August 1, 2025 • 30 mins
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Speaker 1 (00:10):
Around godd City and in the territory on West. There's
just one way to handle the killers and the spoilers.
And that's where the US Marshall and The Smell of
Guns Smoke, Gun Smoke, starring William Conrad.
Speaker 2 (00:41):
The story of the violence.
Speaker 1 (00:42):
That moved West with young Americans, the story of a
man who moved with it. Matt Dylon, United States Marshalls.
(01:14):
He sure made himself scarce in a hurry, mister Dylan.
Speaker 2 (01:17):
Yeah, it looks that way.
Speaker 3 (01:19):
The plaza seems pretty quiet.
Speaker 4 (01:22):
Maybe he got to wind up the road right.
Speaker 5 (01:24):
On out of town.
Speaker 2 (01:24):
You're giving him credit for too much sense, Chester.
Speaker 6 (01:27):
Yes, the only time that mout a bunch stops is
when somebody stops him.
Speaker 2 (01:32):
Hey, come on, let's take a look in the Texas trees.
Speaker 7 (01:35):
All right, coming wrong, kitty, I'm looking for Billy Maller.
Speaker 2 (01:50):
He been around.
Speaker 8 (01:52):
Take a look at the mirror back of the bar.
He's shot up half.
Speaker 9 (01:56):
The town already and passed the word out that he's
gonna shoot up the rest of it before midnight.
Speaker 2 (02:00):
When was he here half an hour ago?
Speaker 3 (02:03):
Matt drunk?
Speaker 8 (02:05):
Mean, I can't stand here, Morris father. Maybe they do
own half of Texas, but I hate him.
Speaker 4 (02:11):
Well, they're Texans, Miss Kitty, and that means they've always
got to be Chester.
Speaker 2 (02:18):
I told them Mallers, when I brought the cattle up
here last.
Speaker 6 (02:20):
Year, that they'd have to act civilized.
Speaker 2 (02:23):
Come on Chester.
Speaker 6 (02:25):
So I'd like it up at.
Speaker 4 (02:26):
The west end of the plaid.
Speaker 6 (02:28):
Yeah, it's probably the occidental old Just a second, marsh over, huh,
how what is that mister Kobe bought those pistol shots? Marshall,
I recommence young Billy Miller kicking up his heel. Well,
in about five minutes, he's going to be kicking him
up in jail. No, no, no, no, let's not be hasty,
Marshall Dillon.
Speaker 2 (02:48):
We had to think of the best interests of.
Speaker 6 (02:49):
Dodge City in the situation like this. Why those Mallards
are mighty important people, you know. Oh, one of the
biggest ranches in Texas always throw a lot of money.
Speaker 2 (03:00):
I will lick him up here with a herd.
Speaker 6 (03:01):
Well, as far as I'm concerned, he gets the same
treatment as any other drunken cowboy.
Speaker 2 (03:05):
I'm sorry, mister Toby. Now wait a minute. All you're
going to do is antagonizing.
Speaker 6 (03:11):
They'll turn their drives east from now, and they'll ship
their stock out of Haze City, abbelievers.
Speaker 2 (03:16):
And you can't arrest Billy anyways.
Speaker 6 (03:18):
But he's got that gunman Tom Wayne and thirty forty
mal arranch riders back in them.
Speaker 2 (03:24):
Look I like it with you later. I got a
job to do, Dylan. You can't do that, Jester. Let's
go pick him up.
Speaker 4 (03:43):
That's him, all right, Mister Dimm's standing there, and they're like, yeah,
I see it, mister ha does me more of his
ridings with.
Speaker 2 (03:57):
Justice?
Speaker 6 (03:58):
You keep Tom Wayne coming, but the rest of I'm
gonna wait for him to make the first move.
Speaker 2 (04:04):
I'll take Kelly.
Speaker 6 (04:11):
Mallard.
Speaker 10 (04:17):
Well, now, what do we got there, Local Marshal.
Speaker 11 (04:23):
Huh?
Speaker 2 (04:25):
Put the gun away, Mallard.
Speaker 3 (04:28):
Why don't you try to put it away for me? Marshall?
Speaker 5 (04:34):
All right, mister Wayne, will keep your hands still and
in plain sight, I said, put the.
Speaker 2 (04:45):
Gun away, belly.
Speaker 10 (04:49):
You're talking mighty big Marshall. A man with empty hands
at ten star yours makes a good target.
Speaker 3 (05:01):
I got me a whole collection stars like that. That's
far enough. You better hold it right where you are.
Speaker 6 (05:18):
I give you two warnings. Believe that's one morning I
usually give a man. Now, you hand over that gun.
Speaker 3 (05:26):
I told you to take it. If you think.
Speaker 12 (05:28):
You you've been that gun battle someday, Marshall, hang it
over man's head that way, don't.
Speaker 6 (05:41):
Worry about it winning, as long as it's not your head.
Speaker 13 (05:44):
I'm not worried. I would be, though, if I was
wearing that star yours.
Speaker 2 (05:51):
Why?
Speaker 13 (05:53):
Oh, King Mally he don't like badge, told as much,
especially when they buffalo the boy.
Speaker 6 (06:00):
Yeah, and he better leave the boy at home when
he brings a hurt north. Does he get away with
this kind of behavior down there?
Speaker 2 (06:08):
He does?
Speaker 3 (06:08):
Well?
Speaker 2 (06:08):
Here, it's different. You can see for yourself. Maybe it
ain't over yet either. You weren't figuring on drawing a
hand where you win.
Speaker 13 (06:21):
It's nothing to me, Marshall, not unless I get orders
from King and he knows where.
Speaker 2 (06:27):
You can find me. Yeah, I reckon all right.
Speaker 6 (06:34):
The rest of you, man, you can stay up all night,
spend your money, do as you please, with one exception.
If any one of your pulls a gun inside the
city limits of Dodge, you'll get the same treatment.
