SUBCULTURE RADIO SHOW Ep 118

Dave Griffiths, Harley Woods and Kyle McGrath are back with a new episode of the Subculture Radio Show.

This time around they interview Secondhand Serenade, Bloom and Gwar

And review Tron Ares, The Smashing Machine and The Travellers.

They also take a look at the best songs ever used on Stranger Things.

Episode Transcript

Speaker 1 (00:00):
In twenty nineteen, hard hitting alternative country rocker Corey Marx
wow the world with his breakout single Outlaws and Outsiders.
Marx is now back with his brand new album called
Sorry for Nothing, Volume Two, which is out now through
Pure Noise Music. So go and grab your copy of
Sorry for Nothing, Volume Two, Corey Marx's brilliant new album,

(00:24):
from the Pure Noise Music website or your favorite streaming platform.
Hello and welcome to another episode of Subculture Meets the
Popcorn Conspiracy. I'm Dave g and joining me right now
is Halle Welcome.

Speaker 2 (00:41):
Mate, Hello, and welcome everyone to Subculture again. Yes, we're
unstoppable at the moment, aren't.

Speaker 1 (00:51):
We We are? And it's an absolutely huge show this
time around as well, because of course we are going
to be doing one of our famous top ten lists,
but this time it comes from a listener, and we're
going to have a bonus list in there, because in
a moment, we're about to chat to an artist known
as Secondhand Serenade and he very kindly decided to do

(01:14):
a top five list of tracks that inspired him to
become a musician and made him fall in love with music.
So we've got an extra we've got an extra list
in this week, so we've also got an interview with
Australian band Bloom, who are about to drop their brand
new album. We're going to take a look at a

(01:35):
few movies as well. We're going to take a look
at The Smashing Machine, which is in cinemas now and
getting a lot of awards buzz about that film, so
we're going to take a look at that. We're also
going to review the brand new film The Travelers, and
we're also going to review tron Aries as well and
play a track off that soundtrack because Hallie, I don't

(01:57):
know if you realize that soundtrack has been put together
by Nine Inch Nails and it has been going absolutely
nuts in the charts at the moment.

Speaker 3 (02:05):
Oh really, I didn't know that. That's interesting. They've gone
that way before, have they.

Speaker 1 (02:11):
Well, they've done Resident has done a lot of soundtracks
over the years, like that's been his side project kind
of thing that he's been doing. But after the success
of Toronto Legacy with daft punk soundtrack, I think, and
it's really funny because this is the first time they've
done a soundtrack under the name Nine Inch Nails and
surprisingly it's a Disney film, so I don't know whether

(02:34):
or not Disney. We're aware of some of the Nine
Inch Nails lyrics in the pasta for our listeners out there.
If you're not aware, maybe go and google the lyrics
for closer by nine Inch Nails. That's uh, yeah, it's interesting.
But we're going to play a track off that. We're
also going to chat to Gua later on in the

(02:55):
show as well. They're here for the Good Things Festival,
and make sure you checking our website at the moment
because there's a lot of announcements about Good Things and
their side shows as well, so make sure you check
that out. But yeah, it's gonna be an absolutely massive
show and we're gonna kick it off with a little

(03:15):
bit of news and some tracks associated to those news.

Speaker 4 (03:18):
So oh.

Speaker 1 (03:19):
I've been working on a music of One Tree Hill
podcast recently and seeing the success of that has actually
led to Tyler Hilton deciding to tour Australia with Kate Vogel,
who so Tyler Hilton. For those that are One Tree
Hill fans, you will know he played a very very

(03:41):
obnoxious character in the show, but also did a lot
of the music and Kate Vogel, of course, was Mia
in the later seasons of One Tree Hill, who signed
with Peyton's record label and then had smash Hit after
Smash Hit. So they're going to be touring together but
also keeping the One Tree Hill vibe going. Secondhand Serenade,

(04:04):
who also had an amazing track on the One Tree
Hill soundtrack. He's touring in December, so he's jumped on
this Today's show as well, and it's gonna join us
in just a moment. But to kick off the show, yeah,
we're gonna have a little bit of a One Tree
Hill reunion as we play some Kate Bogel, some Tyler
Hilton and some Secondhand Serenade.

Speaker 5 (04:31):
Fair unexpected.

Speaker 6 (04:33):
And so I found myself feldspch you in.

Speaker 7 (04:38):
Your place, oh where I was headed.

Speaker 6 (04:42):
Oh it turns out your wells, your footsteps, it's sh.

Speaker 8 (04:49):
Last s no so much better. Yeah yeah, yeah yeah,
but you're like you the.

Speaker 7 (05:00):
Snswer my universe.

Speaker 8 (05:06):
So I'm no many reverse.

Speaker 9 (05:09):
I know you're ready crying, hurry myself tell you anyway.

Speaker 8 (05:21):
The day you're now.

Speaker 6 (05:33):
So out of corn it's outrage as the way I
let you dream me hanging along your characterize that can
say yes oh, I know I sud have God befor
i'd gone.

Speaker 8 (05:52):
I'm gone let my air cus be my yeah, and
I never know I'm being felt less for so I'm.

Speaker 9 (06:10):
A moment every know your baddy can sat I anyway
and you're no good.

Speaker 10 (06:30):
Your disson' a don.

Speaker 6 (06:37):
A dot tails rosper because I ain't gonna let John.

Speaker 11 (06:44):
He say so.

Speaker 8 (06:47):
No, oh your long.

Speaker 12 (07:05):
O.

Speaker 9 (07:06):
Many reberse f your ready good and I say, until
away happen.

Speaker 7 (07:18):
You you're no good.

Speaker 13 (07:23):
Many he'll reberse by your day to my man away happen.

Speaker 8 (07:35):
And so say you're not get sill the sad.

Speaker 14 (07:44):
So that.

Speaker 15 (07:46):
You're you know God by your nod younker donker.

Speaker 16 (08:11):
Every time I think of you, I always catch my
breath and I'm still standing here and your miles away, and.

Speaker 17 (08:25):
I wonder how.

Speaker 7 (08:29):
And there's a storm that's region through my frozen heart tonight.

Speaker 18 (08:38):
I hear your name in certain circles and it always
makes me smile. I spend my time thinking about you,
and it's almost driving me.

Speaker 8 (08:55):
Wild, but it's my heart.

Speaker 19 (08:59):
That's way you can down the slong distance side tonight
and I ain't missing you at.

Speaker 20 (09:07):
All since your friend called. Oh wait, I ain't missing you,
no matter.

Speaker 8 (09:22):
What I might say.

Speaker 19 (09:25):
There's a message in the wires, and I'm sending you
a signal tonight.

Speaker 8 (09:34):
You don't know.

Speaker 16 (09:37):
How desperate I've become, and it looks like I'm losing
this fight.

Speaker 7 (09:44):
But it's my heart that's waiting.

Speaker 19 (09:49):
Down the slong just your old nobody, and.

Speaker 7 (09:52):
I ain't missing you at all since your man car
Oh wait, I ain't missing.

Speaker 9 (10:03):
You, no matter.

Speaker 19 (10:09):
What about friendship. And there's a message that I'm sending
out that I can telegraph to your soul.

Speaker 7 (10:23):
I can't brish this distance.

