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August 4, 2025 • 28 mins
This detective series brings the adventures of the famous sleuth to life, solving complex cases with keen observation and deductive reasoning. The stories are rich in intrigue and suspense.
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Episode Transcript

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Speaker 1 (00:00):
This episode from the Life of Sherlock Holmes will be
transmitted to our men and women overseas by short wave
and through the world wide facilities of the Armed Forces
Radio Service.

Speaker 2 (00:09):
Petree Wine brings.

Speaker 1 (00:10):
You Basil Rathbone and Nigel Bruce and the new adventures
of Chermoch Holmes. The Petree family, the family that took
time to bring you good wine, invites you to listen
to doctor Watson tell us another exciting story about his

(00:32):
good friend, that master Detective Sherlock Holmes.

Speaker 2 (00:36):
And I'd like to tell you something.

Speaker 1 (00:37):
It may be you already know the fact that America's
favorite wine is port wine.

Speaker 2 (00:43):
Did you know that?

Speaker 1 (00:44):
If you didn't, you'll know why port is the way
out front favorite. If you'll just sample some Petree California Port.
You just look at that Petree Port and you know
it's good, that wonderful, deep rich red color. And Petree
Port is so clear. Hold it to the light and
you can see right through the glass. But what you
want to know really about a wine is hot as

(01:06):
it taste. And I'll tell you something I've never yet
been able to find the adjective.

Speaker 2 (01:10):
It'll do pet Report justice.

Speaker 1 (01:13):
It's wonderful honest, you've just got to taste it for
yourself and find out for yourself. You love that pet
Report in the evening after dinner, when you're sitting around
listening to the radio, and it's perfect to serve your
friends when they come over, you can show them that
Petrie label too. In fact, you can show it proudly,
because the name Petrie is the proudest name in the history.

Speaker 2 (01:35):
Of American wines. And now our weekly doctor's visit, let's see,
mister Botel.

Speaker 3 (01:45):
Don't say, let's see if he's expecting us. You know
I always expect you this time on Monday evenings, my boy,
So draw up.

Speaker 2 (01:52):
Your usual chair, settle down. Thanks, doctor. Oh that's it
all alone this evening.

Speaker 4 (01:57):
Doctor, Where are the puppies hard on the Petrie.

Speaker 3 (02:00):
They had a most unfortunate encounter with the dead seal
on the beach this afternoon.

Speaker 4 (02:04):
In consequence that a little malodorous.

Speaker 2 (02:08):
In that case, doctor, Perhaps we'd better change the subject.

Speaker 1 (02:11):
So suppose I ask you about tonight's new Sherlock Holmes advances, Well,
my boys.

Speaker 3 (02:15):
I told you last week the story took place in
the foul alleyways of Limehouse.

Speaker 4 (02:20):
It was there on a foggy December evening in eighteen hundred.

Speaker 3 (02:23):
And ninety that my story began. An old friend and
patient of mine, I So Whitney, had disappeared and his
distraught wife would come to me for help. Knowing the
man to be the victim of the shocking habit of
making opium, I.

Speaker 2 (02:36):
Suspected that I might find him in one of the vile.

Speaker 3 (02:38):
Dens inhabited by the dregs of the waterfront, and so
mis about tell. About five o'clock on that December evening,
I began my search. After an our fruitless wanderings, I
found myself in a vile alley called Upper Swandham Lane.
I could hear the distant moans of the river boats
as I walked, eyes alert, and hand on the revolver

(02:59):
in my coat put.

Speaker 4 (03:05):
Suddenly I saw.

Speaker 2 (03:06):
A steep flight of steps.

Speaker 4 (03:08):
Leading down to a black gap, like a mouth of
a cave.

Speaker 2 (03:12):
I walked down. The steps were worn hollow in the
center by the ceaseless tread of stumbling feet.

Speaker 4 (03:24):
I reached the bottom. A door faced me.

