June 2, 2025 • 43 mins
Astrid and Forte have a deep conversation, and the archive team does their thing.
Mark as Played
Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
I don't.
Speaker 2 (00:05):
Yeah, and uh, show what are we calling you? So
they don't get your name? I don't remember Shant Shant
that's right, okay, No.
Speaker 3 (00:17):
Shant was my father. Oh right, right, it was shn
Shen Solaris.
Speaker 2 (00:28):
Okay, so one of the lights goes out in the mask, gotcha? Yes, okay,
so Shin and uh, I guess you guys can call
me Joe bag of donuts.
Speaker 3 (00:43):
Joe, oh, Jilly bag of donuts.
Speaker 2 (00:47):
Yeah, yeah, just for now. I'll come up with something
better later. Uh, anyway, can if we can get to
Jason and uh, then we can get on with with
our thing. I know, uh uh, asterids really concerned with
losing track of what they're looking for. I think it's
in I think it's in Merca.
Speaker 3 (01:07):
I mean I knew here, you tell me, AMRCA.
Speaker 2 (01:11):
I think so it's it's relatively close, but in a
different plane.
Speaker 4 (01:19):
Yeah, I mean we can.
Speaker 2 (01:25):
Yeah, it's changed. Oh, no, better, right? I doubt that.
When is anything we've done. When is anything we've ever
dealt with change for the better before we got there?
Speaker 1 (01:42):
Mm hmmm.
Speaker 2 (01:43):
So it's it's they're making it great again. Okay, awesome, fantastic,
it will be great when we get there.
Speaker 3 (01:49):
Then sounds absolutely harmless.
Speaker 1 (01:52):
Mm hmm.
Speaker 2 (01:56):
Sure it's got nothing to do with anyone named drunk.
All right, so I take it. We go to Jason's
office them.
Speaker 5 (02:06):
Yeah, here, you go to Jess's office.
Speaker 2 (02:08):
Okay, there it is.
Speaker 4 (02:11):
He might be out right now, but i'll it.
Speaker 2 (02:14):
Yes, Okay, where would the charter be at?
Speaker 1 (02:24):
That would be down in the arcave?
Speaker 2 (02:28):
Okay?
Speaker 6 (02:30):
Cool?
Speaker 2 (02:30):
All right? So who wants to wait for? Does anybody
want to wait for Jase and like me, I can
go down to the files? Or does anybody want to
come with me? How do we want? How do we
want to play this?
Speaker 1 (02:48):
I don't want to split up? Oh okay, I'm in
charge of you guys.
Speaker 3 (02:52):
Keep a note on the door.
Speaker 2 (02:56):
Under the door, that's a better idea. Yeah? Do I
have any idea? Yeah? Do we have any idea of
what languages Jay speaks?
Speaker 7 (03:11):
Like?
Speaker 2 (03:11):
Do I know if Jace will be able to speak
like draconic or anything?
Speaker 5 (03:16):
In your interactions with him, you notice that he's he's
a powerful enough person that he could probably use a
spell at least to read just about any language. Okay,
I you know, like he's the type of guy who
can freely open portals. Yeah, it's nothing, so you would
(03:39):
be able to imagine that he could He could probably
get it if you wrote it in French or whatever.
Speaker 2 (03:44):
Okay, I write down, I make a note, says uh Jace,
and this isn't draconic. Jace Astrod needs you at Airbnb
of sir Cornelia parentheses, corn dog A S A P.
(04:06):
Thanks and like Randrel written in like big fancy script,
but in draconic because Rangel doesn't know how to sign
his name.
Speaker 3 (04:14):
Quietly, May I add something to it as well? Sure?
What I'm gonna was gonna write enjoy the candy, love
Shen and I'm gonna put the candy.
Speaker 2 (04:25):
In okay, ombro anything.
Speaker 6 (04:30):
Yeah, I just wanted to really quick correct. It's actually
corn dog is with a D A W G.
Speaker 7 (04:37):
Right.
Speaker 2 (04:38):
Sorry sorry, sorry, yeah, okay, but it's spelled yeah, okay,
scratched it out corn dog corn dog Yeah all right.
Speaker 5 (04:46):
And then you slide the you slide the you said
the letter underneath his door, and the candy was on
top of the letter, and it just it it stays
on your side of the door because it's too thick.
Speaker 2 (05:03):
He'll know when you read the door.
Speaker 3 (05:06):
He'll see the candy in front of the door, and
then he'll read the letter and they'll go, okay, that candy.
Speaker 2 (05:10):
Me exactly, okay, piece candy. Yeah, okay.
Speaker 3 (05:18):
Trying to ingratiate myself with people. I'm looking for a job.
Speaker 2 (05:22):
Yeah, Umbra, Actually, do you want to try to like
change form and hang out here as somebody? Or do
you want to go with us? How do you? How
do you want to do this?
Speaker 1 (05:30):
I mean, yeah, I definitely want to go with you.
Speaker 3 (05:32):
Okay?
Speaker 1 (05:34):
Do you think what does this not look authoritative?
Speaker 2 (05:36):
Like authoritative? I'm just like you know, have.
Speaker 3 (05:40):
You tried a Van Dyke?
Speaker 1 (05:43):
Ooh, a number strokes as mustache?
Speaker 5 (05:48):
I have?
Speaker 2 (05:48):
Okay, not right now because it'll be obvious, but next
time van Dyke.
Speaker 1 (05:53):
For sure, next time I need to cough.
Speaker 3 (05:56):
Yeah, yeah, you're.
Speaker 2 (05:57):
Popping up a Van Dyke. That's going to be bad.
Speaker 3 (06:01):
Wait wait a minute, I may have something to complete
the professorial ensemble. I was going to reach into his
bag and plot an old pipe and he's gonna handle
pipe over. We're distinguished.
Speaker 2 (06:15):
When I come back, I want you in a corduroy
jacket with leather, leather elbows.
Speaker 1 (06:22):
Oh my god, yes, this is all happening.
Speaker 2 (06:25):
So oh, I know, but like you are, dude, the
level of people of people you can hit on has
just like gone up.
Speaker 3 (06:33):
Beware of a power imbalance.
Speaker 2 (06:36):
Though, or like yeah, I'm just saying like you're this
is just a school still. Yeah, I know, and now
you look like the hot smart guy.
Speaker 1 (06:48):
Yeah, I'm afraid I'm skewing too far professory for well whatever.
Speaker 2 (06:53):
I think it's you never know until you.
Speaker 1 (06:56):
We'll see how it works. First thing I need to
do is get my fucking mouth under control. Did you
guys hear me back there? Bourbon George Ormog the girl
instead of Jesus?
Speaker 3 (07:07):
Why do you think I gave you a pipe and
shut the fuck up?
Speaker 1 (07:11):
No, honestly, this is perfect.
Speaker 6 (07:13):
Anytime I want to like those intrusive thoughts come and
say like, oh you should see some DRM ship, I'm
just gonna like.
Speaker 1 (07:21):
Puff on this.
Speaker 3 (07:22):
Hey, And if you look on the pipe, you see
my signature. That's an original just for you.
Speaker 1 (07:28):
Oh you have that weird backwards script like that? Okay, okay, yeah,
I see it now, I see it.
Speaker 2 (07:35):
All right, let's go see if we can find the
charter everything shift?
Speaker 5 (07:40):
Is it written like like Tolkien? Style, but like people
would know your name with it.
Speaker 3 (07:45):
It's like the cool S, but with like with like
an extra like border around it and an arrow going
through it. Oh, that that's my signature.
Speaker 5 (07:59):
Yeah yeah, but people would be able to read it
and know your name.
Speaker 3 (08:03):
No, no, it's it's more like an obscure symbol that
gets people talking, like I don't have to explain marketing
to you. This isn't that kind of show.
Speaker 5 (08:11):
It's like prince know but but but you are dealing
with the Fay right now.
Speaker 3 (08:20):
Oh that's that's a good question, like is it? Oh
you know what? Yeah, that that's how I sign my name.
Let's do it. Let's do it all right.
Speaker 1 (08:34):
Anyway? Cool pipe? Thanks exactly.
Speaker 3 (08:38):
H I always go for the worst decisions.
Speaker 1 (08:42):
Did forget about the fay aspect of thing?
Speaker 7 (08:45):
God?
Speaker 8 (08:46):
Damn it?
Speaker 3 (08:47):
Oh that's gonna be fun. Oh that's a shen celarcer
Now I'm gonna get.
Speaker 5 (08:55):
I'm gonna take a knife and try to like make
the the A into an E or something.
Speaker 3 (09:00):
Here here I have a little wood pick and I
just like throw another arrow through it. So yeah, yeah, yeah.
Speaker 1 (09:10):
Oh yeah, it's clearly a good thing.
Speaker 3 (09:12):
We remember the sh Thank you, DM. For saving my house.
Speaker 5 (09:20):
I am going to ask you to make a.
Speaker 1 (09:25):
I don't thank him yet, make a.
Speaker 5 (09:29):
I guess sleight of hand check, okay, because you're writing
something uh ten? Ten? Okay?
Speaker 7 (09:38):
Cool?
Speaker 3 (09:39):
So cool?
Speaker 5 (09:40):
Cool as in I'm just I'm just marking at as cool.
Speaker 3 (09:44):
It's a surprise tool when you look.
Speaker 5 (09:46):
At When you look at it, it it the ford,
the extra forgery that he added to it. To somebody
just glancing at it, it would probably look cool at
the glands. But you do notice that the angles a
little bit off and the cut is a little deep
(10:07):
for like the carving on it, So if somebody were
to pay too much attention to it, they would know
that it's been tampered with.
