February 1, 2025 • 54 mins
Solve crimes with the great detective in "Sherlock Holmes Short Stories." Featuring classic tales by Arthur Conan Doyle, this podcast brings you the brilliant deductions and thrilling adventures of Sherlock Holmes and Dr. Watson. Whether you're a longtime fan or new to the world of Holmes, these timeless mysteries will keep you captivated.
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Speaker 1 (00:00):
Oh God, Columbia Boat Shaft and System takes pleasure in.
Speaker 2 (00:08):
Bringing you the twelfth in a series of weekly broadcasts
featuring Awesome Wells and the Mercury Theater on the air. Tonight, Bodways,
a radio no clebrated piat Pro producing company, brings to
Lias the best loved character in detective fiction, the Immortal
Sherlock Holmes. The play is Ausenbal's own adaptation for radio
(00:28):
of William Gilapsen during melodrama, based on the famous stories
by the Arthur Conan Doyle before they performance the games.
Here is a director of the Mercury Theater, the star
and producer of these unique broadcasts, Auson Wells. Good Evening,
Well Tonight, It's back to Baker Street, back to that
unlikely London of the nineteenth century, where high adventure waits
(00:50):
toiler would seek it in a handsome cab or under
a gas lamp in an infinite keep. But tonight we
paid tribute to the most wonderful member that most wonderful world,
a gentleman who never lived and who will never die.
There are only a few of them, these permanent profiles,
(01:12):
everlasting silhouettes on the edge of the world. There is
first a little hunchback with a slapstick, whose hooked nose
is shaped like his cap. There is now and always
will be the penguin footed hobo in the derby in
the back, the small boy.
Speaker 3 (01:29):
With the.
Speaker 2 (01:31):
Long, rusty knight on horseback, and a fat knight who
could only procure a charge on foot. There is also
the tall gentleman with a hawk's face and the underslung
pipe before and aft cap. We'd know them anywhere and.
Speaker 3 (01:47):
Call them easily.
Speaker 1 (01:48):
Buy the punch and the charge captain, and.
Speaker 2 (01:52):
The copy muilty. The john and Sherlock Combs now irrelevant.
But as this may seek Willias the Mercury Theater very
much artifact prosion for a revival of a final americal.
Speaker 1 (02:06):
But a lot of people remember the fact.
Speaker 2 (02:10):
Which is too much Johnson. Its author was William Gillette,
which reminded us, as it reminds you of Sherlock Holmes.
As everybody knows, that celebrated American inventor of under acting
lent his considerable gifts as a playwright to the indestructible
legend of the Conan Doyle Detective and produced the play
(02:32):
which is as much a part of the holmes literature,
as any of Sir Arthur's own romances, and as nobody
will ever forget he gave his face to him. For
William Gillette was the aquiline and actual embodiment of Holmes himself.
It's too little to say that William Gillette resembles Sherlock Holmes.
(02:53):
Sherlock Holmes looked exactly like William Gillette sounds like him too.
We're afraid and hoped of lovely that the Mercury theater
and the radio will take none of the gramour from
the beloved fable of Baker's feet, from the pipe and
the violin, and the hideous purple dressing gown, from the needle,
and the cigar on the window, ledge, and the dry
(03:16):
final famous lines elementary and idea Watson elementary, the mere
Child's play of deduction. My name is Watson. I am
(03:40):
a doctor. It was in the year eighteen evre that
Holmes and I were introduced by a mutual acquaintance. At
the time, we were both looking for a lodging that
would suit our moderate means. This we found on the
second floor of a house at two that he won
the Baker's Feet, And it was during the years that
we occupied these chambers together that Holmes established his unique
international reputation as a consulting detective.
Speaker 1 (04:04):
During that time I was privileged to be his daily.
Speaker 2 (04:06):
Companions, and I have done my modest share in giving
to the world and account of some of his most
famous cases. Most famous of these are the ones which
I have written under the names of the specld Band, Sinopre,
Howard of the Baskavilles, and the Study in Scarlet. They represent, however,
only a minute faction of the six hundred and forty
(04:28):
three cases Holmes successfully solved during the years that we
shared the lodgings in Baker Street. Other cases I hope
one day to give to the world include the Talatan murders,
the sudden death of Cardinal Tuska, the adventure of Ricolette
of the club Foot and his abominable wife, the case
of Missus Sarantoge, the Circus Bell, and the case of
(04:49):
the Royal Family of Scandinavia. Each illustrate in their own
way the remarkable genius of my friend Sherlock Holmes. Since
my marriage three years ago, Holmes has continue to occupy
that they could seek lodgings like himself I've hit almost
every afternoon in my work in the office of Sinny.
I am in the habit of calling on him. The
(05:10):
sitting room that you go in is exactly as it
has been for the past thirteen years. The warm, bare
skin rug, the huge sofa covered with faded chins, the
matter piece cuttered with miscellaneous objects on answered letters, and
piles of loose tobaccos on one side of the fireplace,
and a deep arm chair, the pipe curling forth slow
(05:33):
waves of aquid tobacco placed in his hideous purple dressing gowns.
The sherlock holmes with this vial in under his chin. An,
what's my jo? How are you?
Speaker 4 (05:52):
Homes turned to ride and see you first lighted upon
my word.
Speaker 1 (05:55):
I am abant to observe with your wife's left God
on the visit. But how did you know? Why did
I when I like that? How do I know anything?
How do I know?
Speaker 5 (06:06):
You've been getting yourself very wet lately? That you're an
extremely careless serven girl, And you moved to a dressing
table go oude of.
Speaker 2 (06:11):
The room hose if you had lived a few centuries ago,
that it burned you alive.
Speaker 4 (06:15):
Such a confregation would have saved me a great deal.
Speaker 2 (06:17):
Of trouble and spend on me at all. How did
you know all that.
Speaker 5 (06:19):
It's too simple to talk about scratches and climesy cuts,
my dear felony, and its side of your shoe there,
just where the firelight strikes it scratches, cuts, and they
scraped away cutted mountain.
Speaker 2 (06:28):
This is badly, badly scraped the shoe along with it.
Speaker 5 (06:31):
There's your wet footlight, deer watsoning, a careless certain girl,
all on one.
Speaker 2 (06:34):
Shoe face sandy shave the right side or it used
to be on the left. Light must come to the
other side, because I will move your window, must move
the dressing table, of course, But how the deuce do
you know? My wife was away? Where the juice is?
Speaker 1 (06:46):
Your second west button?
Speaker 3 (06:48):
Was?
Speaker 1 (06:48):
What the juice is yesterday's buttonir doing in today's the pel.
Speaker 2 (06:51):
And why the juice? You were?
Speaker 6 (06:52):
The expression?
Speaker 5 (06:53):
Other elementary matter for elementary child's fair production. I'm only
doing it for you're a mute one, before we pass
on the more serious matters.
Speaker 3 (07:02):
Oh, what is it?
Speaker 1 (07:02):
Novel?
Speaker 2 (07:03):
What's in, my dear fellow?
Speaker 5 (07:04):
The enthusiasm which is prompted you to chronicle and if
you would excuse my saying so somewhat to embellish my
little adventures.
Speaker 4 (07:11):
You occasionally seems fit to introduce a certain.
Speaker 2 (07:13):
Element of romance which struck me as being a just
a trifle out of face, something like working in elopement
in the persist proposition of euclid. I merely refer to
this in case you should see fit at some suture
time to a chronicle, a case on which Idel bethlim
back the strange case of Professor Robert Moriati. Moriati, I
(07:34):
don't remember ever having heard of the fellow, no what,
and you haven't the precisely this quality of invisibility that
makes of Professor Moriarty, Napoleon of crime, sitting motionless like
an ugly.
Speaker 1 (07:45):
Venomous spider in the center of his web.
Speaker 5 (07:48):
But that web having a thousand radiations, and the spider
knowing every quiver very well of them. And within forty
eight hours I'll have the lines drawn so tightly around.
Speaker 1 (07:58):
Him that he can't move, arrest him in his entire
game home. This is a very thing, mind.
Speaker 2 (08:03):
How it's perfectly delightful.
Speaker 5 (08:05):
My whole life is spent in a still as the
magic endevors to escape from the veriest commonplaces of existence for.
Speaker 2 (08:10):
A brief period I escape. Congratulate me.
Speaker 5 (08:14):
The day before yesterday I received in this room the
visit of a certain foreign nobleman who was recently inherited
a very considerable title, and it was about to be married.
Seems that this title of gentleman was still indiscreet as
to fall in love with a young English lady that
the name of Faukner socially in inferior, and to make
her a promise of marriage. Later his family's insistence, the
(08:37):
things broken shortly after the broken heart using behind a sister,
also considerable evidence from a form of letters, photographs, and
jury with inscriptions.
Speaker 1 (08:47):
These the sister kept.
Speaker 2 (08:49):
These together with the sister are now being held in
a house in John's Wood by a pair of blackmailers
who brought with the name of Checkwood. So far as
you see, my dear, what's an as.
Speaker 1 (08:58):
Fairly ordinary case? Colect me.
Speaker 2 (09:00):
I've had it with my.
Speaker 5 (09:01):
Attention last night on my in fiction A certain elements
revealed itself, which renders the case far more important than
I had expected than That element was Professor Moriarty Hellen.
Speaker 1 (09:16):
Yes, gentlemen, to see you by the.
Speaker 6 (09:18):
Name of Foreman.
Speaker 1 (09:19):
I'm in direct com in. Yes, miss film, come in,
mister Foreman.
Speaker 2 (09:24):
Dreaming from he didn't for whom Watson, this inspector Foreman.
The day before yesterday he occupied the position of butler
under the name of Judson. Them the home of mister
and missus Chetwood blackmailers from John's Woods.
Speaker 1 (09:37):
No faman any news, Yes, sir, this morning a little
last nine Chetwood and his.
Speaker 2 (09:42):
Wife throw away in a four wheela. I returned about eleven.
Basick was with them. You know him though years when
I last ten the occasion to meet mister Beasick who
got two years for safe cracking, to go on for him.
Speaker 1 (09:55):
Well, I took this man Basic in the library.
Speaker 2 (09:57):
I gotta look at him from the outside, and Harry
was opening up the space where they've been keeping.
Speaker 1 (10:02):
The letters go on in the end. When they up
the pipe open, it was empty. The letters are gone.
Speaker 2 (10:07):
It seems like the folk no girl.
Speaker 1 (10:08):
Gopping back somehow.
Speaker 2 (10:10):
I got pretty excited as it went out to send
a telegram. Have you got confident? Yes, yes, here it
is the encode m.
Speaker 5 (10:18):
Mariotte, I thought so, Watson, his case is taking a
most promising turn foreman. He returned once to the house
in John's Wood. Then ten minutes I should be there myself,
if I remember correctly. The kitchen is immediately below the
drawing room. Yes, when my half over a chair in
the drawing room, you will return a lamp in the kitchen,
(10:41):
scatter smoke balls and give an alarm of fire.
Speaker 2 (10:46):
All other instructions remain unchanged. Very good, though, Harry Pollman.
Speaker 6 (10:49):
Here's a home.
Speaker 4 (10:53):
Well, my dear Watson, it.
Speaker 2 (10:56):
Seems to look like a most interesting evening. Alright, it's
(11:19):
the god ning. My name is Sherlock Holmes. Whom whom
did you wait the same at the home? Thank you
so much, mister Chipward. I let's have announced by the
butler in my way out last I didn't very well.
Well here he is yet he's talking abutments to home
to excuse with her. He is not well enough to
see anyone to see me, you peep saying this kind
(11:39):
of spot and say that guy beg your pardon with
the homes. But it's quite useless. Really, Oh, I'm so
sorry to hear it. Yeah, miss Portland, is I regret
to say quite an infau She is unable to see anyone.
Her health is so poor. Has it never occurred to you,
mister Chipwood, that she might be confined to the house
too much?
Speaker 1 (11:55):
How does that concern you? It doesn't I think to
make the suggestion.
Speaker 2 (12:00):
I'd like to think it over. It's too about his name, Judgson.
Very well, Judson, go and take my card up. Very good,
This is really too good. Well, of course you can
take up your card or your note of whatever it is,
if you wish it so much. I was only trying
to save you.
Speaker 5 (12:15):
The trouble it thanks had any trouble, Gods and i's
Can you know, mister Holmes you interest me very much?
Speaker 2 (12:21):
Really, on my word, Yes, we've all heard of your
wonderful methods. You're punishing manners which you gain information from
the most typling details. Now I dare say, in this
brief moment or two you've discovered any number of things
about me. Nothing is consequences chetwn I hardly more than
ask myself why he was so distressed to see me
at this particular moment, And what's that impossibly be about
(12:42):
the station in the lower part of that desk, because
you such painful anxiety. Very good, very good, indeed, if
those things are only too now, I'd be wonderfully impressed.
It would be absolute term me justin a message for you,
mister Chetwood. You'll excuse me at trust it's from his partner. Yeah. Really,
she begs to be allowed to see you, mister Holmes.