Speaker 2 (06:47):
Of young Maller here. Is that clear? That's good? All right? Trust,
Let's drag him over to the jail.
Speaker 3 (07:15):
There you are, mister, al.
Speaker 2 (07:17):
Right, then you go, Billy.
Speaker 3 (07:22):
I'm sure he is out cold.
Speaker 6 (07:24):
It's better than having a bullets in the stomach. That's
what he was asking for, he certainly was.
Speaker 4 (07:31):
I declare, mister Gillan, if you don't stop taking chances
and a man has already got a gun in his.
Speaker 6 (07:36):
Hand, that's for you can't shoot every cowboy who has
a snort or two and starts to take it out
on the tongue.
Speaker 2 (07:41):
I know her, but I.
Speaker 6 (07:42):
Made a bucket of water there in the corridor. All right, Billy,
that ought to brain around?
Speaker 2 (07:57):
All right?
Speaker 6 (07:58):
Chester, lock up his son there, my show, don't lock
that cell. Lock it up, Chester.
Speaker 2 (08:06):
I just told you.
Speaker 6 (08:06):
To stop matter.
Speaker 2 (08:08):
Don't you hear me?
Speaker 6 (08:09):
I can probably hear you clear back in Texas.
Speaker 2 (08:13):
Now, what's on your mind? I'll tell you what's on
my mind.
Speaker 14 (08:16):
I want my boy out of that cell, and I
want him out in a hurry.
Speaker 6 (08:20):
Come around the morning when the court opens.
Speaker 2 (08:22):
He's under arrest. Rest you.
Speaker 3 (08:27):
I can buy you in this thirty cent town of yours.
Speaker 11 (08:31):
Never know the.
Speaker 2 (08:31):
Difference, maybe, but we'd know it. Now. You shut up
and get out of here.
Speaker 11 (08:38):
Why you'd about this long enough.
Speaker 3 (08:39):
Either you'll open that cell or hand over the keys.
Speaker 2 (08:42):
I'm sorry, are you there?
Speaker 3 (08:44):
Come on hand the mover here now, mister Malladway.
Speaker 14 (08:46):
And if you think some king horns going in, I said,
leave him alone.
Speaker 2 (08:55):
Chester unlocked herself.
Speaker 3 (08:56):
Can't you warning your marshals for the last time.
Speaker 2 (09:01):
If you don't get your hands off your king, I'll
lock it up Chester.
Speaker 11 (09:09):
Sure, I'll break you.
Speaker 6 (09:14):
Dylan, I'll break you, run you out of the cook.
Speaker 2 (09:18):
Sure, sure, I know you'll have to wait till tomorrow morning.
(09:39):
Quiet around town, mister Dillon.
Speaker 3 (09:40):
With them Mallard's locked up, you won't have to look thirsty.
Speaker 9 (09:44):
Man, I got your picture of beer on the house.
Speaker 2 (09:48):
That's not a bad idea.
Speaker 3 (09:50):
Well, thank you.
Speaker 9 (09:55):
I have heard about the Mallards. They ought to be
locked up in this sella two of her kind.
Speaker 2 (10:02):
Twelve kittious. I don't know kid always has had his
way paid for him by the old man's money. I
don't know who's more.
Speaker 8 (10:12):
To blame, uh huh, But I don't know exactly what
I'm supposed to do here. Whether you'll learn honey, oh man,
I don't think you've met Norah Bill mad dealing Norah
and just a crowd. Well, no, honey, all you got
to do right now is just stand around and look beautiful.
Speaker 9 (10:32):
I'll be along in the second show you the rope. Oh,
thank you, kitty.
Speaker 3 (10:36):
I'm very pleased.
Speaker 9 (10:38):
Who've met both of you?
Speaker 2 (10:39):
Likewise? Math Oh where'd she come from? She's new and dodge,
isn't she?
Speaker 9 (10:47):
Oh? Yeah, she's real, sweet man.
Speaker 8 (10:49):
She's a singer from Chicago or somewhere.
Speaker 9 (10:52):
She got stranded here a couple of days ago. She
only plans to work a week.
Speaker 4 (10:57):
And then he met miss Dylan. Look, there's King Malick
moved to buy there. Mister Kelby.
Speaker 9 (11:02):
What's he doing out of jail?
Speaker 4 (11:03):
Matthew, My gracious, you arrest the man and throw him
in jail on the our and a half lady is
out loose against it's aggravating Steed.
Speaker 6 (11:14):
But I'm sure he don't mean any hard by, mister Weller,
it's just sometimes he's got tail. Now, now, Marshall, let's
keep our tempt up.
Speaker 2 (11:26):
King, How did you get out of jail?
Speaker 6 (11:29):
When I've got anything to say to you?
Speaker 11 (11:31):
Dylan, I'll look.
Speaker 6 (11:33):
You up now now, Marshall, it's all perfectly legal. Mayor
came down to his office he fixed bail and he
released mister Maller and his son.
Speaker 2 (11:42):
They're both out.
Speaker 3 (11:43):
Huh.
Speaker 6 (11:44):
Who won't bail for this coming now? It's all in
the best interests of the town, Marshal. It's like I've
been telling mister Mallory here, it was just a misunderstanding.
Speaker 2 (11:53):
And all of us hope he won't hold.
Speaker 6 (11:55):
It against it to run you in for obstructing justice.
Speaker 3 (12:01):
What's somebody fired from the street, mister Dillon.
Speaker 8 (12:04):
I'll go out there.
Speaker 2 (12:09):
What is it kidding?
Speaker 15 (12:10):
No, we will return for the second act of gun
(12:32):
smoke in just a moment.
Speaker 1 (12:33):
But first, giving medical and welfare assistance to our armed
forces and veterans, collecting much needed blood, training our citizens
for service in case of a national emergency, and always
on the spot first with disaster relief. These are some
of the many services of the American Red Cross. But
this all costs money, eighty five million dollars this year,
(12:53):
So please answer the call give generously to the Red Cross.
Now for the second back dumb gun smoke.
