November 20, 2025 • 14 mins
#horrorstories #reddithorrorstories #ScaryStories #creepypasta #horrortales
#truecrime #crimeofpassion #fatalaffair #darksecrets #deadlyobsession In this fourth chapter, the fatal consequences of obsession and control reach their climax. Tensions between Beatriz and Óscar escalate to irreversible actions, and the true impact of jealousy, manipulation, and toxic passion becomes horrifyingly clear. This part exposes the final moments leading to tragedy, revealing the devastating effects of an affair fueled by obsession and power, leaving a lasting scar on everyone involved. horrorstories, reddithorrorstories, scarystories, horrorstory, creepypasta, horrortales, truecrime, crimeofpassion, fatalaffair, toxicrelationship, betrayalstory, darksecrets, shockingcrime, chillingevents, obsessiveaffair, murdercase, realcrime, loveanddanger, passionandmurder, tragicstory
#truecrime #crimeofpassion #fatalaffair #darksecrets #deadlyobsession In this fourth chapter, the fatal consequences of obsession and control reach their climax. Tensions between Beatriz and Óscar escalate to irreversible actions, and the true impact of jealousy, manipulation, and toxic passion becomes horrifyingly clear. This part exposes the final moments leading to tragedy, revealing the devastating effects of an affair fueled by obsession and power, leaving a lasting scar on everyone involved. horrorstories, reddithorrorstories, scarystories, horrorstory, creepypasta, horrortales, truecrime, crimeofpassion, fatalaffair, toxicrelationship, betrayalstory, darksecrets, shockingcrime, chillingevents, obsessiveaffair, murdercase, realcrime, loveanddanger, passionandmurder, tragicstory
Mark as Played
Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
Chains of obsession. The Trial of Beatrice Montiel, Chapter one,
the days before court. By the time the trial date
was announced, months had already passed since that bloody night
in the Montiel mansion, Yet the story hadn't faded. If anything,
the silence of waiting made the anticipation worse. Reporters were
(00:23):
camped outside the court house every morning, hoping for new
scraps of gossip. News anchors rehearsed the same lines about
the high profile murder case, while their audiences sipped morning coffee,
eager for updates, and neighbors, once too polite to talk openly,
now spoke without restraint. She was always unstable, muttered one,
(00:47):
I saw that boy with bruises, once whispered another. Money
blinds people. Nobody wanted to admit it. Everyone had an opinion.
Every noon. One wanted to believe they'd seen the storm coming.
The prosecution team, meanwhile, was building a monster of a case.
(01:09):
They had the physical evidence, sure, the knife, the fingerprints,
the blood trails, But what really tightened the noose were
the digital footprints, phone messages, emails, social media posts she
thought had disappeared. Each word told a story of obsession, intimidation,
and control an Oscar, even from beyond the grave. His
(01:32):
voice spoke through those messages, please for help, to friends,
desperate notes about wanting to escape, complaints about her jealousy.
It was all there, written in the digital ink that
Beatrice never expected anyone to read. Chapter two, the evidence
that screamed. When investigators cracked open her laptop and sinked
(01:55):
her phone, what poured out was chilling threats, disguised as reminders.
You owe me everything. Without me, you'd be nothing. Remember
where you came from. Do you really want to go
back there? If you ever think about leaving me, you'll
(02:15):
regret it. Oscar's replies told a different story. He tried
to sound calm, tried not to provoke her anger, but
between the lines there was fear. I'm tired, Beatrice. I
just need some space. Can't I see my friends without
(02:36):
you making a scene. I don't belong here. I'm not
like you, and you know it. Those little fragments became
the skeleton of the case. They showed a pattern, not
a single night of madness, but months of psychological warfare.
The prosecutors presented them as proof that her jealousy wasn't sudden.
(02:58):
It was simmering, boiling, and till the night had finally exploded.
