August 8, 2025 • 29 mins
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:10):
Around Dodge City in the territory on West.
Speaker 2 (00:14):
There's just one way to handle the killers and the spoilers,
and that's with a US Marshall and the smell of
gun smoke.
Speaker 3 (00:41):
Gun Smoke, the story of the violence that moved west
with Young America, the story of a man who moved
with it. Matt Dillon, United States Marshall.
Speaker 2 (00:53):
Say.
Speaker 3 (00:54):
If there ever was a serial designed to boost a
family's breakfast morale, it's new sugar Crinkles. Why that sugar
rice treat that's just right sweet makes breakfast more fun
than a circus. Come breakfast time, Just pour on milk
and you've got a breakfast main dish as you like it.
Those golden nuggets of sugar coated rice we call sugar
(01:16):
crinkles are really special, not too sweet the way some
sugar coated cereals seem to be, and not like others
that don't seem sweet enough. Sugar crinkles really are the
sugar rice treat that's just right sweet. And whether you
eat them from the bowl for breakfast, from the pack
as a snack, or both ways, you love sugar crinkles.
(01:40):
Try him soon and Now. Gun Smoke, starring William Conrad.
Speaker 1 (02:14):
Hand me that bottles act and the long dusty trail
up from Texas.
Speaker 2 (02:19):
I don't care the ride in the dodge, so for it,
hey on that, I don't call it.
Speaker 4 (02:25):
I come up the same trail you did.
Speaker 5 (02:27):
I'm just as dry.
Speaker 6 (02:32):
I hope I never see another moss horn steer.
Speaker 4 (02:36):
I may set it down and be a bartenders.
Speaker 6 (02:38):
Something easy like that.
Speaker 4 (02:40):
Tomorrow you wish you was back trailing cattle. You wish
you never seen dog come on.
Speaker 7 (02:47):
My turn that bottle.
Speaker 2 (02:48):
Oh by tomorrow maybe there won't be no dodge. Maybe
a little torn it flum a park. Oh yeah, here
the cougar.
Speaker 5 (02:58):
Howls in night are.
Speaker 4 (03:01):
And then looking on that huh that there's ala for Gandel.
Speaker 7 (03:04):
Let's start with it.
Speaker 8 (03:06):
Tell him we're here, Zach, show them how we live,
and take it out, all right. Put a bullet through
his hat sack, shoot his heels away here, down off
(03:27):
those horses.
Speaker 7 (03:28):
I sure I'll get down, mister.
Speaker 2 (03:32):
That's what I come here for, all away from Texas.
Speaker 1 (03:36):
You're welcome here, but don't get any notions about shooting
up this tongue.
Speaker 2 (03:41):
Who are you anyway? A US marshall? And I'll take
your gun until you're subber enough to.
Speaker 1 (03:45):
Carry it again. Nobody takes my gun? All right?
Speaker 2 (03:48):
Then right back to camp. Don't let them. Buffalo is
Zach here.
Speaker 4 (03:52):
Won't miss tim staying me and my gun, and there'll
be a marshal for breakfast if you try to stop me.
Speaker 2 (04:02):
All right, I want.
Speaker 6 (04:07):
I'm gonna kill you for doing that.
Speaker 7 (04:15):
That was awful for mister Dillon.
Speaker 1 (04:18):
I saw the whole thing.
Speaker 2 (04:20):
Ah, another drunken cowboy with more fire than sens so
you had to killed Yeah, take his gun, answer me,
don't shoot it for you. Oh nobody ain't gonna shoot you.
Speaker 1 (04:34):
Mister, Get on your feet.
Speaker 2 (04:37):
Oh busting my head. He'll be all right. But your
friend tried to shoot me. He's dead. You killed him
to keep him from killing me.
Speaker 4 (04:52):
Be trouble about this, Marshall.
Speaker 2 (04:54):
Now, don't you get anything like that started. Oh not me.
Speaker 4 (04:58):
His brother, how Bureau he's out the camp. I know him, Marshall.
Speaker 2 (05:04):
He'd come after you, all right, I'll be here.
Speaker 4 (05:07):
He won't be like that. Howard wouldn't face no gun
fight it he shoots you in the back of from
alley at night. I know im, Marshall, it don't happen.
Speaker 2 (05:18):
You want to bury your friend here, or take him
back to camp. Take him back to camp. All right,
we'll help your time across his horse. We can use
his rope chest.
Speaker 9 (05:27):
Yes, it's more coffee here, man, No, no thanks, kidding.
Speaker 10 (05:47):
Can't say I blame you. You think a restaurant like
Del Monicos could at least make good coffee.
Speaker 2 (05:53):
I never saw a woman yet who didn't find fault
with everybody's cooking but her own.
Speaker 10 (05:58):
Women have more taste than men.
Speaker 1 (06:00):
Yeah, sure, more arguments too, Matt.
Speaker 10 (06:05):
Yeah, that man you had to shoot today his brother?
Is that what's on your mind?
Speaker 1 (06:13):
Yeah?
Speaker 10 (06:13):
I suppose I've been thinking you never seen him. If
he does ride into town, you won't be able to
recognize him.
Speaker 1 (06:20):
Will you.
Speaker 2 (06:21):
I'll let's say, you'll probably be the first man who
tries to shoot me in the back. Oh, Matt, I
don't worry about it.
Speaker 1 (06:26):
It's been tried before. I'm still around.
Speaker 10 (06:30):
Come on, let's get out of him. Oh okay, sure,
Front Street's not very crowded.
Speaker 1 (06:44):
Nice that it's early.
Speaker 9 (06:45):
Hm.
Speaker 3 (06:50):
I wait a minute, huh what is it?
Speaker 2 (06:52):
That man later and night against the post up there
really turns his head.
Speaker 1 (06:56):
I wanna get a look at.
Speaker 10 (06:57):
Him some on your afterm there.
Speaker 1 (07:02):
Yeah.
Speaker 2 (07:04):
Now it's someone who's after me, Bulo's brother.
Speaker 1 (07:09):
Are you sure? I'm pretty sure, sure enough to ask him? Anyway?
You'll stay here all right?
Speaker 2 (07:21):
You're looking for me Bulo. But your name is Bulo,
isn't it. Uh?
Speaker 1 (07:26):
I'll bet you're here. I'll bet you're the.
Speaker 2 (07:29):
Marsian I am. I'll take your gun now, yeah, thank you? Alright,
that won't stop me. You'll get another gun and shoot
me in the back.
Speaker 1 (07:43):
Is that it? Any way I can, Marshall.
