Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:03):
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Richard Diamond, Private Detective Starrying Dick Paul Diamond Detective Agency.
(02:06):
We can solve any crime, but television.
Speaker 3 (02:08):
Diamond, stop clowner and get right down here.
Speaker 1 (02:11):
Well house side of love Loom. What's the matter, otis,
didn't the zoo pick up your option on?
Speaker 4 (02:16):
I'll quit that.
Speaker 3 (02:17):
You gotta get right down here. Something terrible's happened.
Speaker 5 (02:20):
They haven't made you commissioner.
Speaker 3 (02:22):
Worse than that, Lieutenant Levinson's been kidnapped.
Speaker 4 (02:25):
A Diamond to see you, Captain.
Speaker 1 (02:36):
Hello Collins, all right, Diamond old has just called me
about wall now.
Speaker 5 (02:40):
Louck Rick.
Speaker 1 (02:40):
I know it's a personal friend of yours. He's a
good friend of mine too, But this is police business.
A CoP's been kidnapped.
Speaker 4 (02:46):
Diamond was a cop for six years.
Speaker 1 (02:47):
I don't need a case history, Sergeant Oh, get off
at Charlie.
Speaker 5 (02:50):
I'm down here to help, of course you are. But
there's one thing I won't stand for. Rick. The way
you operate. What's the matter with the way I operate?
I know how you feel about water.
Speaker 1 (02:58):
And when a guy feels that strongly about when he's
able to do a lot of things to get a
few answers. Oh, for Pete's sake, Charlie, what are you
gonna do? Hold a tea party and the hope someone
will spread some gossip.
Speaker 5 (03:07):
That's not fair, Rick.
Speaker 1 (03:08):
Well, if you think I'm going to sit back knowing
that Bert Fisher's got Walf said anything about Bert Fisher, Well,
nobody had to say anything. It's pretty obvious, isn't it.
Walt sent Burt's brother Art to the electric chair. Bert
swore he'd get Walt for it. Fisher dies to night,
doesn't he?
Speaker 5 (03:22):
Yeah?
Speaker 1 (03:23):
Sure, I think it's Bert Fisher too, and we're gonna
do everything about it we can. Bird's been in Detroit,
doesn't he. Yeah, I've got to call into Detroit. Should
be hearing any time this phone call you got saying
they had walk. I didn't have time to trace it.
The guy said Walt was being held. And when Art
Fisher dies tonight in the chair, so just walk, Charlie.
Speaker 5 (03:41):
I'm going to work on this thing, whether you like
it or not.
Speaker 1 (03:43):
And that figures. But I promise you Rick, I won't
save your skin if you get out of line and
he leads in no running after usual stooleys. Well, I
know a couple of boys who might have a few angles. Oooh,
nobody who would give you any information. These guys aren't stoolies.
They might tell me because I.
Speaker 5 (03:58):
Think they like me. You see, Charlie, sometimes it pays
not to be a cop. I don't expect any information
you get Rick, Oh sure, now, I'll see you later.
All right, yeah, be a good boy, will you? Uh Collins?
Speaker 1 (04:12):
If we don't find walled by eleven o'clock, can you
hold up Fisher's execution?
Speaker 5 (04:16):
No, that's well.
Speaker 3 (04:19):
I'll keep in touch, Heed Diamond. Do you think you
can do anything?
Speaker 5 (04:25):
And I can try? Do me a favor?
Speaker 1 (04:27):
Otis okay, get me a complete background on Bert Fisher, everything,
all his friends, his record, as fire back as you
can go.
Speaker 3 (04:35):
Gee, Diamond, I'm scared for the lieutenant.
Speaker 5 (04:38):
You're not alone with that one.
Speaker 1 (04:39):
Otis in the Bowery living in a broken down rooming
house was a man twenty years ago. He'd come to
the big City with his trumpet tucked under his sign.
He'd started playing with little combinations along fifty second Street,
and pretty soon the word got around.
Speaker 5 (05:00):
Every one came to listen to him. They call him
the Dean of Jazz, and the title stuck.
Speaker 1 (05:05):
Then one night he had an argument with one of
the Pussari mob, and the next morning they found him
in an alley, half dead, his face beaten to a pulp.
It was a long time before the Dean could get
around again, and it was a lot longer before he
could play his trumpet, and by.
Speaker 5 (05:21):
Then no one would have him.
Speaker 1 (05:23):
He couldn't make enough of the horn, so he tried crime.
That's where I met him. I did him a favor.
In a short time later, he went straight. He'd still
kept his underworld connections, but he he wasn't a stooley.
I'd just done him a favor once. Alvil Richard Diamond.
(05:54):
Are you Dean like see you?
Speaker 6 (05:59):
Yeah? Yeah, I kind of figured you would.
Speaker 5 (06:03):
Dean.
Speaker 1 (06:03):
Uh you ever run into a guy named Fisher? Burt Fisher?
Speaker 6 (06:09):
How wout a drink?
Speaker 1 (06:10):
No?
Speaker 7 (06:10):
Thanks, skull? Oh man, it's gonna be hot today.
Speaker 1 (06:17):
This uh Bert Fisher grab Lieutenant Levinson says he's gonna
kill him.
Speaker 6 (06:22):
Huh.
Speaker 1 (06:23):
I can't help you, oh Dean, I just need one
little lead to get started.
Speaker 6 (06:27):
Yeah, sure. I wish I had a fan in here.
Speaker 5 (06:32):
How's business?
Speaker 6 (06:32):
Who it isn't? I didn't make enough to pay the rent?
Speaker 5 (06:36):
How about a few bucks to keep you going? Uh?
Speaker 6 (06:38):
I ain't proud, but it won't buy you or anything.
Speaker 5 (06:41):
The lieutenant's a good friend.
Speaker 7 (06:43):
Yeah yeah, word got around this morning.
Speaker 5 (06:47):
Yeah, there's ten. Buy yourself some groceries.
Speaker 6 (06:50):
Oh thanks, you did me a favor once forget it.
Speaker 7 (06:57):
Bert Fisher's got a lot of rough woods working for him.
They're most all from Detroit, but they kill the same
as anyone from.
Speaker 5 (07:03):
Here, Dan, do you know anything at all.
Speaker 6 (07:07):
They might who wants to die?
Speaker 3 (07:23):
Hey?
Speaker 5 (07:23):
Still blow pretty good?
Speaker 6 (07:24):
Uh? Sure? Me and Vicks.
Speaker 5 (07:28):
Well, I'll see you around.
Speaker 6 (07:29):
Yeah, thanks for the ten?
Speaker 1 (07:31):
Oh uh Dean about eleven o'clock to night, play a
few bars at the funeral march.
Speaker 5 (07:41):
Oh uh Diamond? Yeah?
Speaker 8 (07:44):
Uh remember this still don't you?
Speaker 2 (08:01):
Oh it was named maybe.
Speaker 5 (08:05):
Maybe Plain is any name can be?