Speaker 2 (10:15):
Are we talking about the pipe still?
Speaker 3 (10:18):
Yes?
Speaker 2 (10:18):
Okay, Sorry I had to step away for a second.
I came back and we're still on the pipe. Awesome.
Speaker 5 (10:23):
No, no, no, no, okay?
Speaker 2 (10:25):
Are we are we walking.
Speaker 5 (10:27):
To edit his name on the pipe and he didn't roll? Great?
Speaker 2 (10:32):
Okay, No, we're girts.
Speaker 1 (10:35):
We could just rub the whole thing off. You would
really the signature?
Speaker 3 (10:40):
What we just rub me off?
Speaker 1 (10:42):
What do we just change I mean for the right price, what.
Speaker 2 (10:46):
Do we change it from saying shall with one L
to shall not pass.
Speaker 5 (10:52):
I mean he basically tried to do that and he
didn't do a great job. Okay, hey, but like when
you go to the when you go to like the
antique store, and there's obviously been like a year chiseled
into the bottom of something that wasn't there originally.
Speaker 2 (11:10):
Uh huh yeah.
Speaker 6 (11:12):
Yeah, so okay, whatever, this seems fine. Also, I've got
the pipes of anything. They'll think that's my name and
they'll be wrong.
Speaker 2 (11:22):
That's true. Okay, So good thing.
Speaker 3 (11:25):
We're saying this out loud in a faan chance at school.
Speaker 2 (11:29):
Yeah, around a bunch of stoned people. Let's let's move on.
Speaker 1 (11:32):
Let's that's right, Shin, Let's.
Speaker 3 (11:35):
See yeah, keep it moving, that's right, Umbert.
Speaker 1 (11:41):
All right, Oh that's me.
Speaker 2 (11:45):
So we we're by ourselves, like Chandra's gone, I am.
Speaker 5 (11:50):
Yeah, you guys are by yourself. Just let you do.
Speaker 3 (11:53):
You should just watch the whole thing. It would have
been funny.
Speaker 2 (11:58):
So once you're like past the secretary, past the secretary
and headed down toward the basement, ra Handrell, just all right,
I guess I don't know a lot about like recording
in this whole dating thing. You're trying umbra, but after
seeing Chandra, I'm vaguely interested in the idea all of
(12:19):
a sudden.
Speaker 1 (12:21):
Oh wow, Well I could teach you, but i'd have
to charge. Yeah, this milkshake ain't free. Do you want
to learn from the master, the guy who you've clearly
seen making all the ray moves?
Speaker 7 (12:41):
Look?
Speaker 2 (12:41):
Well, how about i'll take notes later. Yeah, I'll take
notes later.
Speaker 1 (12:46):
Okay, Okay, I get a friend discount.
Speaker 5 (12:48):
Anyway, as you guys are heading down to the to
the basement, I want to switch it back to the
Airbnb with.
Speaker 8 (12:58):
I think, God, oh, this is gonna be a different conversation.
Speaker 6 (13:10):
Hm.
Speaker 8 (13:13):
So so I'm gonna lock it in. I'm gonna lock
it in. The pipe ship Asterid is still holding that spell,
the location and spell. There's still that sort of smoke
coming off her eyes have that rutilated quartz sort of
(13:36):
overtaking it, and she looks to a Forte. I think
we need to talk. I think I think you need
to hear something. I guess I think I've made a mistake.
I've been thinking letter as this sort of isolated tumor
(14:01):
that's contained. That's not it is it? It's cancer and
it's spreading.
Speaker 4 (14:11):
Yeah, and.
Speaker 8 (14:15):
A couple of things are coming together, my friend. These
chains would have been broken in you for quite a while,
quite literally. I haven't checked in on you in a minute.
You haven't been smoking, your arcing focus, your magic has
been changing to I'm not the only one you knew
(14:35):
about the back's gold, cara of us and the ring.
That's wrong. Things are coming together and you just there's
this flicks of this disappointment and this concern all over
her face. Something is off. So I'm gonna ask what
(14:56):
percentage of you, of our forte is still in there.
Speaker 4 (15:06):
When something like Eloy Amber or you happens, which is
the major with the party, it fluctuates, I'll say, as
of recent it's if it's something like I just said,
then it's probably like sixty forty. Otherwise, if it's if
(15:28):
I can't luck in, it's the other way around. Okay,
So but I am. I'm still trying.
Speaker 8 (15:38):
I know, I know, but I'm worried on the days
that it's sixty forty that just stop trying.
Speaker 4 (15:44):
I'll never stop trying. There's stuff that when he's in
he has more influence. I don't mind, Like with you
on purpose.
Speaker 8 (15:55):
I, okay, so he's actively I don't understand then why
having care about son is a good idea.
Speaker 4 (16:08):
When I proposed it, I thought the help from him
had had been helping since there was like a third
forced kind of in the mix because they're not really
on the same side, so I figured he had a
stake in it somehow. But er since he came back,
I actually have no idea that the ring has been
(16:31):
I don't know, I I don't know.
Speaker 8 (16:37):
I just I think I felt I needed to say
this because it's been we haven't checked in on that,
and it is a ticking time.
Speaker 4 (16:45):
I mean, absolutely, you.
Speaker 8 (16:49):
Are still fighting. Yes, inside check.
Speaker 5 (16:55):
Okay, that is twenty.
Speaker 4 (16:59):
Four Forte is telling the truth.
Speaker 1 (17:03):
Okay, all right, he will.
Speaker 4 (17:05):
After after seeing you doing something. Who'll be like, I
know you're disappointed with the way that umbre kind of
kicked his ass in my dream. You have to understand
that even when I was an all powerful vampire, I
still had someone control of me that was my dad.
(17:27):
Now that I'm kind of free of him, ish, I
now have something else that kind of rules over me,
and I'm kind of tired of it. So I'm not
gonna step fighting. But I'm a bit exhausted, right, Okay.
Speaker 8 (17:41):
I didn't want to make it seem like I thought
you would give up. But I worry on the days
that it's sixty percent lefter that he'll find a way
to make you give up.
Speaker 4 (17:53):
I have an idea to try to find him if
he actually really takes over, if I can't help it.
But I am trying less and less to let my
guard down.
Speaker 8 (18:04):
You know we're here to help you keep that guard up.
You don't have to you quite literally don't have to
fight this alone. Maybe inside of you, but we're outside.
I'm here, We're all here.
Speaker 4 (18:20):
One of the first times you tried talking to me
like this. I don't think it will surprise you to
say that if we try to meddle with it too much,
you might piss him off, and I'm worried that it'll escalate.
So while I appreciate you being here, it's you being
here that worries me.
Speaker 1 (18:36):
Does that make sense?
Speaker 7 (18:39):
Oh?
Speaker 8 (18:41):
Oh, I'm making it worse.
Speaker 4 (18:45):
You're not making it worse. I just I worry. It's
like being within in a bad relationship. This is a
talk to relationship. I'm worried that someone else saying stuff
or me saying stuff will piss off the other person
so much that it'll create a scene. And it's not
your fault, it's my fault.
Speaker 8 (19:04):
It's not you, it's me exactly with lecter. And is
that why should I not be? Does it? Am I
listening this response?
Speaker 3 (19:17):
Or is he?
Speaker 8 (19:19):
Is this why you haven't we haven't talked about that?
What happened at the market. She finally just blurts out
like a teenager.
Speaker 4 (19:29):
Uh, do you remember what I said about me letting
down my defenses.
Speaker 8 (19:36):
That you can't.
Speaker 4 (19:39):
Well that that got my defenses down, and that's when
the shift happened. Okay, it's not your fault, it's mine.
Speaker 8 (19:49):
Oh okay, yeah, yeah, that makes sense. That makes sense.
That makes sense. Is why would it be anybody's fault?
I have the the flickers of the ash, the the
magic of the ash just kind of clouds around. Asked
it a little bit to obscure her. No, I totally
get that makes sense, but also still genuinely very worried
(20:10):
about you. I'm gonna I'm gonna focus on making this portal.
How long have they been gone for?
Speaker 2 (20:20):
Uh?
Speaker 4 (20:21):
For a while. I I we just rested so I
can catch clairvoyance to see where they're at if you want.
Speaker 8 (20:27):
Like, that's the other that's the magic that I'm worrying
about though, that's valid. That's new, any of that sort
of spying on people magic. You know how I feel
about that in the brain magic. You're the only one
I trust to have that sort of like talk to
me in my mind thing.
Speaker 4 (20:46):
Yeah, I've been trying to do it less and less.
Speaker 8 (20:49):
I gotta miss it.
Speaker 7 (20:52):
I'm sorry.
Speaker 8 (20:53):
I know you need to deal with that. Let okay,
uh yeah, no, this is fine, it's fine. I'm gonna
put a little you know here. Let me grab my
proponent spots, I grab a piece of chalk and they
just do a kind of a circle on the ground
of where that location I identified, so we know exactly
(21:16):
where it is. I'm gonna take a walk and then
i'll uh, we'll come back. We'll come back to this
with everybody. So now we know where this spell is
and just yeah, the eyes drop from the relation, the
rutlated courts, the spell ends and it's not that weird
(21:40):
raven Queen Ellen energy of Astro anymore. She's just ast
She's the one you met when we first met in
the portal I'm gonna take a walk.
Speaker 4 (21:50):
Four until we try to give her a hug before
she walks off.
Speaker 8 (21:53):
Is it like a back housed situation while she's just
trying to walk away or might I have to look
at you, You'll have to.
Speaker 1 (21:59):
Look at me.
Speaker 8 (22:01):
As their clothes really tight and excepts the hug, this
is this is just yeah and okay, but she did
hug squeeze very tight. So did Forte As goes and
sits in that one particular grave that had the raven yeah,
and just says, fucking.