Speaker 3 (03:27):
In Above it a fricking oil lamp wren't warning to men.
I found the latch and lifted it. The door s
creaked up and protesting me, and I entered. There was

(03:49):
a tinkle of Chinese windows. As I walked towards a long,
low room.

Speaker 2 (03:55):
A strange sight met my eyes.

Speaker 3 (03:59):
Through the gloom, thick and heavy with a brown opium smoke,
I saw that the room was terraced with.

Speaker 4 (04:04):
Wooden bursts, like the forecastle of an elegant ship.

Speaker 3 (04:08):
Out of the shadows they glimmered little red circles of light,
now bright, now faint as a burning poison, waxed or
waned in the metal pipes. Bodies lay in strange fantastic poses,
bowed shoulders, bent knees, heads thrown back. The tendant came
up to me with a pipe and beckoned me to
an empty birth. I haven't come here to smoke your

(04:33):
filthy drug. I'm looking for a friend.

Speaker 2 (04:34):
Misteries of Witnes nought me still wheat me here. I'm
going to search the place.

Speaker 4 (04:38):
You must not disturb the pin carrying a revolver, so
you'd better not argue with me.

Speaker 2 (04:42):
My good man, out of the way.

Speaker 3 (04:45):
I searched a filthy den, but found no trace of
my missing friend. As I was leaving despair, a long
shaking hand reached out and plucked at my sleeve. I turned,
and there, sprawling a berth, was the wreckage of a man,
his gaunt face, yellow and twitchy, his clothes filthy and ragged,
and the pupil of his eyes pinpoints.

Speaker 4 (05:05):
He spoke to me in a thin, quavering.

Speaker 2 (05:11):
Get me out of here.

Speaker 4 (05:11):
Now look here, my man.

Speaker 2 (05:13):
Don't say you governor, and you got darge.

Speaker 4 (05:16):
Please help me.

Speaker 5 (05:17):
Come take you out of here.

Speaker 2 (05:18):
Start you think I'm vomited? You what most you expect
if you're indulge this filthy habits. Take you out of here, Governor.

Speaker 5 (05:24):
I'll go straight this time, cross me out.

Speaker 2 (05:26):
I will well come along with me. I suppose it's
my duty to help you. Pleasure give me your arm.

Speaker 4 (05:33):
You cannot take him. You owe me money.

Speaker 2 (05:35):
That's a breeding lie.

Speaker 4 (05:37):
I'll tell him what I'm coming on.

Speaker 2 (05:38):
He cannot go with you with you.

Speaker 3 (05:40):
Remember what I said about my revolver, you blackguard. We're
having them more trouble with you. I'll fetch the police.

Speaker 4 (05:44):
Come along.

Speaker 3 (05:44):
He owe me money, He owe me money, Governor.

Speaker 4 (05:50):
Off you didn't.

Speaker 2 (05:59):
Now look here, my good ma'am. I'll give you a.

Speaker 3 (06:01):
Square meal, some advice and some medical attention.

Speaker 2 (06:04):
But the rest till I'm the advice Watson. But I'll
take you up on that square meal homes. Yes, I
better get to see you all, fellow. What brought you
to that opid den of iniquity?

Speaker 4 (06:12):
Oh me up?

Speaker 2 (06:14):
I want to find a friend and I an anime.
Your disguise is wonderful, completely fooled men. But I'm afraid
that proprid of was beginning to penetrate it. That's why
I staged the little rest you've seen, and I've been recognized.
My life wouldn't mean it worth an hour's purchased?

Speaker 4 (06:28):
How long had you been there?

Speaker 2 (06:29):
Why were you there? Come on, Holmes, tell me all
about it. A pleasure, old chap the first, let's find
a chop house. I want that square meal, you promise
me an excellent Neil Watson.

Speaker 3 (06:48):
They're surprisingly good for such a surely looking place. Well, Holmes,
now perhaps you will tell me what you were doing
in that opium den. I've already told you my story.

Speaker 2 (06:56):
I'm shadowing the most unusual criminal and then who haunts yous.
Yet I know that he himself is not an addict.