(13:03):
She absolutely implores this. Well, I suppose I shall have
to give way to ask Miss Faulkner to come down
to the drawing room. Say that mister Holmes is waiting
to see her.
Speaker 1 (13:13):
Very good to quite remarkable upon my soul.
Speaker 2 (13:16):
May I ask, if it's not an impertinent question, what
message you send up that could sve arouse Miss Paukner's
desire to come down? And really is that she wasn't
down here in five minutes time to go up? Oh?
That was it?
Speaker 5 (13:28):
That's not true, And the next time, greatly mistaken. I
hear a young lady on the stair, which case she
has a minute in the heart.
Speaker 3 (13:35):
To spare.
Speaker 2 (13:39):
Ellie, and it is Miss Faulkner. Let me introduce mister
Sherlock Holmes.
Speaker 1 (13:44):
Mister Holmes, Miss Fusser, I'm really miss charmed to meet you,
although a jobs looking if you've made me come down
in spite.
Speaker 2 (13:52):
Of myself here.
Speaker 1 (13:53):
I thank you very much indeed for concerning to see me,
Miss Fusser.
Speaker 2 (13:55):
But regret to observe that you're put to the trouble
of making such a very erected change of.
Speaker 1 (14:02):
I did harry a title.
Speaker 6 (14:04):
I can sist.
Speaker 2 (14:05):
Mister Holmes is quite.
Speaker 1 (14:06):
Living up to his reputation, isn't he said it?
Speaker 2 (14:09):
Come in? Yes, ma'am.
Speaker 1 (14:13):
What are you doing here?
Speaker 2 (14:14):
Judson? I didn't pardon them. I was answering the bell.
Speaker 1 (14:17):
What well the glowing room?
Speaker 4 (14:19):
What do you mean you blocked no one lang the
fell I'm quite sure it was Robin Well.
Speaker 2 (14:22):
I tell you it did nothing. You are a butler's right,
mister Chatworthy. They'll did ring? How do you know I
rang it? What do you want?
Speaker 5 (14:29):
I want to send my card to the real miss Putner, real,
I said, the real Miss Stuffner. Judson, Yes, sir? What
right have you to ring for persons and give orders
in my house?
Speaker 2 (14:40):
What right have you to prevent my cards from reaching
their destination? How does it.
Speaker 1 (14:44):
Happen that you and this woman are.
Speaker 5 (14:45):
Resorting to trickery and deceit to prevent me from seeing
Alice Popper from some trifling oversight Judson.
Speaker 2 (14:53):
Neither of the cards I.
Speaker 5 (14:55):
Handed to him has been delivered. Tindly see that this
error does not occur again.
Speaker 4 (14:59):
My order, Ah, you have orders.
Speaker 2 (15:01):
I can't say you though you were told not to
deliver my card. What business is it of yours? I'd
like to know.
Speaker 5 (15:06):
I shall satisfy your curiosity on that point. And it's
a very short time, mister Chetwood.
Speaker 2 (15:11):
Yes, and you'll find out in a very short time
that it isn't safe to meddle with me.
Speaker 4 (15:15):
It wouldn't be any trouble at all for me to
throw you up into the sleep here.
Speaker 5 (15:18):
Possibly enough that trouble would swiftly follow such an experiment.
Speaker 2 (15:22):
On your past A cup a lunny thing for you.
I'm not armed, ys well, Miss Faukner comes down, you
go and arm yourself myself, I'll call the police.
Speaker 3 (15:29):
Do it now?
Speaker 1 (15:30):
Oh no, you will not do it now.
Speaker 2 (15:31):
You will remain where you are till really I can't
here to see event of this room.
Speaker 4 (15:34):
What makes it so sure of that?
Speaker 5 (15:36):
Because you will prefer to avoid an investigation of your
suspicious conduct, mister James leaderby now, yeah, that is not
the name under which you are known to Scotland Yard
I believe, mister Chetwood, the stady there.
Speaker 2 (15:46):
Is your wife, Steve Jodson.
Speaker 5 (15:49):
You will either deliver that card, Miss Forknett once or
sleep in the free station tonight.
Speaker 2 (15:53):
That's a small consequence to me which you do? Shall I?
Shall I go? So go on, take up a card.
It makes no difference to me.
Speaker 4 (16:00):
A short time since lab you dislayed and the key anxiety.
Speaker 5 (16:03):
To leave the room. They do not ad entertain you
or your wife any longer. Can you prefer to remain
while I talk and Spokener we fill.
Speaker 2 (16:13):
Miss the home.
Speaker 1 (16:16):
H last and the home?
Speaker 6 (16:20):
Yes? Do you wish to see me? Very much?
Speaker 5 (16:22):
Indeed, Miskner, Ti'm storry to see that you are far
from well.
Speaker 2 (16:27):
No, beg your parn.
Speaker 1 (16:30):
What does this not mean?
Speaker 3 (16:32):
Oh?
Speaker 1 (16:33):
Nothing nothing?
Speaker 5 (16:34):
And the mark on your neck plainly showing the clutch
of a man's fingers does that mean nothing? Also curse
me that I shouty to have an explanation of this.
Possibly you can furnish one, mister let It seems to.
Speaker 1 (16:45):
Have occurred in your own house.
Speaker 2 (16:47):
It is it do to understand that it doesn't help
pey for you or anyone else to interfere with my
say ah, and did your business. They're that much a
great they deceited.
Speaker 4 (16:57):
Miss fucker.
Speaker 1 (16:58):
I don't know who you own the home?
Speaker 2 (16:59):
Why I shall be very great indeed to explain. And this,
this is this I didn't consult. It's the possibility of
obtaining from you certain letters addressed to your sister, which is.
Speaker 4 (17:09):
Supposed to be in your position.
Speaker 2 (17:10):
I cannot give up my sister's home. There are other
things besides is then and punishment.
Speaker 1 (17:16):
Believe me, in this spot there's nothing.
Speaker 6 (17:18):
More but my.
Speaker 2 (17:22):
Oh, I'm so sorry. How comes you? Miss? Turn over
this chair?
Speaker 1 (17:34):
It's not off the table. Don't allow yourself as spokener.
There is no fire.
Speaker 4 (17:45):
The smoke was all arranged for arranged.
Speaker 2 (17:49):
Still business fer me.
Speaker 5 (17:52):
I wanted a package of letters and stopped and that
by following your eyes just now, when you thought there
was a fire, I discovered that you would hidden them
in the appost chair a chair. M yes, kid, elementary
as you see. And now that they're in my position,
there seems to be no reason. Can you remain any
longer in this house?
Speaker 2 (18:13):
The night spoken miss Fulckner?
Speaker 4 (18:19):
Yes, I I can't take them this for man, is
that belong to you? I find that I cannot keep.
Speaker 2 (18:30):
Them unless you can possibly change your mind and let
me have them of your in free will. I suppose
you could, I would not go return them to you.
And uh, oh I've got friends the letter they're returning
to the tire.
Speaker 4 (18:48):
Oh about that? Look now, I suppose I.
Speaker 2 (18:51):
Can see you walk out of a house. Will fire
on the contrary?
Speaker 4 (18:53):
Or don't you seem to return them to their.
Speaker 2 (18:54):
Right proner and stuck? Now I hear your letters, the
ever change your mind and be so generous? Who's forgiving
us to wish to return these letters for the one
who wrote them? You have my address.
Speaker 4 (19:04):
Any events, let's assure.
Speaker 2 (19:05):
There will be no more curlsy, no more persecution in
this house. Thank you to him. You are perfectly safe
for your property in its pockner. So I shill so
arrange it that your faintest cry of distress will be heard.
If that cry is heard, it will be very unfortunate
for those who are responsible, as for you, mister Labie,
and you madam.
Speaker 4 (19:28):
And then you understand that you continue your persecution.
Speaker 2 (19:30):
Of that young lady at your peril.
Speaker 4 (19:34):
Good night, miss come here, miss partner.
Speaker 2 (19:41):
Now are you going to give me?
Speaker 1 (19:45):
Are you going to give me no, and that would.
Speaker 2 (19:50):
Now and then give me or do I break your arms?
Speaker 1 (19:57):
Coming up on the door.
Speaker 6 (19:58):
No people on that side.
Speaker 7 (20:02):
If you call madam, I'll see four more more don't
see I'll see madam. I beg pardon, madam, But there's
no one.
Speaker 2 (20:20):
At the door. Betterwhere gonna go? He stop us? What
what we want to do is they'll leave us alone.
Lets the emperor have it. Do me to talk them,
my lofes, that's what I mean. Once let's him.
Speaker 4 (20:32):
Get at it. You'll separation homes. But he's quick.
Speaker 2 (20:35):
Don't be worthy a minute. I tell you'll professor moreality.
You'll get at him before noon tomorrow night. We won't
wait long either.
Speaker 8 (20:43):
And when he's like if means death, ah about.
Speaker 2 (21:09):
They just tell three seven day?
Speaker 3 (21:11):
Was pay all these se the desert.
Speaker 4 (21:19):
Or everything with that tract?
Speaker 2 (21:22):
Ha been bad by an expert manny man name has
been a beard is a sad There a lot of
souls again and all this bladder the job he been
on that too, and that's where he made the street.
Speaker 3 (21:36):
He slaying.
Speaker 2 (21:36):
Well, they were a dangerous game. That's it. It's like
abuse and lighted it. Seven years ago Wilson did two
years the singers in good to that he doesn't said
anything in fingers, they say, and not I experienced at school.
He will see about that it's wool. He's all of
a parent of man. He doesn't real eyes or he
just squeeze in London.
Speaker 3 (21:56):
It will be safe.
Speaker 2 (21:57):
But if his ices that his name to pleaded, they
need maybe cool and were he fool just the sust Yes, yes,
said pa.
Speaker 4 (22:07):
You know take a street is the base.
Speaker 2 (22:10):
They just see they like us. Yeah, in goes naked,
safe in the naked. Then say look they see there's
three streets in every direction. And yes, and I think old.
He's gonna go over and over again elsewhere at least
the boy. Then in every doorway through this to night
the basic street man o'clock brought his attendants out on
one feet out before another and teach him out. Understand,
(22:33):
I will see this chair off the rooms myself. Uh,
here's a chance for his life. That's it. That's a
notice as a lassca that I may require a destiny.
But step at about the night and have prayed in
there's a quarter before turned with his crew. Uh, there
a lot of me I want in the right of letter.
I can just sell off the rooms as I used
(22:54):
to be tafe. You be there at seven, that's it
to show men that nine the night. Let's still off
from his house in bags Up Street. Yeah, well go there. Yes,
he will still go there myself. But the meeting tomorrow
night there him a gas fill there if I stay
to pi Batter Street, you know, having swung them and
(23:17):
either way, I added to screen our tools. Queen as yeah,
(23:38):
that he's being homes and I dined together at Scotts
and City Searcher. After dinner we went to a concert
at Queen's Hall. I can still see him on this
particular night of the moriarticy well, knowing that his life
was in peril, sitting beside me in the fall, wrapped
in the most perfect happiness. The the sellostatic played the
violins get the waving his long, thin fingers in time
(24:00):
to music. Where was gorn He goes, put on his
(24:28):
long cloth and started with long steps in the direction
of the suit. Don't ma, don't break a tree, my dear,
very so much as we're seeing no sense of things it, Paul,
(24:51):
we're here to have some And as we came down
to take a street, we could see that the light
was sturning on the second floor of two twenty one bees.
We went up the dark and had a chairs, so
(25:13):
the boy did. He was waiting for him.
Speaker 4 (25:16):
He could us his compliments.
Speaker 6 (25:18):
And she wants to know to go to you.
Speaker 2 (25:20):
Now, where is mister Humpton.
Speaker 4 (25:21):
Down stairs in the kitten my compliments?
Speaker 2 (25:23):
And I don't think she can where she is you
can't get him? Swer regress will be mister will.
Speaker 1 (25:29):
It his most terrible impalking test he needs.
Speaker 2 (25:31):
She wants to know what's less projectist.
Speaker 4 (25:32):
In the morning, the same same as rain here this morning.
Speaker 2 (25:36):
It's the didn't do nothing set you won't be here
all right? I won't be here tomorrow? Yes? Is that
all seton? Quite so?
Speaker 6 (25:43):
Yes?
Speaker 2 (25:43):
Thank you, sir.
Speaker 6 (25:44):
But he's the own.
Speaker 2 (25:45):
Here's a letter for yourself on the.
Speaker 1 (25:47):
Paper you maybe ten minutes ago.
Speaker 4 (25:49):
Mm.
Speaker 2 (25:49):
We read it once.
Speaker 4 (25:50):
He's good mother. I'll tell him addressing that as.
Speaker 3 (25:52):
Yes, sir.
Speaker 1 (25:53):
He best addresses names by James Lallaby and.
Speaker 2 (25:58):
Wanted James to say the hearings Sir, I hope you
won't say that again. I have the honor to inform
you that this sponsor has sanged the mind regarding the
letters at C which you wish to obtain, and if
you started to dispose of them for a monetary consideration.
If you wish to negotiate, you'll be at nine o
(26:19):
practice of God's monument. At the foot of what took plays,
you will see a fall feeler with wooden shutters to
the windows.
