November 28, 2025 • 25 mins
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Episode Transcript
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Speaker 1 (00:13):
This is bitter wing Watson's head. Now, where was that answering?
Speaker 2 (00:17):
Like you think I heard up as your show by
a nearlytic hot circle, good hymns.
Speaker 1 (00:23):
But Dad Watson', I don't know. I heard it once before.
It's it's a sound they have on the world, Watson.
Speaker 2 (00:30):
It was the cry of a hound, the hound of
the basketballs. Even to this day I tremble and I
recall these words. My name is Watson, doctor Watson, and
it was my privilege to share the adventures of Sherlock Holmes.
(00:51):
Just refresh your memory on events so far, then we'll
tell you what happened next concerning the Hound of the Basketballs.
When Doctor Mortimer had finished his strange story of the
Hound of the baskyvill and how said Charles admit his death,
(01:16):
my friend Sharlock Holmes persuaded Doctor Mortimer and Lee to
accompany Sir Henry Baskerville to the ancestral home.
Speaker 1 (01:23):
On dotmoll Well. Holmes remained behind in Baker Street.
Speaker 2 (01:28):
We soon found ourselves driving across the moor to Baskerville Hall.
Speaker 1 (01:36):
Wonderful country in the dotta soble, there's autumn in the hell?
Speaker 3 (01:41):
Hello, what is.
Speaker 4 (01:44):
Not there?
Speaker 5 (01:45):
On the skyline, a man on horside with a rifle.
Speaker 1 (01:49):
There's a convict escape from the prisons. Oh be out, there's.
Speaker 5 (01:53):
Three days now, the borders of westing.
Speaker 1 (01:55):
Every road and that nose had a yet farmers five
years don't like you for at the time.
Speaker 3 (02:00):
But who is he?
Speaker 2 (02:01):
Then? Sol murderers and he's somewhere out there hiding in
a burrow like a wild piece. It's all this more needs, gentlemen.
I don't know if it's my imagination, but it's getting
mighty cool. Welcome, say welcome to Baskerville Hall.
Speaker 1 (02:27):
Thank you you are Barrymore, I say it. I am
sir Henry. I see doctor. Will you stay for dinner?
Speaker 5 (02:36):
No, thank you?
Speaker 2 (02:37):
If you don't mind, my wife could be expectedly I
stay to sure you will in the house.
Speaker 1 (02:41):
But Barrymore will be a better guy than I.
Speaker 2 (02:43):
Oh well, turkans Burgon's take Dr Mortimer m with you
or a wilent doctor.
Speaker 4 (02:48):
And thank you for all the help, oh doctor.
Speaker 2 (02:59):
Just as I matter this drafters, oak, panelings, tags, heads,
coats of arms.
Speaker 1 (03:06):
Isn't it the very picture of an old family home?
Speaker 2 (03:10):
And my people have lived here for five hundred years?
Excuse me, sir, yes, mama, sir, huh, my wife and
I will be happy to stay with you until he's
made fresh arrangements. Fresh arrangements doing your wife and you
want to leave only when it's quite convenient to use her, well,
(03:31):
i'd uh, I'd be sorry to start my life here
by breaking an old family connection. I feel that to sir,
and so does my wife. Then what's the trouble to
tell the truth, sir? We were both very much attached
to Sir Charles, and his death gave us a shock
and made these surroundings very painful to us. I'm afraid
we could never be easy in our minds at Basketville Hall. Again,
(03:55):
what do your plan to do?
Speaker 5 (03:57):
Well?
Speaker 2 (03:57):
I've no doubt, sir, we will succeed in establishing ourselves
in some business. Sir Charles's generosity has given us the
means to do it.
Speaker 6 (04:06):
And now, Sir, perhaps i'd better show you to your room.
Speaker 2 (04:26):
Good morning, doctor Watson, Oh morning, say Henry, did you
only hear someone sobbing in the night?
Speaker 1 (04:33):
Well, that's curious. I thought it was all a dream.
I very quite distinct that a woman sobbing.
Speaker 2 (04:40):
Good morning, gentlemen. Oh, now I'm on it's by good breakfast.
I told me we both thought we heard a woman
crying in the night. Do you know anything about it? No,
sir Henry, there are only two women here at night.
One is the scullery maid who sleeps in the west wing,
and the other here is my wife. It certainly wasn't her.
(05:03):
Can I bring you more coffee?
Speaker 1 (05:05):
Sir? No, faker very good, saying I don't believe him.
Why not?
Speaker 2 (05:13):
Now? I passed missus Barramore on my way downstairs. Her
eyes were red and swelling. It must have been her.
Do you think it was him following me in that
cabin Regent Street? When we left you walked to lunch
in London home senter telegram to Bartimore.
Speaker 1 (05:29):
With strict instructions that it was to.
Speaker 2 (05:31):
Be delivered personally to Battermore. All returned. I thought i'd
walk over to the groom from post office and have
a word of the person mostter. It'll give me something
to report the homes if you ever walk.
Speaker 1 (05:41):
No, no, no, I've got a lot of papers to
attend to here. You're going around. I'll see you back
here for a lunch. You watched her queerly, and so
my boy took the telegram and gave it to missus.
Speaker 2 (05:57):
Barrymore, why not to mister Balimore himself instructed?
Speaker 1 (06:00):
He was up in the laughter at the time.
Speaker 5 (06:02):
You didn't see who by Shirley.
Speaker 1 (06:04):
His wife got to know where he is. He got
the telegram, didn't he? It is any mistake.
Speaker 2 (06:09):
It's a mister Ballymodica play. Excuse me, but isn't this
Dr Watts? Well, yes, but I don't think I allow
me to introduce myself a Stapleton Medipit House.
Speaker 1 (06:20):
Oh how do you do that? I hope sir Henry
is none the worse for his journey. You the well,
thank you excellent.
Speaker 2 (06:27):
If you're going back to Baskerville Hall now, doctor, and
that was my intention, then our roads lie together. And
just over there you can see the proof of smoke
from here. And that's where I live, the Menipit House.
It's only a moderate work from word pass. If the
who minutes to spare, I should appreciate the honor of
introducing you to my sister.
Speaker 5 (06:45):
I should be delighted.
Speaker 1 (06:46):
Don't come along.
Speaker 2 (06:47):
Then.