Speaker 2 (07:45):
Look, Buloh, your brother tried to kill me, and he'd
have done it if I hadn't stopped him.
Speaker 11 (07:48):
Ain't nobody kills a Bulo and gets by with it.
I don't care what he done.
Speaker 1 (07:53):
Well, maybe you need a few days to think it
over it.
Speaker 2 (07:55):
Maybe that'll help. I ain't got a few days you
have now, dot a out of walk straight ahead of
me below.
Speaker 1 (08:01):
You're going to jail for a while.
Speaker 3 (08:02):
No, I ain't done nothing wrong, and.
Speaker 2 (08:05):
I kept moving.
Speaker 3 (08:27):
You Marsham.
Speaker 2 (08:29):
What can I do for you?
Speaker 1 (08:30):
My name's Will Jacqueline. I'm boss of the Dragon gar
heard we're holding up river.
Speaker 3 (08:36):
I come for our Bulo.
Speaker 1 (08:38):
Uh huh, I see, well, turn him loose. No, no,
I can't turn him loose. He didn't do a thing
last night. He was just standing on the street. The
way I heard it, he threatened to shoot me in
the back, and he says he's still going to talk.
You killed his brother, didn't you.
Speaker 2 (08:55):
In self defense?
Speaker 1 (08:56):
Don't matter. You left look out for yourself. But none
of my man's gonna lay in the Kansas jail when
he ain't done nothing.
Speaker 2 (09:03):
None of your men's gonna walk free waiting to put
a bullet in my back either.
Speaker 1 (09:07):
I got eight men outside, Marshall, I got ten more
with the cattle. We come a long way, We had
a hard drive. We're all Texans and no Dodge City.
Marshall's gonna rub our nose and dirt.
Speaker 2 (09:22):
Nobody's trying to jacqueline.
Speaker 1 (09:25):
Fine thing and hire men like you to kill cowboys
on a little spree. He called shooting me a little spree.
He could have crippled him up. I wish that were true,
but I couldn't take the chance. Another shot on need
to kill me? Talkins a wasted time. I want Bulou
out of here.
Speaker 2 (09:40):
I'll do this. I'll turn him over to you when
you have soldier herd and are headed back to Texas
if you'll promise to keep him with you. I want
him now, not as long as he's sat on killing me.
Speaker 1 (09:52):
Eighteen men I got, Marshall, I counting myself. Fourteen of
us will be back tonight and we'll get him.
Speaker 2 (09:59):
Jacqueline, don't try.
Speaker 1 (10:01):
It, and after we get him, we'll really shoot your
town up. You people have mistrated the last Texas cowboy.
You're going to tonight, Marshall.
Speaker 4 (10:36):
Sure you won't have a beer, mat, I'll even buy.
Speaker 2 (10:40):
You one, do you good? I can't be drinking now.
Speaker 10 (10:44):
Doctor, Oh Mad, I don't think they are riding like
that time, those cowboys always talking.
Speaker 2 (10:50):
Big Now maybe and maybe they're just full of vinegar.
Speaker 10 (10:53):
After the long dride they've had us now they want
to hoop and holler something.
Speaker 2 (10:57):
Fuel loads full of more than vinegar.
Speaker 1 (10:59):
Doctor, Do you think some two three two things?
Speaker 7 (11:04):
Never?
Speaker 1 (11:07):
Oh mind the world that it's evil.
Speaker 6 (11:08):
Ways on, Marshall, Gillen Marshall, di hello doctor, Hello Risley.
Speaker 2 (11:13):
What are you gonna do about those Texans?
Speaker 1 (11:15):
Marshall? Now, I don't know, mister Riisling. I haven't given
it much thought.
Speaker 6 (11:19):
Well you better start thinking, Marshall, I heard that Jacqueline
right in here this morning.
Speaker 2 (11:25):
He means what he says? That man, what did he say?
Speaker 6 (11:27):
They're going to destroy Dodge, That's what he said, him
and all those wild Texans he's got, mister.
Speaker 2 (11:33):
Riisling, the man I got in jail, amster, shoot me
from ambush if I turn him loose. But I can't
help that.
Speaker 1 (11:38):
Well I can, and he's staying where he is until
he comes to his sense.
Speaker 6 (11:41):
But what about the rest of us. It's all right
for you to save your own skin, but what about us.
He'll shoot up the town and maybe.
Speaker 1 (11:48):
Burn my hotel.
Speaker 2 (11:49):
Don I don't get all excited, mister Riisling. It won't
help matters any Look, why don't you just forget about it.
Jacqueline may have a show up at all, That's what
I'll come to tell you.
Speaker 6 (11:58):
But Frank Paris rode by the Dragar camp for a
while ago, and he says those men were.
Speaker 2 (12:02):
Just about to leave for Dodge. That means they'll be
here any minute.
Speaker 1 (12:06):
Now.
Speaker 2 (12:07):
What are you going to.
Speaker 3 (12:08):
Do if your family is getting weary of the same
(12:30):
old breakfast cereal every morning, Time to retire it and
introduce him to new sugar. Crinkles. Say, New sugar Crinkles
is the sugar rice treat that's just right sweet. And
I'm here to tell you sugar crinkles make breakfast more
fun than a circus. Golden crisp, nuggets of sugar coated rice,
and every nugget in your breakfast bowl just right sweet.
(12:54):
Forget your experience with sugar coated cereals that seem too
sweet and with others that don't seem sweet, and treat
yourself and your favorite family the new sugar Crinkles at
breakfast time and at snack time too.
Speaker 7 (13:08):
Fuck on your breakfast? Do you like sugar crin co?
Speaker 2 (13:14):
Sugar crinkle?
Speaker 12 (13:15):
Cat be big sugar risk, just break creek for the
breakfast job. That's a fact from the back off for
cat beep just right crean sugar criankle God to eat.
Speaker 3 (13:29):
Now back to gun Smoke.
Speaker 2 (13:50):
I left the elepher Ganser and walked over to the
jail to wait for Jacqueline and his mob. But cowboys there.
I tried to have a talk with Buloh, but the
only sponse I could get out of him was the same.
He was gonna kill me the first chance he got. Well,
maybe Doc was right maybe the hard life of the
cattle trail did drive man a little mad. Anyway, it
(14:13):
was a poor choice they'd given it, and I didn't
like it.
Speaker 1 (14:18):
You'd be wanting a shotgun, was Mitch Dillon.
Speaker 2 (14:21):
Yeah, yeah, thanks, Chester.
Speaker 3 (14:24):
Here you are?