Speaker 4 (26:28):
If you have the cab.
Speaker 2 (26:29):
Follow, they'll try any other underhand. Pick you both get
what you want, Let me know your decision yours full
the games out of it. Try and surry well better,
perhaps put the fellow means cella means to tell me
a base smitations allow term money at certain letters because
that press I'm.
Speaker 1 (26:46):
Proud to buy them from it.
Speaker 2 (26:48):
Now, though I God monument cab, it wouldn't shutter, no.
Speaker 4 (26:54):
One will come with me.
Speaker 5 (26:55):
Tell on to follow all I don't get what I want,
but just chat with it. Wouldn't shucking little guy to
keep me from seeing where they're taking the blaive.
Speaker 4 (27:05):
Yes, give this to the man, ahright.
Speaker 2 (27:09):
Young look quite young steps and a handsome poor we
lefter seen the driver before.
Speaker 1 (27:15):
Yes, but I can't think where handles to the lady.
Speaker 2 (27:18):
Apologize to delay and look at the driver again. Yes, there,
my dear fools. You didn't say you would go, but
I certain a jerk fella mean blitter.
Speaker 1 (27:25):
This fellow means the sense the protest. And they could
come on from.
Speaker 2 (27:30):
The tennis on the corners to say a man's inn
it wi a bus looks quite a red silk to
move back to watch some kind of step over and
else till the abi.
Speaker 4 (27:37):
I'm a younger, now go watch.
Speaker 2 (27:38):
I'll be back at nicol Billy.
Speaker 1 (27:42):
And we brought that lessard why from the clinic pay.
Speaker 5 (27:44):
Of course the which boys must have been a new
one tip all seen on the pap jilly.
Speaker 2 (27:49):
It does work quickly, but that's the doctor. The boy's
gone as a man.
Speaker 1 (27:53):
With him a minister.
Speaker 2 (27:54):
Let me know. I'll stop cropping the door there out
here at Free the crowd.
Speaker 3 (28:07):
Hold be the most heady and sad.
Speaker 2 (28:29):
Oh it's the thing that loaded the fire arms and
the fuck with the buttons back and gun.
Speaker 5 (28:34):
I give you my word because I'm like out there.
Will you take up from here to the hospital if
you keep your hand behind you like that?
Speaker 2 (28:43):
Yeah?
Speaker 1 (28:43):
That set up?
Speaker 2 (28:45):
Huh? I can't people throw a bob on the table.
Oh everything they don't to me. I think it's quite
evidence that I do. I say I have a chap.
I say you five minutes and then say, as careful
(29:06):
you about to do Professor my U there, hm, we'll
get nayball and I'll tell you when you are five
minutes is up?
Speaker 4 (29:14):
It's real intention just to see.
Speaker 2 (29:15):
This case against that is nine tenths the very end
he resisted, I say you're regrets, perfessute. You don't think
that I would be Yeah, everybody hadn't gave the street.
Speaker 4 (29:26):
Fight sas g way respect, I could.
Speaker 2 (29:29):
Never say good there or best to make your courage
is that? But first that's my out there. You wouldnage
with your friend the doctor and your boy day. We
will soon return. So I please just ight a rote
doesn't it's uh, that's Christ. So it would deacon talk
of the national role with a quiet agents. The whole
does not to be disturbed. In the firsty I used
(29:52):
to call your attention to assume never end. Uh which
type totty dolls and you will find us there they are. Okay,
don't do that. That's don quickly, will father? Where from
my memory of the book you're talking about, really, I
was more in this book. Well, merely, don't do it
(30:13):
I don't want it got one of my own if
he wanted to have someone get it for you. I
always like to say my guests, unnecessary trouble. It's it's
your whole point.
Speaker 1 (30:26):
It doesn't do't s mm no. But I have idea
that he will for me, possibly.
Speaker 2 (30:32):
The wrong resue. Think what.
Speaker 6 (30:39):
That boy?
Speaker 2 (30:41):
Yeah, that boy? Yeah, at least we're trying to build
once more.
Speaker 1 (30:47):
But that's us.
Speaker 2 (30:49):
Doesn't just curse you just see me pocketly?
Speaker 3 (30:52):
Will you just pay?
Speaker 9 (30:56):
There?
Speaker 2 (30:56):
It does that, But it also occurs to me that joined.
Speaker 1 (31:00):
Very much the same predicaments professor Ria.
Speaker 10 (31:02):
There.
Speaker 2 (31:06):
That's important.
Speaker 4 (31:07):
Some one tells me it's quite evident, however, that he's
fair to.
Speaker 1 (31:10):
Do so he's got my cot. He hain't got me
y delay.
Speaker 2 (31:16):
But gentlemen, I'm carefully pointing out to you with this
forty five desires to.
Speaker 5 (31:19):
Have us get something of his left hand inside coat pocket.
He's not seeing quite himself today, and the consequence of
his trying to do it himself, might Pool say, oh, I.
Speaker 2 (31:29):
Just you attend to accor him, sir, it's done a city,
I'll put it on the table. I'm not there, billy
on this table A right reaches.
Speaker 3 (31:40):
I like it.
Speaker 2 (31:42):
It's old Billy.
Speaker 1 (31:43):
Then what he's got another say?
Speaker 5 (31:44):
Quite belie suprised me. That's the gasman's taking the trouble
to informost. He hasn't winter, and he made a snatch
for this and now because now if we have your
little memorandum, if you have anything else you like before
Billy goes, any little thing you've got that you don't.
Speaker 1 (32:02):
Want, So sorry, don't thank you, sir.
Speaker 2 (32:06):
Listening homes and evil on the fourth of January, you
crossed my box on the twentieth you incommoded thing. Now
at the pose of evil, if I may help peace
and take a position through your continual interference that I'm
in positive inger or losing light of a day?
Speaker 4 (32:23):
Mm in uny suggestions make no way.
Speaker 2 (32:26):
It has no suggesting to make. They have a text
the street. If you don't prop it up once, your
life's not worth I'm afraid of. But in the pleasure
of this conversation I'm abjecting. More important is it if
you excuse me a moment when I get my title
to lap this, ye makin serve season mister Holmes to
see if peace could not be arranged it quite so
(32:47):
I don't you've seen fit not only to reject my
per boodles, but to meet insulting references coupled with pets
for the rest. You can't see the bad of your dinger.
You don't feed that morning.
Speaker 1 (32:59):
But that's thy.
Speaker 2 (33:05):
M didn't imagine I do that gun loaded? Did you? Professor?
Way out here here you're contradiction. I didn't spose you
one of you that gun again till I don't mind
while you were talking, because when my part is you
will find them all there sat that you're asking, Yes, yes,
(33:26):
you see show.
Speaker 4 (33:26):
Professor Moriat is a dog, Yes, sir, this place.
Speaker 2 (33:29):
Here he different for you, so no, no alloy out
y I never will you're asking him there you ain't
a good blood? Yes, thanks mister. You are listening to
(34:08):
the Economy of broadcasting system presentation of Austin Wells and
the Military Favor on the air in Philopols with Austin
Wells in the title role and Ray Collins as doctor
watching we cause a moment station not applications the columb
their broadcasting system. We continue now with the CBS presentation
(34:46):
of Philoch Holmes layed by Austin Wales and the.
Speaker 11 (34:49):
Lictory failter on the air, but exactly not O talking
Sherlock Holmes.
Speaker 4 (35:02):
That's the house in.
Speaker 2 (35:02):
Baker Streets instruction that no one wants to follow him.
If there had been no words from him, but I
held him to following day he would notified Stockham Jars.
I went to the window in ojump and he went
down Baker Street, a tall, thin figure in a gray
outstair walking with long moved steps in.
Speaker 1 (35:22):
The direction of Langham.
Speaker 4 (35:23):
Stay there.
Speaker 3 (35:25):
He entered a tab.
Speaker 2 (35:56):
Yeah what are you doing?
Speaker 4 (35:57):
Like Maxife?
Speaker 2 (35:58):
I told I'm doing chapter four, not something, and I
might be dashing wool. I don't, guys, it's the boy day.
Since they had gas, no, and I still said I
might be gas. You take it and I will go.
But he in my term. That's why, you know, said
dress ball get pumpings are Yeah.
Speaker 6 (36:20):
That's it.
Speaker 1 (36:21):
Say it's ardly here sir, like hey here sir.
Speaker 2 (36:25):
The canting at your boy. They got what they say,
do guy heard the UK home? Oh you mean my sing? God?
So going to count him around where they set down
and then he gets away. I'm all they tell Yeah,
that's that's say help the governor and tell him I
got him out.
Speaker 6 (36:44):
He shut up.
Speaker 3 (36:49):
The pig.
Speaker 2 (36:50):
Here their do before we go all the sin and
then we say night. Great, be careful of that s
rather bill, he's in all this job hell lot of you.
If that's all that is, small cabinet, then whatever says there,
no layer down that might break the glass, tog the
top of get every iron bar that fire.
Speaker 1 (37:09):
We let him tie down before they came back in
the glass.
Speaker 2 (37:11):
You use it before, right, Also know a cairtaight every
crevices to yourself.
Speaker 1 (37:16):
When the men have turned to get on him, they
leave by this door.
Speaker 2 (37:19):
Yes, they made great secure if they both from the
outside there follow those bars overall. You see how great
it's not verat tire man down to their Yeah you
know need how quick you're gonnaperate them? Y?
Speaker 4 (37:31):
Yes, you know.
Speaker 2 (37:37):
That's that's good. We'll git up now, ragin wrist you
one thing right, not about whatever happens. No shooting to
night or a single jot and be heard in the
alley below. The first thing is to get his revolver
away before he has gone to it. Two of your
tricks in the tension in front. Garrett can not comming
from behind and snack it out of his bucket. And yeah,
(38:01):
why you get quiggin f let tad to us say
you understand he waits for you. I understand the if
you do this opportunity to serve in the packet of
letters you forwards and diff you can get reble two
hundred thousands doesn't interest names fairba there is Oh, I
understand you finished and got so money you whistle and
(38:22):
these just get in and there it r riggan okay
and prigion the proper moment, present my compliments mister Sherlock's ms,
and say that I wish in a pleasant journey to
the ass n y the nice well nice r all
(38:47):
right five Claire, when you get a whipple in your
comp right John and there if you get down on
the corner below, let you know when he comes. I
want to let you know. Well, and you see him
driving up. I'm down the alley and a couple three
times there you good to here?
Speaker 3 (39:01):
What are you?
Speaker 2 (39:11):
How did you get with this place?
Speaker 1 (39:13):
I probably need a cab?
Speaker 2 (39:14):
You been doing since I came up here on the five? No,
I'm just saying, so I wasted the morning like a
four good morning.
Speaker 6 (39:21):
Yes, we're going to sling in the.
Speaker 2 (39:23):
Seating selling a pack of four letters. I know that
what else you going to be doing?
Speaker 1 (39:27):
You wouldn't delight to know that those men?
Speaker 2 (39:29):
I say, up here, what man's looking? Then I was
probably going to seature.
Speaker 9 (39:33):
It don't mean these men there.
Speaker 11 (39:51):
Is no.
Speaker 2 (39:55):
What's sing? We don't have time to get her out?
Or mad about cop? Yeah, I won't have the sat
Night coming in.
Speaker 6 (40:05):
It's nice?
Speaker 2 (40:06):
Did about did evening?
Speaker 3 (40:23):
Mixt the home?
Speaker 2 (40:25):
Ah, let's still out of it? So really now I
stily thought I saw this driving by the coast cabine
too many something you seen that before? Have you mixed
the home? Or what?
Speaker 1 (40:35):
A time or two?
Speaker 2 (40:37):
Now it comes to say, I has a frient of
yours a space. When they was trying to drop himself
out of the window, they had called him the cracksmen
I was and called him never had of him before
where you said, they never heard of him after?
Speaker 3 (40:48):
So the.
Speaker 1 (40:50):
Race was content view of these luxurious chambers.
Speaker 2 (40:52):
It was sends eighty nine, one of the hidden that
covered the put hi out the heel. Quite interesting. The
times of things didn't better to their heads celea be
to their hands.
Speaker 5 (41:03):
Then it's very cracksman concerted ticktockets and they senders various kinds.
Speaker 3 (41:06):
But now well what now?
Speaker 2 (41:08):
Well?
Speaker 1 (41:08):
Between you and me and the celetter.
Speaker 2 (41:09):
B, we've heard some not altogether agreeable rumors.
Speaker 4 (41:13):
Those assume pretty shady work.
Speaker 2 (41:15):
I'm try from here the murder through the depeter kins,
I'm all kind of suspicient. That's it it.
Speaker 4 (41:25):
By Smid who's corrected here. This room is caught.
Speaker 2 (41:29):
Feel that season might go up nothing to us, that's
the letter by nothing to do up, but it might
signify a good deal of some sort. Devil always been
caught and gassed in this trap.
Speaker 4 (41:38):
If it's nothing to.
Speaker 2 (41:39):
Up, the supposed to leave up alone and get the business.