Speaker 1 (06:52):
It's a wonderful place to the board.
Speaker 2 (06:54):
You'll never tire of it. You can't think what secrets
it contains. You know it well, and I didn't there
two years. The residents call me a newcomer and put
my case slavely to explore every part of the country
round and you can see I'm a naturalist.
Speaker 1 (07:08):
And some of the locals laugh at my butterfly net.
Speaker 2 (07:11):
And this tin I always carrying the love it up,
or that I even recently come here. I shoot things
for a few men who know the more better than
I do. But it is it's so hard, very hard.
But this is You've see that great plain to the
north with the hills behind it. That is the great
group a mile a full step downs death to man
or beast. It's dangerous to cross, even in the dry
(07:33):
seatings that after these autumn rains. It's an awful place,
is I can find my way to the very heart
of it, and you come back and lie otherwise you
want to go to that a dreadful place.
Speaker 1 (07:43):
You'll see the hills beyond.
Speaker 2 (07:45):
There are real islands cut off on all sides by
the mile, and there's a crawl round in.
Speaker 1 (07:49):
The course of years.
Speaker 2 (07:51):
Death is where the rare plants and butterflies are. But
one of two paths was an active man to take. Well,
I'm trying out some days, for God's sake, puts such
an idea out of your mind.
Speaker 1 (08:00):
Wouldn't have a.
Speaker 2 (08:01):
Chance it So anybody remembering very conflicts landmarks.
Speaker 4 (08:04):
That I can do it?
Speaker 5 (08:06):
Good Heavens, what was that?
Speaker 1 (08:09):
We are placed? More? What is it? Man?
Speaker 2 (08:12):
The peasants say, it's the hundreds of basket bills calling
for its prey.
Speaker 1 (08:17):
So weirdest thing I ever earned my life?
Speaker 2 (08:19):
Leave me an indo, rob, I canny playing together? Look
at that hillside?
Speaker 1 (08:24):
What do you make of those.
Speaker 2 (08:25):
Circular wings of stone? What I see tells no? There
the homes of our worthy ancestors.
Speaker 1 (08:32):
If it's quite a town?
Speaker 5 (08:34):
Where was it inhabited?
Speaker 1 (08:35):
Neolithic? Man? No date?
Speaker 2 (08:38):
Oh excuse me? Do you see that butterfly? Into psychophagies?
Biy rack you scarcely over see.
Speaker 1 (08:44):
Them in the autumn. I must try and dainty.
Speaker 5 (08:46):
I dare necessarily let me care hole.
Speaker 1 (08:48):
You'll tell me how Dave is it? Because he knows
what he's doing.
Speaker 7 (08:54):
Good Heavens, don't constraight that to London?
Speaker 1 (08:58):
Why Why should I do?
Speaker 7 (08:59):
I can't explain? But would God's sake do what I ask?
Speaker 8 (09:01):
You?
Speaker 7 (09:02):
Go back and never set foot on them all again.
Speaker 5 (09:06):
I'd rather come back. It's not a word of what
I think. Would you mind getting that orchid among the
mad jails? Were they origin orchids on them all? Or
they it's getting rather wait.
Speaker 1 (09:17):
For them devil introduced yourselves.
Speaker 7 (09:20):
I see, yes, I was telling to Himry that the
orchids are nearly over.
Speaker 1 (09:25):
That's not Sir Henry Baskerville. Come and I'm his friend,
Dr Watson.
Speaker 7 (09:30):
And we've been talking of cross curtains.
Speaker 1 (09:32):
Why you haven't very much time to talk?
Speaker 7 (09:34):
I talked to if Dr.
Speaker 5 (09:35):
Watson were a redident instead of just.
Speaker 8 (09:37):
Ability, it can't matter to him who has the return
early for orchids? Never mind, don't please come and see
Merkith House doctor.
Speaker 1 (09:48):
No, really, thank you, I I promise Sir Henry. It
must be a pleasure at the third or Why Dr Watson?
I waited until it to night to finish this letter
to yours.
Speaker 2 (10:04):
I did not wish to arouse Uh Henry's curiosity alarm,
and mentioned to him that I had met the Stapletons,
but not that she had whispered to me this strange warning,
even that I was, Sir Henry myself Stapleton Lands, the
school I st in the north, whose school was running
world and an epidemic que field the boys, and it
never recovered from the blow.
Speaker 1 (10:25):
Sir Henry's in excellent spirits.
Speaker 2 (10:26):
We've been sitting over the fire and talking with the
portraits of Bascoville ancestors, looking down as.
Speaker 1 (10:33):
The faday two o'clock in the morning. Who was that, ah,
Sir Henry, any wrong? I'm not sure there was a
creature in a passage outside. I saw a candle and
a shadow. Yes, there you are.
Speaker 4 (10:55):
Yeah, I liked him, one of those.
Speaker 1 (10:56):
Wrongs ad anymore?
Speaker 5 (11:00):
What's he doing?
Speaker 1 (11:01):
Seems to be secret that.
Speaker 5 (11:03):
The candle I should think of staring out on the moor.
Speaker 2 (11:21):
And there Helms a little more of consequence to report
this morning. No more nocturnal wanderings. And today mister Stapleton
and he is handsome sister returning us for luncheon, Doctor Mortimer.
Speaker 1 (11:39):
Evening. There Helm's a new complication. If we had not.
Speaker 2 (11:44):
Enough, Sir Henry, turning off this attachment to mister Stepleton's sister.
This was clear enough at our first luncheon about her
that I wrote to earlier, And equally clear.
Speaker 1 (11:54):
Was mister Stapleton's hostility. Now the thing has moved further
and meeting on the moors.
Speaker 2 (11:59):
Between Sir Henry and the sister interrupted with angry words
that the jealous mister sticked otherwise nothing which we listen
every night for better order to repeat his strange behavior.
Speaker 1 (12:16):
Yes, he's gone to that room again.
Speaker 5 (12:20):
I'm going to challenge him.
Speaker 1 (12:22):
P r a father, what are you doing here? He
must have been holding that candle as a signal.
Speaker 5 (12:43):
You you mean that it's not a signals?
Speaker 1 (12:45):
Hur you need that candle? Now let us see if
there's any answer.
Speaker 5 (12:50):
Yeah, sir, it is by Joe Les Rascal.
