July 16, 2025 • 35 mins
Hook and Roc are on the hunt for Wendy Darling! They decide to put their differences aside and work together...but the sexual tension is thick and by the time they find out where she's been all of this time they might like each other more than they like her!
Book Credit: Devourer of Men by Nikki St. Crowe Hosted on Acast. See acast.com/privacy for more information.
Become a supporter of this podcast: https://www.spreaker.com/podcast/smut-up-and-listen--6704781/support.
Book Credit: Devourer of Men by Nikki St. Crowe Hosted on Acast. See acast.com/privacy for more information.
Become a supporter of this podcast: https://www.spreaker.com/podcast/smut-up-and-listen--6704781/support.
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Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:12):
Welcome back, you horny little rats. It's time to smut
up and listen.
Speaker 2 (00:16):
Just a reminder for today's episode and all future episodes,
our opinions are subjective. We don't advocate for kink shaming
or author shaming. This is all in good smutty fun.
Enjoy and don't forget to check out patreon dot com
slash smut Up and listen to listen to the r
slash smut podcast, where Riley and I will be doing
blind reactions every Tuesday to Reddit eratica.
Speaker 3 (00:38):
Today's episode trigger warnings are violence, child abuse, talk of suicide,
and explicit sexual content.
Speaker 2 (00:45):
And I have an Apple review and this one comes
from Joshka fifty five and it says best smut podcast ever.
I've been listening to smut Up and Listen for quite
some time now, and I must say this is the
best podcast for smut readers. Funny, entertaining, and engaging. Every
episode makes me feel like I'm hanging out with my friends.
I also like that each host has different opinions on
(01:07):
the book, so this helps me decide whether I would
want to read or what I should anticipate from certain books.
I'm not gonna lie they're responsible for so many books
in my kindle. I like this podcast so much. I'm
following them everywhere on social media. Not like Dark Romance
MMC ten out of ten recommend for those who like casual,
smutty and fun podcasts.
Speaker 1 (01:27):
Thank you. That is such a nice review. Thank you
so much. What a darling.
Speaker 2 (01:33):
And this week we're telling Riley all about Devourer of
Men by Nikki Saint CrOx, which is a spin off
of the Vicious Lost Boys series, which Jenna has not read,
so she's going into this completely blind true story.
Speaker 1 (01:46):
And how many stars did you guys give it? On
good Reads? I give it a four.
Speaker 3 (01:50):
I was happy to be back in the same universe,
and I honestly think any type of mail on mail
action is going to give it an automatic four.
Speaker 1 (01:59):
Stars for me.
Speaker 3 (02:00):
Oh Brad, Yeah, as Jenna's heavy panting, I gave.
Speaker 1 (02:04):
It a five star.
Speaker 4 (02:06):
I loved it, Shelby. I am so surprised you did
not give it at least a four point five star.
Speaker 1 (02:11):
I wanted them to fuck more.
Speaker 4 (02:12):
Sorry, I mean, you're not wrong. You were so not wrong.
Speaker 1 (02:15):
It was hot, hot, hot, hot. We give it all
we got.
Speaker 4 (02:19):
I'll be thinking about this for a very long time.
Speaker 2 (02:22):
Jenna is besides herself. I gave it a four. I
thought the plot to smut Ratio is really good. I
love the universe. I loved the Vicious Loss boys. I
love Hook, I love rock. Yeah, ites good, really good,
really really good.
Speaker 1 (02:38):
Why not a five to them?
Speaker 4 (02:39):
I don't know.
Speaker 1 (02:39):
I've been stingy with my fives lately.
Speaker 3 (02:41):
Hook steps foot on Everland for the first time in
a really long time. It sinks of soot, piss, and
the energy is all off. So you know how the
islands have their own magic and their own energies while
something weird's going on on this one. He tells Cherry
to stay on the ship and leaves a handful of
men with her. The dock master tells them that the
(03:02):
island is the way it is because of the witches,
and he pays the dock master for a week to
dock the ship before taking off to go find what
he's looking for. Before he arrived, Same confirmed that Wendy
was in Everland and in the High Tower prison, but
he has doubts that she's still in prison after all
this time. But before he confirms it, he has to
(03:24):
formulate a plan. He goes to an inn called the
Royal Suit, and he gets a room for the night,
and he is very homesick, and he thinks about how
the crocodile Ak Rock could have beat him to Wendy already.
It's been seven days now, He's visited countless taverns and
has almost no money left, and no one has ever
heard of a Wendy Darling. He gets back to his
(03:46):
room at the Royal Suit, and just before he opens
the door, he steps on crushed peanut shells. And now
he's paranoid because remember, Rock would pop those in his
mouth all the time.
Speaker 1 (03:57):
Ooh, imagine him at Texas Road. He would.
Speaker 3 (04:03):
He opens his door, but his room is empty, and
he tells himself that when he sees Rock, he's gonna
kill him and be done with it. He tries to
stay up all night waiting because he knows he's going
to show up for him, but at some point.
Speaker 1 (04:16):
Exhaustion takes over.
Speaker 3 (04:17):
Rock has zero issue woes getting into Hook's room. He
watches Hook sleep.
Speaker 1 (04:22):
In the chair.
Speaker 2 (04:23):
As I sailed here, I plodded all of the ways
I'd make Captain Hook scream, But now that I'm standing
in front of him, a scream doesn't seem quite as
satisfying as a moon. Oh, and they were immortal enemies.
Speaker 3 (04:37):
He takes a seat and waits for Hook to wake up.
Once Hook wakes around midnight, he sees Rock immediately firing
a shot with his gun, but misses him. He steps
closer to Rock and sees the bold in his pants,
and then he sits back down in his chair.
Speaker 1 (04:52):
He says, I am sad. He admits to.
Speaker 3 (04:57):
Rock that Wendy isn't here and he's gotten zero leads.
But that's funny to Rock because he already has a
clue and he hasn't even been on the island that long.
He learned last night from a girl that her great
grandmother spent time in a tower cell with the windy darling.
Rock is supposed to meet her for more information in
one hour. He gets up to leave, but Hook stops him,
(05:17):
begging to join. Rock agrees, and they set off to
a tavern called the Tipping Well. When they arrive at
the tavern, Rock tells him there are rules at this tavern. Behave,
do not drink the wine, and never say thank you.
Speaker 2 (05:30):
Okay, hold him, I'm sorry, but these two.
Speaker 1 (05:33):
Guys mortal enemies.
Speaker 2 (05:34):
Yes, and then Hook just sees that Rock has a
bulge in his pants and he's like, okay, yeah, we
can work together.
Speaker 3 (05:40):
Well, I don't know if you remember from the last book.
They're mortal enemies, but there was like slight sexual tensions.
Speaker 1 (05:46):
Do you remember that?
Speaker 2 (05:48):
And they're both looking for the same person anyway, so
why not team up?
Speaker 1 (05:51):
I mean yeah, true, yeah, yam.
Speaker 2 (05:55):
He winks at me, swaps me on the ass and
steps inside. Uh you imagine hating someone so much and
then they just smack you in the ass. Yeah, and
you have like all this sexual tension between you, Like.
Speaker 1 (06:09):
I just make out with them. Yeah, I would have
make some emotions.
Speaker 2 (06:12):
It's like come here, get away from me, kiss, get
away one cnside.
Speaker 3 (06:20):
Hook immediately feels funny, and he describes it as everything
feels super good, and he is.
Speaker 1 (06:26):
Just really calm, but like euphoric.
Speaker 3 (06:29):
Yes, thank you, that's a great word.
Speaker 1 (06:32):
Oh my god, give me that feeling.
Speaker 3 (06:33):
Go to this bar, right, they find a table, get
their food order placed, and he can't help but notice
how sexy Rock is. And he's like, okay, he was
already sexy before, but like something is going on because
he's even more sexy, right, now. Rock explains the fay
magic in the tavern is making him feel this way,
(06:53):
but once Hook eats a second portion of his food,
the fame magic should slowly subside. He is still mesmerized
by Rock and how attractive he is to him, and
Rock starts making some sexual innuindows until the girl arrives.
The girl tells them about her grandmother's time in prison
and how Wendy was meant to be executed but refused
(07:14):
to die by hanging, so the viscount took her to
his house. He's dead now and she has completely disappeared.
The girl described it as on the hanging block or whatever,
once it opened and she fell down, Her neck didn't snap.
She just like sat there and struggled and just didn't
die for.
Speaker 1 (07:31):
Like an hour. They said, oh my god. Yeah.
Speaker 3 (07:34):
They ask if she knows anything else, and she says
that she does. If Rock wants to take her back
to her room.
Speaker 2 (07:40):
The captain is now glaring at her, Please accept my apologies.
I reach across the table and pat her hand. I
plan on fucking him tonight, so I must decline.
Speaker 1 (07:49):
Oh my god. Hook is like what, Oh.
Speaker 3 (07:52):
My god me A Hook is blushing and He's like, what, Nope, no,
that's not happening.
Speaker 1 (07:57):
You're not fucking me.
Speaker 2 (07:59):
But no.
Speaker 3 (08:01):
The girl leaves them, and they agree that it's odd
Wendy survived a hanging as a mortal because remember she's mortal,
she doesn't have any magic whatsoever, and that they should
look into the viscount's death. They leave, and they walk
aimlessly down the street when Hook is hit with a
club and three men try to rob them. It was
a mistake, though, because Rock gets to feast on these
(08:22):
three men because his time was taken.
Speaker 2 (08:25):
Ooh.