Speaker 1 (41:41):
My time is living there.
Speaker 5 (41:42):
Of course it would realize that these reflections could not
suspel you right if it ad on the film h thanks.
Speaker 4 (41:52):
Good Sejavi.
Speaker 2 (41:53):
Since to Lena that the same room her manners. Glad
you like now here. It is a little ticket of
letters which is the object of this meeting.
Speaker 4 (42:05):
I haven't opened this yet, but mispot that tells me
everything is there spose a stile of.
Speaker 2 (42:09):
Miss partner knows nothing about this is fair weird little
names for the discussion. What do you mean? Who told you?
It doesn't vot you did every loptone just everything you've
said and done since I've.
Speaker 5 (42:17):
Been in this room is informed that miss Sportslayer has
never consented to this transsection, which is a little speculation
of your own.
Speaker 2 (42:23):
Oh, I started to take it, aid be like, oh no, no,
like a similar Well, little pal, how much did you give?
A thousand pounds? I couldn't take it.
Speaker 1 (42:32):
What do you ask five thousand?
Speaker 2 (42:33):
I couldn't give it?
Speaker 1 (42:34):
Well, I was at all four thousands.
Speaker 2 (42:36):
But why I didn't just ticket? Because I intended to
get more? Oh, that's to them. They offered four thousand,
they will give five. They won't give anything. Why not
they turn the case that was a name will be
this three pounds. The celena is strange, that may appear,
and my time is limited as well as yours. I
have brought with me the sum of one thousand pounds,
which is all that I wish to pay. If that
is your desire to tell it. This figure kind of
(42:56):
a praise never effect at once. It's not not really
wish was very good. Well you can have it. It's
a small amount of I hangle over.
Speaker 4 (43:06):
Give me the money.
Speaker 2 (43:07):
Certainly, of course, you say you've only brought the punt
I did this? Is this you brought a pipe on
more collect so I didn't say I hadn't brought anymore.
You can be a little stick when it comes to
a pension. It depends on who I'm dealing with. Yeah,
you're give me that money?
Speaker 1 (43:22):
Come on, say around.
Speaker 2 (43:27):
Now. That's why I watch your James Lender Bear. You've
been so cunning and so cautious and so wise. We
couldn't find a thing to hold you for.
Speaker 4 (43:36):
But this little twip will get you in for robbery.
Speaker 2 (43:38):
You're happy in with you? Why are your huse about
seeing here? But they get away from here your ton.
I do not anticipate any particular difficulty a robbery.
Speaker 1 (43:45):
Hey, why even if you drop away from here, you
haven't gone a witness. You haven't gone a witness for
your name.
Speaker 2 (43:52):
I'm not so sure that that's the Letta bear.
Speaker 1 (43:55):
I'm so sure of that you use.
Speaker 2 (43:56):
This fastness to come and go a nice car.
Speaker 3 (44:03):
Back.
Speaker 4 (44:06):
Don't want to be.
Speaker 6 (44:08):
I am afraid your where.
Speaker 2 (44:17):
I have to ask you, gentlemen, to wait at one moment. Please,
what's the idea of figure out I'm writing? What are
you waiting your will? I said no, no? May who
brief the riptom one or two of your gentlemen to sleep.
Wait a bit.
Speaker 4 (44:32):
You better listen to me.
Speaker 2 (44:33):
It's all They're gonna tie you down. Ninety tips on
the top of that table. You'll describe me that one
thinking you're s sure of anybody in this room? And
three bars got out of that window.
Speaker 4 (44:44):
Bars on't no bars.
Speaker 2 (44:45):
No, I'm not going to get off drink. There are
so many ways, and to let it be that I
hardly know which one to two.
Speaker 6 (44:51):
You better too.
Speaker 4 (44:53):
I choose at once. It's the kigon and I cho
I spose on this hair.
Speaker 10 (45:03):
Started because follow no, gentleman, no, not trying the window.
Speaker 4 (45:18):
I'm leaving back the door that.
Speaker 2 (45:25):
I had a busy morning at my office in Holly
Street after eleven before the last of my appointments was over,
and still no news of homes in Dodel postom. Is
there anyone waiting? I have to be in Baker Street
at noon. There's one test moon.
Speaker 4 (45:43):
That wait to doty tearing to us to you most particulate,
what about taste face?
Speaker 2 (45:49):
There's most focused over out here, and call a cap
for me at the same time and have it wait
till the lady past five doctors also going to do
the seemate.
Speaker 1 (46:03):
I agace to it speaking did you bring my card case?
Speaker 2 (46:07):
But if I did, I'd lost you. Trouble about his cards,
they said, when mister Home to tend several people tell
me about the several there's right to ask you a
signing today.
Speaker 1 (46:17):
This morning, and everything depends on it.
Speaker 2 (46:19):
Doctor every time go to mister Holmes une ideally you
want to say you went to mister holmes house. Yes,
in data see that's why I came to you. Then
said nice pin No you idea.
Speaker 1 (46:30):
Don't expect him with mom.
Speaker 2 (46:31):
No, there's no possibility of mister Home's coming as far
as I know.
Speaker 1 (46:34):
But couldn't it get me to come? It would be
such a great stayor to me. And they must warn out.
Speaker 2 (46:38):
Of staying about in distressful an out if you could.
Speaker 1 (46:42):
Get where it came to home.
Speaker 2 (46:43):
I was not get him to come out, and then
I think you could excuse me. I bring out myself
on urgent business. I have no idea where mister Holmes,
probably every more than I building down her little they
want to do and he won't put him little one
(47:03):
to you and don't allow anybody to come in.
Speaker 1 (47:05):
I have no more time, honey was.
Speaker 6 (47:11):
Right away worn time doctor dog. He get you can't
any ready.
Speaker 1 (47:16):
There, don't just come see anybody.
Speaker 6 (47:19):
He's not to come in to me. Man, this straight game,
all right?
Speaker 4 (47:22):
Help him in.
Speaker 6 (47:24):
He's like, we can.
Speaker 2 (47:27):
The poet over their just waiting to be conshead.
Speaker 6 (47:34):
And the car theil the heck then or you curnt
that's the train enough.
Speaker 4 (47:38):
He was on the wrong side of the street.
Speaker 6 (47:40):
He was, you.
Speaker 4 (47:42):
Sit here, don't know the answer?
Speaker 2 (47:45):
That don't you support? And I know where I want
to sit down. You'll sit down here. That is the doctor,
the doctor.
Speaker 6 (47:51):
An look at you.
Speaker 4 (47:52):
Here's the doctor.
Speaker 6 (47:53):
That is the doctor. He a dost here jump cake?
Speaker 2 (47:57):
You just coming he and look at me.
Speaker 4 (47:58):
O plate here he's here, Lily.
Speaker 6 (48:02):
Are you a campman? Cash, I'm a campman. Well, I'm
erected for this. We're arrested.
Speaker 2 (48:08):
Arrested, arrested, arrest May Conornio ten.
Speaker 6 (48:13):
Where's my hat? Where's my hat?
Speaker 2 (48:15):
My hat?
Speaker 6 (48:17):
My hat? Ye am, I your head? I will I
my hat. Oh you're responsible here, you're right here in
go I'll there. That isn't my hack. Yeah, you're responsible.
I'll have you erected here, come.
Speaker 2 (48:28):
Back to figure out you are?
Speaker 3 (48:30):
You know I got you a ten dollar.
Speaker 2 (48:32):
No, when you're in here, I want.
Speaker 6 (48:34):
To speak to him.
Speaker 3 (48:38):
Let's see.
Speaker 6 (48:38):
I will stay in the street. I would get out
of your alive.
Speaker 2 (48:42):
So why are you staying at me before Iday? So
let's have to wait for me. I must see this
by her. I'm afraid of you.
Speaker 1 (48:48):
A good quiet for one moment.
Speaker 2 (48:49):
I'll have a look at them. Well they still with him?
Speaker 1 (48:52):
Well, how can I remarkable remarkable weather?
Speaker 2 (48:56):
We're having a uct?
Speaker 3 (48:58):
Oh?
Speaker 6 (49:00):
Hop on earth?
Speaker 2 (49:01):
How about having you remove some of this diculous disguise.
Wasn't home?
Speaker 3 (49:05):
Is that you?
Speaker 4 (49:06):
Mary?
Speaker 2 (49:06):
Quite?
Speaker 3 (49:07):
Quite so?
Speaker 2 (49:07):
Oh? Watson watching? Oh they get out that window without
the blind? Why do nothing?
Speaker 1 (49:14):
I was getting done by missus. Larrabe here go home,
get out that way now.
Speaker 2 (49:19):
I don't think they're watching Corman, good work forman. I
think it's Dy in charge. Hep her the good forman
write me outside. Yes, oh, watching my dear.
Speaker 1 (49:31):
I regret to say that that's.
Speaker 4 (49:32):
The present time.
Speaker 2 (49:33):
The Penson Moriarty himself has not risen to the base.
But do you think he is in the open streets
under some clever disguise, watching for change?
Speaker 4 (49:42):
To get it?
Speaker 3 (49:43):
Man?
Speaker 2 (49:43):
Because this woman set him hid? So can still a
spy let him know by some signal if she found
me in the house. Now they know, roll down that
blind watch and I don't care the shot at from
the street I imagine, which you'll.
Speaker 4 (49:58):
Hear from the Prinson Moriarty very soon though he.
Speaker 1 (50:03):
When did I tell you he come? Well, he has
a course of seat.
Speaker 2 (50:08):
He was in there watching these windows.
Speaker 1 (50:09):
He must have been coming to his just come off.
Speaker 2 (50:11):
There was a tab wag in front of this out
there and he's climbed up and change takes with a
drive after out again quickly and to dry on him.
Speaker 11 (50:18):
Yes, thank you.
Speaker 2 (50:19):
Watn't you never rather heavy portmenteau for a few moments
and I won't do it any harm part of my
life that's still over in the following here. Thank your
person he was down there.
Speaker 4 (50:33):
Thanks so much, persons.
Speaker 2 (50:36):
You wanted to tab the doctor a short time ago.
It's been waiting. I believe today to be so good
to tell the driver to come in here and get
a relief.
Speaker 1 (50:44):
You come, tell him that's the one.
Speaker 2 (50:47):
It's really good to the idea, wasn't it sounds like
LEAs you should tell your man never to take the
first cab that comes on corn or yes, the second,
the third, maybe six.
Speaker 1 (50:58):
But home, I oh, I let's day.
Speaker 2 (51:05):
I want to take him down having all right, all right,
good drive wakon by? Want some wait a minute? Driver
up the head? A friend, anail the wolfson? I right
you from the pas Yeah, yeah, a driver get me.
I got the step of the ayway. That's right. I
hold the driver. You you pull a step. Little things
(51:29):
in bags that I wouldn't like to lose art And
it's just as well to make.
Speaker 1 (51:34):
Quite sure.
Speaker 2 (51:37):
We get knocked up at the way out here. That
means a simple pair of sent cup you.
Speaker 3 (51:47):
Taking a shadow? Was that the ship the head?
Speaker 2 (51:51):
I ventured the dream that it's might there? You know,
quite sure the policeable.
Speaker 4 (51:57):
The whole way, But there's them, I'm quite sure nothing.
Speaker 2 (52:03):
Take him away from him.
Speaker 4 (52:15):
And tell my dear Watson ends the strange case of
miss Alic progress.
Speaker 2 (52:18):
But what about the letto the letters? They will return
to their right plane over and now go I expected
them well started. Miss Potner was really a nice goose.
Speaker 1 (52:27):
Huh, yes, what is it all?
Speaker 2 (52:30):
I'm just reflecting my thea watn't it's more arty? Out
of the way London. From the point of view of
the criminal expert, like becoming singularly uninteresting today one morning
paper of veritable willed inness of boredom. So yes, it's a.
Speaker 9 (52:48):
Lady there waiting for an hour.
Speaker 2 (52:50):
Take he's got up to take a monyis he's got
up the day from which I introduced to you the
lady of.
Speaker 5 (52:56):
Over forty one and less than forty five and the
strange dark us here in considerable searchial eminence, which is
just for ten years when near east that she is
now wearing a large drug ruby on the second thing ever.
Speaker 1 (53:09):
Left hand, Holmes, how do you know these things?
Speaker 2 (53:13):
It's amazing elementary and Nadia Watson elementary, the child's player
of deduction. My hein and I have the Columbia broadcast
(53:36):
in st. There is affiliated spacing coast to coast. I've
brought you Auson Wales and the Military Savor on the air.
The twelfth production of this unique series featuring broadways and
radios now celebrated Theatrical Producing Company this evening. The player
was Auson Whale's old adaptation William elect Hillock home in
the cast Doctor Watson played by Ray Collins, Alice Backner
(53:58):
by Mary Taylor, Matt Larrabie by bendor Ford James Larabee
by Edgar Barrier, Respected Foreman by Morgan, Parley Craigan by
Richard Wilson, Classic by Alfred Shirley, Barry by William Allen,
Billy by Arthurnander, Fools, Professor Moriarty by Eustace Wyatt, and
Jill at Holmes by Austin Welles. The orchestra was conducted
(54:20):
by Bernard Hermann and the production was supervised for CBS
by David pon Tator. Got announcer is Frank Keller.
