July 29, 2025 • 28 mins
This detective series brings the adventures of the famous sleuth to life, solving complex cases with keen observation and deductive reasoning. The stories are rich in intrigue and suspense.
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Episode Transcript
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Speaker 1 (00:11):
From New York, the makers of clear Craft Clothes from Anna,
and ten hundred and thirty six leading retails doors from
Coast to Coast present the world most famous detective Sherlock Holmes.
(00:36):
Our stories are based upon the character of Sherlock Holmes,
created by Sir Arthur Conan Doyle. Sherlock Holmes is portrayed
by John Stanley, Doctor Watson by Alfred Shirley.
Speaker 2 (00:46):
And the dramatizations are by Edith miser. Well, here we are.
Speaker 1 (00:53):
Again doctor Watson's study. We find him seated in the
large armchair in front of a crackling fire. Good evening
to her evening.
Speaker 2 (01:00):
Doctor Watson, Now, don't get up.
Speaker 1 (01:01):
Feel very comfortable right where you are, and from the
rightness of your cheeks, i'd say you've had a good
day off in the country somewhere.
Speaker 3 (01:08):
That's where you're wrong, Miss Adis. I've been doing museums
most of the day and it's very tad in especially
two small boys in town.
Speaker 1 (01:16):
I should think so. But why did you collect the
kindergarten doctors?
Speaker 4 (01:18):
Oh?
Speaker 1 (01:19):
It was a basive nephews of mine. I was hoping
along with that education. You know, it's a customer in
my family. That the uncles must take the.
Speaker 3 (01:26):
Nephews Museum, visiting once a year. I remember as a
boy being dragom miles.
Speaker 2 (01:32):
Of our galleries.
Speaker 1 (01:32):
But doctor, weren't you ever taken to the British Museum?
Speaker 2 (01:35):
Oh?
Speaker 3 (01:35):
Yes, and to Madatisell's. But the part of London was
my favorite.
Speaker 1 (01:40):
The entry who took me.
Speaker 3 (01:41):
There was quite a fancier of vicious stones. He explained
the history of every jewel in the Crown's collection.
Speaker 1 (01:47):
That must have been an education in itself, they say,
every famous gem, he's a trail of bloodshed and higher
adventure across the pages of history. And by the way,
isn't your story tonight about the famous jewel?
Speaker 2 (01:57):
Oh?
Speaker 3 (01:58):
Yes, that is what the nighted is as strong my
boyhood visits to Theatah. The famous Mazarin stone I'm going
to tell you about had a history that would make
your hair curl?
Speaker 1 (02:08):
Tim me a little?
Speaker 3 (02:09):
Did I think when I assoyed as.
Speaker 1 (02:10):
A boy, that would ever hold that great yellow beauty
in marrowed hands?
Speaker 2 (02:14):
Fitchcotten? Did you?
Speaker 1 (02:15):
Doctor? Oh? Before I tell you that, mister Hardison, suppose
I give.
Speaker 3 (02:19):
You a few moments to see a few words about
our sponsor's most ethimable croup.
Speaker 1 (02:23):
Thank you, doctor Watson. As you put it, sir, it
is indeed an estimable product sour steam. May I say that,
beginning in nineteen forty eight, over one thousand leading stores
from coast to coast are clipper craft dealers. To be exact,
there are ten hundred thirty six such distinguished establishments. Those
leading stores across the country are, of course, the key
(02:45):
to the amazing value so unique to clipper Craft clothes.
The ten hundred thirty six leading stores are part of
the famous clipper Craft Plan. In this plan, their buying
power is concentrated to affect tremendous savings in manufacturing and distribution,
conscious savings which are all boors. That's why truly fine
clipper Craft suits are only forty and forty five dollars,
(03:07):
Why clipper craft top coats and overcoats are only forty
dollars and sports jackets only twenty six fifty clipper Craft
values are truly out of this world.
Speaker 2 (03:17):
Compare them with.
Speaker 1 (03:17):
Clothes selling for many dollars more. And now, doctor Watson,
let's get back to the story of the Masterine Stone. Yes,
let me see where was I? Oh, yes, I've been
married some years and have resumed my practice.
Speaker 3 (03:38):
When one snowy winter afternoon one of my calls took
me in the neighborhood of Baker Street, I couldn't resist
the temptation to drop in and find out for myself
what my colleagues at homes were up to. And I
stood there in a fall in snow, waiting for someone
box of the bell.
Speaker 1 (03:55):
I danced up at the window of his study, and
there I saw the thin nose, saturnine.
Speaker 3 (04:00):
Features of the Greek detective. He was apparently deeply englosed
to the book. Listenly, the doors opened, and there stood
missus Hudson.
Speaker 2 (04:19):
Well, bless my sort of him, isn't the doctor?
Speaker 1 (04:22):
Good day to you, sir. It's a pleasant seeing you again.
Speaker 3 (04:26):
Why missus Hudson, you're looking as beautiful as ever you.
Speaker 1 (04:30):
You don't change at all.
Speaker 2 (04:31):
No you, sir, You're and your bloody And how is.
Speaker 1 (04:34):
The good man himself?
Speaker 2 (04:35):
Him?
Speaker 5 (04:36):
He's in bed asleep, I think, But I just saw
him through the window, So that fool you too, that's
not him.
Speaker 1 (04:43):
What do you mean?
Speaker 5 (04:45):
Just you be going upstairs and find out for yourself.
I'm not the one who begin the secrets away least
of all mister Holmes's secrets.
Speaker 1 (04:52):
So he's asleep in the middle of the afternoon. I
suppose that means a case.
Speaker 5 (04:58):
Yes, sir, he's hard at it now and he's getting.
Speaker 1 (05:01):
Sinner and sinner.
Speaker 5 (05:02):
When will it be pleased to die? And mister Holmes said,
I'll ask him seven thirty the day after tomorrow.
Speaker 6 (05:08):
He'll say.
Speaker 5 (05:09):
You know his way when he's.
Speaker 1 (05:10):
On a case. I seem to remember he's a hollering
some one. Don't say, yes, sir.
Speaker 5 (05:18):
Yesterday he was out dressed like a workman looking.
Speaker 7 (05:20):
For a job.
Speaker 5 (05:21):
To day he was an old woman. Fair took me
and he did, and Lord knows I ought to have
been in his weight. By now you'll see his old
woman's umbrella leaning up against the sofa in his study.
Speaker 1 (05:32):
Dear, mean, what is this case all about?
Speaker 5 (05:35):
Well, I don't mind telling you, sir, but mind you
don't let it go any farther crossed my heart, missus Hudson.
Very well, then the case of the Crown Diamond.
Speaker 1 (05:45):
What the hundred thousand pounds burdary, Yes, sir.
Speaker 5 (05:49):
And mister Holmes is getting it back for him.
Speaker 1 (05:53):
Why would you believe it?
Speaker 5 (05:54):
Yesterday we had the Prime Minister and the whole Secretary
sitting on mister Holmes's sofa, both at the same time.
Speaker 1 (06:00):
Why hope it stood up in the stream.
Speaker 3 (06:03):
And how did the Holmes behave two such famous persons
on the couch him?
Speaker 5 (06:09):
He was very nice to them and put them right
at their ease.
Speaker 1 (06:12):
Indeed, yes, sir, then there was old Lord can from
me here. Oh you know what that means?
Speaker 8 (06:19):
He is a stiff.
Speaker 5 (06:20):
And if I do say so, I can get along
with the Prime Minister. And I'm nothing against the Home Secretary.
He seems an obliging sort of man with a.
Speaker 1 (06:28):
Civil tongue in his here.