Speaker 2 (14:25):
Uh uh Chester, hm you wuh.
Speaker 1 (14:31):
Don't have to get mixed up in this.
Speaker 2 (14:33):
You know, I know that my.
Speaker 1 (14:39):
I think I'm gonna take a shot gun too.
Speaker 2 (14:42):
Okay, alright, let's wait outside. Uh yes, about ten feet apart.
Huh all right, you.
Speaker 1 (15:02):
There they come to Dylan, Oh of 'em?
Speaker 5 (15:05):
Yeah, yeah, it is man.
Speaker 2 (15:24):
Hello, Marshall, you're acting like a fool. Jacqueline.
Speaker 1 (15:28):
We'll say about that.
Speaker 2 (15:29):
You'll make trouble hearing the law, but you after you
wherever you go.
Speaker 1 (15:33):
I don't worry none about no law. I was raised
plumb free. We all were.
Speaker 2 (15:41):
Yeah, sure you were. But that doesn't leave you free
to form a mob or rate of jail showed up
a town. What's the matter with you?
Speaker 1 (15:48):
Man, what's the matter with you? You're putting innocent man in.
Speaker 2 (15:51):
Jail any matter who wants to kill somebody. It'sn't very innocent. Jacqueline.
You have to wait till he does it.
Speaker 1 (15:57):
I don't have to wait for nothing, Marshall. We've come
from Beulah.
Speaker 7 (16:03):
Let's let them have him, Marshall, turn y.
Speaker 2 (16:06):
Blues, you keep out of us right wing.
Speaker 1 (16:08):
He's right, Marshall. You let him go, piece the ball
and we'll leave town. But if you make us fight,
we'll go right on fight. So you hurt him, he
means you.
Speaker 2 (16:18):
You do a shot, right, Jacqueline, this is a shotgun.
I'm holding. The first move you or any of your
men make, I'll cut you in two.
Speaker 1 (16:29):
With it, maybe, but we're too many. You can't kill
us all. You'll die, and so will your friend there,
that right man, Jexus. Man ain't afraid to die, Marshall,
but they ain't gonna get trumped on. I'm through talking, Marshall.
(16:53):
It's set, man, and when you're finishing, go rip fest
town wide open.
Speaker 2 (17:00):
Do it for me, Chester, go get bulo.
Speaker 7 (17:07):
All right.
Speaker 1 (17:08):
Thank you used your head, Marshall. You and I had
both been dead if you haven't.
Speaker 2 (17:15):
I'm not done it because of you or me, Jacqueline.
I'm doing it because too many other men would have died.
Speaker 1 (17:22):
Well, it don't matter as long as you turn him loose.
Speaker 13 (17:31):
All right, bring him over here Chester, Well, I knew
you couldn't keep me along, Marshall, and you were right below.
Speaker 1 (17:42):
You shouldn't have locked me up at all.
Speaker 2 (17:45):
Going back to camp and try to do some thinking
while you're there, huh.
Speaker 3 (17:50):
Sure, Marshall.
Speaker 11 (17:52):
And you know what I'll be thinking about you sitting
next to an open window, walking down the dark street.
Speaker 3 (18:01):
I'm gonna kill you.
Speaker 2 (18:02):
Yet, wherever he was from, whatever kind of life he'd let,
Bulo was a primitive man. Somewhere he'd heard about revenge.
It's a simple idea, and eye for an eye, and
(18:22):
he took it to heart. I realize now that there
was no dealing with him. The man was incapable of change,
and Jacqueline wasn't much better. But I forgot about Jacqueline.
It was Buloh who'd be back. Still two days went
by and there was no sign of him.
Speaker 1 (18:46):
There's a couple of chaerish, mister Dylan.
Speaker 2 (18:48):
Let's sit there all right, Jester.
Speaker 14 (18:54):
Nobody can't shoot you from here unless comes up in front.
Speaker 2 (18:58):
It's unlikely with Buloh. What's the matter with men like him?
I I don't know Chester too rough a like maybe
the war at a lot of things.
Speaker 3 (19:10):
Well, he's plumb crazy.
Speaker 1 (19:11):
If you ask me to say, ain't that miss Kitty
coming up street?
Speaker 2 (19:15):
Mm? But she walking so fast for I don't know.
Speaker 1 (19:19):
Oh, there you're on mass oh Chester you miss Kitty.
Speaker 2 (19:22):
Said down, kiddy'll wear yourself. I've been in such a hurry.
Speaker 10 (19:25):
N I been looking for you everywhere.
Speaker 2 (19:27):
Oh trouble for you?
Speaker 10 (19:28):
Yeah? I feelos back in town.
Speaker 2 (19:30):
Well, if you've seen him?
Speaker 10 (19:31):
No, Sam did, said he stopped him for a drink.
Speaker 1 (19:34):
A little while ago. Is he still there?
Speaker 10 (19:35):
He left, but he told Sam he's got a room
at the dodge house. He might be there.
Speaker 1 (19:41):
I'd like to find him before he finds me. At
least we could see each other that way, be kireful, man.
Speaker 2 (19:47):
Uh, you better come a long Chester. Four eyes are
better than two.
Speaker 1 (19:50):
Yes, thanks, Kitty, I see you later. Yeah. Sure?
Speaker 7 (19:58):
Where do you do if we find him?
Speaker 1 (19:59):
Mister Dylan?
Speaker 2 (20:00):
Well, it's not good talking to him anymore. Maybe I
can scare him out of it somehow.
Speaker 1 (20:04):
You're a hope.
Speaker 14 (20:05):
So the hotel looks pretty empty from here evening, Marshall, Chester.
Speaker 2 (20:25):
I'm looking for Bulah.
Speaker 1 (20:27):
Is he here? I I don't want did he shoot?
Speaker 2 (20:29):
I wanna know if he's hair rising?
Speaker 1 (20:33):
He went upstairs a few minutes ago.
Speaker 2 (20:35):
Marshall, which room were now, Marshall?
Speaker 1 (20:41):
H miss him? Come on, h he's in one.
Speaker 11 (20:51):
Of those rooms here.
Speaker 3 (20:52):
We've got him now, but.
Speaker 1 (20:54):
I don't know which one. You'll stay here, Chester.
Speaker 2 (21:00):
I'm going down the hall. He might come out of
any one.
Speaker 1 (21:04):
Of those stories.
Speaker 7 (21:04):
Hyes, is it okay?
Speaker 2 (21:35):
Yeah, it's okay.
Speaker 1 (21:36):
Chester.
