Silent Women

Silent Women

For many decades women cinéastes were swept into oblivion. At long last their visual artistry has been brought back to the light, but what would happen if some of their tattered audio recordings were found? What would each one tell us about her life and work? The intent of this collection of poems is to give a voice to some female filmmakers of the silent era, 21 like our current century, and to trigger in listeners the desire to find more about them. Each terza rima poem is introduced with music by a female composer of the same country of the filmmaker, who might have listened to her composition while at work. Written and recited by Chiara Spagnoli Gabardi Sound editing by Massimo Privitera (Musicologist, Founding Director of Colonne Sonore magazine, and longtime friend)

Episodes

January 27, 2024 4 mins
History is defined by the dominant
While other voices have been kept sealed too long
This is why we should have a united front

Nineteenth century France is where I belong
Though I worked and lived also in the U.S.
My passion for moving pictures was so strong

That my first narrative film was a success
The Cabbage Patch Fairy even had sequels
But I must start from my birth to then progress

Emile and Marie Guy were no rebels
I was their fif...
Mark as Played
I came to the world during a spring drizzle
My family was middle-class and Christian
Toiling young in missions became my chisel

For social justice in my work of fiction
They called it an unladylike profession
The craft of moving picture composition

Before that music was my one obsession
I was a pianist, organist and singer
When I reached New York I made the progression

The musical comedies made me linger
In the company of dear Philips Sma...
Mark as Played
Have you ever wondered how it can feel like
To handle filmmaking through a non-white lens?
For women like myself there was no Klondike

I later achieved endurance through my friends
I was born in the South East, in Kentucky
Robert and Leuvenia were loving parents

When we moved to Kansas we all felt lucky
But rainbows were different for those like us
A darker shade of pale was seen as mucky

Black migrants as my kin were Exodusters
Quite soo...
Mark as Played
Cinematography was boundless for me
I defied conventions of motion pictures
I went from Britain to the Adriatic Sea

The Ottoman and Balkan troops were hotspurs
I captured the war on a plate camera
Mr. Newman made it for my bold transfers

My Papa was General in Rumelia
Uncle and aunt were newspaper editors
I was a war reporter of my era

I was armed to shield myself from predators
It was not all fun and games, yet feats were swell
By chance ...
Mark as Played
I come from the country of film Neorealism
I used that style before those male filmmakers
Some say my work was a sort of activism

First Italian female cineaste of shakers
Actress, writer, producer, distributor
I most preferred non-professional actors

My scenes portrayed the humble, mundane factor
Village festivals, iris shots, cross-fades
I also recreated deviant behaviour

Form and reverie came from the female gaze
Why should a lady settl...
Mark as Played
I came into this world as Aloisia Veltée
My home was enveloped by the mountainous zone
Do not envision me within a relais

I lived in the city were Klimt’s kiss was blown
The Hofburg, the Philarmonic and Demel
Are parts of my dear hometown that are well-known

But the Stadtpanoptikum was just as well
My father was the founder of this Kohlmarkt
Where people could see living pictures and dwell

I helped as I could, at the cashier I worked
I fe...
Mark as Played
I created magic with scissors, some say
Silhouette animation was my bailiwick
Black-cut characters emerged in shadow play

I mastered how to scherenschnitte real quick
In youth I was Charlotte from Charlottenburg
At my open-air school I never got sick

Tuberculosis had recently occurred
Thus, the best therapy was sun-kissed fresh air
Hence, my inspiration took flight like a bird

Chinese shadow puppetry made me aware
Of the potential of thes...
Mark as Played
I was a critic before I made my pictures
My family was of classe moyenne supérieur
We were quite close to Jules Verne’s infrastructures

Our genealogy was Saisset-Schneider
I left Amiens for Paris with my granny
Journalism I confronted with great ardeur

Writing about feminism was uncanny
For others, but it was my bread and butter
I loved covering cinematography

I was an assertive dàme, not a nutter
La Française and La Fronde were my outlets
...
Mark as Played
I was born in a revue company stage
My family worked in the theatre always
I sang and performed from a very young age

I was quite determined, never in a daze
The Netherlands was my place of expression
My life was articulate in many ways

Three husbands, some kids, and show-biz accession
I even lived in Pretoria for a time
I enjoyed an effective working session

Eureka, the movie company, was mine
My son André was at the head of management
Li...
Mark as Played
I shaped my craft in the coldest of nations
And became its first female director
My art was declined by various creations

The passion for acting at first was greater
I tread on several stages as a thespian
I studied at the Moscow Art Theatre