Speaker 4 (22:22):
Rock fort is gonna go and hang out with Ember.
Speaker 8 (22:31):
Okay, I'll just wait for the boys to walk up.
But when they finally, you know, when the boys finally
come back with their information, she's not going back in.
It can be until it's dark.
Speaker 5 (22:45):
All right, So uh, we'll head back to the school.
You guys have made it down into the basement and
the archives.
Speaker 2 (22:55):
Scooby Doo music starts playing. There's splash lights, yep, umber goes, Umbert,
Umbert Sorry. I love how y'all have all these serious
moments and then you cut back and we're having the
fucking Scooby Doo Adventure and there's like us trying not
(23:15):
to get fucking perper boners talking to teachers.
Speaker 3 (23:18):
And stuffs playing hacky. So with a skull.
Speaker 8 (23:25):
Balanced, we gotta have balance here in this campaign.
Speaker 1 (23:29):
Yeah cool, Oh God, over here.
Speaker 8 (23:37):
Umber your emo kid and energy is in danger. Apparently
think I was gonna get.
Speaker 3 (23:42):
That bad.
Speaker 2 (23:45):
Rangel's over here going through related puberd a moment.
Speaker 5 (23:52):
Alright, So you guys go down and uh yeah, So
so you're looking through the archives. The first section that
you find is like this, like the students like student paperwork,
gearbooks like.
Speaker 2 (24:11):
Okay, first thing I want to do real quick is
see if I can find uh any of our friends
in there, you know, any any of the stricts haven
six as it were. Okay, Uh, what do I need
to roll for that? Is there like a file clerk
skill or see in Cola Cthulhu there is a library
(24:35):
skill role.
Speaker 5 (24:36):
So there's I knows like it's more geared towards that. Yeah,
make me make a wisdom check.
Speaker 2 (24:45):
M good point. Yes, Uh, Wisdom eleven.
Speaker 1 (24:54):
Tries to help. I rolled a four and utterly fails
might as well as well.
Speaker 5 (25:01):
It's so with your eleven you are able to find
ah like the like full names of several students, but
none of the stricts save in six umbra. You start looking,
but you get a paper cut.
Speaker 1 (25:23):
And these are definitely books, and uh.
Speaker 5 (25:30):
Shall you you go down?
Speaker 9 (25:33):
Oh yeah, yeah, you find uh, you do find asterroids
uh paperwork, and you find somebody's paperwork, yeah.
Speaker 5 (25:48):
With Astroid's full name. And then you find uh, yeah,
you find Eloy. You find you find Ela Razor Finn
and and asteris paperwork.
Speaker 3 (26:03):
Alright, I found some paperwork here. You had someone on
your party named Eloy.
Speaker 1 (26:09):
Right, I was gonna say, I don't know how you
know him, but yeah, you've him.
Speaker 2 (26:13):
Yeah, you guys have mentioned before.
Speaker 1 (26:15):
I barely knew.
Speaker 2 (26:16):
Yeah. Rander walks overlooks over Shell's shoulder and sees the names.
He's like, we are taking those with us. In fact,
I want you to carry him because you are less
likely to get padded down being what you are.
Speaker 3 (26:32):
That's true. There, I'm gonna yeah.
Speaker 2 (26:35):
Talking to still nonetheless, Okay, and.
Speaker 1 (26:38):
Number has already got enough things up his in his bag.
Speaker 2 (26:44):
Okay, all right, let's let's see if we can find
uh where the charter and a information about the current
school situation is. So I'm sorry, I just heard my
cat stretch.
Speaker 3 (26:57):
We alone down here? Like, have you check to see
if we're alone down here?
Speaker 5 (27:02):
Make a perception check?
Speaker 3 (27:05):
All right, that is.
Speaker 2 (27:07):
A fifteen eleven Again.
Speaker 1 (27:11):
Numbers are fourteen, right.
Speaker 5 (27:15):
So umbra, you do you get the sense that there
is uh, there are several beings down here. They don't
seem to be alive in the most strict sense of
(27:37):
the word.
Speaker 1 (27:38):
So shall no, no, well.
Speaker 5 (27:41):
Yes, shall, but not not shout they are? You get
the sense that there are constructs. You can hear m
like the clicking of gears and such.
Speaker 1 (27:53):
Okay, well, yeah, guys, that clicking sound you're here.
Speaker 2 (27:57):
I didn't hear one, but okay, now that.
Speaker 1 (27:59):
You mentioned it, No, no, no, no, yeah, just here now, yes, yeah,
that clicking sound.
Speaker 10 (28:07):
I think it's well, live isn't the right word, but
I think there's Thomason sentient, like a robot, something like
a robit.
Speaker 1 (28:20):
Okay, In any case, we're not entirely alone. But I
can't I can't. Okay, I don't hear anyone living.
Speaker 2 (28:26):
Deal, I mean I wouldn't.
Speaker 3 (28:32):
Hmmm, just that casual act like you belong here?
Speaker 1 (28:36):
Yeah, I mean we do belong We we go to
school here. We didn't have to pick a lock to
enter here.
Speaker 3 (28:42):
You know, we saved the day. Right, we belong here.
Speaker 1 (28:45):
We belong.
Speaker 2 (28:46):
We belong, Okay, David, we belong.
Speaker 3 (28:49):
Okay.
Speaker 2 (28:49):
I'm going back out and seeing if I can find
the room. First off, I want to find the room
that would have what I'm looking for. I'm guessing that
will be the uh secure files, I guess.
Speaker 7 (29:05):
Yep.
Speaker 2 (29:06):
Okay. When I get to the door, I am going
to use one of my Eldridge invocations, which is Eldridge Site,
and I can cast a tech magic at will without
expending a spell slot. I want to see if there's
like any kind of arcane shit on the door that
might activate anything.
Speaker 1 (29:28):
Uh.
Speaker 5 (29:30):
Yes, there there is some sort of an arcane like
trigger on the door.
Speaker 3 (29:38):
Uh huh Is there a window above the door?
Speaker 2 (29:43):
Actually? Good question?
Speaker 1 (29:46):
Or beside?
Speaker 5 (29:48):
Uh, there is one of those like small circular windows
that isn't quite big enough to fit a body through.
Speaker 2 (29:55):
What about a disassembled body? We basically have a living
bionical with us.
Speaker 3 (30:04):
So yeah, I do have an ability called skeletons slumber.
I appear as a pile of I'm sorry. It was
built for a purpose, which one was it? It was something
that like I could actually like be like a look
like a pile of bones and reassemble. I'm trying to
find it. Uh yeah, yeah, it's skeleton slumber. So like
(30:25):
I it's like when I go into rest, I appear
like a pile of bones. So presumably you can just
kind of take me a part and start shoving me
through a hole and I can wake up and reassemble.
I don't know if you're okay with that.
Speaker 5 (30:37):
That's fine, No.
Speaker 2 (30:38):
That's that's probably before we do that. You have before
we do that. So you are you any good? I know,
I know you're an expert at lock picking. How are
you at disarming arcane traps?
Speaker 6 (30:58):
Not so good at at disenchanting disarming things like that?
Speaker 1 (31:05):
Uh yes, it's never really been my bag.
Speaker 6 (31:10):
I was gonna say, like I love the idea of
throwing a lot of bones through a window. Like I said,
I'm here on a basketball scholarship, so like I've got
the skills and everything for it, but I just don't know, like,
how do we know that's not enchanted or you know
that has something on it?
Speaker 1 (31:27):
Plus it's gonna make a hell of a ton of noise.
I'm all for it. It's just I'm not sure if
this is the way we go on this. You have
no idea how much it pains me to say that.
But hey, I mean, I don't know. It's a it's
a democracy. I mean, it's apparently not this school anymore. So, Okay,
(31:50):
what do you guys think?
Speaker 2 (31:51):
Here's the thing. I'm not opposed to throwing show through
bit by bit, but how do we do it without
the sound of breaking glass and actually setting off the
alarm or activating.
Speaker 1 (32:05):
See that's my whole thing.
Speaker 2 (32:07):
Yeah, activating the robot monster.
Speaker 6 (32:09):
I can be stealthy, but I don't think me throwing
bones through a window.
Speaker 1 (32:13):
I don't think I can make that stealthy.
Speaker 2 (32:15):
That's that's the way.
Speaker 1 (32:16):
Would we even call it? Would we call it the fenestration.
Speaker 2 (32:20):
Of shall Like, I don't know.
Speaker 1 (32:24):
There's so many problems with this plan, but he seems
really into it.
Speaker 3 (32:27):
I know.
Speaker 2 (32:27):
I'm just trying to help.
Speaker 3 (32:30):
Are you guys to discuss this without me? Or am
I there too?
Speaker 7 (32:33):
No?
Speaker 2 (32:33):
No, you're there? Okay, is there any we're talking?
Speaker 7 (32:37):
Like?
Speaker 1 (32:37):
You're Yeah? When I say he's really into it, I
kind of like gesture my head over toward the.
Speaker 2 (32:43):
Use an investigation role. If there's any kind of like
any kind of of of like loophole in this door,
like any kind of a space we could I don't.
Speaker 1 (32:54):
Know, there's gotta be a way in here.
Speaker 2 (32:57):
We're just we're not braining hard enough.
Speaker 6 (33:01):
So so you'd attested that there was something on it,
but not quite what it was.
Speaker 2 (33:08):
It's an arcane trigger that will set something off. So
it's either gonna be really loud bells or a robot.
Speaker 1 (33:17):
I was gonna say, yeah, I mean.