Speaker 3 (07:02):
I don't see if he were a criminal about that
you might be looking for thriller. Perhaps he's one of
those writer fellows or something.

Speaker 2 (07:08):
But this man pretends to be an addict. I've watched
him closely. He fixes smoking and grease paint has enabled
him to simulate the characteristic color of a drug. Victim
even affects the typical mennerism of no scratching. But it's
his eyes that give him away. The pupils a wide
open exactly, old fellow, Whereas if you were really addicted
to the drug, they would, as you know, be contacted.
I myself always treat my eyes with a special one

(07:30):
of a special kind of drop on the occasion when
the woman I have to enter these deads.

Speaker 4 (07:34):
Why does a man haunt to helpe him then?

Speaker 2 (07:36):
In order not to smoke that man, Dear Watson, is
the problem that I intend to solve. Perhaps the fellows
a policeman or a private detective like your self, Holmes.
I've already checked on those possibilities. No, Watson, believe there
is only one answer. I believe the man is planning
a murder, a murder setting for a murder. Here victim
is an addict, drugged and helpless. Your witnesses there are

(07:58):
in an equal state of the futtlement. The party is
anxious to cover off the crime because of the police. Yes,
now the question is who is the intended victim that
my dear watching is why I've been shadowing this man
unfortunately was not present in the Then we just left,
but I intend to continue my search homes. Can I
help you?

Speaker 4 (08:16):
My My wife's a wetler.

Speaker 2 (08:19):
A long time since we were on a kiddy sponsibly delighted,
my dear Chap. I've missed you sadly during the past few.

Speaker 4 (08:24):
Months, and I you Holmes, what's the next move?

Speaker 2 (08:28):
Back to Baker Street? Okalo. My disguise is wearing thin,
and I must contrive a new one. You disguise, eh, Well,
which one shall it be? Watson? How about the old
flower Sellar? I love that one.

Speaker 4 (08:46):
Well it's pretty.

Speaker 2 (08:48):
No, no, no, my dear fellow. Now hardly appropriate for
an opium dinner in any case. The clothes, there's a
wretchedly uncomfortable.

Speaker 4 (08:53):
Well how about the music halls were Chap?

Speaker 2 (08:56):
Yes?

Speaker 6 (08:56):
Oh, I don't want to be behind the same side.

Speaker 2 (08:59):
I don't want to be It's hard to say.

Speaker 4 (09:01):
I don't want to.

Speaker 2 (09:01):
Struggle along the from from from where the brass band
plays totally on pole, cons founded. Who can that be
if you weren't expect in my way?

Speaker 3 (09:09):
Now this is just like the old days, the doorbell ringing,
Missus Hudson toddling off and bringing up some poor devil
in trouble and a fellow.

Speaker 2 (09:19):
Don't tell me that you're repentive marriage No, of.

Speaker 3 (09:21):
Course on homes there's a perfect darling, and I couldn't
be happier just the same.

Speaker 2 (09:26):
It's rather fun to be back here again. Allen. Yes,
missus Hudson.

Speaker 1 (09:31):
He's a gentleman, said, he gives me this card, says
he's very anxious to see you.

Speaker 2 (09:37):
Wayne J. Layton, President Layton Corporations, Chicada of the United States.
Ask him to come up with you, Missus Hudson. Hi, sir,
Well it's quite the cold times to see.

Speaker 4 (09:46):
You back here.

Speaker 2 (09:46):
Dr Just what I was saying myself. This is he's
taking a scribbled of message on his card. If a
thousand pounds for a week's work interests you, you'll see
me a thousand pounds, big fish, Watson, very big fish.
Thank you. Oh how do you do, mister Layton? I

(10:07):
guess you're Sherlock Holmes.

Speaker 3 (10:09):
You guessed, correct? You sir, excuse me, I'm mister Holmes.
Sit down, won't youse Clayton. My name's what's dr Watson?
I'm sure Holmes is Collie.