My repertoire covered all that was Russian
The Keys To Happiness was my screen debut
My directorial shift triggered discussion

In 1916 I had a big breakthrough
My film was praised, unlike my identity
M...
Mark as Played
My surname has always been a mystery
I chose to diminutise Antonina
I was Nina Niovilla for history

In my country I was a film tsarina
The press named me the ‘Polish Germaine Dulac’
Translating plays was my starting arena

The Weimar Republic was still on full track
When I had my directorial film debut
My early works patriotism would unpack

In one I showed the Battle of Lemberg coup
I further used a ballad by Mickiewicz
Even the cabaret-act...
Mark as Played
When you mention female Swedish directors
From the silent era of motion pictures
Not my name comes to mind at first, but others

The work of Anna Hofman-Uddgren flickers
And the one of Karin Swanström emerges too
I was the pioneer amongst these figures

In 1910 a classic I would renew
Värmlänningarna is a rooted story
Born from Fredrik August Dahlgren’s point of view

That screen-adaptation was my sole glory
I acted and directed The Warmland...
Mark as Played
I started dancing in variety shows
My family background was all artistic
Therefore performing on stage is what I chose

With my two dear sisters I was altruistic
The Hermanas Cortesina were a force
We were a team, never antagonistic

Isadora Duncan influenced my course
Showing my semi-nude body wrapped by veils
The crowds my sculpted silhouette would endorse

The Venus Valenciana made ticket sales
I modeled for an illustrious painter
Joaquín S...
Mark as Played
January 27, 2024 4 mins
Herminia Pérez de León was by birth
Yet the name that made me known was another
Being Mimí Derba was the cause of my mirth

It was inspired by a vigorous other
Someone compared me to this energy drink
It was fitting for all, even my mother

I always felt different and at the brink
I found the frivolous theatre profound
Sharing social criticism without a blink

Thus, acting in these plays took me off the ground
I started as a Zarzuela perform...
Mark as Played
I was just seventeen when I made my film
I was the first Chilean female director
Through time this role turned into a phantom limb

In fact, I became a prolific writer
The picture show is where I moved my first steps
I then was journalist, playwright and author

The one movie I directed was complex
I also wrote the script, whilst my husband helped
With photography and editing effects

Salvador Giambastiani in Chile dwelt
My dear spouse was a...
Mark as Played
Primeira mulher cineasta do Brasil
That is who I was, am and will always be
I was overtly driven by my strong will

I debuted behind the camera with glee
My film O Mistério do Dominó Preto
Was a silent picture and not a talkie

A sound-movie had been done here, I do know
Acabaram-se os Otários was it
A couple of years prior to my film-show

First I was a small-town girl, not a misfit
Born Jacyra Martins da Silveira
I left Amparo for São Paulo,...
Mark as Played
I was a film director from Down Under
The Emerald City is where I was born
I was considered as a child of wonder

My artistic aptitude was not timeworn
In the suburb of Drummoyne I grew with bliss
Third of seven kids, I was never forlorn

With my family, plays I would never miss
Dad was surgeon for the theatre circle
Attending weekly soirées I reminisce

Aussie motion pictures became my portal
I formed a trio with two of my sisters
Phyllis as...
Mark as Played
January 28, 2024 4 mins
I was the Land of Pharaohs’ film shaker
First I was Mofeda Mohamed Ghoneim
My humble origins were no dream breaker

My status and life would have changed in due time
Damietta, Alexandria, Cairo
Are the places were I spent most of my prime

Being a female artist could bring sorrow
My nation would shun women of performance
With the revolution, minds were less narrow

I changed name for theatrical conformance
It preserved the family reputation
Yo...
Mark as Played
The first female director in Bollywood
Is how I’ll be known when I’m with the resters
Our industry began before Hollywood

In 1899 we had The Wrestlers
In Old California arrived much later
I was with the Indian cinema settlers

I pursued a career path as a dream maker
I was from an Urdu-Muslim family
I was very hardworking, not a faker

They tried to tie my name to some calumny
Claiming I married the Sachin State ruler
No records of this exis...
Mark as Played
January 28, 2024 3 mins
Nǐhǎo from this first time female director
Who actually made movies in China
Marion E. Wong shared my descent and sector

Her pictures were made in California
To Americans our culture she unveiled
While I shaped the cinema form in Zhongguo

The Shanghai Shadow Play Company I nailed
It was founded by Dan Duyu, my mentor
Working as one of his actresses prevailed

The Shen Bao press praised my expressive ardour
Working for Li Jiran truly change...
Mark as Played

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