May 14, 2024 • 46 mins
Sears Radio Theater was a radio drama anthology series which ran weeknights on CBS Radio in 1979, sponsored by the Sears chain. Often paired with The CBS Radio Mystery Theater during its first season, the program offered a different genre of drama for each evening's broadcast.In January 1980, the program moved from CBS to the Mutual Broadcasting System and was renamed Mutual Radio Theater. The Mutual series broadcast repeats from the CBS run until September 1980, when a short season of new dramas was presented. Sears continued as a sponsor during the Mutual run.
The program turned out to be Mutual's final radio drama series. Mutual continued to broadcast repeats of the program (along with a few previously unaired episodes) until December 1981.Monday was "Western Night" and was hosted by Lorne Greene. Tuesday was "Comedy Night", hosted by Andy Griffith. Wednesday was "Mystery Night" with Vincent Price as host. Thursday was "Love and Hate Night" with Cicely Tyson doing honors as host. Finally, Friday brought "Adventure Night", first hosted by Richard Widmark and later by Howard Duff and finally by Leonard Nimoy.Several actors from the Golden Age of Radio were featured on the series.
Among the actors heard were Jim Jordan, Henry Morgan, Daws Butler, June Foray, Parley Baer, Mary Jane Croft, Howard Culver, John Dehner, Joan McCall, Don Diamond, Virginia Gregg, Janet Waldo, Vic Perrin, Hans Conried, Marvin Miller, Elliott Lewis, Jeff Corey, Lesley Woods, Robert Rockwell, Lurene Tuttle, Eve Arden, Keith Andes, Harriet Nelson, Alan Young, Tom Bosley, Marion Ross, Lloyd Bochner, Rick Jason, Frank Campanella, Toni Tennille, Arthur Hill, Dan O'Herlihy, Jesse White and Frank Nelson.[1] Veteran radio actress Peggy Webber was heard on 52 episodes.The program was produced and directed by Fletcher Markle and Elliott Lewis. The theme music was composed and conducted by Nelson Riddle
The program turned out to be Mutual's final radio drama series. Mutual continued to broadcast repeats of the program (along with a few previously unaired episodes) until December 1981.Monday was "Western Night" and was hosted by Lorne Greene. Tuesday was "Comedy Night", hosted by Andy Griffith. Wednesday was "Mystery Night" with Vincent Price as host. Thursday was "Love and Hate Night" with Cicely Tyson doing honors as host. Finally, Friday brought "Adventure Night", first hosted by Richard Widmark and later by Howard Duff and finally by Leonard Nimoy.Several actors from the Golden Age of Radio were featured on the series.
Among the actors heard were Jim Jordan, Henry Morgan, Daws Butler, June Foray, Parley Baer, Mary Jane Croft, Howard Culver, John Dehner, Joan McCall, Don Diamond, Virginia Gregg, Janet Waldo, Vic Perrin, Hans Conried, Marvin Miller, Elliott Lewis, Jeff Corey, Lesley Woods, Robert Rockwell, Lurene Tuttle, Eve Arden, Keith Andes, Harriet Nelson, Alan Young, Tom Bosley, Marion Ross, Lloyd Bochner, Rick Jason, Frank Campanella, Toni Tennille, Arthur Hill, Dan O'Herlihy, Jesse White and Frank Nelson.[1] Veteran radio actress Peggy Webber was heard on 52 episodes.The program was produced and directed by Fletcher Markle and Elliott Lewis. The theme music was composed and conducted by Nelson Riddle
Mark as Played
Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
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Seiers. Radio theater will begin afterthis message from your local station. You
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are a world traveler, and youknow there are certain foods, plants,
and animal products you can't bring backto the US. You can't because they're
prohibited. They're prohibited because even oneof these foods, plants, or animal
products might carry a disease or pestthat could spread to our crops and gardens
and animals with devastating results. Youhaven't been everywhere on the globe yet,
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but there's always tomorrow, and beforeyou go again. Right for the free
book that explains the law the world, my travelers. Right to Traveler's Tips,
A partner of Agriculture, Washington,d c. Two two five.
All this is vincent price. Butfirst on Earth, as vampires sent thy
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corse, shall from the tomb berent, then ghastly haunt thy native place
and suck the blood of all thyrace. That, my friends, is
a verse written by the poet LordByron. The vampire is a truly fabulous
being that rises from the grave toprey upon sleeping persons, who then become
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vampires themselves. Driving a stake throughthe heart of one of the undead while
he lies slumbering in his coffin duringdaylight hours is said to put an end
to his blood seeking wanderlust. Fatebrought Carmilla and Amy together in the city
of Vienna in the year nineteen twentytwo, not long after an armistice had
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ended the First World War. Theyappeared to be equally young, beautiful,
innocent, But one was an agelessvampire, the other an unsuspecting victim.
And that's just the beginning of ourstory. Sears Radio Theel a new adventure
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light available at most larger Seers retailstores. It is a midwinter day in
the year nineteen twenty two, andwe are in an upstairs bedroom of an
old house on the outskirts of Vienna. Miss Amy Forrester, a young lady
of quality, is writing in herjournal at an antique desk by the window.
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She is about to tell us,in her words, about her encounter
with a vampire. I am goingto tell you something so strange that it
will require all your faith to believeme. It concerns an incident that took
place in my nursery long ago,when we first lived here in Vienna.
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One night, I awoke and satup. I saw a pretty face looking
at me from the side of thebed. It was that of a young
lady, kneeling with her hands claspedin front of her on the coverlet.
She drew me towards her, smiling. I felt soothed and fell asleep again.
I was wakened by a sensation asif two needles ran into my throat.
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At the same moment I screamed.The lady backed into the shadows.
I recall my father embracing me andtelling me it was nothing but a dream.
That I wasn't comforted for I knewthe visit of the apparition was not
dream. For some years afterward,I could not be left alone, and
a nurse remained at my bedside everynight. Now I'm back here in Vienna
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once again, I find I amstill frightened by that childhood recollection. Some
people might think it trifling, butyou'll see why I must mention it.
Something happened one afternoon this past summer. Yes, who is it? Excuse
me, miss Amy. Your fatherwants to see you in his study.
Thank you, Madame Perrodin. I'llgo at once you wanted to see me,
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Papa. Yes, Amy, mydear, come on in, close
the door. Hi, you lookcharming today. That's a lovely frock you're
wearing. Thank you for noticing.I made it myself. Quite the proper
young lady. Nowadays. How oldare you getting to be? I'll be
eighteen next month, Papa, That'swhat I thought. Well, perhaps you're
brave enough to listen to someone unhappynews. Yes, Papa, I've had
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a letter from General Spielsdorf he can'tcome to us as soon as I'd hoped.
Oh, I've been looking forward tomeeting his daughter. I thought we
could enjoy the summer sunshine together.It's just as well that you and Berta
never became close friends. Why doyou say that because the poor young lady
is dead? You can't mean it. Here, let me read you this,
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he says. During the last daysof Berta's suffering, I've been unable
to talk on the phone or writeto anyone. I've lost her and learned
the truth too late. Thank god, my child died without suspecting the cause
of her misery. When I seeyou in the autumn, I'll tell you
things I don't dare to put onpaper. Now, pray for me,
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my friend. I see what youmean. He's in great sorrow, poor
Bertsa. Oh there now, Amy, you mustn't cry. I do have
other news. You're going to havesome companionship after all. What do you
mean, Papa, We're expecting aguest. She'll be with us tonight.
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That should cheer you. What areyou telling me? A short while ago
the phone rang I heard the voiceof the Baroness Krupska calling him Salzburg I
knew her in my embassy days atto turn the century. Ay. She
was lively and stylish, then abit of a dragon. Now they tell
me the Baroness is coming to visitus. No, no, I don't
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think either of us would like thatvery much. The Baroness is going to
Paris on some vital business, butshe's entrusting her niece to my care.