Speaker 8 (08:10):
You gotta tell Seer run increasing Sergeant love Loom.
Speaker 5 (08:34):
Oh this is Diamond, otis? What did you find out? Oh?
Speaker 3 (08:37):
I got reports on everybody we know is connected with
Bert Fisher?
Speaker 4 (08:40):
Do you want me to read them all?
Speaker 5 (08:42):
Anybody here that lives named Mary Mary.
Speaker 3 (08:45):
Oh, these guys are all named Ala, Luia or something.
Speaker 1 (08:49):
Look, uh, check all of those names and see if
Fisher any one of his boys ever knew a girl
named Mary. Then after you do that out, you're what
Holy smoke out to you later, Dean Deep Jean, the
(09:15):
Dean has blown his last note. He was sprawled faced
down on the dirty cocket, clutching the shiny trumpet. A
thin line of red was spreading out from a bullet
hole in his chest, and the open window sent me
across the room in a hurry. I looked out on
the fire escape to see a man dropped the alley below.
We both fired a split second apart. He staggered as
my slug knocked him against the building, and then before
(09:36):
I could try again, he disappeared around the corner. I turned,
looked down at the Dean and wondered if Gabriel was
getting a lesson in jazz.
Speaker 9 (09:55):
Time.
Speaker 5 (09:55):
And I warn you before you left here.
Speaker 1 (09:57):
Okay, okay, Charlie, a nice guy's been killed. All the
crying in the world isn't gonna help.
Speaker 3 (10:02):
Hey, I got something, diamond, see grief.
Speaker 5 (10:04):
He's got the whole apartment working for him. Coim onos.
What if you got Is it all right? Captain?
Speaker 10 (10:08):
Yeah?
Speaker 1 (10:09):
Yeah, go ahead. I should be in the second hand
business report. I want to Fisher's old mob.
Speaker 3 (10:13):
Lou Baxter, only one of the whole bunch who had
a girl named Mary.
Speaker 5 (10:16):
Mary? Who's Mary? Charlie?
Speaker 1 (10:18):
Look at this picture, Nou Baxter. I've been looking at
it all morning, but take another look. This is the
guy I shot climbing down off the fire escape after
he killed the Dean, cold smoke.
Speaker 5 (10:27):
You know where you can pick him up. Oh, he's
a local boy, all right. Didn't go back to the
twenty with Fisher.
Speaker 1 (10:31):
I've had a call out him since ten twenty this morning, Hey,
what about that girl Otis?
Speaker 5 (10:36):
Name's Mary Sinclaire.
Speaker 3 (10:37):
I used to go with Lou Baxter. Captain, no address
on it.
Speaker 1 (10:40):
Mary's in clearing Luke Baster. Well, it's the first lead
we've had. I'll get the boys on it. Charlie had
his methods and I had mine. Otis got in touch
with the musician's local. In half an hour, I had
a list of all the places the dean that worked,
since the Union had a record on him. I started
checking dive bronze jam joints, questioning owners, bartenders, waiters. No
(11:04):
one knew a girl named Mary Sinclaire. Around three o'clock,
I wandered into a place on fifty second Street known
as a Red Parrot. Hi, I'm looking for information, your
cap private cop. You remember a guy who played here
last year, trumpet man, the Dean.
Speaker 5 (11:26):
Sure everybody noticed the Dean something wrong and the Dean
got himself killed. Oh no, see that's too bad. Real
nice guy. You have no girl names and Claire Mary's
and Claire?
Speaker 4 (11:39):
Uh no, no, I don't think so.
Speaker 1 (11:43):
Okay, Yeah, why don't you just get he's the boy
with the fingers playing the piano.
Speaker 5 (11:51):
You know the Deane pretty well? Thanks you ed? Yeah,
what can I.
Speaker 11 (12:02):
Do for your pops?
Speaker 5 (12:03):
I'd stand you're a good friend of the deans.
Speaker 10 (12:05):
Sure we're compatible, but I ain't seen him in a while.
Speaker 5 (12:09):
You're looking for him, No, for a friend of his?
Mary Sinclair, huge chick? Uh Where can I find her?
Speaker 10 (12:19):
Why do you want to find her?
Speaker 11 (12:20):
Pops?
Speaker 5 (12:21):
The Dean was murdered a few hours ago.
Speaker 10 (12:25):
She used to live over on forty seventh Street, sixty
nine West.
Speaker 5 (12:30):
That was a year ago. Sure about the address, and
forget it.
Speaker 10 (12:34):
We had a few balls up there. She was kind
of a flip my little combo in here pretty crazy too.
Speaker 5 (12:42):
She used to come in and listen.
Speaker 10 (12:44):
Real hep on jazz who all the old timers by name,
like the Dean remembered when he was tops before he
got hurt.
Speaker 2 (12:56):
Did you ever hear him in those days?
Speaker 10 (12:58):
Yeah, I played with him a lot.
Speaker 2 (13:02):
I used to watch him real close.
Speaker 10 (13:04):
Sometimes after hours, the boys had just sit around blow.
Speaker 11 (13:09):
Because it felt like it.
Speaker 10 (13:11):
The Dean used to lean back and close his eyes
and blow things like he was getting the word from
the other side. It was great, might have been the greatest. Well,
you all gotta go on ahead sometime. I guess it
(13:31):
ain't so bad though. The harps real wild instrument.
Speaker 1 (13:43):
I left the piano player and headed to the address
he'd given me. That was a good chance. Marus and
Claire wasn't living there anymore. But it was the closest
I'd come to any kind of lead. When I got there,
I held my breath and looked at the mailbox score
for Diamond mis Marys and still lived in the building.
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Ladies.
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Famous beauty expert and Delafield says that women don't really
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Speaker 10 (14:20):
Own, you mean I could actually do without all the
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It's a face.
Speaker 1 (14:35):
Cream, a cremsing cream, neck eye and throat cream, all
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economical too.
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Sounds marvelous.
Speaker 12 (14:44):
Are there other and Delafield cosmetics?
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Yes?
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Speaker 10 (14:58):
Were you convinced me I'll be looking for them tomorrow.
Speaker 1 (15:01):
Then look no further than your nearest rex All drug store,
the store with the orange and blue side.
Speaker 2 (15:11):
And now back to.
Speaker 1 (15:11):
Tonight's adventure with Richard Diamond Private Detectives, Darrying Dick Powell. Yeah,
oh hello, uh Mary Sinclair.
Speaker 12 (15:31):
Yeah, whatever you're selling, I'll take a dozen.
Speaker 5 (15:35):
I like to talk with you.
Speaker 12 (15:36):
I'd like you too similar time. I'm busy right now.
Speaker 5 (15:39):
I'm afraid this can't wait.
Speaker 12 (15:40):
You'll have to, baby, give me a call. Plast four
or five four six six, mister a diamond. Okay, doll,
call me tomorrow. You got your foot in the door.