Speaker 1 (12:54):
He seldom has a signal. It's my business, not yours,
but advice and lead. Play it in the morning. Come
what's in me and worry about that. I'm going to
take that man out there, whoever he may be.
Speaker 5 (13:15):
This is Cliverer Will Watson. Now where was that answering?
Let you say?
Speaker 1 (13:19):
The hod on that here show about a near little
hut circle.
Speaker 2 (13:23):
Got him?
Speaker 1 (13:25):
I said, wasn't. I don't know. I heard it once before.
I said, it's a sound they have on the moor, Watson.
It was the cry of a hound, the hounds of
the masters now barn lay. To whom were you signaling?
Speaker 5 (13:47):
Dr Watson and I go out.
Speaker 1 (13:48):
Unto the moor and find some firthy remnants of food
and shelter?
Speaker 5 (13:51):
Who left them there?
Speaker 1 (13:52):
Don't ask me? So then he don't ask me.
Speaker 5 (13:55):
I give you my word, so it's not my secret trial.
Speaker 1 (13:58):
Aar, I sh yourself.
Speaker 5 (14:01):
Your family has lived with mine under this roof.
Speaker 2 (14:03):
Over a hundred years, and here I find you deep
in some plot against me.
Speaker 8 (14:06):
No, no, sir, not.
Speaker 1 (14:09):
Against you with the dermo.
Speaker 3 (14:11):
Why as you can let me speak, it's my daring,
Sir Henry. He's done nothing except for my sake. I
asked him to do it.
Speaker 1 (14:19):
Well, speak up? Then what does it mean?
Speaker 5 (14:22):
My brother is starving out there on the moon.
Speaker 1 (14:26):
Your brother, I can't let him paint it on very.
Speaker 5 (14:29):
Gate, Sir.
Speaker 1 (14:30):
Our light is a.
Speaker 5 (14:31):
Signal we have food for him.
Speaker 1 (14:34):
Then your brother is the escaped convict, Sir, seldom the
criminal is well ms certainly every word ll.
Speaker 2 (14:48):
I can't blame you for standing by your own wife,
but you must see a man's a public dager. In
a very few days there you'll be on his way
to South America. If you can only lie quiet till
the ship's ready for him.
Speaker 5 (15:00):
I beg you not to let the police know he's
still on the little room.
Speaker 2 (15:04):
What do you say, Watson, Well, if you were safe
here of the country and would read the textpairer of
the burden, that's true.
Speaker 1 (15:10):
I suppose. I guess we're aiding and a betting, a felony,
and what's all the same?
Speaker 2 (15:16):
I I I don't fail now, I can get the
man out, and that's an embery, sir, certainly, Yes, what
is it not? You've been so kind to a sir
that I I should like to do the best I
can in return.
Speaker 1 (15:31):
I I know something. What do you mean it's about
poor Sir Charles's death?
Speaker 5 (15:36):
Sir?
Speaker 1 (15:36):
What do you know how he died? Oh, sir, I
don't know that or what? Then? I know why he
was at the gate? Why meet a woman?
Speaker 5 (15:45):
Yes, sir, what was her name?
Speaker 1 (15:47):
I can't give you that, sir, But I can't give
you our initials. They were l L.
Speaker 2 (15:52):
How do you know that?
Speaker 1 (15:53):
Well, sir, you're on card a letter that morning. It
was from Coon.
Speaker 2 (15:57):
Tracy and addressed in a woman's anty. How I thought,
no more a matter, sir. The other day my wife
was cleaned out Sir Charles's study and she found the
ashes of a burned letter in the back of the grate.
Most of it was Charles and pieces, but there was
just one slip you could still read.
Speaker 1 (16:14):
What did it say?
Speaker 3 (16:16):
It said, please, please, as you are a gentleman, burn
this letter and be at the gate by ten o'clock.
Speaker 5 (16:24):
And the initials were l L.
Speaker 1 (16:28):
And you have no idea who l L is? Noser
m Burger, barnon you and your wife migirl. Thank you, sir,
Thank God, bless you, sir, Ill Oday, dontelle a dork
(16:57):
moniwer Hello, be take walk. Yes, I've been right around
the back torm. Oh let me g go in atone then?
Speaker 5 (17:04):
Oh, thank you.
Speaker 1 (17:06):
Yeah, I'm very upset.
Speaker 5 (17:10):
Doctor, once my spaniel has disappeared.
Speaker 1 (17:12):
Oh years, little curly head Chap wandered off into the
moor and never came back.
Speaker 5 (17:17):
Oh I'm sorry, any use of your alcome there?
Speaker 1 (17:20):
Who he acknowledges my reports? You doesn't say much?
Speaker 4 (17:24):
Who wrought him?
Speaker 1 (17:24):
Man?
Speaker 5 (17:25):
You know he's a little.
Speaker 1 (17:26):
Woman leaving around the held Inchol's l L not that
I know of?
Speaker 4 (17:31):
Ill Bell.
Speaker 2 (17:32):
Oh wait a minute, yes, of course there is Laura
and lions of Queen Tracy. Okay, oh married some artist fellow.
Speaker 1 (17:41):
Called lions who came sketching on the moors. He walked
out on her, And now the poor.
Speaker 5 (17:44):
Girl hasn't a penny?
Speaker 1 (17:45):
How do you live?
Speaker 5 (17:46):
Several us have helped her Stapletons or Charles, so have I.
Speaker 1 (17:51):
She's managed to start a little typewriting business. Why do
you ask?
Speaker 9 (17:55):
Oh, just curiosity, missus Lars I do mister uh doctor
doctor Watson?
Speaker 4 (18:15):
Oh how do you do?
Speaker 1 (18:16):
How do you do? If you the late Sir Charles
Basketville that I've come to see you?
Speaker 3 (18:21):
What can I tell you about him?
Speaker 2 (18:23):
You'll know him, John, Yes, I are a great deal
to his kindness. Did you correspond with him?
Speaker 5 (18:30):
What is the object of this interrogation to avoid a
public scandal?
Speaker 2 (18:35):
Yes?
Speaker 5 (18:37):
I did write once or twice to Sir Charles to
acknowledge his generosity.
Speaker 1 (18:41):
How did you know nothing about your affairs to be
able to help you?
Speaker 5 (18:43):
So, my friend, mister Stapleton, did you want to write.