Speaker 5 (06:29):
But I can't buy his lordship, poor fellow, Yes, sir,
and neither can mister Holmes.
Speaker 7 (06:35):
You see, he don't.
Speaker 5 (06:36):
Believe in mister Holmes, and he's against employing him.
Speaker 2 (06:40):
He rather he failed.
Speaker 1 (06:42):
Does Holmes know that you think?
Speaker 5 (06:44):
Yes, Thoms knows whatever there is to know.
Speaker 1 (06:47):
Oh, absolutely, But I say perhaps I had better not
wake an Why I wish you, sir.
Speaker 5 (06:52):
He's not had a bite to eat since yesterday noon,
and there would be a sandwich with a glass of milk.
And I don't dare.
Speaker 1 (06:57):
Speak to him about it.
Speaker 5 (06:59):
You know what his life stir when he's busy.
Speaker 7 (07:01):
On a case.
Speaker 2 (07:02):
Who cried?
Speaker 1 (07:03):
Well, suppose I grew up and beard the lion in
his den?
Speaker 7 (07:06):
Heh Homes, I say, Homes, are you awake?
Speaker 1 (07:27):
He must be asleep. Well are you going anyway?
Speaker 3 (07:33):
Same old place and the same old litter, scientific charts, chemicals,
violin pipes, papers, all, there's the old boy himself losing
the armchair in front of the window.
Speaker 1 (07:48):
I thought I saw him from the street. I could
just go over and tweaking the air. What's come away
from that window? Good? Gracious, Homes, you gave me a
start away from that window.
Speaker 2 (08:00):
Value your life will.
Speaker 1 (08:01):
Dave well very well. But I suppose this is all
very confusing here. I see you sitting in your arm chair.
Speaker 3 (08:08):
And suddenly you pop out of me from your bedroom door.
Since when have you been twins? Yes, it is rather startling,
like missus smith likeness. Yes, it's a waxed lidge on me.
Speaker 2 (08:18):
I'm expecting to get a bullet through it, beautiful.
Speaker 1 (08:20):
Head at any moment if you by drawing the blinds
without exposing yourself.
Speaker 2 (08:24):
All right, it's better now.
Speaker 1 (08:29):
I can come into the room. Yes, but why all
this hocus pocus I'm being watched from a window across
the street by a gentleman with an unpleasantly efficient air gun. Yes, Watson,
you've come at a critical moment. Yes, sir, I gather
how far am I justified in allowing you to share
this danger with me? I wonder danger? What kind of danger?
Sudden death? I'm expecting something this evening, expecting what to
(08:52):
be murdered? Watson, you are joking. Even my limitedness of
humor could produce a better joke than that. Perhaps you
better go while there's still.
Speaker 3 (08:59):
Time, My dear homes You couldn't get me out of
here now at the point of a revolver.
Speaker 1 (09:04):
Good, But sit down, sit down, may as well be
comfortable in the meantime, how about a pipe and a
glass of brandy. They have to take the place of
food these days. That's why not eat. The faculty has
become refined when you starve them a rubbish? What your
digestion gains in the way blood supply is so much
lost the brain present.
Speaker 2 (09:23):
I'm all brain.
Speaker 1 (09:24):
But this danger hose his name is Sylvius. That are
right down, count Negretto Sylvius, one freeze, six Moorside Gardens, Northwest, Yes, good.
You can give it to Scotland Yard with my love
and a parting blessing in case the murderer is successful.
You care, Hose, I'm in all this. I had nothing
(09:44):
to do for a tail or.
Speaker 2 (09:45):
Two.
Speaker 1 (09:45):
Your models don't prove, Watson. Now you've added fipping to
your other vices. You wear every sign of the busy
medical man.
Speaker 3 (09:52):
Oh to blaze it with them, I say, can't you
have this fellow arrested?
Speaker 2 (09:57):
Yes?
Speaker 1 (09:57):
I can. That's why he's determan to kill me. Why
don't you because I don't know where he's hidden the
confined diamond.
Speaker 3 (10:03):
Oh yes, missus Hudson told me the missing Crown Duel.
Speaker 1 (10:07):
I've cast my neck, Watson, and got my fish. About
the use of catching them? Of the jewels that pull
my fingers? And is this Count Sylvia's one of your
so called fish. It's the shark. The other is Sampurton Butter.
He's the Count's tool. Sam's not a shark. He's a
great bullheaded gudgetman. Come in, come in, ah, miss Hudson,
What is it.
Speaker 5 (10:27):
A gentleman downstairs?
Speaker 2 (10:29):
See he says, here's.
Speaker 1 (10:30):
This card, Come negreto Sylvius. Oh, well, so the old
shark is grasping the metal. Eh Er, that metaphor is
a trifle mixed. Show him up, missus Hudson, when I
ring if I'm not in the room, show him up
all the same, that man of nerve Watson. Possibly you've
heard of his reputation as a big game hunter. What
a triumphant ending to his sporting record. If he succeeds
(10:52):
in adding me to his bag, this is proof that
he feels my breath uncomfortably hot on his neck, Lucia,
why not send for the police? Not yet, not quite
yet that take a glance out of the window, Watson,
and see if anyone's hang about it. Yes, all right,
there's one rough looking fellow near the bar, that fru
Sam They fool bit fatuous, I say, look here, Oh
this is serious. I insist I'm staying with you. But
(11:15):
Jophy in the way, in his way, No, in mine? Well,
I'm not great batch. Any Well, we'll compromise. You shall
stay in the bedroom within call in case I need you. Yes,
but holdong, it's essential that this room be empty when
the Count enters it. He's come for his own purpose,
but he may stay for mine. Hurry, I think I
hear his step on the stairs. Oh he's not in here, sir.
Speaker 5 (11:38):
But plus you step in, I'm sure you'll be back
in alone.
Speaker 1 (11:40):
Many thanks. So this is his damn name, his bocos
on his tapers, and all the rest of his hopeless purpose.
Speaker 4 (11:54):
Softly, Sylvia, softly, there's old vulture himself asleep in his chair.
I'm lucky, Soniams. One tap from my gold headed cane.
Speaker 1 (12:04):
Don't bring it, coundn't bring it? Homes you quite? I
trust you were expecting someone else. I see you've been
buying my wax figure. Pretty little thing, isn't it. Chardenie
made it. He's almost as good at waxworks as your
friend Straubn's as and air guns?
Speaker 2 (12:20):
Air guns? What do you mean? First?
Speaker 1 (12:22):
Your hat and stick on the side table?
Speaker 2 (12:27):
Thank you?
Speaker 1 (12:29):
Now, pray, take a seat. Dads, you'd like to put
your revovard on the table too, erm No, you prefer
to sit. Hi, pretty well, this visit is most popertune.
I want a few minutes chat with you.
Speaker 2 (12:41):
Good, I too, wish to have some words with you.
Speaker 1 (12:44):
May I ask why all these personal attendants?
Speaker 2 (12:46):
Because you annoy me.
Speaker 1 (12:47):
You'll put your creatures on my tracks, my creatures, I
assure you no nonsense.
Speaker 2 (12:51):
I've had them followed. Two can play that game, my friend.
Speaker 1 (12:55):
Yesterday there's a sporting old gentleman.
Speaker 2 (12:57):
Today was an elderly woman.
Speaker 1 (12:59):
You latter may count Old Baron Dawson said the fort
he was handed that in my case, what the law
had gained, the stage had lost.
Speaker 2 (13:07):
And now you.
Speaker 1 (13:08):
Praised my personations. Dear me, twas you you yourself quite there's
the old lady's umbrella. You were precious enough to hand
up to me when we collided in the minery this morning.