Speaker 8 (10:26):
Stop this hunk.

Speaker 9 (10:29):
Oh my lord, I ain't.

Speaker 8 (10:31):
Missing you at all.

Speaker 7 (10:35):
Since supend.

Speaker 19 (10:38):
Oh wait, I ain't missing to you, no matter what
about friendship, I ain't missing you. And since supen.

Speaker 21 (10:57):
Oh wait, I ain't even missing you, know no matter
watch your friend say, listen you.

Speaker 8 (11:28):
Waiting for your call.

Speaker 22 (11:31):
I'm sick, Come, I'm angry, Come, I'm desperate for your voice.
Listen name to the song.

Speaker 23 (11:38):
Here's sick and the cards You're remember Butterfly early Summer.
It's playing on repeat, just like when we would be.

Speaker 24 (11:54):
Like when we would be.

Speaker 7 (12:00):
Spy was.

Speaker 8 (12:05):
To tell you of you, and I am to.

Speaker 14 (12:16):
To do what I have to.

Speaker 22 (12:21):
Make you mind stay with me tonight, dunk stripped and pushed.

Speaker 23 (12:28):
I am new, I am fresh, I am feeling so
ambitious for you and me flash the flock.

Speaker 9 (12:36):
Sarey breath that you will tell when you're sitting next
to me.

Speaker 25 (12:42):
Who will bring my me.

Speaker 8 (12:43):
To my deep missle?

Speaker 7 (12:45):
Who want your that?

Speaker 26 (12:47):
Sid want your show?

Speaker 11 (12:50):
What show?

Speaker 8 (12:57):
Doucas Pis.

Speaker 27 (13:03):
To tell you I love.

Speaker 8 (13:09):
And I am to to do what I have to.

Speaker 22 (13:18):
To make you mine stay with me anight.

Speaker 28 (13:23):
And I'm tired of being all alone and the solitary
moment makes me want to come back home.

Speaker 7 (13:34):
And I'm tired of being all alone.

Speaker 29 (13:40):
And the solitary moment makes me want to come back home.
And I'm tired I'm being all alone and the solitary
moment makes.

Speaker 30 (13:54):
Me want to come back.

Speaker 7 (13:56):
Home for that time. Tired A big line this cellar,
Daddy makes me want to come back.

Speaker 11 (14:12):
To tell you I love.

Speaker 31 (14:17):
And I am to.

Speaker 14 (14:23):
To this.

Speaker 8 (14:29):
I was told.

Speaker 11 (14:34):
To tell you.

Speaker 32 (14:40):
And I have to.

Speaker 14 (14:45):
To.

Speaker 8 (14:46):
I have to.

Speaker 22 (14:49):
To make you mind stay with.

Speaker 7 (14:52):
Me right.

Speaker 1 (14:56):
Well, listen, is we know that there is a tool
coming up that you are very very excited about. Secondhand
Serenade returns to Australia after a little bit of a hiatus,
but this time around is a very very special tour.
It is the twenty year anniversary tour of the first
debut studio album, Awake, and we thought to find out
a little bit more about this amazing tour, and also

(15:17):
we've got a little Top five in here as well.
We thought we would actually get the man behind secondhand serenade,
John on the phone to chat about it. Welcome to
the program, mate.

Speaker 14 (15:27):
Ah, what's up man? Thank you for having me now.

Speaker 1 (15:30):
Mate. As I said, we were talking a little bit
off air there before, and you said you were so
excited about this tour, tell us a little bit about
how you're feeling about coming back to Australia.

Speaker 14 (15:41):
I mean, as you know, it's been a really long time.

Speaker 33 (15:42):
I think like fifteen or sixteen years since I was
there last with the Fray, and it was, you know, funny,
it was one of my favorite tours that I ever had, because,
I mean, Australia is just one of my favorite places
in the world and it's my kind of place. I
love the beaches, I love the people, and guys, your

(16:03):
accent is pretty much the best accent in the world,
I have to say, And it's just, you know, I'm
really excited to be back. Man, Like, it's been a
long time and a lot's happened with me, and I
get to bring something really special.

Speaker 14 (16:16):
I mean, the show is going to be something different
that I've never done before.

Speaker 1 (16:20):
I was gonna talk about that. What's that been like
going back and revisiting Awake as an album, because of
course you've changed and matured as a musician, You've changed
and matured as a human being. What's that been like
going back and revisiting that debut album.

Speaker 14 (16:37):
Honestly, it's been incredible. A lot happens, you know when.

Speaker 33 (16:41):
You kind of achieve a little bit of success with music,
and it kind of pushed me, put a lot of
pressure on me and pushed me to try to like
fit in to a group that you know, you know,
trying to like do radio, trying to do all this,
and then you know, it changed my writing a little bit.
And I just over the past few years as I
realized I just want to write the music for myself

(17:02):
at this point again, just like I did with Awake.
I mean, this album like was the beginning for me,
and it was it was like, the most important thing
for me to do is just get one album out.
If it worked out, great, and luckily it did. If
it didn't, I was going to focus on work, taking
care of my family, doing all that. So this was
the most important album of my life. And getting to

(17:26):
kind of revisit it and work with a group of string.

Speaker 14 (17:30):
Players and.

Speaker 33 (17:33):
Change the format of the whole show. I mean, it's
it's gonna be something that I'm so excited to do.
I've never done anything like it, and it gets me
very emotional when I play with all the players, because
just hearing it like that is something I would have
never imagined.

Speaker 1 (17:51):
And you did things very, very differently to a lot
of other artists as well. Back then, I was working
for a music magazine and hosting a music television show,
and the record labels did a lot of the heavy
lifting back in those days. But you went at it
as an independent. Tell us a little bit about that
decision and how that works for you, because it did work.

(18:13):
Like there was a lot of people out there at
the time that said, no, you need to be on
a major label to succeed, but you proved that different.

Speaker 14 (18:20):
Yeah, I mean I was always very hands on.

Speaker 33 (18:23):
I mean when I started with Awake, before I even
started working with any management or anybody, I was, you know,
packing my own CDs and I'd sit down and just
like watch TV and pack hundreds of CDs at a time,
like a few times a week, which was which, which
was insane to me. And you know, I would spend
four hours on MySpace just responding to people. I felt

(18:44):
like I had to put myself into that, and you know,
because that's what makes people connected and what made me
feel connected to them as well. So so having my
hands on every aspect of the project was always really
important to me.

Speaker 1 (19:00):
It's funny that you mentioned my Space because I've been
going back recently and watching One Tree Hill, a television
show that had a bit of a focus on the
music industry, and I'd actually forgotten how important my Space
was until some of the characters started to talk about
it in the show. But that was the band and
in all of social media back then. How did you
use MySpace to shift your music out there?

Speaker 14 (19:25):
Ah Man, I can't say enough about MySpace.

Speaker 33 (19:28):
I feel like it was the best social media platform
that put fans and independent artists together, and back then,
like that was social media like they started.

Speaker 14 (19:39):
You know, they were the biggest like starting point of
social media, and.

Speaker 33 (19:45):
You know, you had to be on a label at
that point, and they were the first ones to like
reach out a lifeline to like independent bands and say,
you know, we're gonna do charts for you. We're going
to like allow people to just put their song on
your page and help spread it. It had so many
any important things that grew so many artists.

