. I think, yeah, I think. I
think they want to change the public wants to change
the way those police officers responded at that particular time.

Speaker 11 (01:41:22):
But you're with your microphone.

Speaker 4 (01:41:24):
I get the oppression you're saying.

Speaker 11 (01:41:27):
I don't change it.

Speaker 10 (01:41:29):
I'm the police.

Speaker 7 (01:41:30):
That doesn't seem to make sense. That doesn't seem to
make sense. Why are we talking? Is it the anniversary
that you've.

Speaker 1 (01:41:35):
Ad you talk about?

Speaker 11 (01:41:36):
Larson?

Speaker 4 (01:41:36):
Larson, Larson was talking about changing things and just go
with the flow. That's the oppression I got.

Speaker 11 (01:41:42):
So I think there is time for changes and you will.

Speaker 1 (01:41:45):
Be Wait, wait, let's start right. Let's hold on.

Speaker 7 (01:41:47):
Let's get back to your earlier point. You said, do
you think that there's time for change? You sound like
Bob Larson. You said, there's Let me answer, Let me answer.

Speaker 1 (01:41:56):
Let me ask you the question first. You're jumping ahead.

Speaker 4 (01:41:59):
So you've all these police.

Speaker 7 (01:42:00):
Time for change, sir, means that unnatural. A time for
change means everybody gets up and they go in another direction.

Speaker 4 (01:42:09):
Okay, so the police are correct.

Speaker 7 (01:42:11):
No, No, what I'm asking you is, and you refuse.
You're not answering. No, no, you're not answering my question.
When you say it's time for change, you're under the
impression that things just change by our will, that we
just go, all right, we're changing.

Speaker 17 (01:42:25):
Now people see it, the people of public.

Speaker 1 (01:42:28):
That's not how change works, sir. Maybe you missed my
whole monologue.

Speaker 17 (01:42:31):
You ain't changing nothing.

Speaker 4 (01:42:32):
Goodbye.

Speaker 7 (01:42:33):
Yeah, that's okay. You can't change anything through will. You
can change your opinion, but that usually progresses. I like
this girl today, but you know, she kind of gets
on my nerves. I'm not sure if I like her today.

(01:42:53):
You can like a girl, you can like anything. I
like strawberry ice cream, and then one day you have
some strawberry ice cream and you kind of realize.

Speaker 1 (01:43:01):
Eh.

Speaker 7 (01:43:02):
When I was a kid and spake speaking of strawberries,
I'll tell you this, this is absolutely true. When I
was a kid, all I ever wanted was strawberries on
my ice cream, but I could never get it. My
mom would never get it because it was too expensive.
Now you can't have strawberries on the ice cream. You're
not expensive next stuff. But I saw anybody who was
everybody having strawberries on their ice cream, and I said

(01:43:24):
I want that too, because everybody else got it.

Speaker 1 (01:43:27):
And when I was old.

Speaker 7 (01:43:28):
Enough, the first thing I did when I got some
ice cream, the guy said, you like anything on it?
I said, yes, I want strawberries. I'm paying for it myself.
My mom can't stop me. And I got strawberries on
my ice cream, a load of them, in fact, I
asked for extra end result. I hate strawberries. I don't

(01:43:52):
eat them today. I'm not a big deal. Not that
I'm allergic to them or anything. I don't like them.

Speaker 1 (01:43:57):
They're too tart. I don't even even understand what the
big fuss is about.

Speaker 7 (01:44:03):
I'm like, I don't like what was my big deal?
It was because I couldn't have it. That was all
it is, because my mom said no. And if my
mom said no, it means that it must be good
if my mom's an evil person who won't let me
have ice ice cream with strawberries. And then I got
to I realize I even like strawberries. And every time
I have ice cream today, I never get strawberries on them.

(01:44:24):
I won't even touch strawberries. Chocolate covers strawberries, no interest
at all. And I love chocolate except for ice cream.
But regular chocolate, Yes, I do, but nope, dip of
strawberry and chocolate.

Speaker 1 (01:44:37):
Have at them, won't touch.

Speaker 7 (01:44:38):
Them even romantically. I still have everybody. And for the wife,
she loves them.

Speaker 1 (01:44:45):
To be honest.

Speaker 7 (01:44:48):
But yeah, that whole thing about change nonsense, change happens.
Larsen's talking about something much more sinister. Mark my words, folks,
there's an interest. And if you watch that video, watch
the way his hand goes up and he's talking.

Speaker 1 (01:45:09):
He is referencing something sinister. He is. You gotta ask him.
It has to be asked. What are you talking about?
What do you mean?

Speaker 7 (01:45:19):
How do you force change? You're just a politician, all right,
we'll get into that. Donald says, these democrats come into
the minority communities and talk a good talk, yet we
see no major improvement for these communities. They then use
these communities as stepping stones to achieve their political ambitions.

Speaker 1 (01:45:43):
I got a minute.

Speaker 7 (01:45:44):
Let's take a minute. Donald, let me explain something to
you about politicians and government. If you believe that governments
are here to improve your life, you misunderstand. Government is
here not to do for you in the sense of

(01:46:06):
making your life better. They are here to do your bidding.
That's why they are referred to as public servants. They
do what you ask them to do, not make your
life better. They are not there to deliver things to you.