Speaker 1 (18:45):
Sir Charles asking him to meet you?
Speaker 5 (18:48):
I certainly not, not one of any day of.
Speaker 1 (18:51):
Sir Charles's death. No, surely I'll never interceive you. Didn't
you write? Please please burn this letter and be at
the gate by ten o'clock.
Speaker 5 (19:02):
Yes, I believed that if I could see him, I
could gain his help.
Speaker 1 (19:07):
Well, what haven't ready got there? I never.
Speaker 10 (19:11):
I swear it on all I hold sacred. Something intervened
to prevent my going. What you probably know that I
made a rash marriage, and I've had reason to regret.
Speaker 1 (19:23):
I heard something of the kind my husband has made.
Speaker 5 (19:26):
My life one in certant persecutor. I'd learned that there was.
Speaker 7 (19:31):
A possibility of regaining my freedom if.
Speaker 3 (19:33):
Certain expenses could be met.
Speaker 5 (19:36):
And I thought that if Sir Charles heard the story
for my own lips, he might help me.
Speaker 1 (19:41):
Then why didn't you go?
Speaker 7 (19:44):
Because I received help from the interval from another sort?
Speaker 1 (19:47):
Then why didn't you write as a Charles?
Speaker 5 (19:48):
And then the next morning I heard that he'd died.
Speaker 1 (20:05):
I thought, you got lost on the moors along your lunch.
She's waiting for him, thank you. No, no, no, no,
I didn't get lost.
Speaker 2 (20:13):
I was driving back from missus Lands and Mortimer stopped
me say he'd forgotten to tell me that he has
observed the boy go up every day towards those stone
huts on the hill. Regular stockword, that's odd, oh banon,
that's what's he's here on very good, Oh and baramon,
(20:34):
do you know anything about a boy going up on
the moors?
Speaker 1 (20:37):
Is here anything to do with that precious relation of yours? No, sir,
I think he takes food to that other man. Another man,
and I don't know, sir. So one says he's got
a convict.
Speaker 2 (20:51):
He says he's living in one of those throne huts,
and the boy brings him up food from one of
the villages.
Speaker 1 (20:55):
But he doesn't know who he is. No, sir, he
doesn't like it, Sir, I can tell you waiting for something.
He seems to be his foul play somewhere he was serious.
What else can it be?
Speaker 5 (21:12):
Do you think he's that same fellow who has following your.
Speaker 1 (21:15):
Body in London? I met a sender, a proper tell you, no,
I'll wasn't this. I'll go up on to the moors evening.
I'll come with you. No, I can't pliment it. That
which owns his last word to me keep him off
the wall, especially after dark. And because I'm dark with
then I get that fellow. Don't worry, don't worry. I'll
take more of volver I can look after hisself.
Speaker 2 (21:37):
Do you realize saying this fellow may be the key
to the whole mystery. He gave us the slipping.
Speaker 5 (21:42):
Region's feet past to his handsome cab.
Speaker 1 (21:44):
Well, you won't do it up there? Who knows?
Speaker 5 (21:48):
For once I may succeed.
Speaker 1 (21:49):
While eating homes. That's paper the tingling nerves.
Speaker 5 (22:02):
I sat in the dark processes of ut and waited.
Speaker 1 (22:05):
For the coming of its tenant. Then at last, why
uh last lost? It's so lovely you'd be up.
Speaker 2 (22:25):
I really think you a big more comfortable outside of
the house hors and please be careful with that Provola.
Speaker 1 (22:34):
Oh nice, Josh, I'm livermore and that's any one in
my life. How did you know? I was seen? That
wats some If you see this, the divis supplies me.
You must change our tobacconis.
Speaker 5 (22:46):
Oh my sim yes, do you throw it down the doctor.
Speaker 1 (22:50):
That's supreme moment.
Speaker 2 (22:52):
When you charged into the empty house, but help was coming,
the nag of funder did you get here?
Speaker 5 (22:57):
I sure you wouldn't think of street working on that.
Ta's a blackmailing.
Speaker 1 (23:01):
That was what I wished to I'd been able to
see her, missus.
Speaker 2 (23:04):
Laura lawns coom Tracy, Well, we've obviously been working on
Palalale lines.
Speaker 1 (23:09):
What did you learn? But she made an appointment mister
Charles at the gates. She admits that she wanted money
to help her the wark, but I never went.
Speaker 5 (23:16):
Something happened to make her change her mind, but she.
Speaker 1 (23:18):
Wouldn't tell me what. She also said that she pressed
got intus with Sir Charles through Stapleson.
Speaker 6 (23:22):
Ah.
Speaker 1 (23:23):
Now that's important. It bridges the gap. You're aware. I
suppose that there's a close intimacy between the lady and Stapleton.
I didn't learn. There's no doubt about it.
Speaker 2 (23:32):
Now this puts a very powerful weapon into my hand,
if I can only use it to the test. Stapleton's
wife his wife? Why yes, the lady who passes for
his sister is his wife?
Speaker 5 (23:43):
Good?
Speaker 2 (23:43):
Heaven's why the eleverage deception? Because he foresaw that she'd
been more use to him as a free woman.
Speaker 5 (23:49):
Then is he her enemy?
Speaker 1 (23:53):
Was he he who dogged us in London? So I
read the riddle and the warning letter that must have
come from.
Speaker 2 (24:00):
Her exactly, Holmes, how do you know this woman who's worfe?
Because he so far forgot himself as to give you
a true piece of autobiography When he first met you.
Speaker 1 (24:08):
There's no one easier to trace than the school. Must
then once April than after.
Speaker 2 (24:15):
It is murder, once refined, cold blooded, deliberate murder.
Speaker 1 (24:24):
My god, what's that? The hounds three hounds of Wak
who lay loss some God.
Speaker 11 (24:49):
The hundreds of Askamdals is one of the most famous
stories of Sherlock Holmes, from the inspired pennel Sir Arthur
Conan Doyle.
Speaker 1 (24:56):
We are presenting it in three parts, and you have
just heard two.
Speaker 2 (25:01):
My name in real life is Norman Shell, my old
colleague House and Hobbs Bayed Sherlock Holmes, and I was
doctor Watson Phoenix.
Speaker 11 (25:11):
Felson wrote the script for this BBC production from London.