Speaker 5 (15:52):
Honey, old habit can't seem to break it.
Speaker 12 (15:55):
Well, I'll break it for you, honey, your whole leg.
Speaker 5 (15:58):
You'll be sorry, doll.
Speaker 12 (16:00):
Mm alright, baby, make it quick. Huh what do you want?
Speaker 5 (16:04):
Let's talk inside it? I told yeah. I know.
Speaker 12 (16:06):
It's cooler in here, the coolest, but it won't be
for long.
Speaker 5 (16:11):
Where's Lou Baxter?
Speaker 11 (16:13):
Oh?
Speaker 5 (16:13):
You know the boy you used to run around with.
Speaker 12 (16:16):
I run around with a lot of boys. Ever since
I was in grammar school. I ran around with boys.
It's a hobby.
Speaker 5 (16:21):
Where's Lou Baxter?
Speaker 12 (16:23):
Baby?
Speaker 3 (16:23):
I don't know.
Speaker 12 (16:25):
You wanna twist my arm?
Speaker 6 (16:28):
Go ahead, it might be fun.
Speaker 5 (16:29):
He just killed a dean he did. Shame on him,
forget it right, Hell, Lou, get out of the way.
That's the guy who put a slug in me. Looked
like in pretty bad shape. Baxter. The actor's coming, but
he ain't gonna be able to help you. Honey.
Speaker 12 (16:46):
You shoulda come back to my sht. I well wouldn't
have been half the painful.
Speaker 5 (16:51):
I want Bert Fisher, eyah, good for you. Get away
from that door, now.
Speaker 3 (17:01):
Walk into that out of the room.
Speaker 1 (17:07):
I didn't wanna play, or you shouldn't have done that, Charlie.
I needed him alive. That's gratitude for you. I knew
you'd get into trouble, Diamond, so I telled you from
that last bar and fifty second.
Speaker 5 (17:17):
Just uh Mary, Saint Clair, charm damn sure, I just
stay here, call the.
Speaker 1 (17:20):
Wagon right, there's the doctor coming up. I doubt if
he's a legit. Wait for him and then bring him
down to the station. Notice, right, come on, Miss Sinclaire.
Speaker 12 (17:26):
Sure, honey, you know, mister Diamond. I think I'll have
to break that date for tomorrow.
Speaker 3 (17:40):
Here are Baxter's things, captain watch, wallet, nothing much, Yeah,
let's check the wallet.
Speaker 1 (17:45):
Hmm, book A matches Danny's diner Route fifty one, checking
the dotars fry. I think much in the wallet, social security,
driver's license, some money. I ain't quite a lot of money.
I wanna take a look. Yeah, no addresses. Here's a
ticket to a shoe repasha.
Speaker 5 (18:03):
Nothing much here that would give us a lead. Yeah,
Danny's diner.
Speaker 3 (18:08):
Is about one hundred and sixty miles out of rob
fifty one and.
Speaker 8 (18:11):
Guess who runs it?
Speaker 1 (18:12):
Oh, gino Amalo, that does it? Carley Authority is in
that area, right gino Amalo eight years for arm robber,
used to work for Bert Fisher. Yeah, maybe this is it?
What time is it? Going on seven? This's better be it.
We only have four hours. We've got to drive one
hundred and sixty miles. Captain Collins talked at the Sheriff's
(18:37):
office and set up a rendezvous with him near Danny's Diner.
Then we piled into a squad car and roared across
the fifty ninth Street bridge for Route fifty one.
Speaker 5 (18:46):
Staffinal otis what doing?
Speaker 1 (18:47):
Eighty?
Speaker 5 (18:47):
Now? Ninety?
Speaker 11 (18:48):
Is?
Speaker 5 (18:48):
Getting late? Eric?
Speaker 1 (18:50):
You think we should bust right in the diner and
take a malo. No, Amalo doesn't know me, never seen me.
You stay out your men around the place and I'll
go in me a couple of minutes. Then you come in,
work on a mallow a little and then leave. If
he knows where a Fisher is, you'll probably get in
touch and I'll tag him love me for you.
Speaker 5 (19:24):
Uh yeah, uh uh. Couple of coffee and a piece.
Speaker 12 (19:27):
Of pie, got raspberry chocolate lemon peach crushes.
Speaker 5 (19:29):
Uh raspberry?
Speaker 1 (19:31):
Yeah, h mm, Hey, y'all, I can Uh. Where's the
closest gas station bout a mile down the road, but
I think it's closed.
Speaker 4 (19:42):
It's after ten, close as a ten.
Speaker 5 (19:43):
Uh? Thanks nice a bit.
Speaker 4 (19:46):
Yeah, where's do you know Amallow in the back?
Speaker 5 (19:49):
You want him? Call him?
Speaker 10 (19:50):
Sure?
Speaker 12 (19:51):
Aim it tomorrow. Someone wants to see you.
Speaker 5 (19:53):
Okay, be right there. Yeah, it's something I can do.
Oh what are you doing way out here?
Speaker 8 (20:01):
Captain?
Speaker 1 (20:02):
It's your book of matches. Yeah, that's the name of
my face one of these matches. And Lou Baxton Bax
is deadn't.
Speaker 5 (20:08):
Oh that's too bad.
Speaker 1 (20:10):
Uh? Y, you're not gonna tie backs up with me,
are you? Lots of people come in here and take
my matches.
Speaker 5 (20:15):
If Baxter came in here, you swing you're an old friend. Sure,
I I know Lou, but I ain't seen him in years.
You got word your own bosses in time? Bert Fisher?
Oh is that right now where we might find him?
Speaker 1 (20:26):
No, I haven't seen Burt in years either, little captain.
Speaker 5 (20:30):
I've been going straight.
Speaker 1 (20:31):
Sure, you're uh a little lout of your territory interest.
Speaker 5 (20:36):
This is unofficial you're in my jurisdiction. I hold you in.
Speaker 1 (20:38):
Look, I tell you I'm going straight. I don't know
nothing about little Baxter Burt fishing. Oh okay, man, huh
you may hear from me again and I see you again, Captain. No,
uh miss r coffee? Uh yeah, where's the form?
Speaker 5 (20:54):
Not over there on the wall. Is there another one
in the kitchen? But you can't use that.
Speaker 4 (21:00):
Hey, you can't go back there.
Speaker 5 (21:01):
Honey, it's the police. You stay where you are.
Speaker 1 (21:03):
Oh okay, yeah, yeah, this is Tina.
Speaker 11 (21:08):
Let me talk to Fish.
Speaker 5 (21:09):
I p Hey, what are you doing? Don't move 'em? Aloft?
What is the cover up? That mouthpiece? Cover it up? Okay, okay,
Now when.
Speaker 1 (21:17):
You get Fisher on the line, say what I tell you.
Hold that receiver so I canna listen little crand look,
say one thing wrong and I'll use this gun.
Speaker 5 (21:25):
Your car, none of your business.
Speaker 11 (21:27):
Well look like that.