Oh God, Columbia Boat Shaft and System takes pleasure in.
Speaker 2 (00:08):
Bringing you the twelfth in a series of weekly broadcasts
featuring Awesome Wells and the Mercury Theater on the air. Tonight, Bodways,
a radio no clebrated piat Pro producing company, brings to
Lias the best loved character in detective fiction, the Immortal
Sherlock Holmes. The play is Ausenbal's own adaptation for radio
(00:28):
of William Gilapsen during melodrama, based on the famous stories
by the Arthur Conan Doyle before they performance the games.
Here is a director of the Mercury Theater, the star
and producer of these unique broadcasts, Auson Wells. Good Evening,
Well Tonight, It's back to Baker Street, back to that
unlikely London of the nineteenth century, where high adventure waits
(00:50):
toiler would seek it in a handsome cab or under
a gas lamp in an infinite keep. But tonight we
paid tribute to the most wonderful member that most wonderful world,
a gentleman who never lived and who will never die.
There are only a few of them, these permanent profiles,
(01:12):
everlasting silhouettes on the edge of the world. There is
first a little hunchback with a slapstick, whose hooked nose
is shaped like his cap. There is now and always
will be the penguin footed hobo in the derby in
the back, the small boy.
Speaker 3 (01:29):
With the.
Speaker 2 (01:31):
Long, rusty knight on horseback, and a fat knight who
could only procure a charge on foot. There is also
the tall gentleman with a hawk's face and the underslung
pipe before and aft cap. We'd know them anywhere and.
Speaker 3 (01:47):
Call them easily.
Speaker 1 (01:48):
Buy the punch and the charge captain, and.
Speaker 2 (01:52):
The copy muilty. The john and Sherlock Combs now irrelevant.
But as this may seek Willias the Mercury Theater very
much artifact prosion for a revival of a final americal.
Speaker 1 (02:06):
But a lot of people remember the fact.
Speaker 2 (02:10):
Which is too much Johnson. Its author was William Gillette,
which reminded us, as it reminds you of Sherlock Holmes.
As everybody knows, that celebrated American inventor of under acting
lent his considerable gifts as a playwright to the indestructible
legend of the Conan Doyle Detective and produced the play
(02:32):
which is as much a part of the holmes literature,
as any of Sir Arthur's own romances, and as nobody
will ever forget he gave his face to him. For
William Gillette was the aquiline and actual embodiment of Holmes himself.
It's too little to say that William Gillette resembles Sherlock Holmes.
(02:53):
Sherlock Holmes looked exactly like William Gillette sounds like him too.
We're afraid and hoped of lovely that the Mercury theater
and the radio will take none of the gramour from
the beloved fable of Baker's feet, from the pipe and
the violin, and the hideous purple dressing gown, from the needle,
and the cigar on the window, ledge, and the dry
(03:16):
final famous lines elementary and idea Watson elementary, the mere
Child's play of deduction. My name is Watson. I am
(03:40):
a doctor. It was in the year eighteen evre that
Holmes and I were introduced by a mutual acquaintance. At
the time, we were both looking for a lodging that
would suit our moderate means. This we found on the
second floor of a house at two that he won
the Baker's Feet, And it was during the years that
we occupied these chambers together that Holmes established his unique
international reputation as a consulting detective.
Speaker 1 (04:04):
During that time I was privileged to be his daily.
Speaker 2 (04:06):
Companions, and I have done my modest share in giving
to the world and account of some of his most
famous cases. Most famous of these are the ones which
I have written under the names of the specld Band, Sinopre,
Howard of the Baskavilles, and the Study in Scarlet. They represent, however,
only a minute faction of the six hundred and forty
(04:28):
three cases Holmes successfully solved during the years that we
shared the lodgings in Baker Street. Other cases I hope
one day to give to the world include the Talatan murders,
the sudden death of Cardinal Tuska, the adventure of Ricolette
of the club Foot and his abominable wife, the case
of Missus Sarantoge, the Circus Bell, and the case of
(04:49):
the Royal Family of Scandinavia. Each illustrate in their own
way the remarkable genius of my friend Sherlock Holmes. Since
my marriage three years ago, Holmes has continue to occupy
that they could seek lodgings like himself I've hit almost
every afternoon in my work in the office of Sinny.
I am in the habit of calling on him. The
(05:10):
sitting room that you go in is exactly as it
has been for the past thirteen years. The warm, bare
skin rug, the huge sofa covered with faded chins, the
matter piece cuttered with miscellaneous objects on answered letters, and
piles of loose tobaccos on one side of the fireplace,
and a deep arm chair, the pipe curling forth slow
(05:33):
waves of aquid tobacco placed in his hideous purple dressing gowns.
The sherlock holmes with this vial in under his chin. An,
what's my jo? How are you?
Speaker 4 (05:52):
Homes turned to ride and see you first lighted upon
my word.
Speaker 1 (05:55):
I am abant to observe with your wife's left God
on the visit. But how did you know? Why did
I when I like that? How do I know anything?
How do I know?
Speaker 5 (06:06):
You've been getting yourself very wet lately? That you're an
extremely careless serven girl, And you moved to a dressing
table go oude of.
Speaker 2 (06:11):
The room hose if you had lived a few centuries ago,
that it burned you alive.
Speaker 4 (06:15):
Such a confregation would have saved me a great deal.
Speaker 2 (06:17):
Of trouble and spend on me at all. How did
you know all that.
Speaker 5 (06:19):
It's too simple to talk about scratches and climesy cuts,
my dear felony, and its side of your shoe there,
just where the firelight strikes it scratches, cuts, and they
scraped away cutted mountain.
Speaker 2 (06:28):
This is badly, badly scraped the shoe along with it.
Speaker 5 (06:31):
There's your wet footlight, deer watsoning, a careless certain girl,
all on one.
Speaker 2 (06:34):
Shoe face sandy shave the right side or it used
to be on the left. Light must come to the
other side, because I will move your window, must move
the dressing table, of course, But how the deuce do
you know? My wife was away? Where the juice is?
Speaker 1 (06:46):
Your second west button?
Speaker 3 (06:48):
Was?
Speaker 1 (06:48):
What the juice is yesterday's buttonir doing in today's the pel.
Speaker 2 (06:51):
And why the juice? You were?
Speaker 6 (06:52):
The expression?
Speaker 5 (06:53):
Other elementary matter for elementary child's fair production. I'm only
doing it for you're a mute one, before we pass
on the more serious matters.
Speaker 3 (07:02):
Oh, what is it?
Speaker 1 (07:02):
Novel?
Speaker 2 (07:03):
What's in, my dear fellow?
Speaker 5 (07:04):
The enthusiasm which is prompted you to chronicle and if
you would excuse my saying so somewhat to embellish my
little adventures.
Speaker 4 (07:11):
You occasionally seems fit to introduce a certain.
Speaker 2 (07:13):
Element of romance which struck me as being a just
a trifle out of face, something like working in elopement
in the persist proposition of euclid. I merely refer to
this in case you should see fit at some suture
time to a chronicle, a case on which Idel bethlim
back the strange case of Professor Robert Moriati. Moriati, I
(07:34):
don't remember ever having heard of the fellow, no what,
and you haven't the precisely this quality of invisibility that
makes of Professor Moriarty, Napoleon of crime, sitting motionless like
an ugly.
Speaker 1 (07:45):
Venomous spider in the center of his web.
Speaker 5 (07:48):
But that web having a thousand radiations, and the spider
knowing every quiver very well of them. And within forty
eight hours I'll have the lines drawn so tightly around.
Speaker 1 (07:58):
Him that he can't move, arrest him in his entire
game home. This is a very thing, mind.
Speaker 2 (08:03):
How it's perfectly delightful.
Speaker 5 (08:05):
My whole life is spent in a still as the
magic endevors to escape from the veriest commonplaces of existence for.
Speaker 2 (08:10):
A brief period I escape. Congratulate me.
Speaker 5 (08:14):
The day before yesterday I received in this room the
visit of a certain foreign nobleman who was recently inherited
a very considerable title, and it was about to be married.
Seems that this title of gentleman was still indiscreet as
to fall in love with a young English lady that
the name of Faukner socially in inferior, and to make
her a promise of marriage. Later his family's insistence, the
(08:37):
things broken shortly after the broken heart using behind a sister,
also considerable evidence from a form of letters, photographs, and
jury with inscriptions.
Speaker 1 (08:47):
These the sister kept.
Speaker 2 (08:49):
These together with the sister are now being held in
a house in John's Wood by a pair of blackmailers
who brought with the name of Checkwood. So far as
you see, my dear, what's an as.
Speaker 1 (08:58):
Fairly ordinary case? Colect me.
Speaker 2 (09:00):
I've had it with my.
Speaker 5 (09:01):
Attention last night on my in fiction A certain elements
revealed itself, which renders the case far more important than
I had expected than That element was Professor Moriarty Hellen.
Speaker 1 (09:16):
Yes, gentlemen, to see you by the.
Speaker 6 (09:18):
Name of Foreman.
Speaker 1 (09:19):
I'm in direct com in. Yes, miss film, come in,
mister Foreman.
Speaker 2 (09:24):
Dreaming from he didn't for whom Watson, this inspector Foreman.
The day before yesterday he occupied the position of butler
under the name of Judson. Them the home of mister
and missus Chetwood blackmailers from John's Woods.
Speaker 1 (09:37):
No faman any news, Yes, sir, this morning a little
last nine Chetwood and his.
Speaker 2 (09:42):
Wife throw away in a four wheela. I returned about eleven.
Basick was with them. You know him though years when
I last ten the occasion to meet mister Beasick who
got two years for safe cracking, to go on for him.
Speaker 1 (09:55):
Well, I took this man Basic in the library.
Speaker 2 (09:57):
I gotta look at him from the outside, and Harry
was opening up the space where they've been keeping.
Speaker 1 (10:02):
The letters go on in the end. When they up
the pipe open, it was empty. The letters are gone.
Speaker 2 (10:07):
It seems like the folk no girl.
Speaker 1 (10:08):
Gopping back somehow.
Speaker 2 (10:10):
I got pretty excited as it went out to send
a telegram. Have you got confident? Yes, yes, here it
is the encode m.
Speaker 5 (10:18):
Mariotte, I thought so, Watson, his case is taking a
most promising turn foreman. He returned once to the house
in John's Wood. Then ten minutes I should be there myself,
if I remember correctly. The kitchen is immediately below the
drawing room. Yes, when my half over a chair in
the drawing room, you will return a lamp in the kitchen,
(10:41):
scatter smoke balls and give an alarm of fire.
Speaker 2 (10:46):
All other instructions remain unchanged. Very good, though, Harry Pollman.
Speaker 6 (10:49):
Here's a home.
Speaker 4 (10:53):
Well, my dear Watson, it.
Speaker 2 (10:56):
Seems to look like a most interesting evening. Alright, it's
(11:19):
the god ning. My name is Sherlock Holmes. Whom whom
did you wait the same at the home? Thank you
so much, mister Chipward. I let's have announced by the
butler in my way out last I didn't very well.
Well here he is yet he's talking abutments to home
to excuse with her. He is not well enough to
see anyone to see me, you peep saying this kind
(11:39):
of spot and say that guy beg your pardon with
the homes. But it's quite useless. Really, Oh, I'm so
sorry to hear it. Yeah, miss Portland, is I regret
to say quite an infau She is unable to see anyone.
Her health is so poor. Has it never occurred to you,
mister Chipwood, that she might be confined to the house
too much?
Speaker 1 (11:55):
How does that concern you? It doesn't I think to
make the suggestion.
Speaker 2 (12:00):
I'd like to think it over. It's too about his name, Judgson.
Very well, Judson, go and take my card up. Very good,
This is really too good. Well, of course you can
take up your card or your note of whatever it is,
if you wish it so much. I was only trying
to save you.
Speaker 5 (12:15):
The trouble it thanks had any trouble, Gods and i's
Can you know, mister Holmes you interest me very much?
Speaker 2 (12:21):
Really, on my word, Yes, we've all heard of your
wonderful methods. You're punishing manners which you gain information from
the most typling details. Now I dare say, in this
brief moment or two you've discovered any number of things
about me. Nothing is consequences chetwn I hardly more than
ask myself why he was so distressed to see me
at this particular moment, And what's that impossibly be about
(12:42):
the station in the lower part of that desk, because
you such painful anxiety. Very good, very good, indeed, if
those things are only too now, I'd be wonderfully impressed.
It would be absolute term me justin a message for you,
mister Chetwood. You'll excuse me at trust it's from his partner. Yeah. Really,
she begs to be allowed to see you, mister Holmes.
(13:03):
She absolutely implores this. Well, I suppose I shall have
to give way to ask Miss Faulkner to come down
to the drawing room. Say that mister Holmes is waiting
to see her.
Speaker 1 (13:13):
Very good to quite remarkable upon my soul.
