August 12, 2025 • 13 mins
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
Pleasant Journey by Richard F. Thieme. It's nice to go
on a pleasant journey. There is, however, a very difficult
question concerning the other half of the ticket. What do
you call it, the buyer asked Jenkins. I named it
(00:20):
Journey Home, but you can think up a better name
for it if you want. I'll guarantee that it sells.
Though there's nothing like it on any midway. I'd like
to try it out first. Of course, Allanby said, star
Time uses only the very best. You know, Yes, I know,
(00:42):
Jenkins said he had heard the line before from almost
every carnival buyer to whom he had sold. He did
not do much business with the carnivals. There weren't enough
to keep him busy with large or worth while rides
and features. The amusement parks of the big cities were
usually the best markets. Alan b warily eyed the entrance
(01:07):
a room fashioned from a side show booth. A rough
red curtain concealed the inside. Over the doorway in crude
dark blue paint was lettered Journey Home. Behind the doorway
was a large barn like structure, newly painted white, where
Jenkins did his planning, his building and his finishing. When
(01:31):
he sold a new ride, it was either transported from
inside the building through the large pull away doors in back,
or taken apart piece by piece and shipped to the
park or carney that bought it six thousands, a lot
of money. The buyer said, just try it, Jenkins told him.
(01:54):
The buyer shrugged. Okay, he said, let's go in. They
walked through the red curtain. Inside the booth entrance was
a soft cushioned easy chair, also red, secured firmly in place.
It was a piece of salvage from a two engine
commercial airplane. A helmet looking like a flash Gordon accessory
(02:17):
hair dryer combination was set over it. Jenkins flipped a
switch and the room became bright with light. I thought
you said this wasn't a throw ride, Alan B said,
looking at the helmet like structure ominously hanging over the chair.
It isn't, Jenkins said, smiling. Sit down. He stropped the
(02:39):
buyer into place in the chair. Hey wait a minute,
Alan B. Protested, Why the straps leave everything to me
and don't worry, Jenkins said, fitting the headgear into place
over the buyer's head. The back of it fitted easily
over the entire rear of the skull down to his neck.
(03:01):
The front came just below the eyes. After turning the
light off, Jenkins pulled the curtain closed. It was completely
black inside. Have a nice trip, Jenkins said, pulling a
switch on the wall and pushing a button on the
back of the chair. At the same time, currents shifted
(03:22):
and repatterned themselves inside the helmet and were fed into
Allenby at the base of his skull. At the medulla.
The currents of alternating ions mixed with the currents of
his varied and random brain waves, and the impulses of
one became the impulses of the other. Allenby jerked once
(03:44):
with the initial shock, and was then still his mind
and body fused with the pulsating currents of the chair. Suddenly,
Roger Allenby was almost blinded by bright, naked light. Allenby's
first impression was one of disappointment at the failure of
the device. Jenkins was reliable usually and hadn't come up
(04:07):
with a fluke yet. Allenby got out of the chair
and called for Jenkins, holding on to the arm of
the chair to keep his bearings. Hey, where are you, Jenkins?
He tried to look around him, but the bright, intense
light revealed nothing. He swore to himself, extending his arms
in front of him for something to grasp. As he
(04:29):
groped for a solid the light became more subdued and
shifted from white into a light pleasant blue. Shapes and
forms rearranged themselves in front of him and gradually became distinguishable.
He was in a city, or on top of a city.
A panoramic view was before him, and he saw the
(04:51):
creations of human beings, obviously, but a culture far removed
from his. A slight path of white began at his
feet and expanded as it fell slightly ramp like over
and into the city. The buildings were whiter than the
gait of false dreams that Penelope sung of, and the
(05:11):
streets and avenues were blue, not gray. The people wore
white and milled about in the streets below him. They
shouted as one. Their voices were not cries but songs,
and they sang his name. He started walking on the
white strip. It was flexible and supported his weight easily.
Then he was running, finding his breath coming in sharp gasps,
(05:35):
and he was among the crowds. They smiled at him
as he passed by, and held out their hands to him.
Their faces shone with a brilliance of awareness, and he
knew that they loved him. Troubled, frightened, he kept running
blindly and abruptly. There were no people, no buildings. He
(05:56):
was walking now at the left side of a modern
super highway against the traffic. Ottos sped by him, too
quickly for him to determine the year of model. Across
the divider, the traffic was heavier, ottos beating crazily ahead
in the direction he was walking. None stopped. He halted
for a moment and looked around him. There was nothing
(06:19):
on the sides of the road. No people, no fields,
no farms, no cities, no blackness. There was nothing, but
far ahead, there was green etched around the horizon. As
the road dipped and the cars sped over it, he
walked more quickly, catching his breath, and came closer and
(06:39):
closer to the green. Allenby stopped momentarily and turned around,
looking at the highway that was behind him. It was gone,
only bleak, black and gray hills of rock and rubble.