Speaker 16 (13:24):
I'll be here, Matt, all right, Kitty, it's all right, sorry, boys,
all right, but let me put this.
Speaker 9 (13:47):
Coat under her hand.
Speaker 2 (13:52):
How does somebody sent for doc.
Speaker 9 (13:54):
Yeah, when the dealers going after them. Look on, don't try.
Speaker 12 (14:00):
To move now.
Speaker 3 (14:01):
Looks like she was hit twice.
Speaker 9 (14:04):
Nancy, do you think does you have a chance at all?
Speaker 2 (14:09):
I don't know, kidding who?
Speaker 9 (14:15):
It's all right, honey, Doc would be here soon. But
why did they shoot me?
Speaker 3 (14:26):
Right?
Speaker 6 (14:27):
I think they were trying to get me Laura, not you?
Why did they do it?
Speaker 9 (14:35):
Why?
Speaker 2 (14:36):
Oh?
Speaker 6 (14:37):
Where's Doc? Why doesn't he get here?
Speaker 3 (14:39):
You don't need to go after mister don Oh? I
feel so so.
Speaker 16 (14:47):
What?
Speaker 2 (14:55):
No, it is no need for doctor hurry now.
Speaker 9 (14:59):
Mhm Matt so so.
Speaker 6 (15:06):
Yeah, well Doc can take care of her when he
gets here.
Speaker 4 (15:18):
Looks like Billy Malor really pulls something this time is
to Billy?
Speaker 2 (15:23):
How you know it was Billy Chester?
Speaker 4 (15:26):
Yeh see half a dozen people sign fire through the
window and then ride off down the street.
Speaker 17 (15:31):
Yeah.
Speaker 6 (15:32):
I got to feel that those shots weren't wild. They
were aimed only they were aimed at me.
Speaker 3 (15:38):
You were just Lucky's been?
Speaker 2 (15:41):
Where's Billy?
Speaker 3 (15:42):
Not Schester?
Speaker 2 (15:42):
I don't know.
Speaker 4 (15:44):
I heard the Mallard bunch is getting ready to pull out.
They're milling around the street out in front of their hotel.
King Mallard and Tom Wayne are there.
Speaker 6 (15:53):
Yeah, I allowed cover Billy. Of course, it's gonna be
a lot tougher this time.
Speaker 11 (15:59):
Yes, a hold lot Yeah, Well, you.
Speaker 6 (16:04):
Sort of take charge of things here until Duc shows up.
Speaker 9 (16:08):
You go on, get your pussy.
Speaker 6 (16:11):
Pussy, you'll need one when you move in with the
puss you asked for. A gunfight works on a man
like an out and out challenge.
Speaker 2 (16:20):
I'm gonna handle it alone.
Speaker 6 (16:22):
They must be sisters, only three to count. As long
as we can control the Millars and palm Way and
the others don't matter.
Speaker 2 (16:29):
Marshall. Huh oh, Kelvy, you.
Speaker 6 (16:33):
Got another suggestion for the best interests of the town.
Now listen here. You can't go up there, Marshall. That'll
just lead to more killing. Won't do anybody any good.
This wouldn't have happened, you know, if you're taking my
advice not throwing that boy in Jane. It wouldn't have
happened if you'd have stayed out of it and left
him in jail Covey tomorrow morning. He'd just soab it
up and cooled off. Well, what's done's done. But they're
(16:57):
getting ready to leave now. You can pass the word
for King not to bring the boy along when it
comes up next year, and let it go with that.
Don't make it any worse now, marsh.
Speaker 2 (17:06):
Now, let it go with that. Don't antagonize hihim. Look
the other way.
Speaker 6 (17:12):
It's just Billy Miller kicking up his heels. So let's
stay real quiet. Maybe he won't commit another murder. Murder,
it wasn't murdered. That was an accident.
Speaker 11 (17:21):
It was murder.
Speaker 6 (17:23):
He meant to kill somebody and he did. The only
accident about it was the fact that he didn't kill me.
Just a common Dancehold girl, nobody's gonna pay any mind.
I mind Kelby, no low minds, and you stay out
of this from now. And you understand me.
Speaker 2 (17:44):
Now, Dylan, You're not talking to some saddle bum eh Chester.
Yes now, yeah, Kate, I'm.
Speaker 9 (17:57):
Not gonna help to go get a self killed.
Speaker 6 (18:00):
It seems to me I'm being sold off all shorter
on here.
Speaker 9 (18:03):
Stay out number you twenty to one, Kitty.
Speaker 6 (18:06):
If I let Maller get away with this, I'd be
through in Dodge City, and.
Speaker 2 (18:08):
So would the law.
Speaker 6 (18:10):
It was hard work bringing the law in here, and
it's been hard work keeping it here, and it'd be
ten times harder trying to bring it back if it
ever got shoved up.
Speaker 9 (18:20):
Yeah, all right, Mat, but do one thing, will you?
Speaker 12 (18:25):
What?
Speaker 9 (18:25):
Wait here, I'll be right there.
Speaker 2 (18:30):
Right here.
Speaker 9 (18:36):
Take the shotgun with you, read keep it back at
the bottle. You take it, Matt, it'll help you out
a little at least.
Speaker 2 (18:44):
It's a good idea, mister Gill.
Speaker 4 (18:46):
I'd sure feel a lot easier in my mind if
you took it.
Speaker 6 (18:49):
Wow, all right, thanks, Kitty, I'll see you.
Speaker 3 (19:14):
She was a pretty little thing. Yeah, seems a shame. Yeah,
they are in, mister John out down the street and
from the hotel.
Speaker 6 (19:32):
Yeah, I see him.
Speaker 4 (19:35):
Looks like the whole Mallard mob. This is ain't gonna
be very easy.
Speaker 2 (19:42):
King and Wayne are.
Speaker 6 (19:43):
There, but I don't see Billy.
Speaker 3 (19:46):
I don't need it.
Speaker 2 (19:49):
Those two are the ones.