Speaker 3 (21:30):
He is.
Speaker 5 (21:30):
Tell him you just turned Baxter was killed? Ah, tell him?
Tell him?
Speaker 1 (21:34):
Uh h hello, Look, I I just think ghost got
news that the Baxter was killed.
Speaker 5 (21:39):
Yeah, okay, anything else? Say no, that's all? Uh no, no,
that's all? How nothing? Nothing?
Speaker 6 (21:48):
Okay, got to hang up.
Speaker 5 (21:53):
Now, where's fisher hiding out? Get up? Where's fisher hiding out?
Speaker 4 (22:02):
Your dirty flat? Put your near it?
Speaker 5 (22:04):
Puss my jaw on the nearly Where is he? Amlo?
Speaker 11 (22:09):
You kill me if I tell you.
Speaker 5 (22:11):
That's getting the lad? Are you gonna tell me?
Speaker 11 (22:12):
Okay?
Speaker 1 (22:13):
Okay, she's said, patman about a mile up the roads.
Come on, you got a shorts. It's just around that bend.
Speaker 5 (22:31):
We better get out here and walk how many menuts
he got in there with him? Chi him? Oh? Pool?
Whose cabin is he?
Speaker 1 (22:37):
Mine?
Speaker 5 (22:38):
Otis? Get out and tell the rest of the men
to dance the knights and come over here, right captain. Uh,
here's a piece of.
Speaker 1 (22:43):
Paper drawings the floor plan of that cabin, and give
you some line. Okay, go ahead, and mam, I'm new
rooms a.
Speaker 5 (22:52):
Tree h Okay, We're all set, captain, okay. One big
room with a door here, a kitchen here in the
bedroom here?
Speaker 1 (23:05):
Uh, where's Lieutenant Elevenson. I've only been up there once
since they got in. He was in the bedroom.
Speaker 5 (23:10):
Now about closets backed on?
Speaker 10 (23:12):
Uh?
Speaker 1 (23:12):
One closet in the main room here, one in the
bedroom here, let's see a broom, closet in the kitchen
and the back door here?
Speaker 5 (23:20):
Has it got an addict?
Speaker 10 (23:21):
No?
Speaker 5 (23:22):
No, where's Fisher's car.
Speaker 1 (23:24):
Parked around the back in the shed? Okay, I have
the men stake out the place. You're gonna take me
up there, a mama me, he's gonna take us up there.
You're a civilian wreck there's any shooting to be done.
Speaker 5 (23:34):
If there's gonna be any shooting, I'm gonna be in
on it.
Speaker 1 (23:36):
Wait.
Speaker 11 (23:36):
Wait a minute, Wait a minute. Who said I was
gonna take your guys up there? Anyway? I told you
everything I know. I ain't gonna get my head shot off.
Speaker 5 (23:43):
You're gonna walk us up there, Mala, and you're gonna
knock on the door, and.
Speaker 1 (23:46):
You're gonna get them to open a loaded with artillery
shot guns when the door opens your dark okay, suicide.
Speaker 5 (23:52):
You heard what the captain said, Amado. I'm a civilian
without a badge. I'm allowed to get pretty nasty with you, but.
Speaker 11 (23:57):
You can't make me do something I don't want. I
know my right, captain.
Speaker 5 (24:00):
You know something, Rick, I think I'm catching a cold.
I can't hear a thing all right now, Wait a minute.
Speaker 1 (24:05):
I'll go check them in. I uh trust you'll not
take advantage of the prisoner.
Speaker 5 (24:10):
Rick. I couldn't hear her he yelled or something.
Speaker 11 (24:12):
Wait wait, wait, okay, okay, fine corp.
Speaker 5 (24:15):
Alright, let's go.
Speaker 1 (24:19):
Alright, men, listen, now I'm going up with diamond for
hear you take that side of the house, so you
take the other you and you go on in the
back of the shed where the car is.
Speaker 5 (24:29):
H Oh, it's yeah. You and this man cover the front,
but stay out of sight. It comes.
Speaker 1 (24:33):
It'll come in a hurry, so close in past. And look, boys,
a little tullnis in the back room. So try and
be as careful as you can. And oh set yep,
let's go a marble.
Speaker 5 (24:57):
There. It is light in the front window, and it's
ten minutes of eleven, and I hope.
Speaker 1 (25:02):
That once is hunt fast keep going a ollow with
the orders, you too, drop here and like captain, good luck.
Speaker 5 (25:10):
We are you stopping for a mallow?
Speaker 11 (25:11):
I I judge for ann They told me too.
Speaker 5 (25:13):
Yell if I came up, if you try to pull anything, no, no,
I understand it.
Speaker 11 (25:18):
If they told me to yell.
Speaker 1 (25:19):
Okay, you stay here. We're going up on that porch.
Count twenty, then yell and blame it smut and I
won't pull with you, malone.
Speaker 11 (25:28):
Okay, okay, captain, but I'm scarched there.
Speaker 7 (25:31):
Ye're not a long Come on, chelly, I say this
sw this skates right up there on the legs.
Speaker 5 (25:37):
He is a lad to work.
Speaker 11 (25:39):
See card. Get on out side of the door.
Speaker 9 (25:46):
H r h Bert, Bert, it's me Gino. You know,
hey Bert, I gotta see you.
Speaker 5 (25:59):
Yeah, yeah, yeah. Can I come up to light on
a matte?
Speaker 4 (26:04):
Okay, come on up?
Speaker 2 (26:06):
Getting don't should anyone?
Speaker 3 (26:19):
What?
Speaker 5 (26:20):
Well about time? Get these ropes off? Okay?
Speaker 11 (26:23):
Water?
Speaker 2 (26:24):
Yeah?
Speaker 5 (26:26):
Thanks Charley? What time is it? Eleven o'clock? Happy birthday.
Speaker 1 (26:45):
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Speaker 1 (28:05):
Richard Diamond Private Detective stars Dick Powell in the title
role and was written by Blake Edwards, with music composed
and conducted by Frank Wirt. Dick Powell directed the RKO
production Split Second, which is now in release, and his
latest film appearance was in the Metro Golden Mayor Award
winning The Bad and the Beautiful. Featured in tonight's cast
(28:26):
were Wilms, Herbert, Bill, Johnstone, Sidney Miller, John Stephenson, Arthur Q. Bryant,
Virginia greg and Jane Novello. Richard Diamond Private Detective is
transcribed in Hollywood by Jimi Delight. This is bill forman
(28:46):
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Speaker 5 (29:39):
This is the CBS Radio Network.
Listen while the makers of rex All drug products and
ten thousand independent rex Al Family druggists bring you Dick
Paul As Richard Diamond.
Speaker 2 (00:09):
Private Detective Good Evening.
Speaker 1 (00:35):
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(01:31):
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Good health to all from rex Al. Now your rex
Al family Druggist brings you a transcribed half power with
Richard Diamond, Private Detective Starrying Dick Paul Diamond Detective Agency.
