August 13, 2025 • 19 mins
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Speaker 1 (00:10):
Around Dodge City and in the territory on West. There
is just one way to handle the killers and the spoilers.
And that's where the US Marshal and the Smell of
Guns Smoke, Gun Will Smoke, starring William Conrad. The story
(00:42):
of the violence that moved west with young America and
the story of a man who moved with him. I'm
that man, Matt Dillon, United States Marshall, the first man
they look for and the less.
Speaker 2 (00:55):
They want to meet. It's a chancy job and it
makes him watchful. But a little lone lad.
Speaker 3 (01:26):
Man sure needs his dinner, not one like that he
don't have. He was feeding us better than that on
the trail there, well mixed.
Speaker 2 (01:35):
In there, you don't have to look out for a rattlesnake.
Where he said, down.
Speaker 3 (01:38):
At the table, I'm gonna get me something to worship.
Food down with you right now, that will help me.
Speaker 2 (01:47):
This place looks good enough.
Speaker 3 (01:53):
Take you no real hor So I did run right
in pretty little gas.
Speaker 2 (02:00):
I might have my basket.
Speaker 3 (02:02):
Well, you don't need to worry nothing but the eggs.
I caught the basket, all right, May I have it?
Speaker 4 (02:07):
Please? Yeah?
Speaker 3 (02:08):
That seas to me you owe me a little something.
I hadn't caught this basket. It had had dropped, sure,
and them eggs would all broke.
Speaker 5 (02:16):
Now, ain't that so?
Speaker 2 (02:17):
M sure? Jake?
Speaker 5 (02:18):
It was me he has kept them eggs from breaking.
Speaker 6 (02:21):
I am grateful, Signor.
Speaker 3 (02:23):
I figure you might want.
Speaker 5 (02:25):
To thank me for the favor. I thank you, Signor.
Now that ain't exactly what I mean. For the little
gal like her? You know what I mean?
Speaker 2 (02:34):
Wouldn't she have sure she was there? She was.
Speaker 5 (02:39):
Just come here.
Speaker 2 (02:39):
I'll show you a.
Speaker 5 (02:51):
Hurt you not before you black eyed little gas me
kiss plenty of times. Now, ain't that right? It ain't
no different with me. You'll not kiss you?
Speaker 2 (03:02):
Let me?
Speaker 5 (03:03):
Let me go.
Speaker 2 (03:06):
Go, let that girl down?
Speaker 4 (03:08):
Who never mind who I am your leave her alone.
Speaker 5 (03:11):
You've got you, Let her go. We'll sad for the law.
Speaker 2 (03:15):
We're just having some fun.
Speaker 4 (03:17):
He'll find grind the fun. Two hawks like you torment
a young girl. They come on, honey, you come with me.
Speaker 2 (03:24):
You two go along.
Speaker 5 (03:25):
Now, look we ain't done that. You get along.
Speaker 6 (03:30):
Come on, senior kiddy'll do those men? Those men they
were wrong.
Speaker 4 (03:44):
I do not kid, Yeah, I know, honey, don't you worry.
Come on inside, you can wash your face, calm down,
thank you.
Speaker 2 (04:10):
Well she is still around here, kiddy.
Speaker 4 (04:12):
Uh, I left her up in my room, Matt.
Speaker 2 (04:14):
She is pretty upset. You'll find out who she was.
Speaker 4 (04:17):
Yeah, her name was Josefina Josephina ramiro Us. She and
her father taken over the old Grime's place to West Town.
Speaker 2 (04:24):
Oh that's a pretty rundown outfit, as I remember.
Speaker 4 (04:27):
Yeah, I guess they're having a tough time. But they
haven't been here very long.
Speaker 2 (04:32):
Probably won't stay long either. That's a pretty mean line.
Speaker 4 (04:36):
May Yeah, what well I've I was wondering if you
had something awful and important to do the rest of
the afternoon.
Speaker 2 (04:45):
Uh, not been too important, I guess why.
Speaker 4 (04:49):
She's a real scared girl, math. I'd hate for those
two groups to get their hands on her again.
Speaker 2 (04:55):
Oh, what do you want me to do?
Speaker 5 (04:57):
I thought you might drive her up to her.
Speaker 2 (05:02):
Do you think chaperoning young girls home is part of
my job? Oh? All right, kidding, I'll be glad to
do it. I'll have Chester hit you up a buggy
and we'll get her out there in time for summer.