Then there was the autopsy, cold, clinical words written on
official paper, but devastating in their clarity. Multiple stab wounds,
defensive injuries, blunt trauma. Not a quick attack, but a
sustained assault. The report destroyed any chance of claiming it
(03:21):
was an accident or self defense. Chapter three the prosecution's story.
When the trial opened, the lead prosecutor stood tall before
the jury and painted a picture as vivid as any
crime drama. This was not passion, This was not a
momentary lapse. This was control, control slipping through her fingers.
(03:45):
Control she refused to lose. When she realized Oscar wanted freedom,
she didn't let him walk away. She made sure he
never would. The jurors leaned in listening every detail mattered.
The prosecutor laid it out clearly. Beatrice discovered Oscar's plans
(04:05):
to leave. She confronted him that night, full of rage.
The fight escalated, and instead of stepping away, she armed
herself with a knife and unleashed her fury. The sheer
number of wounds proved it wasn't just one blow in panic.
It was deliberate, personal and meant to end his life,
(04:26):
and the motive jealousy mixed with resentment. She couldn't bear
the idea of him finding independence, let alone companionship elsewhere.
To her, Oscar wasn't a person, he was property. Chapter four.
The defense's attempt Beatrice. As lawyers had an impossible task.
(04:50):
They tried everything, painting her as emotionally fragile, suggesting she'd
had a nervous breakdown, implying Oscar might have provoked the fight.
At one point, they even floated the idea that she
had acted in self defense. But the problem was obvious.
The evidence didn't match the story. Self defense doesn't leave
(05:10):
a body covered in stab wounds. Nervous breakdowns don't explain
months of threatening texts. The jury wasn't buying it. When
the defense attorney argued she simply snapped, ladies and gentlemen.
This was a tragic accident, a moment of chaos, the
prosecutor shot back. Chaos doesn't last ten minutes. Chaos doesn't
(05:34):
leave fifteen wounds. Chaos doesn't come with a paper trail
of threats. Chapter five. The witnesses then came the witnesses,
the staff, the neighbors, even old acquaintances. One by one,
(05:55):
they stepped on to the stand, and with trembling voices
or cold precision, they disc described the monster behind the
glamorous smile. She treated him like a child when people
were watching, but like a possession when they were alone.
I once saw him with bruises. He said he fell.
I didn't believe him. She would buy him gifts after
(06:19):
every fight. It was always a cycle humiliation, anger, then bribery.
The most powerful moment came when prosecutors played a piece
of surveillance footage recovered from inside the mansion. No violence
was visible, but the tension was unmistakable. Beatrice towered over Oscar,
(06:39):
her finger stabbing the air, her voice sharp even through
the grainy audio. He stood small, shoulders hunched, nodding nervously
as she barked orders. The jurors saw it, they felt it,
the atmosphere of intimidation, the way her words cut deeper
than any knife. Chapter six, the verdict. The trial lasted weeks,
(07:05):
but by the end the outcome felt inevitable. When the
jury filed back into the room, the weight of silence
pressed on every chest. Beatrice sat stiffly, her hands clasped
on the defense table, eyes fixed on nothing, The four
person rose. The words came steady, final guilty, guilty of
(07:30):
first degree murder, no conditional terms, no second chances. The
judge's sentence followed life in prison without parole. Gasps rippled
through the room. For some it was relief, four others disbelief.
(07:51):
For Beatriz, it was the end of her empire. Chapter seven,
after the Fall. Once the sentence was handed down, the
world outside exploded with reactions. Headlines screamed from luxury to life.
Sentence Beatrice Montiel, the Fall of a Queen, Murder behind
(08:17):
the mansion walls. The mansion itself became a ghost house.