If I don'ly not, I would never have seen this
humble home again. Eh oh, well, we all have our
neglected opportunities.
Speaker 2 (13:24):
You admit you have dubbed me why you used to
shoot lions in Algeria? Well, but why why a spot?
Speaker 1 (13:33):
The excitement, the danger, and no doubt to free the
country from a pest protective Well, those are my reasons
than a nutshell. You dead, I'll show your sit down,
sit down at once and take a hand for you,
hipuppet better, there's another more practical reason I want that diamond.
That's your reason in coming here is to find out
how much I know, so you may judge how far
(13:54):
my removal is necessary. Well, I shall say from your
point of view, it's quite essential. Absolutely. In short, there's
only one thing I do not know.
Speaker 2 (14:04):
And what is the missing fact? If I may enter,
where is the crown diamond hidden? Dear me? So that's it?
Suppose I don't know.
Speaker 1 (14:13):
You can't plass me your yes, your absolutely fred class,
I can see at the very back of your mind.
Really well, then of course you see where the diamond is.
You know, then you admit it.
Speaker 2 (14:22):
I've been nothing.
Speaker 1 (14:23):
Oh, come, come, be reasonable, if not your threat, and
you've talked to me about love to see this notebook.
Speaker 2 (14:34):
Surely you know what I keep in it. No, I
don't pretend to be a mind reader. This book is you, Yes, you, every.
Speaker 1 (14:41):
Move of your fifty dangerous life, and no homes.
Speaker 2 (14:43):
There are a limit to my patience.
Speaker 1 (14:44):
Ship here all of it, the real facts in the
depth of missus Harold left to the Plimer estate fabrication,
the complete life history of miss MIDI wander you can't
prove anything. And twenty more, it's the robbery and.
Speaker 2 (14:54):
The trainer looks to the Riviera.
Speaker 1 (14:55):
On February the thirteenth, eighteen ninety two, the forge check
on the Cridillionee. No, you're on there, then I am
right about the others. Oh, now they come.
Speaker 2 (15:03):
You're a card player. The other fellow has all the trumps.
Speaker 1 (15:07):
Time to throw in your hand. What connection is all
this with the theft of the crown? Your patience, my
dear fellow, patience. I have the cabman who took you
to white Ball, the one who drove you away. I
had the commissionaire who saw you near the case that
proves nothing. I have Hikey Sanders. I yes, ike Sanders, who.
Speaker 2 (15:24):
Refuse to hand it up for you.
Speaker 1 (15:26):
Ikey has peaced ike Oh wait till I get If
my back is the hand I played from only one
card is missing the acy time, you'll never get it. No, SI,
you're going to be locked up for twenty years. You
want Sam, perhaps longer. What good will the diamond bet?
None of the world. Now we don't want you, and
(15:48):
we don't want Sam. We want the diamond. Give it up,
and as far as we're concerned, you are free if
you behave yourself in the future.
Speaker 9 (15:55):
My commission is to.
Speaker 2 (15:56):
Get the stone, not you, and.
Speaker 1 (15:59):
If I refuse, then it will be you and not
the stone. I think it might be as well to
have your friend Sam at this conference. He's waiting outside
in the street because you tap on the window and
motioned him to come up.
Speaker 2 (16:11):
Oh, missus Hudson left. Let him in.
Speaker 1 (16:13):
She's quite used to my receiving curious characters.
Speaker 2 (16:16):
Very well, he's coming. Now what are you going to do?
Speaker 1 (16:26):
I have a shark and a gudgeon in my net.
Now I'm drawing it, and up they come together. You
will never die in your bed homes?
Speaker 2 (16:36):
Does it matter? Very much?
Speaker 1 (16:38):
So now you're fingering your fistal, my friend, you wouldn't
dare to use it even if I get behind to
draw mighty than revolvers. Let us stick to air guns.
Listen and that the fairy footstep of your friends to Murton.
Speaker 2 (16:51):
Come in, Sam, come in.
Speaker 1 (16:54):
Rather dull waiting in the street, isn't it?
Speaker 2 (16:57):
It's all up, Sam?
Speaker 1 (16:58):
Put it in the nutshell. But sis code trying to
do be funny. I'm not in a funny mode myself, No,
I expect not. I can promise you that you're to
eat less tumorous in the evening progresses.
Speaker 2 (17:09):
I have a kiss self.
Speaker 1 (17:10):
Yes, I can't waste time.
Speaker 2 (17:12):
I'm going to that bedroom.
Speaker 1 (17:13):
I shall play on my violin for five minutes. At
the end of that time, I shall return to your decision.
We think you whether we get the stone? Now what
ab I put my violin?
Speaker 2 (17:26):
I have said this five minutles.
Speaker 1 (17:29):
Remember blipper Craft as a great reputation for fine quality.
(18:02):
That's what you go by when you choose your first
Flippercraft suit. And once you've warn clipper Craft, you learn
how marvelously it stands up to hardware, very comfortable you
feel in it. The long wear comes from fine materials
and precision workmanship. Your comfort comes from excellent fit resulting
from skilled designing. What will amaze you is how so
(18:23):
much is possible for so very little. Remember, clipper Craft
suits are only forty and forty five dollars, clipper Craft
top coats and overcoats are only forty dollars, and sport
jackets only twenty six fifty. These are modest prices, indeed,
for clothes obviously worth much more. The Great flipper Craft Plan,
concentrating the buying power of ten hundred thirty six leading
(18:47):
stores across the nation, makes these remarkable leues possible in
your own local independent store, the store you can trust.
Setting expensive codes at inexpensive low bass at the nation's
finest independent stores is the great, big idea behind the
clipper Craft plan. That's why men who know insist on
(19:07):
clipper Craft clothes. So be sure to visit the clipper
Craft store in York City.
Speaker 6 (19:12):
These leading stores in the metropolitan area are proud to
add their names to Clippercraft in your suit, top coat,
and overcoat. In Manhattan, John Wannamaker Men's Stores Broadway at
eighth and sixty seven Liberty Street, Sacks thirty fourth Broadway
at thirty fourth.
Speaker 1 (19:28):
In Brooklyn, Abraham and Strauss Intwart.
Speaker 6 (19:30):
New Jersey Boulevard Men's Shop Cresgyure, and in Jamaica the
B and B Clothes Shop, one sixty four oh eight
Jamaica Avenue.
Speaker 1 (19:44):
Now let's return to two twenty one B. Baker Street,
where Count Sylvia's and his henchman Sam are discussing their
dilemma while Sherlock Holmes Violin can still be heard in.
Speaker 2 (19:54):
The next room.
Speaker 1 (20:03):
He played pretty down, all shut up, Sam. Hey, this
mean that he knows about a stone?
Speaker 2 (20:09):
He knows too much about it. I'm not sure he
doesn't know everything. Good Lord, Heike sounds a split.
Speaker 10 (20:16):
Oh yes, has he do my take?
Speaker 1 (20:19):
But that's say I won't help us now to make
up my mind. The half a mouth. He's a leary
co what if he's listening?
Speaker 2 (20:26):
How can it be with that violin squeaking my hand?
Speaker 3 (20:28):
There he is sitting right in that chair rock.
Speaker 1 (20:31):
It's only a dummy, say strike me, madam? Is so
etainly if what's a living spirit.
Speaker 9 (20:38):
Of dressing down?
Speaker 2 (20:39):
And know? Oh shut up? You're wasting our time and
there is none too much.
Speaker 1 (20:43):
He can jail us over the stone, that do she can.