Speaker 4 (05:15):
Thanks, Matt, I'll have her waiting out.
Speaker 2 (05:18):
Guess there's no use looking for those two men. Now
why not, Well you took out Africa. They're probably half
way the Witchita went on, I know what I'm talking about.
I haven't seen you when you were riled.
Speaker 4 (05:31):
Well you're about to see me ril again. If you're
not careful, you go on now get that buggy.
Speaker 5 (05:38):
Huh.
Speaker 3 (06:01):
I think we can catch the short cut long here
pretty soon, mister John, Is that right, josephs.
Speaker 4 (06:07):
Yes, Senor, there is a legal road because the steels
after the next turn.
Speaker 2 (06:12):
Well, we'll get you home before it really turns.
Speaker 6 (06:14):
Dark, Senor.
Speaker 2 (06:18):
Huh.
Speaker 6 (06:19):
I would thank you, senor, if you would let me
off here at the little roads.
Speaker 3 (06:24):
Well, that's awful long walk by anybody, Miss Josephine, I
would like you.
Speaker 2 (06:28):
You don't want us to drive you all the way home? No, Senor,
I love Joseph. Finis close to dark. I think maybe
we better go on with you. Sure he ain't no trouble,
just Louie's more to go now we've turned off, But
you do not understand. Up there behind them, Rock get
on the wagons, Pester jump off and coming from your side,
(06:48):
please please come back here you'll be kill Do not
shoot again. Don gonya crazy with what's going on.
Speaker 7 (07:02):
Father, whether you are wrong, don't with me everything. These
men are not like the others.
Speaker 6 (07:09):
They could not bother you. No, Father, They have brought
me home so I would be safe.
Speaker 2 (07:16):
I'm gonna talk to him. Why don't you put your
gun down? I talk better that way. Tell me who
you are, Senor. He is the US marshal at Dodge City.
Oh oh, the men who will fold the law? And
I try to And who are you? My name is
(07:38):
Seor Miguel Meres. Are you always ambush? People? Will come
out of your place only when I fear for my daughter,
and I can't blame you if I want to protect her. Look,
you're so worried about her, why do you let her
go to town alone? See it's not good, but we
area need to pull the money we can earn. Say
you o to make this place go. The eggs have
(08:01):
to be sold today. My cow is Kevin.
Speaker 7 (08:04):
I could not go to town, so I send for
the finger. It's no one else. She did not return
in the daylight.
Speaker 2 (08:13):
You have decided the worst that happen. Or say you're Musha.
Speaker 7 (08:16):
You do not know how I can be We have
moved four times. Strive to find a good home. But
for a young girl from Mexico in your country, it's
not easy. Your men, Yeah, and I can be bad luck, Rameras.
You can't shoot everybody who comes out here. You know,
(08:37):
I do not wish for trouble, singor I came to
your country. I hope for a better way to live. Well,
if they bring trouble to my daughter, she's a good girl,
you know she is. If they bring trouble to my daughter,
then I will kill them. That is the way it
must be.
Speaker 2 (08:54):
You can't take on your own hands, Rameras, that's the
way it must be too. I can't kid. That won't
do Josephina any good. Saying your mark, I'll let me Rameras.
I know things can be hard, but you'll get protection
from the law like anyone else. But you'll let the
law handle things. I protect my daughter, but you'll have
(09:15):
to be alive to do that. Do you understand. Let's
say you're all right. From now on, you better see
that Josephina stays close to home justin come on, let's
go back to town. Here's where she.
Speaker 3 (09:49):
Lived here, here's a Mexican fleet. It ain't much sure,
ain't you stay here? I'll go in and get the
girls off.
Speaker 2 (10:00):
That's you, old man. You got a gun.
Speaker 5 (10:03):
There's no need for the gun, old man. We just
come to pay a little visit to your daughter.
Speaker 2 (10:08):
Go get off my line. We're just coming to fast
the time of day.
Speaker 5 (10:14):
We've seen her in town yesterday.
Speaker 2 (10:16):
Figure we like to see. How are you once more
on your horse?
Speaker 5 (10:21):
Right back now?
Speaker 3 (10:22):
It seems to me you'd take kindly to us coming
to call. We're a lot better than your girl's being
used to.
Speaker 2 (10:28):
And we got.
Speaker 5 (10:31):
Shooting our shodold man, he don't.