(01:46:26):
They are there to get out of your way and
to remove the roadblocks for you to have a better life.
Lower your taxes, make sure that you are not burdened
with things that do not benefit you or are profitable
to you and your family, to lower costs for you
to be prosperous. They are not there to give you

(01:46:47):
handouts and do your bidding in that sense, I mean sorry,
and do for you. They do your bidding. So when
you do this whole thing about coming into your communities
and talking to good talk about improvement.

Speaker 1 (01:47:01):
The only way a government, a government official.

Speaker 7 (01:47:03):
Can improve your life is to stay out of it.
That's how that works. I told you that when Lamar
I mean not Lamont. When Murphy was walking through uh
walking through the state, saying what I can do for them?
What can I do for Connecticut? I said, if you
see him, tell them to get out of your way.

(01:47:23):
See if he understands. Let's get another checking weather and
traffic with Matt Benz and Mark Christopher is in the
BPS traffic center.

Speaker 1 (01:47:31):
Hey Mark, all right, Matt, thank you very much.

Speaker 7 (01:47:33):
Reaches on the radio, ask your doctor of common sens
is right for you?

Speaker 16 (01:47:39):
Right for you?

Speaker 11 (01:47:40):
On News Talk tennad W T.

Speaker 7 (01:47:43):
I see, Oh, I totally forgot where in the heck
that I put my there.

Speaker 1 (01:47:48):
It is right there.

Speaker 7 (01:47:49):
It's not for Hollywood News. It's my favorite part of
the show. I'm sorry, it's true. Now, you guys know,
Eddie Murphy used to rule the roost in Hollywood, and

(01:48:10):
it's been a while since he's actually ruled the roost.
You remember, back in the nineties and the early two thousands,
Eddie Murphy took over the role of Doctor Doolittle, made
famous by Rex Harrison.

Speaker 1 (01:48:20):
He then did it again.

Speaker 7 (01:48:21):
With Nutting Professor films made famous by Jerry Lewis.

Speaker 13 (01:48:25):
Well.

Speaker 1 (01:48:25):
The question is, can Eddie Murphy do it again?

Speaker 7 (01:48:29):
A role that was made famous by Peter Sellers is
now being taken over by Murphy.

Speaker 1 (01:48:36):
That's none other than the Pink Panther films.

Speaker 7 (01:48:40):
Yes, Eddie Murphy will now take over the helm of
the Pink Panther film This was apparently some idea that
they were going to do years ago. Where they were
going to have sort of a meshy kind of a
Who Framed Roger Rabbit version of it, where Inspector Clouseau
was supposed to be going after the cartoon version of
Pink Panther, but that hasn't been really really solidified yet.

(01:49:04):
So in April of twenty twenty three, it was announced
that after acquiring MGM, Amazon is developing a new addition
to the franchise to form a movie and television series
through their subsidiary Amazon Studios, which is now called the
Amazon MGM Studios. It was later reported that Eddie Murphy
is in talks to star in the film as Cluseo,

(01:49:26):
which I think he just codified or certified recently in
an interview saying he is going to take it over.
So Eddie Murphy, can he pull off the trifector because
I'm not gonna lie. He actually did make Doctor Doolittle.
He was very profitable, as was The Nutty Professor. Films
very very well received. So Pink Panther Eddie Murphy, I

(01:49:52):
don't know, maybe it's a little too late for him
to try the third time, but because I didn't want
to whatever that coming to a Marria nonsense and the
Actual F movie. Those were complete bombs. Joey, I know
you see did you see both of those?

Speaker 1 (01:50:06):
The Coming to America thing?

Speaker 2 (01:50:09):
I love the Actual Foley movies?

Speaker 1 (01:50:11):
Okay, no, do do? Why did you watch Actual F
and Coming to America the sequels?

Speaker 10 (01:50:16):
No?

Speaker 1 (01:50:17):
Okay?

Speaker 7 (01:50:17):
First of all, let's just start by saying, uh, the
Coming to America thing should have never been done again?

Speaker 1 (01:50:24):
Was that Who's already here?

Speaker 2 (01:50:26):
Something like that?

Speaker 1 (01:50:27):
Yeah?

Speaker 7 (01:50:27):
Well, the worst part about that was is that the
first of all, that movie never needed to be remade
or have a sequel because the most interesting characters would
have technically have been dead based upon.

Speaker 1 (01:50:38):
Their age and the original Yeah right.

Speaker 7 (01:50:41):
So you can't bring the old guys from the barbershop
back thirty years later, almost forty years later and have
those guys just as bouncy as anybody else.

Speaker 1 (01:50:51):
It was just ridiculous. Anyway, I like.

Speaker 2 (01:50:55):
It just proves that we can't come up with original thought.

Speaker 1 (01:50:57):
Is it's really really bad?

Speaker 9 (01:50:59):
Now?

Speaker 7 (01:50:59):
I'm going to put bunch myself in the face because
I'm going to ask, is we go to the weather
in traffic with Matt Ben's and Mark Christopher the BPS
Traffic Center?

Speaker 1 (01:51:08):
All right? Jesus, I was wonderings.

Speaker 7 (01:51:13):
It's McDowell's, which, by the way, incidentally is a trivia question.
Mcdowells is now a pop up restaurant all around the country. Uh,
at certain anniversaries. They did one in Queens and they
did one in Chicago. These pop up restaurants called McDowell's
actually show up and they have the whole uniform and everything.