Police sealed it. Inventory teams cataloged every piece of furniture,
every painting, every bottle of expensive wine. Relatives of Beatrice surfaced,
arguing over her fortune, fighting for scraps of the wealth
she could no longer touch. But the real focus wasn't
(08:40):
on her possessions. It was on the bigger question, how
could a powerful, respected woman manipulate an eighteen year old
kid until it ended in murder. Civil groups used the
case to shine light on sugar relationships, on the risks
young people face when money and power blur the line
between opportunity and exploitation. Panels were held, articles were written,
(09:03):
and Oscar's name became more than a headline. It became
a symbol. Chapter eight The Family's grief. Oscar's family never
got their son back, but they fought to make his
voice heard. His mother, speaking through tears at a press conference,
said he only wanted a better life. He wanted chances
(09:27):
we couldn't give him. But no dream should end like this.
His siblings described the way he used to laugh, the
way he loved soccer, the way he dreamed of studying
one day. To them, he wasn't the victim. He was
just Oscar, Goofy, hopeful, stubborn, alive, and that's what hurt
(09:50):
the most. The trial gave them justice, yes, but no
sentence could replace what was stolen. Chapter nine. Then neighborhood
that changed. The neighborhood outside Mexico City where Beatrice had
lived would never be the same. It used to be
a place of prestige, quiet streets lined with tall gates
(10:12):
and lush gardens. But after the trial, when people drove
past her mansion, they didn't see wealth any more. They
saw crime tape, They saw obsession, they saw blood that
could never be scrubbed out. The aura of exclusivity cracked.
Some families even sold their homes. Uncomfortable living in the
(10:33):
shadow of infamy, The street name became shorthand for scandal.
The mansion sat empty, guarded by authorities, while vultures both
literal and metaphorical, circled around. Reporters snapped photos through the gates.
Lawyers filed claims, Auction rumors spread, but no one wanted
(10:56):
to live there. The air was poisoned. Chapter ten, The
Legacy of a case. In the end, the case of
Beatrice Montiel was more than just one murder. It became
a warning. It showed how power and balances aren't always
about age or gender alone. Sometimes they are about money,
(11:18):
about influence, about someone believing they can buy loyalty, affection,
or control. Oscar's story forced conversations. Parents warned their kids
about deals that seemed too good to be true. Journalists
wrote essays about the hidden dangers of transactional relationships. Activists
demanded more protections for vulnerable youth, and in the background,
(11:43):
the ghost of that trial lingered. Chapter eleven. Beatrice behind
bars from Queen of the Mansion to inmate number seventy
four twenty six. Prison stripped Beatrix of her jewelry, her
designer out there, her make up artists, and staff in
her cell. She was just another prisoner, living under strict
(12:06):
routines she once thought beneath her. Reports leaked about her behavior,
sometimes haughty, sometimes withdrawn, sometimes explosive. She still insisted to
anyone who'd listen that she'd been provoked, that she wasn't
the villain people painted her to be, But outside few
(12:26):
had sympathy left. Chapter twelve, The story that wouldn't die.
Even after the legal case closed, the fascination didn't. Documentaries
were pitched, Podcasts dissected every message, every video, every rumor
true crime. Fans debated late into the night. Was she
(12:48):
always dangerous? Or did jealousy push her over the edge?
Books were written, Tabloid covers resurfaced every anniversary. The name
Beatrice Montielle never really left the public consciousness. An Oscar's face, young, hopeful,
smiling in old photos became a haunting reminder of what
(13:10):
was lost. Chapter thirteen, the final reflection. The summer of
two thousand and eight ended with one story dominating conversations,
The murder that exposed the ugly side of luxury. The
glittering fantasy of expensive cars, parties, and travel had been
nothing more than a cover for something darker. A prison
(13:32):
built out of jealousy, control, and fear. Beatrice Montiel lost
her freedom forever, Oscar lost his life, and a community
lost its innocence, realizing too late that behind perfect lawns
and tall gates, monsters can hide in plain sight. The
court's sentence closed the case legally, but emotionally, the wound
(13:56):
stayed open for Oscar's family, for the staff whose stayed silent,
for the neighbors who ignored the signs, and for anyone
who believed money could erase pain. The lesson was simple, brutal, unforgettable.