Speaker 2 (21:39):
He didn't hit you, did he?
Speaker 1 (21:41):
No, he tried, but it was too late. He was
already dying.
Speaker 3 (21:44):
Well, I'm sure, glad.
Speaker 2 (21:47):
Yeah, but he died about as uselessly as a man
could Chester, for no reason at all, none at all.
Speaker 3 (22:16):
In just a moment, we'll tell you about next week's
adventure on gun smoke. If you want to be a
real good scout, mom, tell you what you do. See
that your whole tribe sits down the post toasties for
breakfast in the morning. What a way to start the
day for every big and little Indian in your wigwam.
You see, post toasties are heap good corn flakes, spank
(22:39):
and fresh chrisp with that sweet kernel corn flavor toasted
right in. It's a feather in your cap to certain sure,
because post toasties are not only the best thing that's
happened to corn since the Indians discovered it.
Speaker 2 (22:54):
Post toasties are the best thing.
Speaker 3 (22:55):
That ever happened to breakfast and say, if you want
to make a good thing even better, add your favorite
fruit to that bowlful of post toasties, sugar and milk.
Speaker 12 (23:06):
Hm.
Speaker 3 (23:07):
It's mighty delicious nourishment. Get post toasties the heat good
corn flakes next time you shot gun Smoke under the
direction of Norman McDonald, stars William Conrad and as Matt
(23:30):
dyllon Us Marshall. Tonight's story was especially written for Gun
Smoke by John Meston, with music composed and conducted by
Rex Cory. Featured in the cast were Vic Karen Lauren Stobkin,
Harry Bartel and John David Harley, bear Is Chester, Howard
mcneer's doc and Georgia Ellis's kye Ken Peters speaking. You
(23:51):
know you get more out of life yourself and you'll
help others. So don't miss your greatest opportunity. Help the poor,
the sick, that troubled in your community. Pledge enough to
the one campaign that helps them all. Give generously for
your community Chess. Join us again next week as Matt
Dillon US Marshall meets Yorkie Kelly during his fight to
(24:14):
bring lawn order out of the wild violins of the West.
In gun Smoke, Listen next week at this time when
gun Smoke will be brought to you by post toasties,
the heap good corn.
Speaker 15 (24:32):
Plates, Saka coffee and instant Saca, the two delicious coffees
that lets you sleep, bring you Sacha salutes. And this
is when Elliott transcribed saluting our people of the week,
the everyday people who help make America an even nicer
place in which to live. For longer than millions of
(24:54):
us have been alive, you have been an American legend.
Even though you had been in retirement since nineteen thirty two,
your name was never forgotten because you, as the poem said,
were a dandy guy named Sandy Earl Sandy, the grinning
jockey who booted home three winners at the Kentucky Darby,
who had ridden man of war, who had truly been
a champ. So you retired some twenty years ago, and
(25:16):
you did a lot of things, and few of them
had the glitter of the legend that somehow seemed bigger
and richer than ever. The big purses had mostly been spent,
the big records had been broken. And so this week,
at the age of fifty four, you, Earl Sandy, because
being a jockey was the thing you did best, you
went back to it. You, the Great Earl Sandy, rode
an ordinary horse, sitting on a borrowed saddle, riding in
(25:38):
a routine race. You took your reputation and you put
it on the line. Well, you didn't win, but you
didn't lose either. Your horse came in third. You rode
him gallantly, and you said you'd race some more. So,
Earl Sandy, whatever the odds might be, you'll be the
favorite with me. Welcome home Champ with this sank a
salute ay Uxgi's.
Speaker 3 (26:00):
From World War II.
Speaker 15 (26:02):
This is about a pall of yours, very good pal,
who was with you on the transports and at Anzio
and across in the Pacific. The little guy, the honest
guy who'd walk up and say, what's your name, Soldier,
I'm Ernie Pyle, Yes, beloved, Ernie Pyle, the soldier's reporter,
the man who wrote your war as you saw, who
died as you might have died from a sniper's bullet
(26:24):
on a lonely, miserable road. Well, this week they dedicated
a plaque in Ernie's memory of his old school, Indiana University,
and a lot of big names were there, General Bradley,
important editors, people like that. But you know something fellas
mostly you were there, all of you.
Speaker 3 (26:39):
They're in spirit.
Speaker 15 (26:41):
The plain gis whom Ernie Pyle immortalized and who will
never forget him. So in your names, with the memories
of Anzio and Iran and Okinawa, we send to Ernie
Pyle's memory, this sank a salute. Now, in a moment,
I want to ask some of you to do me
a personal favor. But first I want to ask all
of you three questions about the coffee that you're drinking now.
(27:03):
One is it a good, full flavored coffee? Two is
it easy to make? And three does it lets you sleep?
You see, Unless you can answer yes to all three,
you're missing out on one of the best coffee buys
in years, the new instant Sanka coffee. It's the only
coffee in the world. It gives you all three of
those advantages. Not approve it. Make a cup hot and
black and good and strong, and as soon as you
(27:24):
taste it. You'll know it's got the extra rich flavor
you want. And while you're making it right in the cup,
you will see how easy it is to prepare. It's
a cinch, whether you're making one cup or a dozen.
And you'll prove that you can drink instant Saca as
late as you want too and sleep. That's because ninety
seven percent of the sleep disturbing caffeine has been removed.
So look for instant Saca in the new Economy size jar.
Speaker 3 (27:46):
It'll save you money.
Speaker 15 (27:48):
Try instant Sanca, the only coffee that combines extra rich
flavor with instant ease and lets you sleep.
Speaker 2 (27:56):
Want to do me a.
Speaker 15 (27:57):
Favor, Well, if you live in Habstraw in New York,
or you're passing through, ask someone where you can find
a blind, old airedale named Rags. And when you find her,
give her a pat from me, and maybe a hunkah
hamburger too. Why well, Raggs has just retired from a
voluntary lifetime as assistant mailman up there, and have a straw.
You see, each day she accompanied a mailman on his rounds.
(28:20):
And now Rags is too old to carry the mail
and she can't see anymore. The Postmaster General wrote her
a letter. Maybe she understood it, and maybe she didn't.
But the old dog does understand pats, of course, So
would you give her one for me? Thanks, and also
present to her special delivery this Sanka salute. Well, I'll
(28:41):
be back next week when Sanka Coffee and Instant Sanka,
both delicious and both caffeine free, will again present Sanka salutes.
In the meantime, This is Whin Elliott suggesting you try Sanka,
you love it, and you will sleep.