Speaker 2 (33:20):
Unless you want to go like talk to someone with access.
I don't know that the counselors are gonna have access
to it, but you could check. We'd wait down here
and you could go up disguised this like Jimbob the
janitor or something.
Speaker 1 (33:38):
We yeah, I mean, somebody's got to we know. Well, shit,
Jase was there.
Speaker 3 (33:46):
Why why don't you talk to Chandra again?
Speaker 2 (33:48):
I was gonna say, Chandra, Oh, you're gonna have to
talk to Chandra. I'm too nervous.
Speaker 1 (33:55):
I'll do it.
Speaker 3 (33:56):
I'll do it. This is your shot.
Speaker 5 (33:59):
M h.
Speaker 1 (34:02):
I thought shooting your bones through that window is gonna
be my hoops for the day. But I'm gonna shoot
my show with Chandra. I think all right, let's go
find her. She's gonna be so annoyed with us though,
all right, whatever, let's just go.
Speaker 3 (34:15):
Yeah, that your type?
Speaker 2 (34:17):
What annoyed you? I don't know if that is type
or that's just the state he leaves a man.
Speaker 1 (34:29):
Both. Yeah, you guys, I'm right here, and I have feelings.
Speaker 4 (34:33):
I'm not here. This is above table.
Speaker 2 (34:36):
Yeah, this is all above table.
Speaker 3 (34:38):
I have been perfectly supportive this entire time.
Speaker 1 (34:41):
I sometimes have too much feelings, and you guys are
making it. Yeah, no, that's true. Shall you've been actually
pretty cool? Little dude.
Speaker 3 (34:49):
I'm the chicken wing man.
Speaker 1 (34:51):
I think we could all be more like you.
Speaker 6 (34:52):
Oh now, I do want to throw your little bones
through a window, little chicken wing.
Speaker 3 (34:58):
Man, back at the Airbnb, and we can practice.
Speaker 1 (35:03):
That's true, that's true.
Speaker 2 (35:04):
We'll see it as muddy as we want to see
if they have a garage to put a hoop on.
Speaker 6 (35:09):
All right, you know, let's go Findandra.
Speaker 2 (35:15):
Okay, all right, let's go. Let's see if we can
find her again.
Speaker 1 (35:18):
You guys be cool. Okay, I'm being.
Speaker 2 (35:21):
As cool as I can. I mean, you saw her.
Speaker 1 (35:24):
Yeah, I'm just worried about you guys keeping her cool.
Speaker 3 (35:27):
I'm perfectly cool. What are you talking about?
Speaker 2 (35:29):
I look, that's true.
Speaker 1 (35:31):
I've been meaning to talk to you. Put my hand
near where your forehead should be. It's you're incredibly yeah.
Speaker 2 (35:37):
Okay, Look, I'm not worried about him getting nervous around
anyone because that's mostly like hormones and he doesn't have
those anymore.
Speaker 1 (35:46):
Being that's true, or facial expressions.
Speaker 3 (35:48):
People are nervous around me.
Speaker 2 (35:50):
So yeah, it's said us. We're not nervous around you.
Speaker 1 (35:54):
You're cool.
Speaker 3 (35:55):
Oh, I mean a couple of you kind of threw
up when I took off my mask that first time.
Speaker 2 (35:58):
Okay, in old fairness, that's not related to you as
a person. That's more of a anyway, let's move.
Speaker 5 (36:06):
Yeah, all right, so the secretary, I'm just gonna let
my hand you hear you hear oh no, no, no.
Before before you leave the before you leave the basement,
you hear coming up to you.
Speaker 1 (36:26):
Rolling. Okay, so like dice.
Speaker 5 (36:30):
Uh so you're gonna yeah roll. So as you guys
are heading sort of away from the restricted area or ah,
you see this large blockwork construct of a creature, uh,
sort of nonchalantly coming towards you, sort of organizing things,
(36:53):
picking things up. It looks like it's it's humanoid in form.
It's got long arms and you can hear the gears
sort of turning as the arms move, and its neck
moves around and then below it's waist. It's wearing like
a long floor length like skirt, and it is perfectly
(37:17):
balanced on two big wheels. It's a as it's moving
around the archive, it's yeah, so this is called a cogwork.
Speaker 1 (37:29):
I think this is what I heard earlier.
Speaker 2 (37:30):
I'm pretty sure this is what you heard earlier.
Speaker 1 (37:33):
Yeah, the weird thing is even earlier. I was picturing
it wearing a skirt.
Speaker 2 (37:40):
I'm impressed, and it is.
Speaker 1 (37:42):
Yeah, what are the chance anyway?
Speaker 2 (37:43):
Okay, all right, well we didn't do anything wrong.
Speaker 1 (37:47):
We're just good. Yeah, we can just walk by this.
Speaker 2 (37:51):
It's kinda squalking. It was rolling up to us from behind, right,
so we just keep walking. Mm hmm hmm.
Speaker 1 (37:59):
This is it's just an archivist.
Speaker 2 (38:01):
Is in no way where Randall dies?
Speaker 1 (38:05):
Should we talk to it?
Speaker 2 (38:07):
No? No, no, no.
Speaker 1 (38:10):
We we we What if it knows how to get
in there?
Speaker 2 (38:12):
Well we let Chandra figure that out, don't we? Or Chandra,
I don't know how to say, guess such a long
walk readings.
Speaker 7 (38:23):
Did you need help finding anything?
Speaker 2 (38:26):
Yes, Jilly's your chance, Oh right, yes, yeah. I am
here on behalf of Vellamaca's world, and I was trying
to retrieve some paperwork, a copy of some paperwork, and
I believe it is in the restricted room, and we
(38:46):
were going to see if we could get one of
our friends and administration to let us in. But if possible,
would it be possible for you to let us in?
Speaker 7 (38:57):
Of course, of course if it's from well, yes, yes,
let me let me get let me get right in there.
Speaker 2 (39:09):
It so has the feeling of my my uncle Bob
Nintendo owns the company. H mister Lorehole.
Speaker 5 (39:20):
Okay, so yeah, it'll take you right to the right
to that. And it's it reaches out its hands. It's
got like five digits, kind of like a typical human hand,
and as it reaches toward it, its fingertips pop out
(39:43):
and spread to three each, so there's like fifteen digits
per hand. And the large like not quite spike, but
like a almost like a spike comes out from the palm,
and it pushes its right hand on the door, and
(40:05):
whatever magic feeling that you had before dissipates, and then
it takes its left hand and turns a knob that
you that was hidden like on the door in the center,
turns it with a click.
Speaker 2 (40:24):
Thank you, sir.
Speaker 7 (40:26):
There's anything else said?
Speaker 2 (40:28):
Orne, absolutely, thank you.
Speaker 7 (40:30):
Please let me know I would be happy to help.
And and just just if.
Speaker 2 (40:36):
You're looking, I am number twenty five.
Speaker 7 (40:39):
This number twenty five, Yes, of course.
Speaker 1 (40:46):
Ranks. Yeah, is anyone else? I God, I said, we
didn't do the bone thing.
Speaker 3 (40:52):
Now, I mean, we can always do that a little bit.
Speaker 1 (40:56):
We can do Yeah, that's we do it on the
way out next time.
Speaker 3 (41:00):
If you can juggle my.
Speaker 2 (41:02):
I never would have figured out that doorknob. I'm not
gonna lie I was.
Speaker 5 (41:08):
I've never And you hear you hear the you hear
the the wheels coming like out of day's door.
Speaker 7 (41:17):
Here again, and and please remember to to shut the
door on your way out.
Speaker 2 (41:27):
Nothing special, random not thank you, thank you very much.
Speaker 5 (41:34):
And before you're finished topic, it's already zoomed off and
started organizing.
Speaker 3 (41:41):
Awesome, I think we should lock the door again.
Speaker 7 (41:44):
Checking.
Speaker 1 (41:45):
Yeah, it seemed weird. Specific like if.
Speaker 3 (41:49):
We were able to modify the terms of the agreement
and just put it back here. I don't know.
Speaker 5 (41:56):
I don't know, mm hmm.
Speaker 2 (42:00):
All right, uh yeah, I'm going to do uh what
an investigation role help me find what I'm looking for?
All right, alrighty, here we go.
Speaker 3 (42:13):
I think we're all helping.
Speaker 2 (42:14):
Right eighteen. But yeah, if you guys want to look too,
that's that's fine. There's no telling how much we can
find never mind, all right, I.
Speaker 1 (42:23):
Can only look half as good as you nine.
Speaker 5 (42:32):
All right, So with the with the eighteen investigation, you
are able to find the new charter. Okay, so you
find the later charter. It looks like it was just
signed like a month or two ago.
Speaker 2 (42:47):
And still with him, all right, yeah, yeah, Randall pulls
out his uh his note taking stuff and starts copying
all the new information out of the charter. I'm sure
some of it is like cut and paste, like the
unimportant stuff like the this is a school for teaching students,
(43:10):
but like you know, the new clauses and stuff.
Speaker 1 (43:13):
Sure, I have never heard of that professor.
Speaker 2 (43:15):
Who is Chad GPT?
Speaker 1 (43:18):
Chad Great Professor t He's never
Speaker 2 (43:20):
Heard of Chad GPT
I don't.
Speaker 2 (00:05):
Yeah, and uh, show what are we calling you? So
they don't get your name? I don't remember Shant Shant
that's right, okay, No.
Speaker 3 (00:17):
Shant was my father. Oh right, right, it was shn
Shen Solaris.
Speaker 2 (00:28):
Okay, so one of the lights goes out in the mask, gotcha? Yes, okay,
so Shin and uh, I guess you guys can call
me Joe bag of donuts.