When obsession mixes with power, the result is never love,
its destruction the end
Chains of obsession. The Trial of Beatrice Montiel, Chapter one,
the days before court. By the time the trial date
was announced, months had already passed since that bloody night
in the Montiel mansion, Yet the story hadn't faded. If anything,
the silence of waiting made the anticipation worse. Reporters were
(00:23):
camped outside the court house every morning, hoping for new
scraps of gossip. News anchors rehearsed the same lines about
the high profile murder case, while their audiences sipped morning coffee,
eager for updates, and neighbors, once too polite to talk openly,
now spoke without restraint. She was always unstable, muttered one,
(00:47):
I saw that boy with bruises, once whispered another. Money
blinds people. Nobody wanted to admit it. Everyone had an opinion.
Every noon. One wanted to believe they'd seen the storm coming.
The prosecution team, meanwhile, was building a monster of a case.
(01:09):
They had the physical evidence, sure, the knife, the fingerprints,
the blood trails, But what really tightened the noose were
the digital footprints, phone messages, emails, social media posts she
thought had disappeared. Each word told a story of obsession, intimidation,
and control an Oscar, even from beyond the grave. His
(01:32):
voice spoke through those messages, please for help, to friends,
desperate notes about wanting to escape, complaints about her jealousy.
It was all there, written in the digital ink that
Beatrice never expected anyone to read. Chapter two, the evidence
that screamed. When investigators cracked open her laptop and sinked
(01:55):
her phone, what poured out was chilling threats, disguised as reminders.
You owe me everything. Without me, you'd be nothing. Remember
where you came from. Do you really want to go
back there? If you ever think about leaving me, you'll
(02:15):
regret it. Oscar's replies told a different story. He tried
to sound calm, tried not to provoke her anger, but
between the lines there was fear. I'm tired, Beatrice. I
just need some space. Can't I see my friends without
(02:36):
you making a scene. I don't belong here. I'm not
like you, and you know it. Those little fragments became
the skeleton of the case. They showed a pattern, not
a single night of madness, but months of psychological warfare.
The prosecutors presented them as proof that her jealousy wasn't sudden.
(02:58):
It was simmering, boiling, and till the night had finally exploded.
Then there was the autopsy, cold, clinical words written on
official paper, but devastating in their clarity. Multiple stab wounds,
defensive injuries, blunt trauma. Not a quick attack, but a
sustained assault. The report destroyed any chance of claiming it
(03:21):
was an accident or self defense. Chapter three the prosecution's story.
When the trial opened, the lead prosecutor stood tall before
the jury and painted a picture as vivid as any
crime drama. This was not passion, This was not a
momentary lapse. This was control, control slipping through her fingers.
(03:45):
Control she refused to lose. When she realized Oscar wanted freedom,
she didn't let him walk away. She made sure he
never would. The jurors leaned in listening every detail mattered.
The prosecutor laid it out clearly. Beatrice discovered Oscar's plans
(04:05):
to leave. She confronted him that night, full of rage.
The fight escalated, and instead of stepping away, she armed
herself with a knife and unleashed her fury. The sheer
number of wounds proved it wasn't just one blow in panic.
It was deliberate, personal and meant to end his life,
(04:26):
and the motive jealousy mixed with resentment. She couldn't bear
the idea of him finding independence, let alone companionship elsewhere.
To her, Oscar wasn't a person, he was property. Chapter four.
The defense's attempt Beatrice. As lawyers had an impossible task.
(04:50):
They tried everything, painting her as emotionally fragile, suggesting she'd
had a nervous breakdown, implying Oscar might have provoked the fight.
At one point, they even floated the idea that she
had acted in self defense. But the problem was obvious.