But if you'll let us go, if we tell him
where the stone is? What give our midred thousand quick?
Speaker 2 (20:52):
It's one or the other.
Speaker 1 (20:54):
He's in there a low lest doing it.
Speaker 2 (20:55):
He's armed and ready too noisy.
Speaker 1 (20:58):
I'll never get away sis likely the police have whatever evidence.
Speaker 2 (21:02):
He is collected? What was that?
Speaker 8 (21:07):
I just sworn I heard something over there in the window.
Speaker 9 (21:09):
And saddened the street how slightly.
Speaker 1 (21:12):
I'll look you company. You've cut the braes. If slugging
snow good is up to you?
Speaker 2 (21:16):
Yes, I fool better men than he.
Speaker 10 (21:20):
The stone here in my secret pocket, I can get
out of England to night aunt it in the four
pieces of Amsterdam before somebody he knows nothing about. Man said,
but that false part of night. For he must chance it,
as it is.
Speaker 2 (21:31):
Not a moment to lose.
Speaker 8 (21:34):
As for Holmes, fool water restless. If you get the storm,
we'll bring on the wrong track, and before he discovers
it is wrong, it'll be in hollow and we'll be
out of the country.
Speaker 1 (21:47):
Sounds good to me. For want here day carry.
Speaker 2 (21:50):
It will be silver.
Speaker 1 (21:51):
Let's have look. I see why, Sam, manny, I think
I'm gonna snatch it off here. Now look here, mister,
I'm getting fed off with you, Sam.
Speaker 2 (21:59):
We can't afford the quarrel. Are here? Hell over here
to the window, out of the line of that keyhole,
are there? Hold it to the light. It is a beauty. Uh,
thank you, gentlemen, get home.
Speaker 1 (22:12):
I thought you said he was at jammy dear gain
a very flattering of you. Can't you score you you
feet temper, temper, no violent gentlemen. Please consider the furniture
police are waking below. But how the deuce there is
a second door to my bedroom behind that window curtain.
I thought the game is up when you heard me
displaced the man.
Speaker 2 (22:31):
You'll I believe you're the devil himself.
Speaker 1 (22:34):
You flatter me, Ah, but here are friends from scott
and Yard.
Speaker 9 (22:39):
Take him away? Boys, sir, when I say.
Speaker 1 (22:41):
I'm a blooming feddle, is still play it quite right?
Speaker 2 (22:43):
Sam?
Speaker 1 (22:44):
Remarkable invention the gramophone?
Speaker 2 (22:47):
Let me play Hell, let's.
Speaker 1 (22:58):
All right? Wantsn't even stop that machine? Hi, I stay homes.
I've lost at least five pounds in the last half hour.
That it beneficial to your waistline becoming disgustingly plump.
Speaker 2 (23:11):
Look at this waste the crown. Gam Hello, what's up? Now?
Speaker 1 (23:16):
Come in?
Speaker 2 (23:17):
Come in, oh missus Hudson.
Speaker 9 (23:22):
Gang.
Speaker 1 (23:23):
Now do you ever let us alone?
Speaker 2 (23:25):
Well? Show him up?
Speaker 1 (23:27):
Well, I must say, home, you have most many people
in your household. I ran into a group of raffiends
as I was coming to the door. Oh, that must
have been the fellows from Scotland Yard. It's a rather
warm in here. May I take your old coat?
Speaker 2 (23:40):
Fit? Count?
Speaker 1 (23:41):
Oh? The more I have known tens, stay, Doctor Watson
will assure you that these sudden changes of temperature are
most insidio to sho your hands off my coat and tend.
Speaker 9 (23:49):
To keep it on very well.
Speaker 1 (23:52):
I came to see how your self appoints of task
is getting on.
Speaker 2 (23:57):
It's difficult, very difficult. Yes, I suspect if you would
find it so.
Speaker 1 (24:02):
Every man has a limitation. Yes, I've been greatly perplexed now,
doubt especially on one point.
Speaker 9 (24:08):
But perhaps you can help me.
Speaker 2 (24:10):
You apply for my advice rather late in the day.
Speaker 9 (24:12):
Still, I'm ready to give.
Speaker 1 (24:14):
You the belements of my opinions.
Speaker 2 (24:16):
You understand, we can doubtless frame a case against.
Speaker 1 (24:18):
The actual thief, eh, once you have caught quite But
the real question is how shall we proceed against the receiver?
What would you regard as the final evidence against the receiver?
The actual possession of the stone, of course, would arrest
him on that bit. Certain In that case, my dear
lord Cantelber, I shall be under the painful necessity of
apprising your arrest. You forget yourself, mister Holmes, I have
(24:41):
no time as its childish jokes, I may take you,
thank desir, that I have never had any believe in
your powers, good evening one moment actually to make up
for the Bazarin's Stone would be even more serious to
be found in temperative possession of it, and it is intolerable.
Let me pass immediately. Just put your hand on the
right hand pocket of your overcoat. What do you mean
do as I asked? Well, I, however, see what's this
(25:05):
seems to be the Mazarin.
Speaker 11 (25:06):
Spood for shame, sir, for shame. Well, bless my soul,
harmon Thander. Well, I'll be I guardedly. However, I really
must apologize.
Speaker 1 (25:16):
I never could resist dramatic tituition I took for the
pity of striking the stone at your pocket and beginning
of our interview, Well d will to say, and the
will that is putting it mightly we are greatly in
it to you, sir, in spite of your somewhat pervertive
sense of humor, and I certainly withdraw any reflection I
may have made in your amazing professional part. How pit
(25:39):
the details can wait. I trust your pleasure in relaying
you of our success will be some small atonement from
my practical heath. Oh yes, it will, sir, it will. Indeed,
I can hardly wait to where get the good word
around and good day mister Holmes, Good.
Speaker 2 (25:53):
Day, Lord cantilbea Watson.
Speaker 1 (25:55):
Will you show his launch about with pleasure and tell
missus Hudson and I should be obliged if you'd send
up dinner for two as soon as possible. What an
(26:16):
extraordinary story, doctor Watson, and what a perfect climax.
Speaker 2 (26:20):
Mister Henderson.
Speaker 3 (26:21):
Room's always had an eye with a dramatic which reminds
me next week's story.
Speaker 1 (26:25):
Did you say that next week's story is going to
be particularly dramatic? Doctor I didn't say, mister Harris, because
you interrupted me, but I was going to yes. Next week,
I'm going to tell you how the five.
Speaker 3 (26:36):
Year old racehorse Blazing Star suddenly dropped dead of old age,
and how my my youth for passed in the game
of rugby, saved hums and myself from a diabolical.
Speaker 1 (26:47):
Plot of our arch enemy, Professor Marioti. The makers of
Clippery Craft, Flow and ten hundred thirty six leading stores
from coast to coast, and brought to you another in
the new series of broadcasts featuring the world's most famous detective,
(27:09):
Sherlock Holmes. Sherlock Holmes is produced and directed by Basilachren,
with special music by Albert Berman. If you don't know
your Clippercraft dealer, write Clippercraft, two hundred.
Speaker 2 (27:32):
Fifth Avenue, New York City.
Speaker 1 (27:38):
Before to listen next week to Sherlock Holmes in the
case of Sudden civility.
Speaker 2 (27:52):
If you'd like to attend the Sherlock Holmes.
Speaker 1 (27:54):
Broadcasts in New York, see your local clippercraft dealer and
he'll tell you how.
Speaker 9 (27:59):
To obtain your tickets.
Speaker 1 (28:15):
K HARRIH.
Speaker 2 (28:16):
Streeting for Clifford Clack Cloak. Those are the world's bargest networks.