Speaker 3 (00:43):
Joe, oh, Jilly bag of donuts.
Speaker 2 (00:47):
Yeah, yeah, just for now. I'll come up with something
better later. Uh, anyway, can if we can get to
Jason and uh, then we can get on with with
our thing. I know, uh uh, asterids really concerned with
losing track of what they're looking for. I think it's
in I think it's in Merca.
Speaker 3 (01:07):
I mean I knew here, you tell me, AMRCA.
Speaker 2 (01:11):
I think so it's it's relatively close, but in a
different plane.
Speaker 4 (01:19):
Yeah, I mean we can.
Speaker 2 (01:25):
Yeah, it's changed. Oh, no, better, right? I doubt that.
When is anything we've done. When is anything we've ever
dealt with change for the better before we got there?
Speaker 1 (01:42):
Mm hmmm.
Speaker 2 (01:43):
So it's it's they're making it great again. Okay, awesome, fantastic,
it will be great when we get there.
Speaker 3 (01:49):
Then sounds absolutely harmless.
Speaker 1 (01:52):
Mm hmm.
Speaker 2 (01:56):
Sure it's got nothing to do with anyone named drunk.
All right, so I take it. We go to Jason's
office them.
Speaker 5 (02:06):
Yeah, here, you go to Jess's office.
Speaker 2 (02:08):
Okay, there it is.
Speaker 4 (02:11):
He might be out right now, but i'll it.
Speaker 2 (02:14):
Yes, Okay, where would the charter be at?
Speaker 1 (02:24):
That would be down in the arcave?
Speaker 2 (02:28):
Okay?
Speaker 6 (02:30):
Cool?
Speaker 2 (02:30):
All right? So who wants to wait for? Does anybody
want to wait for Jase and like me, I can
go down to the files? Or does anybody want to
come with me? How do we want? How do we
want to play this?
Speaker 1 (02:48):
I don't want to split up? Oh okay, I'm in
charge of you guys.
Speaker 3 (02:52):
Keep a note on the door.
Speaker 2 (02:56):
Under the door, that's a better idea. Yeah? Do I
have any idea? Yeah? Do we have any idea of
what languages Jay speaks?
Speaker 7 (03:11):
Like?
Speaker 2 (03:11):
Do I know if Jace will be able to speak
like draconic or anything?
Speaker 5 (03:16):
In your interactions with him, you notice that he's he's
a powerful enough person that he could probably use a
spell at least to read just about any language. Okay,
I you know, like he's the type of guy who
can freely open portals. Yeah, it's nothing, so you would
(03:39):
be able to imagine that he could He could probably
get it if you wrote it in French or whatever.
Speaker 2 (03:44):
Okay, I write down, I make a note, says uh Jace,
and this isn't draconic. Jace Astrod needs you at Airbnb
of sir Cornelia parentheses, corn dog A S A P.
(04:06):
Thanks and like Randrel written in like big fancy script,
but in draconic because Rangel doesn't know how to sign
his name.
Speaker 3 (04:14):
Quietly, May I add something to it as well? Sure?
What I'm gonna was gonna write enjoy the candy, love
Shen and I'm gonna put the candy.
Speaker 2 (04:25):
In okay, ombro anything.
Speaker 6 (04:30):
Yeah, I just wanted to really quick correct. It's actually
corn dog is with a D A W G.
Speaker 7 (04:37):
Right.
Speaker 2 (04:38):
Sorry sorry, sorry, yeah, okay, but it's spelled yeah, okay,
scratched it out corn dog corn dog Yeah all right.
Speaker 5 (04:46):
And then you slide the you slide the you said
the letter underneath his door, and the candy was on
top of the letter, and it just it it stays
on your side of the door because it's too thick.
Speaker 2 (05:03):
He'll know when you read the door.
Speaker 3 (05:06):
He'll see the candy in front of the door, and
then he'll read the letter and they'll go, okay, that candy.
Speaker 2 (05:10):
Me exactly, okay, piece candy. Yeah, okay.
Speaker 3 (05:18):
Trying to ingratiate myself with people. I'm looking for a job.
Speaker 2 (05:22):
Yeah, Umbra, Actually, do you want to try to like
change form and hang out here as somebody? Or do
you want to go with us? How do you? How
do you want to do this?
Speaker 1 (05:30):
I mean, yeah, I definitely want to go with you.
Speaker 3 (05:32):
Okay?
Speaker 1 (05:34):
Do you think what does this not look authoritative?
Speaker 2 (05:36):
Like authoritative? I'm just like you know, have.
Speaker 3 (05:40):
You tried a Van Dyke?
Speaker 1 (05:43):
Ooh, a number strokes as mustache?
Speaker 5 (05:48):
I have?
Speaker 2 (05:48):
Okay, not right now because it'll be obvious, but next
time van Dyke.
Speaker 1 (05:53):
For sure, next time I need to cough.
Speaker 3 (05:56):
Yeah, yeah, you're.
Speaker 2 (05:57):
Popping up a Van Dyke. That's going to be bad.
Speaker 3 (06:01):
Wait wait a minute, I may have something to complete
the professorial ensemble. I was going to reach into his
bag and plot an old pipe and he's gonna handle
pipe over. We're distinguished.
Speaker 2 (06:15):
When I come back, I want you in a corduroy
jacket with leather, leather elbows.
Speaker 1 (06:22):
Oh my god, yes, this is all happening.
Speaker 2 (06:25):
So oh, I know, but like you are, dude, the
level of people of people you can hit on has
just like gone up.
Speaker 3 (06:33):
Beware of a power imbalance.
Speaker 2 (06:36):
Though, or like yeah, I'm just saying like you're this
is just a school still. Yeah, I know, and now
you look like the hot smart guy.
Speaker 1 (06:48):
Yeah, I'm afraid I'm skewing too far professory for well whatever.
Speaker 2 (06:53):
I think it's you never know until you.
Speaker 1 (06:56):
We'll see how it works. First thing I need to
do is get my fucking mouth under control. Did you
guys hear me back there? Bourbon George Ormog the girl
instead of Jesus?
Speaker 3 (07:07):
Why do you think I gave you a pipe and
shut the fuck up?
Speaker 1 (07:11):
No, honestly, this is perfect.
Speaker 6 (07:13):
Anytime I want to like those intrusive thoughts come and
say like, oh you should see some DRM ship, I'm
just gonna like.
Speaker 1 (07:21):
Puff on this.
Speaker 3 (07:22):
Hey, And if you look on the pipe, you see
my signature. That's an original just for you.
Speaker 1 (07:28):
Oh you have that weird backwards script like that? Okay, okay, yeah,
I see it now, I see it.
Speaker 2 (07:35):
All right, let's go see if we can find the
charter everything shift?
Speaker 5 (07:40):
Is it written like like Tolkien? Style, but like people
would know your name with it.
Speaker 3 (07:45):
It's like the cool S, but with like with like
an extra like border around it and an arrow going
through it. Oh, that that's my signature.
Speaker 5 (07:59):
Yeah yeah, but people would be able to read it
and know your name.
Speaker 3 (08:03):
No, no, it's it's more like an obscure symbol that
gets people talking, like I don't have to explain marketing
to you. This isn't that kind of show.
Speaker 5 (08:11):
It's like prince know but but but you are dealing
with the Fay right now.
Speaker 3 (08:20):
Oh that's that's a good question, like is it? Oh
you know what? Yeah, that that's how I sign my name.
Let's do it. Let's do it all right.
Speaker 1 (08:34):
Anyway? Cool pipe? Thanks exactly.
Speaker 3 (08:38):
H I always go for the worst decisions.
Speaker 1 (08:42):
Did forget about the fay aspect of thing?
Speaker 7 (08:45):
God?
Speaker 8 (08:46):
Damn it?
Speaker 3 (08:47):
Oh that's gonna be fun. Oh that's a shen celarcer
Now I'm gonna get.
Speaker 5 (08:55):
I'm gonna take a knife and try to like make
the the A into an E or something.
Speaker 3 (09:00):
Here here I have a little wood pick and I
just like throw another arrow through it. So yeah, yeah, yeah.
Speaker 1 (09:10):
Oh yeah, it's clearly a good thing.
Speaker 3 (09:12):
We remember the sh Thank you, DM. For saving my house.
Speaker 5 (09:20):
I am going to ask you to make a.
Speaker 1 (09:25):
I don't thank him yet, make a.
Speaker 5 (09:29):
I guess sleight of hand check, okay, because you're writing
something uh ten? Ten? Okay?
Speaker 7 (09:38):
Cool?
Speaker 3 (09:39):
So cool?
Speaker 5 (09:40):
Cool as in I'm just I'm just marking at as cool.
Speaker 3 (09:44):
It's a surprise tool when you look.
Speaker 5 (09:46):
At When you look at it, it it the ford,
the extra forgery that he added to it. To somebody
just glancing at it, it would probably look cool at
the glands. But you do notice that the angles a
little bit off and the cut is a little deep
(10:07):
for like the carving on it, So if somebody were
to pay too much attention to it, they would know
that it's been tampered with.
Speaker 2 (10:15):
Are we talking about the pipe still?
Speaker 3 (10:18):
Yes?
Speaker 2 (10:18):
Okay, Sorry I had to step away for a second.
I came back and we're still on the pipe. Awesome.
Speaker 5 (10:23):
No, no, no, no, okay?
Speaker 2 (10:25):
Are we are we walking.
Speaker 5 (10:27):
To edit his name on the pipe and he didn't roll? Great?
Speaker 2 (10:32):
Okay, No, we're girts.
Speaker 1 (10:35):
We could just rub the whole thing off. You would
really the signature?