Speaker 3 (08:25):
Hook handles one of them, but gets knocked down with
a knife, and he panics at the side of his
own blood. I also don't know if you remember that
from the last books.
Speaker 1 (08:34):
Yes, I like vaguely remember that.
Speaker 3 (08:36):
But Rock grabs him and puts his mouth onto his
breathing life into him until there's no pain or panic.
Hook is shocked, and as soon as Rock opens his
mouth to suggest they leave, Hook takes advantage and starts
kissing him passionately.
Speaker 1 (08:50):
Huh and they were boys.
Speaker 3 (08:54):
Rock breaks the kiss, saying that they need to go
since there are three dead men by their feet. Hook
suggests his and Rock says.
Speaker 2 (09:01):
When's the last time you had a cock in your ass?
He scoffs, Why does that matter?
Speaker 1 (09:05):
You know why?
Speaker 5 (09:06):
Because I'll be fucking it here, That's what he's saying.
His expression softens with embarrassment. It's been a while. He
admits as a dot, I'll go easy on you. Then
I let go of his balls, and he sighs with relief.
You will be panting my name by the end of
the night.
Speaker 2 (09:20):
Oh my god.
Speaker 3 (09:21):
They get back to Hook's room and Rock lets him
take the lead. He tells Rock that he wants to
fuck his face, so Rock immediately gets on his knees.
He undoes his trousers and strokes himself before Rock demands
that he gets over there. He gets an amazing blowjob,
and then Rock grabs his balls.
Speaker 2 (09:37):
I'm going to nut in his fucking mouth, my mortal enemy,
and he's going to take it because I'm going to
make him. I'm a nut in his fucking mouth. Do that.
Speaker 3 (09:46):
He does, and Rock swallows every drop of it. When
he's done, he looks down to see that he's bleeding again,
and he faints.
Speaker 1 (09:52):
How embarrassing, literally is very embarrassing. Grow up.
Speaker 3 (09:56):
Rock carries him to bed and that's when he notices
that Hook leads black, so he has a secret of
his own. He gets materials to sow the wound, and
he wakes Hook up and gets to work sewing him.
He asks why Hook bleeds black, and Hook tells him
that a witch cursed him after his father caught him
with a servant. Rock finishes and tells him and arrest
(10:17):
and they'll find Wendy eventually, and then Roc leaves to
go eat some more because again time's up. He's got
to eat something. Hook is jolted awake from Rock kicking
the bed. He tells Hook he was followed back to
the room and they need to hurry and get dressed,
grab anything of importance before these people can catch them.
Hook hesitates too long, and then the door bursts open
(10:39):
and the Everland Royal Guard comes in handcuffing them both. No,
they're tossed into a carriage and chained up, and Hook
is fucking pissed. They are being taken to the castle
where they will meet the Queen. They get escorted to
her receiving room, where she waits in shadow so they
can't see her, and now Rock knows who she is.
(11:00):
She steps out of the Shadow and they're both shocked
to see Wendy Darling is the Queen of Everland.
Speaker 4 (11:06):
A bitch good for her. Wendy Darling is quaking that
they're here. There's only two people in this entire court
that she trusts. It's THEO and Asha, and Asher told
her not to go through with this, and looking at
these two men, she knew Asha was right, but says
had to see it for herself because remember Rock and James.
My notes, I put James, but it's Hook are mortal enemies.
(11:28):
Rock took James's hand for literally touching Wendy, so she's like,
there's no fucking way that they're here together. She knows
that she must get them out of Everland without Holly
seeing them, so she tells them that Wendy Darling is
dead and to basically kick Rocks and to leave. Internally,
she has so many questions like where's Peter Pan, the
Lost Boys, the Darling women and her baby.
Speaker 1 (11:50):
Yeah, gonna say, girl, what about your baby? Your baby's
an old woman. Now that baby's dead.
Speaker 3 (11:55):
That's like Wenny's great great grandma or whatever.
Speaker 1 (11:58):
Yeah, the bitch is dead. That bitch is long gong
resident peace.
Speaker 4 (12:02):
She tells THEO to escort them off this soil, and
Hook is drooling overseeing Wendy Darling again. She's hot, sexy,
and a fucking queen. As they're on their way to
the docks, they run into none other than the Crowned Prince,
who was Holly, so he's basically Wendy's steps on. He's
the epitome of an antagonist in the story, and his
(12:23):
character reminds me of Prince Jeoffrey from King of Thrones.
Speaker 1 (12:26):
Oh woo oo boo.
Speaker 4 (12:29):
I was reading this and I was just picturing a
little blonde bitch, literally a bitch. Knowing Wendy wanted these
two men off the soil, he told THEO that they
are now guests of this castle and they are to
join them for dinner tonight and to stay the night.
Not being able to refuse the Prince, they have no
other choice but to go along. Wendy finds her bestie
Asha and is just venting after seeing Rock and James,
(12:51):
and she was just surprised that they were surprised she
was there, as if they didn't know who she was
the queen or where she was. But still the sing
of betrayal live because she's thinking about how they abandon
her here at Everland, and she'll never have the answer
on why because she just sent them off the soil.
But Asha's like, oh, well, I just saw Holly walking
towards the docks, and she just gets up and starts
(13:12):
booking it because she knows the Holly's a fucking evil bitch.
So there's a little court drama because there's a circulating
rumor that Holly and Wendy are having an affair because
they look the same age and are often seen together
and shadowed alcloves, but in real life they're like whispering
at each other, like I fucking hate you, die bitch.
But people don't know that she had no choice in
(13:34):
the marriage with King hald which is her husband, and
he basically said marry me or die. But now he's
literally dying and she's in a doggy dog world by herself.
She pulls herself together after racing after him and walks
into the room where her steps in is. He tries
twisting the story of Rock and James visiting her in
front of the entire assembly that's watching them. He says
(13:55):
that those two men visited her private rooms earlier. This morning,
and she's like the ones that I had the Captain
of the Guard kickout, so he's trying to make her
look bad in.
Speaker 1 (14:03):
Front of the entire assembly. Ew what a little punk.
Speaker 4 (14:06):
Rock is in his room when James tries to enter,
but Rock has him locked out. When James finally enters,
James is frustrated as fuck and as Hella Brady that
he didn't get his way and get let in right away.
Speaker 2 (14:17):
And a Braddy captain has me feeling feelings I'd rather
not feel, like the desire to throw him onto the
bed and blow that frustration right off his face. A
new window fucking intended boys.
Speaker 4 (14:28):
Come on now, he wants to give some sloppy toppy dude.
James and Rock start talking business and they both agree
on one thing. Wendy is afraid of something and it
isn't one of them. They decided that they're going to
scope out things at dinner and try to get a
better picture of what's going on because there's something. Hella
fishy when he's in the King's chambers begging King Hal
(14:49):
to wake up because she feels like prey caught in
a web, and none other than Holly comes in, so
we get a little bit of a backstory. When Wendy
married Hall, Holly and Wendy were the same age as
we know, and King Hold was twice Wendy's age and
chronically ill. Then Hauld recovered and stopped aging, and that's
when whispers began that she was either a witch or
he struck a deal with the Fay. The king tried
(15:12):
saying that he was marked by the gods, even though
Holly never stopped believing that she was a witch, but
she didn't care because King Hold was going to outlive him.
And then all of a sudden, Holly stopped aging.
Speaker 1 (15:23):
Two damn it.
Speaker 4 (15:25):
So we're back to the present. Holly's telling her that
he heard her pathetic pleading, and he's like, it's because
you're a girl. That's why you can't run. You're not
meant to rule. And she's like, okay, you're a bitch.
Your dad literally made me heir to the throne. He
like rearranged rules, and he's like, my dad was crazy.
Speaker 1 (15:45):
That's why.
Speaker 4 (15:45):
Wendy and Asha are sparring, and as Wendy is distracted,
Asha ends up whacking her right in the face, causing
her to get a black eye. It crashes into Asha's
knuckles and silently Wendy takes Asha's injured hands in hers
and conjured up some healing magic.
Speaker 1 (16:01):
Oh Wendy, so the secret power is.
Speaker 4 (16:05):
What got her to become queen. She literally hung, like
we said, for over an hour, not dying because she
kept healing herself over and over again. Oh and then
King Hauld made her a deal to become his wife
and for her to dedicate her power to only him,
and he would make her queen. She healed him for
decades until one day it just stopped working, and then
(16:25):
within days he was bedridden, and then within weeks he
was comatose. Oh sad Hook is the first one to
arrive for dinner and is met with the Prince and
his betrothed, lady Mareth Shade. What a weird name, a
mere thing, but looks Hella familiar to him, and for
the life of him, he could not place it. She
tells him that he must have her mistaken with someone else,
(16:47):
but he has a snagging feeling that even though he
can't place it, he just feels like he knows her
from somewhere. But Rock literally knows everyone and their mama,
So maybe he'll just get to the bottom of it
once he sees her. Wendy arrives to dinner and we
find out that her new queen name is Queen wend
Lynn because they had to kill off Wendy Darling due
to it being tied to Peter Pan and her being
(17:08):
guilty by association if she was still known as Wendy Darling.
Fair enough, King Halt went as far as forging documentation
changing her name, saying that she was a distant cousin
of a queen, which made her fit to marry him.
And then finally, James walks in to dinner and he's
looking like a damn snack.