Speaker 20 (01:51:35):
Now the father and that was the father in good Time.
James he owned yeah, he owned the He owned them right,
He owned McDowell's. And his daughter was gorgeous Sherry Hedley.
Oh man, man, she has well, I don't know. I
haven't seen her.

Speaker 1 (01:51:52):
She was in she was in the sequel recently. I'm
sure she still going on it.

Speaker 20 (01:51:58):
She had it going on in that movie.

Speaker 1 (01:51:59):
I'll tell you that. I keep forgetting music. We're back
at three Center Radio News ten.

Speaker 7 (01:52:06):
In a second stand by, we will get, of course,
to nonsense. So stand by for that, because I know
you're all waiting for Let's get to the phones. Eight
and zero five two two WT. I see from Danbury.
Doctor Peter is on the line. How are we doing, doctor,
I'm doing well. You know, I'm great. How can I
help you today.

Speaker 11 (01:52:26):
I want to thank you for your program and you're
very very well spoken and intelligently done. And uh and
I'm glad you don't take any garbage from anybody, hey man.
But I you know, I pastored the first Baptist church
in Woodbury, and we've been you've been talking about government,
and everybody's talking about government. And I did a lot

(01:52:47):
of back to you know, opening prayers for back to
back blue rallies and those type of things. Sure, and
I you know, when Sandowski was running Laura Levy, and
then I read them a passage out of the Bible
which deals with our government, and it settles it clearly.
It says over in Romans. Just bear with me for
a minute. I'm not going to take too much of

(01:53:07):
your time. It says, let every soul be subject times
with the higher powers. For there is no power but
of God, the powers that be or ordained to God.
And whosoever there resist is the power resists the ordans
of God. And they that resist shall receive to them damnation.
But here's the part. For rulers are not a terror
to good works, but to evil. Will that not be

(01:53:28):
afraid of the power, do that which is good, and
thou shall have praise of the same, for he is
a minister of God to thee for good. And I
told those folks up there running for office, and everybody
in office should know that God is in control, and
they are ministers of God for good. And the purpose

(01:53:49):
of government is to restrain sin. See a man who
is a Christian living for God, he's living a moral,
holy life. But those who are outside of that, they
need government. And that's why God created government to restrain sin.
And they are ministers of God. And they will give
an account one day for their ministry and the office

(01:54:11):
that they hold publicly to represent us. And I just
wanted to.

Speaker 7 (01:54:14):
Say that, doctor Peter, it couldn't have been said better.
That's why you were a man of the cloth. And
I appreciate you, and I resonate that that resonates with
me every bit of what you say. It again, we
need to get back to that, and I wish these
folks would recognize it. It's been far too long they
understood their role, and it has to be preached over

(01:54:34):
and over again. And as much as people may you know,
turn their eyes up or turn their nose up to
the preaching of that gospel. I will never ever ever
walk away from it. So I appreciate you, doctor.

Speaker 11 (01:54:48):
So the Lord bless you, and you're in our prayers.
You know, after I read that to them, they came
to me after and they you know, they shook my
hand and they shoot. We never even heard anything like that.
A And you're special to God. You're ministers of God,
and you need to have a godly conscience. And if
you're not going to go up to the Capitol in
Connecticut with God on your conscience, don't go stay home.

Speaker 1 (01:55:11):
That's that's right exactly. Thank you, doctor Peter.

Speaker 11 (01:55:14):
Thank you so much for the opportunity.

Speaker 1 (01:55:16):
My pleasure.

Speaker 11 (01:55:17):
Sir you're in our prayers and your family.

Speaker 7 (01:55:19):
Thank you, sir as are you? Thank you so much.
Let's go to Actually I'm gonna hold off on Steviev
for a second because I would need to get into this.
I almost feel guilty now go to the opposite direction.
But I got to do it because, okay, because my
my audience demands it, they do.

Speaker 1 (01:55:38):
It's time for nonsense.

Speaker 7 (01:55:44):
Nonsense. Back in nineteen sixty six, Ladies and Gentlemen, nineteen
sixty six, this photograph was on the cover of Ebony magazine. Now,

(01:56:05):
if you're listening on the radio, you can't see it,
so make sure you go to reach on the radio
dot com 'or go to my Facebook page or anything
so you can watch or you can see the video yourself.
Timestamp it eighteen minutes after the hour and I was wrong,
and thanks to Boston Julie for correcting me. Ebony Magazine,
February nineteen sixty six.

Speaker 1 (01:56:24):
The headline are Negro girls getting prettier. That's what it said.

Speaker 7 (01:56:33):
And the photograph, as you can see there for those
of you who are looking online, you can see that
all of those women are what we call in the
hood light skindid instead of light skinned light skindid, or
as my mother would say. When I was a kid,
Hi yella.

Speaker 1 (01:56:54):
Long story.

Speaker 7 (01:56:56):
Those of you who are African American you know, you
know the terms.

Speaker 1 (01:57:00):
Other people who do know too.

Speaker 7 (01:57:01):
But that was the time before I'm brown skinned now,
but I was very very I was very much like
a lot of these young ladies as far as skin
tone was concerned when I was a young kid. In fact,
I think I've showed a picture of that. But the
letter to the editor, these were letters. I have copies
of them right here of letters to the editor. Many

(01:57:26):
of them were very interesting, and that's why I made
this a part of Negro nonsense when talking about beauty,
when talking about African Americans. These people who are screaming
and hollering about Sydney Sweeney and the American Eagle Jeans campaign.
Listen to some of these in the article. These are
people writing to the editor. Your article, Are Negro Girls

(01:57:49):
Getting Prettier? Was marvelous. I'm sure it was great, a
great morale booster to Negro girls everywhere. However, I have
an ax to grind. Of all the girls pictured, I
did not see any from the West Coast. Aren't we
pretty enough? That one was from Oakland, California. Another person

(01:58:16):
wrote your feature story, are Negro Girls Getting Prettier?