Speaker 3 (10:40):
What we just rub me off?
Speaker 1 (10:42):
What do we just change I mean for the right price, what.
Speaker 2 (10:46):
Do we change it from saying shall with one L
to shall not pass.
Speaker 5 (10:52):
I mean he basically tried to do that and he
didn't do a great job. Okay, hey, but like when
you go to the when you go to like the
antique store, and there's obviously been like a year chiseled
into the bottom of something that wasn't there originally.
Speaker 2 (11:10):
Uh huh yeah.
Speaker 6 (11:12):
Yeah, so okay, whatever, this seems fine. Also, I've got
the pipes of anything. They'll think that's my name and
they'll be wrong.
Speaker 2 (11:22):
That's true. Okay, So good thing.
Speaker 3 (11:25):
We're saying this out loud in a faan chance at school.
Speaker 2 (11:29):
Yeah, around a bunch of stoned people. Let's let's move on.
Speaker 1 (11:32):
Let's that's right, Shin, Let's.
Speaker 3 (11:35):
See yeah, keep it moving, that's right, Umbert.
Speaker 1 (11:41):
All right, Oh that's me.
Speaker 2 (11:45):
So we we're by ourselves, like Chandra's gone, I am.
Speaker 5 (11:50):
Yeah, you guys are by yourself. Just let you do.
Speaker 3 (11:53):
You should just watch the whole thing. It would have
been funny.
Speaker 2 (11:58):
So once you're like past the secretary, past the secretary
and headed down toward the basement, ra Handrell, just all right,
I guess I don't know a lot about like recording
in this whole dating thing. You're trying umbra, but after
seeing Chandra, I'm vaguely interested in the idea all of
(12:19):
a sudden.
Speaker 1 (12:21):
Oh wow, Well I could teach you, but i'd have
to charge. Yeah, this milkshake ain't free. Do you want
to learn from the master, the guy who you've clearly
seen making all the ray moves?
Speaker 7 (12:41):
Look?
Speaker 2 (12:41):
Well, how about i'll take notes later. Yeah, I'll take
notes later.
Speaker 1 (12:46):
Okay, Okay, I get a friend discount.
Speaker 5 (12:48):
Anyway, as you guys are heading down to the to
the basement, I want to switch it back to the
Airbnb with.
Speaker 8 (12:58):
I think, God, oh, this is gonna be a different conversation.
Speaker 6 (13:10):
Hm.
Speaker 8 (13:13):
So so I'm gonna lock it in. I'm gonna lock
it in. The pipe ship Asterid is still holding that spell,
the location and spell. There's still that sort of smoke
coming off her eyes have that rutilated quartz sort of
(13:36):
overtaking it, and she looks to a Forte. I think
we need to talk. I think I think you need
to hear something. I guess I think I've made a mistake.
I've been thinking letter as this sort of isolated tumor
(14:01):
that's contained. That's not it is it? It's cancer and
it's spreading.
Speaker 4 (14:11):
Yeah, and.
Speaker 8 (14:15):
A couple of things are coming together, my friend. These
chains would have been broken in you for quite a while,
quite literally. I haven't checked in on you in a minute.
You haven't been smoking, your arcing focus, your magic has
been changing to I'm not the only one you knew
(14:35):
about the back's gold, cara of us and the ring.
That's wrong. Things are coming together and you just there's
this flicks of this disappointment and this concern all over
her face. Something is off. So I'm gonna ask what
(14:56):
percentage of you, of our forte is still in there.
Speaker 4 (15:06):
When something like Eloy Amber or you happens, which is
the major with the party, it fluctuates, I'll say, as
of recent it's if it's something like I just said,
then it's probably like sixty forty. Otherwise, if it's if
(15:28):
I can't luck in, it's the other way around. Okay,
So but I am. I'm still trying.
Speaker 8 (15:38):
I know, I know, but I'm worried on the days
that it's sixty forty that just stop trying.
Speaker 4 (15:44):
I'll never stop trying. There's stuff that when he's in
he has more influence. I don't mind, Like with you
on purpose.
Speaker 8 (15:55):
I, okay, so he's actively I don't understand then why
having care about son is a good idea.
Speaker 4 (16:08):
When I proposed it, I thought the help from him
had had been helping since there was like a third
forced kind of in the mix because they're not really
on the same side, so I figured he had a
stake in it somehow. But er since he came back,
I actually have no idea that the ring has been
(16:31):
I don't know, I I don't know.
Speaker 8 (16:37):
I just I think I felt I needed to say
this because it's been we haven't checked in on that,
and it is a ticking time.
Speaker 4 (16:45):
I mean, absolutely, you.
Speaker 8 (16:49):
Are still fighting. Yes, inside check.
Speaker 5 (16:55):
Okay, that is twenty.
Speaker 4 (16:59):
Four Forte is telling the truth.
Speaker 1 (17:03):
Okay, all right, he will.
Speaker 4 (17:05):
After after seeing you doing something. Who'll be like, I
know you're disappointed with the way that umbre kind of
kicked his ass in my dream. You have to understand
that even when I was an all powerful vampire, I
still had someone control of me that was my dad.
(17:27):
Now that I'm kind of free of him, ish, I
now have something else that kind of rules over me,
and I'm kind of tired of it. So I'm not
gonna step fighting. But I'm a bit exhausted, right, Okay.
Speaker 8 (17:41):
I didn't want to make it seem like I thought
you would give up. But I worry on the days
that it's sixty percent lefter that he'll find a way
to make you give up.
Speaker 4 (17:53):
I have an idea to try to find him if
he actually really takes over, if I can't help it.
But I am trying less and less to let my
guard down.
Speaker 8 (18:04):
You know we're here to help you keep that guard up.
You don't have to you quite literally don't have to
fight this alone. Maybe inside of you, but we're outside.
I'm here, We're all here.
Speaker 4 (18:20):
One of the first times you tried talking to me
like this. I don't think it will surprise you to
say that if we try to meddle with it too much,
you might piss him off, and I'm worried that it'll escalate.
So while I appreciate you being here, it's you being
here that worries me.
Speaker 1 (18:36):
Does that make sense?
Speaker 7 (18:39):
Oh?
Speaker 8 (18:41):
Oh, I'm making it worse.
Speaker 4 (18:45):
You're not making it worse. I just I worry. It's
like being within in a bad relationship. This is a
talk to relationship. I'm worried that someone else saying stuff
or me saying stuff will piss off the other person
so much that it'll create a scene. And it's not
your fault, it's my fault.
Speaker 8 (19:04):
It's not you, it's me exactly with lecter. And is
that why should I not be? Does it? Am I
listening this response?
Speaker 3 (19:17):
Or is he?
Speaker 8 (19:19):
Is this why you haven't we haven't talked about that?
What happened at the market. She finally just blurts out
like a teenager.
Speaker 4 (19:29):
Uh, do you remember what I said about me letting
down my defenses.
Speaker 8 (19:36):
That you can't.
Speaker 4 (19:39):
Well that that got my defenses down, and that's when
the shift happened. Okay, it's not your fault, it's mine.
Speaker 8 (19:49):
Oh okay, yeah, yeah, that makes sense. That makes sense.
That makes sense. Is why would it be anybody's fault?
I have the the flickers of the ash, the the
magic of the ash just kind of clouds around. Asked
it a little bit to obscure her. No, I totally
get that makes sense, but also still genuinely very worried
(20:10):
about you. I'm gonna I'm gonna focus on making this portal.
How long have they been gone for?
Speaker 2 (20:20):
Uh?
Speaker 4 (20:21):
For a while. I I we just rested so I
can catch clairvoyance to see where they're at if you want.
Speaker 8 (20:27):
Like, that's the other that's the magic that I'm worrying
about though, that's valid. That's new, any of that sort
of spying on people magic. You know how I feel
about that in the brain magic. You're the only one
I trust to have that sort of like talk to
me in my mind thing.
Speaker 4 (20:46):
Yeah, I've been trying to do it less and less.
Speaker 8 (20:49):
I gotta miss it.
Speaker 7 (20:52):
I'm sorry.
Speaker 8 (20:53):
I know you need to deal with that. Let okay,
uh yeah, no, this is fine, it's fine. I'm gonna
put a little you know here. Let me grab my
proponent spots, I grab a piece of chalk and they
just do a kind of a circle on the ground
of where that location I identified, so we know exactly
(21:16):
where it is. I'm gonna take a walk and then
i'll uh, we'll come back. We'll come back to this
with everybody. So now we know where this spell is
and just yeah, the eyes drop from the relation, the
rutlated courts, the spell ends and it's not that weird
(21:40):
raven Queen Ellen energy of Astro anymore. She's just ast
She's the one you met when we first met in
the portal I'm gonna take a walk.
Speaker 4 (21:50):
Four until we try to give her a hug before
she walks off.
Speaker 8 (21:53):
Is it like a back housed situation while she's just
trying to walk away or might I have to look
at you, You'll have to.
Speaker 1 (21:59):
Look at me.
Speaker 8 (22:01):
As their clothes really tight and excepts the hug, this
is this is just yeah and okay, but she did
hug squeeze very tight. So did Forte As goes and
sits in that one particular grave that had the raven yeah,
and just says, fucking.
Speaker 4 (22:22):
Rock fort is gonna go and hang out with Ember.
Speaker 8 (22:31):
Okay, I'll just wait for the boys to walk up.
But when they finally, you know, when the boys finally
come back with their information, she's not going back in.
It can be until it's dark.
Speaker 5 (22:45):
All right, So uh, we'll head back to the school.
You guys have made it down into the basement and
the archives.