Speaker 2 (10:19):
Yes, I've heard about you too, Like a cigar doctor.
It's a good one. Send me back three shillings, spend
it and non is to Layton? May I ask what
brings you again? I'll talk fast and to the point.
I'm a business man. I love to do things in
a business way.

Speaker 1 (10:37):
I have a chance to control the Guano de Buzzes,
the Republic of San Pedro, the Minnesota be in.

Speaker 2 (10:41):
London tomorrow, and if it weren't for one thing, I
know that I could swing the deal and get the concession.
And what is that one thing, mister Layton? The deal
is secretcy I thought no one.

Speaker 1 (10:50):
Knew about it, But when I got here, I found
out that my biggest business rival has gotten wind of
what's going on.

Speaker 2 (10:55):
He's an English I've never met him, but he's right
here in London. I am not going to tell you
his name, not until you give me your word that
you'll work for me. That's what you wish me to do,
mister Layton.

Speaker 1 (11:05):
Get this rival of mine and keep him out of
circulation for a week. I don't care how you do it,
and I won't ask which time I'll give you the
other half of this five hundred pounds I proper with me,
good Scott.

Speaker 2 (11:14):
What you use to layton his hat and bloods? That's it? Thanks,
no fellow, goodbye, sir. What are you doing throwing me out?
I can't think where you gathered the impression that I
indulged in kidnapping. Once again, goodbyser, And here's so you
can take back your cigar.

Speaker 1 (11:31):
Hell, if you don't want some us in moneils, who'll
find someone else that does. This is the last you'll
say of me, mister Hall.

Speaker 2 (11:36):
Life is full of little consolations. Hmm. People seem to
think that money can run. That's your foot, mister Laytons.
That I've been seeking a man who pretends to be
an opium smoker. While basis you'll let him get away here,
I'll go after him. No, no, no, no, don't, buddy,
I've already arranged for that. Oh ha. When I left
the room just not to talk to MISSU Hudson, I
was intending to tell her to summon some of my
dam the street urchins. You know what theyke a street

(11:57):
to regulars. When she informed me that Haffa does not them.
We're in the kitchen at this very moment, by taking
one of her incomfortable staking to replies, the rest should
be obvious.

Speaker 4 (12:05):
Reference trusts to wow of them to shout up to
Laton when.

Speaker 2 (12:07):
He left her elementary. My dear Watson, Oh, don't tell
me that Layton back again. No, I think not. I
should say that at the moment he's just about out
of the front door. No, I think we shall have
another visitor. And judging by the commotion, the incoming and
the outgoing visitors know each other and are not on
the best term. That sounds to Mears of her having
a fight. It comes Miss Hudson to tell us about it.

Speaker 4 (12:29):
I mean, King, mister Holmes, you've got another visitor.

Speaker 2 (12:33):
So I gathered missus Hudson. You gave my instructions to
one of the boys. I did that young Wiggins was
going to follow.

Speaker 4 (12:39):
Gentlemen, Missus Hudson, What was all that commotion about downstairs?

Speaker 2 (12:42):
Just now?

Speaker 3 (12:43):
It was the two gentlemen shouting at each other, him
that was leaving and the one that was sweeten on
the doorstick.

Speaker 2 (12:48):
Who is our new visitor, Missus Hudson, here's his cat.
Oh thank you, Linton Chumley, nine Belgrave Square. Well ask
him to come up, WILLI, missus Hudson, very well?

Speaker 4 (12:58):
One thing more?

Speaker 2 (12:59):
Yes, A please instruct another of the Baker's treaty regulars
to follow this Linton Chumley when he leaves here and
report me.

Speaker 4 (13:06):
Ah, you're taking no chances Herms. You're having this fellow
shadow too.