Speaker 14 (20:04):
That you know in a time. Now now social media is.

Speaker 33 (20:08):
Literally everywhere and everybody's on every single social media and
you know, it's it's easy. So many so many artists,
independent artists are are are just going out it themselves
now because you can't. But back then, it was like
very new and they kind of built that platform and
I'll forever be great grateful to them there.

Speaker 14 (20:26):
But I mean I didn't even do so much.

Speaker 33 (20:28):
I mean I would would would talk back and forth
with fans and everything, but but mostly it was you know,
allowing people to put put your song on their page
and then spreading to all their friends this song that
they really like, and they felt connected to the artists
because they felt, you know, like they were part of
the growth. Because it was such early times for all
the artists that were on there, so so they just

(20:51):
made it really really easy and uh and it was
just a great community.

Speaker 1 (20:56):
So we talked a little bit before about revisiting Awake,
But what's it been like going back and playing those
tracks live? If you found that to be a strange
experience a nice experience, how have you found that going
back and playing those tracks live.

Speaker 14 (21:13):
I think it's a wonderful experience.

Speaker 33 (21:15):
And the songs I know so intimately that it's just
it's so natural being able to play them. The only
difference is, you know, being able to play with the
new orchestration and all the new players. It's just been
a blessing because I get to hear this album in
a different way than I've ever gotten to hear and

(21:36):
experience it before. And I just can't wait for everybody
else to get to experience that like me.

Speaker 1 (21:43):
Definitely. Now, we did set you a little bit of
a challenge. We love to do lists, and we love
to do top fives and top tens on this show.
Now we set to you, let's ask of what were
the top five songs that made you fall in love
with music in the first place. So let's work through
that list. What have you got for us?

Speaker 14 (22:01):
All right?

Speaker 33 (22:02):
So you know what, I kind of have it a
little bit all through my progression. I guess I'll start
with the very beginning of the progression. Sloop John B
by The Beach Boys. Yea, they were my first band,
my first band that I ever went to see when
I was eight years old, and that song, for some reason,

(22:22):
I just I loved it. The verse was so melodic.
It was just such a special song for me. And
it was the first time that I heard like that
kind of harmony in music. And I got to see
that live and I was just absolutely blown away, which
is why I have so much harmony vocal harmony in
my music, because I was just so inspired from day

(22:43):
one with the Beach Boys. So that's number one, I
guess going into high school, Adams song by Blink Ye
was a very important song.

Speaker 14 (22:54):
I mean that just that song sums up summer for
me and and like nostalgia and it's bittersweet and it's.

Speaker 33 (23:02):
Just such a such an incredible song, and it puts
me right back to my youth listening to that. And
so so that's number two. Butterfly by Weezer off of
the Pinkerton album was very inspiring for me. It was
the first song I learned how to play on the

(23:22):
acoustic guitar, and I even reference that song in my
in my song Your Call, which is there's like a
you know, line about singing our favorite song butterfly early
summer kind of thing, and so that that's inspired.

Speaker 14 (23:38):
Me my whole life.

Speaker 33 (23:40):
I guess the next one would be out of Reach
by the Get Up Kids, another acoustic song that that
was the second song I learned how to play the
acoustic guitar and very very important to me. Get Everything
by Get Up Kids was very influential. And then I
guess last was Helena by My Chemical Romance. That song

(24:05):
just hits really hard and I can't help put the
jam out to it whenever I hear it. So that's
very very inspiring as well. And it's also my mother's name.

Speaker 1 (24:15):
Awesome, yeh. I'm glad that you put Sloop job B
in there, because that's also one of the songs that
made me fall in love with music. I had a
I had a dad who loved these heavy stuff but
also loved the Beach Boys to the point where about
a decade ago now the Beach Boys were doing their
last tour of Australia and the tickets were right out
through the roof and my dad said, don't tell your mum,

(24:37):
but I've bought us tickets.

Speaker 14 (24:39):
Oh my god, that's incredible.

Speaker 33 (24:42):
So that's amazing that you have such a such a
connection with that and and your and your parents, because
I mean I had. They were the ones that took
me to my first concert ever. And it's just being
able to share that with them such an important thing.

Speaker 1 (24:56):
So did you come from a very musical household? I
should have asked that before.

Speaker 33 (25:01):
Yeah, my dad was a before they came to the
United States from the Czech Republic. It was still under
communist rule when they left, so they had to escape
at the time, it was late seventies. And before then,
my dad was for about twenty years a professional jazz
musician and he played all around Europe and went to

(25:24):
Siberia and just did that. He's an incredible player, plays saxophone, flue, clarinet, everything.
And my brother as well, went to Berkeley School of Music.
Incredible bass player and piano player. He also played. He's
going to be on the tour with me. Oddly enough,
he's going to be playing contra bass with the orchestra.

Speaker 1 (25:47):
Awesome. So tell us a little bit about putting the
orchestra together. As you said before, that brings a whole
new sound to your music. Where did that idea come
from and what was that like for you the first
time you actually heard them play your music.

Speaker 33 (26:01):
You know, I've always I've always tried to integrate some
strings into my music, and I got to have a
few different orchestras play on some of my songs when
I had some of the big budget stuff.

Speaker 14 (26:15):
But I recently saw a few years ago.

Speaker 33 (26:19):
I saw that a band was getting together with the
Nashville Orchestra at the Rhymen and it was such a
such a cool idea I thought. And then I thought,
what about if I did like a second hand symphony
and took like a smaller group on tour with me?
And logistically it felt like a lot, but I always

(26:40):
wanted to do it. And then I felt like this
was the perfect, I guess situation with this album because
it's an acoustic album, so there's not really anything to it,
and bringing a you know, an acoustic or a symphonic
quartet with me would make it so so much more
special and now we just kind of brought it to

(27:02):
life and it's about to happen, so I'm really excited
about it.

Speaker 1 (27:06):
So tell us a little bit about how the night's
gonna work. You'll play Awake from start to finish and
when we hear any of your new music as well
as as a bit of an encore or how is
the night gonna work?

Speaker 14 (27:18):
Yeah, so we have a Wake set up and it's
going to play from start to finish.

Speaker 33 (27:24):
With a lot of kind of new interludes and segues
and you know, transitions. It's a really really beautiful program
and I'm very proud of it. And then of course it.

Speaker 14 (27:37):
Will follow up.

Speaker 33 (27:39):
I will be playing a couple new songs, so I'm
working on a new record right now, so everybody's going
to get to hear a new song off the new
record that's going to be coming out, as well as
definitely a few songs off of my album A Twist

(27:59):
and My Story. And then I have a cover that
I'm not going to name what the cover is, but
I'm going to be playing a cover as well, So
there's there's going to be some extra stuff on top
of a week definitely.

Speaker 1 (28:11):
Awesome now we are going to play your top five
list in just a moment. But to finish off, what
would you like to say to people out there who
have already bought tickets to these shows or are about
to buy tickets to these shows?

Speaker 33 (28:25):
First of all, thank you to all of you that
are here still after twenty years. It's been a very
long ride and your supports meant everything to me. So
I can't wait to bring this show to you guys
and celebrate with you.

Speaker 1 (28:41):
We come, John Bee.