Were there, No cars, no life. He shuddered and continued
(07:00):
on toward the end of the highway, the green blended
in with the blue of the sky. Now closer he came,
until just over the next rise in the road, the
green was bright. Not knowing or caring why, he was
filled with expectation, and he ran again and was in
the meadow. All around him were the greens of the
(07:21):
grasses and leaves, and the yellows and blues of the
field flowers. It was warm, a spring day, with none
of the discomfort of summer heat. Jubilant, Roger spun around
in circles, inhaling the fragrance of the field, listening to
the hum of insect life, stirring back to awareness after
(07:41):
a season of inactivity. Then he was running and tumbling, barefoot,
his shirt open, feeling the soft grass give way underfoot,
and the soil was good and rich. Beneath him. He
saw a stream ahead, with clear water melodiously flowing by him.
He went to it and drank the cold, good water,
(08:04):
quenching all his thirst, clearing all the stickiness of his
throat and mind. He dashed the water on his face
and was happy and felt the coolness of it as
the breeze picked up and swept his hair over his forehead.
With a shake of his head, he tossed it back
in place and ran again, feeling the air rush into
(08:25):
his lungs with coolness and vibrants unknown since adolescence. No
nicotine spasms choked him, and the air was refreshing. Then
up the hill he sped, pushing hard as the marigolds
and dandelions parted before him. At the top, he stopped
and looked and smiled ecstatically as he saw the green
(08:48):
rolling land and the stream curving round from behind the house,
his house, the oaks forming a secret lair behind it,
and he felt the youth of the world in his
lungs and under his feet. He heard the voice calling
from that house, his house, calling him to Saturday lunch.
(09:09):
I'm coming, he cried happily. And it was tumbling down
the hill, rolling over and over the hill, and ground
and sky blending blues and greens, and nothing had perspective.
The world was spinning, and everything was black again. He
shook his head to clear the dizziness. Well, Jenkins said,
(09:31):
how was it? Allenby looked up at him. As Jenkins
swung the helmet back and then hooked the seat belt,
he squinted as Jenkins flipped the light switch and the
brightness hit him. His surroundings became distinguishable again, very slowly,
and he knew he was back in the room. Where
(09:51):
was I, he asked? Jenkins shrugged. I don't know. It
was all yours. You went wherever you wanted to go,
wherever home is. Jenkins smiled down at him. Did you
visit more than one place? He asked. The buyer nodded,
I thought so. It seems that a person tries a
(10:12):
few before finally deciding where to go. The buyer stood
up and stretched. Could I please see the barn, he asked,
mining the huge workshop where Jenkins did the construction work. Sure,
Jenkins said, and opened the door opposite the red curtain
into the workshop. It was empty. You mean it was
(10:35):
all up here. I didn't move at all. He tapped
his cranium with his index finger. That's right, Jenkins said, anxiously.
Do you want it or not? Allenby stood looking into
the empty room. Yes, yes, of course, he said. How
long did the whole thing last? About ten seconds, Jenkins said,
(10:59):
looking at his watch, it seems much longer to the traveler.
I'm not sure, but I think the imagined time varies
with each person. It's always around ten seconds of actual time, though,
so you can make a lot of money on it,
even if you only have one machine. Money, Allenby said, money, yes,
of course. He took a check book from his inside
(11:21):
pocket and hurriedly wrote a check for six thousand dollars.
When can I have it delivered? He asked, You want
to chip the usual way, No, Allenby said, staring at
the red cushioned chair. Send it air freight. Then billis
for the expense. Whatever you say, Jenkins said, smiling, taking
(11:43):
the check. You'll have it by the first of the week. Probably,
I'll put a complete parts and assembly manual inside the crate. Good. Good,
But maybe I should test it again, you know, Star
Time can't really afford to make a mistake as expensive
as this. No, and Jenkins said quickly. Then I'll guarantee it.
(12:07):
Of course, if it doesn't work out, I'll give you
a full refund. But don't try it again to day.
Don't let anyone have it more than once in one day.
Stamp them on the hand or something when they take
the trip. Why, Jenkins looked troubled. I'm not sure, but
(12:27):
people might not want to come back too many times
in a row, and they might be able to stay
there in their minds. Of course, of course, of course.
Well it's been a pleasure doing business with you, mister Jenkins.
I hope to see you again soon. They walked back
to Allenby's not very late model car and shook hands.
(12:49):
Alan By drove away on the way back to the hotel,
and as he lay for a long time in the
bath tub, letting the warmness drift away from the water,
the thought ran over and over in his mind. They
might be able to stay there, Allenby said to himself,
They might be able to stay there. He smiled warmly
(13:10):
at a crack in the plaster as he thought of
the first of the week and the fragrant meadow. End
of Pleasant Journey by Richard F. Thime.