Speaker 6 (19:50):
That watch Sester. Don't let them start at play.
Speaker 3 (19:54):
There's mister Joan, I understand. Here comes to marshall.
Speaker 18 (19:59):
Mister Mallard, Okay, I want that boy of yours.
Speaker 11 (20:12):
Let's the charge this time, Dylan murder.
Speaker 2 (20:17):
That girl died and she died. Now where's Billy? Where
did you get the idea he had anything to do with?
Speaker 6 (20:28):
Half a dozen people saw him fire the shots from
the street.
Speaker 2 (20:31):
Well, I see he was near.
Speaker 6 (20:34):
That's well, don't say it to me, say it in court.
Now where is he, King Marshal.
Speaker 14 (20:42):
There's forty of my riders standing here in the street,
every one of them packing the gun.
Speaker 6 (20:48):
I suppose you just turn around, start walking.
Speaker 2 (20:53):
I said, where's Billy? All I got to do is
give the word dying. These boys you.
Speaker 11 (21:00):
Right in your track.
Speaker 2 (21:01):
You're not giving anybody the word King, uh buck.
Speaker 6 (21:04):
Shots have got a pretty fair spread. Not the first
sign of any move by this bunch, and I'll get you.
Speaker 2 (21:10):
And Wane with one blast. You better warn him, King.
Speaker 14 (21:16):
Dylan, you're barking up the wrong tree here. Billy rode
out of town headed sound.
Speaker 6 (21:24):
That's his horse tied after rail, Isn't it.
Speaker 2 (21:28):
All right? Where is he?
Speaker 11 (21:29):
King?
Speaker 6 (21:29):
Inside the hotel?
Speaker 2 (21:30):
Now, look, Marshall, there's no call roll this.
Speaker 14 (21:34):
Maybe Billy did get a little bit out of line.
There's always been a high spirited younging, but there's no
reason for us to use our heads. You know you
got no case against me. Every one of my men
here will swear you weren't anywhere near that you.
Speaker 2 (21:50):
They'll get that chance at the trial.
Speaker 14 (21:53):
Well, now that's just the trouble. We can't hang around
here waiting for a trial. It's cost me money, but
I am willing to spend quite.
Speaker 6 (22:02):
A bit martial to avoid being condused. Never mind, King,
don't be a fool, Wayne, move over a little closer
to him him. All right, that's it right there, all right,
(22:23):
arrest of you ment Fisher guns out and drop him
on the ground. How slow and easy, No sudden moves
watch him.
Speaker 3 (22:32):
Yes, I am all right.
Speaker 6 (22:44):
Back up now, odd into the street, away from those guns.
A whole bunch of you move here, chest to take
the shotgun, keeping covered. Yes, hold it now, that's like yard.
Nobody will get hurt.
Speaker 11 (23:05):
Dylan, what you're gonna do?
Speaker 6 (23:09):
I'm going in the hotel and bring out that kid
watching Chester, Yes, mister Dylan, Yah, h awesome, Yeah, upstairs somewhere.
Speaker 2 (23:44):
Alone.
Speaker 17 (23:46):
Yes, everybody else could not.
Speaker 2 (23:50):
Well, how's your time? Go ahead if you want. I'm
always won't bother you.
Speaker 3 (23:55):
Thank you, Marshall, the best of luck to use it.
Speaker 17 (23:59):
H the way.
Speaker 2 (24:36):
The way. You'd better give up m Billy.
Speaker 6 (25:10):
Yeah, I haven't got a chance. If you know what's gone,
I hold it, Billy, throw your gun out into the hole.
Speaker 3 (25:23):
I'm gonna tell you, Dylan.
Speaker 2 (25:30):
It's your last chance.
Speaker 11 (25:31):
Billy.
Speaker 6 (25:34):
Now come out into the hall and give yourself up.
Speaker 2 (25:37):
I'll tell you it's gonna help me. Who should.
Speaker 3 (26:20):
Mh Dylan?
Speaker 11 (26:36):
Dylan?
Speaker 2 (26:36):
Was that? Is he dead? Yeah?
Speaker 6 (26:47):
I gave him two chances. He wouldn't take him? Yeah, headstrong.
Speaker 2 (26:54):
Or was worse?
Speaker 11 (26:56):
Guess some maybe maybe I didn't bring him up right.
Speaker 2 (27:04):
To like to worry about that now that I'm sorry
King for Billy and.
Speaker 11 (27:16):
For a girl. Both he had it coming. I know
that one. I tried to stop it too late. The
only way a new but you wouldn't. Both Tom both
(27:36):
at him. We'll I have to bury.
Speaker 6 (27:40):
Him in Kansas, all right, can't.
Speaker 2 (27:50):
We'll be leaving Dodge right after.
Speaker 1 (27:53):
Mm hmm. Gun Smoke, under the direction of Norman McDonnell,
stars William Conrad as Matt dllon Us Marshall. Tonight's story
(28:15):
was specially written for Gun Smoke by Less Crutchfield, with
music composed and conducted by Rex Cory. Featured in the
cast were Sam Edwards, John Dayner, Lawrence Dobkin, Harry Bartel,
Charlotte Lawrence and Barney Phillips, Barley Bears Chester and Georgia
Ellis Is Kiddy. Gun Smoke is heard by our troops
overseas to the facilities of the Armed Forces Radio Service.
Join us again next week as Matt Dylon Us Marshall
(28:37):
fightes to bring lawn order out of the wild violence
of the West in gun Smoke. Every Sunday evening, CBS
Radio presents My Little Margie, a hilarious comedy show starring
Charles Ferrell and Gale Storm.
Speaker 11 (28:52):
It's a worthy.
Speaker 1 (28:53):
Addition to the Sunday Fun Day line up, a program
that's packed with lapse from start to finish.
Speaker 11 (28:58):
Listen for My Little Margie.
Speaker 1 (29:00):
Most of these same sake tomorrow and I Freeze Invice
CBS Radio. Yes, it's the CBS Radio Network.