Speaker 2 (10:33):
Wait for shutting the half? How you call?
Speaker 5 (10:35):
Look the heir?
Speaker 7 (10:36):
Are you listen out of here?
Speaker 2 (10:53):
What are you doing? James? What are you stopping for?
Speaker 5 (10:58):
We're out of sight, ain't we? Yeah, we ain't gonna
let no dirt farming drive.
Speaker 2 (11:03):
Us off near land here? What are you gonna do?
Speaker 5 (11:08):
You just come along with me. You see what I'm
gonna do.
Speaker 2 (11:12):
I ain't so sure. Yeah you scared? Well, no, no,
I ain't scared, But I don't wanna go killing.
Speaker 5 (11:18):
No man, you ain't gonna kill nobody. Just gonna pay
a visit to that pretty little girl.
Speaker 2 (11:25):
Like we set out to you. So we're gonna do
that get off.
Speaker 5 (11:30):
Your horse at time.
Speaker 2 (11:31):
Up, believe the horses, I can tell you.
Speaker 3 (11:38):
And we're gonna sneak back through the scrub and little
Gal's gonna get a real surprise.
Speaker 2 (11:58):
No, Doc, you don't thankful like this can hurt you. Well,
now I have got a theory about it, man, it'd
better be good, be scientific. Now then I have done
a lot of research on it at considerable personal risk,
that's all. Yes, by eating the food myself.
Speaker 3 (12:19):
And I've come to the conclusion that you build up
an immunity to terrible slop like this.
Speaker 2 (12:25):
And your stomach gets even stronger.
Speaker 5 (12:27):
You you the doc, Hey, that's I'm the doctor.
Speaker 2 (12:32):
You've got to come, Doc, You've got to gale out
there in the country. Oh, speak up, man, speak up.
I ain't he the marshall? Of course he's a marshal.
I'll wait see your loan. Doc. I think I better
know about any girl you got out in the country. Well,
it really ain't nothing bad that's bad enough to need
(12:53):
a doctor in a hurry? Is that it? Who is she? Oh?
Just little Mexican Gale from the Rameras place. Yeah, what
happened to me? But I don't really know, Doc.
Speaker 5 (13:05):
We my partner and me.
Speaker 2 (13:07):
We were just having fun with her.
Speaker 3 (13:09):
She got down get he had.
Speaker 2 (13:11):
I guess she can't moved sense. Come on, Doc, I
got shuster a little right along with it. Sure, come
on you sure, Marshall. Yeah, I'll lead you right out there.
You'll bet you will. I left him right over there
(13:40):
under that tree, Jack jack, I bring you to doc.
Speaker 5 (13:47):
He sure ain't answering you then?
Speaker 2 (13:49):
And he was there. Where's the girl right there by
that tree? Do not touch me? It's Marshall. Della Josephina
(14:11):
dok Adams is here too. Yeah, let's see now, Just
would you hold the lantern?
Speaker 4 (14:18):
Sure not?
Speaker 2 (14:20):
I still just her.
Speaker 5 (14:23):
This isn't gonna hurt.
Speaker 3 (14:26):
Mm hmm.
Speaker 2 (14:29):
Can you tell me how this happened? M They were
off to meet doctor. They were waiting for me in
the door. That's gonna be all. He dragged me out
in the big hunt over my mouth and I I
till don't.
Speaker 5 (14:48):
I still don't.
Speaker 2 (14:49):
I wouldn't have got hurt none if she hadn't have
been fighting. So would she kicked me? Some fierce? Do me?
That a shame?
Speaker 5 (14:57):
I think she's all right, man, She.
Speaker 2 (14:59):
Get her head a good but she'll be all right.
Can we move it, doctor, Yes, I think so. I'll
take her home in the bus. I better go along too.
Her father isn't going to be easy to deal with it.
I don't see why he should be. Chester. You take
an ab back and lock him up and we'll hold
him toil. Sure the girl's going to be all right.
Speaker 5 (15:17):
Yes, I'll do that if you don't.
Speaker 2 (15:19):
I didn't hurt her name. The doc says, she's all right.
Speaker 5 (15:22):
There's no need to lock me up.
Speaker 2 (15:23):
You ought to beg me to lock you up, other
than have her father out looking for you. Come on, doc,
let's get her into the buggy. She's sleeping just fine.