I look forward to the pleasure of your company again
very soon
Speaker 1 (25:19):
For part three of The Hound of the bastelas
This is bitter wing Watson's head. Now, where was that answering?
Speaker 2 (00:17):
Like you think I heard up as your show by
a nearlytic hot circle, good hymns.
Speaker 1 (00:23):
But Dad Watson', I don't know. I heard it once before.
It's it's a sound they have on the world, Watson.
Speaker 2 (00:30):
It was the cry of a hound, the hound of
the basketballs. Even to this day I tremble and I
recall these words. My name is Watson, doctor Watson, and
it was my privilege to share the adventures of Sherlock Holmes.
(00:51):
Just refresh your memory on events so far, then we'll
tell you what happened next concerning the Hound of the Basketballs.
When Doctor Mortimer had finished his strange story of the
Hound of the baskyvill and how said Charles admit his death,
(01:16):
my friend Sharlock Holmes persuaded Doctor Mortimer and Lee to
accompany Sir Henry Baskerville to the ancestral home.
Speaker 1 (01:23):
On dotmoll Well. Holmes remained behind in Baker Street.
Speaker 2 (01:28):
We soon found ourselves driving across the moor to Baskerville Hall.
Speaker 1 (01:36):
Wonderful country in the dotta soble, there's autumn in the hell?
Speaker 3 (01:41):
Hello, what is.
Speaker 4 (01:44):
Not there?
Speaker 5 (01:45):
On the skyline, a man on horside with a rifle.
Speaker 1 (01:49):
There's a convict escape from the prisons. Oh be out, there's.
Speaker 5 (01:53):
Three days now, the borders of westing.
Speaker 1 (01:55):
Every road and that nose had a yet farmers five
years don't like you for at the time.
Speaker 3 (02:00):
But who is he?
Speaker 2 (02:01):
Then? Sol murderers and he's somewhere out there hiding in
a burrow like a wild piece. It's all this more needs, gentlemen.
I don't know if it's my imagination, but it's getting
mighty cool. Welcome, say welcome to Baskerville Hall.
Speaker 1 (02:27):
Thank you you are Barrymore, I say it. I am
sir Henry. I see doctor. Will you stay for dinner?
Speaker 5 (02:36):
No, thank you?
Speaker 2 (02:37):
If you don't mind, my wife could be expectedly I
stay to sure you will in the house.
Speaker 1 (02:41):
But Barrymore will be a better guy than I.
Speaker 2 (02:43):
Oh well, turkans Burgon's take Dr Mortimer m with you
or a wilent doctor.
Speaker 4 (02:48):
And thank you for all the help, oh doctor.
Speaker 2 (02:59):
Just as I matter this drafters, oak, panelings, tags, heads,
coats of arms.
Speaker 1 (03:06):
Isn't it the very picture of an old family home?
Speaker 2 (03:10):
And my people have lived here for five hundred years?
Excuse me, sir, yes, mama, sir, huh, my wife and
I will be happy to stay with you until he's
made fresh arrangements. Fresh arrangements doing your wife and you
want to leave only when it's quite convenient to use her, well,
(03:31):
i'd uh, I'd be sorry to start my life here
by breaking an old family connection. I feel that to sir,
and so does my wife. Then what's the trouble to
tell the truth, sir? We were both very much attached
to Sir Charles, and his death gave us a shock
and made these surroundings very painful to us. I'm afraid
we could never be easy in our minds at Basketville Hall. Again,
(03:55):
what do your plan to do?
Speaker 5 (03:57):
Well?
Speaker 2 (03:57):
I've no doubt, sir, we will succeed in establishing ourselves
in some business. Sir Charles's generosity has given us the
means to do it.
Speaker 6 (04:06):
And now, Sir, perhaps i'd better show you to your room.
Speaker 2 (04:26):
Good morning, doctor Watson, Oh morning, say Henry, did you
only hear someone sobbing in the night?
Speaker 1 (04:33):
Well, that's curious. I thought it was all a dream.
I very quite distinct that a woman sobbing.
Speaker 2 (04:40):
Good morning, gentlemen. Oh, now I'm on it's by good breakfast.
I told me we both thought we heard a woman
crying in the night. Do you know anything about it? No,
sir Henry, there are only two women here at night.
One is the scullery maid who sleeps in the west wing,
and the other here is my wife. It certainly wasn't her.
(05:03):
Can I bring you more coffee?
Speaker 1 (05:05):
Sir? No, faker very good, saying I don't believe him.
Why not?
Speaker 2 (05:13):
Now? I passed missus Barramore on my way downstairs. Her
eyes were red and swelling. It must have been her.
Do you think it was him following me in that
cabin Regent Street? When we left you walked to lunch
in London home senter telegram to Bartimore.
Speaker 1 (05:29):
With strict instructions that it was to.
Speaker 2 (05:31):
Be delivered personally to Battermore. All returned. I thought i'd
walk over to the groom from post office and have
a word of the person mostter. It'll give me something
to report the homes if you ever walk.
Speaker 1 (05:41):
No, no, no, I've got a lot of papers to
attend to here. You're going around. I'll see you back
here for a lunch. You watched her queerly, and so
my boy took the telegram and gave it to missus.
Speaker 2 (05:57):
Barrymore, why not to mister Balimore himself instructed?
Speaker 1 (06:00):
He was up in the laughter at the time.
Speaker 5 (06:02):
You didn't see who by Shirley.
Speaker 1 (06:04):
His wife got to know where he is. He got
the telegram, didn't he? It is any mistake.
Speaker 2 (06:09):
It's a mister Ballymodica play. Excuse me, but isn't this
Dr Watts? Well, yes, but I don't think I allow
me to introduce myself a Stapleton Medipit House.
Speaker 1 (06:20):
Oh how do you do that? I hope sir Henry
is none the worse for his journey. You the well,
thank you excellent.
Speaker 2 (06:27):
If you're going back to Baskerville Hall now, doctor, and
that was my intention, then our roads lie together. And
just over there you can see the proof of smoke
from here. And that's where I live, the Menipit House.
It's only a moderate work from word pass. If the
who minutes to spare, I should appreciate the honor of
introducing you to my sister.
Speaker 5 (06:45):
I should be delighted.
Speaker 1 (06:46):
Don't come along.
Speaker 2 (06:47):
Then.
Speaker 1 (06:52):
It's a wonderful place to the board.