Around godd City and in the territory on West. There's
just one way to handle the killers and the spoilers.
And that's where the US Marshall and The Smell of
Guns Smoke, Gun Smoke, starring William Conrad.
Speaker 2 (00:41):
The story of the violence.
Speaker 1 (00:42):
That moved West with young Americans, the story of a
man who moved with it. Matt Dylon, United States Marshalls.
(01:14):
He sure made himself scarce in a hurry, mister Dylan.
Speaker 2 (01:17):
Yeah, it looks that way.
Speaker 3 (01:19):
The plaza seems pretty quiet.
Speaker 4 (01:22):
Maybe he got to wind up the road right.
Speaker 5 (01:24):
On out of town.
Speaker 2 (01:24):
You're giving him credit for too much sense, Chester.
Speaker 6 (01:27):
Yes, the only time that mout a bunch stops is
when somebody stops him.
Speaker 2 (01:32):
Hey, come on, let's take a look in the Texas trees.
Speaker 7 (01:35):
All right, coming wrong, kitty, I'm looking for Billy Maller.
Speaker 2 (01:50):
He been around.
Speaker 8 (01:52):
Take a look at the mirror back of the bar.
He's shot up half.
Speaker 9 (01:56):
The town already and passed the word out that he's
gonna shoot up the rest of it before midnight.
Speaker 2 (02:00):
When was he here half an hour ago?
Speaker 3 (02:03):
Matt drunk?
Speaker 8 (02:05):
Mean, I can't stand here, Morris father. Maybe they do
own half of Texas, but I hate him.
Speaker 4 (02:11):
Well, they're Texans, Miss Kitty, and that means they've always
got to be Chester.
Speaker 2 (02:18):
I told them Mallers, when I brought the cattle up
here last.
Speaker 6 (02:20):
Year, that they'd have to act civilized.
Speaker 2 (02:23):
Come on Chester.
Speaker 6 (02:25):
So I'd like it up at.
Speaker 4 (02:26):
The west end of the plaid.
Speaker 6 (02:28):
Yeah, it's probably the occidental old Just a second, marsh over, huh,
how what is that mister Kobe bought those pistol shots? Marshall,
I recommence young Billy Miller kicking up his heel. Well,
in about five minutes, he's going to be kicking him
up in jail. No, no, no, no, let's not be hasty,
Marshall Dillon.
Speaker 2 (02:48):
We had to think of the best interests of.
Speaker 6 (02:49):
Dodge City in the situation like this. Why those Mallards
are mighty important people, you know. Oh, one of the
biggest ranches in Texas always throw a lot of money.
Speaker 2 (03:00):
I will lick him up here with a herd.
Speaker 6 (03:01):
Well, as far as I'm concerned, he gets the same
treatment as any other drunken cowboy.
Speaker 2 (03:05):
I'm sorry, mister Toby. Now wait a minute. All you're
going to do is antagonizing.
Speaker 6 (03:11):
They'll turn their drives east from now, and they'll ship
their stock out of Haze City, abbelievers.
Speaker 2 (03:16):
And you can't arrest Billy anyways.
Speaker 6 (03:18):
But he's got that gunman Tom Wayne and thirty forty
mal arranch riders back in them.
Speaker 2 (03:24):
Look I like it with you later. I got a
job to do, Dylan. You can't do that, Jester. Let's
go pick him up.
Speaker 4 (03:43):
That's him, all right, Mister Dimm's standing there, and they're like, yeah,
I see it, mister ha does me more of his
ridings with.
Speaker 2 (03:57):
Justice?
Speaker 6 (03:58):
You keep Tom Wayne coming, but the rest of I'm
gonna wait for him to make the first move.
Speaker 2 (04:04):
I'll take Kelly.
Speaker 6 (04:11):
Mallard.
Speaker 10 (04:17):
Well, now, what do we got there, Local Marshal.
Speaker 11 (04:23):
Huh?
Speaker 2 (04:25):
Put the gun away, Mallard.
Speaker 3 (04:28):
Why don't you try to put it away for me? Marshall?
Speaker 5 (04:34):
All right, mister Wayne, will keep your hands still and
in plain sight, I said, put the.
Speaker 2 (04:45):
Gun away, belly.
Speaker 10 (04:49):
You're talking mighty big Marshall. A man with empty hands
at ten star yours makes a good target.
Speaker 3 (05:01):
I got me a whole collection stars like that. That's
far enough. You better hold it right where you are.
Speaker 6 (05:18):
I give you two warnings. Believe that's one morning I
usually give a man. Now, you hand over that gun.
Speaker 3 (05:26):
I told you to take it. If you think.
Speaker 12 (05:28):
You you've been that gun battle someday, Marshall, hang it
over man's head that way, don't.
Speaker 6 (05:41):
Worry about it winning, as long as it's not your head.
Speaker 13 (05:44):
I'm not worried. I would be, though, if I was
wearing that star yours.
Speaker 2 (05:51):
Why?
Speaker 13 (05:53):
Oh, King Mally he don't like badge, told as much,
especially when they buffalo the boy.
Speaker 6 (06:00):
Yeah, and he better leave the boy at home when
he brings a hurt north. Does he get away with
this kind of behavior down there?
Speaker 2 (06:08):
He does?
Speaker 3 (06:08):
Well?
Speaker 2 (06:08):
Here, it's different. You can see for yourself. Maybe it
ain't over yet either. You weren't figuring on drawing a
hand where you win.
Speaker 13 (06:21):
It's nothing to me, Marshall, not unless I get orders
from King and he knows where.
Speaker 2 (06:27):
You can find me. Yeah, I reckon all right.
Speaker 6 (06:34):
The rest of you, man, you can stay up all night,
spend your money, do as you please, with one exception.
If any one of your pulls a gun inside the
city limits of Dodge, you'll get the same treatment.
Speaker 2 (06:47):
Of young Maller here. Is that clear? That's good? All right? Trust,
Let's drag him over to the jail.