Donty Ballant walk with the radio fleab.
Speaker 1 (28:22):
Here's for a broadcast teach
From New York, the makers of clear Craft Clothes from Anna,
and ten hundred and thirty six leading retails doors from
Coast to Coast present the world most famous detective Sherlock Holmes.
(00:36):
Our stories are based upon the character of Sherlock Holmes,
created by Sir Arthur Conan Doyle. Sherlock Holmes is portrayed
by John Stanley, Doctor Watson by Alfred Shirley.
Speaker 2 (00:46):
And the dramatizations are by Edith miser. Well, here we are.
Speaker 1 (00:53):
Again doctor Watson's study. We find him seated in the
large armchair in front of a crackling fire. Good evening
to her evening.
Speaker 2 (01:00):
Doctor Watson, Now, don't get up.
Speaker 1 (01:01):
Feel very comfortable right where you are, and from the
rightness of your cheeks, i'd say you've had a good
day off in the country somewhere.
Speaker 3 (01:08):
That's where you're wrong, Miss Adis. I've been doing museums
most of the day and it's very tad in especially
two small boys in town.
Speaker 1 (01:16):
I should think so. But why did you collect the
kindergarten doctors?
Speaker 4 (01:18):
Oh?
Speaker 1 (01:19):
It was a basive nephews of mine. I was hoping
along with that education. You know, it's a customer in
my family. That the uncles must take the.
Speaker 3 (01:26):
Nephews Museum, visiting once a year. I remember as a
boy being dragom miles.
Speaker 2 (01:32):
Of our galleries.
Speaker 1 (01:32):
But doctor, weren't you ever taken to the British Museum?
Speaker 2 (01:35):
Oh?
Speaker 3 (01:35):
Yes, and to Madatisell's. But the part of London was
my favorite.
Speaker 1 (01:40):
The entry who took me.
Speaker 3 (01:41):
There was quite a fancier of vicious stones. He explained
the history of every jewel in the Crown's collection.
Speaker 1 (01:47):
That must have been an education in itself, they say,
every famous gem, he's a trail of bloodshed and higher
adventure across the pages of history. And by the way,
isn't your story tonight about the famous jewel?
Speaker 2 (01:57):
Oh?
Speaker 3 (01:58):
Yes, that is what the nighted is as strong my
boyhood visits to Theatah. The famous Mazarin stone I'm going
to tell you about had a history that would make
your hair curl?
Speaker 1 (02:08):
Tim me a little?
Speaker 3 (02:09):
Did I think when I assoyed as.
Speaker 1 (02:10):
A boy, that would ever hold that great yellow beauty
in marrowed hands?
Speaker 2 (02:14):
Fitchcotten? Did you?
Speaker 1 (02:15):
Doctor? Oh? Before I tell you that, mister Hardison, suppose
I give.
Speaker 3 (02:19):
You a few moments to see a few words about
our sponsor's most ethimable croup.
Speaker 1 (02:23):
Thank you, doctor Watson. As you put it, sir, it
is indeed an estimable product sour steam. May I say that,
beginning in nineteen forty eight, over one thousand leading stores
from coast to coast are clipper craft dealers. To be exact,
there are ten hundred thirty six such distinguished establishments. Those
leading stores across the country are, of course, the key
(02:45):
to the amazing value so unique to clipper Craft clothes.
The ten hundred thirty six leading stores are part of
the famous clipper Craft Plan. In this plan, their buying
power is concentrated to affect tremendous savings in manufacturing and distribution,
conscious savings which are all boors. That's why truly fine
clipper Craft suits are only forty and forty five dollars,
(03:07):
Why clipper craft top coats and overcoats are only forty
dollars and sports jackets only twenty six fifty clipper Craft
values are truly out of this world.
Speaker 2 (03:17):
Compare them with.
Speaker 1 (03:17):
Clothes selling for many dollars more. And now, doctor Watson,
let's get back to the story of the Masterine Stone. Yes,
let me see where was I? Oh, yes, I've been
married some years and have resumed my practice.
Speaker 3 (03:38):
When one snowy winter afternoon one of my calls took
me in the neighborhood of Baker Street, I couldn't resist
the temptation to drop in and find out for myself
what my colleagues at homes were up to. And I
stood there in a fall in snow, waiting for someone
box of the bell.
Speaker 1 (03:55):
I danced up at the window of his study, and
there I saw the thin nose, saturnine.
Speaker 3 (04:00):
Features of the Greek detective. He was apparently deeply englosed
to the book. Listenly, the doors opened, and there stood
missus Hudson.
Speaker 2 (04:19):
Well, bless my sort of him, isn't the doctor?
Speaker 1 (04:22):
Good day to you, sir. It's a pleasant seeing you again.
Speaker 3 (04:26):
Why missus Hudson, you're looking as beautiful as ever you.
Speaker 1 (04:30):
You don't change at all.
Speaker 2 (04:31):
No you, sir, You're and your bloody And how is.
Speaker 1 (04:34):
The good man himself?
Speaker 2 (04:35):
Him?
Speaker 5 (04:36):
He's in bed asleep, I think, But I just saw
him through the window, So that fool you too, that's
not him.
Speaker 1 (04:43):
What do you mean?
Speaker 5 (04:45):
Just you be going upstairs and find out for yourself.
I'm not the one who begin the secrets away least
of all mister Holmes's secrets.
Speaker 1 (04:52):
So he's asleep in the middle of the afternoon. I
suppose that means a case.
Speaker 5 (04:58):
Yes, sir, he's hard at it now and he's getting.
Speaker 1 (05:01):
Sinner and sinner.
Speaker 5 (05:02):
When will it be pleased to die? And mister Holmes said,
I'll ask him seven thirty the day after tomorrow.
Speaker 6 (05:08):
He'll say.
Speaker 5 (05:09):
You know his way when he's.
Speaker 1 (05:10):
On a case. I seem to remember he's a hollering
some one. Don't say, yes, sir.
Speaker 5 (05:18):
Yesterday he was out dressed like a workman looking.
Speaker 7 (05:20):
For a job.
Speaker 5 (05:21):
To day he was an old woman. Fair took me
and he did, and Lord knows I ought to have
been in his weight. By now you'll see his old
woman's umbrella leaning up against the sofa in his study.
Speaker 1 (05:32):
Dear, mean, what is this case all about?
Speaker 5 (05:35):
Well, I don't mind telling you, sir, but mind you
don't let it go any farther crossed my heart, missus Hudson.
Very well, then the case of the Crown Diamond.
Speaker 1 (05:45):
What the hundred thousand pounds burdary, Yes, sir.
Speaker 5 (05:49):
And mister Holmes is getting it back for him.
Speaker 1 (05:53):
Why would you believe it?
Speaker 5 (05:54):
Yesterday we had the Prime Minister and the whole Secretary
sitting on mister Holmes's sofa, both at the same time.
Speaker 1 (06:00):
Why hope it stood up in the stream.
Speaker 3 (06:03):
And how did the Holmes behave two such famous persons
on the couch him?
Speaker 5 (06:09):
He was very nice to them and put them right
at their ease.
Speaker 1 (06:12):
Indeed, yes, sir, then there was old Lord can from
me here. Oh you know what that means?
Speaker 8 (06:19):
He is a stiff.
Speaker 5 (06:20):
And if I do say so, I can get along
with the Prime Minister. And I'm nothing against the Home Secretary.
He seems an obliging sort of man with a.
Speaker 1 (06:28):
Civil tongue in his here.
Speaker 5 (06:29):
But I can't buy his lordship, poor fellow, Yes, sir,
and neither can mister Holmes.