Speaker 4 (28:45):
Brand fathering roundness bring on.

Speaker 7 (28:59):
Got him to a fight?

Speaker 8 (29:03):
Well, I feel so broke, I wanna go home? So
what's happened to?

Speaker 7 (29:13):
John Be said? See how the name says?

Speaker 8 (29:17):
Says?

Speaker 9 (29:19):
Oh boy, the captain is shot, me go home, letting
me go home? I wanta go home?

Speaker 7 (29:32):
He had, Well, I feel so broke, I wanna go.

Speaker 8 (29:42):
The first day he got.

Speaker 26 (29:44):
Come broke in the captain from.

Speaker 34 (29:50):
The Costa Bull had to do take him away? Share
the Johnstone last well the Sabrosa.

Speaker 8 (30:08):
I want to go?

Speaker 14 (30:13):
What's that?

Speaker 8 (30:14):
The Johnnie?

Speaker 11 (30:15):
What's not?

Speaker 31 (30:16):
Johnny?

Speaker 7 (30:17):
See how may say see how short?

Speaker 35 (30:23):
Let me up?

Speaker 8 (30:25):
Landing up?

Speaker 7 (30:29):
Let me go joy? What's the Johnny said?

Speaker 9 (30:35):
Johnny be sproca coy.

Speaker 8 (30:39):
Go, letting go.

Speaker 7 (30:43):
Beforecome, he got the fan, threw away on my crip.

Speaker 9 (30:51):
Benny took aetny eida brother Mac.

Speaker 8 (30:58):
Let me go.

Speaker 7 (31:01):
Why don't they let me go? This is the worst
trip I've ever.

Speaker 8 (31:10):
Been al.

Speaker 7 (31:14):
I started become me.

Speaker 36 (31:16):
I started to time to see how they sail, See
how the sail.

Speaker 9 (31:21):
Oh God bect me best short, least me up to
bless me.

Speaker 7 (31:37):
I never thought I die loud. I love the loudest
dude of known. I traced the card back to the wall,
no wonder it was never blocked.

Speaker 32 (31:49):
In at all.

Speaker 37 (31:51):
I churned my time, I gried up. The choice was
my damn thing enough. I'm too depressed to get a wan.
You'll be sorry.

Speaker 9 (32:04):
When I'm gone.

Speaker 8 (32:19):
I never car rarely came sixty.

Speaker 9 (32:24):
I just had such beat days, days when nice till
the dime. We couldn't wait to get sorry.

Speaker 38 (32:35):
To try to shop mercut way to walls towards the
chiming my room the bone.

Speaker 39 (33:02):
I never thought I die a lone another six months
up be unknown Tobama things Dama cans.

Speaker 14 (33:12):
But you'll never.

Speaker 8 (33:13):
Stop foot in my room again.

Speaker 7 (33:16):
You'll close it up, board it up. Remember the time that's.

Speaker 9 (33:21):
Built the cup of ample juice in the hall. Please
tell mom this is not her fault. I never carker,

(33:46):
rarely came sixteen.

Speaker 7 (33:48):
Ch has held such better days.

Speaker 9 (33:51):
Days when I stepped out alive, we couldn't wait acas signed.

Speaker 8 (34:00):
To time to.

Speaker 9 (34:03):
Wait to my I came in a way till my
time to pass the time in my room. I never

(34:56):
came from the game.

Speaker 40 (35:27):
Yes thurday, when outside with my mama's messon, Jack caught
a lovely.

Speaker 25 (35:36):
Butt of fly.

Speaker 8 (35:42):
We now woke up to day.

Speaker 41 (35:45):
But then on my ferry she had withered all anyway normal,
sighing in her breast.

Speaker 8 (35:56):
I'm sorry for what I did.

Speaker 22 (36:00):
I didn't want my body told me to.

Speaker 41 (36:04):
Wanted in your arm every time ippined on one, I
think I want it snip, So we.

Speaker 8 (36:16):
Go slip, so.

Speaker 40 (36:26):
Smell you on my hand For days, I can't show
your saints from.

Speaker 3 (36:34):
My dogging your rampits.

Speaker 22 (36:42):
I guess yours real as me.

Speaker 32 (36:45):
Maybe I can live with that, baby, I.

Speaker 41 (36:50):
Need fantasy life of chasing butterfly.

Speaker 26 (36:57):
I'm sorry for what I did.

Speaker 42 (37:00):
I did what my body told me too, wanted to
do your harm.

Speaker 8 (37:08):
Hell, Rich, I'm up and down the one I think
God want.

Speaker 26 (37:13):
It's so way the girl.

Speaker 8 (37:17):
Who slipped so weird.

Speaker 22 (37:35):
I told you I would Richard when no Robin makes his.

Speaker 8 (37:42):
Nest, but I ain't never coming back. I'm sorry. I'm sorry.

Speaker 42 (38:02):
So long way from home, lost by a nacho, never

(38:42):
of known.

Speaker 8 (38:47):
I've got pictures to prove I.

Speaker 27 (38:52):
Was there, but you don't care.

Speaker 16 (39:01):
Here's me overseas, across the pond, by the Dover Peaks.

Speaker 34 (39:14):
I've smuggled myself and new Nashal.

Speaker 7 (39:23):
Think you'd be proud of me.

Speaker 32 (39:29):
There's wrong to me.

Speaker 8 (39:34):
Out of sight, out of mind, out of reach.

Speaker 7 (39:39):
Start over.

Speaker 26 (39:42):
There's no way to begin, long wave from.

Speaker 27 (40:25):
Not buying that go.

Speaker 8 (40:28):
Never unknown. I've got pictures to.

Speaker 10 (40:37):
Prove I was there, but you don't care.

Speaker 8 (40:47):
In this room to be a sight, out of mind, out.

Speaker 7 (40:57):
Of reach, start over, Start off.

Speaker 8 (41:01):
It's no way to begin. There's room to me. Out
of sight, out of mind, out.

Speaker 43 (41:21):
Of reach, start off back, start off now, way to begin, Way.

Speaker 44 (41:33):
To be again, Way to be again.

Speaker 8 (41:47):
Soon I to get in again.

Speaker 32 (41:51):
Way are so from Yeah.

Speaker 7 (42:01):
Jump sis.

Speaker 11 (42:34):
Stop So.

Speaker 31 (42:38):
Journey So.

Speaker 11 (42:48):
At the stop.

Speaker 32 (42:51):
It's a music.

Speaker 31 (43:03):
Shop, SA.

Speaker 9 (43:24):
So Journey's story has.

Speaker 45 (43:38):
Start joy.

Speaker 25 (44:29):
So johny So.

Speaker 31 (44:34):
John Song, Johnny.

Speaker 1 (44:50):
God Well now the show, I want to talk to
you about one of the big blockbusters that's in cinemas
right now. The film is called tron Aries, and of
course this is the third film in the franchise that
started in the eighties with the Jeff Bridges film Tron.