Speaker 2 (06:54):
You'll never tire of it. You can't think what secrets
it contains. You know it well, and I didn't there
two years. The residents call me a newcomer and put
my case slavely to explore every part of the country
round and you can see I'm a naturalist.
Speaker 1 (07:08):
And some of the locals laugh at my butterfly net.
Speaker 2 (07:11):
And this tin I always carrying the love it up,
or that I even recently come here. I shoot things
for a few men who know the more better than
I do. But it is it's so hard, very hard.
But this is You've see that great plain to the
north with the hills behind it. That is the great
group a mile a full step downs death to man
or beast. It's dangerous to cross, even in the dry
(07:33):
seatings that after these autumn rains. It's an awful place,
is I can find my way to the very heart
of it, and you come back and lie otherwise you
want to go to that a dreadful place.
Speaker 1 (07:43):
You'll see the hills beyond.
Speaker 2 (07:45):
There are real islands cut off on all sides by
the mile, and there's a crawl round in.
Speaker 1 (07:49):
The course of years.
Speaker 2 (07:51):
Death is where the rare plants and butterflies are. But
one of two paths was an active man to take. Well,
I'm trying out some days, for God's sake, puts such
an idea out of your mind.
Speaker 1 (08:00):
Wouldn't have a.
Speaker 2 (08:01):
Chance it So anybody remembering very conflicts landmarks.
Speaker 4 (08:04):
That I can do it?
Speaker 5 (08:06):
Good Heavens, what was that?
Speaker 1 (08:09):
We are placed? More? What is it? Man?
Speaker 2 (08:12):
The peasants say, it's the hundreds of basket bills calling
for its prey.
Speaker 1 (08:17):
So weirdest thing I ever earned my life?
Speaker 2 (08:19):
Leave me an indo, rob, I canny playing together? Look
at that hillside?
Speaker 1 (08:24):
What do you make of those.
Speaker 2 (08:25):
Circular wings of stone? What I see tells no? There
the homes of our worthy ancestors.
Speaker 1 (08:32):
If it's quite a town?
Speaker 5 (08:34):
Where was it inhabited?
Speaker 1 (08:35):
Neolithic? Man? No date?
Speaker 2 (08:38):
Oh excuse me? Do you see that butterfly? Into psychophagies?
Biy rack you scarcely over see.
Speaker 1 (08:44):
Them in the autumn. I must try and dainty.
Speaker 5 (08:46):
I dare necessarily let me care hole.
Speaker 1 (08:48):
You'll tell me how Dave is it? Because he knows
what he's doing.
Speaker 7 (08:54):
Good Heavens, don't constraight that to London?
Speaker 1 (08:58):
Why Why should I do?
Speaker 7 (08:59):
I can't explain? But would God's sake do what I ask?
Speaker 8 (09:01):
You?
Speaker 7 (09:02):
Go back and never set foot on them all again.
Speaker 5 (09:06):
I'd rather come back. It's not a word of what
I think. Would you mind getting that orchid among the
mad jails? Were they origin orchids on them all? Or
they it's getting rather wait.
Speaker 1 (09:17):
For them devil introduced yourselves.
Speaker 7 (09:20):
I see, yes, I was telling to Himry that the
orchids are nearly over.
Speaker 1 (09:25):
That's not Sir Henry Baskerville. Come and I'm his friend,
Dr Watson.
Speaker 7 (09:30):
And we've been talking of cross curtains.
Speaker 1 (09:32):
Why you haven't very much time to talk?
Speaker 7 (09:34):
I talked to if Dr.
Speaker 5 (09:35):
Watson were a redident instead of just.
Speaker 8 (09:37):
Ability, it can't matter to him who has the return
early for orchids? Never mind, don't please come and see
Merkith House doctor.
Speaker 1 (09:48):
No, really, thank you, I I promise Sir Henry. It
must be a pleasure at the third or Why Dr Watson?
I waited until it to night to finish this letter
to yours.
Speaker 2 (10:04):
I did not wish to arouse Uh Henry's curiosity alarm,
and mentioned to him that I had met the Stapletons,
but not that she had whispered to me this strange warning,
even that I was, Sir Henry myself Stapleton Lands, the
school I st in the north, whose school was running
world and an epidemic que field the boys, and it
never recovered from the blow.
Speaker 1 (10:25):
Sir Henry's in excellent spirits.
Speaker 2 (10:26):
We've been sitting over the fire and talking with the
portraits of Bascoville ancestors, looking down as.
Speaker 1 (10:33):
The faday two o'clock in the morning. Who was that, ah,
Sir Henry, any wrong? I'm not sure there was a
creature in a passage outside. I saw a candle and
a shadow. Yes, there you are.
Speaker 4 (10:55):
Yeah, I liked him, one of those.
Speaker 1 (10:56):
Wrongs ad anymore?
Speaker 5 (11:00):
What's he doing?
Speaker 1 (11:01):
Seems to be secret that.
Speaker 5 (11:03):
The candle I should think of staring out on the moor.
Speaker 2 (11:21):
And there Helms a little more of consequence to report
this morning. No more nocturnal wanderings. And today mister Stapleton
and he is handsome sister returning us for luncheon, Doctor Mortimer.
Speaker 1 (11:39):
Evening. There Helm's a new complication. If we had not.
Speaker 2 (11:44):
Enough, Sir Henry, turning off this attachment to mister Stepleton's sister.
This was clear enough at our first luncheon about her
that I wrote to earlier, And equally clear.
Speaker 1 (11:54):
Was mister Stapleton's hostility. Now the thing has moved further
and meeting on the moors.
Speaker 2 (11:59):
Between Sir Henry and the sister interrupted with angry words
that the jealous mister sticked otherwise nothing which we listen
every night for better order to repeat his strange behavior.
Speaker 1 (12:16):
Yes, he's gone to that room again.
Speaker 5 (12:20):
I'm going to challenge him.
Speaker 1 (12:22):
P r a father, what are you doing here? He
must have been holding that candle as a signal.
Speaker 5 (12:43):
You you mean that it's not a signals?
Speaker 1 (12:45):
Hur you need that candle? Now let us see if
there's any answer.
Speaker 5 (12:50):
Yeah, sir, it is by Joe Les Rascal.