(15:54):
You see that she gets a lot of rest for
the next couple of days. She's all right. How did
you hear him, Ramerez, The doctor says, Josephina's alright, she
just needs a little rest. I hear the words. Marcia.
M sure all we forgotten about you? Alright, Docker, I'll
be along in a minute, Ramebras. I wanna say a
(16:19):
couple of things to you. Erameras, are you listening? I
would listen good, because I'm not asking you to do anything.
I'm telling you now. You let me handle this. Your
daughter's alright, and we got the man locked up. There
were two men, see, I know, and we'll find the
other one. But you let me handle it. Do you
(16:40):
hear you can't take the law into your own hands?
How do you understand me? I hear the words, Well,
you better hear him and you better remember 'em. Oh,
(17:11):
come in, come in, but a hello, Ramebras. Folks don't
usually bother to knock at his office. Your martian a Josephina,
Oh she is well, God, go ahead. Well don't you
want to come on in? No sor I can't say
what I must say from the doorway. No, Ramembras, don't
(17:33):
get any crazy ideas again. We'll pick that man up
one of these days. It is not necessary, Yes it is.
We don't want him to get away with that any
more than you do. It is not necessary for you
to pick him up. What do you mean I brought
him to you? M Where is he? He's just outside,
seeing your outside? On my horse. He's tied on my horse.
(18:02):
As I see, I killed him single.
Speaker 7 (18:08):
Now I I have come to bring you both of us,
and you just had to do it in Jim, say,
you're marshalling the law of a man's honor that.
Speaker 2 (18:25):
This has to be in his own hands. Yeah, I'm sorry, AMers,
I'm sorry it had to be this way.
Speaker 5 (18:40):
Mm.
Speaker 1 (19:02):
Guns Smoke George Eustand, directed by Norman McDonald, stars William
Comrade as Matt villan Us Marshall. The story was specially
written for Gun Smoke by Marion Clark, with editorial supervision
by John Meston. Featured in the cast were Lynn Allen,
Lawrence Stobkins, Vic Perron, and Dick Kenner. Harley there Is Chester,
Howard mcneer is doc, and Georgia Ellis is kidding. This
(19:29):
is George Walsh inviting you to join us again next
week for another story on guns Smoke.
Around Dodge City and in the territory on West. There
is just one way to handle the killers and the spoilers.
And that's where the US Marshal and the Smell of
Guns Smoke, Gun Will Smoke, starring William Conrad. The story
(00:42):
of the violence that moved west with young America and
the story of a man who moved with him. I'm
that man, Matt Dillon, United States Marshall, the first man
they look for and the less.
Speaker 2 (00:55):
They want to meet. It's a chancy job and it
makes him watchful. But a little lone lad.
Speaker 3 (01:26):
Man sure needs his dinner, not one like that he
don't have. He was feeding us better than that on
the trail there, well mixed.
Speaker 2 (01:35):
In there, you don't have to look out for a rattlesnake.
Where he said, down.
Speaker 3 (01:38):
At the table, I'm gonna get me something to worship.
Food down with you right now, that will help me.
Speaker 2 (01:47):
This place looks good enough.
Speaker 3 (01:53):
Take you no real hor So I did run right
in pretty little gas.
Speaker 2 (02:00):
I might have my basket.
Speaker 3 (02:02):
Well, you don't need to worry nothing but the eggs.
I caught the basket, all right, May I have it?
Speaker 4 (02:07):
Please? Yeah?
Speaker 3 (02:08):
That seas to me you owe me a little something.
I hadn't caught this basket. It had had dropped, sure,
and them eggs would all broke.
Speaker 5 (02:16):
Now, ain't that so?
Speaker 2 (02:17):
M sure? Jake?
Speaker 5 (02:18):
It was me he has kept them eggs from breaking.
Speaker 6 (02:21):
I am grateful, Signor.
Speaker 3 (02:23):
I figure you might want.
Speaker 5 (02:25):
To thank me for the favor. I thank you, Signor.
Now that ain't exactly what I mean. For the little
gal like her? You know what I mean?
Speaker 2 (02:34):
Wouldn't she have sure she was there? She was.
Speaker 5 (02:39):
Just come here.
Speaker 2 (02:39):
I'll show you a.
Speaker 5 (02:51):
Hurt you not before you black eyed little gas me
kiss plenty of times. Now, ain't that right? It ain't
no different with me. You'll not kiss you?