Pleasant Journey by Richard F. Thieme. It's nice to go
on a pleasant journey. There is, however, a very difficult
question concerning the other half of the ticket. What do
you call it, the buyer asked Jenkins. I named it
(00:20):
Journey Home, but you can think up a better name
for it if you want. I'll guarantee that it sells.
Though there's nothing like it on any midway. I'd like
to try it out first. Of course, Allanby said, star
Time uses only the very best. You know, Yes, I know,
(00:42):
Jenkins said he had heard the line before from almost
every carnival buyer to whom he had sold. He did
not do much business with the carnivals. There weren't enough
to keep him busy with large or worth while rides
and features. The amusement parks of the big cities were
usually the best markets. Alan b warily eyed the entrance
(01:07):
a room fashioned from a side show booth. A rough
red curtain concealed the inside. Over the doorway in crude
dark blue paint was lettered Journey Home. Behind the doorway
was a large barn like structure, newly painted white, where
Jenkins did his planning, his building and his finishing. When
(01:31):
he sold a new ride, it was either transported from
inside the building through the large pull away doors in back,
or taken apart piece by piece and shipped to the
park or carney that bought it six thousands, a lot
of money. The buyer said, just try it, Jenkins told him.
(01:54):
The buyer shrugged. Okay, he said, let's go in. They
walked through the red curtain. Inside the booth entrance was
a soft cushioned easy chair, also red, secured firmly in place.
It was a piece of salvage from a two engine
commercial airplane. A helmet looking like a flash Gordon accessory
(02:17):
hair dryer combination was set over it. Jenkins flipped a
switch and the room became bright with light. I thought
you said this wasn't a throw ride, Alan B said,
looking at the helmet like structure ominously hanging over the chair.
It isn't, Jenkins said, smiling. Sit down. He stropped the
(02:39):
buyer into place in the chair. Hey wait a minute,
Alan B. Protested, Why the straps leave everything to me
and don't worry, Jenkins said, fitting the headgear into place
over the buyer's head. The back of it fitted easily
over the entire rear of the skull down to his neck.
(03:01):
The front came just below the eyes. After turning the
light off, Jenkins pulled the curtain closed. It was completely
black inside. Have a nice trip, Jenkins said, pulling a
switch on the wall and pushing a button on the
back of the chair. At the same time, currents shifted
(03:22):
and repatterned themselves inside the helmet and were fed into
Allenby at the base of his skull. At the medulla.
The currents of alternating ions mixed with the currents of
his varied and random brain waves, and the impulses of
one became the impulses of the other. Allenby jerked once
(03:44):
with the initial shock, and was then still his mind
and body fused with the pulsating currents of the chair. Suddenly,
Roger Allenby was almost blinded by bright, naked light. Allenby's
first impression was one of disappointment at the failure of
the device. Jenkins was reliable usually and hadn't come up
(04:07):
with a fluke yet. Allenby got out of the chair
and called for Jenkins, holding on to the arm of
the chair to keep his bearings. Hey, where are you, Jenkins?
He tried to look around him, but the bright, intense
light revealed nothing. He swore to himself, extending his arms
in front of him for something to grasp. As he
(04:29):
groped for a solid the light became more subdued and
shifted from white into a light pleasant blue. Shapes and
forms rearranged themselves in front of him and gradually became distinguishable.
He was in a city, or on top of a city.
A panoramic view was before him, and he saw the
(04:51):
creations of human beings, obviously, but a culture far removed
from his. A slight path of white began at his
feet and expanded as it fell slightly ramp like over
and into the city. The buildings were whiter than the
gait of false dreams that Penelope sung of, and the
(05:11):
streets and avenues were blue, not gray. The people wore
white and milled about in the streets below him. They
shouted as one. Their voices were not cries but songs,
and they sang his name. He started walking on the
white strip. It was flexible and supported his weight easily.
Then he was running, finding his breath coming in sharp gasps,
(05:35):
and he was among the crowds. They smiled at him
as he passed by, and held out their hands to him.
Their faces shone with a brilliance of awareness, and he
knew that they loved him. Troubled, frightened, he kept running
blindly and abruptly. There were no people, no buildings. He
(05:56):
was walking now at the left side of a modern
super highway against the traffic. Ottos sped by him, too
quickly for him to determine the year of model. Across
the divider, the traffic was heavier, ottos beating crazily ahead
in the direction he was walking. None stopped. He halted
for a moment and looked around him. There was nothing
(06:19):
on the sides of the road. No people, no fields,
no farms, no cities, no blackness. There was nothing, but
far ahead, there was green etched around the horizon. As
the road dipped and the cars sped over it, he
walked more quickly, catching his breath, and came closer and
(06:39):
closer to the green. Allenby stopped momentarily and turned around,
looking at the highway that was behind him. It was gone,
only bleak, black and gray hills of rock and rubble.