Speaker 2 (13:14):
Leyton is a potential murderer, and that I'm convinced this
mister Chumley might possibly be his intended victim while we're
talking to him. What's now, fellow? I want you to
be sure to look at the condition of his eyes.
Certainly will come in. Oh, good evening, Missus Chumley. Why you,
mister Sherlock, hurry and this is my colleague, doctor Watson.
How do you do, sir? That was Wayne Layton? That

(13:36):
will just look here? Or wasn't it?

Speaker 5 (13:38):
I want to sit down, sir, I thank you. I
don't want to sit down right. You needn't answer my question.
But I know it was Leyton. I've never met him,
but I've seen his picture in the Newspapersal.

Speaker 2 (13:47):
Very well, mensir, it was Wayne Layton.

Speaker 6 (13:50):
Ah, I know why he came to you.

Speaker 5 (13:51):
He's he's trying to have me put out of the
way while he closes that deal on the San Peter
and Guana concession. Now look here, Holmes, you've got to
be on my side.

Speaker 2 (13:59):
Whatever I see.

Speaker 5 (14:00):
He offered you to dispose of me, I'll double it
if you will take care of him for a few days.

Speaker 2 (14:05):
Dear me, this is becoming monotonous.

Speaker 4 (14:07):
What's the hatt and clowns?

Speaker 2 (14:08):
Thank you, old Chap. That's right, Good night, mister Chumley.

Speaker 5 (14:12):
Look here, Holmes, I'll trouble his fee.

Speaker 2 (14:14):
I'll part truthfully. My idea, mister Chumley, I have accepted
no fee from mister Layton. I don't prefers to accept
one from you, your hatt and love, sir. That man
is out to kill me. Holmes.

Speaker 6 (14:24):
Well, if you won't help me, I'll go through the pully.

Speaker 2 (14:26):
That's an excellent idea, is chummy again?

Speaker 4 (14:27):
Good night?

Speaker 2 (14:30):
Did you notice his eyes? What's me?

Speaker 3 (14:31):
If the pupils were contracted, he's obviously no feel man
and also a potential copse.

Speaker 2 (14:35):
What do we do now? Wait for the irregulars to
a partner. You return home for your medical bag. I
have a feeling that you'll need it before the night desired.
Then come back here. I've gone. Before your return, I'll
send one of the irregulars to bring you to wherever
I may be. Wait until you receive a message from
me on your way. Old chap does work ahead of.

Speaker 4 (14:51):
Us, Wiggins, you're certain this is the place that Miss
Tom's told you to bring.

Speaker 5 (15:10):
Me to, Yes, Doctor Watson, the corner of Swandam Line
and Bexel Street.

Speaker 3 (15:13):
Mystery. I'm said, this is fudd aw right. I don't
see any syno him. Hello, this old woman coming to ddses.
So that's the disguise each other.

Speaker 2 (15:24):
Spare me a few conference lett she tas something awful
eyes it's a bite of food, all say. You can't
fool me this time.

Speaker 4 (15:34):
As a matter of fact, your makeup doesn't been convincing.

Speaker 3 (15:37):
You hardly look like a woman, and nobody's nose could
be quite as red as that does.

Speaker 4 (15:41):
Look like a woman, says Hi, it's too red.

Speaker 2 (15:45):
Fan, Sorry, madam, I didn't mean to do the whole show.
Where made you get? You a bit of what poor right?
Didn't boxing your ears and always say about it? Aren't
you bought your ship at this time of night, because
I'm not a sailor, Watson.

Speaker 3 (16:03):
It's mister Rounds who like Heaven's homes. I wish you
you wouldn't confuse me likeness. I've never recognized you, I
dear Watson.

Speaker 2 (16:12):
When you're able to recognize me, indeed, be the king
at the end. When your eagle eye penetrates my disguise,
I shall realize that my retirement is imminent. But enough
of this.

Speaker 3 (16:21):
See that house opposite you'll be in the ramshackle place
with a broken tiled roof.