Why is she like this girl?Quite beautiful, everyone says so, somewhat
delicate, but altogether be woochy.That's a fine recommendation. The Baroness was
afraid a young guests would tax myhospitality. I told her, on the
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contrary, she'd be doing as afavor My daughter, I said, has
been expecting a house guest who cannotbe with us. If you confide your
niece to our care, I toldher, it'll be a consolation to Amy.
And what's the name of this para. It's a very pretty name.
She's called Carmilla. Ooo. Myvisitor arrived at dusk while I was lying
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down, and was carried upstairs,bundled in furs to a bedroom that had
been prepared. She didn't appear atdinner time, but she was certainly the
topic of our conversation. Papa hadinsisted from the beginning that our dignified housekeepers
sit down with us at table.Amy, my dear, please purt the
cream certainly. How do you likeour guest, Madame Paradine? Very much?
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Almost as pretty as you, mydear, about your age and exquisite
manners. The rumors were correct.She's absolutely lovely. Ah, such a
sweet voice. Though we only exchangeda word or two. She sank it
with deep sleep as soon as herhead touched the pillow, a fainting spell
and excitement, no doubt. Ihope I haven't done a foolish thing in
taking charge of the young lady.I had doctor clainback take a look at
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her to protect you from contagion.And what was his diagnosis? Favorable.
She's tired and a trifle nervous,but completely sane and not subject to fitness.
Very amusing, Papa, When amI to be allowed to meet her?
Forgive me, my child, butyou know I always like to take
precautions. She's sitting up now thesupper tray. There's gonna be no harm
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in seeing her. What's the bestway to save on new clothes? Sow
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Bizarre at most larger Seares retail stores. Generations ago families dined by the warmth
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I entered the Sanctum Sanctorum. Carmillarested against pillows on the canopied bed.
As I approached and opened my mouthto speak, I was suddenly struck
dumb. I saw the very facewhich had visited me that terrible night in
my childhood. It was a prettyface, but with a melancholy expression.
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This changed into a smile of recognition. I couldn't say a word. It
was she who spoke first. Howwonderful twelve years ago I saw your face
and a dream, and it hashaunted me ever since. Wonderful indeed,
twelve years ago, whether in adream or in reality, I certainly saw
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you. I couldn't forget your face. This is not to be believed,
she told my hand impressed it.Whatever it frightened me was gone. I
felt reassured and blushed as I stammeredwords of welcome. Sit here beside me.
I must tell you my vision aboutyou. It's so strange that we
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had a vivid dream of each other, you and I, that we have
seen one another before looking as wedo now, when, of course,
we were both children. My fatherhas books on an psychic experience, perceptions,
intuitions, whatever you want to callthem, but I never believed a
word of it until now. Letme tell you. I was perhaps six
years old. I woke from atroubled dream to find myself in a different
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room, in another house. Iknelt beside a bed as if to pray.
Then I saw you. It wasmost assuredly you as I see you
now, with golden hair and angelicblue eyes. Ah. It was your
looks that won me over. Iwanted you to be my friend. I
recall embracing you as if we hadalways known each other. And then I
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think we both fell asleep. Isthat what you remember? I was roused
by a scream. You were sittingup screaming. That frightened me, and
I ran away. Somehow I lostconsciousness, and when I came to,
I was in my own bed againat home. I only know that I
was greatly terrified. In all thistime, I have never forgotten your lovely
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face. It isn't a mere resemblance. You are the young girl whom I
saw then. I don't know whichof it should be the most afraid.
But if you were less pretty,I should be very much afraid of you.
But being as you are, andyoung as we both were, I
only feel that I made your acquaintanceyears ago. It does seem as if
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we were predestined to be friends.I've never had a close friend, and
I've longed to find one, DearAmy, have I found one now?
I'd like to be companionable. I'lltry. I want to make a compact
of true friendship. But forgive me, I you're exhausted. I can see
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that. Yes, suddenly I feelquite tired. It's my fault, Carmela.
I'll bid you good night. Ohplease don't go. The doctor thinks
you ought to have a maid tosit up with you. One of ours
is waiting in the hall. You'llfind her most useful. Inquired. No,
I never could sleep with an attendantin the room. Ah. Our
house was robbed once and a servantwas murdered, so I always lock my
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door. It's become a habit.I know you won't mind. I see
there's a key in the lock.Here, suit yourself, lock yourself in
if you like, you'll be quitesafe. Good Night, then, my
new friend, or should I say, my old friend. It's hard to
part with you, but we'll seeeach other again to morrow, though not
too early. I like to liea bed most of the day. I'm
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what they call a knight person.You'll soon get used to that good night.
She had walked with me to thedoor and embraced me fondly, determined
that we should be great friends,young people like, and even fall in
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love with one another on impulse.I was flattered by the affection she showed,
and had every reason to be delightedwith my new companion. Yet I
felt a faint antipathy along with myadmiration of her. I awoke in the
night and saw a vision of Carmillastanding at the foot of my bed and
smiling. I had a sudden premonition, a foreboding of my own death.
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There was a park between our villaand the river, and one day,
a month after Carmilla's arrival, westepped outside for a stroll and met Madame
Paradin on her way back from doingit. If I were you, girls,
I shouldn't go into the park oranywhere. There'll be crowds of people.
Why do you say that, Madame? You see what's going on over
there at the church. Another funeral, the third one since last Sunday.
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There's some sort of fever going aroundthat infects young girls like yourselves. Why
has no one told us? Yourfather never speaks of anything that might frighten
you. He's gone to the churchyard. I I thought you knew she was
going to be buried. Is itsomeone we know? The daughter of the
shoemaker at the corner, Little Lenny, poor child fancied she saw a ghost
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five days ago and has been dyingslowly ever since. Tell me nothing about
ghosts. I shan't sleep tonight.If you do, I'm going into my
kitchen. There'll be fewer germs therethan outside in the open air. You're
probably wise. We'll see you atdinner. Oh for madame, I hate
funerals. What does that signify toyou, my dear? It makes me
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wonder about the home and family younever mention. It indicates the people with
strange manners and customs of which wein Vienna know nothing. I gather your
native country is more remote than Iimagined. That isn't true. It's very
close by soon. I intend totell you all about it at funeral bell.
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It fills my heart with fear wheneverI hear it. Don't talk that
way. The tragedy of life isnot that men die, but that they
cease to live. What does thatmean? Oh, I'll explain it to
you when the time comes. SearsRadio Theater. We'll return after this message
(18:42):
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Better get those cards in right awayto trivia WNW five sixty five Fifth
Avenue, New York, one oneseven. I wonder what the longest running
play on Broadway was after all andbreak the bank was Reppert Parks? And
who was the last hitter to hitfour hundred? Snow is falling on the
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Viennese countryside out beyond the window whereAmy Forrester continues to write in her journal.
The icicles on the roof outside seeman appropriate background for Amy's story of
her encounter with a vampire. Later, Carmilla grew cheerful, and we talked
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a great deal. The evening wentby without further sign of her weakness,
as she called it. I didn'twant her to pick up the fever they
said was all around us. Iwas so healthy I couldn't allow anything to
happen to my guest. The followingevening, after dinner, my father called
us to a study. Come rightin, young ladies, to have something
to show you here. Look atthese? What are they? Father?
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Old pictures? Portress mostly I recentlysent them to be clean. They splendid.
Do you see them, Carmela,Yes, I can see them very
well. My late wife was ofan old Hungarian family. Most of these
have come to us through her.Don't you like them? Images of dead
people? I neither like nor dislikethem, but they're undoubtedly old, and
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some of them are quite curious.I'm seeing most of these myself for the
first time. Smoke and dust hadalmost obliterated them till now. One in
particular should interest you. See hearit is? I remember that when I
always loved her, but she wasso black and with age I could hardly
make out the face. It's asmall picture, but interesting. What is
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her history? Not only a smallpicture, it's a small miracle. Why
it's the very image of you,Carmela. It's certainly a wonderful likeness.