(45:14):
Fifteen years ago we had Tron Legacy. I can't believe
I'm saying fifteen years ago, because it feels like only
yesterday that Tron Legacy came out, And to be honest,
I was expecting a third film a lot sooner. Tron
Legacy was applauded by not only fans but also critics alike,
and it seems kind of weird that we've had to

(45:35):
wait fifteen years for the next film in the series
with tron Arees. Now, tron Aries is set in the
modern day. We have these two digital media companies, multimedia
companies going head to head in trying to invent technology

(45:59):
that kind of loads stuff off the grid, which is
like the cloud, and bring it into being on Earth.
So on one side you have Eve Kim played by
Greta Lee's company, who's trying to do it with food
and like vegetable plants and apple trees and stuff like that,

(46:22):
so she can feed the poor. On the other side,
you have Julian Dillinger's company played by with Jillians played
by Evan Peters, and they're trying to do it with
military bring soldiers from the cloud and from the grid,
and nations can have an unlimited supply of soldiers, and

(46:44):
he's trying to make money that way. Now, Eve is
absolutely convinced that her sister solved this issue before she died,
but didn't get a chance to tell anybody. So she's
going on this mission and traveling into traveling into icelandic

(47:10):
kind of countries, trying to find this answer. At the
same time, the Dillinger family have created these super soldiers,
namely Aries played by Jared Leto and Athena played by
Jody Turner Smith, who he plans on using to get

(47:32):
what he wants. But the only problem is they basically
just disintegrate after thirty minutes. He hasn't got this download
stuff from the grid working properly. Now, as I've been
talking about this, if you've seen tron Legacy, you probably
already starting to ask some questions because this is the

(47:52):
weird thing about tron Aries. It pays a lot of
tribute to the original Tron film the nineteen eighties. In fact,
Jeff Bridges actually comes back as his character Kevin Flynn
in this film in a way. I won't spoil how
that happens, but he does come back. But it doesn't

(48:13):
pay a lot of attention to Tront Legacy and the
things that happened in Tront Legacy, which is kind of
weird because some of the stuff that they're trying to
solve in this film happened with the character of Cora
played by Olivia Wilde in Tront Legacy. So it's kind

(48:41):
of weird that this film, even though it is some
fifteen years later, seems to almost ignore tron Legacy until
later on in the film, but one of the things
that they're talking about has already happened in On Legacy.
That aside, though, I did find that I still enjoyed

(49:05):
Tron Ares because this is a film that kind of
looks at things a little bit differently. We've been so
programmed over the years to watch a film consisting of
AI and have the AI going bad, even right back
to the Terminator days. This does it a little bit differently.
This actually has this character of Ares who is this

(49:30):
super soldier that's been created in the grid being downloaded
to Earth, And he's got questions and he doesn't feel
that Julian Dillinger is being truthful with him, and he
also questions the life that Julian has kind of given

(49:50):
him in the sense that, oh, well, you'll you'll come
down at the moment, you'll do the mission that I
give you, and you'll do it within thirty minutes, and
then you'll die. And then aries picks up something in
one of the military kind of pictures that Julian says
where he basically says, look, these characters will come down,

(50:12):
they'll do what you do. What these soldiers will come down,
and they'll do what you need them to do. And
then there's just there's fodder, like they basically die. And
then the next one comes kind of thing, and he
starts asking questions about life. He starts asking more questions
about life when Julian gets him to download all of

(50:34):
the Kim Families files, and he starts to see that
there's good in this world. So you kind of have
a character who has been programmed to do bad things,
but he's starting to ask questions about the good side.
We don't see that very often with AI. I mean,

(50:56):
I guess you'd get it with Chappie and films like that,
but they were already programmed to be good. Here you
have a character who's programmed to be bad. You can
tell that Jared Ledo is enjoying playing the role like
he He seems to think that he's in a movie
that's a lot greater than tron Aries with his with

(51:17):
his acting here. But it is good to see a
film raise that question. The other thing, of course, that
a lot of people are going to flock to see
this film about, is the Nine Inch Nails soundtrack. Yes,
Trent Resno has been allowed to use the nine inch
Nails name as the band works on this soundtrack, and
he's absolutely amazing. This is a soundtrack that you want

(51:40):
to go out and grab after you've been after you've
watched the film, because it's Yeah, it's a It's an
absolutely stunning soundtrack, and I think it makes the film
what it is. Some of the chase sequences and everything
are definitely enhanced by that Nine Inch Nails soundtrack being

(52:03):
in there. Look, when it comes to acting in this film,
there's not a lot that people can do like Greta
Lee is serviceable as Eve Kim. Evan Peters seems to
love going off the deep end as he plays Julian Dillinger.
Jillian Anderson is kind of wasted as his mother Elizabeth.

(52:23):
You keep on waiting for that special scene with her,
but it just doesn't happen. She's kind of wasted. But yeah,
Jared Leto is the one that runs away with this
movie where he's kind of like, I know I'm in
an action movie, and maybe it's a dumb action movie,
but man, I'm going to bring one hundred and I'm
gonna bring two hundred percent to this role because he
seems he seems to think that he It's like it's

(52:46):
method acting. He seems to think that he is the AI.
But yeah, So the highlights for me for this film
was it's a serviceable action film. Jared Leto is great
in it. Nine inch Now soundtrack is awesome in it
as well. I'm gonna give it three out of five.
It could have been a lot better. It could have
related to Tron legacy a little bit more. But if
you're just looking for a dim action film to pass

(53:08):
some time, Tron Areas is definitely that film for you.

Speaker 46 (53:31):
It's wind makes me feel infection.

Speaker 47 (53:36):
It's almost like a tongue normal back of marmic a
never had a choice connection.

Speaker 14 (53:45):
Anover had a.

Speaker 47 (53:46):
Chance to catch mouth. It's seeding up the space between us.
It's seating up the ball in town. It's feeling the
whole inside you. It's trying to tune away, to let
itself vow.

Speaker 7 (54:26):
Give me sound until the lean.

Speaker 9 (54:30):
Always had got away, Give me sound until med.

Speaker 32 (54:39):
And me tway.

Speaker 8 (54:52):
Blas don't do this way.

Speaker 7 (54:54):
There's some to them back, never been any other way.

Speaker 46 (54:59):
There's some to them back.

Speaker 47 (55:01):
Everything for a reason, everything for the reason, Everything for
a reason, everything.

Speaker 7 (55:09):
For the reason. Give me sound until me.

Speaker 32 (55:33):
All they say, get me sound and tell me.

Speaker 31 (55:42):
And tell me.

Speaker 14 (56:58):
Well, Holly.

Speaker 1 (56:59):
Now on the story, we got to talk to a
young Australian band called Bloom. These guys literally exploded onto
the scene with their Maybe in Another Life album in
twenty twenty four. Now they're back with their brand new
album called The Light We Chase, which is being released
on the thirty first of October. And this week I
had a little sit down with a couple of members

(57:20):
of Bloom to chat about not only the new album
but also this brilliant new single called Tongue Tiede that
we're going to play on the show in a moment. Yeah,
so sit back and enjoy while we take a chat
to the guys from bloom How are you going? Thanks

(57:41):
to both of you for joining us today, No problem,
pleasure awesome. Well, guys, I want to start off by
saying congratulations on the album. It's an absolutely fantastic album. Congratulations.
How are you guys feeling about it now? It's about
to be released?

Speaker 14 (57:57):
Web pumped man like.

Speaker 24 (58:00):
It's been really cool having it all come together so quickly.
We started this record at the start of this year
and sort of had it ready to go by the
time it was June, and we're in October now and
it's about to be out into the world, so it's
really exciting and it still feels really fresh for us.