Speaker 3 (28:59):
Is the CBS Radio Network
Around Dodge City in the territory on West.
Speaker 2 (00:14):
There's just one way to handle the killers and the spoilers,
and that's with a US Marshall and the smell of
gun smoke.
Speaker 3 (00:41):
Gun Smoke, the story of the violence that moved west
with Young America, the story of a man who moved
with it. Matt Dillon, United States Marshall.
Speaker 2 (00:53):
Say.
Speaker 3 (00:54):
If there ever was a serial designed to boost a
family's breakfast morale, it's new sugar Crinkles. Why that sugar
rice treat that's just right sweet makes breakfast more fun
than a circus. Come breakfast time, Just pour on milk
and you've got a breakfast main dish as you like it.
Those golden nuggets of sugar coated rice we call sugar
(01:16):
crinkles are really special, not too sweet the way some
sugar coated cereals seem to be, and not like others
that don't seem sweet enough. Sugar crinkles really are the
sugar rice treat that's just right sweet. And whether you
eat them from the bowl for breakfast, from the pack
as a snack, or both ways, you love sugar crinkles.
(01:40):
Try him soon and Now. Gun Smoke, starring William Conrad.
Speaker 1 (02:14):
Hand me that bottles act and the long dusty trail
up from Texas.
Speaker 2 (02:19):
I don't care the ride in the dodge, so for it,
hey on that, I don't call it.
Speaker 4 (02:25):
I come up the same trail you did.
Speaker 5 (02:27):
I'm just as dry.
Speaker 6 (02:32):
I hope I never see another moss horn steer.
Speaker 4 (02:36):
I may set it down and be a bartenders.
Speaker 6 (02:38):
Something easy like that.
Speaker 4 (02:40):
Tomorrow you wish you was back trailing cattle. You wish
you never seen dog come on.
Speaker 7 (02:47):
My turn that bottle.
Speaker 2 (02:48):
Oh by tomorrow maybe there won't be no dodge. Maybe
a little torn it flum a park. Oh yeah, here
the cougar.
Speaker 5 (02:58):
Howls in night are.
Speaker 4 (03:01):
And then looking on that huh that there's ala for Gandel.
Speaker 7 (03:04):
Let's start with it.
Speaker 8 (03:06):
Tell him we're here, Zach, show them how we live,
and take it out, all right. Put a bullet through
his hat sack, shoot his heels away here, down off
(03:27):
those horses.
Speaker 7 (03:28):
I sure I'll get down, mister.
Speaker 2 (03:32):
That's what I come here for, all away from Texas.
Speaker 1 (03:36):
You're welcome here, but don't get any notions about shooting
up this tongue.
Speaker 2 (03:41):
Who are you anyway? A US marshall? And I'll take
your gun until you're subber enough to.
Speaker 1 (03:45):
Carry it again. Nobody takes my gun? All right?
Speaker 2 (03:48):
Then right back to camp. Don't let them. Buffalo is
Zach here.
Speaker 4 (03:52):
Won't miss tim staying me and my gun, and there'll
be a marshal for breakfast if you try to stop me.
Speaker 2 (04:02):
All right, I want.
Speaker 6 (04:07):
I'm gonna kill you for doing that.
Speaker 7 (04:15):
That was awful for mister Dillon.
Speaker 1 (04:18):
I saw the whole thing.
Speaker 2 (04:20):
Ah, another drunken cowboy with more fire than sens so
you had to killed Yeah, take his gun, answer me,
don't shoot it for you. Oh nobody ain't gonna shoot you.
Speaker 1 (04:34):
Mister, Get on your feet.
Speaker 2 (04:37):
Oh busting my head. He'll be all right. But your
friend tried to shoot me. He's dead. You killed him
to keep him from killing me.
Speaker 4 (04:52):
Be trouble about this, Marshall.
Speaker 2 (04:54):
Now, don't you get anything like that started. Oh not me.
Speaker 4 (04:58):
His brother, how Bureau he's out the camp. I know him, Marshall.
Speaker 2 (05:04):
He'd come after you, all right, I'll be here.
Speaker 4 (05:07):
He won't be like that. Howard wouldn't face no gun
fight it he shoots you in the back of from
alley at night. I know im, Marshall, it don't happen.
Speaker 2 (05:18):
You want to bury your friend here, or take him
back to camp. Take him back to camp. All right,
we'll help your time across his horse. We can use
his rope chest.
Speaker 9 (05:27):
Yes, it's more coffee here, man, No, no thanks, kidding.
Speaker 10 (05:47):
Can't say I blame you. You think a restaurant like
Del Monicos could at least make good coffee.
Speaker 2 (05:53):
I never saw a woman yet who didn't find fault
with everybody's cooking but her own.
Speaker 10 (05:58):
Women have more taste than men.
Speaker 1 (06:00):
Yeah, sure, more arguments too, Matt.
Speaker 10 (06:05):
Yeah, that man you had to shoot today his brother?
Is that what's on your mind?
Speaker 1 (06:13):
Yeah?
Speaker 10 (06:13):
I suppose I've been thinking you never seen him. If
he does ride into town, you won't be able to
recognize him.
Speaker 1 (06:20):
Will you.
Speaker 2 (06:21):
I'll let's say, you'll probably be the first man who
tries to shoot me in the back. Oh, Matt, I
don't worry about it.
Speaker 1 (06:26):
It's been tried before. I'm still around.
Speaker 10 (06:30):
Come on, let's get out of him. Oh okay, sure,
Front Street's not very crowded.
Speaker 1 (06:44):
Nice that it's early.
Speaker 9 (06:45):
Hm.
Speaker 3 (06:50):
I wait a minute, huh what is it?
Speaker 2 (06:52):
That man later and night against the post up there
really turns his head.
Speaker 1 (06:56):
I wanna get a look at.
Speaker 10 (06:57):
Him some on your afterm there.
Speaker 1 (07:02):
Yeah.
Speaker 2 (07:04):
Now it's someone who's after me, Bulo's brother.
Speaker 1 (07:09):
Are you sure? I'm pretty sure, sure enough to ask him? Anyway?
You'll stay here all right?
Speaker 2 (07:21):
You're looking for me Bulo. But your name is Bulo,
isn't it. Uh?
Speaker 1 (07:26):
I'll bet you're here. I'll bet you're the.
Speaker 2 (07:29):
Marsian I am. I'll take your gun now, yeah, thank you? Alright,
that won't stop me. You'll get another gun and shoot
me in the back.
Speaker 1 (07:43):
Is that it? Any way I can, Marshall.