I thought you'd notice that. It'sreally startling. It seems to live here.
You are on canvas, living,smiling, ready to speak. Isn't
it perfection? See she even hasa little mole like yours on her throat.
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I don't have a mole. It'sa beauty spot. May I hang
this picture in my room? MayI? Father? Of course you may.
Now the lettering's restored with and readthe name quite plainly, Marcia Kernstein
and the date sixteen ninety eight.Yes, but it's not Marcia. The
name is mer Khala, Countess ofKarnstein, and there's a tiny cornet above
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it. I'm descended from the Karnstein's. I ought to say. My mother
was ah so Ama. You know, a long descent, very ancient.
Are there any Karnstein's living now?The family was wiped out, I believe
in some civil wars. But theruins of the castle aren't far from here,
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in a private park about three milesaway. Yes, I've been there.
It's situated among other more recent ruinsof the Great War, but it's
right in the middle of the city, with honking traffic all around. I
don't care much for ruins, butwe must go there sometime. We'll get
up an expedition and take a picnicbefore the weather turns too cold. Come
to the window, Amy, seethe moonlight. We can look at pictures
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tomorrow. Why don't we take awalk and look down on the river it's
so like the night you came tostay with us. A month ago.
There was a bright moon like thisone. So you're thinking of the night
I got here? Are you gladI came? I shall always be glad?
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And you asked for the picture youthink resembles me to hang in your
room. I declare you're getting sentimental, Carmela. When you get around to
telling me your story, it'll beone romance after another. Don't be silly.
I'm sure you've been in love.There's probably an affair of the heart
going on right now. I've nevercared deeply for anyone, and never shall
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unless it be someone like you.You'll have me in tears in a minute.
It's the fever. Papa would grieveif he thought you were running a
fever and didn't let us know howcold it's getting to be that window for
Daniel. Yes, let's go backto the house at once o as whom
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we were by the fire, Carmelaseemed more melancholy than ever before. Tell
me, my dear, have youheard from your aunt while you've been with
us? No? Do you knowwhere a letter would reach out right now?
I can't really say, but Ido think I've overstayed my welcome.
You've already been too hospitable. Ishall go away tomorrow and look for my
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aunt. I know where I willfind her eventually. Carmella, you're talking
nonsense. You mustn't dream of doingany such thing. I won't consent to
your leaving us. The barones saidyou should stay with us till she returned.
Do you hear that, Carmella.We won't allow you to leave us.
I'm not used to taking orders fromany one. No one is giving
orders, my dear girl. Butto night, the reports of the mysterious
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disease in the district are more alarmingthan ever. I feel responsible for your
safety, and you mustn't think ofleaving us. I must thank you again,
sir. I have seldom been sohappy in my life as under your
care and in the company of yourdaughter. I went up with Carmela to
her room, as I did everyevening, while she was preparing to go
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to bed. I apologize for mybehavior to night. There are things I
want to tell you, but Idon't know how to begin. Do you
think you'll ever confide in me?You won't answer. I ought not to
have asked you that you were quiteright to ask me. I wish I
could answer, But you don't realizeI'm under vows. The time is coming
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soon when I shall tell you everything. When I do tell you, you'll
think of me as cruel and veryselfish. Selfish, My kind of friendship
is always selfish. You and Iwe need a blood oath to seal our
friendship. You're delirious again. Howyou do run on? If you're going
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to talk that way, I won'tlisten. I shall leave the room.
Good night, Carmilla, for theblood is the life. Remember that blood
is the life. I had adoptedCarmilla's precaution of locking my bedroom door,
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having taken into my head her fearof midnight invaders. The dreams have a
way of coming through walls to lightup dark rooms. I had a dream
that night, which was the beginningof an agony of dreams. I saw
or imagined. I saw something movingaround the foot of my bed. It
was a sooty black animal that seemedlike a monstrous cat. Before my eyes,
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it transformed itself into Carmilla, standingthere, staring with blood on her
night gown. I heard a voice. Your mother warns you to beware of
the assassin. I was terrified.I ran to the door and found it
locked as usual from the inside.My next recollection is of being in the
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hallway crying for help and pounding onCarmela's door. Missus, Amy, what's
the matter? What has happened?There's an evil spirit in this place?
We must waken Carmilla. Your godownstairs, madam, bring some men to
forces locker, or break the doordown, Yes, miss Amy, I
will. The door swung open.We gazed into the room. Carmilla,
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Carmilla, Carmela, where are you? He called her by name, but
there was no reply. We lookedround the room. Everything was undisturbed.
It was exactly in the state Ileft it when bidding her good night.
But Carmila was gone. We thoughtCarmilla might have hidden herself somewhere nearby,
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but the door had been locked andthe windows all secured. Daylight brought no
solution. The entire household was ina state of agitation. As evening came
on, I went upstairs again.There was Camilla standing at her dressing table.
She beckoned to me and I ranto embrace her. Amy, Oh,
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my own darling, Amy, We'vebeen frightened half to death. Where
have you been? When did youcome back? This last night has been
a night of wonders. I wanta sensible explanation. It was past two
last night before I went to sleep, with the doors and windows locked.
All I can say is that mysleep was uninterrupted and dreamless. But I
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woke just now on the sofa inthe little dressing room. The door between
the rooms was opened. The otherdoor was forced open. How could that
have happened without my being wakened?By this time, hearing voices, my
father entered the room. He wasincredulous to be told the same story I
had heard. He took Carmila's hand. Will you forgive me, my dear?
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If I ask you a question,ask what you please, I'll do
my best to answer. But mystory is simply one of bewilderment. Precisely
now, the marvel of last nightconsists in your having been removed from your
bed in your room without being wakened. What possible explanation can there be?
Have you ever been suspected of walkingin your sleep? Never? Not since
I was very young? Ah,But you did walk in your sleep when
(30:26):
you were young? Yes, Iwas told so by my nurse. Ah
ah, well, and what happenedis this, You got up in your
sleep and unlocked the door. Youtook the key with you, locking the
door from the outside. Do youfollow what I mean? But how,
Papa, do you account for herfinding herself in the dressing room which we
had searched so carefully. She cameback there after you had searched it,
still in her sleep, and awokespontaneously as much surprised to find herself where
(30:48):
she was as anyone else. Iwish all mysteries were as easily explained.
The explanation involves no drugging, tamperingwith locks, no burglars, poisoners,
which there was nothing that need alarmanyone about our safety. And that's the
end of it. Father arranged thata servant should sleep outside Carmilla's door in
(31:10):
case she walked in her sleep,again, that if her sleep was dreamless,
mine was not. Strange sensations troubledmy sleep. There was a cold,
peculiar thrill, as if one wereswimming against the current of a river.
Sometimes there came a sensation as ifwarm lips kissed me longer and more
(31:30):
lovingly as they reached my throat,And there the caress fixed itself. My
breath came faster and faster, witha sense of strangulation, till I became
unconscious. It told on my appearancethis siege of nightmares. But I assured
my father I was quite well.In a way. This was true.
(31:52):
I felt no pain. Some kindof narcotic was acting on me, and
my perceptions were benumbed. Hut Racestep right up to most Sears retail stores
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(32:38):
it with a quaintness and charm ofSears Jenny Lynn's crib dresser and chest.
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(33:01):
bundled up available at most Sears retailsdoors. Understand you type fast, yes,
accurate, Wow, that's okay.You'll be typing on Sears Exclusive Corrector
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Corrector typewriter. Whoops? Now firstSears is Scar s not Z. So
(33:24):
backspace to the incorrect letter, Tapthe correction key. Now the mistake is
blocked out. Next type the correctletter, then proceed is Daddy Vincent Price
again. And here's the concluding actof Carmela. Early one morning I found
(33:49):
doctor Kleinbach waiting downstairs. Father hadsent for him without telling me. Since
the doctor was there, I toldhim my story. My father came and
decide me. Well, Doctor,I dare say, you tell me I'm
an old fool for having brought youhere. Not a bit of it amy.