Speaker 14 (58:17):
So we have just super came to get it out
into the world.

Speaker 1 (58:21):
Jack, what do you put down to that secret? How
did this come together so quickly? Because of course these
days we're kind of used to bands working on an
album for a year or two. How did it come
together so quickly?

Speaker 48 (58:33):
I think we were just because of our schedule and
how hectical last year has been.

Speaker 14 (58:39):
We were in.

Speaker 48 (58:41):
Blue mode, so to speak, for so much of our
time that we were talking about ideas about the album constantly,
and Oli and Jared had been working on demos like
for the last year, even prior to us going on tour.
So once all of our ideas came to other and
we're all bread solnging when we were doing the US tour,
we just thought that we should just kind of get

(59:01):
it done. And then the first recording session that we
had in January was more productive than all of us
thought that it was going to be, Like more of
the album made sense than what we'd expected. So we're like, well, well,
if we're going to finish it, we as we'll get
it all done.

Speaker 1 (59:17):
John I. Jack mentioned there that you guys were talking
about the album a lot in the early days. Tell
us a little bit about those discussions. What kind of
things were you guys talking about for the album?

Speaker 14 (59:29):
For sure?

Speaker 24 (59:30):
When we were in the States pretty much at this
time last year October November last year, we were you know,
we were in an RV and we were driving ourselves.
It was just the five of us and the idea
of what should we do for album to tended to
be the topic of conversation on a lot of those
ten eleven twelve hour drives, and one of the things
that we kept coming back to was we all grew

(59:51):
up in the same part of Sydney on the Northern Beaches,
little area called Belros, and the first concept for the
record came to be as almost like a nod or
a love letter to this shared upbringing that we've had.
This you know, this this place between the five of
us that we put a lot of value in. And
I think because we were together for so long and

(01:00:13):
you know, on a drive there's not much else to
do other than just to talk, it meant that those
initial conversations to flesh out the concept of the record
were happening at a much rapid, much faster pace because
we were all there and we were all invested in it.

Speaker 1 (01:00:29):
Jack, how much of that concept remains in the album today?
As well as John I just said, there was a
lot of talk about where you grew up in Sydney.
How much of that concept ended up staying there to
the very end with the album?

Speaker 14 (01:00:44):
I think a lot of it was.

Speaker 48 (01:00:45):
It was like a guiding light in a lot of ways,
like When we came into the album with the ideas
for all of the songs and the lyrical content, the
idea was to make the album like almost purely.

Speaker 14 (01:00:57):
Based the nostalgia. It kind of changed as we took the.

Speaker 48 (01:01:02):
As we were recording the album, the way that we
write lyrics is like almost in tandem to how we're
doing the instrumentals, so we'll have like bones of instrumentals
and bones of lyrics, and then everything gets flushed out
in the three week period where we're all kind of
together and poking at the ideas and seeing what's working,
and we kind of realized that we're using the themes

(01:01:23):
of nostalgia and the past and this like idealized version
of our history as like almost a crutch to like
this is what that was going to be, so we should.

Speaker 14 (01:01:31):
Write about this. And then we're also using it to
kind of.

Speaker 48 (01:01:36):
Make the ideal versions of ourselves like come forward closer.
And that made us reconsider who we are at the
moment and like reconsider like all of our goals and
reconsider where we're going to go and everything that's surrounding like.

Speaker 14 (01:01:49):
Making an album, being in a band, like trying to
like live up.

Speaker 48 (01:01:52):
To your own expectation, and then that kind of became
like the new concept for how the album is going
to be kind of wrought together, and it's using all
of these past elements in order to like not justified,
but just to put into a perspective all of the
things that we're feeling now, Like if there's any feeling

(01:02:12):
of helplessness, if there's any feeling of ambition, it's all
being like driven by this like idealized, nostalgic past that
we all share.

Speaker 1 (01:02:22):
So I guess this is a question for both of you.
Did those early days of being able to chat in
that RV in America, did that kind of take away
that nervousness that a lot of bands feel heading into
that what they call the difficult second album. I guess
that's a question for both of you. Did that kind
of take away those nerves that there was an idea
there from the very start.

Speaker 24 (01:02:43):
I can only really speak for myself, but I don't
think I really had the you know, the sophomore album
anxieties because I kind of hadn't really clocked that it
was like this is album. So I kind of focused
on the product that we were creating that I was
and really considering the context of you know, it's gonna
be our second album. We all knew like going into

(01:03:04):
album too, like we've got to it's got to be better,
we've got to evolve. But I think we had a
lot of confidence in ourselves that we didn't really need
to stress or feel too anxious about that because you know,
we've we've you know, we've released out of our debut album,
but we've also released this kind of material before that,
and with every release it's just gotten better, and we've
become more focused and refined and have experimented with different things.

(01:03:27):
And I think now, more than ever, we're probably the
most confident in our writing ability and our style and sound.

Speaker 14 (01:03:34):
So I didn't really have.

Speaker 24 (01:03:35):
That I guess now finished and it's done and there's
no more changes and it's coming out in under a month,
there's a little bit of that anxiety setting in of like, okay,
it's his album too, like got to make sure that
you know, we don't we don't drop off. But at
the time, I don't think. I don't think really for
any of us, there.

Speaker 14 (01:03:52):
Was too much of that.

Speaker 48 (01:03:53):
H that's scary, but I think it kind of gave us.
We were kind of more confident going into album two
than the album why because previously the album one, we've
just been doing singles and EPs, and like an album
was kind of this like t treacherous environment that we've
never been in before. But after we released album one
and that out wrong, we're like, oh, like we can
actually do this, like pretty well, Like we know how

(01:04:14):
to write the album, we know how to put it
all together. So when we're doing the second one, we're like, ah,
we just need to make another album. Yeah, you know,
I think it's almost easier.

Speaker 24 (01:04:23):
I think that's why it also was able to be
done so quickly, because we knew that we could do it,
and we weren't.

Speaker 14 (01:04:31):
We weren't.

Speaker 24 (01:04:33):
There was definitely a level of perfectionism, as there is
in creating and writing and recording an album, but I
think we were a little bit, almost a little kinder
on ourselves in experimenting, trying out new things, because that
initial fear of like, shit, we've got to do an
album didn't have as much weight this time around on
album too, and it was it was almost a more
enjoyable experience, and we were just able to be more

(01:04:55):
creative and experiment more so.

Speaker 1 (01:04:58):
John can you tell us a little bit more about
that experimentation. What kind of things did you guys experiment
with this time around.

Speaker 14 (01:05:05):
For sure, right right from the start, we knew it
would be a different process. We recorded well.

Speaker 24 (01:05:10):
The producer for the record recorded mastered the whole Kitten
Kerboodle as a guy named Sam Bassal.

Speaker 14 (01:05:16):
It was the first time we ever worked with him.

Speaker 24 (01:05:18):
All of our work prior from twenty nineteen through to
twenty twenty four has all been with another producer, Chris Vernon,
So we knew going into album two.

Speaker 14 (01:05:29):
The end product would be different.