Speaker 2 (07:45):
Look, Buloh, your brother tried to kill me, and he'd
have done it if I hadn't stopped him.
Speaker 11 (07:48):
Ain't nobody kills a Bulo and gets by with it.
I don't care what he done.
Speaker 1 (07:53):
Well, maybe you need a few days to think it
over it.
Speaker 2 (07:55):
Maybe that'll help. I ain't got a few days you
have now, dot a out of walk straight ahead of
me below.
Speaker 1 (08:01):
You're going to jail for a while.
Speaker 3 (08:02):
No, I ain't done nothing wrong, and.
Speaker 2 (08:05):
I kept moving.
Speaker 3 (08:27):
You Marsham.
Speaker 2 (08:29):
What can I do for you?
Speaker 1 (08:30):
My name's Will Jacqueline. I'm boss of the Dragon gar
heard we're holding up river.
Speaker 3 (08:36):
I come for our Bulo.
Speaker 1 (08:38):
Uh huh, I see, well, turn him loose. No, no,
I can't turn him loose. He didn't do a thing
last night. He was just standing on the street. The
way I heard it, he threatened to shoot me in
the back, and he says he's still going to talk.
You killed his brother, didn't you.
Speaker 2 (08:55):
In self defense?
Speaker 1 (08:56):
Don't matter. You left look out for yourself. But none
of my man's gonna lay in the Kansas jail when
he ain't done nothing.
Speaker 2 (09:03):
None of your men's gonna walk free waiting to put
a bullet in my back either.
Speaker 1 (09:07):
I got eight men outside, Marshall, I got ten more
with the cattle. We come a long way, We had
a hard drive. We're all Texans and no Dodge City.
Marshall's gonna rub our nose and dirt.
Speaker 2 (09:22):
Nobody's trying to jacqueline.
Speaker 1 (09:25):
Fine thing and hire men like you to kill cowboys
on a little spree. He called shooting me a little spree.
He could have crippled him up. I wish that were true,
but I couldn't take the chance. Another shot on need
to kill me? Talkins a wasted time. I want Bulou
out of here.
Speaker 2 (09:40):
I'll do this. I'll turn him over to you when
you have soldier herd and are headed back to Texas
if you'll promise to keep him with you. I want
him now, not as long as he's sat on killing me.
Speaker 1 (09:52):
Eighteen men I got, Marshall, I counting myself. Fourteen of
us will be back tonight and we'll get him.
Speaker 2 (09:59):
Jacqueline, don't try.
Speaker 1 (10:01):
It, and after we get him, we'll really shoot your
town up. You people have mistrated the last Texas cowboy.
You're going to tonight, Marshall.
Speaker 4 (10:36):
Sure you won't have a beer, mat, I'll even buy.
Speaker 2 (10:40):
You one, do you good? I can't be drinking now.
Speaker 10 (10:44):
Doctor, Oh Mad, I don't think they are riding like
that time, those cowboys always talking.
Speaker 2 (10:50):
Big Now maybe and maybe they're just full of vinegar.
Speaker 10 (10:53):
After the long dride they've had us now they want
to hoop and holler something.
Speaker 2 (10:57):
Fuel loads full of more than vinegar.
Speaker 1 (10:59):
Doctor, Do you think some two three two things?
Speaker 7 (11:04):
Never?
Speaker 1 (11:07):
Oh mind the world that it's evil.
Speaker 6 (11:08):
Ways on, Marshall, Gillen Marshall, di hello doctor, Hello Risley.
Speaker 2 (11:13):
What are you gonna do about those Texans?
Speaker 1 (11:15):
Marshall? Now, I don't know, mister Riisling. I haven't given
it much thought.
Speaker 6 (11:19):
Well you better start thinking, Marshall, I heard that Jacqueline
right in here this morning.
Speaker 2 (11:25):
He means what he says? That man, what did he say?
Speaker 6 (11:27):
They're going to destroy Dodge, That's what he said, him
and all those wild Texans he's got, mister.
Speaker 2 (11:33):
Riisling, the man I got in jail, amster, shoot me
from ambush if I turn him loose. But I can't
help that.
Speaker 1 (11:38):
Well I can, and he's staying where he is until
he comes to his sense.
Speaker 6 (11:41):
But what about the rest of us. It's all right
for you to save your own skin, but what about us.
He'll shoot up the town and maybe.
Speaker 1 (11:48):
Burn my hotel.
Speaker 2 (11:49):
Don I don't get all excited, mister Riisling. It won't
help matters any Look, why don't you just forget about it.
Jacqueline may have a show up at all, That's what
I'll come to tell you.
Speaker 6 (11:58):
But Frank Paris rode by the Dragar camp for a
while ago, and he says those men were.
Speaker 2 (12:02):
Just about to leave for Dodge. That means they'll be
here any minute.
Speaker 1 (12:06):
Now.
Speaker 2 (12:07):
What are you going to.
Speaker 3 (12:08):
Do if your family is getting weary of the same
(12:30):
old breakfast cereal every morning, Time to retire it and
introduce him to new sugar. Crinkles. Say, New sugar Crinkles
is the sugar rice treat that's just right sweet. And
I'm here to tell you sugar crinkles make breakfast more
fun than a circus. Golden crisp, nuggets of sugar coated rice,
and every nugget in your breakfast bowl just right sweet.
(12:54):
Forget your experience with sugar coated cereals that seem too
sweet and with others that don't seem sweet, and treat
yourself and your favorite family the new sugar Crinkles at
breakfast time and at snack time too.
Speaker 7 (13:08):
Fuck on your breakfast? Do you like sugar crin co?
Speaker 2 (13:14):
Sugar crinkle?
Speaker 12 (13:15):
Cat be big sugar risk, just break creek for the
breakfast job. That's a fact from the back off for
cat beep just right crean sugar criankle God to eat.
Speaker 3 (13:29):
Now back to gun Smoke.
Speaker 2 (13:50):
I left the elepher Ganser and walked over to the
jail to wait for Jacqueline and his mob. But cowboys there.
I tried to have a talk with Buloh, but the
only sponse I could get out of him was the same.
He was gonna kill me the first chance he got. Well,
maybe Doc was right maybe the hard life of the
cattle trail did drive man a little mad. Anyway, it
(14:13):
was a poor choice they'd given it, and I didn't
like it.
Speaker 1 (14:18):
You'd be wanting a shotgun, was Mitch Dillon.
Speaker 2 (14:21):
Yeah, yeah, thanks, Chester.
Speaker 3 (14:24):
Here you are?