Speaker 2 (16:24):
Yes, I gave you irregulous instructions to let me know
at once if our two quarries ever entered the same house,
but at one time, then inside there now, and I'm
going in after THEO. Be careful, Homes, I better come
along with you. Comes to your mister house, certainly not.
We'll keep watch out. Chide. If I needing a help off,
smash one of the windows, and then you can come
in after me. Wait here for me. I don't expect
I'll be very long.

Speaker 7 (16:43):
I'll be here, Homes, don't worry about me. Just take
good care of yourself. It's one o'clock.

Speaker 3 (17:01):
I'm no wigans he's been in there half an hour.
I'm beginning to get worried, start going off.

Speaker 2 (17:06):
No, no, no, Wiggans. You know mister Holmes, when he
gives orders, he likes them for help.

Speaker 3 (17:12):
See watching your house, Wiggins. We are the five minutes helpful.
Please watch as all right, homes all right.

Speaker 6 (17:30):
You have searched my house from basement to rekick.

Speaker 5 (17:33):
Why do you not give up?

Speaker 6 (17:35):
I'll tell you what getting There has been no one.

Speaker 4 (17:37):
Here tonight that my friend came in here half an hour.

Speaker 2 (17:39):
I saw him, and before that, two other men.

Speaker 4 (17:41):
Are known to have come in here.

Speaker 6 (17:42):
If that is sold, then where are the three men
cannot done it?

Speaker 3 (17:45):
That's just the point, you scoundrel, out of know where.
I'm going to search this hubble again. I'm not leaving
here until I find mister Shellock Holmes.

Speaker 1 (18:00):
You'll hear the rest of doctor Watson's story in just
a second, And if you don't mind, I'll take that
second to say just one word to the ladies, and
that word is musk Tell, Petrie California, muscateell. I want
you women to know about it because Petrie musk Tell
is one wine that practically every woman likes. Maybe because

(18:21):
it's such a beautiful color, like pale gold. But I
guess really because Petrie Musketell brings you the wonderful flavor
of luscious sun ripe and muscat grapes.

Speaker 2 (18:31):
And that's a flavor.

Speaker 1 (18:33):
Try Petrie Musketel after dinner or anytime as it changed
from Petrie port. Remember if it's a Petrie wine, you
know it's a good wine. And now back to doctor
Watson and tonight's story the eyes of mister Layton.

Speaker 2 (18:56):
Well, what happened next? Doctor?

Speaker 1 (18:58):
When you search the house for the second time, did
you find any trace of Sherlock Holmes, of the two
rival businessmen?

Speaker 2 (19:04):
I'm afraid I didn't. What did you do?

Speaker 3 (19:06):
I told Wiggims to report the matter to the nearest
police station, and then rattled back to Baker Street at
a handsome cab as fast as I could. When I
arrived at the old familiar doorstep, I wrenched the bell
in a frenzy of anxiety.

Speaker 2 (19:18):
Finally the door opened.

Speaker 4 (19:20):
Let's took missus Hudson after watching?

Speaker 2 (19:22):
Which is it?

Speaker 4 (19:23):
Sir?

Speaker 2 (19:24):
Oh, you're as white as a ghost. Mister Holmes, is
he here? I said, come in half an hour ago?
He was just as a sailor and was half carrying
some drunken friend of this.

Speaker 3 (19:32):
Oh, thank heavens, he said, I'll go up all right,
Sir Holmes, I can't tell you how glad I am
to seeler. Who's that lying on the sofa?

Speaker 2 (19:49):
Oh I'm pretty bag button. Oh I'm afraid the poor
devils done for it's got it's Wayne Lake and the
American Fuller. The knife wound between his rips. See what
you can do a point with.

Speaker 4 (19:58):
Him right extre at home. You said that Layton was
a potential murderer, and now he's a.

Speaker 5 (20:04):
Victim himself the bitter bit.

Speaker 2 (20:07):
Yes, he's still breathing me.

Speaker 3 (20:09):
He hasn't a chance A time was an injection of Stickney, Holmes,
How did you get his body out of the house.

Speaker 4 (20:15):
I searched the place from top to bottom. I found
no trace of any of you.