Speaker 24 (01:05:31):
We knew that the recording process would be different, and
we kind of knew of stepping into this new process.
And one of the things that I really enjoyed from
that recording process was we spent a lot more time
just throwing around different ideas. We'd explore each other's suggestions,
probably deeper. There was a lot more thought into at

(01:05:53):
Moss and all of the elements that sit behind, you know,
the guitars, the drum to create a more expansive sound,
And for me, that was one of the highlights was
just you know, you hear these these super strange sound
effects out of context and then you put it together
with the rest of the song, and it really adds

(01:06:13):
that extra ten percent.

Speaker 14 (01:06:16):
There was a lot of different stuff we did.

Speaker 24 (01:06:17):
We have a song on the record that's got an
acoustic guitar, which is the first time we've ever you know,
experimented with anything that's not going through at least some
sort of distortion. So yeah, there was I think we
spent a little bit more time fiddling around and trying
out different ideas, and it kept the whole process feeling

(01:06:37):
really fresh and exciting for all of us.

Speaker 1 (01:06:40):
Definitely, Jack, how did you find that experience as well?
Working with a new producer? Did you find that and
how did you find well, what did you find that
Sam brought to the album as well?

Speaker 48 (01:06:52):
I think it was I think it was really fulfilling,
like working just getting like a different mind on a
sound that we had already established much and just because
of Sam's like sensibilities and who he is, Like he's
really into like new metal.

Speaker 14 (01:07:05):
And the nineties and has this like.

Speaker 48 (01:07:08):
Kind of like laid back aesthetic that like kind of
it brought this new like slagger to the songs that
they hadn't really.

Speaker 14 (01:07:16):
Had on them before. Yeah, I think that I think
just the.

Speaker 48 (01:07:23):
Putting the difference in someone else, like digesting like our
sound and the demos and the lyrics and how we
all work together, and then pushing that through like a
different source just kind of made the process a little
more dynamic, Like we weren't getting stuck in our ways
of like how we normally make a record, and like
we take sidetracks and we'd like go down different paths,
and he changed some things about how we're used to

(01:07:45):
doing it, which I think is just a positive thing
all about when you can get something more dynamic and
a little different.

Speaker 14 (01:07:54):
Yeah, yeah, but I really enjoyed it.

Speaker 1 (01:07:56):
Zack. You mentioned as well in another interview that you
feel that this is a little bit of an oxymoron.
I was wondering if you could talk us through that
a little bit about what you meant by that.

Speaker 48 (01:08:06):
There's like a lot of things on the album that
are like comparing polar opposite things that constantly like talked
about as if they exist in the same way. Like
there's a lot of references of like like the light,
the light and the dark and the future and the past,
and like feeling helpless but also feeling so determined, and
then like all of these like thing thoughts kind of

(01:08:28):
contradict each other throughout the album, but they're they're like
contradicting themselves in tandem rather than causing like conflict and
breaking apart. Like everyone is like living with like the
vision that they have themselves in the future and the
experiences they had of themselves in the past, and like
who they are right now, and like sometimes they seem
like they're so conflicted and they feel so different, but

(01:08:49):
they're all just a part of who you are. And
I think that that is like one of the main,
maybe the main like anchor points of the album is
like these like opposing forces that are like coming into
this like oneness, which is it almost seems like it
shouldn't work, but it just kind of gells in together somehow.
And it's also even sonically has explored on the album

(01:09:11):
where we like are really really heavy and then we're
like clean singing, like almost an ext track, and it's
like these two like opposing styles that are like feel
like they should be clashing, but they all have the
same down and like feeling to them.

Speaker 1 (01:09:24):
Definitely, Yeah, John, I wanted to ask a little bit
about that as well. You mentioned before about there's a
real nostalgia kind of feel to this album of going
back to where you all grew up. I was wondering,
did that take you back in your mind too, to
what you were like back then and what kind of
things did you find yourself thinking about at that time.

Speaker 24 (01:09:45):
Absolutely throughout the record, a couple of songs, songs like
Belrose Glenn Street, Keep You, they're directly referencing like actual
physical places in this you know, this suburb of the
Wheel grew up together. It was really cool to write
songs about.

Speaker 14 (01:10:06):
A place.

Speaker 24 (01:10:07):
I think it was sort of it was an interesting
way of writing lyrics. The opening track, you Know, references
the mulberry tree, the cemetery, all of these like suburban
streets that actual real places. I could point out on
a map exactly where our logic was at when writing
about these places. And then I think we kind of
took it a step further as well with the visuals

(01:10:29):
for the album. The cover art for the album is
taken on the street around the corner from where I
used to catch the bus to school.

Speaker 14 (01:10:37):
One of the locations we've used in one of our.

Speaker 24 (01:10:38):
Music videos is an old community hall where we first
started going to shows together when we were fourteen, fifteen,
sixteen years old, So there's been a lot of subtle
nods to this place, this nostalgia that we all share,
and I think being able to have this shared nostalgic experience,
you know, with your bandmates, is a special So we

(01:11:01):
kind of explored that more than just how it was
going to sound and how the lyrics were and tried
to encapsulate it into the entire release.

Speaker 1 (01:11:09):
I guess this is a question for both of you
as well, how do you think the people who grew
up around you are going to react to the album?
Because there's a song out there that was performed by
a country singer called Andrew Swift here in Australia that's
written about the town that I grew up in, and
whenever I listen to that that that track, I always
find I get a little bit emotional listening to it

(01:11:31):
because it's talking about the pub that we all used
to hang around when we were kids and play stuff
like that. I guess for both of you, the question
is how do you think people that grew up around
you will it affect them emotionally listening to this album?

Speaker 14 (01:11:46):
I think.

Speaker 24 (01:11:48):
It's very much if you if you grew up around
that place, you'll hear these things in the song and
you'll go, oh, like that's like it's a it's a
it's a really nice nod to I think even if
you aren't familiar with these locations that where you know
when name dropping that we're mentioning throughout these songs, I
think there's still some sort of an emotional connection that

(01:12:10):
anyone can pull from that because of how these places
are being described and they're off, they're looked at through
this lens of you know, a simpler time or like
a like a warm similar to that umbrella term the light.
We chase that warmth of nostalgia, that that shimmering gold
memory that you might hold. I think for anyone listening

(01:12:31):
to it, they'll be able to relate in some way
or another to, you know, a place that holds importance
to them from their childhood. But yeah, I do hope
that you know, people that I went to high school
with will listen to the album and recognize all the
little subtle.

Speaker 14 (01:12:46):
Mods that we've done.

Speaker 48 (01:12:48):
I assert it to my sister's fiance, who doesn't like
never doesn't really like listen to heavy music and stuff
at all but I was just like, oh, is the album?
I just like playing for them, and he was like, Oh, Doro,
that's awesome, that's so cool, and I was like all
the references, it was like, oh, that's sick. So yeah,
I hope that that's like the general the general feeling.

Speaker 1 (01:13:09):
But now, guys, I know we are running out of
time very quickly. But I had a couple of quick
questions I wanted to ask. First of all, you're about
to head back overseas again for a tour. Could you
both tell us how you feel about heading overseas this
time and how do you feel about being able to
play the new tracks live.