Speaker 2 (13:16):
May I ask, if it's not an impertinent question, what
message you send up that could sve arouse Miss Paukner's
desire to come down? And really is that she wasn't
down here in five minutes time to go up? Oh?
That was it?
Speaker 5 (13:28):
That's not true, And the next time, greatly mistaken. I
hear a young lady on the stair, which case she
has a minute in the heart.
Speaker 3 (13:35):
To spare.
Speaker 2 (13:39):
Ellie, and it is Miss Faulkner. Let me introduce mister
Sherlock Holmes.
Speaker 1 (13:44):
Mister Holmes, Miss Fusser, I'm really miss charmed to meet you,
although a jobs looking if you've made me come down
in spite.
Speaker 2 (13:52):
Of myself here.
Speaker 1 (13:53):
I thank you very much indeed for concerning to see me,
Miss Fusser.
Speaker 2 (13:55):
But regret to observe that you're put to the trouble
of making such a very erected change of.
Speaker 1 (14:02):
I did harry a title.
Speaker 6 (14:04):
I can sist.
Speaker 2 (14:05):
Mister Holmes is quite.
Speaker 1 (14:06):
Living up to his reputation, isn't he said it?
Speaker 2 (14:09):
Come in? Yes, ma'am.
Speaker 1 (14:13):
What are you doing here?
Speaker 2 (14:14):
Judson? I didn't pardon them. I was answering the bell.
Speaker 1 (14:17):
What well the glowing room?
Speaker 4 (14:19):
What do you mean you blocked no one lang the
fell I'm quite sure it was Robin Well.
Speaker 2 (14:22):
I tell you it did nothing. You are a butler's right,
mister Chatworthy. They'll did ring? How do you know I
rang it? What do you want?
Speaker 5 (14:29):
I want to send my card to the real miss Putner, real,
I said, the real Miss Stuffner. Judson, Yes, sir? What
right have you to ring for persons and give orders
in my house?
Speaker 2 (14:40):
What right have you to prevent my cards from reaching
their destination? How does it.
Speaker 1 (14:44):
Happen that you and this woman are.
Speaker 5 (14:45):
Resorting to trickery and deceit to prevent me from seeing
Alice Popper from some trifling oversight Judson.
Speaker 2 (14:53):
Neither of the cards I.
Speaker 5 (14:55):
Handed to him has been delivered. Tindly see that this
error does not occur again.
Speaker 4 (14:59):
My order, Ah, you have orders.
Speaker 2 (15:01):
I can't say you though you were told not to
deliver my card. What business is it of yours? I'd
like to know.
Speaker 5 (15:06):
I shall satisfy your curiosity on that point. And it's
a very short time, mister Chetwood.
Speaker 2 (15:11):
Yes, and you'll find out in a very short time
that it isn't safe to meddle with me.
Speaker 4 (15:15):
It wouldn't be any trouble at all for me to
throw you up into the sleep here.
Speaker 5 (15:18):
Possibly enough that trouble would swiftly follow such an experiment.
Speaker 2 (15:22):
On your past A cup a lunny thing for you.
I'm not armed, ys well, Miss Faukner comes down, you
go and arm yourself myself, I'll call the police.
Speaker 3 (15:29):
Do it now?
Speaker 1 (15:30):
Oh no, you will not do it now.
Speaker 2 (15:31):
You will remain where you are till really I can't
here to see event of this room.
Speaker 4 (15:34):
What makes it so sure of that?
Speaker 5 (15:36):
Because you will prefer to avoid an investigation of your
suspicious conduct, mister James leaderby now, yeah, that is not
the name under which you are known to Scotland Yard
I believe, mister Chetwood, the stady there.
Speaker 2 (15:46):
Is your wife, Steve Jodson.
Speaker 5 (15:49):
You will either deliver that card, Miss Forknett once or
sleep in the free station tonight.
Speaker 2 (15:53):
That's a small consequence to me which you do? Shall I?
Shall I go? So go on, take up a card.
It makes no difference to me.
Speaker 4 (16:00):
A short time since lab you dislayed and the key anxiety.
Speaker 5 (16:03):
To leave the room. They do not ad entertain you
or your wife any longer. Can you prefer to remain
while I talk and Spokener we fill.
Speaker 2 (16:13):
Miss the home.
Speaker 1 (16:16):
H last and the home?
Speaker 6 (16:20):
Yes? Do you wish to see me? Very much?
Speaker 5 (16:22):
Indeed, Miskner, Ti'm storry to see that you are far
from well.
Speaker 2 (16:27):
No, beg your parn.
Speaker 1 (16:30):
What does this not mean?
Speaker 3 (16:32):
Oh?
Speaker 1 (16:33):
Nothing nothing?
Speaker 5 (16:34):
And the mark on your neck plainly showing the clutch
of a man's fingers does that mean nothing? Also curse
me that I shouty to have an explanation of this.
Possibly you can furnish one, mister let It seems to.
Speaker 1 (16:45):
Have occurred in your own house.
Speaker 2 (16:47):
It is it do to understand that it doesn't help
pey for you or anyone else to interfere with my
say ah, and did your business. They're that much a
great they deceited.
Speaker 4 (16:57):
Miss fucker.
Speaker 1 (16:58):
I don't know who you own the home?
Speaker 2 (16:59):
Why I shall be very great indeed to explain. And this,
this is this I didn't consult. It's the possibility of
obtaining from you certain letters addressed to your sister, which is.
Speaker 4 (17:09):
Supposed to be in your position.
Speaker 2 (17:10):
I cannot give up my sister's home. There are other
things besides is then and punishment.
Speaker 1 (17:16):
Believe me, in this spot there's nothing.
Speaker 6 (17:18):
More but my.
Speaker 2 (17:22):
Oh, I'm so sorry. How comes you? Miss? Turn over
this chair?
Speaker 1 (17:34):
It's not off the table. Don't allow yourself as spokener.
There is no fire.
Speaker 4 (17:45):
The smoke was all arranged for arranged.
Speaker 2 (17:49):
Still business fer me.
Speaker 5 (17:52):
I wanted a package of letters and stopped and that
by following your eyes just now, when you thought there
was a fire, I discovered that you would hidden them
in the appost chair a chair. M yes, kid, elementary
as you see. And now that they're in my position,
there seems to be no reason. Can you remain any
longer in this house?
Speaker 2 (18:13):
The night spoken miss Fulckner?
Speaker 4 (18:19):
Yes, I I can't take them this for man, is
that belong to you? I find that I cannot keep.
Speaker 2 (18:30):
Them unless you can possibly change your mind and let
me have them of your in free will. I suppose
you could, I would not go return them to you.
And uh, oh I've got friends the letter they're returning
to the tire.
Speaker 4 (18:48):
Oh about that? Look now, I suppose I.
Speaker 2 (18:51):
Can see you walk out of a house. Will fire
on the contrary?
Speaker 4 (18:53):
Or don't you seem to return them to their.
Speaker 2 (18:54):
Right proner and stuck? Now I hear your letters, the
ever change your mind and be so generous? Who's forgiving
us to wish to return these letters for the one
who wrote them? You have my address.
Speaker 4 (19:04):
Any events, let's assure.
Speaker 2 (19:05):
There will be no more curlsy, no more persecution in
this house. Thank you to him. You are perfectly safe
for your property in its pockner. So I shill so
arrange it that your faintest cry of distress will be heard.
If that cry is heard, it will be very unfortunate
for those who are responsible, as for you, mister Labie,
and you madam.
Speaker 4 (19:28):
And then you understand that you continue your persecution.
Speaker 2 (19:30):
Of that young lady at your peril.
Speaker 4 (19:34):
Good night, miss come here, miss partner.
Speaker 2 (19:41):
Now are you going to give me?
Speaker 1 (19:45):
Are you going to give me no, and that would.
Speaker 2 (19:50):
Now and then give me or do I break your arms?
Speaker 1 (19:57):
Coming up on the door.
Speaker 6 (19:58):
No people on that side.
Speaker 7 (20:02):
If you call madam, I'll see four more more don't
see I'll see madam. I beg pardon, madam, But there's
no one.
Speaker 2 (20:20):
At the door. Betterwhere gonna go? He stop us? What
what we want to do is they'll leave us alone.
Lets the emperor have it. Do me to talk them,
my lofes, that's what I mean. Once let's him.
Speaker 4 (20:32):
Get at it. You'll separation homes. But he's quick.
Speaker 2 (20:35):
Don't be worthy a minute. I tell you'll professor moreality.
You'll get at him before noon tomorrow night. We won't
wait long either.
Speaker 8 (20:43):
And when he's like if means death, ah about.
Speaker 2 (21:09):
They just tell three seven day?
Speaker 3 (21:11):
Was pay all these se the desert.
Speaker 4 (21:19):
Or everything with that tract?
Speaker 2 (21:22):
Ha been bad by an expert manny man name has
been a beard is a sad There a lot of
souls again and all this bladder the job he been
on that too, and that's where he made the street.
Speaker 3 (21:36):
He slaying.
Speaker 2 (21:36):
Well, they were a dangerous game. That's it. It's like
abuse and lighted it. Seven years ago Wilson did two
years the singers in good to that he doesn't said
anything in fingers, they say, and not I experienced at school.
He will see about that it's wool. He's all of
a parent of man. He doesn't real eyes or he
just squeeze in London.
Speaker 3 (21:56):
It will be safe.
Speaker 2 (21:57):
But if his ices that his name to pleaded, they
need maybe cool and were he fool just the sust Yes, yes,
said pa.
Speaker 4 (22:07):
You know take a street is the base.
Speaker 2 (22:10):
They just see they like us. Yeah, in goes naked,
safe in the naked. Then say look they see there's
three streets in every direction. And yes, and I think old.
He's gonna go over and over again elsewhere at least
the boy. Then in every doorway through this to night
the basic street man o'clock brought his attendants out on
one feet out before another and teach him out. Understand,
(22:33):
I will see this chair off the rooms myself. Uh,
here's a chance for his life. That's it. That's a
notice as a lassca that I may require a destiny.
But step at about the night and have prayed in
there's a quarter before turned with his crew. Uh, there
a lot of me I want in the right of letter.
I can just sell off the rooms as I used
(22:54):
to be tafe. You be there at seven, that's it
to show men that nine the night. Let's still off
from his house in bags Up Street. Yeah, well go there. Yes,
he will still go there myself. But the meeting tomorrow
night there him a gas fill there if I stay
to pi Batter Street, you know, having swung them and
(23:17):
either way, I added to screen our tools. Queen as yeah,
(23:38):
that he's being homes and I dined together at Scotts
and City Searcher. After dinner we went to a concert
at Queen's Hall. I can still see him on this
particular night of the moriarticy well, knowing that his life
was in peril, sitting beside me in the fall, wrapped
in the most perfect happiness. The the sellostatic played the
violins get the waving his long, thin fingers in time
(24:00):
to music. Where was gorn He goes, put on his
(24:28):
long cloth and started with long steps in the direction
of the suit. Don't ma, don't break a tree, my dear,
very so much as we're seeing no sense of things it, Paul,
(24:51):
we're here to have some And as we came down
to take a street, we could see that the light
was sturning on the second floor of two twenty one bees.
We went up the dark and had a chairs, so
(25:13):
the boy did. He was waiting for him.
Speaker 4 (25:16):
He could us his compliments.
Speaker 6 (25:18):
And she wants to know to go to you.
Speaker 2 (25:20):
Now, where is mister Humpton.
Speaker 4 (25:21):
Down stairs in the kitten my compliments?
Speaker 2 (25:23):
And I don't think she can where she is you
can't get him? Swer regress will be mister will.
Speaker 1 (25:29):
It his most terrible impalking test he needs.
Speaker 2 (25:31):
She wants to know what's less projectist.
Speaker 4 (25:32):
In the morning, the same same as rain here this morning.
Speaker 2 (25:36):
It's the didn't do nothing set you won't be here
all right? I won't be here tomorrow? Yes? Is that
all seton? Quite so?
Speaker 6 (25:43):
Yes?
Speaker 2 (25:43):
Thank you, sir.
Speaker 6 (25:44):
But he's the own.
Speaker 2 (25:45):
Here's a letter for yourself on the.
Speaker 1 (25:47):
Paper you maybe ten minutes ago.
Speaker 4 (25:49):
Mm.
Speaker 2 (25:49):
We read it once.
Speaker 4 (25:50):
He's good mother. I'll tell him addressing that as.
Speaker 3 (25:52):
Yes, sir.
Speaker 1 (25:53):
He best addresses names by James Lallaby and.
Speaker 2 (25:58):
Wanted James to say the hearings Sir, I hope you
won't say that again. I have the honor to inform
you that this sponsor has sanged the mind regarding the
letters at C which you wish to obtain, and if
you started to dispose of them for a monetary consideration.
If you wish to negotiate, you'll be at nine o
(26:19):
practice of God's monument. At the foot of what took plays,
you will see a fall feeler with wooden shutters to
the windows.
Speaker 4 (26:28):
If you have the cab.