You mentioned a sensation needles piercing theskin of your throat the night of
(34:12):
that first dream. Did you feelany soreness? None at all? Indicate
with your finger the point where thisoccurred, a little below my throat.
Here, remove your scarf please,and open your collar. We need to
look for symptoms. There's nothing.There is there. Indeed, there is,
my dear girl, a small bluespot. God bless me. So
(34:36):
there is a spot about the sizeof the tip of your little finger.
The question is what's best to bedone. Am I in any danger?
I trust not, my dear Idon't see why you shouldn't begin to get
better immediately. Now that's the samepoint at which the feeling of strangulation began,
Yes, and also the center ofthat thrill, like the current of
(34:58):
an icy stream against you. Itmay be, yes, I think it
is. May I say a wordto Madame, Yes, certainly, Madame
Parador, will you come over hereplease? Yes? Doctor, is there
something I can do? I findthis young lady far from will steps must
be taken, Madame, be sogood as to not let me see me
be alone for one moment. Thatis the only order I need give for
(35:22):
the present. But it's an importantone. We may rely on your discretion,
Madame. I know indeed, youmay, sir, Thank you.
I shall be back about seven thisevening. Later that morning, when Papa
came from his study, he hadan envelope in his hand. Amy,
this letter has been delayed in themail. It's from General Spielsdorff. You'll
(35:44):
be with us soon. He maybe here today. You don't look pleased
as you should when a friend iscoming. You look as if you wished
him at the bottom of the RedSea. It's just that his plans are
so erratic. Dear Papa, willyou confide in me that all depends?
Does the doctor think me very ill? He thinks she'll be well again,
Amy, at least on the roadto recover in a day or two.
(36:07):
Meanwhile, don't trouble your head aboutit. Carmela had been upstairs, sleeping
late as always. When next Isaw her it was mid afternoon. She
was coming from the kitchen with apicnic basket on her arm. Get ready,
Amy, we're going to make ourexpedition. Where are we going to
(36:28):
the ruins of Karlstein. We're notputting off seeing them any longer. How
will we get there? My taxiof course, come along. Don't keep
me waiting, but I shouldn't.An old friend of my father's, General
Spielsdorf, may be arriving this afternoon. The General. We'll have to wait
see him when we get back.Come now, put on your coat.
This instant amy, where are yougoing? You can't go out right now?
(36:51):
It's a sort of picnic. Carmelahas decided. Does your father know
he said you mustn't be alone,Madame. I shan't be alone. Carmela,
be with me. No autumn drivecould have been prettier. A steep
Gothic bridge led to the deserted chapelamong a grove of cypress trees. We
(37:12):
had dismissed the taxicab to enjoy ourstroll. Isn't it peaceful? Ahmy dear,
Look at those colors. A woodlandin the midst of a busy city.
One could linger for an eternity.We can't do that. Let's find
a grassy spot to spread the blanketand have our sandwiches. I love the
(37:34):
crunch of leaves underfoot, don't you. Autumn is my favorite season. We
can sit down here, give methe basket. Goodness, the sun's going
down. We must think of gettinghome before dark. You're not going home,
Amy, neither of us will go. This will be our home from
now on. Mather was standing behindme. A slender hand closed like a
(38:00):
vise of steel around my wrist.A kerchief soaked with some acrid chemical was
pressed over my nose and mouth.I awoke in a dim, dark chamber,
surrounded by dampness and stone. Itwas so cold, so frightening.
(38:21):
I couldn't see her, but Iknew she was there on the marble floor
beside me. A shaft of moonlightshowed her once lovely face twisted in a
diabolical grin. Amy, My dearchild, Where have you taken me?
What is this place? It isa place of refuge. I come here
(38:42):
every day for the sleep I needto sustain my existence. This is a
nightmare, another nightmare. I don'tunderstand what's happening to me. It's the
renewed slumber, as much as theliving blood that supplies us with our vigor.
What must I do? You willdo as I do. You no
longer have any choice. Am Idead? Then? Am I dead?
(39:07):
Not yet? But before the nightis over, I will drain you to
the brink. You shan't suffer.I have learned to be gentle. You
needn't be afraid. No, youcan't do this. I don't want to
die. Are you afraid of dying? Why you must die? Every one
(39:30):
on earth must die, and allare happier when they do. Where have
you brought me? Where is thisplace? It is the tomb of the
Cansteines, My dear friend. Whoare you? I am Mere Color,
Countess of Carstine. Mere Color isdead. She died three centuries ago.
(39:55):
I am undead, and you willsoon be one us. I thought you
were my friend. I shall bealways. You are the companion I've been
seeking. I will teach you thethings you must know. You've seen your
last sun rise. Your human lifewill soon be over, but I will
(40:19):
keep you alive forever as a vampire. You mean to morrow, Yes,
to morrow you will begin. Tomorrow night you make your first kill.
I will show you how. Ican't bear to think I cannot. I
have made the decision for you.You had to come with me. Now
(40:42):
you know what I couldn't tell youbefore. Have pity on me. Please
too late for pity. Now wemust be quiet. We must rest while
we can go to sleep, Myprecious child. The rest of the story
(41:04):
was related to me. Later,when General Spielsdorff arrived, he brought a
priest to exercise evil spirits and alearned man who knew the tradition of vampirism.
The General had come to Vienna withthe intention of exploring the graves of
the Kinstein family using ancient maps.They found the tomb and ripped away the
ivy which concealed the marble tablet.With crowbars, they broke in the door.
(41:31):
Oh ah, good work, aflash, you're light down there.
Come on, look, I didn'tanticipate this. Look there, my friend,
(41:53):
they are here. Both of themare here. But Amy looks so
pale. Is she stand aside?Let me test her pulse? Is she
alive? Yes, she's alive,though the heart action and respiration are barely
perceptible. Then we've come in time. We'll save her. Never fear.
(42:17):
And the other one there, gentleman, is the Countess Mircalla. I knew
her by another name. Come lamere Colla. The same creature with the
letters of the name re arranged.Your daughter and mine were victims of the
same demon. At least this childcan be saved, though Berto was not.
(42:39):
The commissioner will be here short.We can't wait for him. Hand
me the stake. Thank you,daughter, I wield the hammer. Oh
come, Milla, Milcolla, whateveryour name may be, How I have
longed for this moment. It hastaken me a long time to recover.
(43:15):
But to this day the image ofCarmela returns to memory, sometimes the playful,
languid girl, Sometimes the writhing fiendI saw in the tomb under the
ruined chapel. Often from a daytimereverie. I have been startled in a
sudden fear, thinking I have heardthe light step of Carmilla at the door
(43:35):
to my room. In the lightof day, it is not particularly alarming.
At night, in the dark,it is sometimes enough to make my
heart stop. I am sure thatCarmilla is dead. Yet she will never
be gone from my memory, notnow, not Everard the words out and
(44:20):
spreading fast about the genes from searsMan's store that grow beautifully. It's a
sure sign they're feels fine and feelinggood for the denim that keeps going strong
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free washed. The genes that growall beautifully now at most serious retail stores
(44:45):
a step right up to most Seriesretail stores. For by Series National Hardware
Retail Saved three dollars I got inone Easy Living flat semi glossam ceiling paint
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in Alaska and Hawaii. The naturallook really helps do something for a woman.
The classic look does too. Nowthere's a group of classic coordinates at
(45:27):
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(45:50):
retail stores. The Sears Radio Theaterhas been brought to you by Sears,
(46:10):
Roebuck and Company. Where our policyis satisfaction guaranteed or your money back.