Speaker 7 (06:35):
You see, he don't.
Speaker 5 (06:36):
Believe in mister Holmes, and he's against employing him.
Speaker 2 (06:40):
He rather he failed.
Speaker 1 (06:42):
Does Holmes know that you think?
Speaker 5 (06:44):
Yes, Thoms knows whatever there is to know.
Speaker 1 (06:47):
Oh, absolutely, But I say perhaps I had better not
wake an Why I wish you, sir.
Speaker 5 (06:52):
He's not had a bite to eat since yesterday noon,
and there would be a sandwich with a glass of milk.
And I don't dare.
Speaker 1 (06:57):
Speak to him about it.
Speaker 5 (06:59):
You know what his life stir when he's busy.
Speaker 7 (07:01):
On a case.
Speaker 2 (07:02):
Who cried?
Speaker 1 (07:03):
Well, suppose I grew up and beard the lion in
his den?
Speaker 7 (07:06):
Heh Homes, I say, Homes, are you awake?
Speaker 1 (07:27):
He must be asleep. Well are you going anyway?
Speaker 3 (07:33):
Same old place and the same old litter, scientific charts, chemicals,
violin pipes, papers, all, there's the old boy himself losing
the armchair in front of the window.
Speaker 1 (07:48):
I thought I saw him from the street. I could
just go over and tweaking the air. What's come away
from that window? Good? Gracious, Homes, you gave me a
start away from that window.
Speaker 2 (08:00):
Value your life will.
Speaker 1 (08:01):
Dave well very well. But I suppose this is all
very confusing here. I see you sitting in your arm chair.
Speaker 3 (08:08):
And suddenly you pop out of me from your bedroom door.
Since when have you been twins? Yes, it is rather startling,
like missus smith likeness. Yes, it's a waxed lidge on me.
Speaker 2 (08:18):
I'm expecting to get a bullet through it, beautiful.
Speaker 1 (08:20):
Head at any moment if you by drawing the blinds
without exposing yourself.
Speaker 2 (08:24):
All right, it's better now.
Speaker 1 (08:29):
I can come into the room. Yes, but why all
this hocus pocus I'm being watched from a window across
the street by a gentleman with an unpleasantly efficient air gun. Yes, Watson,
you've come at a critical moment. Yes, sir, I gather
how far am I justified in allowing you to share
this danger with me? I wonder danger? What kind of danger?
Sudden death? I'm expecting something this evening, expecting what to
(08:52):
be murdered? Watson, you are joking. Even my limitedness of
humor could produce a better joke than that. Perhaps you
better go while there's still.
Speaker 3 (08:59):
Time, My dear homes You couldn't get me out of
here now at the point of a revolver.
Speaker 1 (09:04):
Good, But sit down, sit down, may as well be
comfortable in the meantime, how about a pipe and a
glass of brandy. They have to take the place of
food these days. That's why not eat. The faculty has
become refined when you starve them a rubbish? What your
digestion gains in the way blood supply is so much
lost the brain present.
Speaker 2 (09:23):
I'm all brain.
Speaker 1 (09:24):
But this danger hose his name is Sylvius. That are
right down, count Negretto Sylvius, one freeze, six Moorside Gardens, Northwest, Yes, good.
You can give it to Scotland Yard with my love
and a parting blessing in case the murderer is successful.
You care, Hose, I'm in all this. I had nothing
(09:44):
to do for a tail or.
Speaker 2 (09:45):
Two.
Speaker 1 (09:45):
Your models don't prove, Watson. Now you've added fipping to
your other vices. You wear every sign of the busy
medical man.
Speaker 3 (09:52):
Oh to blaze it with them, I say, can't you
have this fellow arrested?
Speaker 2 (09:57):
Yes?
Speaker 1 (09:57):
I can. That's why he's determan to kill me. Why
don't you because I don't know where he's hidden the
confined diamond.
Speaker 3 (10:03):
Oh yes, missus Hudson told me the missing Crown Duel.
Speaker 1 (10:07):
I've cast my neck, Watson, and got my fish. About
the use of catching them? Of the jewels that pull
my fingers? And is this Count Sylvia's one of your
so called fish. It's the shark. The other is Sampurton Butter.
He's the Count's tool. Sam's not a shark. He's a
great bullheaded gudgetman. Come in, come in, ah, miss Hudson,
What is it.
Speaker 5 (10:27):
A gentleman downstairs?
Speaker 2 (10:29):
See he says, here's.
Speaker 1 (10:30):
This card, Come negreto Sylvius. Oh, well, so the old
shark is grasping the metal. Eh Er, that metaphor is
a trifle mixed. Show him up, missus Hudson, when I
ring if I'm not in the room, show him up
all the same, that man of nerve Watson. Possibly you've
heard of his reputation as a big game hunter. What
a triumphant ending to his sporting record. If he succeeds
(10:52):
in adding me to his bag, this is proof that
he feels my breath uncomfortably hot on his neck, Lucia,
why not send for the police? Not yet, not quite
yet that take a glance out of the window, Watson,
and see if anyone's hang about it. Yes, all right,
there's one rough looking fellow near the bar, that fru
Sam They fool bit fatuous, I say, look here, Oh
this is serious. I insist I'm staying with you. But
(11:15):
Jophy in the way, in his way, No, in mine? Well,
I'm not great batch. Any Well, we'll compromise. You shall
stay in the bedroom within call in case I need you. Yes,
but holdong, it's essential that this room be empty when
the Count enters it. He's come for his own purpose,
but he may stay for mine. Hurry, I think I
hear his step on the stairs. Oh he's not in here, sir.
Speaker 5 (11:38):
But plus you step in, I'm sure you'll be back
in alone.
Speaker 1 (11:40):
Many thanks. So this is his damn name, his bocos
on his tapers, and all the rest of his hopeless purpose.
Speaker 4 (11:54):
Softly, Sylvia, softly, there's old vulture himself asleep in his chair.
I'm lucky, Soniams. One tap from my gold headed cane.
Speaker 1 (12:04):
Don't bring it, coundn't bring it? Homes you quite? I
trust you were expecting someone else. I see you've been
buying my wax figure. Pretty little thing, isn't it. Chardenie
made it. He's almost as good at waxworks as your
friend Straubn's as and air guns?
Speaker 2 (12:20):
Air guns? What do you mean? First?
Speaker 1 (12:22):
Your hat and stick on the side table?
Speaker 2 (12:27):
Thank you?
Speaker 1 (12:29):
Now, pray, take a seat. Dads, you'd like to put
your revovard on the table too, erm No, you prefer
to sit. Hi, pretty well, this visit is most popertune.
I want a few minutes chat with you.
Speaker 2 (12:41):
Good, I too, wish to have some words with you.
Speaker 1 (12:44):
May I ask why all these personal attendants?
Speaker 2 (12:46):
Because you annoy me.
Speaker 1 (12:47):
You'll put your creatures on my tracks, my creatures, I
assure you no nonsense.
Speaker 2 (12:51):
I've had them followed. Two can play that game, my friend.
Speaker 1 (12:55):
Yesterday there's a sporting old gentleman.
Speaker 2 (12:57):
Today was an elderly woman.
Speaker 1 (12:59):
You latter may count Old Baron Dawson said the fort
he was handed that in my case, what the law
had gained, the stage had lost.
Speaker 2 (13:07):
And now you.
Speaker 1 (13:08):
Praised my personations. Dear me, twas you you yourself quite there's
the old lady's umbrella. You were precious enough to hand
up to me when we collided in the minery this morning.
If I don'ly not, I would never have seen this
humble home again. Eh oh, well, we all have our
neglected opportunities.