Were there, No cars, no life. He shuddered and continued
(07:00):
on toward the end of the highway, the green blended
in with the blue of the sky. Now closer he came,
until just over the next rise in the road, the
green was bright. Not knowing or caring why, he was
filled with expectation, and he ran again and was in
the meadow. All around him were the greens of the
(07:21):
grasses and leaves, and the yellows and blues of the
field flowers. It was warm, a spring day, with none
of the discomfort of summer heat. Jubilant, Roger spun around
in circles, inhaling the fragrance of the field, listening to
the hum of insect life, stirring back to awareness after
(07:41):
a season of inactivity. Then he was running and tumbling, barefoot,
his shirt open, feeling the soft grass give way underfoot,
and the soil was good and rich. Beneath him. He
saw a stream ahead, with clear water melodiously flowing by him.
He went to it and drank the cold, good water,
(08:04):
quenching all his thirst, clearing all the stickiness of his
throat and mind. He dashed the water on his face
and was happy and felt the coolness of it as
the breeze picked up and swept his hair over his forehead.
With a shake of his head, he tossed it back
in place and ran again, feeling the air rush into
(08:25):
his lungs with coolness and vibrants unknown since adolescence. No
nicotine spasms choked him, and the air was refreshing. Then
up the hill he sped, pushing hard as the marigolds
and dandelions parted before him. At the top, he stopped
and looked and smiled ecstatically as he saw the green
(08:48):
rolling land and the stream curving round from behind the house,
his house, the oaks forming a secret lair behind it,
and he felt the youth of the world in his
lungs and under his feet. He heard the voice calling
from that house, his house, calling him to Saturday lunch.
(09:09):
I'm coming, he cried happily. And it was tumbling down
the hill, rolling over and over the hill, and ground
and sky blending blues and greens, and nothing had perspective.
The world was spinning, and everything was black again. He
shook his head to clear the dizziness. Well, Jenkins said,
(09:31):
how was it? Allenby looked up at him. As Jenkins
swung the helmet back and then hooked the seat belt,
he squinted as Jenkins flipped the light switch and the
brightness hit him. His surroundings became distinguishable again, very slowly,
and he knew he was back in the room. Where
(09:51):
was I, he asked? Jenkins shrugged. I don't know. It
was all yours. You went wherever you wanted to go,
wherever home is. Jenkins smiled down at him. Did you
visit more than one place? He asked. The buyer nodded,
I thought so. It seems that a person tries a
(10:12):
few before finally deciding where to go. The buyer stood
up and stretched. Could I please see the barn, he asked,
mining the huge workshop where Jenkins did the construction work. Sure,
Jenkins said, and opened the door opposite the red curtain
into the workshop. It was empty. You mean it was
(10:35):
all up here. I didn't move at all. He tapped
his cranium with his index finger. That's right, Jenkins said, anxiously.
Do you want it or not? Allenby stood looking into
the empty room. Yes, yes, of course, he said. How
long did the whole thing last? About ten seconds, Jenkins said,
(10:59):
looking at his watch, it seems much longer to the traveler.
I'm not sure, but I think the imagined time varies
with each person. It's always around ten seconds of actual time, though,
so you can make a lot of money on it,
even if you only have one machine. Money, Allenby said, money, yes,
of course. He took a check book from his inside
(11:21):
pocket and hurriedly wrote a check for six thousand dollars.
When can I have it delivered? He asked, You want
to chip the usual way, No, Allenby said, staring at
the red cushioned chair. Send it air freight. Then billis
for the expense. Whatever you say, Jenkins said, smiling, taking
(11:43):
the check. You'll have it by the first of the week. Probably,
I'll put a complete parts and assembly manual inside the crate. Good. Good,
But maybe I should test it again, you know, Star
Time can't really afford to make a mistake as expensive
as this. No, and Jenkins said quickly. Then I'll guarantee it.
(12:07):
Of course, if it doesn't work out, I'll give you
a full refund. But don't try it again to day.
Don't let anyone have it more than once in one day.
Stamp them on the hand or something when they take
the trip. Why, Jenkins looked troubled. I'm not sure, but
(12:27):
people might not want to come back too many times
in a row, and they might be able to stay
there in their minds. Of course, of course, of course.
Well it's been a pleasure doing business with you, mister Jenkins.
I hope to see you again soon. They walked back
to Allenby's not very late model car and shook hands.
(12:49):
Alan By drove away on the way back to the hotel,
and as he lay for a long time in the
bath tub, letting the warmness drift away from the water,
the thought ran over and over in his mind. They
might be able to stay there, Allenby said to himself,
They might be able to stay there. He smiled warmly
(13:10):
at a crack in the plaster as he thought of
the first of the week and the fragrant meadow. End
of Pleasant Journey by Richard F. Thime.
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