Speaker 2 (17:25):
James makes the required greetings, and then he spotted me
at the head of the hall, and the way he
looks at me, it's like he spotted land for the
first time in ages. My heart kicks up again, butterflies
fill my stomach. He makes his way to me with determination,
Your majesty, he bows. I noticed his arms are still
clasped behind him, hiding his hook. Does he worry about
frightening me? When we were together? He had both hands,
(17:47):
and by the gods, did he know how to use them.
James's touch was always gentle warm and passionate. By contrast,
Rock's touch was bruising and possessive. If I were a
respectable girl, I would say I preferred James's touch.
Speaker 4 (18:00):
But I am not.
Speaker 2 (18:00):
No, You're not girl.
Speaker 1 (18:02):
She's a slut, just like her granddaughter.
Speaker 2 (18:06):
Yeah.
Speaker 4 (18:07):
James goes to take his seat next to the empty
king seat, and Wendy's like, girl. If Holly's playing power moves,
then so can I. So she's like the King is
literally in a coma and is obviously not going to
be joining us for dinner. Please remove his chair so
there's not an unnecessary gap between me and my guess.
Holly's eye is literally twitching with anger, but the servants
(18:28):
do as she says, and James moves next to her.
Speaker 1 (18:30):
Are you being treated well? I ask him.
Speaker 2 (18:32):
He licks his lips. I remember kissing them. I remember
the tender way his mouth met mine, the hungry way
his tongue took a taste of me for the first
time in a very long time. There's a flash of
heat between my legs and it catches me so off guard.
Speaker 4 (18:45):
I blush, slutty, he's making her pussy?
Speaker 5 (18:47):
What yay?
Speaker 4 (18:49):
When she asks where Rock is and he doesn't immediately know.
She's a little relieved because she was a little envious
of the thought of them to bump and uglies without her.
But then to prove her theory wrong, Rock walks in
and James's entire body language changes and she's like, oh,
hell no. Then James tells her he's like, damn, he
(19:11):
looks good in his suit, and she's like, well, I'll
be damned.
Speaker 1 (19:14):
They really lock in.
Speaker 4 (19:15):
They make it through five courses, and then Rock asked
her for a little dance.
Speaker 2 (19:19):
Also, like immediately if he was like, oh, he looks
good in a suit, if I was her, I would
have been like, oh, you guys fucking oh. But like,
imagine you have two ex boyfriends and then like they
start fucking hot, like ugh, oh yeah, oh, let me
just get in the middle here.
Speaker 4 (19:37):
During their intimate dance, Rock wishes to know what Wendy's
afraid of, and she tells him he hasn't earned the
right to know. When he asks why, she tells him
straight up that he abandoned her when Pan left her.
Speaker 1 (19:48):
Here is that what you believe?
Speaker 2 (19:49):
With my hand firmly in his, I spin out to
the center of the circle with all the other women,
and then Rock twirls me back in. I asked you
to stay, he says, you refused me. You could off
James's hand. If a hand touches what's mine, then the
hand is mine too, and you were mine first. There's
still a smile on his beautiful mouth, but the look
in his eye has turned dark. He's got a point, Yeah,
(20:11):
he does.
Speaker 4 (20:14):
When she turns the narrative and asks about him and James,
he tells her she hasn't earned his secrets either.
Speaker 2 (20:19):
Yeah.
Speaker 4 (20:20):
She demands to know if he's with him, and he
tells her jealousy does not become her ew.
Speaker 2 (20:24):
I'd say, fuck, you tell me, but he's like flirting.
Speaker 4 (20:27):
He's like, oh, you're jealous, pooky.
Speaker 2 (20:30):
That pissed me right off. I'd say, you think that's funny.
Speaker 4 (20:35):
Rock is taken back that Wendy thinks that she's been
abandoned here and Peter Pan left out the very convenient
detail that he did, in fact not take her home
to the Mortal Realm and left her in Everland. After
the jealousy comment to Wendy Darling, she ran away dramatically,
and James asked what he said to upset her. He
tells her that she's just jealous of them too, and
they end up coming with a little plan. James is
(20:57):
to go console Wendy while Rock tries to find some
information about what's going on in the castle. He goes
to a place that has the most information and it's
the help. He meets a servant and pays her with
the faery bar, and she's reluctant to talk, but finally
starts yappin. She tells him all the tea of the
castle about how the king stopped aging when Wendy first
became queen, how the prince stopped as well, and the
(21:19):
rumors of the affair, and then the king started dying,
and the king changed the world code and made Wendy
the air.
Speaker 1 (21:27):
He's like loving the gossip. He's like, oh, shut up,
no way. So everyone thinks that Wendy is a witch.
Speaker 4 (21:35):
And as she's like babbling on and on about theories,
he hears a steady heartbeat of someone eavesdropping. He quickly
and quietly tiptoes towards it and pops out in the hallway,
but there's no one there.
Speaker 2 (21:47):
Hook is wandering the castle looking for Wendy and Rock.
When he stumbles across the Prince and his fiance, arguing
she's pissed that he'd invite Rock and Hook without consulting
her first. And now Hook is like, damn, maybe she's
not as meek as I originally thought, because when they
first encountered her, she was very.
Speaker 1 (22:02):
Much like, yes, sir, if it pleases you, sir. And
now she's like arguing back, yeah, girl, get him, and.
Speaker 2 (22:09):
The Prince is like, well, what do you want me
to do, and she says, go tend to your dying
father and leave the guests to me. Hook sneaks off
and goes to Rock's room and walks in without knocking.
Rock has just gotten out of the shower and is
dripping wet with just a towel on. Hook ignores his
raging boner and tells him what he just overheard, and
then he tells Roc to put some clothes on, and
Rock is like, okay, hold on, and he drops his towel.
(22:32):
Hook is like, quit toying with me. We're here for Wendy,
not for us, and Rock is like poor Klo's dose.
Speaker 1 (22:39):
Yeah, honestly, why not both.
Speaker 2 (22:41):
Hook is like, there is no us and Rock tells
him to tell that to his boner. Then he tells
Hook to shut the door, and he obeys, so Rock
tells him he's a good boy. They crash together in
a wild kiss, and Hook grabs Rock's dick. I squeeze
him at the base, then stroke downward, bringing my thumb
over his wet slit. He breaks the kiss, grabs my
hand and shoves my thumb into his mouth so I
(23:03):
can taste him. He's salty and sharp, salty and sharp
like cheddar ohungin. Rock throws him onto the bed and
they start rubbing weenies while he probes hooks butthole rubbing weenies.
Speaker 1 (23:17):
They are rubbing weenies.
Speaker 2 (23:18):
It's like scissoring, but for boys. Yeah, they're smushing them together.
Nice what a visual hot Go slow, I warn him,
I know how to fuck a tight ass, Captain, Yes, sir.
He leans over me, reaching into the small drawer of.
Speaker 1 (23:33):
The bedside table.
Speaker 2 (23:35):
As he does, his cock preces into me, and a burning,
raging desire has me gasping out of breath. I lift
my hips and fists us both oh like grabs our dicks.
I was like, excuse me, and the crocodile hisses in response.
He freezes halfway over top of me, his hands still
on the bedside table. Keep going, he tells me, his
(23:55):
voice a deep rasp. I jerk us both, and his
dick swells in my grip as he huffs a desperate breath.
Speaker 1 (24:01):
Oh my goodness.
Speaker 2 (24:02):
Then Rock brings out a bottle of lube, and Hook
tells him to do it bang his butt.
Speaker 1 (24:07):
Yeah, bang is But then he.
Speaker 2 (24:11):
Flips me over onto my stomach and I clutch at
the twisted blanket, losing myself in the sway of the
wave as the crocodile, my mortal enemy, presses his cock
into my ass.
Speaker 1 (24:22):
Enemies to lovers.
Speaker 2 (24:25):
Meanwhile, Wendy has been hiding in her secret room from
all the drama. When Asha comes in and tells her
Rock with snooping around the kitchens asking questions. She decides
to find the men and figure out why the hell
they came after her after all this time. She goes
to Hook's room, but it's empty, so she tries Rocks.
She hears grunting and thinks someone is fighting in there,
but when she opens the door, Rock is balls deep
(24:47):
and Hook, Oh my god, what would you do?
Speaker 4 (24:52):
Yeah? What would you do?
Speaker 1 (24:55):
Mind me? I'm just gonna make sure everyone's I got
a few holes.
Speaker 5 (25:00):
Ugh.
Speaker 2 (25:01):
Rock tells her to close the door and either join
them or watch from the chair. She's HELLI soaked and
also very confused. She's like, how about I leave?
Speaker 1 (25:10):
And Rock is like no.
Speaker 2 (25:11):
Hook gets up and grabs her hair, kissing her fiercely,
and tells her he's mister so much and if he
knew she was here with his child, he would have
saved her or died trying, because remember the child was hooks, Oh, yeah,
He's sorry he didn't come, but he's here now. Then
they start passionately kissing again, and her silk nightie falls
off her shoulder, so he takes a boob into his mouth.
(25:34):
She looks behind Hook and sees Rock standing there watching them,
and she wants them both right here, right now. Hook
slides her panties off and slams into her as Rock
tells him not to go easy on her. They're fucking hard,
and Rock grabs his trusty bottle of lube. I stroke
my cock from base ahead until it's rock hard and soaked.
I get in behind the captain, and as soon as
(25:54):
he senses the heat of my cock, he slows his thrusting,
widening his stance to give me his ass. I'm so
eager to stretch him open again. Precum is already beating
at the tip. The Captain and I weren't able to finish,
not before Wendy Darling burst into my room. Perfect fucking timing,
because now I get to watch her come while the
Captain comes, while his ass tightens around me, and I
(26:14):
fill him.