Speaker 2 (03:02):
Let me?
Speaker 5 (03:03):
Let me go.
Speaker 2 (03:06):
Go, let that girl down?
Speaker 4 (03:08):
Who never mind who I am your leave her alone.
Speaker 5 (03:11):
You've got you, Let her go. We'll sad for the law.
Speaker 2 (03:15):
We're just having some fun.
Speaker 4 (03:17):
He'll find grind the fun. Two hawks like you torment
a young girl. They come on, honey, you come with me.
Speaker 2 (03:24):
You two go along.
Speaker 5 (03:25):
Now, look we ain't done that. You get along.
Speaker 6 (03:30):
Come on, senior kiddy'll do those men? Those men they
were wrong.
Speaker 4 (03:44):
I do not kid, Yeah, I know, honey, don't you worry.
Come on inside, you can wash your face, calm down,
thank you.
Speaker 2 (04:10):
Well she is still around here, kiddy.
Speaker 4 (04:12):
Uh, I left her up in my room, Matt.
Speaker 2 (04:14):
She is pretty upset. You'll find out who she was.
Speaker 4 (04:17):
Yeah, her name was Josefina Josephina ramiro Us. She and
her father taken over the old Grime's place to West Town.
Speaker 2 (04:24):
Oh that's a pretty rundown outfit, as I remember.
Speaker 4 (04:27):
Yeah, I guess they're having a tough time. But they
haven't been here very long.
Speaker 2 (04:32):
Probably won't stay long either. That's a pretty mean line.
Speaker 4 (04:36):
May Yeah, what well I've I was wondering if you
had something awful and important to do the rest of
the afternoon.
Speaker 2 (04:45):
Uh, not been too important, I guess why.
Speaker 4 (04:49):
She's a real scared girl, math. I'd hate for those
two groups to get their hands on her again.
Speaker 2 (04:55):
Oh, what do you want me to do?
Speaker 5 (04:57):
I thought you might drive her up to her.
Speaker 2 (05:02):
Do you think chaperoning young girls home is part of
my job? Oh? All right, kidding, I'll be glad to
do it. I'll have Chester hit you up a buggy
and we'll get her out there in time for summer.
Speaker 4 (05:15):
Thanks, Matt, I'll have her waiting out.
Speaker 2 (05:18):
Guess there's no use looking for those two men. Now
why not, Well you took out Africa. They're probably half
way the Witchita went on, I know what I'm talking about.
I haven't seen you when you were riled.
Speaker 4 (05:31):
Well you're about to see me ril again. If you're
not careful, you go on now get that buggy.
Speaker 5 (05:38):
Huh.
Speaker 3 (06:01):
I think we can catch the short cut long here
pretty soon, mister John, Is that right, josephs.
Speaker 4 (06:07):
Yes, Senor, there is a legal road because the steels
after the next turn.
Speaker 2 (06:12):
Well, we'll get you home before it really turns.
Speaker 6 (06:14):
Dark, Senor.
Speaker 2 (06:18):
Huh.
Speaker 6 (06:19):
I would thank you, senor, if you would let me
off here at the little roads.
Speaker 3 (06:24):
Well, that's awful long walk by anybody, Miss Josephine, I
would like you.
Speaker 2 (06:28):
You don't want us to drive you all the way home? No, Senor,
I love Joseph. Finis close to dark. I think maybe
we better go on with you. Sure he ain't no trouble,
just Louie's more to go now we've turned off, But
you do not understand. Up there behind them, Rock get
on the wagons, Pester jump off and coming from your side,
(06:48):
please please come back here you'll be kill Do not
shoot again. Don gonya crazy with what's going on.
Speaker 7 (07:02):
Father, whether you are wrong, don't with me everything. These
men are not like the others.
Speaker 6 (07:09):
They could not bother you. No, Father, They have brought
me home so I would be safe.
Speaker 2 (07:16):
I'm gonna talk to him. Why don't you put your
gun down? I talk better that way. Tell me who
you are, Senor. He is the US marshal at Dodge City.
Oh oh, the men who will fold the law? And
I try to And who are you? My name is
(07:38):
Seor Miguel Meres. Are you always ambush? People? Will come
out of your place only when I fear for my daughter,
and I can't blame you if I want to protect her. Look,
you're so worried about her, why do you let her
go to town alone? See it's not good, but we
area need to pull the money we can earn. Say
you o to make this place go. The eggs have
(08:01):
to be sold today. My cow is Kevin.