(02:06):
We can solve any crime, but television.
Speaker 3 (02:08):
Diamond, stop clowner and get right down here.
Speaker 1 (02:11):
Well house side of love Loom. What's the matter, otis,
didn't the zoo pick up your option on?
Speaker 4 (02:16):
I'll quit that.
Speaker 3 (02:17):
You gotta get right down here. Something terrible's happened.
Speaker 5 (02:20):
They haven't made you commissioner.
Speaker 3 (02:22):
Worse than that, Lieutenant Levinson's been kidnapped.
Speaker 4 (02:25):
A Diamond to see you, Captain.
Speaker 1 (02:36):
Hello Collins, all right, Diamond old has just called me
about wall now.
Speaker 5 (02:40):
Louck Rick.
Speaker 1 (02:40):
I know it's a personal friend of yours. He's a
good friend of mine too, But this is police business.
A CoP's been kidnapped.
Speaker 4 (02:46):
Diamond was a cop for six years.
Speaker 1 (02:47):
I don't need a case history, Sergeant Oh, get off
at Charlie.
Speaker 5 (02:50):
I'm down here to help, of course you are. But
there's one thing I won't stand for. Rick. The way
you operate. What's the matter with the way I operate?
I know how you feel about water.
Speaker 1 (02:58):
And when a guy feels that strongly about when he's
able to do a lot of things to get a
few answers. Oh, for Pete's sake, Charlie, what are you
gonna do? Hold a tea party and the hope someone
will spread some gossip.
Speaker 5 (03:07):
That's not fair, Rick.
Speaker 1 (03:08):
Well, if you think I'm going to sit back knowing
that Bert Fisher's got Walf said anything about Bert Fisher, Well,
nobody had to say anything. It's pretty obvious, isn't it.
Walt sent Burt's brother Art to the electric chair. Bert
swore he'd get Walt for it. Fisher dies to night,
doesn't he?
Speaker 5 (03:22):
Yeah?
Speaker 1 (03:23):
Sure, I think it's Bert Fisher too, and we're gonna
do everything about it we can. Bird's been in Detroit,
doesn't he. Yeah, I've got to call into Detroit. Should
be hearing any time this phone call you got saying
they had walk. I didn't have time to trace it.
The guy said Walt was being held. And when Art
Fisher dies tonight in the chair, so just walk, Charlie.
Speaker 5 (03:41):
I'm going to work on this thing, whether you like
it or not.
Speaker 1 (03:43):
And that figures. But I promise you Rick, I won't
save your skin if you get out of line and
he leads in no running after usual stooleys. Well, I
know a couple of boys who might have a few angles. Oooh,
nobody who would give you any information. These guys aren't stoolies.
They might tell me because I.
Speaker 5 (03:58):
Think they like me. You see, Charlie, sometimes it pays
not to be a cop. I don't expect any information
you get Rick, Oh sure, now, I'll see you later.
All right, yeah, be a good boy, will you? Uh Collins?
Speaker 1 (04:12):
If we don't find walled by eleven o'clock, can you
hold up Fisher's execution?
Speaker 5 (04:16):
No, that's well.
Speaker 3 (04:19):
I'll keep in touch, Heed Diamond. Do you think you
can do anything?
Speaker 5 (04:25):
And I can try? Do me a favor?
Speaker 1 (04:27):
Otis okay, get me a complete background on Bert Fisher, everything,
all his friends, his record, as fire back as you
can go.
Speaker 3 (04:35):
Gee, Diamond, I'm scared for the lieutenant.
Speaker 5 (04:38):
You're not alone with that one.
Speaker 1 (04:39):
Otis in the Bowery living in a broken down rooming
house was a man twenty years ago. He'd come to
the big City with his trumpet tucked under his sign.
He'd started playing with little combinations along fifty second Street,
and pretty soon the word got around.
Speaker 5 (05:00):
Every one came to listen to him. They call him
the Dean of Jazz, and the title stuck.
Speaker 1 (05:05):
Then one night he had an argument with one of
the Pussari mob, and the next morning they found him
in an alley, half dead, his face beaten to a pulp.
It was a long time before the Dean could get
around again, and it was a lot longer before he
could play his trumpet, and by.
Speaker 5 (05:21):
Then no one would have him.
Speaker 1 (05:23):
He couldn't make enough of the horn, so he tried crime.
That's where I met him. I did him a favor.
In a short time later, he went straight. He'd still
kept his underworld connections, but he he wasn't a stooley.
I'd just done him a favor once. Alvil Richard Diamond.
(05:54):
Are you Dean like see you?
Speaker 6 (05:59):
Yeah? Yeah, I kind of figured you would.
Speaker 5 (06:03):
Dean.
Speaker 1 (06:03):
Uh you ever run into a guy named Fisher? Burt Fisher?
Speaker 6 (06:09):
How wout a drink?
Speaker 1 (06:10):
No?
Speaker 7 (06:10):
Thanks, skull? Oh man, it's gonna be hot today.
Speaker 1 (06:17):
This uh Bert Fisher grab Lieutenant Levinson says he's gonna
kill him.
Speaker 6 (06:22):
Huh.
Speaker 1 (06:23):
I can't help you, oh Dean, I just need one
little lead to get started.
Speaker 6 (06:27):
Yeah, sure. I wish I had a fan in here.
Speaker 5 (06:32):
How's business?
Speaker 6 (06:32):
Who it isn't? I didn't make enough to pay the rent?
Speaker 5 (06:36):
How about a few bucks to keep you going? Uh?
Speaker 6 (06:38):
I ain't proud, but it won't buy you or anything.
Speaker 5 (06:41):
The lieutenant's a good friend.
Speaker 7 (06:43):
Yeah yeah, word got around this morning.
Speaker 5 (06:47):
Yeah, there's ten. Buy yourself some groceries.
Speaker 6 (06:50):
Oh thanks, you did me a favor once forget it.
Speaker 7 (06:57):
Bert Fisher's got a lot of rough woods working for him.
They're most all from Detroit, but they kill the same
as anyone from.
Speaker 5 (07:03):
Here, Dan, do you know anything at all.
Speaker 6 (07:07):
They might who wants to die?
Speaker 3 (07:23):
Hey?
Speaker 5 (07:23):
Still blow pretty good?
Speaker 6 (07:24):
Uh? Sure? Me and Vicks.
Speaker 5 (07:28):
Well, I'll see you around.
Speaker 6 (07:29):
Yeah, thanks for the ten?
Speaker 1 (07:31):
Oh uh Dean about eleven o'clock to night, play a
few bars at the funeral march.
Speaker 5 (07:41):
Oh uh Diamond? Yeah?
Speaker 8 (07:44):
Uh remember this still don't you?
Speaker 2 (08:01):
Oh it was named maybe.
Speaker 5 (08:05):
Maybe Plain is any name can be?
Speaker 8 (08:10):
You gotta tell Seer run increasing Sergeant love Loom.