Speaker 1 (01:58:21):
Was your most miraculous article to date?

Speaker 7 (01:58:25):
Notwithstanding this scientific analysis you presented to to substantiate your claim,
The answer is quite obviously no.

Speaker 1 (01:58:39):
Wow, that is so mean that one came from Philadelphia.
This one. Another one writes your February Uh.

Speaker 10 (01:58:48):
What is it?

Speaker 1 (01:58:49):
I think it's glory. I'm sorry. Oh yeah.

Speaker 7 (01:58:52):
Your February February article asked the question our Negro girls
getting Prettier? The answer is obvious, and the reasons are apparent.
They certainly are getting prettier. Right, by the way, these
are black people writing to the people at Ebony. Okay,
they don't seem to have a problem, but here are

(01:59:13):
some people who were not happy about it, like a
million other young men.

Speaker 1 (01:59:19):
Oh no, I'm sorry. This is no.

Speaker 7 (01:59:20):
That one's in favor, that one's from Richmond, Virginia. This one, oh,
this is perfect. It's in the same vein of Negro nonsense.
It begins, how dare you we Negro women are the
only women in the world who don't get any praise
for our beauty. Now you decide to write an article

(01:59:42):
called called our Negro girls getting prettier. We've been pretty
all along, just up until a few years ago.

Speaker 1 (01:59:50):
We had to.

Speaker 7 (01:59:54):
Oh, we had no access to cosmetics, whigs and etc.

Speaker 1 (02:00:00):
White women have been using these for years, they wrote.
I'm not kidding.

Speaker 7 (02:00:05):
This is what they were writing in nineteen sixty six
in Ebony magazine. Of all places, of all places, and
the women who are being displayed here are of light
skinted tone, which goes back.

Speaker 1 (02:00:24):
And why am I bringing this up? And why this
is so relevant? Okay?

Speaker 7 (02:00:29):
Is that this so cold thing about what is and
what isn't beautiful is being decided by people who deserve
no power. Magazines, media, They don't get to dictate to anybody.

Speaker 1 (02:00:49):
What is and what isn't beautiful. All of that is silliness.

Speaker 7 (02:00:54):
But what really makes all of this horrendous, what really
makes all of this so tragic, is the fact that
people give that power away so easily. Those people who
are outraged online about Sidney Sweeney, those people have given

(02:01:15):
power to a gene company. Do you understand that that's
what they think they are. They think they're fighting against
a powerful entity because if it had no power, it
would mean nothing. I have this saying that says, never
give power to things that don't have it. All power

(02:01:39):
is given to someone. They don't just exert it, they
don't just have it. It has to be given. What
they do with the power you give them, and if
it's against you, you must understand that you gave them
that power to abuse you. If you don't give the power,
they can never harm you. My wife and I and

(02:02:02):
I'm telling a little bit of a tale.

Speaker 1 (02:02:03):
Out of school here.

Speaker 7 (02:02:04):
She's got a very contentious relationship with her mom, and
as many people do, but the reason why that exists
is because her mother and many other mothers in people's lives,
have a dominion that only you give them. Once you

(02:02:25):
are done with giving them that power, you are free.
They can only do harm if they can do harm.
So I as I tell people, you know, I said
this thing about you know, jokingly. People get mad when
I bring it up. And you know, I used to
say this about the N words, like why is that

(02:02:46):
never It's like, yeah, somebody asked me as a long as,
like why do you never get upset about that word?
I see so many people get angry. Why does it
never bother you? Because it has no power?

Speaker 1 (02:02:57):
It doesn't.

Speaker 7 (02:02:58):
I won't give it power, give the person who uses
it power because once I give it power, it proves
two things. One it's already what I think of myself,
and two they're on to me. I will never give
anything that power. People are going to say and think

(02:03:21):
things about you. People are gonna do things that upset you.
But it is always about the power you give it.
Pay it no mind, it doesn't affect you. These people
are finding problems with Sidney Sweeney. They are finding problems
with this ad because they feel they they feel like

(02:03:42):
they're gaining power by fighting back against it. But if
it has no power to begin with, what are you
fighting Think about it, Sidney Sweeney has no power against you.
She doesn't even know you, ladies, She doesn't know you because.

Speaker 1 (02:04:00):
We know you exist.

Speaker 7 (02:04:02):
Neither does the American Eagle. They don't know you exist,
and they don't care if you do. They have no
interest in your ridiculous little life. And I call it
ridiculous that if you are paying focus or giving focus
to this big giant corporation that just made four hundred

(02:04:23):
million dollars while you sit there trying to make ends
meet or pay for medical bills you clearly can't afford.
If you think that you are going to slay that
goliath because you wish to boycott people who don't know
you or care about you, and think that that in
some way gives you power, you're silly, because guess what,

(02:04:45):
even if you take down American Eagle, which you won't,
even if you take down Cindy Sweeney, which you never can,
your miserable life still exists for you to find something
else for you to give power to. That's just the
way that it is. You're the minor person here. You're

(02:05:08):
the little person here.