Speaker 3 (07:15):
There you are, mister, al.
Speaker 2 (07:17):
Right, then you go, Billy.
Speaker 3 (07:22):
I'm sure he is out cold.
Speaker 6 (07:24):
It's better than having a bullets in the stomach. That's
what he was asking for, he certainly was.
Speaker 4 (07:31):
I declare, mister Gillan, if you don't stop taking chances
and a man has already got a gun in his.
Speaker 6 (07:36):
Hand, that's for you can't shoot every cowboy who has
a snort or two and starts to take it out
on the tongue.
Speaker 2 (07:41):
I know her, but I.
Speaker 6 (07:42):
Made a bucket of water there in the corridor. All right, Billy,
that ought to brain around?
Speaker 2 (07:57):
All right?
Speaker 6 (07:58):
Chester, lock up his son there, my show, don't lock
that cell. Lock it up, Chester.
Speaker 2 (08:06):
I just told you.
Speaker 6 (08:06):
To stop matter.
Speaker 2 (08:08):
Don't you hear me?
Speaker 6 (08:09):
I can probably hear you clear back in Texas.
Speaker 2 (08:13):
Now, what's on your mind? I'll tell you what's on
my mind.
Speaker 14 (08:16):
I want my boy out of that cell, and I
want him out in a hurry.
Speaker 6 (08:20):
Come around the morning when the court opens.
Speaker 2 (08:22):
He's under arrest. Rest you.
Speaker 3 (08:27):
I can buy you in this thirty cent town of yours.
Speaker 11 (08:31):
Never know the.
Speaker 2 (08:31):
Difference, maybe, but we'd know it. Now. You shut up
and get out of here.
Speaker 11 (08:38):
Why you'd about this long enough.
Speaker 3 (08:39):
Either you'll open that cell or hand over the keys.
Speaker 2 (08:42):
I'm sorry, are you there?
Speaker 3 (08:44):
Come on hand the mover here now, mister Malladway.
Speaker 14 (08:46):
And if you think some king horns going in, I said,
leave him alone.
Speaker 2 (08:55):
Chester unlocked herself.
Speaker 3 (08:56):
Can't you warning your marshals for the last time.
Speaker 2 (09:01):
If you don't get your hands off your king, I'll
lock it up Chester.
Speaker 11 (09:09):
Sure, I'll break you.
Speaker 6 (09:14):
Dylan, I'll break you, run you out of the cook.
Speaker 2 (09:18):
Sure, sure, I know you'll have to wait till tomorrow morning.
(09:39):
Quiet around town, mister Dillon.
Speaker 3 (09:40):
With them Mallard's locked up, you won't have to look thirsty.
Speaker 9 (09:44):
Man, I got your picture of beer on the house.
Speaker 2 (09:48):
That's not a bad idea.
Speaker 3 (09:50):
Well, thank you.
Speaker 9 (09:55):
I have heard about the Mallards. They ought to be
locked up in this sella two of her kind.
Speaker 2 (10:02):
Twelve kittious. I don't know kid always has had his
way paid for him by the old man's money. I
don't know who's more.
Speaker 8 (10:12):
To blame, uh huh, But I don't know exactly what
I'm supposed to do here. Whether you'll learn honey, oh man,
I don't think you've met Norah Bill mad dealing Norah
and just a crowd. Well, no, honey, all you got
to do right now is just stand around and look beautiful.
Speaker 9 (10:32):
I'll be along in the second show you the rope. Oh,
thank you, kitty.
Speaker 3 (10:36):
I'm very pleased.
Speaker 9 (10:38):
Who've met both of you?
Speaker 2 (10:39):
Likewise? Math Oh where'd she come from? She's new and dodge,
isn't she?
Speaker 9 (10:47):
Oh? Yeah, she's real, sweet man.
Speaker 8 (10:49):
She's a singer from Chicago or somewhere.
Speaker 9 (10:52):
She got stranded here a couple of days ago. She
only plans to work a week.
Speaker 4 (10:57):
And then he met miss Dylan. Look, there's King Malick
moved to buy there. Mister Kelby.
Speaker 9 (11:02):
What's he doing out of jail?
Speaker 4 (11:03):
Matthew, My gracious, you arrest the man and throw him
in jail on the our and a half lady is
out loose against it's aggravating Steed.
Speaker 6 (11:14):
But I'm sure he don't mean any hard by, mister Weller,
it's just sometimes he's got tail. Now, now, Marshall, let's
keep our tempt up.
Speaker 2 (11:26):
King, How did you get out of jail?
Speaker 6 (11:29):
When I've got anything to say to you?
Speaker 11 (11:31):
Dylan, I'll look.
Speaker 6 (11:33):
You up now now, Marshall, it's all perfectly legal. Mayor
came down to his office he fixed bail and he
released mister Maller and his son.
Speaker 2 (11:42):
They're both out.
Speaker 3 (11:43):
Huh.
Speaker 6 (11:44):
Who won't bail for this coming now? It's all in
the best interests of the town, Marshal. It's like I've
been telling mister Mallory here, it was just a misunderstanding.
Speaker 2 (11:53):
And all of us hope he won't hold.
Speaker 6 (11:55):
It against it to run you in for obstructing justice.
Speaker 3 (12:01):
What's somebody fired from the street, mister Dillon.
Speaker 8 (12:04):
I'll go out there.
Speaker 2 (12:09):
What is it kidding?
Speaker 15 (12:10):
No, we will return for the second act of gun
(12:32):
smoke in just a moment.
Speaker 1 (12:33):
But first, giving medical and welfare assistance to our armed
forces and veterans, collecting much needed blood, training our citizens
for service in case of a national emergency, and always
on the spot first with disaster relief. These are some
of the many services of the American Red Cross. But
this all costs money, eighty five million dollars this year,
(12:53):
So please answer the call give generously to the Red Cross.
Now for the second back dumb gun smoke.