Speaker 2 (14:25):
Uh uh Chester, hm you wuh.
Speaker 1 (14:31):
Don't have to get mixed up in this.
Speaker 2 (14:33):
You know, I know that my.
Speaker 1 (14:39):
I think I'm gonna take a shot gun too.
Speaker 2 (14:42):
Okay, alright, let's wait outside. Uh yes, about ten feet apart.
Huh all right, you.
Speaker 1 (15:02):
There they come to Dylan, Oh of 'em?
Speaker 5 (15:05):
Yeah, yeah, it is man.
Speaker 2 (15:24):
Hello, Marshall, you're acting like a fool. Jacqueline.
Speaker 1 (15:28):
We'll say about that.
Speaker 2 (15:29):
You'll make trouble hearing the law, but you after you
wherever you go.
Speaker 1 (15:33):
I don't worry none about no law. I was raised
plumb free. We all were.
Speaker 2 (15:41):
Yeah, sure you were. But that doesn't leave you free
to form a mob or rate of jail showed up
a town. What's the matter with you?
Speaker 1 (15:48):
Man, what's the matter with you? You're putting innocent man in.
Speaker 2 (15:51):
Jail any matter who wants to kill somebody. It'sn't very innocent. Jacqueline.
You have to wait till he does it.
Speaker 1 (15:57):
I don't have to wait for nothing, Marshall. We've come
from Beulah.
Speaker 7 (16:03):
Let's let them have him, Marshall, turn y.
Speaker 2 (16:06):
Blues, you keep out of us right wing.
Speaker 1 (16:08):
He's right, Marshall. You let him go, piece the ball
and we'll leave town. But if you make us fight,
we'll go right on fight. So you hurt him, he
means you.
Speaker 2 (16:18):
You do a shot, right, Jacqueline, this is a shotgun.
I'm holding. The first move you or any of your
men make, I'll cut you in two.
Speaker 1 (16:29):
With it, maybe, but we're too many. You can't kill
us all. You'll die, and so will your friend there,
that right man, Jexus. Man ain't afraid to die, Marshall,
but they ain't gonna get trumped on. I'm through talking, Marshall.
(16:53):
It's set, man, and when you're finishing, go rip fest
town wide open.
Speaker 2 (17:00):
Do it for me, Chester, go get bulo.
Speaker 7 (17:07):
All right.
Speaker 1 (17:08):
Thank you used your head, Marshall. You and I had
both been dead if you haven't.
Speaker 2 (17:15):
I'm not done it because of you or me, Jacqueline.
I'm doing it because too many other men would have died.
Speaker 1 (17:22):
Well, it don't matter as long as you turn him loose.
Speaker 13 (17:31):
All right, bring him over here Chester, Well, I knew
you couldn't keep me along, Marshall, and you were right below.
Speaker 1 (17:42):
You shouldn't have locked me up at all.
Speaker 2 (17:45):
Going back to camp and try to do some thinking
while you're there, huh.
Speaker 3 (17:50):
Sure, Marshall.
Speaker 11 (17:52):
And you know what I'll be thinking about you sitting
next to an open window, walking down the dark street.
Speaker 3 (18:01):
I'm gonna kill you.
Speaker 2 (18:02):
Yet, wherever he was from, whatever kind of life he'd let,
Bulo was a primitive man. Somewhere he'd heard about revenge.
It's a simple idea, and eye for an eye, and
(18:22):
he took it to heart. I realize now that there
was no dealing with him. The man was incapable of change,
and Jacqueline wasn't much better. But I forgot about Jacqueline.
It was Buloh who'd be back. Still two days went
by and there was no sign of him.
Speaker 1 (18:46):
There's a couple of chaerish, mister Dylan.
Speaker 2 (18:48):
Let's sit there all right, Jester.
Speaker 14 (18:54):
Nobody can't shoot you from here unless comes up in front.
Speaker 2 (18:58):
It's unlikely with Buloh. What's the matter with men like him?
I I don't know Chester too rough a like maybe
the war at a lot of things.
Speaker 3 (19:10):
Well, he's plumb crazy.
Speaker 1 (19:11):
If you ask me to say, ain't that miss Kitty
coming up street?
Speaker 2 (19:15):
Mm? But she walking so fast for I don't know.
Speaker 1 (19:19):
Oh, there you're on mass oh Chester you miss Kitty.
Speaker 2 (19:22):
Said down, kiddy'll wear yourself. I've been in such a hurry.
Speaker 10 (19:25):
N I been looking for you everywhere.
Speaker 2 (19:27):
Oh trouble for you?
Speaker 10 (19:28):
Yeah? I feelos back in town.
Speaker 2 (19:30):
Well, if you've seen him?
Speaker 10 (19:31):
No, Sam did, said he stopped him for a drink.
Speaker 1 (19:34):
A little while ago. Is he still there?
Speaker 10 (19:35):
He left, but he told Sam he's got a room
at the dodge house. He might be there.
Speaker 1 (19:41):
I'd like to find him before he finds me. At
least we could see each other that way, be kireful, man.
Speaker 2 (19:47):
Uh, you better come a long Chester. Four eyes are
better than two.
Speaker 1 (19:50):
Yes, thanks, Kitty, I see you later. Yeah. Sure?
Speaker 7 (19:58):
Where do you do if we find him?
Speaker 1 (19:59):
Mister Dylan?
Speaker 2 (20:00):
Well, it's not good talking to him anymore. Maybe I
can scare him out of it somehow.
Speaker 1 (20:04):
You're a hope.
Speaker 14 (20:05):
So the hotel looks pretty empty from here evening, Marshall, Chester.
Speaker 2 (20:25):
I'm looking for Bulah.
Speaker 1 (20:27):
Is he here? I I don't want did he shoot?
Speaker 2 (20:29):
I wanna know if he's hair rising?
Speaker 1 (20:33):
He went upstairs a few minutes ago.
Speaker 2 (20:35):
Marshall, which room were now, Marshall?
Speaker 1 (20:41):
H miss him? Come on, h he's in one.
Speaker 11 (20:51):
Of those rooms here.
Speaker 3 (20:52):
We've got him now, but.
Speaker 1 (20:54):
I don't know which one. You'll stay here, Chester.
Speaker 2 (21:00):
I'm going down the hall. He might come out of
any one.
Speaker 1 (21:04):
Of those stories.
Speaker 7 (21:04):
Hyes, is it okay?
Speaker 2 (21:35):
Yeah, it's okay.
Speaker 1 (21:36):
Chester.
Speaker 2 (21:39):
He didn't hit you, did he?