Speaker 2 (22:55):
Scooby Doo music starts playing. There's splash lights, yep, umber goes, Umbert,
Umbert Sorry. I love how y'all have all these serious
moments and then you cut back and we're having the
fucking Scooby Doo Adventure and there's like us trying not
(23:15):
to get fucking perper boners talking to teachers.
Speaker 3 (23:18):
And stuffs playing hacky. So with a skull.
Speaker 8 (23:25):
Balanced, we gotta have balance here in this campaign.
Speaker 1 (23:29):
Yeah cool, Oh God, over here.
Speaker 8 (23:37):
Umber your emo kid and energy is in danger. Apparently
think I was gonna get.
Speaker 3 (23:42):
That bad.
Speaker 2 (23:45):
Rangel's over here going through related puberd a moment.
Speaker 5 (23:52):
Alright, So you guys go down and uh yeah, So
so you're looking through the archives. The first section that
you find is like this, like the students like student paperwork,
gearbooks like.
Speaker 2 (24:11):
Okay, first thing I want to do real quick is
see if I can find uh any of our friends
in there, you know, any any of the stricts haven
six as it were. Okay, Uh, what do I need
to roll for that? Is there like a file clerk
skill or see in Cola Cthulhu there is a library
(24:35):
skill role.
Speaker 5 (24:36):
So there's I knows like it's more geared towards that. Yeah,
make me make a wisdom check.
Speaker 2 (24:45):
M good point. Yes, Uh, Wisdom eleven.
Speaker 1 (24:54):
Tries to help. I rolled a four and utterly fails
might as well as well.
Speaker 5 (25:01):
It's so with your eleven you are able to find
ah like the like full names of several students, but
none of the stricts save in six umbra. You start looking,
but you get a paper cut.
Speaker 1 (25:23):
And these are definitely books, and uh.
Speaker 5 (25:30):
Shall you you go down?
Speaker 9 (25:33):
Oh yeah, yeah, you find uh, you do find asterroids
uh paperwork, and you find somebody's paperwork, yeah.
Speaker 5 (25:48):
With Astroid's full name. And then you find uh, yeah,
you find Eloy. You find you find Ela Razor Finn
and and asteris paperwork.
Speaker 3 (26:03):
Alright, I found some paperwork here. You had someone on
your party named Eloy.
Speaker 1 (26:09):
Right, I was gonna say, I don't know how you
know him, but yeah, you've him.
Speaker 2 (26:13):
Yeah, you guys have mentioned before.
Speaker 1 (26:15):
I barely knew.
Speaker 2 (26:16):
Yeah. Rander walks overlooks over Shell's shoulder and sees the names.
He's like, we are taking those with us. In fact,
I want you to carry him because you are less
likely to get padded down being what you are.
Speaker 3 (26:32):
That's true. There, I'm gonna yeah.
Speaker 2 (26:35):
Talking to still nonetheless, Okay, and.
Speaker 1 (26:38):
Number has already got enough things up his in his bag.
Speaker 2 (26:44):
Okay, all right, let's let's see if we can find
uh where the charter and a information about the current
school situation is. So I'm sorry, I just heard my
cat stretch.
Speaker 3 (26:57):
We alone down here? Like, have you check to see
if we're alone down here?
Speaker 5 (27:02):
Make a perception check?
Speaker 3 (27:05):
All right, that is.
Speaker 2 (27:07):
A fifteen eleven Again.
Speaker 1 (27:11):
Numbers are fourteen, right.
Speaker 5 (27:15):
So umbra, you do you get the sense that there
is uh, there are several beings down here. They don't
seem to be alive in the most strict sense of
(27:37):
the word.
Speaker 1 (27:38):
So shall no, no, well.
Speaker 5 (27:41):
Yes, shall, but not not shout they are? You get
the sense that there are constructs. You can hear m
like the clicking of gears and such.
Speaker 1 (27:53):
Okay, well, yeah, guys, that clicking sound you're here.
Speaker 2 (27:57):
I didn't hear one, but okay, now that.
Speaker 1 (27:59):
You mentioned it, No, no, no, no, yeah, just here now, yes, yeah,
that clicking sound.
Speaker 10 (28:07):
I think it's well, live isn't the right word, but
I think there's Thomason sentient, like a robot, something like
a robit.
Speaker 1 (28:20):
Okay, In any case, we're not entirely alone. But I
can't I can't. Okay, I don't hear anyone living.
Speaker 2 (28:26):
Deal, I mean I wouldn't.
Speaker 3 (28:32):
Hmmm, just that casual act like you belong here?
Speaker 1 (28:36):
Yeah, I mean we do belong We we go to
school here. We didn't have to pick a lock to
enter here.
Speaker 3 (28:42):
You know, we saved the day. Right, we belong here.
Speaker 1 (28:45):
We belong.
Speaker 2 (28:46):
We belong, Okay, David, we belong.
Speaker 3 (28:49):
Okay.
Speaker 2 (28:49):
I'm going back out and seeing if I can find
the room. First off, I want to find the room
that would have what I'm looking for. I'm guessing that
will be the uh secure files, I guess.
Speaker 7 (29:05):
Yep.
Speaker 2 (29:06):
Okay. When I get to the door, I am going
to use one of my Eldridge invocations, which is Eldridge Site,
and I can cast a tech magic at will without
expending a spell slot. I want to see if there's
like any kind of arcane shit on the door that
might activate anything.
Speaker 1 (29:28):
Uh.
Speaker 5 (29:30):
Yes, there there is some sort of an arcane like
trigger on the door.
Speaker 3 (29:38):
Uh huh Is there a window above the door?
Speaker 2 (29:43):
Actually? Good question?
Speaker 1 (29:46):
Or beside?
Speaker 5 (29:48):
Uh, there is one of those like small circular windows
that isn't quite big enough to fit a body through.
Speaker 2 (29:55):
What about a disassembled body? We basically have a living
bionical with us.
Speaker 3 (30:04):
So yeah, I do have an ability called skeletons slumber.
I appear as a pile of I'm sorry. It was
built for a purpose, which one was it? It was something
that like I could actually like be like a look
like a pile of bones and reassemble. I'm trying to
find it. Uh yeah, yeah, it's skeleton slumber. So like
(30:25):
I it's like when I go into rest, I appear
like a pile of bones. So presumably you can just
kind of take me a part and start shoving me
through a hole and I can wake up and reassemble.
I don't know if you're okay with that.
Speaker 5 (30:37):
That's fine, No.
Speaker 2 (30:38):
That's that's probably before we do that. You have before
we do that. So you are you any good? I know,
I know you're an expert at lock picking. How are
you at disarming arcane traps?
Speaker 6 (30:58):
Not so good at at disenchanting disarming things like that?
Speaker 1 (31:05):
Uh yes, it's never really been my bag.
Speaker 6 (31:10):
I was gonna say, like I love the idea of
throwing a lot of bones through a window. Like I said,
I'm here on a basketball scholarship, so like I've got
the skills and everything for it, but I just don't know, like,
how do we know that's not enchanted or you know
that has something on it?
Speaker 1 (31:27):
Plus it's gonna make a hell of a ton of noise.
I'm all for it. It's just I'm not sure if
this is the way we go on this. You have
no idea how much it pains me to say that.
But hey, I mean, I don't know. It's a it's
a democracy. I mean, it's apparently not this school anymore. So, Okay,
(31:50):
what do you guys think?
Speaker 2 (31:51):
Here's the thing. I'm not opposed to throwing show through
bit by bit, but how do we do it without
the sound of breaking glass and actually setting off the
alarm or activating.
Speaker 1 (32:05):
See that's my whole thing.
Speaker 2 (32:07):
Yeah, activating the robot monster.
Speaker 6 (32:09):
I can be stealthy, but I don't think me throwing
bones through a window.
Speaker 1 (32:13):
I don't think I can make that stealthy.
Speaker 2 (32:15):
That's that's the way.
Speaker 1 (32:16):
Would we even call it? Would we call it the fenestration.
Speaker 2 (32:20):
Of shall Like, I don't know.
Speaker 1 (32:24):
There's so many problems with this plan, but he seems
really into it.
Speaker 3 (32:27):
I know.
Speaker 2 (32:27):
I'm just trying to help.
Speaker 3 (32:30):
Are you guys to discuss this without me? Or am
I there too?
Speaker 7 (32:33):
No?
Speaker 2 (32:33):
No, you're there? Okay, is there any we're talking?
Speaker 7 (32:37):
Like?
Speaker 1 (32:37):
You're Yeah? When I say he's really into it, I
kind of like gesture my head over toward the.
Speaker 2 (32:43):
Use an investigation role. If there's any kind of like
any kind of of of like loophole in this door,
like any kind of a space we could I don't.
Speaker 1 (32:54):
Know, there's gotta be a way in here.
Speaker 2 (32:57):
We're just we're not braining hard enough.
Speaker 6 (33:01):
So so you'd attested that there was something on it,
but not quite what it was.
Speaker 2 (33:08):
It's an arcane trigger that will set something off. So
it's either gonna be really loud bells or a robot.
Speaker 1 (33:17):
I was gonna say, yeah, I mean.
Speaker 2 (33:20):
Unless you want to go like talk to someone with access.
I don't know that the counselors are gonna have access
to it, but you could check. We'd wait down here
and you could go up disguised this like Jimbob the
janitor or something.
Speaker 1 (33:38):
We yeah, I mean, somebody's got to we know. Well, shit,
Jase was there.
Speaker 3 (33:46):
Why why don't you talk to Chandra again?
Speaker 2 (33:48):
I was gonna say, Chandra, Oh, you're gonna have to
talk to Chandra. I'm too nervous.
Speaker 1 (33:55):
I'll do it.
Speaker 3 (33:56):
I'll do it. This is your shot.