Speaker 5 (08:34):
Oh this is Diamond, otis? What did you find out? Oh?
Speaker 3 (08:37):
I got reports on everybody we know is connected with
Bert Fisher?
Speaker 4 (08:40):
Do you want me to read them all?
Speaker 5 (08:42):
Anybody here that lives named Mary Mary.
Speaker 3 (08:45):
Oh, these guys are all named Ala, Luia or something.
Speaker 1 (08:49):
Look, uh, check all of those names and see if
Fisher any one of his boys ever knew a girl
named Mary. Then after you do that out, you're what
Holy smoke out to you later, Dean Deep Jean, the
(09:15):
Dean has blown his last note. He was sprawled faced
down on the dirty cocket, clutching the shiny trumpet. A
thin line of red was spreading out from a bullet
hole in his chest, and the open window sent me
across the room in a hurry. I looked out on
the fire escape to see a man dropped the alley below.
We both fired a split second apart. He staggered as
my slug knocked him against the building, and then before
(09:36):
I could try again, he disappeared around the corner. I turned,
looked down at the Dean and wondered if Gabriel was
getting a lesson in jazz.
Speaker 9 (09:55):
Time.
Speaker 5 (09:55):
And I warn you before you left here.
Speaker 1 (09:57):
Okay, okay, Charlie, a nice guy's been killed. All the
crying in the world isn't gonna help.
Speaker 3 (10:02):
Hey, I got something, diamond, see grief.
Speaker 5 (10:04):
He's got the whole apartment working for him. Coim onos.
What if you got Is it all right? Captain?
Speaker 10 (10:08):
Yeah?
Speaker 1 (10:09):
Yeah, go ahead. I should be in the second hand
business report. I want to Fisher's old mob.
Speaker 3 (10:13):
Lou Baxter, only one of the whole bunch who had
a girl named Mary.
Speaker 5 (10:16):
Mary? Who's Mary? Charlie?
Speaker 1 (10:18):
Look at this picture, Nou Baxter. I've been looking at
it all morning, but take another look. This is the
guy I shot climbing down off the fire escape after
he killed the Dean, cold smoke.
Speaker 5 (10:27):
You know where you can pick him up. Oh, he's
a local boy, all right. Didn't go back to the
twenty with Fisher.
Speaker 1 (10:31):
I've had a call out him since ten twenty this morning, Hey,
what about that girl Otis?
Speaker 5 (10:36):
Name's Mary Sinclaire.
Speaker 3 (10:37):
I used to go with Lou Baxter. Captain, no address
on it.
Speaker 1 (10:40):
Mary's in clearing Luke Baster. Well, it's the first lead
we've had. I'll get the boys on it. Charlie had
his methods and I had mine. Otis got in touch
with the musician's local. In half an hour, I had
a list of all the places the dean that worked,
since the Union had a record on him. I started
checking dive bronze jam joints, questioning owners, bartenders, waiters. No
(11:04):
one knew a girl named Mary Sinclaire. Around three o'clock,
I wandered into a place on fifty second Street known
as a Red Parrot. Hi, I'm looking for information, your
cap private cop. You remember a guy who played here
last year, trumpet man, the Dean.
Speaker 5 (11:26):
Sure everybody noticed the Dean something wrong and the Dean
got himself killed. Oh no, see that's too bad. Real
nice guy. You have no girl names and Claire Mary's
and Claire?
Speaker 4 (11:39):
Uh no, no, I don't think so.
Speaker 1 (11:43):
Okay, Yeah, why don't you just get he's the boy
with the fingers playing the piano.
Speaker 5 (11:51):
You know the Deane pretty well? Thanks you ed? Yeah,
what can I.
Speaker 11 (12:02):
Do for your pops?
Speaker 5 (12:03):
I'd stand you're a good friend of the deans.
Speaker 10 (12:05):
Sure we're compatible, but I ain't seen him in a while.
Speaker 5 (12:09):
You're looking for him, No, for a friend of his?
Mary Sinclair, huge chick? Uh Where can I find her?
Speaker 10 (12:19):
Why do you want to find her?
Speaker 11 (12:20):
Pops?
Speaker 5 (12:21):
The Dean was murdered a few hours ago.
Speaker 10 (12:25):
She used to live over on forty seventh Street, sixty
nine West.
Speaker 5 (12:30):
That was a year ago. Sure about the address, and
forget it.
Speaker 10 (12:34):
We had a few balls up there. She was kind
of a flip my little combo in here pretty crazy too.
Speaker 5 (12:42):
She used to come in and listen.
Speaker 10 (12:44):
Real hep on jazz who all the old timers by name,
like the Dean remembered when he was tops before he
got hurt.
Speaker 2 (12:56):
Did you ever hear him in those days?
Speaker 10 (12:58):
Yeah, I played with him a lot.
Speaker 2 (13:02):
I used to watch him real close.
Speaker 10 (13:04):
Sometimes after hours, the boys had just sit around blow.
Speaker 11 (13:09):
Because it felt like it.
Speaker 10 (13:11):
The Dean used to lean back and close his eyes
and blow things like he was getting the word from
the other side. It was great, might have been the greatest. Well,
you all gotta go on ahead sometime. I guess it
(13:31):
ain't so bad though. The harps real wild instrument.
Speaker 1 (13:43):
I left the piano player and headed to the address
he'd given me. That was a good chance. Marus and
Claire wasn't living there anymore. But it was the closest
I'd come to any kind of lead. When I got there,
I held my breath and looked at the mailbox score
for Diamond mis Marys and still lived in the building.
Speaker 5 (14:15):
Ladies.
Speaker 1 (14:15):
Famous beauty expert and Delafield says that women don't really
need most of the cosmetics they.
Speaker 10 (14:20):
Own, you mean I could actually do without all the
lotions and creams I.
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Buy exactly and Delafield says, it's nonsense to think a
woman needs more than one cream. She has originated a
single cream, the and Delafield All Purpose deep cream that
does everything for you.
Speaker 2 (14:35):
It's a face.
Speaker 1 (14:35):
Cream, a cremsing cream, neck eye and throat cream, all
creams in one, so good for your skin and so
economical too.
Speaker 2 (14:43):
Sounds marvelous.
Speaker 12 (14:44):
Are there other and Delafield cosmetics?
Speaker 5 (14:46):
Yes?
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Indeed there are vitamins for added beauty protection, double duty
powder with built in foundation, and other and Delafield beauty
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Speaker 10 (14:58):
Were you convinced me I'll be looking for them tomorrow.
Speaker 1 (15:01):
Then look no further than your nearest rex All drug store,
the store with the orange and blue side.
Speaker 2 (15:11):
And now back to.
Speaker 1 (15:11):
Tonight's adventure with Richard Diamond Private Detectives, Darrying Dick Powell. Yeah,
oh hello, uh Mary Sinclair.
Speaker 12 (15:31):
Yeah, whatever you're selling, I'll take a dozen.