Speaker 1 (02:05:11):
Let it go. It's too big for you. And if
you ignore it, you'll live a better life. That's all
I'm saying.

Speaker 7 (02:05:22):
When we come back, we'll take some more of your
phone calls, we'll wrap up this puppy, and we'll do
what had happened was.

Speaker 1 (02:05:29):
Let's get to Matt Benz, who's.

Speaker 7 (02:05:32):
In for Jason Calerina with weather and Mark Christopher is
always in the BPS traffic center.

Speaker 9 (02:05:36):
Here, Mark stay locked in locked race on the radio
is on wt I see.

Speaker 7 (02:05:44):
Well, Actually, tomorrow's show I am really really excited for
because two people who are really really big fans of
each other get to hang out tomorrow for Ladies Night.
Ladies Now, Joey, are you familiar with Ladies' Night? Do
you know anything about it?

Speaker 1 (02:06:05):
Yeah?

Speaker 7 (02:06:06):
Okay, so you do know concert? No, I mean on
the show, on this show. Are you familiar with Lady
a little bit?

Speaker 4 (02:06:14):
Yeah?

Speaker 1 (02:06:14):
Show?

Speaker 7 (02:06:15):
Okay, so you do know that we bring Roseanne in
every Friday to talk on anything and everything under the sun.

Speaker 1 (02:06:20):
Uh, the boy just turned eighteen years old today. How
she handled out of sorts, out of sorts, out of sorts.
That's the best I can give you.

Speaker 7 (02:06:29):
So, of course, how are you talking to her about
how she's navigating with the fact that she's got an
eighteen year old son who's you know, very very independent,
has a girlfriend, he's driving, he's traveling across the country.
Now he's a man. I mean, there's just no other
way to slice it. And so we'll talk to her
about it. But what I mean by the first time
is that the first time we get to do Friday

(02:06:51):
Friday night ladies night with you, that's the hell. So
she's excited. You guys are quite funding each other. You
guys have always you know, sort of gotten a long
fence the moment you guys met, so you kind of
get to hang out with us. So it's it's all
free for all because it's you know, usually a slow
news day, unless, of course, something you know, interesting happens. Uh,
it usually stays pretty you know, low key and lighthearted.

Speaker 21 (02:07:14):
So I see the court on social like socials a lot.
You know, as a parent, you do your best to
raise the child you can't live without, to live without you.

Speaker 1 (02:07:23):
Yeah, and she was she's watched this movie.

Speaker 7 (02:07:25):
I want to talk to her about this movie that
she saw called Other Hood and It's a movie about
these three mothers who get together and all of their chill,
all of their sons have grown up and moved away,
and this sort of conflict that the mothers go through
with their sons who you know, were right by their
side and.

Speaker 1 (02:07:44):
Were you know, they're best friends.

Speaker 7 (02:07:46):
You know, growing up and now they've go you know,
gotten older and moved on. And she watched it, and
of course, I you know, went to go to the movies.
I got back and she had finished watching the film.
I'm like, how you doing? And she was like, oh,
I cried, And I get it. I understand. I know
fathers are different, but I'm starting to understand this in

(02:08:07):
a way that I never did before because me and
my mom just kind of just cut ties, you know
what I mean, not in a bad way.

Speaker 1 (02:08:15):
You just kind of went like we didn't have that struggle.
It's a new struggle.

Speaker 7 (02:08:20):
With moms and their sons today. Yeah, am I missing something?

Speaker 10 (02:08:24):
No?

Speaker 2 (02:08:25):
I think it definitely is because is.

Speaker 1 (02:08:27):
Your is your wife like that with the boys, because
you have nothing but boys? Right?

Speaker 11 (02:08:31):
Yeah?

Speaker 2 (02:08:31):
Three boys?

Speaker 21 (02:08:32):
Now, I mean they hit me the other Like a
couple of weeks ago, I was sitting there doing dishes
and one of the kids has like a part time
summer job, and he came over and he was like
making a sandwich and getting his lunchbox ready for the
next day.

Speaker 2 (02:08:44):
I'm like, damn, like an adult. Now, where heck did
that come from?

Speaker 1 (02:08:48):
Yeah? Does it make you feel useless? Now?

Speaker 21 (02:08:50):
Like in kind of a way? Yeah, Like I told him,
I'll always be bigger. That's why they invented the two
by four.

Speaker 1 (02:08:56):
So stupid. Oh man. You know what, who's right packs?

Speaker 7 (02:09:03):
None other then Mark Christopher is in the BPS traffic Center. Mark,
do you think that your wife deals with your son
getting older different than you do?

Speaker 1 (02:09:16):
Right? Like that bond?

Speaker 20 (02:09:18):
It's funny because he tends to listen to her more
than he listens to me. He doesn't really give me really.

Speaker 7 (02:09:23):
So he's still kind of got that close bond with
his mother.

Speaker 1 (02:09:27):
So that's what. Okay, so you get what we're talking about.

Speaker 7 (02:09:30):
So tomorrow, you know, Roseanne of course, is gonna be
in the show, and she's dealing with the fact that
her boy's growing up and he's becoming very He was
always right by her side.

Speaker 1 (02:09:39):
So now does he Does she have one son?

Speaker 7 (02:09:41):
No, she's got she's got two others who have grown
and you know, but this is.

Speaker 1 (02:09:45):
A baby baby. Yeah, so this is like the final child.
The grip is really tight on this.