Speaker 1 (12:54):
He seldom has a signal. It's my business, not yours,
but advice and lead. Play it in the morning. Come
what's in me and worry about that. I'm going to
take that man out there, whoever he may be.
Speaker 5 (13:15):
This is Cliverer Will Watson. Now where was that answering?
Let you say?
Speaker 1 (13:19):
The hod on that here show about a near little
hut circle.
Speaker 2 (13:23):
Got him?
Speaker 1 (13:25):
I said, wasn't. I don't know. I heard it once before.
I said, it's a sound they have on the moor, Watson.
It was the cry of a hound, the hounds of
the masters now barn lay. To whom were you signaling?
Speaker 5 (13:47):
Dr Watson and I go out.
Speaker 1 (13:48):
Unto the moor and find some firthy remnants of food
and shelter?
Speaker 5 (13:51):
Who left them there?
Speaker 1 (13:52):
Don't ask me? So then he don't ask me.
Speaker 5 (13:55):
I give you my word, so it's not my secret trial.
Speaker 1 (13:58):
Aar, I sh yourself.
Speaker 5 (14:01):
Your family has lived with mine under this roof.
Speaker 2 (14:03):
Over a hundred years, and here I find you deep
in some plot against me.
Speaker 8 (14:06):
No, no, sir, not.
Speaker 1 (14:09):
Against you with the dermo.
Speaker 3 (14:11):
Why as you can let me speak, it's my daring,
Sir Henry. He's done nothing except for my sake. I
asked him to do it.
Speaker 1 (14:19):
Well, speak up? Then what does it mean?
Speaker 5 (14:22):
My brother is starving out there on the moon.
Speaker 1 (14:26):
Your brother, I can't let him paint it on very.
Speaker 5 (14:29):
Gate, Sir.
Speaker 1 (14:30):
Our light is a.
Speaker 5 (14:31):
Signal we have food for him.
Speaker 1 (14:34):
Then your brother is the escaped convict, Sir, seldom the
criminal is well ms certainly every word ll.
Speaker 2 (14:48):
I can't blame you for standing by your own wife,
but you must see a man's a public dager. In
a very few days there you'll be on his way
to South America. If you can only lie quiet till
the ship's ready for him.
Speaker 5 (15:00):
I beg you not to let the police know he's
still on the little room.
Speaker 2 (15:04):
What do you say, Watson, Well, if you were safe
here of the country and would read the textpairer of
the burden, that's true.
Speaker 1 (15:10):
I suppose. I guess we're aiding and a betting, a felony,
and what's all the same?
Speaker 2 (15:16):
I I I don't fail now, I can get the
man out, and that's an embery, sir, certainly, Yes, what
is it not? You've been so kind to a sir
that I I should like to do the best I
can in return.
Speaker 1 (15:31):
I I know something. What do you mean it's about
poor Sir Charles's death?
Speaker 5 (15:36):
Sir?
Speaker 1 (15:36):
What do you know how he died? Oh, sir, I
don't know that or what? Then? I know why he
was at the gate? Why meet a woman?
Speaker 5 (15:45):
Yes, sir, what was her name?
Speaker 1 (15:47):
I can't give you that, sir, But I can't give
you our initials. They were l L.
Speaker 2 (15:52):
How do you know that?
Speaker 1 (15:53):
Well, sir, you're on card a letter that morning. It
was from Coon.
Speaker 2 (15:57):
Tracy and addressed in a woman's anty. How I thought,
no more a matter, sir. The other day my wife
was cleaned out Sir Charles's study and she found the
ashes of a burned letter in the back of the grate.
Most of it was Charles and pieces, but there was
just one slip you could still read.
Speaker 1 (16:14):
What did it say?
Speaker 3 (16:16):
It said, please, please, as you are a gentleman, burn
this letter and be at the gate by ten o'clock.
Speaker 5 (16:24):
And the initials were l L.
Speaker 1 (16:28):
And you have no idea who l L is? Noser
m Burger, barnon you and your wife migirl. Thank you, sir,
Thank God, bless you, sir, Ill Oday, dontelle a dork
(16:57):
moniwer Hello, be take walk. Yes, I've been right around
the back torm. Oh let me g go in atone then?
Speaker 5 (17:04):
Oh, thank you.
Speaker 1 (17:06):
Yeah, I'm very upset.
Speaker 5 (17:10):
Doctor, once my spaniel has disappeared.
Speaker 1 (17:12):
Oh years, little curly head Chap wandered off into the
moor and never came back.
Speaker 5 (17:17):
Oh I'm sorry, any use of your alcome there?
Speaker 1 (17:20):
Who he acknowledges my reports? You doesn't say much?
Speaker 4 (17:24):
Who wrought him?
Speaker 1 (17:24):
Man?
Speaker 5 (17:25):
You know he's a little.
Speaker 1 (17:26):
Woman leaving around the held Inchol's l L not that
I know of?
Speaker 4 (17:31):
Ill Bell.
Speaker 2 (17:32):
Oh wait a minute, yes, of course there is Laura
and lions of Queen Tracy. Okay, oh married some artist fellow.
Speaker 1 (17:41):
Called lions who came sketching on the moors. He walked
out on her, And now the poor.
Speaker 5 (17:44):
Girl hasn't a penny?
Speaker 1 (17:45):
How do you live?
Speaker 5 (17:46):
Several us have helped her Stapletons or Charles, so have I.
Speaker 1 (17:51):
She's managed to start a little typewriting business. Why do
you ask?
Speaker 9 (17:55):
Oh, just curiosity, missus Lars I do mister uh doctor
doctor Watson?
Speaker 4 (18:15):
Oh how do you do?
Speaker 1 (18:16):
How do you do? If you the late Sir Charles
Basketville that I've come to see you?
Speaker 3 (18:21):
What can I tell you about him?
Speaker 2 (18:23):
You'll know him, John, Yes, I are a great deal
to his kindness. Did you correspond with him?
Speaker 5 (18:30):
What is the object of this interrogation to avoid a
public scandal?
Speaker 2 (18:35):
Yes?
Speaker 5 (18:37):
I did write once or twice to Sir Charles to
acknowledge his generosity.
Speaker 1 (18:41):
How did you know nothing about your affairs to be
able to help you?
Speaker 5 (18:43):
So, my friend, mister Stapleton, did you want to write.
Speaker 1 (18:45):
Sir Charles asking him to meet you?