Speaker 1 (21:41):
No, he tried, but it was too late. He was
already dying.
Speaker 3 (21:44):
Well, I'm sure, glad.
Speaker 2 (21:47):
Yeah, but he died about as uselessly as a man
could Chester, for no reason at all, none at all.
Speaker 3 (22:16):
In just a moment, we'll tell you about next week's
adventure on gun smoke. If you want to be a
real good scout, mom, tell you what you do. See
that your whole tribe sits down the post toasties for
breakfast in the morning. What a way to start the
day for every big and little Indian in your wigwam.
You see, post toasties are heap good corn flakes, spank
(22:39):
and fresh chrisp with that sweet kernel corn flavor toasted
right in. It's a feather in your cap to certain sure,
because post toasties are not only the best thing that's
happened to corn since the Indians discovered it.
Speaker 2 (22:54):
Post toasties are the best thing.
Speaker 3 (22:55):
That ever happened to breakfast and say, if you want
to make a good thing even better, add your favorite
fruit to that bowlful of post toasties, sugar and milk.
Speaker 12 (23:06):
Hm.
Speaker 3 (23:07):
It's mighty delicious nourishment. Get post toasties the heat good
corn flakes next time you shot gun Smoke under the
direction of Norman McDonald, stars William Conrad and as Matt
(23:30):
dyllon Us Marshall. Tonight's story was especially written for Gun
Smoke by John Meston, with music composed and conducted by
Rex Cory. Featured in the cast were Vic Karen Lauren Stobkin,
Harry Bartel and John David Harley, bear Is Chester, Howard
mcneer's doc and Georgia Ellis's kye Ken Peters speaking. You
(23:51):
know you get more out of life yourself and you'll
help others. So don't miss your greatest opportunity. Help the poor,
the sick, that troubled in your community. Pledge enough to
the one campaign that helps them all. Give generously for
your community Chess. Join us again next week as Matt
Dillon US Marshall meets Yorkie Kelly during his fight to
(24:14):
bring lawn order out of the wild violins of the West.
In gun Smoke, Listen next week at this time when
gun Smoke will be brought to you by post toasties,
the heap good corn.
Speaker 15 (24:32):
Plates, Saka coffee and instant Saca, the two delicious coffees
that lets you sleep, bring you Sacha salutes. And this
is when Elliott transcribed saluting our people of the week,
the everyday people who help make America an even nicer
place in which to live. For longer than millions of
(24:54):
us have been alive, you have been an American legend.
Even though you had been in retirement since nineteen thirty two,
your name was never forgotten because you, as the poem said,
were a dandy guy named Sandy Earl Sandy, the grinning
jockey who booted home three winners at the Kentucky Darby,
who had ridden man of war, who had truly been
a champ. So you retired some twenty years ago, and
(25:16):
you did a lot of things, and few of them
had the glitter of the legend that somehow seemed bigger
and richer than ever. The big purses had mostly been spent,
the big records had been broken. And so this week,
at the age of fifty four, you, Earl Sandy, because
being a jockey was the thing you did best, you
went back to it. You, the Great Earl Sandy, rode
an ordinary horse, sitting on a borrowed saddle, riding in
(25:38):
a routine race. You took your reputation and you put
it on the line. Well, you didn't win, but you
didn't lose either. Your horse came in third. You rode
him gallantly, and you said you'd race some more. So,
Earl Sandy, whatever the odds might be, you'll be the
favorite with me. Welcome home Champ with this sank a
salute ay Uxgi's.
Speaker 3 (26:00):
From World War II.
Speaker 15 (26:02):
This is about a pall of yours, very good pal,
who was with you on the transports and at Anzio
and across in the Pacific. The little guy, the honest
guy who'd walk up and say, what's your name, Soldier,
I'm Ernie Pyle, Yes, beloved, Ernie Pyle, the soldier's reporter,
the man who wrote your war as you saw, who
died as you might have died from a sniper's bullet
(26:24):
on a lonely, miserable road. Well, this week they dedicated
a plaque in Ernie's memory of his old school, Indiana University,
and a lot of big names were there, General Bradley,
important editors, people like that. But you know something fellas
mostly you were there, all of you.
Speaker 3 (26:39):
They're in spirit.
Speaker 15 (26:41):
The plain gis whom Ernie Pyle immortalized and who will
never forget him. So in your names, with the memories
of Anzio and Iran and Okinawa, we send to Ernie
Pyle's memory, this sank a salute. Now, in a moment,
I want to ask some of you to do me
a personal favor. But first I want to ask all
of you three questions about the coffee that you're drinking now.
(27:03):
One is it a good, full flavored coffee? Two is
it easy to make? And three does it lets you sleep?
You see, Unless you can answer yes to all three,
you're missing out on one of the best coffee buys
in years, the new instant Sanka coffee. It's the only
coffee in the world. It gives you all three of
those advantages. Not approve it. Make a cup hot and
black and good and strong, and as soon as you
(27:24):
taste it. You'll know it's got the extra rich flavor
you want. And while you're making it right in the cup,
you will see how easy it is to prepare. It's
a cinch, whether you're making one cup or a dozen.
And you'll prove that you can drink instant Saca as
late as you want too and sleep. That's because ninety
seven percent of the sleep disturbing caffeine has been removed.
So look for instant Saca in the new Economy size jar.
Speaker 3 (27:46):
It'll save you money.
Speaker 15 (27:48):
Try instant Sanca, the only coffee that combines extra rich
flavor with instant ease and lets you sleep.
Speaker 2 (27:56):
Want to do me a.
Speaker 15 (27:57):
Favor, Well, if you live in Habstraw in New York,
or you're passing through, ask someone where you can find
a blind, old airedale named Rags. And when you find her,
give her a pat from me, and maybe a hunkah
hamburger too. Why well, Raggs has just retired from a
voluntary lifetime as assistant mailman up there, and have a straw.
You see, each day she accompanied a mailman on his rounds.
(28:20):
And now Rags is too old to carry the mail
and she can't see anymore. The Postmaster General wrote her
a letter. Maybe she understood it, and maybe she didn't.
But the old dog does understand pats, of course, So
would you give her one for me? Thanks, and also
present to her special delivery this Sanka salute. Well, I'll
(28:41):
be back next week when Sanka Coffee and Instant Sanka,
both delicious and both caffeine free, will again present Sanka salutes.
In the meantime, This is Whin Elliott suggesting you try Sanka,
you love it, and you will sleep.
Speaker 3 (28:59):
Is the CBS Radio Network
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