Sears Square America Shots Carmilla was writtenby Brainer Duffield, produced and directed by
Fletcher markl Your host was Vincent Price. Our stars were an antoinette power and
then given. Also heard were holandSolat, An Seymour, George Sperdacos and
(46:37):
Don Diamond. The music for SearsRadio Theater was composed and conducted by Nelson
Riddle, Mark Gilmore speaking. TheElliot Lewis production of Sears Radio Theater is
a presentation of cd I
Seiers. Radio theater will begin afterthis message from your local station. You
(00:26):
are a world traveler, and youknow there are certain foods, plants,
and animal products you can't bring backto the US. You can't because they're
prohibited. They're prohibited because even oneof these foods, plants, or animal
products might carry a disease or pestthat could spread to our crops and gardens
and animals with devastating results. Youhaven't been everywhere on the globe yet,
(00:47):
but there's always tomorrow, and beforeyou go again. Right for the free
book that explains the law the world, my travelers. Right to Traveler's Tips,
A partner of Agriculture, Washington,d c. Two two five.
All this is vincent price. Butfirst on Earth, as vampires sent thy
(01:11):
corse, shall from the tomb berent, then ghastly haunt thy native place
and suck the blood of all thyrace. That, my friends, is
a verse written by the poet LordByron. The vampire is a truly fabulous
being that rises from the grave toprey upon sleeping persons, who then become
(01:36):
vampires themselves. Driving a stake throughthe heart of one of the undead while
he lies slumbering in his coffin duringdaylight hours is said to put an end
to his blood seeking wanderlust. Fatebrought Carmilla and Amy together in the city
of Vienna in the year nineteen twentytwo, not long after an armistice had
(02:00):
ended the First World War. Theyappeared to be equally young, beautiful,
innocent, But one was an agelessvampire, the other an unsuspecting victim.
And that's just the beginning of ourstory. Sears Radio Theel a new adventure
(02:42):
in radio listening. Five nights ofexceptional entertainment every week, brought to you
in Elliott Lewis production of the SearsRadio Fel. Our story Carmelon a version
for listening by Brainer Duffield. I'ma story by Sheridan Leafener. Our stars
one at bower and hand give them. The Sears Radio Theater is brought to
(03:04):
you by Sears, Robot and Company. Where Value is your byword Sears.
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(03:28):
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right for you. When I needadvice, I go to my mom.
Why not It's free. Now thatI'm married and moving into a new house,
I want all the advice I canget. So when Mom says shop
(03:50):
Sears, I listen. You should. Sears is a great help on those
big items you need for your newhome. Major appliance is like washers,
dryers, and refrigerators. They'll deliverin stall and service. I always depend
on Sears. You should too.Sears see America's clinging jerseys, tight satin
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tops. They only look good ifthey hug your body smoothly. Sears best
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light available at most larger Seers retailstores. It is a midwinter day in
the year nineteen twenty two, andwe are in an upstairs bedroom of an
old house on the outskirts of Vienna. Miss Amy Forrester, a young lady
of quality, is writing in herjournal at an antique desk by the window.
(04:58):
She is about to tell us,in her words, about her encounter
with a vampire. I am goingto tell you something so strange that it
will require all your faith to believeme. It concerns an incident that took
place in my nursery long ago,when we first lived here in Vienna.
(05:19):
One night, I awoke and satup. I saw a pretty face looking
at me from the side of thebed. It was that of a young
lady, kneeling with her hands claspedin front of her on the coverlet.
She drew me towards her, smiling. I felt soothed and fell asleep again.
I was wakened by a sensation asif two needles ran into my throat.
(05:44):
At the same moment I screamed.The lady backed into the shadows.
I recall my father embracing me andtelling me it was nothing but a dream.
That I wasn't comforted for I knewthe visit of the apparition was not
dream. For some years afterward,I could not be left alone, and
a nurse remained at my bedside everynight. Now I'm back here in Vienna
(06:10):
once again, I find I amstill frightened by that childhood recollection. Some
people might think it trifling, butyou'll see why I must mention it.
Something happened one afternoon this past summer. Yes, who is it? Excuse
me, miss Amy. Your fatherwants to see you in his study.
Thank you, Madame Perrodin. I'llgo at once you wanted to see me,
(06:38):
Papa. Yes, Amy, mydear, come on in, close
the door. Hi, you lookcharming today. That's a lovely frock you're
wearing. Thank you for noticing.I made it myself. Quite the proper
young lady. Nowadays. How oldare you getting to be? I'll be
eighteen next month, Papa, That'swhat I thought. Well, perhaps you're
brave enough to listen to someone unhappynews. Yes, Papa, I've had
(07:02):
a letter from General Spielsdorf he can'tcome to us as soon as I'd hoped.
Oh, I've been looking forward tomeeting his daughter. I thought we
could enjoy the summer sunshine together.It's just as well that you and Berta
never became close friends. Why doyou say that because the poor young lady
is dead? You can't mean it. Here, let me read you this,
(07:26):
he says. During the last daysof Berta's suffering, I've been unable
to talk on the phone or writeto anyone. I've lost her and learned
the truth too late. Thank god, my child died without suspecting the cause
of her misery. When I seeyou in the autumn, I'll tell you
things I don't dare to put onpaper. Now, pray for me,
(07:46):
my friend. I see what youmean. He's in great sorrow, poor
Bertsa. Oh there now, Amy, you mustn't cry. I do have
other news. You're going to havesome companionship after all. What do you
mean, Papa, We're expecting aguest. She'll be with us tonight.
(08:07):
That should cheer you. What areyou telling me? A short while ago
the phone rang I heard the voiceof the Baroness Krupska calling him Salzburg I
knew her in my embassy days atto turn the century. Ay. She
was lively and stylish, then abit of a dragon. Now they tell
me the Baroness is coming to visitus. No, no, I don't
(08:28):
think either of us would like thatvery much. The Baroness is going to
Paris on some vital business, butshe's entrusting her niece to my care.
Why is she like this girl?Quite beautiful, everyone says so, somewhat
delicate, but altogether be woochy.That's a fine recommendation. The Baroness was
afraid a young guests would tax myhospitality. I told her, on the
(08:48):
contrary, she'd be doing as afavor My daughter, I said, has
been expecting a house guest who cannotbe with us. If you confide your
niece to our care, I toldher, it'll be a consolation to Amy.
And what's the name of this para. It's a very pretty name.
She's called Carmilla. Ooo. Myvisitor arrived at dusk while I was lying
(09:09):
down, and was carried upstairs,bundled in furs to a bedroom that had
been prepared. She didn't appear atdinner time, but she was certainly the
topic of our conversation. Papa hadinsisted from the beginning that our dignified housekeepers
sit down with us at table.Amy, my dear, please purt the
cream certainly. How do you likeour guest, Madame Paradine? Very much?
(09:31):
Almost as pretty as you, mydear, about your age and exquisite
manners. The rumors were correct.She's absolutely lovely. Ah, such a
sweet voice. Though we only exchangeda word or two. She sank it
with deep sleep as soon as herhead touched the pillow, a fainting spell
and excitement, no doubt. Ihope I haven't done a foolish thing in
taking charge of the young lady.I had doctor clainback take a look at
(09:54):
her to protect you from contagion.And what was his diagnosis? Favorable.
She's tired and a trifle nervous,but completely sane and not subject to fitness.
Very amusing, Papa, When amI to be allowed to meet her?
Forgive me, my child, butyou know I always like to take
precautions. She's sitting up now thesupper tray. There's gonna be no harm
(10:16):
in seeing her. What's the bestway to save on new clothes? Sow
them start by saving forty dollars ona ken Moore sewing machine at Sears with
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(10:41):
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(11:01):
It's Sears Junior Bizarre. Our classicblazer is touchable in cotton and polyester terry.
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(11:24):
Bizarre at most larger Seares retail stores. Generations ago families dined by the warmth
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(11:45):
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from sixteen different pieces of open hearthat most Sears retail stores. Shortly thereafter,
(12:05):
I entered the Sanctum Sanctorum. Carmillarested against pillows on the canopied bed.
As I approached and opened my mouthto speak, I was suddenly struck
dumb. I saw the very facewhich had visited me that terrible night in
my childhood. It was a prettyface, but with a melancholy expression.