Speaker 2 (20:19):
When I went in, I found the stabbing had already
taken place propara. Then brighten me or rather than broke
down sell, he took me for to smuggle the body
out to the secret stairway leading to the worlds at
the back of the house. No trace of cham No,
he must have blessed before me. But the same exit.

Speaker 4 (20:33):
Then you smashed the window and bolt it.

Speaker 2 (20:34):
Yes, I knew that I could come on. You hold
the port while I was getting the body away. Trying
to say something, Watson, the Ejacson's beginning to take effect. Yes,
mister Layton, what are you trying to say? Tell us
who stabbed your sir? Lips are moving, man, he's dead home. Yes,

(21:03):
he gave us the clue murderer's identity. How in the
word he mumbled just before he died.

Speaker 4 (21:08):
Sounded to me as if he said mendel, which.

Speaker 2 (21:10):
Old fellow never did a corpse. Give us a care
of instruction to our next and final move, and that
is back to Limehouse, Watson, Back to Limehouse. Here we
are listened to the place. What's this another pim? Yes,

(21:33):
I knew, since termally refrained from smoking earlier on in
the night in order to keep his faculties led for murder.
But an enormous reaction was set in that kind of
den at once and beyond question, a different one from
that which the murder has committed. Do you know that
he's inside here? Just before you return to Baker Street tonight,
I had a message from one of my irregulars. He
cacked him here after he escaped the scene of the stabbing.

Speaker 4 (21:56):
A couple of hours ago. He might have slipped away again.

Speaker 2 (21:58):
Oh Watson to night. He came to drown here sentence
with a wretched drive Hill here, come on, h That
second injection of caffeine should bring him around. He's heavily dragon.

(22:21):
But I think it will work. Rising on a five
found note will do, isn't it. Yes?

Speaker 4 (22:24):
He propried to let us bring Chamney into his private room, and.

Speaker 2 (22:30):
He's coming to.

Speaker 4 (22:32):
M Who are you?

Speaker 2 (22:36):
Who? What what do you want? You remember me, Sir
Michelle Holmes, Yes, yes, I remember you. You're in serious trouble,
mister Chimney, very serious trouble. Trouble what troubled? Wayne Layton
didn't die, He badly wounded, but he's going to live.

(22:56):
He's a Baker Street now. He wants to go to
the police and give evidence.

Speaker 5 (23:01):
You've You've got to get me out of this home,
so I'll pay you anything.

Speaker 2 (23:05):
Ten twenty. Why did establic he? He was in my way?

Speaker 5 (23:09):
I wanted the San Pedro confession. I meant to kill him.
But we can fix it up now, Country homes, We
can fix it.

Speaker 2 (23:16):
Up now we can fix it. Peuri present as Nat
a Murley confession. As ever, I listened to her exactly.
Come along, mister Jumney. I think some night air will
be good for you. We'll take you for a nice
drive to Scotland yard you sent chippers.

Speaker 1 (23:41):
Gentlemen, you've been up all night and I'm sure you.

Speaker 2 (23:43):
Can do it. It's very thoughtful.

Speaker 5 (23:47):
What is missus?

Speaker 2 (23:48):
What's going to say when you find you've been out
all night? You are about that?

Speaker 4 (23:52):
Missus Hodson, she's very understanding. It's lucky for you that
she is.

Speaker 3 (23:57):
Well.

Speaker 4 (23:57):
I'll go and leave you again, breakage.

Speaker 2 (24:00):
Holmes, Yes, said Fellow.

Speaker 3 (24:02):
Is any one thing that puzzles me about this case?
When Layton was dying, he muttered the word Mandalay? How
did that give you the key to the murger's identity?

Speaker 2 (24:10):
Oh? The dead American had never let mis Chumney remember,
except when they bump into each other in our hallway. Yes,
he told us that.

Speaker 3 (24:16):
He recognized him from the newspaper photograph of being the American.

Speaker 2 (24:19):
He had no reason to know that the name Chumbley
is in no way pronounced the way it is you.