Speaker 5 (33:59):
M h.
Speaker 1 (34:02):
I thought shooting your bones through that window is gonna
be my hoops for the day. But I'm gonna shoot
my show with Chandra. I think all right, let's go
find her. She's gonna be so annoyed with us though,
all right, whatever, let's just go.
Speaker 3 (34:15):
Yeah, that your type?
Speaker 2 (34:17):
What annoyed you? I don't know if that is type
or that's just the state he leaves a man.
Speaker 1 (34:29):
Both. Yeah, you guys, I'm right here, and I have feelings.
Speaker 4 (34:33):
I'm not here. This is above table.
Speaker 2 (34:36):
Yeah, this is all above table.
Speaker 3 (34:38):
I have been perfectly supportive this entire time.
Speaker 1 (34:41):
I sometimes have too much feelings, and you guys are
making it. Yeah, no, that's true. Shall you've been actually
pretty cool? Little dude.
Speaker 3 (34:49):
I'm the chicken wing man.
Speaker 1 (34:51):
I think we could all be more like you.
Speaker 6 (34:52):
Oh now, I do want to throw your little bones
through a window, little chicken wing.
Speaker 3 (34:58):
Man, back at the Airbnb, and we can practice.
Speaker 1 (35:03):
That's true, that's true.
Speaker 2 (35:04):
We'll see it as muddy as we want to see
if they have a garage to put a hoop on.
Speaker 6 (35:09):
All right, you know, let's go Findandra.
Speaker 2 (35:15):
Okay, all right, let's go. Let's see if we can
find her again.
Speaker 1 (35:18):
You guys be cool. Okay, I'm being.
Speaker 2 (35:21):
As cool as I can. I mean, you saw her.
Speaker 1 (35:24):
Yeah, I'm just worried about you guys keeping her cool.
Speaker 3 (35:27):
I'm perfectly cool. What are you talking about?
Speaker 2 (35:29):
I look, that's true.
Speaker 1 (35:31):
I've been meaning to talk to you. Put my hand
near where your forehead should be. It's you're incredibly yeah.
Speaker 2 (35:37):
Okay, Look, I'm not worried about him getting nervous around
anyone because that's mostly like hormones and he doesn't have
those anymore.
Speaker 1 (35:46):
Being that's true, or facial expressions.
Speaker 3 (35:48):
People are nervous around me.
Speaker 2 (35:50):
So yeah, it's said us. We're not nervous around you.
Speaker 1 (35:54):
You're cool.
Speaker 3 (35:55):
Oh, I mean a couple of you kind of threw
up when I took off my mask that first time.
Speaker 2 (35:58):
Okay, in old fairness, that's not related to you as
a person. That's more of a anyway, let's move.
Speaker 5 (36:06):
Yeah, all right, so the secretary, I'm just gonna let
my hand you hear you hear oh no, no, no.
Before before you leave the before you leave the basement,
you hear coming up to you.
Speaker 1 (36:26):
Rolling. Okay, so like dice.
Speaker 5 (36:30):
Uh so you're gonna yeah roll. So as you guys
are heading sort of away from the restricted area or ah,
you see this large blockwork construct of a creature, uh,
sort of nonchalantly coming towards you, sort of organizing things,
(36:53):
picking things up. It looks like it's it's humanoid in form.
It's got long arms and you can hear the gears
sort of turning as the arms move, and its neck
moves around and then below it's waist. It's wearing like
a long floor length like skirt, and it is perfectly
(37:17):
balanced on two big wheels. It's a as it's moving
around the archive, it's yeah, so this is called a cogwork.
Speaker 1 (37:29):
I think this is what I heard earlier.
Speaker 2 (37:30):
I'm pretty sure this is what you heard earlier.
Speaker 1 (37:33):
Yeah, the weird thing is even earlier. I was picturing
it wearing a skirt.
Speaker 2 (37:40):
I'm impressed, and it is.
Speaker 1 (37:42):
Yeah, what are the chance anyway?
Speaker 2 (37:43):
Okay, all right, well we didn't do anything wrong.
Speaker 1 (37:47):
We're just good. Yeah, we can just walk by this.
Speaker 2 (37:51):
It's kinda squalking. It was rolling up to us from behind, right,
so we just keep walking. Mm hmm hmm.
Speaker 1 (37:59):
This is it's just an archivist.
Speaker 2 (38:01):
Is in no way where Randall dies?
Speaker 1 (38:05):
Should we talk to it?
Speaker 2 (38:07):
No? No, no, no.
Speaker 1 (38:10):
We we we What if it knows how to get
in there?
Speaker 2 (38:12):
Well we let Chandra figure that out, don't we? Or Chandra,
I don't know how to say, guess such a long
walk readings.
Speaker 7 (38:23):
Did you need help finding anything?
Speaker 2 (38:26):
Yes, Jilly's your chance, Oh right, yes, yeah. I am
here on behalf of Vellamaca's world, and I was trying
to retrieve some paperwork, a copy of some paperwork, and
I believe it is in the restricted room, and we
(38:46):
were going to see if we could get one of
our friends and administration to let us in. But if possible,
would it be possible for you to let us in?
Speaker 7 (38:57):
Of course, of course if it's from well, yes, yes,
let me let me get let me get right in there.
Speaker 2 (39:09):
It so has the feeling of my my uncle Bob
Nintendo owns the company. H mister Lorehole.
Speaker 5 (39:20):
Okay, so yeah, it'll take you right to the right
to that. And it's it reaches out its hands. It's
got like five digits, kind of like a typical human hand,
and as it reaches toward it, its fingertips pop out
(39:43):
and spread to three each, so there's like fifteen digits
per hand. And the large like not quite spike, but
like a almost like a spike comes out from the palm,
and it pushes its right hand on the door, and
(40:05):
whatever magic feeling that you had before dissipates, and then
it takes its left hand and turns a knob that
you that was hidden like on the door in the center,
turns it with a click.
Speaker 2 (40:24):
Thank you, sir.
Speaker 7 (40:26):
There's anything else said?
Speaker 2 (40:28):
Orne, absolutely, thank you.
Speaker 7 (40:30):
Please let me know I would be happy to help.
And and just just if.
Speaker 2 (40:36):
You're looking, I am number twenty five.
Speaker 7 (40:39):
This number twenty five, Yes, of course.
Speaker 1 (40:46):
Ranks. Yeah, is anyone else? I God, I said, we
didn't do the bone thing.
Speaker 3 (40:52):
Now, I mean, we can always do that a little bit.
Speaker 1 (40:56):
We can do Yeah, that's we do it on the
way out next time.
Speaker 3 (41:00):
If you can juggle my.
Speaker 2 (41:02):
I never would have figured out that doorknob. I'm not
gonna lie I was.
Speaker 5 (41:08):
I've never And you hear you hear the you hear
the the wheels coming like out of day's door.
Speaker 7 (41:17):
Here again, and and please remember to to shut the
door on your way out.
Speaker 2 (41:27):
Nothing special, random not thank you, thank you very much.
Speaker 5 (41:34):
And before you're finished topic, it's already zoomed off and
started organizing.
Speaker 3 (41:41):
Awesome, I think we should lock the door again.
Speaker 7 (41:44):
Checking.
Speaker 1 (41:45):
Yeah, it seemed weird. Specific like if.
Speaker 3 (41:49):
We were able to modify the terms of the agreement
and just put it back here. I don't know.
Speaker 5 (41:56):
I don't know, mm hmm.
Speaker 2 (42:00):
All right, uh yeah, I'm going to do uh what
an investigation role help me find what I'm looking for?
All right, alrighty, here we go.
Speaker 3 (42:13):
I think we're all helping.
Speaker 2 (42:14):
Right eighteen. But yeah, if you guys want to look too,
that's that's fine. There's no telling how much we can
find never mind, all right, I.
Speaker 1 (42:23):
Can only look half as good as you nine.
Speaker 5 (42:32):
All right, So with the with the eighteen investigation, you
are able to find the new charter. Okay, so you
find the later charter. It looks like it was just
signed like a month or two ago.
Speaker 2 (42:47):
And still with him, all right, yeah, yeah, Randall pulls
out his uh his note taking stuff and starts copying
all the new information out of the charter. I'm sure
some of it is like cut and paste, like the
unimportant stuff like the this is a school for teaching students,
(43:10):
but like you know, the new clauses and stuff.
Speaker 1 (43:13):
Sure, I have never heard of that professor.
Speaker 2 (43:15):
Who is Chad GPT?
Speaker 1 (43:18):
Chad Great Professor t He's never
Speaker 2 (43:20):
Heard of Chad GPT
Popular Podcasts
Stuff You Should Know
If you've ever wanted to know about champagne, satanism, the Stonewall Uprising, chaos theory, LSD, El Nino, true crime and Rosa Parks, then look no further. Josh and Chuck have you covered.
CrimeLess: Hillbilly Heist
It’s 1996 in rural North Carolina, and an oddball crew makes history when they pull off America’s third largest cash heist. But it’s all downhill from there. Join host Johnny Knoxville as he unspools a wild and woolly tale about a group of regular ‘ol folks who risked it all for a chance at a better life. CrimeLess: Hillbilly Heist answers the question: what would you do with 17.3 million dollars? The answer includes diamond rings, mansions, velvet Elvis paintings, plus a run for the border, murder-for-hire-plots, and FBI busts.
Dateline NBC
Current and classic episodes, featuring compelling true-crime mysteries, powerful documentaries and in-depth investigations. Follow now to get the latest episodes of Dateline NBC completely free, or subscribe to Dateline Premium for ad-free listening and exclusive bonus content: DatelinePremium.com