(12:28):
This changed into a smile of recognition. I couldn't say a word. It
was she who spoke first. Howwonderful twelve years ago I saw your face
and a dream, and it hashaunted me ever since. Wonderful indeed,
twelve years ago, whether in adream or in reality, I certainly saw
(12:50):
you. I couldn't forget your face. This is not to be believed,
she told my hand impressed it.Whatever it frightened me was gone. I
felt reassured and blushed as I stammeredwords of welcome. Sit here beside me.
I must tell you my vision aboutyou. It's so strange that we
(13:13):
had a vivid dream of each other, you and I, that we have
seen one another before looking as wedo now, when, of course,
we were both children. My fatherhas books on an psychic experience, perceptions,
intuitions, whatever you want to callthem, but I never believed a
word of it until now. Letme tell you. I was perhaps six
years old. I woke from atroubled dream to find myself in a different
(13:37):
room, in another house. Iknelt beside a bed as if to pray.
Then I saw you. It wasmost assuredly you as I see you
now, with golden hair and angelicblue eyes. Ah. It was your
looks that won me over. Iwanted you to be my friend. I
recall embracing you as if we hadalways known each other. And then I
(14:01):
think we both fell asleep. Isthat what you remember? I was roused
by a scream. You were sittingup screaming. That frightened me, and
I ran away. Somehow I lostconsciousness, and when I came to,
I was in my own bed againat home. I only know that I
was greatly terrified. In all thistime, I have never forgotten your lovely
(14:24):
face. It isn't a mere resemblance. You are the young girl whom I
saw then. I don't know whichof it should be the most afraid.
But if you were less pretty,I should be very much afraid of you.
But being as you are, andyoung as we both were, I
only feel that I made your acquaintanceyears ago. It does seem as if
(14:46):
we were predestined to be friends.I've never had a close friend, and
I've longed to find one, DearAmy, have I found one now?
I'd like to be companionable. I'lltry. I want to make a compact
of true friendship. But forgive me, I you're exhausted. I can see
(15:11):
that. Yes, suddenly I feelquite tired. It's my fault, Carmela.
I'll bid you good night. Ohplease don't go. The doctor thinks
you ought to have a maid tosit up with you. One of ours
is waiting in the hall. You'llfind her most useful. Inquired. No,
I never could sleep with an attendantin the room. Ah. Our
house was robbed once and a servantwas murdered, so I always lock my
(15:35):
door. It's become a habit.I know you won't mind. I see
there's a key in the lock.Here, suit yourself, lock yourself in
if you like, you'll be quitesafe. Good Night, then, my
new friend, or should I say, my old friend. It's hard to
part with you, but we'll seeeach other again to morrow, though not
too early. I like to liea bed most of the day. I'm
(15:58):
what they call a knight person.You'll soon get used to that good night.
She had walked with me to thedoor and embraced me fondly, determined
that we should be great friends,young people like, and even fall in
(16:18):
love with one another on impulse.I was flattered by the affection she showed,
and had every reason to be delightedwith my new companion. Yet I
felt a faint antipathy along with myadmiration of her. I awoke in the
night and saw a vision of Carmillastanding at the foot of my bed and
smiling. I had a sudden premonition, a foreboding of my own death.
(16:49):
There was a park between our villaand the river, and one day,
a month after Carmilla's arrival, westepped outside for a stroll and met Madame
Paradin on her way back from doingit. If I were you, girls,
I shouldn't go into the park oranywhere. There'll be crowds of people.
Why do you say that, Madame? You see what's going on over
there at the church. Another funeral, the third one since last Sunday.
(17:11):
There's some sort of fever going aroundthat infects young girls like yourselves. Why
has no one told us? Yourfather never speaks of anything that might frighten
you. He's gone to the churchyard. I I thought you knew she was
going to be buried. Is itsomeone we know? The daughter of the
shoemaker at the corner, Little Lenny, poor child fancied she saw a ghost
(17:32):
five days ago and has been dyingslowly ever since. Tell me nothing about
ghosts. I shan't sleep tonight.If you do, I'm going into my
kitchen. There'll be fewer germs therethan outside in the open air. You're
probably wise. We'll see you atdinner. Oh for madame, I hate
funerals. What does that signify toyou, my dear? It makes me
(17:53):
wonder about the home and family younever mention. It indicates the people with
strange manners and customs of which wein Vienna know nothing. I gather your
native country is more remote than Iimagined. That isn't true. It's very
close by soon. I intend totell you all about it at funeral bell.
(18:17):
It fills my heart with fear wheneverI hear it. Don't talk that
way. The tragedy of life isnot that men die, but that they
cease to live. What does thatmean? Oh, I'll explain it to
you when the time comes. SearsRadio Theater. We'll return after this message
(18:42):
from your local station. Is therea Missus Samuels at home? She?
Missus Samuels. This is Peters.I work with security at the Mutual Liberty
building where my husband works. Whatis this, Missus Samuels. Your husband
(19:04):
has collapsed here in the lobby.Oh no, he was gripping at his
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(21:00):
Viennese countryside out beyond the window whereAmy Forrester continues to write in her journal.
The icicles on the roof outside seeman appropriate background for Amy's story of
her encounter with a vampire. Later, Carmilla grew cheerful, and we talked
(21:21):
a great deal. The evening wentby without further sign of her weakness,
as she called it. I didn'twant her to pick up the fever they
said was all around us. Iwas so healthy I couldn't allow anything to
happen to my guest. The followingevening, after dinner, my father called
us to a study. Come rightin, young ladies, to have something
to show you here. Look atthese? What are they? Father?
(21:44):
Old pictures? Portress mostly I recentlysent them to be clean. They splendid.
Do you see them, Carmela,Yes, I can see them very
well. My late wife was ofan old Hungarian family. Most of these
have come to us through her.Don't you like them? Images of dead
people? I neither like nor dislikethem, but they're undoubtedly old, and
(22:06):
some of them are quite curious.I'm seeing most of these myself for the
first time. Smoke and dust hadalmost obliterated them till now. One in
particular should interest you. See hearit is? I remember that when I
always loved her, but she wasso black and with age I could hardly
make out the face. It's asmall picture, but interesting. What is
(22:27):
her history? Not only a smallpicture, it's a small miracle. Why
it's the very image of you,Carmela. It's certainly a wonderful likeness.
I thought you'd notice that. It'sreally startling. It seems to live here.
You are on canvas, living,smiling, ready to speak. Isn't
it perfection? See she even hasa little mole like yours on her throat.
(22:51):
I don't have a mole. It'sa beauty spot. May I hang
this picture in my room? MayI? Father? Of course you may.
Now the lettering's restored with and readthe name quite plainly, Marcia Kernstein
and the date sixteen ninety eight.Yes, but it's not Marcia. The
name is mer Khala, Countess ofKarnstein, and there's a tiny cornet above
(23:12):
it. I'm descended from the Karnstein's. I ought to say. My mother
was ah so Ama. You know, a long descent, very ancient.
Are there any Karnstein's living now?The family was wiped out, I believe
in some civil wars. But theruins of the castle aren't far from here,
(23:33):
in a private park about three milesaway. Yes, I've been there.
It's situated among other more recent ruinsof the Great War, but it's
right in the middle of the city, with honking traffic all around. I
don't care much for ruins, butwe must go there sometime. We'll get
up an expedition and take a picnicbefore the weather turns too cold. Come
to the window, Amy, seethe moonlight. We can look at pictures
(23:55):
tomorrow. Why don't we take awalk and look down on the river it's
so like the night you came tostay with us. A month ago.
There was a bright moon like thisone. So you're thinking of the night
I got here? Are you gladI came? I shall always be glad?
(24:18):
And you asked for the picture youthink resembles me to hang in your
room. I declare you're getting sentimental, Carmela. When you get around to
telling me your story, it'll beone romance after another. Don't be silly.