Speaker 7 (08:04):
I could not go to town, so I send for
the finger. It's no one else. She did not return
in the daylight.
Speaker 2 (08:13):
You have decided the worst that happen. Or say you're Musha.
Speaker 7 (08:16):
You do not know how I can be We have
moved four times. Strive to find a good home. But
for a young girl from Mexico in your country, it's
not easy. Your men, Yeah, and I can be bad luck, Rameras.
You can't shoot everybody who comes out here. You know,
(08:37):
I do not wish for trouble, singor I came to
your country. I hope for a better way to live. Well,
if they bring trouble to my daughter, she's a good girl,
you know she is. If they bring trouble to my daughter,
then I will kill them. That is the way it
must be.
Speaker 2 (08:54):
You can't take on your own hands, Rameras, that's the
way it must be too. I can't kid. That won't
do Josephina any good. Saying your mark, I'll let me Rameras.
I know things can be hard, but you'll get protection
from the law like anyone else. But you'll let the
law handle things. I protect my daughter, but you'll have
(09:15):
to be alive to do that. Do you understand. Let's
say you're all right. From now on, you better see
that Josephina stays close to home justin come on, let's
go back to town. Here's where she.
Speaker 3 (09:49):
Lived here, here's a Mexican fleet. It ain't much sure,
ain't you stay here? I'll go in and get the
girls off.
Speaker 2 (10:00):
That's you, old man. You got a gun.
Speaker 5 (10:03):
There's no need for the gun, old man. We just
come to pay a little visit to your daughter.
Speaker 2 (10:08):
Go get off my line. We're just coming to fast
the time of day.
Speaker 5 (10:14):
We've seen her in town yesterday.
Speaker 2 (10:16):
Figure we like to see. How are you once more
on your horse?
Speaker 5 (10:21):
Right back now?
Speaker 3 (10:22):
It seems to me you'd take kindly to us coming
to call. We're a lot better than your girl's being
used to.
Speaker 2 (10:28):
And we got.
Speaker 5 (10:31):
Shooting our shodold man, he don't.
Speaker 2 (10:33):
Wait for shutting the half? How you call?
Speaker 5 (10:35):
Look the heir?
Speaker 7 (10:36):
Are you listen out of here?
Speaker 2 (10:53):
What are you doing? James? What are you stopping for?
Speaker 5 (10:58):
We're out of sight, ain't we? Yeah, we ain't gonna
let no dirt farming drive.
Speaker 2 (11:03):
Us off near land here? What are you gonna do?
Speaker 5 (11:08):
You just come along with me. You see what I'm
gonna do.
Speaker 2 (11:12):
I ain't so sure. Yeah you scared? Well, no, no,
I ain't scared, But I don't wanna go killing.
Speaker 5 (11:18):
No man, you ain't gonna kill nobody. Just gonna pay
a visit to that pretty little girl.
Speaker 2 (11:25):
Like we set out to you. So we're gonna do
that get off.
Speaker 5 (11:30):
Your horse at time.
Speaker 2 (11:31):
Up, believe the horses, I can tell you.
Speaker 3 (11:38):
And we're gonna sneak back through the scrub and little
Gal's gonna get a real surprise.
Speaker 2 (11:58):
No, Doc, you don't thankful like this can hurt you. Well,
now I have got a theory about it, man, it'd
better be good, be scientific. Now then I have done
a lot of research on it at considerable personal risk,
that's all. Yes, by eating the food myself.
Speaker 3 (12:19):
And I've come to the conclusion that you build up
an immunity to terrible slop like this.
Speaker 2 (12:25):
And your stomach gets even stronger.
Speaker 5 (12:27):
You you the doc, Hey, that's I'm the doctor.
Speaker 2 (12:32):
You've got to come, Doc, You've got to gale out
there in the country. Oh, speak up, man, speak up.
I ain't he the marshall? Of course he's a marshal.
I'll wait see your loan. Doc. I think I better
know about any girl you got out in the country. Well,
it really ain't nothing bad that's bad enough to need
(12:53):
a doctor in a hurry? Is that it? Who is she? Oh?
Just little Mexican Gale from the Rameras place. Yeah, what
happened to me? But I don't really know, Doc.
Speaker 5 (13:05):
We my partner and me.