Speaker 16 (13:24):
I'll be here, Matt, all right, Kitty, it's all right, sorry, boys,
all right, but let me put this.
Speaker 9 (13:47):
Coat under her hand.
Speaker 2 (13:52):
How does somebody sent for doc.
Speaker 9 (13:54):
Yeah, when the dealers going after them. Look on, don't try.
Speaker 12 (14:00):
To move now.
Speaker 3 (14:01):
Looks like she was hit twice.
Speaker 9 (14:04):
Nancy, do you think does you have a chance at all?
Speaker 2 (14:09):
I don't know, kidding who?
Speaker 9 (14:15):
It's all right, honey, Doc would be here soon. But
why did they shoot me?
Speaker 3 (14:26):
Right?
Speaker 6 (14:27):
I think they were trying to get me Laura, not you?
Why did they do it?
Speaker 9 (14:35):
Why?
Speaker 2 (14:36):
Oh?
Speaker 6 (14:37):
Where's Doc? Why doesn't he get here?
Speaker 3 (14:39):
You don't need to go after mister don Oh? I
feel so so.
Speaker 16 (14:47):
What?
Speaker 2 (14:55):
No, it is no need for doctor hurry now.
Speaker 9 (14:59):
Mhm Matt so so.
Speaker 6 (15:06):
Yeah, well Doc can take care of her when he
gets here.
Speaker 4 (15:18):
Looks like Billy Malor really pulls something this time is
to Billy?
Speaker 2 (15:23):
How you know it was Billy Chester?
Speaker 4 (15:26):
Yeh see half a dozen people sign fire through the
window and then ride off down the street.
Speaker 17 (15:31):
Yeah.
Speaker 6 (15:32):
I got to feel that those shots weren't wild. They
were aimed only they were aimed at me.
Speaker 3 (15:38):
You were just Lucky's been?
Speaker 2 (15:41):
Where's Billy?
Speaker 3 (15:42):
Not Schester?
Speaker 2 (15:42):
I don't know.
Speaker 4 (15:44):
I heard the Mallard bunch is getting ready to pull out.
They're milling around the street out in front of their hotel.
King Mallard and Tom Wayne are there.
Speaker 6 (15:53):
Yeah, I allowed cover Billy. Of course, it's gonna be
a lot tougher this time.
Speaker 11 (15:59):
Yes, a hold lot Yeah, Well, you.
Speaker 6 (16:04):
Sort of take charge of things here until Duc shows up.
Speaker 9 (16:08):
You go on, get your pussy.
Speaker 6 (16:11):
Pussy, you'll need one when you move in with the
puss you asked for. A gunfight works on a man
like an out and out challenge.
Speaker 2 (16:20):
I'm gonna handle it alone.
Speaker 6 (16:22):
They must be sisters, only three to count. As long
as we can control the Millars and palm Way and
the others don't matter.
Speaker 2 (16:29):
Marshall. Huh oh, Kelvy, you.
Speaker 6 (16:33):
Got another suggestion for the best interests of the town.
Now listen here. You can't go up there, Marshall. That'll
just lead to more killing. Won't do anybody any good.
This wouldn't have happened, you know, if you're taking my
advice not throwing that boy in Jane. It wouldn't have
happened if you'd have stayed out of it and left
him in jail Covey tomorrow morning. He'd just soab it
up and cooled off. Well, what's done's done. But they're
(16:57):
getting ready to leave now. You can pass the word
for King not to bring the boy along when it
comes up next year, and let it go with that.
Don't make it any worse now, marsh.
Speaker 2 (17:06):
Now, let it go with that. Don't antagonize hihim. Look
the other way.
Speaker 6 (17:12):
It's just Billy Miller kicking up his heels. So let's
stay real quiet. Maybe he won't commit another murder. Murder,
it wasn't murdered. That was an accident.
Speaker 11 (17:21):
It was murder.
Speaker 6 (17:23):
He meant to kill somebody and he did. The only
accident about it was the fact that he didn't kill me.
Just a common Dancehold girl, nobody's gonna pay any mind.
I mind Kelby, no low minds, and you stay out
of this from now. And you understand me.
Speaker 2 (17:44):
Now, Dylan, You're not talking to some saddle bum eh Chester.
Yes now, yeah, Kate, I'm.
Speaker 9 (17:57):
Not gonna help to go get a self killed.
Speaker 6 (18:00):
It seems to me I'm being sold off all shorter
on here.
Speaker 9 (18:03):
Stay out number you twenty to one, Kitty.
Speaker 6 (18:06):
If I let Maller get away with this, I'd be
through in Dodge City, and.
Speaker 2 (18:08):
So would the law.
Speaker 6 (18:10):
It was hard work bringing the law in here, and
it's been hard work keeping it here, and it'd be
ten times harder trying to bring it back if it
ever got shoved up.
Speaker 9 (18:20):
Yeah, all right, Mat, but do one thing, will you?
Speaker 12 (18:25):
What?
Speaker 9 (18:25):
Wait here, I'll be right there.
Speaker 2 (18:30):
Right here.
Speaker 9 (18:36):
Take the shotgun with you, read keep it back at
the bottle. You take it, Matt, it'll help you out
a little at least.
Speaker 2 (18:44):
It's a good idea, mister Gill.
Speaker 4 (18:46):
I'd sure feel a lot easier in my mind if
you took it.
Speaker 6 (18:49):
Wow, all right, thanks, Kitty, I'll see you.
Speaker 3 (19:14):
She was a pretty little thing. Yeah, seems a shame. Yeah,
they are in, mister John out down the street and
from the hotel.
Speaker 6 (19:32):
Yeah, I see him.
Speaker 4 (19:35):
Looks like the whole Mallard mob. This is ain't gonna
be very easy.
Speaker 2 (19:42):
King and Wayne are.
Speaker 6 (19:43):
There, but I don't see Billy.
Speaker 3 (19:46):
I don't need it.
Speaker 2 (19:49):
Those two are the ones.