Speaker 1 (26:15):
Up the human centipede.
Speaker 4 (26:16):
Yeah.
Speaker 2 (26:17):
As he slides into Hook's ass, he thinks to himself,
he wasted so much time hating this man when he
could have just been fucking him instead. He shoves his
fingers into Hook's mouth and uses the spit as lube
to rub Wendy's clit, which makes her come hard. And
when he spills inside of her, his breathing heavy and stilted,
There's nothing in the world that could stop me from
joining him.
Speaker 1 (26:36):
I'm so fucking ready to fill him up. One hand wrapped.
Speaker 2 (26:39):
Around his throat, the other on his hip, I drive
into his tight wet ass and spill a load so
fucking big it'll be dripping out of him for days.
Speaker 1 (26:47):
Days that'd be so much.
Speaker 2 (26:50):
Come. After they all clean up, Wendy falls asleep and
the guys have a drink together, and Rock tells Hook
taking his hand as his biggest regret. He was afraid
Wendy would leave him for Hook, and he just react
out of that fear. Hook starts to think about how
he's starting to care for this monster, and his father's
voice plays in his head, telling him he's a stain
on the family name, so he gets up and says
he needs some air. Wendy wakes up a while later
(27:12):
to Rock and they start talking about how she can't
age or die. She says she doesn't know why, and
he tells her he has a theory. Just as he's
about to tell her, they hear bells and she's like,
oh no, the king is dead. They rush into the
hallway and find Asha and THEO, who tell her she
needs to get into hiding now. As they're getting her
(27:32):
to a secret passageway, THEO thumps Asha on the head,
knocking her out cold betrayal too timing bitch. He grabs
Wendy and brings her down to the dungeons, telling her
he's sorry, but she paid him more than Wendy ever
could and we don't know who she is. Is it
that cunt ass Stepson's wife. I don't know.
Speaker 1 (27:53):
Is she a cunt because she said let me handle
the guests.
Speaker 2 (27:56):
I don't know. Hook is caught up in the commotion
looking for Wendy, and when he runs smack dab into
the prince's fiance, she's holding a sacred dagger to defend
herself and accidentally slices his arm. She sees black blood
ooze out and orders the guards to seize this evil man.
Rock is also caught up in the chaos and sees
Asha lying unconscious on the ground. He shakes her awake
(28:18):
and asks what happened, and she's like, THEO hit me
in the head, and I think he took Wendy to
the dungeons. Wendy is about to be thrown into a cell,
but she's using the training she's gotten from Asha and
takes down two guards before grabbing one of their daggers
and lunging for Leo. Somehow, Hook escaped being taken and
is running through the village. It's Mayhem and he sees
a young boy crying and alone, and I think it's
(28:39):
like a toddler boy. He scoops the boy up and
helps him find his mother, who rips off her own necklace,
giving it to him, telling him he's a good man
who did a good deed. And I guess when he
was a child, his dad used to tell him, if
you do a bad deed, your blood will be black
because you're a bad person.
Speaker 5 (28:57):
Oh.
Speaker 1 (28:57):
So, as he looks at the star.
Speaker 2 (28:59):
Pendant, her voice repeats in his head telling him he's
a good man and he has an idea. He finds
a knife, cutting his arm to see what happens. His
blood is still black, and now he knows that his
father lied. His blood is black regardless if he's a
bad man or a good man. He runs back to
the castle to find Wendy and Rock, and he runs
into the princess fiance again, and this time he recognizes her.
(29:20):
She looks different, But this is the witch in the
woods his father brought him to. So this is the
witch that cursed him as a child.
Speaker 1 (29:27):
Oh my god.
Speaker 2 (29:28):
She leads him to a room in the castle where
she gets him a drink and tells him she received
a prophecy after being kicked out of lost Land that
the way home is by the hook. When Hook's father
brought him to see her as a child, she was like, okay,
they have something to do with that, and she gave
Hook some of her magic. Then he impregnated Wendy, which
also gave Wendy some of her magic as well. So
(29:48):
that's why Wendy can't die and she can heal. Oh
my god, because of Hooks, come magic, come powerful. Then
the room gets fuzzy and he falls. His drink was
spy and she says, sorry, Captain Hook, but I want
my magic back if I'm gonna help the myth makers
try to take over all seven of the aisles. So
she's got some evil mastermind plan.
Speaker 1 (30:10):
She's part of a cult. I knew she was a cunt.
Speaker 2 (30:13):
Meanwhile, Wendy is losing her fight with THEO. She asks
why he's doing this and he says Mareth the princess Fiance,
paid him and she wants power. He stabs her in
the shoulder, but then Rock comes in and snaps Theo's neck. Wendy, Rock,
and Asha all skidaddle out of the dungeons to go
find Hook. They find him swaying on his feet in
the foyer with Mareth and the Prince, and Mareth tells
(30:35):
Roc that Hook isn't leaving until he gives her the
power back. She pulls out her sacred dagger from earlier
and says, unfortunately he can't live and also give it back.
But Rock lunges for her, taking out a bunch of
the guards, and he starts to transform into his monster self. Yeah.
When he's fully in his monster form, he swallows Mareth
(30:55):
hole hell yeah, and then every single guard who tries
to stop him.
Speaker 1 (30:59):
So he is just challin.
Speaker 2 (31:01):
Yeah, He's got an all you can eat buffet right now.
He transforms back into a human and collapses on top
of Hook as the Prince lunges for them with his sword.
Hook shimmeys out from under Rock, grabs Mereth stagger, and
stabs the Prince until he's dead. Hook knows Rock will
be unconscious for a few days and tells Wendy and
Asha they all need to get on his ship. They
all carry Rock's body to the docks, and the ship
(31:22):
is there with Cherry aboard. Wendy and Cherry hugs since
they were friends before, and Hook tells his crew to
sail anywhere but never land. Then Rock, Wendy, and Hook
all curl up into bed to sleep off their crazy day.
A few days later, Rock wakes up while Wendy and
Hook are fast asleep, and he eats one of Hook's
crew members because.
Speaker 1 (31:40):
He woke up hungry. He had to.
Speaker 2 (31:42):
Hook wakes up to the commotion and screams that Rock
cannot do that, but Rock is saying that something is wrong.
Hook tries to grab Rock's arm, but he's incorporeal for
some reason and slides right through Hook's grip. Rock says
they need to find Vain right away, and they have
to sail to never Land end. Oh my god, now
we have to do the next one.
Speaker 1 (32:02):
We must. Oh my god, that.
Speaker 2 (32:05):
The tea so riley. How many red pepper emojis do
you give this one? I think I give this one
a four and a half.
Speaker 1 (32:12):
I really liked it. Yeah, who's sexier Rocker?
Speaker 2 (32:15):
Hook?
Speaker 1 (32:15):
Honestly Rock in my opinion? Yeah, I think so? Yeah,
the same he's just so mad. Yeah, I'm gonna fuckings.
Would you trade places with Wendy?
Speaker 2 (32:27):
This one doesn't sound as fun as like Winny, you know.
Speaker 1 (32:31):
A Winnie was getting it.
Speaker 4 (32:32):
Yeah, she was like.
Speaker 1 (32:35):
Winny, you have to read it. She gets kidnapped and
her immediate reaction is like you fuck love that?
Speaker 2 (32:42):
My god? Oh all right, So next week we're telling
Riley all about Red Rabbit by Devin Rivers, and we're
gonna have her look at the cover and give us
her best guess on what it might be about.
Speaker 1 (32:53):
I will say that if.
Speaker 2 (32:54):
You are planning on listening to that episode, please heed
the triggers. It is very trick heavy.
Speaker 3 (33:00):
Yeah, it's like a whole page of trigger warning.
Speaker 2 (33:02):
I don't fucking know. It's a cover obviously, that is.
And it says you shatter so beautifully. It looks like
blood or red paint all over it, and there's like
a red rabbit on it. I think this one will
be a human book, humans only, or rabbits or rabbits yeah,
rabbit people, if you will. It looks dark to me. Also,
(33:24):
last time we recorded, you said this was worse than
Hunting Adeline.
Speaker 1 (33:28):
I'm pretty sure is that crush?
Speaker 2 (33:30):
Yeah?
Speaker 1 (33:30):
Yeah, this is darker than Hunting Adeline.
Speaker 2 (33:32):
I am oh. So, I think we're gonna have a
female main character. She's gonna be broken, she's gonna be
battered and abused, and she's going to meet this man.
And this man is not going to be necessarily a
good person. He's going to be a man that does
bad things and she is going to get into khoots
(33:52):
with this man. She's not gonna do bad things. Maybe
she will. I don't think she will, though, And they're
gonna fuck. But he's gonna be kind of like I know,
we all love the bad romance, but sometimes they're like
low key abusive. But that's how he's going to be
to her. But she's going to love him either way.
But there's going to be an event that tears them,
not necessarily tears them apart, but there's going to be
(34:12):
an event that kind of decides their fate. You know,
he's going to have to do something really bad. She's
going to be like, oh my god, it can't be
a part of this. She's going to get sucked into it.
But they are going to live happily ever after. Maybe
not happily, but they'll stay together because they're trauma bonded.
Speaker 1 (34:28):
How did I do well? You are very vague, which
helped you?
Speaker 3 (34:32):
Yeah, I've learned, and I mean I'm only twenty five
percent and you were pretty spot on.
Speaker 1 (34:38):
Yeah, I will say you were close adjacent. I'll take
it all right.
Speaker 2 (34:43):
Well, if you liked this episode, make sure you rate, review,
and subscribe.