The evidence didn't match the story. Self defense doesn't leave
(05:10):
a body covered in stab wounds. Nervous breakdowns don't explain
months of threatening texts. The jury wasn't buying it. When
the defense attorney argued she simply snapped, ladies and gentlemen.
This was a tragic accident, a moment of chaos, the
prosecutor shot back. Chaos doesn't last ten minutes. Chaos doesn't
(05:34):
leave fifteen wounds. Chaos doesn't come with a paper trail
of threats. Chapter five. The witnesses then came the witnesses,
the staff, the neighbors, even old acquaintances. One by one,
(05:55):
they stepped on to the stand, and with trembling voices
or cold precision, they disc described the monster behind the
glamorous smile. She treated him like a child when people
were watching, but like a possession when they were alone.
I once saw him with bruises. He said he fell.
I didn't believe him. She would buy him gifts after
(06:19):
every fight. It was always a cycle humiliation, anger, then bribery.
The most powerful moment came when prosecutors played a piece
of surveillance footage recovered from inside the mansion. No violence
was visible, but the tension was unmistakable. Beatrice towered over Oscar,
(06:39):
her finger stabbing the air, her voice sharp even through
the grainy audio. He stood small, shoulders hunched, nodding nervously
as she barked orders. The jurors saw it, they felt it,
the atmosphere of intimidation, the way her words cut deeper
than any knife. Chapter six, the verdict. The trial lasted weeks,
(07:05):
but by the end the outcome felt inevitable. When the
jury filed back into the room, the weight of silence
pressed on every chest. Beatrice sat stiffly, her hands clasped
on the defense table, eyes fixed on nothing, The four
person rose. The words came steady, final guilty, guilty of
(07:30):
first degree murder, no conditional terms, no second chances. The
judge's sentence followed life in prison without parole. Gasps rippled
through the room. For some it was relief, four others disbelief.
(07:51):
For Beatriz, it was the end of her empire. Chapter seven,
after the Fall. Once the sentence was handed down, the
world outside exploded with reactions. Headlines screamed from luxury to life.
Sentence Beatrice Montiel, the Fall of a Queen, Murder behind
(08:17):
the mansion walls. The mansion itself became a ghost house.
Police sealed it. Inventory teams cataloged every piece of furniture,
every painting, every bottle of expensive wine. Relatives of Beatrice surfaced,
arguing over her fortune, fighting for scraps of the wealth
she could no longer touch. But the real focus wasn't
(08:40):
on her possessions. It was on the bigger question, how
could a powerful, respected woman manipulate an eighteen year old
kid until it ended in murder. Civil groups used the
case to shine light on sugar relationships, on the risks
young people face when money and power blur the line
between opportunity and exploitation. Panels were held, articles were written,
(09:03):
and Oscar's name became more than a headline. It became
a symbol. Chapter eight The Family's grief. Oscar's family never
got their son back, but they fought to make his
voice heard. His mother, speaking through tears at a press conference,
said he only wanted a better life. He wanted chances
(09:27):
we couldn't give him. But no dream should end like this.
His siblings described the way he used to laugh, the
way he loved soccer, the way he dreamed of studying
one day. To them, he wasn't the victim. He was
just Oscar, Goofy, hopeful, stubborn, alive, and that's what hurt
(09:50):
the most. The trial gave them justice, yes, but no
sentence could replace what was stolen. Chapter nine. Then neighborhood
that changed. The neighborhood outside Mexico City where Beatrice had
lived would never be the same. It used to be
a place of prestige, quiet streets lined with tall gates
(10:12):
and lush gardens. But after the trial, when people drove
past her mansion, they didn't see wealth any more. They
saw crime tape, They saw obsession, they saw blood that
could never be scrubbed out. The aura of exclusivity cracked.
Some families even sold their homes. Uncomfortable living in the
(10:33):
shadow of infamy, The street name became shorthand for scandal.
The mansion sat empty, guarded by authorities, while vultures both
literal and metaphorical, circled around. Reporters snapped photos through the gates.