Speaker 6 (19:50):
That watch Sester. Don't let them start at play.
Speaker 3 (19:54):
There's mister Joan, I understand. Here comes to marshall.
Speaker 18 (19:59):
Mister Mallard, Okay, I want that boy of yours.
Speaker 11 (20:12):
Let's the charge this time, Dylan murder.
Speaker 2 (20:17):
That girl died and she died. Now where's Billy? Where
did you get the idea he had anything to do with?
Speaker 6 (20:28):
Half a dozen people saw him fire the shots from
the street.
Speaker 2 (20:31):
Well, I see he was near.
Speaker 6 (20:34):
That's well, don't say it to me, say it in court.
Now where is he, King Marshal.
Speaker 14 (20:42):
There's forty of my riders standing here in the street,
every one of them packing the gun.
Speaker 6 (20:48):
I suppose you just turn around, start walking.
Speaker 2 (20:53):
I said, where's Billy? All I got to do is
give the word dying. These boys you.
Speaker 11 (21:00):
Right in your track.
Speaker 2 (21:01):
You're not giving anybody the word King, uh buck.
Speaker 6 (21:04):
Shots have got a pretty fair spread. Not the first
sign of any move by this bunch, and I'll get you.
Speaker 2 (21:10):
And Wane with one blast. You better warn him, King.
Speaker 14 (21:16):
Dylan, you're barking up the wrong tree here. Billy rode
out of town headed sound.
Speaker 6 (21:24):
That's his horse tied after rail, Isn't it.
Speaker 2 (21:28):
All right? Where is he?
Speaker 11 (21:29):
King?
Speaker 6 (21:29):
Inside the hotel?
Speaker 2 (21:30):
Now, look, Marshall, there's no call roll this.
Speaker 14 (21:34):
Maybe Billy did get a little bit out of line.
There's always been a high spirited younging, but there's no
reason for us to use our heads. You know you
got no case against me. Every one of my men
here will swear you weren't anywhere near that you.
Speaker 2 (21:50):
They'll get that chance at the trial.
Speaker 14 (21:53):
Well, now that's just the trouble. We can't hang around
here waiting for a trial. It's cost me money, but
I am willing to spend quite.
Speaker 6 (22:02):
A bit martial to avoid being condused. Never mind, King,
don't be a fool, Wayne, move over a little closer
to him him. All right, that's it right there, all right,
(22:23):
arrest of you ment Fisher guns out and drop him
on the ground. How slow and easy, No sudden moves
watch him.
Speaker 3 (22:32):
Yes, I am all right.
Speaker 6 (22:44):
Back up now, odd into the street, away from those guns.
A whole bunch of you move here, chest to take
the shotgun, keeping covered. Yes, hold it now, that's like yard.
Nobody will get hurt.
Speaker 11 (23:05):
Dylan, what you're gonna do?
Speaker 6 (23:09):
I'm going in the hotel and bring out that kid
watching Chester, Yes, mister Dylan, Yah, h awesome, Yeah, upstairs somewhere.
Speaker 2 (23:44):
Alone.
Speaker 17 (23:46):
Yes, everybody else could not.
Speaker 2 (23:50):
Well, how's your time? Go ahead if you want. I'm
always won't bother you.
Speaker 3 (23:55):
Thank you, Marshall, the best of luck to use it.
Speaker 17 (23:59):
H the way.
Speaker 2 (24:36):
The way. You'd better give up m Billy.
Speaker 6 (25:10):
Yeah, I haven't got a chance. If you know what's gone,
I hold it, Billy, throw your gun out into the hole.
Speaker 3 (25:23):
I'm gonna tell you, Dylan.
Speaker 2 (25:30):
It's your last chance.
Speaker 11 (25:31):
Billy.
Speaker 6 (25:34):
Now come out into the hall and give yourself up.
Speaker 2 (25:37):
I'll tell you it's gonna help me. Who should.
Speaker 3 (26:20):
Mh Dylan?
Speaker 11 (26:36):
Dylan?
Speaker 2 (26:36):
Was that? Is he dead? Yeah?
Speaker 6 (26:47):
I gave him two chances. He wouldn't take him? Yeah, headstrong.
Speaker 2 (26:54):
Or was worse?
Speaker 11 (26:56):
Guess some maybe maybe I didn't bring him up right.
Speaker 2 (27:04):
To like to worry about that now that I'm sorry
King for Billy and.
Speaker 11 (27:16):
For a girl. Both he had it coming. I know
that one. I tried to stop it too late. The
only way a new but you wouldn't. Both Tom both
(27:36):
at him. We'll I have to bury.
Speaker 6 (27:40):
Him in Kansas, all right, can't.
Speaker 2 (27:50):
We'll be leaving Dodge right after.
Speaker 1 (27:53):
Mm hmm. Gun Smoke, under the direction of Norman McDonnell,
stars William Conrad as Matt dllon Us Marshall. Tonight's story
(28:15):
was specially written for Gun Smoke by Less Crutchfield, with
music composed and conducted by Rex Cory. Featured in the
cast were Sam Edwards, John Dayner, Lawrence Dobkin, Harry Bartel,
Charlotte Lawrence and Barney Phillips, Barley Bears Chester and Georgia
Ellis Is Kiddy. Gun Smoke is heard by our troops
overseas to the facilities of the Armed Forces Radio Service.
Join us again next week as Matt Dylon Us Marshall
(28:37):
fightes to bring lawn order out of the wild violence
of the West in gun Smoke. Every Sunday evening, CBS
Radio presents My Little Margie, a hilarious comedy show starring
Charles Ferrell and Gale Storm.
Speaker 11 (28:52):
It's a worthy.
Speaker 1 (28:53):
Addition to the Sunday Fun Day line up, a program
that's packed with lapse from start to finish.
Speaker 11 (28:58):
Listen for My Little Margie.
Speaker 1 (29:00):
Most of these same sake tomorrow and I Freeze Invice
CBS Radio. Yes, it's the CBS Radio Network.
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