I'm sure you've been in love.There's probably an affair of the heart
going on right now. I've nevercared deeply for anyone, and never shall
(24:40):
unless it be someone like you.You'll have me in tears in a minute.
It's the fever. Papa would grieveif he thought you were running a
fever and didn't let us know howcold it's getting to be that window for
Daniel. Yes, let's go backto the house at once o as whom
(25:00):
we were by the fire, Carmelaseemed more melancholy than ever before. Tell
me, my dear, have youheard from your aunt while you've been with
us? No? Do you knowwhere a letter would reach out right now?
I can't really say, but Ido think I've overstayed my welcome.
You've already been too hospitable. Ishall go away tomorrow and look for my
(25:22):
aunt. I know where I willfind her eventually. Carmella, you're talking
nonsense. You mustn't dream of doingany such thing. I won't consent to
your leaving us. The barones saidyou should stay with us till she returned.
Do you hear that, Carmella.We won't allow you to leave us.
I'm not used to taking orders fromany one. No one is giving
orders, my dear girl. Butto night, the reports of the mysterious
(25:45):
disease in the district are more alarmingthan ever. I feel responsible for your
safety, and you mustn't think ofleaving us. I must thank you again,
sir. I have seldom been sohappy in my life as under your
care and in the company of yourdaughter. I went up with Carmela to
her room, as I did everyevening, while she was preparing to go
(26:07):
to bed. I apologize for mybehavior to night. There are things I
want to tell you, but Idon't know how to begin. Do you
think you'll ever confide in me?You won't answer. I ought not to
have asked you that you were quiteright to ask me. I wish I
could answer, But you don't realizeI'm under vows. The time is coming
(26:33):
soon when I shall tell you everything. When I do tell you, you'll
think of me as cruel and veryselfish. Selfish, My kind of friendship
is always selfish. You and Iwe need a blood oath to seal our
friendship. You're delirious again. Howyou do run on? If you're going
(26:56):
to talk that way, I won'tlisten. I shall leave the room.
Good night, Carmilla, for theblood is the life. Remember that blood
is the life. I had adoptedCarmilla's precaution of locking my bedroom door,
(27:17):
having taken into my head her fearof midnight invaders. The dreams have a
way of coming through walls to lightup dark rooms. I had a dream
that night, which was the beginningof an agony of dreams. I saw
or imagined. I saw something movingaround the foot of my bed. It
was a sooty black animal that seemedlike a monstrous cat. Before my eyes,
(27:41):
it transformed itself into Carmilla, standingthere, staring with blood on her
night gown. I heard a voice. Your mother warns you to beware of
the assassin. I was terrified.I ran to the door and found it
locked as usual from the inside.My next recollection is of being in the
(28:07):
hallway crying for help and pounding onCarmela's door. Missus, Amy, what's
the matter? What has happened?There's an evil spirit in this place?
We must waken Carmilla. Your godownstairs, madam, bring some men to
forces locker, or break the doordown, Yes, miss Amy, I
will. The door swung open.We gazed into the room. Carmilla,
(28:38):
Carmilla, Carmela, where are you? He called her by name, but
there was no reply. We lookedround the room. Everything was undisturbed.
It was exactly in the state Ileft it when bidding her good night.
But Carmila was gone. We thoughtCarmilla might have hidden herself somewhere nearby,
(29:00):
but the door had been locked andthe windows all secured. Daylight brought no
solution. The entire household was ina state of agitation. As evening came
on, I went upstairs again.There was Camilla standing at her dressing table.
She beckoned to me and I ranto embrace her. Amy, Oh,
(29:21):
my own darling, Amy, We'vebeen frightened half to death. Where
have you been? When did youcome back? This last night has been
a night of wonders. I wanta sensible explanation. It was past two
last night before I went to sleep, with the doors and windows locked.
All I can say is that mysleep was uninterrupted and dreamless. But I
(29:42):
woke just now on the sofa inthe little dressing room. The door between
the rooms was opened. The otherdoor was forced open. How could that
have happened without my being wakened?By this time, hearing voices, my
father entered the room. He wasincredulous to be told the same story I
had heard. He took Carmila's hand. Will you forgive me, my dear?
(30:03):
If I ask you a question,ask what you please, I'll do
my best to answer. But mystory is simply one of bewilderment. Precisely
now, the marvel of last nightconsists in your having been removed from your
bed in your room without being wakened. What possible explanation can there be?
Have you ever been suspected of walkingin your sleep? Never? Not since
I was very young? Ah,But you did walk in your sleep when
(30:26):
you were young? Yes, Iwas told so by my nurse. Ah
ah, well, and what happenedis this, You got up in your
sleep and unlocked the door. Youtook the key with you, locking the
door from the outside. Do youfollow what I mean? But how,
Papa, do you account for herfinding herself in the dressing room which we
had searched so carefully. She cameback there after you had searched it,
still in her sleep, and awokespontaneously as much surprised to find herself where
(30:48):
she was as anyone else. Iwish all mysteries were as easily explained.
The explanation involves no drugging, tamperingwith locks, no burglars, poisoners,
which there was nothing that need alarmanyone about our safety. And that's the
end of it. Father arranged thata servant should sleep outside Carmilla's door in
(31:10):
case she walked in her sleep,again, that if her sleep was dreamless,
mine was not. Strange sensations troubledmy sleep. There was a cold,
peculiar thrill, as if one wereswimming against the current of a river.
Sometimes there came a sensation as ifwarm lips kissed me longer and more
(31:30):
lovingly as they reached my throat,And there the caress fixed itself. My
breath came faster and faster, witha sense of strangulation, till I became
unconscious. It told on my appearancethis siege of nightmares. But I assured
my father I was quite well.In a way. This was true.
(31:52):
I felt no pain. Some kindof narcotic was acting on me, and
my perceptions were benumbed. Hut Racestep right up to most Sears retail stores
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(32:15):
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Ray. Rices may vary in Alaskaand away. Your baby's room. Furnish
(32:38):
it with a quaintness and charm ofSears Jenny Lynn's crib dresser and chest.
Your baby will be secure in ourold fashioned crib built with high sides and
a safety drop side latch. Andeach handsome maple color piece comes in a
non toxic finish. Sears Jenny LynnDressroom chest is furniture that will adapt gracefully
as baby grows older. Too.Visit is soon because Sears has baby buys
(33:01):
bundled up available at most Sears retailsdoors. Understand you type fast, yes,
accurate, Wow, that's okay.You'll be typing on Sears Exclusive Corrector
electric typewriter with easy correction and more. It's Sears best. Try typing Sears
Corrector typewriter. Whoops? Now firstSears is Scar s not Z. So
(33:24):
backspace to the incorrect letter, Tapthe correction key. Now the mistake is
blocked out. Next type the correctletter, then proceed is Daddy Vincent Price
again. And here's the concluding actof Carmela. Early one morning I found
(33:49):
doctor Kleinbach waiting downstairs. Father hadsent for him without telling me. Since
the doctor was there, I toldhim my story. My father came and
decide me. Well, Doctor,I dare say, you tell me I'm
an old fool for having brought youhere. Not a bit of it amy.
You mentioned a sensation needles piercing theskin of your throat the night of
(34:12):
that first dream. Did you feelany soreness? None at all? Indicate
with your finger the point where thisoccurred, a little below my throat.
Here, remove your scarf please,and open your collar. We need to
look for symptoms. There's nothing.There is there. Indeed, there is,
my dear girl, a small bluespot. God bless me. So
(34:36):
there is a spot about the sizeof the tip of your little finger.
The question is what's best to bedone. Am I in any danger?