Speaker 4 (34:47):
Follow us on Instagram at smut up and listen podcasts
and on TikTok at smut up and listen. Tell your friends,
but not your mom, and we'll see you later. You
have morny little rats.
Speaker 2 (34:57):
Bye.
Speaker 1 (35:00):
The Beauty's Act, The
Welcome back, you horny little rats. It's time to smut
up and listen.
Speaker 2 (00:16):
Just a reminder for today's episode and all future episodes,
our opinions are subjective. We don't advocate for kink shaming
or author shaming. This is all in good smutty fun.
Enjoy and don't forget to check out patreon dot com
slash smut Up and listen to listen to the r
slash smut podcast, where Riley and I will be doing
blind reactions every Tuesday to Reddit eratica.
Speaker 3 (00:38):
Today's episode trigger warnings are violence, child abuse, talk of suicide,
and explicit sexual content.
Speaker 2 (00:45):
And I have an Apple review and this one comes
from Joshka fifty five and it says best smut podcast ever.
I've been listening to smut Up and Listen for quite
some time now, and I must say this is the
best podcast for smut readers. Funny, entertaining, and engaging. Every
episode makes me feel like I'm hanging out with my friends.
I also like that each host has different opinions on
(01:07):
the book, so this helps me decide whether I would
want to read or what I should anticipate from certain books.
I'm not gonna lie they're responsible for so many books
in my kindle. I like this podcast so much. I'm
following them everywhere on social media. Not like Dark Romance
MMC ten out of ten recommend for those who like casual,
smutty and fun podcasts.
Speaker 1 (01:27):
Thank you. That is such a nice review. Thank you
so much. What a darling.
Speaker 2 (01:33):
And this week we're telling Riley all about Devourer of
Men by Nikki Saint CrOx, which is a spin off
of the Vicious Lost Boys series, which Jenna has not read,
so she's going into this completely blind true story.
Speaker 1 (01:46):
And how many stars did you guys give it? On
good Reads? I give it a four.
Speaker 3 (01:50):
I was happy to be back in the same universe,
and I honestly think any type of mail on mail
action is going to give it an automatic four.
Speaker 1 (01:59):
Stars for me.
Speaker 3 (02:00):
Oh Brad, Yeah, as Jenna's heavy panting, I gave.
Speaker 1 (02:04):
It a five star.
Speaker 4 (02:06):
I loved it, Shelby. I am so surprised you did
not give it at least a four point five star.
Speaker 1 (02:11):
I wanted them to fuck more.
Speaker 4 (02:12):
Sorry, I mean, you're not wrong. You were so not wrong.
Speaker 1 (02:15):
It was hot, hot, hot, hot. We give it all
we got.
Speaker 4 (02:19):
I'll be thinking about this for a very long time.
Speaker 2 (02:22):
Jenna is besides herself. I gave it a four. I
thought the plot to smut Ratio is really good. I
love the universe. I loved the Vicious Loss boys. I
love Hook, I love rock. Yeah, ites good, really good,
really really good.
Speaker 1 (02:38):
Why not a five to them?
Speaker 4 (02:39):
I don't know.
Speaker 1 (02:39):
I've been stingy with my fives lately.
Speaker 3 (02:41):
Hook steps foot on Everland for the first time in
a really long time. It sinks of soot, piss, and
the energy is all off. So you know how the
islands have their own magic and their own energies while
something weird's going on on this one. He tells Cherry
to stay on the ship and leaves a handful of
men with her. The dock master tells them that the
(03:02):
island is the way it is because of the witches,
and he pays the dock master for a week to
dock the ship before taking off to go find what
he's looking for. Before he arrived, Same confirmed that Wendy
was in Everland and in the High Tower prison, but
he has doubts that she's still in prison after all
this time. But before he confirms it, he has to
(03:24):
formulate a plan. He goes to an inn called the
Royal Suit, and he gets a room for the night,
and he is very homesick, and he thinks about how
the crocodile Ak Rock could have beat him to Wendy already.
It's been seven days now, He's visited countless taverns and
has almost no money left, and no one has ever
heard of a Wendy Darling. He gets back to his
(03:46):
room at the Royal Suit, and just before he opens
the door, he steps on crushed peanut shells. And now
he's paranoid because remember, Rock would pop those in his
mouth all the time.
Speaker 1 (03:57):
Ooh, imagine him at Texas Road. He would.
Speaker 3 (04:03):
He opens his door, but his room is empty, and
he tells himself that when he sees Rock, he's gonna
kill him and be done with it. He tries to
stay up all night waiting because he knows he's going
to show up for him, but at some point.
Speaker 1 (04:16):
Exhaustion takes over.
Speaker 3 (04:17):
Rock has zero issue woes getting into Hook's room. He
watches Hook sleep.
Speaker 1 (04:22):
In the chair.
Speaker 2 (04:23):
As I sailed here, I plodded all of the ways
I'd make Captain Hook scream, But now that I'm standing
in front of him, a scream doesn't seem quite as
satisfying as a moon. Oh, and they were immortal enemies.
Speaker 3 (04:37):
He takes a seat and waits for Hook to wake up.
Once Hook wakes around midnight, he sees Rock immediately firing
a shot with his gun, but misses him. He steps
closer to Rock and sees the bold in his pants,
and then he sits back down in his chair.
Speaker 1 (04:52):
He says, I am sad. He admits to.
Speaker 3 (04:57):
Rock that Wendy isn't here and he's gotten zero leads.
But that's funny to Rock because he already has a
clue and he hasn't even been on the island that long.
He learned last night from a girl that her great
grandmother spent time in a tower cell with the windy darling.
Rock is supposed to meet her for more information in
one hour. He gets up to leave, but Hook stops him,
(05:17):
begging to join. Rock agrees, and they set off to
a tavern called the Tipping Well. When they arrive at
the tavern, Rock tells him there are rules at this tavern. Behave,
do not drink the wine, and never say thank you.
Speaker 2 (05:30):
Okay, hold him, I'm sorry, but these two.
Speaker 1 (05:33):
Guys mortal enemies.
Speaker 2 (05:34):
Yes, and then Hook just sees that Rock has a
bulge in his pants and he's like, okay, yeah, we
can work together.
Speaker 3 (05:40):
Well, I don't know if you remember from the last book.
They're mortal enemies, but there was like slight sexual tensions.
Speaker 1 (05:46):
Do you remember that?
Speaker 2 (05:48):
And they're both looking for the same person anyway, so
why not team up?
Speaker 1 (05:51):
I mean yeah, true, yeah, yam.
Speaker 2 (05:55):
He winks at me, swaps me on the ass and
steps inside. Uh you imagine hating someone so much and
then they just smack you in the ass. Yeah, and
you have like all this sexual tension between you, Like.
Speaker 1 (06:09):
I just make out with them. Yeah, I would have
make some emotions.
Speaker 2 (06:12):
It's like come here, get away from me, kiss, get
away one cnside.
Speaker 3 (06:20):
Hook immediately feels funny, and he describes it as everything
feels super good, and he is.
Speaker 1 (06:26):
Just really calm, but like euphoric.
Speaker 3 (06:29):
Yes, thank you, that's a great word.
Speaker 1 (06:32):
Oh my god, give me that feeling.
Speaker 3 (06:33):
Go to this bar, right, they find a table, get
their food order placed, and he can't help but notice
how sexy Rock is. And he's like, okay, he was
already sexy before, but like something is going on because
he's even more sexy, right, now. Rock explains the fay
magic in the tavern is making him feel this way,
(06:53):
but once Hook eats a second portion of his food,
the fame magic should slowly subside. He is still mesmerized
by Rock and how attractive he is to him, and
Rock starts making some sexual innuindows until the girl arrives.
The girl tells them about her grandmother's time in prison
and how Wendy was meant to be executed but refused
(07:14):
to die by hanging, so the viscount took her to
his house. He's dead now and she has completely disappeared.
The girl described it as on the hanging block or whatever,
once it opened and she fell down, Her neck didn't snap.
She just like sat there and struggled and just didn't
die for.
Speaker 1 (07:31):
Like an hour. They said, oh my god. Yeah.
Speaker 3 (07:34):
They ask if she knows anything else, and she says
that she does. If Rock wants to take her back
to her room.
Speaker 2 (07:40):
The captain is now glaring at her, Please accept my apologies.
I reach across the table and pat her hand. I
plan on fucking him tonight, so I must decline.
Speaker 1 (07:49):
Oh my god. Hook is like what, Oh.
Speaker 3 (07:52):
My god me A Hook is blushing and He's like, what, Nope, no,
that's not happening.
Speaker 1 (07:57):
You're not fucking me.
Speaker 2 (07:59):
But no.
Speaker 3 (08:01):
The girl leaves them, and they agree that it's odd
Wendy survived a hanging as a mortal because remember she's mortal,
she doesn't have any magic whatsoever, and that they should
look into the viscount's death. They leave, and they walk
aimlessly down the street when Hook is hit with a
club and three men try to rob them. It was
a mistake, though, because Rock gets to feast on these
(08:22):
three men because his time was taken.
Speaker 2 (08:25):
Ooh.
Speaker 3 (08:25):
Hook handles one of them, but gets knocked down with
a knife, and he panics at the side of his
own blood. I also don't know if you remember that
from the last books.
Speaker 1 (08:34):
Yes, I like vaguely remember that.
Speaker 3 (08:36):
But Rock grabs him and puts his mouth onto his
breathing life into him until there's no pain or panic.