Speaker 2 (26:29):
Follow, they'll try any other underhand. Pick you both get
what you want, Let me know your decision yours full
the games out of it. Try and surry well better,
perhaps put the fellow means cella means to tell me
a base smitations allow term money at certain letters because
that press I'm.
Speaker 1 (26:46):
Proud to buy them from it.
Speaker 2 (26:48):
Now, though I God monument cab, it wouldn't shutter, no.
Speaker 4 (26:54):
One will come with me.
Speaker 5 (26:55):
Tell on to follow all I don't get what I want,
but just chat with it. Wouldn't shucking little guy to
keep me from seeing where they're taking the blaive.
Speaker 4 (27:05):
Yes, give this to the man, ahright.
Speaker 2 (27:09):
Young look quite young steps and a handsome poor we
lefter seen the driver before.
Speaker 1 (27:15):
Yes, but I can't think where handles to the lady.
Speaker 2 (27:18):
Apologize to delay and look at the driver again. Yes, there,
my dear fools. You didn't say you would go, but
I certain a jerk fella mean blitter.
Speaker 1 (27:25):
This fellow means the sense the protest. And they could
come on from.
Speaker 2 (27:30):
The tennis on the corners to say a man's inn
it wi a bus looks quite a red silk to
move back to watch some kind of step over and
else till the abi.
Speaker 4 (27:37):
I'm a younger, now go watch.
Speaker 2 (27:38):
I'll be back at nicol Billy.
Speaker 1 (27:42):
And we brought that lessard why from the clinic pay.
Speaker 5 (27:44):
Of course the which boys must have been a new
one tip all seen on the pap jilly.
Speaker 2 (27:49):
It does work quickly, but that's the doctor. The boy's
gone as a man.
Speaker 1 (27:53):
With him a minister.
Speaker 2 (27:54):
Let me know. I'll stop cropping the door there out
here at Free the crowd.
Speaker 3 (28:07):
Hold be the most heady and sad.
Speaker 2 (28:29):
Oh it's the thing that loaded the fire arms and
the fuck with the buttons back and gun.
Speaker 5 (28:34):
I give you my word because I'm like out there.
Will you take up from here to the hospital if
you keep your hand behind you like that?
Speaker 2 (28:43):
Yeah?
Speaker 1 (28:43):
That set up?
Speaker 2 (28:45):
Huh? I can't people throw a bob on the table.
Oh everything they don't to me. I think it's quite
evidence that I do. I say I have a chap.
I say you five minutes and then say, as careful
(29:06):
you about to do Professor my U there, hm, we'll
get nayball and I'll tell you when you are five
minutes is up?
Speaker 4 (29:14):
It's real intention just to see.
Speaker 2 (29:15):
This case against that is nine tenths the very end
he resisted, I say you're regrets, perfessute. You don't think
that I would be Yeah, everybody hadn't gave the street.
Speaker 4 (29:26):
Fight sas g way respect, I could.
Speaker 2 (29:29):
Never say good there or best to make your courage
is that? But first that's my out there. You wouldnage
with your friend the doctor and your boy day. We
will soon return. So I please just ight a rote
doesn't it's uh, that's Christ. So it would deacon talk
of the national role with a quiet agents. The whole
does not to be disturbed. In the firsty I used
(29:52):
to call your attention to assume never end. Uh which
type totty dolls and you will find us there they are. Okay,
don't do that. That's don quickly, will father? Where from
my memory of the book you're talking about, really, I
was more in this book. Well, merely, don't do it
(30:13):
I don't want it got one of my own if
he wanted to have someone get it for you. I
always like to say my guests, unnecessary trouble. It's it's
your whole point.
Speaker 1 (30:26):
It doesn't do't s mm no. But I have idea
that he will for me, possibly.
Speaker 2 (30:32):
The wrong resue. Think what.
Speaker 6 (30:39):
That boy?
Speaker 2 (30:41):
Yeah, that boy? Yeah, at least we're trying to build
once more.
Speaker 1 (30:47):
But that's us.
Speaker 2 (30:49):
Doesn't just curse you just see me pocketly?
Speaker 3 (30:52):
Will you just pay?
Speaker 9 (30:56):
There?
Speaker 2 (30:56):
It does that, But it also occurs to me that joined.
Speaker 1 (31:00):
Very much the same predicaments professor Ria.
Speaker 10 (31:02):
There.
Speaker 2 (31:06):
That's important.
Speaker 4 (31:07):
Some one tells me it's quite evident, however, that he's
fair to.
Speaker 1 (31:10):
Do so he's got my cot. He hain't got me
y delay.
Speaker 2 (31:16):
But gentlemen, I'm carefully pointing out to you with this
forty five desires to.
Speaker 5 (31:19):
Have us get something of his left hand inside coat pocket.
He's not seeing quite himself today, and the consequence of
his trying to do it himself, might Pool say, oh, I.
Speaker 2 (31:29):
Just you attend to accor him, sir, it's done a city,
I'll put it on the table. I'm not there, billy
on this table A right reaches.
Speaker 3 (31:40):
I like it.
Speaker 2 (31:42):
It's old Billy.
Speaker 1 (31:43):
Then what he's got another say?
Speaker 5 (31:44):
Quite belie suprised me. That's the gasman's taking the trouble
to informost. He hasn't winter, and he made a snatch
for this and now because now if we have your
little memorandum, if you have anything else you like before
Billy goes, any little thing you've got that you don't.
Speaker 1 (32:02):
Want, So sorry, don't thank you, sir.
Speaker 2 (32:06):
Listening homes and evil on the fourth of January, you
crossed my box on the twentieth you incommoded thing. Now
at the pose of evil, if I may help peace
and take a position through your continual interference that I'm
in positive inger or losing light of a day?
Speaker 4 (32:23):
Mm in uny suggestions make no way.
Speaker 2 (32:26):
It has no suggesting to make. They have a text
the street. If you don't prop it up once, your
life's not worth I'm afraid of. But in the pleasure
of this conversation I'm abjecting. More important is it if
you excuse me a moment when I get my title
to lap this, ye makin serve season mister Holmes to
see if peace could not be arranged it quite so
(32:47):
I don't you've seen fit not only to reject my
per boodles, but to meet insulting references coupled with pets
for the rest. You can't see the bad of your dinger.
You don't feed that morning.
Speaker 1 (32:59):
But that's thy.
Speaker 2 (33:05):
M didn't imagine I do that gun loaded? Did you? Professor?
Way out here here you're contradiction. I didn't spose you
one of you that gun again till I don't mind
while you were talking, because when my part is you
will find them all there sat that you're asking, Yes, yes,
(33:26):
you see show.
Speaker 4 (33:26):
Professor Moriat is a dog, Yes, sir, this place.
Speaker 2 (33:29):
Here he different for you, so no, no alloy out
y I never will you're asking him there you ain't
a good blood? Yes, thanks mister. You are listening to
(34:08):
the Economy of broadcasting system presentation of Austin Wells and
the Military Favor on the air in Philopols with Austin
Wells in the title role and Ray Collins as doctor
watching we cause a moment station not applications the columb
their broadcasting system. We continue now with the CBS presentation
(34:46):
of Philoch Holmes layed by Austin Wales and the.
Speaker 11 (34:49):
Lictory failter on the air, but exactly not O talking
Sherlock Holmes.
Speaker 4 (35:02):
That's the house in.
Speaker 2 (35:02):
Baker Streets instruction that no one wants to follow him.
If there had been no words from him, but I
held him to following day he would notified Stockham Jars.
I went to the window in ojump and he went
down Baker Street, a tall, thin figure in a gray
outstair walking with long moved steps in.
Speaker 1 (35:22):
The direction of Langham.
Speaker 4 (35:23):
Stay there.
Speaker 3 (35:25):
He entered a tab.
Speaker 2 (35:56):
Yeah what are you doing?
Speaker 4 (35:57):
Like Maxife?
Speaker 2 (35:58):
I told I'm doing chapter four, not something, and I
might be dashing wool. I don't, guys, it's the boy day.
Since they had gas, no, and I still said I
might be gas. You take it and I will go.
But he in my term. That's why, you know, said
dress ball get pumpings are Yeah.
Speaker 6 (36:20):
That's it.
Speaker 1 (36:21):
Say it's ardly here sir, like hey here sir.
Speaker 2 (36:25):
The canting at your boy. They got what they say,
do guy heard the UK home? Oh you mean my sing? God?
So going to count him around where they set down
and then he gets away. I'm all they tell Yeah,
that's that's say help the governor and tell him I
got him out.
Speaker 6 (36:44):
He shut up.
Speaker 3 (36:49):
The pig.
Speaker 2 (36:50):
Here their do before we go all the sin and
then we say night. Great, be careful of that s
rather bill, he's in all this job hell lot of you.
If that's all that is, small cabinet, then whatever says there,
no layer down that might break the glass, tog the
top of get every iron bar that fire.
Speaker 1 (37:09):
We let him tie down before they came back in
the glass.
Speaker 2 (37:11):
You use it before, right, Also know a cairtaight every
crevices to yourself.
Speaker 1 (37:16):
When the men have turned to get on him, they
leave by this door.
Speaker 2 (37:19):
Yes, they made great secure if they both from the
outside there follow those bars overall. You see how great
it's not verat tire man down to their Yeah you
know need how quick you're gonnaperate them? Y?
Speaker 4 (37:31):
Yes, you know.
Speaker 2 (37:37):
That's that's good. We'll git up now, ragin wrist you
one thing right, not about whatever happens. No shooting to
night or a single jot and be heard in the
alley below. The first thing is to get his revolver
away before he has gone to it. Two of your
tricks in the tension in front. Garrett can not comming
from behind and snack it out of his bucket. And yeah,
(38:01):
why you get quiggin f let tad to us say
you understand he waits for you. I understand the if
you do this opportunity to serve in the packet of
letters you forwards and diff you can get reble two
hundred thousands doesn't interest names fairba there is Oh, I
understand you finished and got so money you whistle and
(38:22):
these just get in and there it r riggan okay
and prigion the proper moment, present my compliments mister Sherlock's ms,
and say that I wish in a pleasant journey to
the ass n y the nice well nice r all
(38:47):
right five Claire, when you get a whipple in your
comp right John and there if you get down on
the corner below, let you know when he comes. I
want to let you know. Well, and you see him
driving up. I'm down the alley and a couple three
times there you good to here?
Speaker 3 (39:01):
What are you?
Speaker 2 (39:11):
How did you get with this place?
Speaker 1 (39:13):
I probably need a cab?
Speaker 2 (39:14):
You been doing since I came up here on the five? No,
I'm just saying, so I wasted the morning like a
four good morning.
Speaker 6 (39:21):
Yes, we're going to sling in the.
Speaker 2 (39:23):
Seating selling a pack of four letters. I know that
what else you going to be doing?
Speaker 1 (39:27):
You wouldn't delight to know that those men?
Speaker 2 (39:29):
I say, up here, what man's looking? Then I was
probably going to seature.
Speaker 9 (39:33):
It don't mean these men there.
Speaker 11 (39:51):
Is no.
Speaker 2 (39:55):
What's sing? We don't have time to get her out?
Or mad about cop? Yeah, I won't have the sat
Night coming in.
Speaker 6 (40:05):
It's nice?
Speaker 2 (40:06):
Did about did evening?
Speaker 3 (40:23):
Mixt the home?
Speaker 2 (40:25):
Ah, let's still out of it? So really now I
stily thought I saw this driving by the coast cabine
too many something you seen that before? Have you mixed
the home? Or what?
Speaker 1 (40:35):
A time or two?
Speaker 2 (40:37):
Now it comes to say, I has a frient of
yours a space. When they was trying to drop himself
out of the window, they had called him the cracksmen
I was and called him never had of him before
where you said, they never heard of him after?
Speaker 3 (40:48):
So the.
Speaker 1 (40:50):
Race was content view of these luxurious chambers.
Speaker 2 (40:52):
It was sends eighty nine, one of the hidden that
covered the put hi out the heel. Quite interesting. The
times of things didn't better to their heads celea be
to their hands.
Speaker 5 (41:03):
Then it's very cracksman concerted ticktockets and they senders various kinds.
Speaker 3 (41:06):
But now well what now?
Speaker 2 (41:08):
Well?
Speaker 1 (41:08):
Between you and me and the celetter.
Speaker 2 (41:09):
B, we've heard some not altogether agreeable rumors.
Speaker 4 (41:13):
Those assume pretty shady work.
Speaker 2 (41:15):
I'm try from here the murder through the depeter kins,
I'm all kind of suspicient. That's it it.
Speaker 4 (41:25):
By Smid who's corrected here. This room is caught.
Speaker 2 (41:29):
Feel that season might go up nothing to us, that's
the letter by nothing to do up, but it might
signify a good deal of some sort. Devil always been
caught and gassed in this trap.
Speaker 4 (41:38):
If it's nothing to.
Speaker 2 (41:39):
Up, the supposed to leave up alone and get the business.
Speaker 1 (41:41):
My time is living there.
Speaker 5 (41:42):
Of course it would realize that these reflections could not
suspel you right if it ad on the film h thanks.