I trust not, my dear Idon't see why you shouldn't begin to get
better immediately. Now that's the samepoint at which the feeling of strangulation began,
Yes, and also the center ofthat thrill, like the current of
(34:58):
an icy stream against you. Itmay be, yes, I think it
is. May I say a wordto Madame, Yes, certainly, Madame
Parador, will you come over hereplease? Yes? Doctor, is there
something I can do? I findthis young lady far from will steps must
be taken, Madame, be sogood as to not let me see me
be alone for one moment. Thatis the only order I need give for
(35:22):
the present. But it's an importantone. We may rely on your discretion,
Madame. I know indeed, youmay, sir, Thank you.
I shall be back about seven thisevening. Later that morning, when Papa
came from his study, he hadan envelope in his hand. Amy,
this letter has been delayed in themail. It's from General Spielsdorff. You'll
(35:44):
be with us soon. He maybe here today. You don't look pleased
as you should when a friend iscoming. You look as if you wished
him at the bottom of the RedSea. It's just that his plans are
so erratic. Dear Papa, willyou confide in me that all depends?
Does the doctor think me very ill? He thinks she'll be well again,
Amy, at least on the roadto recover in a day or two.
(36:07):
Meanwhile, don't trouble your head aboutit. Carmela had been upstairs, sleeping
late as always. When next Isaw her it was mid afternoon. She
was coming from the kitchen with apicnic basket on her arm. Get ready,
Amy, we're going to make ourexpedition. Where are we going to
(36:28):
the ruins of Karlstein. We're notputting off seeing them any longer. How
will we get there? My taxiof course, come along. Don't keep
me waiting, but I shouldn't.An old friend of my father's, General
Spielsdorf, may be arriving this afternoon. The General. We'll have to wait
see him when we get back.Come now, put on your coat.
This instant amy, where are yougoing? You can't go out right now?
(36:51):
It's a sort of picnic. Carmelahas decided. Does your father know
he said you mustn't be alone,Madame. I shan't be alone. Carmela,
be with me. No autumn drivecould have been prettier. A steep
Gothic bridge led to the deserted chapelamong a grove of cypress trees. We
(37:12):
had dismissed the taxicab to enjoy ourstroll. Isn't it peaceful? Ahmy dear,
Look at those colors. A woodlandin the midst of a busy city.
One could linger for an eternity.We can't do that. Let's find
a grassy spot to spread the blanketand have our sandwiches. I love the
(37:34):
crunch of leaves underfoot, don't you. Autumn is my favorite season. We
can sit down here, give methe basket. Goodness, the sun's going
down. We must think of gettinghome before dark. You're not going home,
Amy, neither of us will go. This will be our home from
now on. Mather was standing behindme. A slender hand closed like a
(38:00):
vise of steel around my wrist.A kerchief soaked with some acrid chemical was
pressed over my nose and mouth.I awoke in a dim, dark chamber,
surrounded by dampness and stone. Itwas so cold, so frightening.
(38:21):
I couldn't see her, but Iknew she was there on the marble floor
beside me. A shaft of moonlightshowed her once lovely face twisted in a
diabolical grin. Amy, My dearchild, Where have you taken me?
What is this place? It isa place of refuge. I come here
(38:42):
every day for the sleep I needto sustain my existence. This is a
nightmare, another nightmare. I don'tunderstand what's happening to me. It's the
renewed slumber, as much as theliving blood that supplies us with our vigor.
What must I do? You willdo as I do. You no
longer have any choice. Am Idead? Then? Am I dead?
(39:07):
Not yet? But before the nightis over, I will drain you to
the brink. You shan't suffer.I have learned to be gentle. You
needn't be afraid. No, youcan't do this. I don't want to
die. Are you afraid of dying? Why you must die? Every one
(39:30):
on earth must die, and allare happier when they do. Where have
you brought me? Where is thisplace? It is the tomb of the
Cansteines, My dear friend. Whoare you? I am Mere Color,
Countess of Carstine. Mere Color isdead. She died three centuries ago.
(39:55):
I am undead, and you willsoon be one us. I thought you
were my friend. I shall bealways. You are the companion I've been
seeking. I will teach you thethings you must know. You've seen your
last sun rise. Your human lifewill soon be over, but I will
(40:19):
keep you alive forever as a vampire. You mean to morrow, Yes,
to morrow you will begin. Tomorrow night you make your first kill.
I will show you how. Ican't bear to think I cannot. I
have made the decision for you.You had to come with me. Now
(40:42):
you know what I couldn't tell youbefore. Have pity on me. Please
too late for pity. Now wemust be quiet. We must rest while
we can go to sleep, Myprecious child. The rest of the story
(41:04):
was related to me. Later,when General Spielsdorff arrived, he brought a
priest to exercise evil spirits and alearned man who knew the tradition of vampirism.
The General had come to Vienna withthe intention of exploring the graves of
the Kinstein family using ancient maps.They found the tomb and ripped away the
ivy which concealed the marble tablet.With crowbars, they broke in the door.
(41:31):
Oh ah, good work, aflash, you're light down there.
Come on, look, I didn'tanticipate this. Look there, my friend,
(41:53):
they are here. Both of themare here. But Amy looks so
pale. Is she stand aside?Let me test her pulse? Is she
alive? Yes, she's alive,though the heart action and respiration are barely
perceptible. Then we've come in time. We'll save her. Never fear.
(42:17):
And the other one there, gentleman, is the Countess Mircalla. I knew
her by another name. Come lamere Colla. The same creature with the
letters of the name re arranged.Your daughter and mine were victims of the
same demon. At least this childcan be saved, though Berto was not.
(42:39):
The commissioner will be here short.We can't wait for him. Hand
me the stake. Thank you,daughter, I wield the hammer. Oh
come, Milla, Milcolla, whateveryour name may be, How I have
longed for this moment. It hastaken me a long time to recover.
(43:15):
But to this day the image ofCarmela returns to memory, sometimes the playful,
languid girl, Sometimes the writhing fiendI saw in the tomb under the
ruined chapel. Often from a daytimereverie. I have been startled in a
sudden fear, thinking I have heardthe light step of Carmilla at the door
(43:35):
to my room. In the lightof day, it is not particularly alarming.
At night, in the dark,it is sometimes enough to make my
heart stop. I am sure thatCarmilla is dead. Yet she will never
be gone from my memory, notnow, not Everard the words out and
(44:20):
spreading fast about the genes from searsMan's store that grow beautifully. It's a
sure sign they're feels fine and feelinggood for the denim that keeps going strong
a long time. Get them trimcut, regular cut, even get them
free washed. The genes that growall beautifully now at most serious retail stores
(44:45):
a step right up to most Seriesretail stores. For by Series National Hardware
Retail Saved three dollars I got inone Easy Living flat semi glossam ceiling paint
not on nine a gallum. Saveone hundred dollars on a ten NS radio
alarm salt with leg said just twoseventy nine ninety five. Save thirty or
(45:07):
forty dollars on two crystal glass chandeliersnow fifty nine ninety nine nine seventy nine
ninety nine take home beat savings.It's SERRS National Hardware Week sale prices Maybury
in Alaska and Hawaii. The naturallook really helps do something for a woman.
The classic look does too. Nowthere's a group of classic coordinates at
(45:27):
Sears that really does up the naturallook for Spring. Everything in a nubby
texture, rich blend of polyester,rayon and flax in two of this season's
favorite colors mauve or natural capture,the double breasted blazer wrap skirt, straight
leg trouser pants, and open basketweave shirts. Sears Spring Coordinate group in
sizes eight to sixteen will really helpdo something for you at most larger Series
(45:50):
retail stores. The Sears Radio Theaterhas been brought to you by Sears,
(46:10):
Roebuck and Company. Where our policyis satisfaction guaranteed or your money back.
Sears Square America Shots Carmilla was writtenby Brainer Duffield, produced and directed by
Fletcher markl Your host was Vincent Price. Our stars were an antoinette power and
then given. Also heard were holandSolat, An Seymour, George Sperdacos and
(46:37):
Don Diamond. The music for SearsRadio Theater was composed and conducted by Nelson
Riddle, Mark Gilmore speaking. TheElliot Lewis production of Sears Radio Theater is
a presentation of cd I
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