Hook is shocked, and as soon as Rock opens his
mouth to suggest they leave, Hook takes advantage and starts
kissing him passionately.
Speaker 1 (08:50):
Huh and they were boys.
Speaker 3 (08:54):
Rock breaks the kiss, saying that they need to go
since there are three dead men by their feet. Hook
suggests his and Rock says.
Speaker 2 (09:01):
When's the last time you had a cock in your ass?
He scoffs, Why does that matter?
Speaker 1 (09:05):
You know why?
Speaker 5 (09:06):
Because I'll be fucking it here, That's what he's saying.
His expression softens with embarrassment. It's been a while. He
admits as a dot, I'll go easy on you. Then
I let go of his balls, and he sighs with relief.
You will be panting my name by the end of
the night.
Speaker 2 (09:20):
Oh my god.
Speaker 3 (09:21):
They get back to Hook's room and Rock lets him
take the lead. He tells Rock that he wants to
fuck his face, so Rock immediately gets on his knees.
He undoes his trousers and strokes himself before Rock demands
that he gets over there. He gets an amazing blowjob,
and then Rock grabs his balls.
Speaker 2 (09:37):
I'm going to nut in his fucking mouth, my mortal enemy,
and he's going to take it because I'm going to
make him. I'm a nut in his fucking mouth. Do that.
Speaker 3 (09:46):
He does, and Rock swallows every drop of it. When
he's done, he looks down to see that he's bleeding again,
and he faints.
Speaker 1 (09:52):
How embarrassing, literally is very embarrassing. Grow up.
Speaker 3 (09:56):
Rock carries him to bed and that's when he notices
that Hook leads black, so he has a secret of
his own. He gets materials to sow the wound, and
he wakes Hook up and gets to work sewing him.
He asks why Hook bleeds black, and Hook tells him
that a witch cursed him after his father caught him
with a servant. Rock finishes and tells him and arrest
(10:17):
and they'll find Wendy eventually, and then Roc leaves to
go eat some more because again time's up. He's got
to eat something. Hook is jolted awake from Rock kicking
the bed. He tells Hook he was followed back to
the room and they need to hurry and get dressed,
grab anything of importance before these people can catch them.
Hook hesitates too long, and then the door bursts open
(10:39):
and the Everland Royal Guard comes in handcuffing them both. No,
they're tossed into a carriage and chained up, and Hook
is fucking pissed. They are being taken to the castle
where they will meet the Queen. They get escorted to
her receiving room, where she waits in shadow so they
can't see her, and now Rock knows who she is.
(11:00):
She steps out of the Shadow and they're both shocked
to see Wendy Darling is the Queen of Everland.
Speaker 4 (11:06):
A bitch good for her. Wendy Darling is quaking that
they're here. There's only two people in this entire court
that she trusts. It's THEO and Asha, and Asher told
her not to go through with this, and looking at
these two men, she knew Asha was right, but says
had to see it for herself because remember Rock and James.
My notes, I put James, but it's Hook are mortal enemies.
(11:28):
Rock took James's hand for literally touching Wendy, so she's like,
there's no fucking way that they're here together. She knows
that she must get them out of Everland without Holly
seeing them, so she tells them that Wendy Darling is
dead and to basically kick Rocks and to leave. Internally,
she has so many questions like where's Peter Pan, the
Lost Boys, the Darling women and her baby.
Speaker 1 (11:50):
Yeah, gonna say, girl, what about your baby? Your baby's
an old woman. Now that baby's dead.
Speaker 3 (11:55):
That's like Wenny's great great grandma or whatever.
Speaker 1 (11:58):
Yeah, the bitch is dead. That bitch is long gong
resident peace.
Speaker 4 (12:02):
She tells THEO to escort them off this soil, and
Hook is drooling overseeing Wendy Darling again. She's hot, sexy,
and a fucking queen. As they're on their way to
the docks, they run into none other than the Crowned Prince,
who was Holly, so he's basically Wendy's steps on. He's
the epitome of an antagonist in the story, and his
(12:23):
character reminds me of Prince Jeoffrey from King of Thrones.
Speaker 1 (12:26):
Oh woo oo boo.
Speaker 4 (12:29):
I was reading this and I was just picturing a
little blonde bitch, literally a bitch. Knowing Wendy wanted these
two men off the soil, he told THEO that they
are now guests of this castle and they are to
join them for dinner tonight and to stay the night.
Not being able to refuse the Prince, they have no
other choice but to go along. Wendy finds her bestie
Asha and is just venting after seeing Rock and James,
(12:51):
and she was just surprised that they were surprised she
was there, as if they didn't know who she was
the queen or where she was. But still the sing
of betrayal live because she's thinking about how they abandon
her here at Everland, and she'll never have the answer
on why because she just sent them off the soil.
But Asha's like, oh, well, I just saw Holly walking
towards the docks, and she just gets up and starts
(13:12):
booking it because she knows the Holly's a fucking evil bitch.
So there's a little court drama because there's a circulating
rumor that Holly and Wendy are having an affair because
they look the same age and are often seen together
and shadowed alcloves, but in real life they're like whispering
at each other, like I fucking hate you, die bitch.
But people don't know that she had no choice in
(13:34):
the marriage with King hald which is her husband, and
he basically said marry me or die. But now he's
literally dying and she's in a doggy dog world by herself.
She pulls herself together after racing after him and walks
into the room where her steps in is. He tries
twisting the story of Rock and James visiting her in
front of the entire assembly that's watching them. He says
(13:55):
that those two men visited her private rooms earlier. This morning,
and she's like the ones that I had the Captain
of the Guard kickout, so he's trying to make her
look bad in.
Speaker 1 (14:03):
Front of the entire assembly. Ew what a little punk.
Speaker 4 (14:06):
Rock is in his room when James tries to enter,
but Rock has him locked out. When James finally enters,
James is frustrated as fuck and as Hella Brady that
he didn't get his way and get let in right away.
Speaker 2 (14:17):
And a Braddy captain has me feeling feelings I'd rather
not feel, like the desire to throw him onto the
bed and blow that frustration right off his face. A
new window fucking intended boys.
Speaker 4 (14:28):
Come on now, he wants to give some sloppy toppy dude.
James and Rock start talking business and they both agree
on one thing. Wendy is afraid of something and it
isn't one of them. They decided that they're going to
scope out things at dinner and try to get a
better picture of what's going on because there's something. Hella
fishy when he's in the King's chambers begging King Hal
(14:49):
to wake up because she feels like prey caught in
a web, and none other than Holly comes in, so
we get a little bit of a backstory. When Wendy
married Hall, Holly and Wendy were the same age as
we know, and King Hold was twice Wendy's age and
chronically ill. Then Hauld recovered and stopped aging, and that's
when whispers began that she was either a witch or
he struck a deal with the Fay. The king tried
(15:12):
saying that he was marked by the gods, even though
Holly never stopped believing that she was a witch, but
she didn't care because King Hold was going to outlive him.
And then all of a sudden, Holly stopped aging.
Speaker 1 (15:23):
Two damn it.
Speaker 4 (15:25):
So we're back to the present. Holly's telling her that
he heard her pathetic pleading, and he's like, it's because
you're a girl. That's why you can't run. You're not
meant to rule. And she's like, okay, you're a bitch.
Your dad literally made me heir to the throne. He
like rearranged rules, and he's like, my dad was crazy.
Speaker 1 (15:45):
That's why.
Speaker 4 (15:45):
Wendy and Asha are sparring, and as Wendy is distracted,
Asha ends up whacking her right in the face, causing
her to get a black eye. It crashes into Asha's
knuckles and silently Wendy takes Asha's injured hands in hers
and conjured up some healing magic.
Speaker 1 (16:01):
Oh Wendy, so the secret power is.
Speaker 4 (16:05):
What got her to become queen. She literally hung, like
we said, for over an hour, not dying because she
kept healing herself over and over again. Oh and then
King Hauld made her a deal to become his wife
and for her to dedicate her power to only him,
and he would make her queen. She healed him for
decades until one day it just stopped working, and then
(16:25):
within days he was bedridden, and then within weeks he
was comatose. Oh sad Hook is the first one to
arrive for dinner and is met with the Prince and
his betrothed, lady Mareth Shade. What a weird name, a
mere thing, but looks Hella familiar to him, and for
the life of him, he could not place it. She
tells him that he must have her mistaken with someone else,
(16:47):
but he has a snagging feeling that even though he
can't place it, he just feels like he knows her
from somewhere. But Rock literally knows everyone and their mama,
So maybe he'll just get to the bottom of it
once he sees her. Wendy arrives to dinner and we
find out that her new queen name is Queen wend
Lynn because they had to kill off Wendy Darling due
to it being tied to Peter Pan and her being
(17:08):
guilty by association if she was still known as Wendy Darling.
Fair enough, King Halt went as far as forging documentation
changing her name, saying that she was a distant cousin
of a queen, which made her fit to marry him.
And then finally, James walks in to dinner and he's
looking like a damn snack.
Speaker 2 (17:25):
James makes the required greetings, and then he spotted me
at the head of the hall, and the way he
looks at me, it's like he spotted land for the
first time in ages. My heart kicks up again, butterflies
fill my stomach. He makes his way to me with determination,
Your majesty, he bows. I noticed his arms are still
clasped behind him, hiding his hook. Does he worry about
frightening me? When we were together? He had both hands,
(17:47):
and by the gods, did he know how to use them.
James's touch was always gentle warm and passionate. By contrast,
Rock's touch was bruising and possessive. If I were a
respectable girl, I would say I preferred James's touch.