Speaker 5 (18:48):
I certainly not, not one of any day of.
Speaker 1 (18:51):
Sir Charles's death. No, surely I'll never interceive you. Didn't
you write? Please please burn this letter and be at
the gate by ten o'clock.
Speaker 5 (19:02):
Yes, I believed that if I could see him, I
could gain his help.
Speaker 1 (19:07):
Well, what haven't ready got there? I never.
Speaker 10 (19:11):
I swear it on all I hold sacred. Something intervened
to prevent my going. What you probably know that I
made a rash marriage, and I've had reason to regret.
Speaker 1 (19:23):
I heard something of the kind my husband has made.
Speaker 5 (19:26):
My life one in certant persecutor. I'd learned that there was.
Speaker 7 (19:31):
A possibility of regaining my freedom if.
Speaker 3 (19:33):
Certain expenses could be met.
Speaker 5 (19:36):
And I thought that if Sir Charles heard the story
for my own lips, he might help me.
Speaker 1 (19:41):
Then why didn't you go?
Speaker 7 (19:44):
Because I received help from the interval from another sort?
Speaker 1 (19:47):
Then why didn't you write as a Charles?
Speaker 5 (19:48):
And then the next morning I heard that he'd died.
Speaker 1 (20:05):
I thought, you got lost on the moors along your lunch.
She's waiting for him, thank you. No, no, no, no,
I didn't get lost.
Speaker 2 (20:13):
I was driving back from missus Lands and Mortimer stopped
me say he'd forgotten to tell me that he has
observed the boy go up every day towards those stone
huts on the hill. Regular stockword, that's odd, oh banon,
that's what's he's here on very good, Oh and baramon,
(20:34):
do you know anything about a boy going up on
the moors?
Speaker 1 (20:37):
Is here anything to do with that precious relation of yours? No, sir,
I think he takes food to that other man. Another man,
and I don't know, sir. So one says he's got
a convict.
Speaker 2 (20:51):
He says he's living in one of those throne huts,
and the boy brings him up food from one of
the villages.
Speaker 1 (20:55):
But he doesn't know who he is. No, sir, he
doesn't like it, Sir, I can tell you waiting for something.
He seems to be his foul play somewhere he was serious.
What else can it be?
Speaker 5 (21:12):
Do you think he's that same fellow who has following your.
Speaker 1 (21:15):
Body in London? I met a sender, a proper tell you, no,
I'll wasn't this. I'll go up on to the moors evening.
I'll come with you. No, I can't pliment it. That
which owns his last word to me keep him off
the wall, especially after dark. And because I'm dark with
then I get that fellow. Don't worry, don't worry. I'll
take more of volver I can look after hisself.
Speaker 2 (21:37):
Do you realize saying this fellow may be the key
to the whole mystery. He gave us the slipping.
Speaker 5 (21:42):
Region's feet past to his handsome cab.
Speaker 1 (21:44):
Well, you won't do it up there? Who knows?
Speaker 5 (21:48):
For once I may succeed.
Speaker 1 (21:49):
While eating homes. That's paper the tingling nerves.
Speaker 5 (22:02):
I sat in the dark processes of ut and waited.
Speaker 1 (22:05):
For the coming of its tenant. Then at last, why
uh last lost? It's so lovely you'd be up.
Speaker 2 (22:25):
I really think you a big more comfortable outside of
the house hors and please be careful with that Provola.
Speaker 1 (22:34):
Oh nice, Josh, I'm livermore and that's any one in
my life. How did you know? I was seen? That
wats some If you see this, the divis supplies me.
You must change our tobacconis.
Speaker 5 (22:46):
Oh my sim yes, do you throw it down the doctor.
Speaker 1 (22:50):
That's supreme moment.
Speaker 2 (22:52):
When you charged into the empty house, but help was coming,
the nag of funder did you get here?
Speaker 5 (22:57):
I sure you wouldn't think of street working on that.
Ta's a blackmailing.
Speaker 1 (23:01):
That was what I wished to I'd been able to
see her, missus.
Speaker 2 (23:04):
Laura lawns coom Tracy, Well, we've obviously been working on
Palalale lines.
Speaker 1 (23:09):
What did you learn? But she made an appointment mister
Charles at the gates. She admits that she wanted money
to help her the wark, but I never went.
Speaker 5 (23:16):
Something happened to make her change her mind, but she.
Speaker 1 (23:18):
Wouldn't tell me what. She also said that she pressed
got intus with Sir Charles through Stapleson.
Speaker 6 (23:22):
Ah.
Speaker 1 (23:23):
Now that's important. It bridges the gap. You're aware. I
suppose that there's a close intimacy between the lady and Stapleton.
I didn't learn. There's no doubt about it.
Speaker 2 (23:32):
Now this puts a very powerful weapon into my hand,
if I can only use it to the test. Stapleton's
wife his wife? Why yes, the lady who passes for
his sister is his wife?
Speaker 5 (23:43):
Good?
Speaker 2 (23:43):
Heaven's why the eleverage deception? Because he foresaw that she'd
been more use to him as a free woman.
Speaker 5 (23:49):
Then is he her enemy?
Speaker 1 (23:53):
Was he he who dogged us in London? So I
read the riddle and the warning letter that must have
come from.
Speaker 2 (24:00):
Her exactly, Holmes, how do you know this woman who's worfe?
Because he so far forgot himself as to give you
a true piece of autobiography When he first met you.
Speaker 1 (24:08):
There's no one easier to trace than the school. Must
then once April than after.
Speaker 2 (24:15):
It is murder, once refined, cold blooded, deliberate murder.
Speaker 1 (24:24):
My god, what's that? The hounds three hounds of Wak
who lay loss some God.
Speaker 11 (24:49):
The hundreds of Askamdals is one of the most famous
stories of Sherlock Holmes, from the inspired pennel Sir Arthur
Conan Doyle.
Speaker 1 (24:56):
We are presenting it in three parts, and you have
just heard two.
Speaker 2 (25:01):
My name in real life is Norman Shell, my old
colleague House and Hobbs Bayed Sherlock Holmes, and I was
doctor Watson Phoenix.
Speaker 11 (25:11):
Felson wrote the script for this BBC production from London.
I look forward to the pleasure of your company again
very soon
Speaker 1 (25:19):
For part three of The Hound of the bastelas
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