Speaker 2 (13:24):
You admit you have dubbed me why you used to
shoot lions in Algeria? Well, but why why a spot?
Speaker 1 (13:33):
The excitement, the danger, and no doubt to free the
country from a pest protective Well, those are my reasons
than a nutshell. You dead, I'll show your sit down,
sit down at once and take a hand for you,
hipuppet better, there's another more practical reason I want that diamond.
That's your reason in coming here is to find out
how much I know, so you may judge how far
(13:54):
my removal is necessary. Well, I shall say from your
point of view, it's quite essential. Absolutely. In short, there's
only one thing I do not know.
Speaker 2 (14:04):
And what is the missing fact? If I may enter,
where is the crown diamond hidden? Dear me? So that's it?
Suppose I don't know.
Speaker 1 (14:13):
You can't plass me your yes, your absolutely fred class,
I can see at the very back of your mind.
Really well, then of course you see where the diamond is.
You know, then you admit it.
Speaker 2 (14:22):
I've been nothing.
Speaker 1 (14:23):
Oh, come, come, be reasonable, if not your threat, and
you've talked to me about love to see this notebook.
Speaker 2 (14:34):
Surely you know what I keep in it. No, I
don't pretend to be a mind reader. This book is you, Yes, you, every.
Speaker 1 (14:41):
Move of your fifty dangerous life, and no homes.
Speaker 2 (14:43):
There are a limit to my patience.
Speaker 1 (14:44):
Ship here all of it, the real facts in the
depth of missus Harold left to the Plimer estate fabrication,
the complete life history of miss MIDI wander you can't
prove anything. And twenty more, it's the robbery and.
Speaker 2 (14:54):
The trainer looks to the Riviera.
Speaker 1 (14:55):
On February the thirteenth, eighteen ninety two, the forge check
on the Cridillionee. No, you're on there, then I am
right about the others. Oh, now they come.
Speaker 2 (15:03):
You're a card player. The other fellow has all the trumps.
Speaker 1 (15:07):
Time to throw in your hand. What connection is all
this with the theft of the crown? Your patience, my
dear fellow, patience. I have the cabman who took you
to white Ball, the one who drove you away. I
had the commissionaire who saw you near the case that
proves nothing. I have Hikey Sanders. I yes, ike Sanders, who.
Speaker 2 (15:24):
Refuse to hand it up for you.
Speaker 1 (15:26):
Ikey has peaced ike Oh wait till I get If
my back is the hand I played from only one
card is missing the acy time, you'll never get it. No, SI,
you're going to be locked up for twenty years. You
want Sam, perhaps longer. What good will the diamond bet?
None of the world. Now we don't want you, and
(15:48):
we don't want Sam. We want the diamond. Give it up,
and as far as we're concerned, you are free if
you behave yourself in the future.
Speaker 9 (15:55):
My commission is to.
Speaker 2 (15:56):
Get the stone, not you, and.
Speaker 1 (15:59):
If I refuse, then it will be you and not
the stone. I think it might be as well to
have your friend Sam at this conference. He's waiting outside
in the street because you tap on the window and
motioned him to come up.
Speaker 2 (16:11):
Oh, missus Hudson left. Let him in.
Speaker 1 (16:13):
She's quite used to my receiving curious characters.
Speaker 2 (16:16):
Very well, he's coming. Now what are you going to do?
Speaker 1 (16:26):
I have a shark and a gudgeon in my net.
Now I'm drawing it, and up they come together. You
will never die in your bed homes?
Speaker 2 (16:36):
Does it matter? Very much?
Speaker 1 (16:38):
So now you're fingering your fistal, my friend, you wouldn't
dare to use it even if I get behind to
draw mighty than revolvers. Let us stick to air guns.
Listen and that the fairy footstep of your friends to Murton.
Speaker 2 (16:51):
Come in, Sam, come in.
Speaker 1 (16:54):
Rather dull waiting in the street, isn't it?
Speaker 2 (16:57):
It's all up, Sam?
Speaker 1 (16:58):
Put it in the nutshell. But sis code trying to
do be funny. I'm not in a funny mode myself, No,
I expect not. I can promise you that you're to
eat less tumorous in the evening progresses.
Speaker 2 (17:09):
I have a kiss self.
Speaker 1 (17:10):
Yes, I can't waste time.
Speaker 2 (17:12):
I'm going to that bedroom.
Speaker 1 (17:13):
I shall play on my violin for five minutes. At
the end of that time, I shall return to your decision.
We think you whether we get the stone? Now what
ab I put my violin?
Speaker 2 (17:26):
I have said this five minutles.
Speaker 1 (17:29):
Remember blipper Craft as a great reputation for fine quality.
(18:02):
That's what you go by when you choose your first
Flippercraft suit. And once you've warn clipper Craft, you learn
how marvelously it stands up to hardware, very comfortable you
feel in it. The long wear comes from fine materials
and precision workmanship. Your comfort comes from excellent fit resulting
from skilled designing. What will amaze you is how so
(18:23):
much is possible for so very little. Remember, clipper Craft
suits are only forty and forty five dollars, clipper Craft
top coats and overcoats are only forty dollars, and sport
jackets only twenty six fifty. These are modest prices, indeed,
for clothes obviously worth much more. The Great flipper Craft Plan,
concentrating the buying power of ten hundred thirty six leading
(18:47):
stores across the nation, makes these remarkable leues possible in
your own local independent store, the store you can trust.
Setting expensive codes at inexpensive low bass at the nation's
finest independent stores is the great, big idea behind the
clipper Craft plan. That's why men who know insist on
(19:07):
clipper Craft clothes. So be sure to visit the clipper
Craft store in York City.
Speaker 6 (19:12):
These leading stores in the metropolitan area are proud to
add their names to Clippercraft in your suit, top coat,
and overcoat. In Manhattan, John Wannamaker Men's Stores Broadway at
eighth and sixty seven Liberty Street, Sacks thirty fourth Broadway
at thirty fourth.
Speaker 1 (19:28):
In Brooklyn, Abraham and Strauss Intwart.
Speaker 6 (19:30):
New Jersey Boulevard Men's Shop Cresgyure, and in Jamaica the
B and B Clothes Shop, one sixty four oh eight
Jamaica Avenue.
Speaker 1 (19:44):
Now let's return to two twenty one B. Baker Street,
where Count Sylvia's and his henchman Sam are discussing their
dilemma while Sherlock Holmes Violin can still be heard in.
Speaker 2 (19:54):
The next room.
Speaker 1 (20:03):
He played pretty down, all shut up, Sam. Hey, this
mean that he knows about a stone?
Speaker 2 (20:09):
He knows too much about it. I'm not sure he
doesn't know everything. Good Lord, Heike sounds a split.
Speaker 10 (20:16):
Oh yes, has he do my take?
Speaker 1 (20:19):
But that's say I won't help us now to make
up my mind. The half a mouth. He's a leary
co what if he's listening?
Speaker 2 (20:26):
How can it be with that violin squeaking my hand?
Speaker 3 (20:28):
There he is sitting right in that chair rock.
Speaker 1 (20:31):
It's only a dummy, say strike me, madam? Is so
etainly if what's a living spirit.
Speaker 9 (20:38):
Of dressing down?
Speaker 2 (20:39):
And know? Oh shut up? You're wasting our time and
there is none too much.
Speaker 1 (20:43):
He can jail us over the stone, that do she can.
But if you'll let us go, if we tell him
where the stone is? What give our midred thousand quick?
Speaker 2 (20:52):
It's one or the other.