Speaker 4 (18:00):
But I am not.
Speaker 2 (18:00):
No, You're not girl.
Speaker 1 (18:02):
She's a slut, just like her granddaughter.
Speaker 2 (18:06):
Yeah.
Speaker 4 (18:07):
James goes to take his seat next to the empty
king seat, and Wendy's like, girl. If Holly's playing power moves,
then so can I. So she's like the King is
literally in a coma and is obviously not going to
be joining us for dinner. Please remove his chair so
there's not an unnecessary gap between me and my guess.
Holly's eye is literally twitching with anger, but the servants
(18:28):
do as she says, and James moves next to her.
Speaker 1 (18:30):
Are you being treated well? I ask him.
Speaker 2 (18:32):
He licks his lips. I remember kissing them. I remember
the tender way his mouth met mine, the hungry way
his tongue took a taste of me for the first
time in a very long time. There's a flash of
heat between my legs and it catches me so off guard.
Speaker 4 (18:45):
I blush, slutty, he's making her pussy?
Speaker 5 (18:47):
What yay?
Speaker 4 (18:49):
When she asks where Rock is and he doesn't immediately know.
She's a little relieved because she was a little envious
of the thought of them to bump and uglies without her.
But then to prove her theory wrong, Rock walks in
and James's entire body language changes and she's like, oh,
hell no. Then James tells her he's like, damn, he
(19:11):
looks good in his suit, and she's like, well, I'll
be damned.
Speaker 1 (19:14):
They really lock in.
Speaker 4 (19:15):
They make it through five courses, and then Rock asked
her for a little dance.
Speaker 2 (19:19):
Also, like immediately if he was like, oh, he looks
good in a suit, if I was her, I would
have been like, oh, you guys fucking oh. But like,
imagine you have two ex boyfriends and then like they
start fucking hot, like ugh, oh yeah, oh, let me
just get in the middle here.
Speaker 4 (19:37):
During their intimate dance, Rock wishes to know what Wendy's
afraid of, and she tells him he hasn't earned the
right to know. When he asks why, she tells him
straight up that he abandoned her when Pan left her.
Speaker 1 (19:48):
Here is that what you believe?
Speaker 2 (19:49):
With my hand firmly in his, I spin out to
the center of the circle with all the other women,
and then Rock twirls me back in. I asked you
to stay, he says, you refused me. You could off
James's hand. If a hand touches what's mine, then the
hand is mine too, and you were mine first. There's
still a smile on his beautiful mouth, but the look
in his eye has turned dark. He's got a point, Yeah,
(20:11):
he does.
Speaker 4 (20:14):
When she turns the narrative and asks about him and James,
he tells her she hasn't earned his secrets either.
Speaker 2 (20:19):
Yeah.
Speaker 4 (20:20):
She demands to know if he's with him, and he
tells her jealousy does not become her ew.
Speaker 2 (20:24):
I'd say, fuck, you tell me, but he's like flirting.
Speaker 4 (20:27):
He's like, oh, you're jealous, pooky.
Speaker 2 (20:30):
That pissed me right off. I'd say, you think that's funny.
Speaker 4 (20:35):
Rock is taken back that Wendy thinks that she's been
abandoned here and Peter Pan left out the very convenient
detail that he did, in fact not take her home
to the Mortal Realm and left her in Everland. After
the jealousy comment to Wendy Darling, she ran away dramatically,
and James asked what he said to upset her. He
tells her that she's just jealous of them too, and
they end up coming with a little plan. James is
(20:57):
to go console Wendy while Rock tries to find some
information about what's going on in the castle. He goes
to a place that has the most information and it's
the help. He meets a servant and pays her with
the faery bar, and she's reluctant to talk, but finally
starts yappin. She tells him all the tea of the
castle about how the king stopped aging when Wendy first
became queen, how the prince stopped as well, and the
(21:19):
rumors of the affair, and then the king started dying,
and the king changed the world code and made Wendy
the air.
Speaker 1 (21:27):
He's like loving the gossip. He's like, oh, shut up,
no way. So everyone thinks that Wendy is a witch.
Speaker 4 (21:35):
And as she's like babbling on and on about theories,
he hears a steady heartbeat of someone eavesdropping. He quickly
and quietly tiptoes towards it and pops out in the hallway,
but there's no one there.
Speaker 2 (21:47):
Hook is wandering the castle looking for Wendy and Rock.
When he stumbles across the Prince and his fiance, arguing
she's pissed that he'd invite Rock and Hook without consulting
her first. And now Hook is like, damn, maybe she's
not as meek as I originally thought, because when they
first encountered her, she was very.
Speaker 1 (22:02):
Much like, yes, sir, if it pleases you, sir. And
now she's like arguing back, yeah, girl, get him, and.
Speaker 2 (22:09):
The Prince is like, well, what do you want me
to do, and she says, go tend to your dying
father and leave the guests to me. Hook sneaks off
and goes to Rock's room and walks in without knocking.
Rock has just gotten out of the shower and is
dripping wet with just a towel on. Hook ignores his
raging boner and tells him what he just overheard, and
then he tells Roc to put some clothes on, and
Rock is like, okay, hold on, and he drops his towel.
(22:32):
Hook is like, quit toying with me. We're here for Wendy,
not for us, and Rock is like poor Klo's dose.
Speaker 1 (22:39):
Yeah, honestly, why not both.
Speaker 2 (22:41):
Hook is like, there is no us and Rock tells
him to tell that to his boner. Then he tells
Hook to shut the door, and he obeys, so Rock
tells him he's a good boy. They crash together in
a wild kiss, and Hook grabs Rock's dick. I squeeze
him at the base, then stroke downward, bringing my thumb
over his wet slit. He breaks the kiss, grabs my
hand and shoves my thumb into his mouth so I
(23:03):
can taste him. He's salty and sharp, salty and sharp
like cheddar ohungin. Rock throws him onto the bed and
they start rubbing weenies while he probes hooks butthole rubbing weenies.
Speaker 1 (23:17):
They are rubbing weenies.
Speaker 2 (23:18):
It's like scissoring, but for boys. Yeah, they're smushing them together.
Nice what a visual hot Go slow, I warn him,
I know how to fuck a tight ass, Captain, Yes, sir.
He leans over me, reaching into the small drawer of.
Speaker 1 (23:33):
The bedside table.
Speaker 2 (23:35):
As he does, his cock preces into me, and a burning,
raging desire has me gasping out of breath. I lift
my hips and fists us both oh like grabs our dicks.
I was like, excuse me, and the crocodile hisses in response.
He freezes halfway over top of me, his hands still
on the bedside table. Keep going, he tells me, his
(23:55):
voice a deep rasp. I jerk us both, and his
dick swells in my grip as he huffs a desperate breath.
Speaker 1 (24:01):
Oh my goodness.
Speaker 2 (24:02):
Then Rock brings out a bottle of lube, and Hook
tells him to do it bang his butt.
Speaker 1 (24:07):
Yeah, bang is But then he.
Speaker 2 (24:11):
Flips me over onto my stomach and I clutch at
the twisted blanket, losing myself in the sway of the
wave as the crocodile, my mortal enemy, presses his cock
into my ass.
Speaker 1 (24:22):
Enemies to lovers.
Speaker 2 (24:25):
Meanwhile, Wendy has been hiding in her secret room from
all the drama. When Asha comes in and tells her
Rock with snooping around the kitchens asking questions. She decides
to find the men and figure out why the hell
they came after her after all this time. She goes
to Hook's room, but it's empty, so she tries Rocks.
She hears grunting and thinks someone is fighting in there,
but when she opens the door, Rock is balls deep
(24:47):
and Hook, Oh my god, what would you do?
Speaker 4 (24:52):
Yeah? What would you do?
Speaker 1 (24:55):
Mind me? I'm just gonna make sure everyone's I got
a few holes.
Speaker 5 (25:00):
Ugh.
Speaker 2 (25:01):
Rock tells her to close the door and either join
them or watch from the chair. She's HELLI soaked and
also very confused. She's like, how about I leave?
Speaker 1 (25:10):
And Rock is like no.
Speaker 2 (25:11):
Hook gets up and grabs her hair, kissing her fiercely,
and tells her he's mister so much and if he
knew she was here with his child, he would have
saved her or died trying, because remember the child was hooks, Oh, yeah,
He's sorry he didn't come, but he's here now. Then
they start passionately kissing again, and her silk nightie falls
off her shoulder, so he takes a boob into his mouth.
(25:34):
She looks behind Hook and sees Rock standing there watching them,
and she wants them both right here, right now. Hook
slides her panties off and slams into her as Rock
tells him not to go easy on her. They're fucking hard,
and Rock grabs his trusty bottle of lube. I stroke
my cock from base ahead until it's rock hard and soaked.
I get in behind the captain, and as soon as
(25:54):
he senses the heat of my cock, he slows his thrusting,
widening his stance to give me his ass. I'm so
eager to stretch him open again. Precum is already beating
at the tip. The Captain and I weren't able to finish,
not before Wendy Darling burst into my room. Perfect fucking timing,
because now I get to watch her come while the
Captain comes, while his ass tightens around me, and I
(26:14):
fill him.
Speaker 1 (26:15):
Up the human centipede.
Speaker 4 (26:16):
Yeah.
Speaker 2 (26:17):
As he slides into Hook's ass, he thinks to himself,
he wasted so much time hating this man when he
could have just been fucking him instead. He shoves his
fingers into Hook's mouth and uses the spit as lube
to rub Wendy's clit, which makes her come hard. And
when he spills inside of her, his breathing heavy and stilted,
There's nothing in the world that could stop me from
joining him.