Speaker 17 (02:09:53):
Wow.

Speaker 1 (02:09:53):
You know, Oh, it's really really bad to watch man.
You have no idea. Sometimes I gotta step away, like
quietly and close the.

Speaker 20 (02:10:01):
Door and like run for the hills because I want to.
It's an emotional mess. Yeah, it is, no question about it.
So my son's turning seventeen next week. Joey, can you
send your son over to kind of train my son
to start handling things on his own.

Speaker 21 (02:10:17):
I got two of them, and they do things completely
differently and oppositely.

Speaker 2 (02:10:20):
So it's definitely a tricky situation.

Speaker 20 (02:10:22):
Oh yeahh the son that's working and he can, you know,
prepare for the next day without you having a problem.

Speaker 1 (02:10:28):
Get him over there.

Speaker 21 (02:10:29):
He is the quintessential old soul. That kid does his
own laundry like he's good to go. The other one,
I'm like, dude, you're underwear uncle belonging in the hallway.

Speaker 1 (02:10:39):
Can you can you give him some old soul to
my son just a little bit?

Speaker 2 (02:10:43):
Probably? We always joked he was the only teenager with
an ARP membership.

Speaker 1 (02:10:47):
Woa go there, you go.

Speaker 7 (02:10:50):
We're back res on the radio. We are definitely about
to get up out of here. Let me get to
Stevie V real quick. How are we doing, sir?

Speaker 12 (02:10:57):
I'm doing good. Speaking of nonsense, I'm really disappointed when
Eddie Murphy had apologized for the things like his Raw album.

Speaker 1 (02:11:06):
Waitman, so waitman? Are you waitman? You said you're disappointed
with Eddie Murphy. But what for for the for the.

Speaker 12 (02:11:12):
For the for apologizing for.

Speaker 7 (02:11:15):
Oh I will never forget that, are you okay? For
those of you who don't know this, Apparently, when Eddie
Murphy got right back into sort of like the I
guess he started doing interviews a couple of years ago,
and this was before his return to doing the whole
what's in my Face They Coming to America thing, he
had put out a statement saying that comedy has changed,

(02:11:39):
and it was really just after Dave Chappelle's controversy and
he started apologizing for the jokes that he put.

Speaker 1 (02:11:45):
In the famous, I mean very very famous comedy bit.

Speaker 7 (02:11:48):
And movie called Raw, and you, like me, STEVEV, were
just going, what like that, there's nothing to apologize.

Speaker 12 (02:11:55):
For absolutely and make a better game.

Speaker 1 (02:12:02):
No, no, you said sorry, No, I'm.

Speaker 12 (02:12:05):
Gonna just continue a different thought with him, but I
want to hear what you had to say.

Speaker 7 (02:12:09):
No, I was gonna say that that really ruined a
lot of my view on Eddie Murphy understanding comedy and
its evolution in essence, like nobody should ever have to
apologize for the comedy that they've done, because again, then
he puts a restriction on all future comedy, so to speak.

(02:12:31):
What I mean by that is, can you imagine a
Richard Pryor or a Red Fox or even Lenny Bruce,
if they were alive today, apologizing for the comedy that
brought comedy where it is today?

Speaker 1 (02:12:47):
Like without them, No, I was.

Speaker 7 (02:12:50):
Gonna say without them, I don't think exactly without them,
we wouldn't have comedy the way it is today.

Speaker 12 (02:12:56):
But go ahead, absolutely, I don't think he Richard Pryor
apologize for even blazing saddles.

Speaker 1 (02:13:02):
With all that he said.

Speaker 12 (02:13:03):
Exactly that he said, but he wrote it. But I
do want to talk Eddie Murphy a little bit more.
But you just see the movie being there, just wondering
if you liked it or not.

Speaker 1 (02:13:11):
I did.

Speaker 7 (02:13:11):
I loved it, and it's brilliant, and I'm trying to
find clips from it that I could use, uh, because
I'm it's a long, sort of drawn out, but it's
got to be perfect for what I'm.

Speaker 1 (02:13:21):
Trying to do.

Speaker 11 (02:13:22):
Awesome.

Speaker 12 (02:13:23):
Now, as far as Eddie Murphy goes, I think he'd
make a better James Bond than he would Inspected Clusel.
Other people tried that part. There's Alan Arkins right, They're
never gonna match Steve Martin had done it. They're never
gonna match Peter Sellers. I think if they want to
do a movie like that, they should have his own
character and not not respected Clusel.

Speaker 7 (02:13:43):
Yeah, because I you know, there is a thing that
Eddie Murphy does that I've never been a fan of lately,
And there is what we call the bug eyed comedy
that is sort of over the top, and folks get
mad at me.

Speaker 1 (02:13:59):
I don't care. I'm saying it not Steve.

Speaker 7 (02:14:03):
It's very minstrel, and I don't like it because and
you know who does that? Who is so I mean,
he's good at it, he's almost good at covering it
up a bit, but it is also very minstrel.

Speaker 1 (02:14:15):
Kevin Hart.

Speaker 7 (02:14:17):
It's you know, you know, the kind of over the
top screaming and hollering. There was only one guy who
did that kind of comedy, that did it with a
style that didn't look minstrel.

Speaker 1 (02:14:29):
And it's Chris Tucker. You know, you know what I mean?