Speaker 2 (13:07):
We were just having fun with her.
Speaker 3 (13:09):
She got down get he had.
Speaker 2 (13:11):
I guess she can't moved sense. Come on, Doc, I
got shuster a little right along with it. Sure, come
on you sure, Marshall. Yeah, I'll lead you right out there.
You'll bet you will. I left him right over there
(13:40):
under that tree, Jack jack, I bring you to doc.
Speaker 5 (13:47):
He sure ain't answering you then?
Speaker 2 (13:49):
And he was there. Where's the girl right there by
that tree? Do not touch me? It's Marshall. Della Josephina
(14:11):
dok Adams is here too. Yeah, let's see now, Just
would you hold the lantern?
Speaker 4 (14:18):
Sure not?
Speaker 2 (14:20):
I still just her.
Speaker 5 (14:23):
This isn't gonna hurt.
Speaker 3 (14:26):
Mm hmm.
Speaker 2 (14:29):
Can you tell me how this happened? M They were
off to meet doctor. They were waiting for me in
the door. That's gonna be all. He dragged me out
in the big hunt over my mouth and I I
till don't.
Speaker 5 (14:48):
I still don't.
Speaker 2 (14:49):
I wouldn't have got hurt none if she hadn't have
been fighting. So would she kicked me? Some fierce? Do me?
That a shame?
Speaker 5 (14:57):
I think she's all right, man, She.
Speaker 2 (14:59):
Get her head a good but she'll be all right.
Can we move it, doctor, Yes, I think so. I'll
take her home in the bus. I better go along too.
Her father isn't going to be easy to deal with it.
I don't see why he should be. Chester. You take
an ab back and lock him up and we'll hold
him toil. Sure the girl's going to be all right.
Speaker 5 (15:17):
Yes, I'll do that if you don't.
Speaker 2 (15:19):
I didn't hurt her name. The doc says, she's all right.
Speaker 5 (15:22):
There's no need to lock me up.
Speaker 2 (15:23):
You ought to beg me to lock you up, other
than have her father out looking for you. Come on, doc,
let's get her into the buggy. She's sleeping just fine.
(15:54):
You see that she gets a lot of rest for
the next couple of days. She's all right. How did
you hear him, Ramerez, The doctor says, Josephina's alright, she
just needs a little rest. I hear the words. Marcia.
M sure all we forgotten about you? Alright, Docker, I'll
be along in a minute, Ramebras. I wanna say a
(16:19):
couple of things to you. Erameras, are you listening? I
would listen good, because I'm not asking you to do anything.
I'm telling you now. You let me handle this. Your
daughter's alright, and we got the man locked up. There
were two men, see, I know, and we'll find the
other one. But you let me handle it. Do you
(16:40):
hear you can't take the law into your own hands?
How do you understand me? I hear the words, Well,
you better hear him and you better remember 'em. Oh,
(17:11):
come in, come in, but a hello, Ramebras. Folks don't
usually bother to knock at his office. Your martian a Josephina,
Oh she is well, God, go ahead. Well don't you
want to come on in? No sor I can't say
what I must say from the doorway. No, Ramembras, don't
(17:33):
get any crazy ideas again. We'll pick that man up
one of these days. It is not necessary, Yes it is.
We don't want him to get away with that any
more than you do. It is not necessary for you
to pick him up. What do you mean I brought
him to you? M Where is he? He's just outside,
seeing your outside? On my horse. He's tied on my horse.
(18:02):
As I see, I killed him single.
Speaker 7 (18:08):
Now I I have come to bring you both of us,
and you just had to do it in Jim, say,
you're marshalling the law of a man's honor that.
Speaker 2 (18:25):
This has to be in his own hands. Yeah, I'm sorry, AMers,
I'm sorry it had to be this way.
Speaker 5 (18:40):
Mm.
Speaker 1 (19:02):
Guns Smoke George Eustand, directed by Norman McDonald, stars William
Comrade as Matt villan Us Marshall. The story was specially
written for Gun Smoke by Marion Clark, with editorial supervision
by John Meston. Featured in the cast were Lynn Allen,
Lawrence Stobkins, Vic Perron, and Dick Kenner. Harley there Is Chester,
Howard mcneer is doc, and Georgia Ellis is kidding. This
(19:29):
is George Walsh inviting you to join us again next
week for another story on guns Smoke.
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