Speaker 1 (20:54):
He's in there a low lest doing it.
Speaker 2 (20:55):
He's armed and ready too noisy.
Speaker 1 (20:58):
I'll never get away sis likely the police have whatever evidence.
Speaker 2 (21:02):
He is collected? What was that?
Speaker 8 (21:07):
I just sworn I heard something over there in the window.
Speaker 9 (21:09):
And saddened the street how slightly.
Speaker 1 (21:12):
I'll look you company. You've cut the braes. If slugging
snow good is up to you?
Speaker 2 (21:16):
Yes, I fool better men than he.
Speaker 10 (21:20):
The stone here in my secret pocket, I can get
out of England to night aunt it in the four
pieces of Amsterdam before somebody he knows nothing about. Man said,
but that false part of night. For he must chance it,
as it is.
Speaker 2 (21:31):
Not a moment to lose.
Speaker 8 (21:34):
As for Holmes, fool water restless. If you get the storm,
we'll bring on the wrong track, and before he discovers
it is wrong, it'll be in hollow and we'll be
out of the country.
Speaker 1 (21:47):
Sounds good to me. For want here day carry.
Speaker 2 (21:50):
It will be silver.
Speaker 1 (21:51):
Let's have look. I see why, Sam, manny, I think
I'm gonna snatch it off here. Now look here, mister,
I'm getting fed off with you, Sam.
Speaker 2 (21:59):
We can't afford the quarrel. Are here? Hell over here
to the window, out of the line of that keyhole,
are there? Hold it to the light. It is a beauty. Uh,
thank you, gentlemen, get home.
Speaker 1 (22:12):
I thought you said he was at jammy dear gain
a very flattering of you. Can't you score you you
feet temper, temper, no violent gentlemen. Please consider the furniture
police are waking below. But how the deuce there is
a second door to my bedroom behind that window curtain.
I thought the game is up when you heard me
displaced the man.
Speaker 2 (22:31):
You'll I believe you're the devil himself.
Speaker 1 (22:34):
You flatter me, Ah, but here are friends from scott
and Yard.
Speaker 9 (22:39):
Take him away? Boys, sir, when I say.
Speaker 1 (22:41):
I'm a blooming feddle, is still play it quite right?
Speaker 2 (22:43):
Sam?
Speaker 1 (22:44):
Remarkable invention the gramophone?
Speaker 2 (22:47):
Let me play Hell, let's.
Speaker 1 (22:58):
All right? Wantsn't even stop that machine? Hi, I stay homes.
I've lost at least five pounds in the last half hour.
That it beneficial to your waistline becoming disgustingly plump.
Speaker 2 (23:11):
Look at this waste the crown. Gam Hello, what's up? Now?
Speaker 1 (23:16):
Come in?
Speaker 2 (23:17):
Come in, oh missus Hudson.
Speaker 9 (23:22):
Gang.
Speaker 1 (23:23):
Now do you ever let us alone?
Speaker 2 (23:25):
Well? Show him up?
Speaker 1 (23:27):
Well, I must say, home, you have most many people
in your household. I ran into a group of raffiends
as I was coming to the door. Oh, that must
have been the fellows from Scotland Yard. It's a rather
warm in here. May I take your old coat?
Speaker 2 (23:40):
Fit? Count?
Speaker 1 (23:41):
Oh? The more I have known tens, stay, Doctor Watson
will assure you that these sudden changes of temperature are
most insidio to sho your hands off my coat and tend.
Speaker 9 (23:49):
To keep it on very well.
Speaker 1 (23:52):
I came to see how your self appoints of task
is getting on.
Speaker 2 (23:57):
It's difficult, very difficult. Yes, I suspect if you would
find it so.
Speaker 1 (24:02):
Every man has a limitation. Yes, I've been greatly perplexed now,
doubt especially on one point.
Speaker 9 (24:08):
But perhaps you can help me.
Speaker 2 (24:10):
You apply for my advice rather late in the day.
Speaker 9 (24:12):
Still, I'm ready to give.
Speaker 1 (24:14):
You the belements of my opinions.
Speaker 2 (24:16):
You understand, we can doubtless frame a case against.
Speaker 1 (24:18):
The actual thief, eh, once you have caught quite But
the real question is how shall we proceed against the receiver?
What would you regard as the final evidence against the receiver?
The actual possession of the stone, of course, would arrest
him on that bit. Certain In that case, my dear
lord Cantelber, I shall be under the painful necessity of
apprising your arrest. You forget yourself, mister Holmes, I have
(24:41):
no time as its childish jokes, I may take you,
thank desir, that I have never had any believe in
your powers, good evening one moment actually to make up
for the Bazarin's Stone would be even more serious to
be found in temperative possession of it, and it is intolerable.
Let me pass immediately. Just put your hand on the
right hand pocket of your overcoat. What do you mean
do as I asked? Well, I, however, see what's this
(25:05):
seems to be the Mazarin.
Speaker 11 (25:06):
Spood for shame, sir, for shame. Well, bless my soul,
harmon Thander. Well, I'll be I guardedly. However, I really
must apologize.
Speaker 1 (25:16):
I never could resist dramatic tituition I took for the
pity of striking the stone at your pocket and beginning
of our interview, Well d will to say, and the
will that is putting it mightly we are greatly in
it to you, sir, in spite of your somewhat pervertive
sense of humor, and I certainly withdraw any reflection I
may have made in your amazing professional part. How pit
(25:39):
the details can wait. I trust your pleasure in relaying
you of our success will be some small atonement from
my practical heath. Oh yes, it will, sir, it will. Indeed,
I can hardly wait to where get the good word
around and good day mister Holmes, Good.
Speaker 2 (25:53):
Day, Lord cantilbea Watson.
Speaker 1 (25:55):
Will you show his launch about with pleasure and tell
missus Hudson and I should be obliged if you'd send
up dinner for two as soon as possible. What an
(26:16):
extraordinary story, doctor Watson, and what a perfect climax.
Speaker 2 (26:20):
Mister Henderson.
Speaker 3 (26:21):
Room's always had an eye with a dramatic which reminds
me next week's story.
Speaker 1 (26:25):
Did you say that next week's story is going to
be particularly dramatic? Doctor I didn't say, mister Harris, because
you interrupted me, but I was going to yes. Next week,
I'm going to tell you how the five.
Speaker 3 (26:36):
Year old racehorse Blazing Star suddenly dropped dead of old age,
and how my my youth for passed in the game
of rugby, saved hums and myself from a diabolical.
Speaker 1 (26:47):
Plot of our arch enemy, Professor Marioti. The makers of
Clippery Craft, Flow and ten hundred thirty six leading stores
from coast to coast, and brought to you another in
the new series of broadcasts featuring the world's most famous detective,
(27:09):
Sherlock Holmes. Sherlock Holmes is produced and directed by Basilachren,
with special music by Albert Berman. If you don't know
your Clippercraft dealer, write Clippercraft, two hundred.
Speaker 2 (27:32):
Fifth Avenue, New York City.
Speaker 1 (27:38):
Before to listen next week to Sherlock Holmes in the
case of Sudden civility.
Speaker 2 (27:52):
If you'd like to attend the Sherlock Holmes.
Speaker 1 (27:54):
Broadcasts in New York, see your local clippercraft dealer and
he'll tell you how.
Speaker 9 (27:59):
To obtain your tickets.
Speaker 1 (28:15):
K HARRIH.
Speaker 2 (28:16):
Streeting for Clifford Clack Cloak. Those are the world's bargest networks.
Donty Ballant walk with the radio fleab.
Speaker 1 (28:22):
Here's for a broadcast teach
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