Speaker 5 (15:35):
I like to talk with you.
Speaker 12 (15:36):
I'd like you too similar time. I'm busy right now.
Speaker 5 (15:39):
I'm afraid this can't wait.
Speaker 12 (15:40):
You'll have to, baby, give me a call. Plast four
or five four six six, mister a diamond. Okay, doll,
call me tomorrow. You got your foot in the door.
Speaker 5 (15:52):
Honey, old habit can't seem to break it.
Speaker 12 (15:55):
Well, I'll break it for you, honey, your whole leg.
Speaker 5 (15:58):
You'll be sorry, doll.
Speaker 12 (16:00):
Mm alright, baby, make it quick. Huh what do you want?
Speaker 5 (16:04):
Let's talk inside it? I told yeah. I know.
Speaker 12 (16:06):
It's cooler in here, the coolest, but it won't be
for long.
Speaker 5 (16:11):
Where's Lou Baxter?
Speaker 11 (16:13):
Oh?
Speaker 5 (16:13):
You know the boy you used to run around with.
Speaker 12 (16:16):
I run around with a lot of boys. Ever since
I was in grammar school. I ran around with boys.
It's a hobby.
Speaker 5 (16:21):
Where's Lou Baxter?
Speaker 12 (16:23):
Baby?
Speaker 3 (16:23):
I don't know.
Speaker 12 (16:25):
You wanna twist my arm?
Speaker 6 (16:28):
Go ahead, it might be fun.
Speaker 5 (16:29):
He just killed a dean he did. Shame on him,
forget it right, Hell, Lou, get out of the way.
That's the guy who put a slug in me. Looked
like in pretty bad shape. Baxter. The actor's coming, but
he ain't gonna be able to help you. Honey.
Speaker 12 (16:46):
You shoulda come back to my sht. I well wouldn't
have been half the painful.
Speaker 5 (16:51):
I want Bert Fisher, eyah, good for you. Get away
from that door, now.
Speaker 3 (17:01):
Walk into that out of the room.
Speaker 1 (17:07):
I didn't wanna play, or you shouldn't have done that, Charlie.
I needed him alive. That's gratitude for you. I knew
you'd get into trouble, Diamond, so I telled you from
that last bar and fifty second.
Speaker 5 (17:17):
Just uh Mary, Saint Clair, charm damn sure, I just
stay here, call the.
Speaker 1 (17:20):
Wagon right, there's the doctor coming up. I doubt if
he's a legit. Wait for him and then bring him
down to the station. Notice, right, come on, Miss Sinclaire.
Speaker 12 (17:26):
Sure, honey, you know, mister Diamond. I think I'll have
to break that date for tomorrow.
Speaker 3 (17:40):
Here are Baxter's things, captain watch, wallet, nothing much, Yeah,
let's check the wallet.
Speaker 1 (17:45):
Hmm, book A matches Danny's diner Route fifty one, checking
the dotars fry. I think much in the wallet, social security,
driver's license, some money. I ain't quite a lot of money.
I wanna take a look. Yeah, no addresses. Here's a
ticket to a shoe repasha.
Speaker 5 (18:03):
Nothing much here that would give us a lead. Yeah,
Danny's diner.
Speaker 3 (18:08):
Is about one hundred and sixty miles out of rob
fifty one and.
Speaker 8 (18:11):
Guess who runs it?
Speaker 1 (18:12):
Oh, gino Amalo, that does it? Carley Authority is in
that area, right gino Amalo eight years for arm robber,
used to work for Bert Fisher. Yeah, maybe this is it?
What time is it? Going on seven? This's better be it.
We only have four hours. We've got to drive one
hundred and sixty miles. Captain Collins talked at the Sheriff's
(18:37):
office and set up a rendezvous with him near Danny's Diner.
Then we piled into a squad car and roared across
the fifty ninth Street bridge for Route fifty one.
Speaker 5 (18:46):
Staffinal otis what doing?
Speaker 1 (18:47):
Eighty?
Speaker 5 (18:47):
Now? Ninety?
Speaker 11 (18:48):
Is?
Speaker 5 (18:48):
Getting late? Eric?
Speaker 1 (18:50):
You think we should bust right in the diner and
take a malo. No, Amalo doesn't know me, never seen me.
You stay out your men around the place and I'll
go in me a couple of minutes. Then you come in,
work on a mallow a little and then leave. If
he knows where a Fisher is, you'll probably get in
touch and I'll tag him love me for you.
Speaker 5 (19:24):
Uh yeah, uh uh. Couple of coffee and a piece.
Speaker 12 (19:27):
Of pie, got raspberry chocolate lemon peach crushes.
Speaker 5 (19:29):
Uh raspberry?
Speaker 1 (19:31):
Yeah, h mm, Hey, y'all, I can Uh. Where's the
closest gas station bout a mile down the road, but
I think it's closed.
Speaker 4 (19:42):
It's after ten, close as a ten.
Speaker 5 (19:43):
Uh? Thanks nice a bit.
Speaker 4 (19:46):
Yeah, where's do you know Amallow in the back?
Speaker 5 (19:49):
You want him? Call him?
Speaker 10 (19:50):
Sure?
Speaker 12 (19:51):
Aim it tomorrow. Someone wants to see you.
Speaker 5 (19:53):
Okay, be right there. Yeah, it's something I can do.
Oh what are you doing way out here?
Speaker 8 (20:01):
Captain?
Speaker 1 (20:02):
It's your book of matches. Yeah, that's the name of
my face one of these matches. And Lou Baxton Bax
is deadn't.
Speaker 5 (20:08):
Oh that's too bad.
Speaker 1 (20:10):
Uh? Y, you're not gonna tie backs up with me,
are you? Lots of people come in here and take
my matches.
Speaker 5 (20:15):
If Baxter came in here, you swing you're an old friend. Sure,
I I know Lou, but I ain't seen him in years.
You got word your own bosses in time? Bert Fisher?
Oh is that right now where we might find him?
Speaker 1 (20:26):
No, I haven't seen Burt in years either, little captain.
Speaker 5 (20:30):
I've been going straight.
Speaker 1 (20:31):
Sure, you're uh a little lout of your territory interest.
Speaker 5 (20:36):
This is unofficial you're in my jurisdiction. I hold you in.
Speaker 1 (20:38):
Look, I tell you I'm going straight. I don't know
nothing about little Baxter Burt fishing. Oh okay, man, huh
you may hear from me again and I see you again, Captain. No,
uh miss r coffee? Uh yeah, where's the form?
Speaker 5 (20:54):
Not over there on the wall. Is there another one
in the kitchen? But you can't use that.
Speaker 4 (21:00):
Hey, you can't go back there.
Speaker 5 (21:01):
Honey, it's the police. You stay where you are.
Speaker 1 (21:03):
Oh okay, yeah, yeah, this is Tina.
Speaker 11 (21:08):
Let me talk to Fish.