Lawyers filed claims, Auction rumors spread, but no one wanted
(10:56):
to live there. The air was poisoned. Chapter ten, The
Legacy of a case. In the end, the case of
Beatrice Montiel was more than just one murder. It became
a warning. It showed how power and balances aren't always
about age or gender alone. Sometimes they are about money,
(11:18):
about influence, about someone believing they can buy loyalty, affection,
or control. Oscar's story forced conversations. Parents warned their kids
about deals that seemed too good to be true. Journalists
wrote essays about the hidden dangers of transactional relationships. Activists
demanded more protections for vulnerable youth, and in the background,
(11:43):
the ghost of that trial lingered. Chapter eleven. Beatrice behind
bars from Queen of the Mansion to inmate number seventy
four twenty six. Prison stripped Beatrix of her jewelry, her
designer out there, her make up artists, and staff in
her cell. She was just another prisoner, living under strict
(12:06):
routines she once thought beneath her. Reports leaked about her behavior,
sometimes haughty, sometimes withdrawn, sometimes explosive. She still insisted to
anyone who'd listen that she'd been provoked, that she wasn't
the villain people painted her to be, But outside few
(12:26):
had sympathy left. Chapter twelve, The story that wouldn't die.
Even after the legal case closed, the fascination didn't. Documentaries
were pitched, Podcasts dissected every message, every video, every rumor
true crime. Fans debated late into the night. Was she
(12:48):
always dangerous? Or did jealousy push her over the edge?
Books were written, Tabloid covers resurfaced every anniversary. The name
Beatrice Montielle never really left the public consciousness. An Oscar's face, young, hopeful,
smiling in old photos became a haunting reminder of what
(13:10):
was lost. Chapter thirteen, the final reflection. The summer of
two thousand and eight ended with one story dominating conversations,
The murder that exposed the ugly side of luxury. The
glittering fantasy of expensive cars, parties, and travel had been
nothing more than a cover for something darker. A prison
(13:32):
built out of jealousy, control, and fear. Beatrice Montiel lost
her freedom forever, Oscar lost his life, and a community
lost its innocence, realizing too late that behind perfect lawns
and tall gates, monsters can hide in plain sight. The
court's sentence closed the case legally, but emotionally, the wound
(13:56):
stayed open for Oscar's family, for the staff whose stayed silent,
for the neighbors who ignored the signs, and for anyone
who believed money could erase pain. The lesson was simple, brutal, unforgettable.
When obsession mixes with power, the result is never love,
its destruction the end
Popular Podcasts
Las Culturistas with Matt Rogers and Bowen Yang
Ding dong! Join your culture consultants, Matt Rogers and Bowen Yang, on an unforgettable journey into the beating heart of CULTURE. Alongside sizzling special guests, they GET INTO the hottest pop-culture moments of the day and the formative cultural experiences that turned them into Culturistas. Produced by the Big Money Players Network and iHeartRadio.
Crime Junkie
Does hearing about a true crime case always leave you scouring the internet for the truth behind the story? Dive into your next mystery with Crime Junkie. Every Monday, join your host Ashley Flowers as she unravels all the details of infamous and underreported true crime cases with her best friend Brit Prawat. From cold cases to missing persons and heroes in our community who seek justice, Crime Junkie is your destination for theories and stories you won’t hear anywhere else. Whether you're a seasoned true crime enthusiast or new to the genre, you'll find yourself on the edge of your seat awaiting a new episode every Monday. If you can never get enough true crime... Congratulations, you’ve found your people. Follow to join a community of Crime Junkies! Crime Junkie is presented by audiochuck Media Company.
Stuff You Should Know
If you've ever wanted to know about champagne, satanism, the Stonewall Uprising, chaos theory, LSD, El Nino, true crime and Rosa Parks, then look no further. Josh and Chuck have you covered.