Speaker 12 (02:14:35):
Yes, I don't know Kevin Hart. Well, I've heard the name,
I've probably seen him by it, but I just really
can't play.

Speaker 1 (02:14:40):
Yes, that's okay, very very short actor, got you? But yeah, Chris,
you know Chris Tucker. Chris Tucker. And for those of
you who know.

Speaker 7 (02:14:49):
They saw the film The Fifth Element with Bruce Willis,
director by Luke Besson, you will know that that character,
which a lot of people don't know I and I
thought about it when I saw the.

Speaker 1 (02:15:02):
Movie, was a role.

Speaker 7 (02:15:04):
The role that Chris Tucker had was originally written for
Prince of all people. And so that's why when you
look at that character, you say, wow, that looks like
a role that Prince would play, because it was written
for him.

Speaker 12 (02:15:18):
Gotcha. And you know one thing about Tucker, I'm sorry,
go ahead, no, no, you guys. One thing about Tucker.

Speaker 16 (02:15:25):
He kind of reminds me of.

Speaker 12 (02:15:26):
Your older type of character actors, comedians Jackie Gleasee and
Ronnie Dagerfield. You know, so I don't know if I
would even consider it like Minster, like you're saying, it's
just the expressions and stuff that you know, those older
people were known to do. He seems to nail that
pretty well.

Speaker 7 (02:15:46):
Yeah, I mean, there's a there's a degree of comedy
that Eddie Murphy was able to deliver that had a
style where he didn't again have to be kind of
I'm sorry, I hate using the term, but buffoonery.

Speaker 1 (02:16:02):
Let me give you some examples.

Speaker 7 (02:16:04):
The first comedy Eddie Murphy does that sort of puts
him on the map is The Forty eight Hours, which, again,
the only time you see Eddie Murphy do sort of
like the clownish stuff is in the opening of the
film where he's singing rock sand right. That opening scene

(02:16:26):
is of course it's and you don't even think of
it in that sense because there's a degree of his
introduction into the mainstream because of his characters on Saturday
Night Live. So he's almost taking his Saturday Night Live
persona and bringing it to the screen so that people
recognize Eddie Murphy. Right, and then the character gets gritty

(02:16:49):
at times, but very professional and strong, especially the scene
inside the bar where he's looking for the guy, you know,
and and and you know, he pretty much tells him that,
you know, I'm the new sheriff in town, so to speak.

Speaker 1 (02:17:03):
So that is a tough scene.

Speaker 7 (02:17:05):
Yeah, yeah, exactly, that is a very tough scene. And
it's a masculine scene. And people rooted for him because
he didn't seem like he was kind.

Speaker 1 (02:17:14):
Of playing just a comic relief. That's why I liked
about it.

Speaker 7 (02:17:16):
And axul Folis Laurie just brought up in the chat room.
He is a fast talking, slick cop, but he's always
the hero, you know what I mean, He's not bumbling
into success.

Speaker 12 (02:17:34):
I would love to see him in a serious role.
And when he was played against Nick Nolty, I thought
that was a good combination for him too.

Speaker 1 (02:17:40):
It is.

Speaker 7 (02:17:41):
Yeah, and you know what, it's funny because speaking of
Eddie Murphy, I don't know if you know this, but
many people say this on the inside. In fact, I'm
almost certain I can qualify this statement. He was nominated
for Best Supporting Actor in the film Dream Girls, and
during during consideration, he did a movie written by his brother,

(02:18:04):
Charlie Murphy, the late Charlie Murphy. He did a movie
written by his brother called Norbit that came out during
the time of consideration for Dreamgirls, and people said that
his characters, his multi characters in Norbit took him out
of the running because Norbitt was so bad, and people

(02:18:26):
thought that if he had get one for Dreamgirls, they
only would have reminded remembered him from Norbit, and that
would have been a bad look. So they're saying that
it actually lost contention. He lost to aut To Is
it Alan Arkin? Is that the actor's name.

Speaker 1 (02:18:44):
Alan Arkin?

Speaker 7 (02:18:45):
And Laurie correct me if I'm wrong. That year Alan
Arkin won for Little Miss Sunshine, which, by the way,
Arkin's character in Little Miss Sunshine is absolutely stellar. It
was hilarious, it was funny, and and he deserved it,
not that Eddie Murphy didn't, but the fact that he
went to Arkin wasn't It wasn't given away, so to speak,

(02:19:07):
because he did deserve it.

Speaker 1 (02:19:08):
It was a great role and I did love that, man.

Speaker 12 (02:19:11):
I don't even think it's fair that they would have
pulled him because he had a bad role in.

Speaker 1 (02:19:17):
Yeah, I didn't like that. I didn't like that either.

Speaker 7 (02:19:20):
It was almost the same case Steve before I Let
You Go, which always drove me nuts. Samuel Jackson versus
John Travolta both nominated for the movie Pulp Fiction, and
the reason why John Travolta got Best Actor as opposed
to Best Supporting Actor that went or was nominated for

(02:19:43):
Samuel Jackson because that's how they made the decision. John
Travolta got Best Actor nomination and Samuel Jackson got Best
Supporting Actor nomination. The reason why that was chosen, even
though Samuel Jackson's character is much more memor is because
of the screen time. John Travolti's screen time I hear

(02:20:06):
is about a minute or two minutes longer than Samuel L.

Speaker 1 (02:20:10):
Jackson's in Pulp Fiction.