Speaker 5 (21:09):
I p Hey, what are you doing? Don't move 'em? Aloft?
What is the cover up? That mouthpiece? Cover it up? Okay, okay,
Now when.
Speaker 1 (21:17):
You get Fisher on the line, say what I tell you.
Hold that receiver so I canna listen little crand look,
say one thing wrong and I'll use this gun.
Speaker 5 (21:25):
Your car, none of your business.
Speaker 11 (21:27):
Well look like that.
Speaker 3 (21:30):
He is.
Speaker 5 (21:30):
Tell him you just turned Baxter was killed? Ah, tell him?
Tell him?
Speaker 1 (21:34):
Uh h hello, Look, I I just think ghost got
news that the Baxter was killed.
Speaker 5 (21:39):
Yeah, okay, anything else? Say no, that's all? Uh no, no,
that's all? How nothing? Nothing?
Speaker 6 (21:48):
Okay, got to hang up.
Speaker 5 (21:53):
Now, where's fisher hiding out? Get up? Where's fisher hiding out?
Speaker 4 (22:02):
Your dirty flat? Put your near it?
Speaker 5 (22:04):
Puss my jaw on the nearly Where is he? Amlo?
Speaker 11 (22:09):
You kill me if I tell you.
Speaker 5 (22:11):
That's getting the lad? Are you gonna tell me?
Speaker 11 (22:12):
Okay?
Speaker 1 (22:13):
Okay, she's said, patman about a mile up the roads.
Come on, you got a shorts. It's just around that bend.
Speaker 5 (22:31):
We better get out here and walk how many menuts
he got in there with him? Chi him? Oh? Pool?
Whose cabin is he?
Speaker 1 (22:37):
Mine?
Speaker 5 (22:38):
Otis? Get out and tell the rest of the men
to dance the knights and come over here, right captain. Uh,
here's a piece of.
Speaker 1 (22:43):
Paper drawings the floor plan of that cabin, and give
you some line. Okay, go ahead, and mam, I'm new
rooms a.
Speaker 5 (22:52):
Tree h Okay, We're all set, captain, okay. One big
room with a door here, a kitchen here in the
bedroom here?
Speaker 1 (23:05):
Uh, where's Lieutenant Elevenson. I've only been up there once
since they got in. He was in the bedroom.
Speaker 5 (23:10):
Now about closets backed on?
Speaker 10 (23:12):
Uh?
Speaker 1 (23:12):
One closet in the main room here, one in the
bedroom here, let's see a broom, closet in the kitchen
and the back door here?
Speaker 5 (23:20):
Has it got an addict?
Speaker 10 (23:21):
No?
Speaker 5 (23:22):
No, where's Fisher's car.
Speaker 1 (23:24):
Parked around the back in the shed? Okay, I have
the men stake out the place. You're gonna take me
up there, a mama me, he's gonna take us up there.
You're a civilian wreck there's any shooting to be done.
Speaker 5 (23:34):
If there's gonna be any shooting, I'm gonna be in
on it.
Speaker 1 (23:36):
Wait.
Speaker 11 (23:36):
Wait a minute, Wait a minute. Who said I was
gonna take your guys up there? Anyway? I told you
everything I know. I ain't gonna get my head shot off.
Speaker 5 (23:43):
You're gonna walk us up there, Mala, and you're gonna
knock on the door, and.
Speaker 1 (23:46):
You're gonna get them to open a loaded with artillery
shot guns when the door opens your dark okay, suicide.
Speaker 5 (23:52):
You heard what the captain said, Amado. I'm a civilian
without a badge. I'm allowed to get pretty nasty with you, but.
Speaker 11 (23:57):
You can't make me do something I don't want. I
know my right, captain.
Speaker 5 (24:00):
You know something, Rick, I think I'm catching a cold.
I can't hear a thing all right now, Wait a minute.
Speaker 1 (24:05):
I'll go check them in. I uh trust you'll not
take advantage of the prisoner.
Speaker 5 (24:10):
Rick. I couldn't hear her he yelled or something.
Speaker 11 (24:12):
Wait wait, wait, okay, okay, fine corp.
Speaker 5 (24:15):
Alright, let's go.
Speaker 1 (24:19):
Alright, men, listen, now I'm going up with diamond for
hear you take that side of the house, so you
take the other you and you go on in the
back of the shed where the car is.
Speaker 5 (24:29):
H Oh, it's yeah. You and this man cover the front,
but stay out of sight. It comes.
Speaker 1 (24:33):
It'll come in a hurry, so close in past. And look, boys,
a little tullnis in the back room. So try and
be as careful as you can. And oh set yep,
let's go a marble.
Speaker 5 (24:57):
There. It is light in the front window, and it's
ten minutes of eleven, and I hope.
Speaker 1 (25:02):
That once is hunt fast keep going a ollow with
the orders, you too, drop here and like captain, good luck.
Speaker 5 (25:10):
We are you stopping for a mallow?
Speaker 11 (25:11):
I I judge for ann They told me too.
Speaker 5 (25:13):
Yell if I came up, if you try to pull anything, no, no,
I understand it.
Speaker 11 (25:18):
If they told me to yell.
Speaker 1 (25:19):
Okay, you stay here. We're going up on that porch.
Count twenty, then yell and blame it smut and I
won't pull with you, malone.
Speaker 11 (25:28):
Okay, okay, captain, but I'm scarched there.
Speaker 7 (25:31):
Ye're not a long Come on, chelly, I say this
sw this skates right up there on the legs.
Speaker 5 (25:37):
He is a lad to work.
Speaker 11 (25:39):
See card. Get on out side of the door.
Speaker 9 (25:46):
H r h Bert, Bert, it's me Gino. You know,
hey Bert, I gotta see you.
Speaker 5 (25:59):
Yeah, yeah, yeah. Can I come up to light on
a matte?
Speaker 4 (26:04):
Okay, come on up?
Speaker 2 (26:06):
Getting don't should anyone?
Speaker 3 (26:19):
What?
Speaker 5 (26:20):
Well about time? Get these ropes off? Okay?
Speaker 11 (26:23):
Water?
Speaker 2 (26:24):
Yeah?
Speaker 5 (26:26):
Thanks Charley? What time is it? Eleven o'clock? Happy birthday.
Speaker 1 (26:45):
If your vacation plans include some outdoor living, there are
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Good health to all from rex All.
Speaker 1 (28:05):
Richard Diamond Private Detective stars Dick Powell in the title
role and was written by Blake Edwards, with music composed
and conducted by Frank Wirt. Dick Powell directed the RKO
production Split Second, which is now in release, and his
latest film appearance was in the Metro Golden Mayor Award
winning The Bad and the Beautiful. Featured in tonight's cast
(28:26):
were Wilms, Herbert, Bill, Johnstone, Sidney Miller, John Stephenson, Arthur Q. Bryant,
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(28:46):
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Speaker 5 (29:39):
This is the CBS Radio Network.
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