Speaker 4 (41:52):
Good Sejavi.
Speaker 2 (41:53):
Since to Lena that the same room her manners. Glad
you like now here. It is a little ticket of
letters which is the object of this meeting.
Speaker 4 (42:05):
I haven't opened this yet, but mispot that tells me
everything is there spose a stile of.
Speaker 2 (42:09):
Miss partner knows nothing about this is fair weird little
names for the discussion. What do you mean? Who told you?
It doesn't vot you did every loptone just everything you've
said and done since I've.
Speaker 5 (42:17):
Been in this room is informed that miss Sportslayer has
never consented to this transsection, which is a little speculation
of your own.
Speaker 2 (42:23):
Oh, I started to take it, aid be like, oh no, no,
like a similar Well, little pal, how much did you give?
A thousand pounds? I couldn't take it.
Speaker 1 (42:32):
What do you ask five thousand?
Speaker 2 (42:33):
I couldn't give it?
Speaker 1 (42:34):
Well, I was at all four thousands.
Speaker 2 (42:36):
But why I didn't just ticket? Because I intended to
get more? Oh, that's to them. They offered four thousand,
they will give five. They won't give anything. Why not
they turn the case that was a name will be
this three pounds. The celena is strange, that may appear,
and my time is limited as well as yours. I
have brought with me the sum of one thousand pounds,
which is all that I wish to pay. If that
is your desire to tell it. This figure kind of
(42:56):
a praise never effect at once. It's not not really
wish was very good. Well you can have it. It's
a small amount of I hangle over.
Speaker 4 (43:06):
Give me the money.
Speaker 2 (43:07):
Certainly, of course, you say you've only brought the punt
I did this? Is this you brought a pipe on
more collect so I didn't say I hadn't brought anymore.
You can be a little stick when it comes to
a pension. It depends on who I'm dealing with. Yeah,
you're give me that money?
Speaker 1 (43:22):
Come on, say around.
Speaker 2 (43:27):
Now. That's why I watch your James Lender Bear. You've
been so cunning and so cautious and so wise. We
couldn't find a thing to hold you for.
Speaker 4 (43:36):
But this little twip will get you in for robbery.
Speaker 2 (43:38):
You're happy in with you? Why are your huse about
seeing here? But they get away from here your ton.
I do not anticipate any particular difficulty a robbery.
Speaker 1 (43:45):
Hey, why even if you drop away from here, you
haven't gone a witness. You haven't gone a witness for
your name.
Speaker 2 (43:52):
I'm not so sure that that's the Letta bear.
Speaker 1 (43:55):
I'm so sure of that you use.
Speaker 2 (43:56):
This fastness to come and go a nice car.
Speaker 3 (44:03):
Back.
Speaker 4 (44:06):
Don't want to be.
Speaker 6 (44:08):
I am afraid your where.
Speaker 2 (44:17):
I have to ask you, gentlemen, to wait at one moment. Please,
what's the idea of figure out I'm writing? What are
you waiting your will? I said no, no? May who
brief the riptom one or two of your gentlemen to sleep.
Wait a bit.
Speaker 4 (44:32):
You better listen to me.
Speaker 2 (44:33):
It's all They're gonna tie you down. Ninety tips on
the top of that table. You'll describe me that one
thinking you're s sure of anybody in this room? And
three bars got out of that window.
Speaker 4 (44:44):
Bars on't no bars.
Speaker 2 (44:45):
No, I'm not going to get off drink. There are
so many ways, and to let it be that I
hardly know which one to two.
Speaker 6 (44:51):
You better too.
Speaker 4 (44:53):
I choose at once. It's the kigon and I cho
I spose on this hair.
Speaker 10 (45:03):
Started because follow no, gentleman, no, not trying the window.
Speaker 4 (45:18):
I'm leaving back the door that.
Speaker 2 (45:25):
I had a busy morning at my office in Holly
Street after eleven before the last of my appointments was over,
and still no news of homes in Dodel postom. Is
there anyone waiting? I have to be in Baker Street
at noon. There's one test moon.
Speaker 4 (45:43):
That wait to doty tearing to us to you most particulate,
what about taste face?
Speaker 2 (45:49):
There's most focused over out here, and call a cap
for me at the same time and have it wait
till the lady past five doctors also going to do
the seemate.
Speaker 1 (46:03):
I agace to it speaking did you bring my card case?
Speaker 2 (46:07):
But if I did, I'd lost you. Trouble about his cards,
they said, when mister Home to tend several people tell
me about the several there's right to ask you a
signing today.
Speaker 1 (46:17):
This morning, and everything depends on it.
Speaker 2 (46:19):
Doctor every time go to mister Holmes une ideally you
want to say you went to mister holmes house. Yes,
in data see that's why I came to you. Then
said nice pin No you idea.
Speaker 1 (46:30):
Don't expect him with mom.
Speaker 2 (46:31):
No, there's no possibility of mister Home's coming as far
as I know.
Speaker 1 (46:34):
But couldn't it get me to come? It would be
such a great stayor to me. And they must warn out.
Speaker 2 (46:38):
Of staying about in distressful an out if you could.
Speaker 1 (46:42):
Get where it came to home.
Speaker 2 (46:43):
I was not get him to come out, and then
I think you could excuse me. I bring out myself
on urgent business. I have no idea where mister Holmes,
probably every more than I building down her little they
want to do and he won't put him little one
(47:03):
to you and don't allow anybody to come in.
Speaker 1 (47:05):
I have no more time, honey was.
Speaker 6 (47:11):
Right away worn time doctor dog. He get you can't
any ready.
Speaker 1 (47:16):
There, don't just come see anybody.
Speaker 6 (47:19):
He's not to come in to me. Man, this straight game,
all right?
Speaker 4 (47:22):
Help him in.
Speaker 6 (47:24):
He's like, we can.
Speaker 2 (47:27):
The poet over their just waiting to be conshead.
Speaker 6 (47:34):
And the car theil the heck then or you curnt
that's the train enough.
Speaker 4 (47:38):
He was on the wrong side of the street.
Speaker 6 (47:40):
He was, you.
Speaker 4 (47:42):
Sit here, don't know the answer?
Speaker 2 (47:45):
That don't you support? And I know where I want
to sit down. You'll sit down here. That is the doctor,
the doctor.
Speaker 6 (47:51):
An look at you.
Speaker 4 (47:52):
Here's the doctor.
Speaker 6 (47:53):
That is the doctor. He a dost here jump cake?
Speaker 2 (47:57):
You just coming he and look at me.
Speaker 4 (47:58):
O plate here he's here, Lily.
Speaker 6 (48:02):
Are you a campman? Cash, I'm a campman. Well, I'm
erected for this. We're arrested.
Speaker 2 (48:08):
Arrested, arrested, arrest May Conornio ten.
Speaker 6 (48:13):
Where's my hat? Where's my hat?
Speaker 2 (48:15):
My hat?
Speaker 6 (48:17):
My hat? Ye am, I your head? I will I
my hat. Oh you're responsible here, you're right here in
go I'll there. That isn't my hack. Yeah, you're responsible.
I'll have you erected here, come.
Speaker 2 (48:28):
Back to figure out you are?
Speaker 3 (48:30):
You know I got you a ten dollar.
Speaker 2 (48:32):
No, when you're in here, I want.
Speaker 6 (48:34):
To speak to him.
Speaker 3 (48:38):
Let's see.
Speaker 6 (48:38):
I will stay in the street. I would get out
of your alive.
Speaker 2 (48:42):
So why are you staying at me before Iday? So
let's have to wait for me. I must see this
by her. I'm afraid of you.
Speaker 1 (48:48):
A good quiet for one moment.
Speaker 2 (48:49):
I'll have a look at them. Well they still with him?
Speaker 1 (48:52):
Well, how can I remarkable remarkable weather?
Speaker 2 (48:56):
We're having a uct?
Speaker 3 (48:58):
Oh?
Speaker 6 (49:00):
Hop on earth?
Speaker 2 (49:01):
How about having you remove some of this diculous disguise.
Wasn't home?
Speaker 3 (49:05):
Is that you?
Speaker 4 (49:06):
Mary?
Speaker 2 (49:06):
Quite?
Speaker 3 (49:07):
Quite so?
Speaker 2 (49:07):
Oh? Watson watching? Oh they get out that window without
the blind? Why do nothing?
Speaker 1 (49:14):
I was getting done by missus. Larrabe here go home,
get out that way now.
Speaker 2 (49:19):
I don't think they're watching Corman, good work forman. I
think it's Dy in charge. Hep her the good forman
write me outside. Yes, oh, watching my dear.
Speaker 1 (49:31):
I regret to say that that's.
Speaker 4 (49:32):
The present time.
Speaker 2 (49:33):
The Penson Moriarty himself has not risen to the base.
But do you think he is in the open streets
under some clever disguise, watching for change?
Speaker 4 (49:42):
To get it?
Speaker 3 (49:43):
Man?
Speaker 2 (49:43):
Because this woman set him hid? So can still a
spy let him know by some signal if she found
me in the house. Now they know, roll down that
blind watch and I don't care the shot at from
the street I imagine, which you'll.
Speaker 4 (49:58):
Hear from the Prinson Moriarty very soon though he.
Speaker 1 (50:03):
When did I tell you he come? Well, he has
a course of seat.
Speaker 2 (50:08):
He was in there watching these windows.
Speaker 1 (50:09):
He must have been coming to his just come off.
Speaker 2 (50:11):
There was a tab wag in front of this out
there and he's climbed up and change takes with a
drive after out again quickly and to dry on him.
Speaker 11 (50:18):
Yes, thank you.
Speaker 2 (50:19):
Watn't you never rather heavy portmenteau for a few moments
and I won't do it any harm part of my
life that's still over in the following here. Thank your
person he was down there.
Speaker 4 (50:33):
Thanks so much, persons.
Speaker 2 (50:36):
You wanted to tab the doctor a short time ago.
It's been waiting. I believe today to be so good
to tell the driver to come in here and get
a relief.
Speaker 1 (50:44):
You come, tell him that's the one.
Speaker 2 (50:47):
It's really good to the idea, wasn't it sounds like
LEAs you should tell your man never to take the
first cab that comes on corn or yes, the second,
the third, maybe six.
Speaker 1 (50:58):
But home, I oh, I let's day.
Speaker 2 (51:05):
I want to take him down having all right, all right,
good drive wakon by? Want some wait a minute? Driver
up the head? A friend, anail the wolfson? I right
you from the pas Yeah, yeah, a driver get me.
I got the step of the ayway. That's right. I
hold the driver. You you pull a step. Little things
(51:29):
in bags that I wouldn't like to lose art And
it's just as well to make.
Speaker 1 (51:34):
Quite sure.
Speaker 2 (51:37):
We get knocked up at the way out here. That
means a simple pair of sent cup you.
Speaker 3 (51:47):
Taking a shadow? Was that the ship the head?
Speaker 2 (51:51):
I ventured the dream that it's might there? You know,
quite sure the policeable.
Speaker 4 (51:57):
The whole way, But there's them, I'm quite sure nothing.
Speaker 2 (52:03):
Take him away from him.
Speaker 4 (52:15):
And tell my dear Watson ends the strange case of
miss Alic progress.
Speaker 2 (52:18):
But what about the letto the letters? They will return
to their right plane over and now go I expected
them well started. Miss Potner was really a nice goose.
Speaker 1 (52:27):
Huh, yes, what is it all?
Speaker 2 (52:30):
I'm just reflecting my thea watn't it's more arty? Out
of the way London. From the point of view of
the criminal expert, like becoming singularly uninteresting today one morning
paper of veritable willed inness of boredom. So yes, it's a.
Speaker 9 (52:48):
Lady there waiting for an hour.
Speaker 2 (52:50):
Take he's got up to take a monyis he's got
up the day from which I introduced to you the
lady of.
Speaker 5 (52:56):
Over forty one and less than forty five and the
strange dark us here in considerable searchial eminence, which is
just for ten years when near east that she is
now wearing a large drug ruby on the second thing ever.
Speaker 1 (53:09):
Left hand, Holmes, how do you know these things?
Speaker 2 (53:13):
It's amazing elementary and Nadia Watson elementary, the child's player
of deduction. My hein and I have the Columbia broadcast
(53:36):
in st. There is affiliated spacing coast to coast. I've
brought you Auson Wales and the Military Savor on the air.
The twelfth production of this unique series featuring broadways and
radios now celebrated Theatrical Producing Company this evening. The player
was Auson Whale's old adaptation William elect Hillock home in
the cast Doctor Watson played by Ray Collins, Alice Backner
(53:58):
by Mary Taylor, Matt Larrabie by bendor Ford James Larabee
by Edgar Barrier, Respected Foreman by Morgan, Parley Craigan by
Richard Wilson, Classic by Alfred Shirley, Barry by William Allen,
Billy by Arthurnander, Fools, Professor Moriarty by Eustace Wyatt, and
Jill at Holmes by Austin Welles. The orchestra was conducted
(54:20):
by Bernard Hermann and the production was supervised for CBS
by David pon Tator. Got announcer is Frank Keller.
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