Speaker 3 (24:26):
I never thought of that Chumbley that name spelt c
h o l chaw m o m mand der l
e y Charles Mandalay Mondalay.

Speaker 2 (24:40):
Precise, profellow, what you thought of that Mandalay was really
Charles Mondalay, the name of the murderer. An amazing case.
You did a remarkable job, Holmes. I'm beginning to be
confinedly sleeping. Why not sleep old chapel old was all
ready for you. He'll take an air. Oh dear me, No,

(25:00):
I have much too busy to ahead of me. Let
me look at my engagement book. Extra square murder. I
put the police on the track. The Duchess of Pherohs
got her material. The princess, who was about to run
away from home could graciously let her run. The Pope's
cameos ah. Yes, yes, his holiness must not be kept waiting.

Speaker 4 (25:23):
Can can I help you get homes? Mary doesn't return
until tomorrow.

Speaker 2 (25:28):
But I thought you were a sleepy old fellow, sleepy rubbish.

Speaker 4 (25:30):
I never felt more wide awake in my life.

Speaker 2 (25:43):
That was a swell story. Had you enjoyed it?

Speaker 1 (25:45):
And that was really funny when you mistoke that old
lady for homes and she slapped her face. Ay, sure
it was come on, met a doctor.

Speaker 2 (25:54):
She looked like homes in disguise. You know you would have.

Speaker 3 (25:56):
Made the same as take it ear okay, okay? And
those why ridiculously red and she did look like a
man loove doctor. Forget I ever said anything. I won't
say another word. I'll keep my mouth closed forever.

Speaker 2 (26:07):
Well, come, I wouldn't do that, mister B. Mister B.
Won't you even open your mouth to finish your wine?

Speaker 4 (26:16):
Your your pet Tree wine?

Speaker 1 (26:18):
Okay you and you know I'll open my mouth for
Petrie wine anytime. That Petree wine is always good wine.

Speaker 2 (26:25):
And for good reason too.

Speaker 1 (26:27):
The Petrie family has always owned and operated the Petrie business.
They've been making fine wines for three generations since way
back in the eighteen hundreds.

Speaker 2 (26:36):
That adds up to a lot of experience, experience handed
on down from father to son, from father to son.

Speaker 1 (26:44):
The Petrie family really knows how to turn luscious California
grapes into fragrant, delicious wine. And that's why, no matter
what kind of wine you want, I'm sure you like
it better if it's a Petrie wine, because Petrie took
time to bring you good wine. And now, doctor Watson,
what story you're gonna.

Speaker 3 (27:04):
Tell us next week, Noll Now, next week, mister bout time,
I'm going to tell you a most unusual adventure that
turns an eyehead in the hearts of the English countryside.
It concerns a corpse, a missing revolver, and a beautiful
girl who's frightened.

Speaker 4 (27:17):
Their own shadow.

Speaker 2 (27:29):
Tonight.

Speaker 1 (27:29):
Sherrock Hohorn's adventure is written by Dennis Green and Anthony Boucher,
and is based on an incident in the Sir Arthur
Conan Doyle's story The Man with a Twisted Lip. Mister
Rathburn appears through the courtesy of Metro Goldwyn Mayer and
mister Bruce through the courtesy of Universal Pictures, where they
are now starring.

Speaker 2 (27:45):
In the show Rock hon series.

Speaker 1 (27:50):
The Petree Wine Company of San Francisco, California invites you
to tune in again next week, same time, same station.

Speaker 2 (27:58):
Oh, the three fairly took the time to bring you.
Set good wine cool.

Speaker 4 (28:03):
When you eat, and when you cook, remember Petry Wine.

Speaker 2 (28:07):
To make good food taste better. Remember hed Bettree.

Speaker 1 (28:16):
W This is Harry Bartell's and good night for the
Patrie family. Sherlock Holmes comes to you from our Hollywood Studios.
This is the mutual podcast interest
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