Speaker 1 (26:36):
I'm so fucking ready to fill him up. One hand wrapped.
Speaker 2 (26:39):
Around his throat, the other on his hip, I drive
into his tight wet ass and spill a load so
fucking big it'll be dripping out of him for days.
Speaker 1 (26:47):
Days that'd be so much.
Speaker 2 (26:50):
Come. After they all clean up, Wendy falls asleep and
the guys have a drink together, and Rock tells Hook
taking his hand as his biggest regret. He was afraid
Wendy would leave him for Hook, and he just react
out of that fear. Hook starts to think about how
he's starting to care for this monster, and his father's
voice plays in his head, telling him he's a stain
on the family name, so he gets up and says
he needs some air. Wendy wakes up a while later
(27:12):
to Rock and they start talking about how she can't
age or die. She says she doesn't know why, and
he tells her he has a theory. Just as he's
about to tell her, they hear bells and she's like,
oh no, the king is dead. They rush into the
hallway and find Asha and THEO, who tell her she
needs to get into hiding now. As they're getting her
(27:32):
to a secret passageway, THEO thumps Asha on the head,
knocking her out cold betrayal too timing bitch. He grabs
Wendy and brings her down to the dungeons, telling her
he's sorry, but she paid him more than Wendy ever
could and we don't know who she is. Is it
that cunt ass Stepson's wife. I don't know.
Speaker 1 (27:53):
Is she a cunt because she said let me handle
the guests.
Speaker 2 (27:56):
I don't know. Hook is caught up in the commotion
looking for Wendy, and when he runs smack dab into
the prince's fiance, she's holding a sacred dagger to defend
herself and accidentally slices his arm. She sees black blood
ooze out and orders the guards to seize this evil man.
Rock is also caught up in the chaos and sees
Asha lying unconscious on the ground. He shakes her awake
(28:18):
and asks what happened, and she's like, THEO hit me
in the head, and I think he took Wendy to
the dungeons. Wendy is about to be thrown into a cell,
but she's using the training she's gotten from Asha and
takes down two guards before grabbing one of their daggers
and lunging for Leo. Somehow, Hook escaped being taken and
is running through the village. It's Mayhem and he sees
a young boy crying and alone, and I think it's
(28:39):
like a toddler boy. He scoops the boy up and
helps him find his mother, who rips off her own necklace,
giving it to him, telling him he's a good man
who did a good deed. And I guess when he
was a child, his dad used to tell him, if
you do a bad deed, your blood will be black
because you're a bad person.
Speaker 5 (28:57):
Oh.
Speaker 1 (28:57):
So, as he looks at the star.
Speaker 2 (28:59):
Pendant, her voice repeats in his head telling him he's
a good man and he has an idea. He finds
a knife, cutting his arm to see what happens. His
blood is still black, and now he knows that his
father lied. His blood is black regardless if he's a
bad man or a good man. He runs back to
the castle to find Wendy and Rock, and he runs
into the princess fiance again, and this time he recognizes her.
(29:20):
She looks different, But this is the witch in the
woods his father brought him to. So this is the
witch that cursed him as a child.
Speaker 1 (29:27):
Oh my god.
Speaker 2 (29:28):
She leads him to a room in the castle where
she gets him a drink and tells him she received
a prophecy after being kicked out of lost Land that
the way home is by the hook. When Hook's father
brought him to see her as a child, she was like, okay,
they have something to do with that, and she gave
Hook some of her magic. Then he impregnated Wendy, which
also gave Wendy some of her magic as well. So
(29:48):
that's why Wendy can't die and she can heal. Oh
my god, because of Hooks, come magic, come powerful. Then
the room gets fuzzy and he falls. His drink was
spy and she says, sorry, Captain Hook, but I want
my magic back if I'm gonna help the myth makers
try to take over all seven of the aisles. So
she's got some evil mastermind plan.
Speaker 1 (30:10):
She's part of a cult. I knew she was a cunt.
Speaker 2 (30:13):
Meanwhile, Wendy is losing her fight with THEO. She asks
why he's doing this and he says Mareth the princess Fiance,
paid him and she wants power. He stabs her in
the shoulder, but then Rock comes in and snaps Theo's neck. Wendy, Rock,
and Asha all skidaddle out of the dungeons to go
find Hook. They find him swaying on his feet in
the foyer with Mareth and the Prince, and Mareth tells
(30:35):
Roc that Hook isn't leaving until he gives her the
power back. She pulls out her sacred dagger from earlier
and says, unfortunately he can't live and also give it back.
But Rock lunges for her, taking out a bunch of
the guards, and he starts to transform into his monster self. Yeah.
When he's fully in his monster form, he swallows Mareth
(30:55):
hole hell yeah, and then every single guard who tries
to stop him.
Speaker 1 (30:59):
So he is just challin.
Speaker 2 (31:01):
Yeah, He's got an all you can eat buffet right now.
He transforms back into a human and collapses on top
of Hook as the Prince lunges for them with his sword.
Hook shimmeys out from under Rock, grabs Mereth stagger, and
stabs the Prince until he's dead. Hook knows Rock will
be unconscious for a few days and tells Wendy and
Asha they all need to get on his ship. They
all carry Rock's body to the docks, and the ship
(31:22):
is there with Cherry aboard. Wendy and Cherry hugs since
they were friends before, and Hook tells his crew to
sail anywhere but never land. Then Rock, Wendy, and Hook
all curl up into bed to sleep off their crazy day.
A few days later, Rock wakes up while Wendy and
Hook are fast asleep, and he eats one of Hook's
crew members because.
Speaker 1 (31:40):
He woke up hungry. He had to.
Speaker 2 (31:42):
Hook wakes up to the commotion and screams that Rock
cannot do that, but Rock is saying that something is wrong.
Hook tries to grab Rock's arm, but he's incorporeal for
some reason and slides right through Hook's grip. Rock says
they need to find Vain right away, and they have
to sail to never Land end. Oh my god, now
we have to do the next one.
Speaker 1 (32:02):
We must. Oh my god, that.
Speaker 2 (32:05):
The tea so riley. How many red pepper emojis do
you give this one? I think I give this one
a four and a half.
Speaker 1 (32:12):
I really liked it. Yeah, who's sexier Rocker?
Speaker 2 (32:15):
Hook?
Speaker 1 (32:15):
Honestly Rock in my opinion? Yeah, I think so? Yeah,
the same he's just so mad. Yeah, I'm gonna fuckings.
Would you trade places with Wendy?
Speaker 2 (32:27):
This one doesn't sound as fun as like Winny, you know.
Speaker 1 (32:31):
A Winnie was getting it.
Speaker 4 (32:32):
Yeah, she was like.
Speaker 1 (32:35):
Winny, you have to read it. She gets kidnapped and
her immediate reaction is like you fuck love that?
Speaker 2 (32:42):
My god? Oh all right, So next week we're telling
Riley all about Red Rabbit by Devin Rivers, and we're
gonna have her look at the cover and give us
her best guess on what it might be about.
Speaker 1 (32:53):
I will say that if.
Speaker 2 (32:54):
You are planning on listening to that episode, please heed
the triggers. It is very trick heavy.
Speaker 3 (33:00):
Yeah, it's like a whole page of trigger warning.
Speaker 2 (33:02):
I don't fucking know. It's a cover obviously, that is.
And it says you shatter so beautifully. It looks like
blood or red paint all over it, and there's like
a red rabbit on it. I think this one will
be a human book, humans only, or rabbits or rabbits yeah,
rabbit people, if you will. It looks dark to me. Also,
(33:24):
last time we recorded, you said this was worse than
Hunting Adeline.
Speaker 1 (33:28):
I'm pretty sure is that crush?
Speaker 2 (33:30):
Yeah?
Speaker 1 (33:30):
Yeah, this is darker than Hunting Adeline.
Speaker 2 (33:32):
I am oh. So, I think we're gonna have a
female main character. She's gonna be broken, she's gonna be
battered and abused, and she's going to meet this man.
And this man is not going to be necessarily a
good person. He's going to be a man that does
bad things and she is going to get into khoots
(33:52):
with this man. She's not gonna do bad things. Maybe
she will. I don't think she will, though, And they're
gonna fuck. But he's gonna be kind of like I know,
we all love the bad romance, but sometimes they're like
low key abusive. But that's how he's going to be
to her. But she's going to love him either way.
But there's going to be an event that tears them,
not necessarily tears them apart, but there's going to be
(34:12):
an event that kind of decides their fate. You know,
he's going to have to do something really bad. She's
going to be like, oh my god, it can't be
a part of this. She's going to get sucked into it.
But they are going to live happily ever after. Maybe
not happily, but they'll stay together because they're trauma bonded.
Speaker 1 (34:28):
How did I do well? You are very vague, which
helped you?
Speaker 3 (34:32):
Yeah, I've learned, and I mean I'm only twenty five
percent and you were pretty spot on.
Speaker 1 (34:38):
Yeah, I will say you were close adjacent. I'll take
it all right.
Speaker 2 (34:43):
Well, if you liked this episode, make sure you rate, review,
and subscribe.
Speaker 4 (34:47):
Follow us on Instagram at smut up and listen podcasts
and on TikTok at smut up and listen. Tell your friends,
but not your mom, and we'll see you later. You
have morny little rats.
Speaker 2 (34:57):
Bye.
Speaker 1 (35:00):
The Beauty's Act, The
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