Speaker 12 (02:20:13):
And it's amazing too, Like Steve McQueen always used to
pull for like the longer screen time, and there was
just amazing. How did the dynamics of all that works?

Speaker 7 (02:20:23):
Yeah, it's it's insane, But you know, I still think
if Samuel Jackson would have been Best nominated for Best Actor,
there's no way he doesn't win in Pulp Fiction.

Speaker 1 (02:20:31):
It just doesn't look There's no way, just no way.
It's the most memorable.

Speaker 12 (02:20:34):
I mean, yeah, he did a great role.

Speaker 7 (02:20:37):
That was a great role. Thank you, boss. Let me
go to Jim and Wellington before we get out of here.
How are you, Jim?

Speaker 17 (02:20:43):
Yeah, I apologize. I'm not sure what the whole topic is,
but here's what I'll say about Eddie Murphy. Uh, that
guy is a triple triple hitter.

Speaker 1 (02:20:51):
I think it is.

Speaker 17 (02:20:53):
There's nothing that guy can't you go back, just go
back twenty twenty two, twenty five years.

Speaker 11 (02:20:58):
That guy, there's.

Speaker 17 (02:20:59):
Nothing he can't do. I would I would like to
see him getna roll like Robin Williams did a serious role. Yeah,
you know, because there's no way he could. It would
have to be a great role. And Robin Williams, boy,
he had a couple a couple of great roles. Thinks
serious customs. But there's no way. Eddie Murphy, in my mind,

(02:21:20):
he's just got it all between the music, the comedy,
the acting, the caricatures, uh, the impersonations.

Speaker 7 (02:21:28):
Yeah, I think, like I said, hands down, he is.
Like I think he's a quadruple threat. To be honest
with you, not you mentioned okay, well yeah there.

Speaker 17 (02:21:35):
You go, and there's just no way. And I think
the guy is really with all the with all the support,
with all of the access and excess, he can have
and like, I think this guy is well grounded.

Speaker 1 (02:21:48):
Yeah, I think so too.

Speaker 7 (02:21:49):
He seems like the guy that you can still hang
out with that like a barbecue or a picnic.

Speaker 10 (02:21:53):
Yeah.

Speaker 17 (02:21:54):
And then the last thing, I'll say it, thanks to
the time, he got one of those faces that you
can laugh before he even opens.

Speaker 4 (02:21:59):
Up his.

Speaker 1 (02:22:03):
Yeah, you sort of remember it.

Speaker 7 (02:22:05):
Yeah, you look at him and there's everything that he's
ever said that was hilarious comes to mind when you
look at him and you know.

Speaker 17 (02:22:13):
And you know it, and when he put on he
put you on and you kind of know it. Mouth there.

Speaker 1 (02:22:19):
Absolutely, that's all. Thank you, Jim, I appreciate you.

Speaker 7 (02:22:25):
Eddie Murphy destroyed his entire career when he did Daddy Daycare.

Speaker 1 (02:22:30):
I don't think so.

Speaker 7 (02:22:32):
I think the hiatus he took for a long time.
He did some bad movies, Don't get me wrong. I
think that movie Dave or whatever it was, where he
plays a robot or an alien, that was pretty bad.

Speaker 1 (02:22:47):
He did. He did some clunkers, don't get me wrong.

Speaker 7 (02:22:51):
He says that the one thing that he did that
was exhausting, he couldn't stand. He didn't like Harlem Knights.
It's one of the films that he didn't like. I'll
tell you what Eddie Murphy needs to realize, and maybe
he should. Recently, I saw on an interview with him
where he said that working with John landis for coming

(02:23:11):
to America. He said that was the roughest experience he
ever had in his life. And look how classic that
movie was. Maybe that's what he needs to get back
to it. Get somebody, get get with a director that
he's as a contention, and they came up that movie
is perfect from beginning to end.

Speaker 1 (02:23:27):
So maybe he needs that. So we'll see. We'll check
it out. It's Eddie Murphy.

Speaker 7 (02:23:32):
You gotta go see it, just to go find out.
That's our show for today, folks. We'll be back tomorrow
with more Russia Gate. There's more and more information that's
coming out, so we'll break that down when we return.
As I always say, radio was free, So we thank
you for paying attention. Remember to keep JC in your
hearts and in your mind. Showan Patrick, we love you
and we miss you. Remember the panic is not planning,
so plan your work and work you're planning me. I'm
recenting on radio. You have a good night, pleasant tomorrow,

(02:23:56):
Stay out of trouble. Be good to each other, all right.
Be good to each other, and don't be jealous of
white blonde women with blue eyes and jeans.

Speaker 1 (02:24:05):
Just get over that, Matt Zi. Yeah, it's not easy.
Matt Bens, he's.

Speaker 7 (02:24:13):
Got weather and Mark Krismer he's in a BPS driving center.
Good night, Mark, heyry's having good night?

Speaker 20 (02:24:18):
If you're heading ninety one, yes, sir, Quantity Avenue, it
looks like it's an ambulance left lane and the hl
Van lane black there delays back to forty their Bradley
connector beyond.

Speaker 7 (02:24:32):
All right, ladies and gentlemen, a lot of stuff coming out.
I'm getting more and more details about this Russia thing.
I'm wanting to see if there's any statements coming out
from anybody else. All right, but we'll get to it.
I love you guys. We will talk to you manyana.
All right, stay out of trouble. Be good to each
other

Speaker 5 (02:25:00):
As