Speaker 24 (01:13:29):
Yeah, it's gonna be our biggest stint of touring that
we've ever done. We're flying to Europe in two weeks,
and we're therefore just shy of a month with Thornhill
and Ocean Grove, and then we're flying straight to North
America for a tour with Silverstein, so we're away for
just shy three months. I think it's forty four shows

(01:13:51):
in that stint, which is really exciting. And to have
that coincide with the release of a new album and
an album that still feels so fresh for us that
we're still really excited by h is going to be
really cool. It's it's come together really nicely and it's
going to be a very cool way.

Speaker 14 (01:14:08):
To wrap up the year.

Speaker 48 (01:14:09):
I'm really keen to play the new songs as well.
We played we played one of the songs on the
album that we'd never rehearsed before during sound check at
our Sydney show at o last headliner, just to play it.
We've just done like a music video, so we were
just kind of playing it just to see how everyone's going.

Speaker 14 (01:14:25):
And after we played it.

Speaker 48 (01:14:26):
At soundcheck, we're like, oh, we've got to play this
tonight just once, just like a one off before the
album comes out.

Speaker 14 (01:14:31):
We'll play it tonight.

Speaker 49 (01:14:32):
But yeah, it was.

Speaker 14 (01:14:33):
It was a really cool feeling, like to play like
one of the new songs for the first time like live.
It was. It was awesome. I can't wait for it
to haven't for all the other songs.

Speaker 1 (01:14:43):
Awesome And for both of you again, to finish off,
what would you like to say to people out there
before they sit down and listen to the album for
the first time in full.

Speaker 24 (01:14:54):
I think exactly that if you're going to listen to
the album, and you want to make it a you know,
you only get your first chair to listening to an
album once. Make sure you listen to it from you know,
track one through eleven with a good pair of headphones.
We spent a lot of time and a lot of
energy working on the flow of the album, how it sits,
how how it starts, and how it ends the message

(01:15:16):
that is sort of carried throughout. So if you are
going to go out of your way to listen to
the album, make sure that you can, you know, devote
thirty three thirty four minutes of your time to to
really let it all come in. And I think even
on you know, subsequent listens as well, you'll probably pick
up on more of.

Speaker 14 (01:15:34):
Things that you may have missed the first listen. Yeah,
it's a roller coaster.

Speaker 8 (01:15:43):
I'm feeling lonely lately. I'm assign as soon.

Speaker 7 (01:15:47):
How need you to home?

Speaker 14 (01:15:48):
Me?

Speaker 7 (01:15:49):
How need you listen?

Speaker 8 (01:15:51):
And if a me I can speak my truth?

Speaker 7 (01:15:55):
If Iers is so scared too, I've been unto.

Speaker 8 (01:16:03):
I'm just so scared if I say the wrong thing
ends upon my own.

Speaker 50 (01:16:11):
We'll lie in next to me, shut the But we're
home all on talking about everything.

Speaker 7 (01:16:17):
It's not the things we should It's easy.

Speaker 8 (01:16:20):
They're just signor and bre It's.

Speaker 7 (01:16:21):
Had that wicked brit sad the wacked.

Speaker 8 (01:16:39):
I can find the right words.

Speaker 7 (01:16:41):
Know you were a shot wound? Maybe up, says a
speaking louder.

Speaker 8 (01:16:45):
Then yeah, fucking.

Speaker 9 (01:16:47):
Felt this way for Harvers.

Speaker 7 (01:16:49):
Just about me said to hoping up to you, and
then I should.

Speaker 11 (01:17:01):
I should not?

Speaker 10 (01:17:02):
God, haven't feeling lonely, Lily.

Speaker 27 (01:17:13):
I'm understood.

Speaker 10 (01:17:15):
I've been thinking swly, just like you knew, Albert.

Speaker 51 (01:17:19):
Wonder if you hear me, We're not collating you.

Speaker 7 (01:17:26):
Your servance was a tribul?

Speaker 8 (01:17:29):
Was it all you could do?

Speaker 5 (01:17:30):
Saying nothing's easy? I'd rather you would just be cruel corul.

Speaker 11 (01:17:36):
Read chat to me?

Speaker 52 (01:17:38):
Are you still are the jet? Everyone else said stands
should say?

Speaker 9 (01:17:52):
I can jete discuss.

Speaker 8 (01:17:57):
Your suit?

Speaker 9 (01:17:58):
When have my.

Speaker 40 (01:18:31):
If I say the wrong thing ends up on my
own lying next to you, it's shut but my home
love talking about everything except the things are sure?

Speaker 8 (01:18:43):
If its season to pretend?

Speaker 2 (01:18:45):
I hope that well?

Speaker 8 (01:18:47):
Good.

Speaker 1 (01:19:01):
Well, now on the show, I want to take a
look at a film that has completely surprised everybody. I'm
talking about the brand new film called The Smashing Machine
starring Dwayne Johnson. Now, the question that everybody is asking
after the release of this film is could Dwayne the Johnson?

(01:19:22):
Could Dwayne Johnson, the artist formerly known as the Rock
be in line for an OSCAR nomination when it comes
award season for this film. Now, if you'd asked me
that question a few years ago, I would have I
would have said no. But after seeing The Smashing Machine,
I have to change my mind and the kind of answer. Perhaps.

(01:19:43):
This is the new film from director Benny Safde, who
did Uncut Gems, is a film that probably most people
will know him for and Johnson plays Mark Kerr, a
wrestler who turned his attention to mixed marshall It's what
we call MMA these days. In the early form of

(01:20:05):
the UFC back in the nineteen nineties. Now Kerr was
kind of a formidable opponent, and he earned the nickname
the Smashing Machine by the fact that he won most
of his early MMA fights by pinning his opponent to
the canvas and then literally smashing their head with his fists, knees,
and even headbuts. Now. His success and his unbeaten record

(01:20:26):
in the US soon saw him and his good friend
training buddy Mark Coleman, played in the movie here by
UFC fighter Ryan Bata, accepting fights in Japan as part
of what was known as the Pride Tournament. Now it's
well fighting in Japan, though that Kerr's personal problems first start.
The fights in Japan are not as easy as the

(01:20:47):
fights back in the US. In order to keep at
a fighting level and to deal with the pain, Curve
becomes addicted to pain medication. There's also a little bit
of a backstory there about corruption as well that the
film looks at that perhaps these US fighters were kind
of set up to fail in Japan as well. Now,

(01:21:07):
his pain medication addiction, grouped together with a toxic relationship
that he has with his partner Dawn Staples played by
Emily Blunt, has a crippling effect on Kerr that not
only threatens to railroad his career but places him in
the fight of his life. Now, many of you out
there are probably thinking right now that, Okay, so Johnson's

(01:21:29):
playing a former wrestler turned fighter. Yeah, that kind of
fits with his own life. So why is this performance
being talked about for rewards. Well, the answer is that
Johnson doesn't simply just play this character. He somehow becomes
a method actor, which is probably something that you would
never expect me to hear me say about Duane Johnson.

(01:21:52):
He becomes this method actor and completely morphs into Kerr. Now,
to say that Johnson is unrecognized in this role is
an understatement. Yes, he wears a wig, but he also
reveals under that layer of muscle. Has been a serious
actor waiting for a role like this for years. One
of my colleagues at the media screening that I was

(01:22:13):
at here in Melbourne actually turned around to me after
the screening and said that it took him about a
quarter of the way into the film to realize that
it was Dwayne Johnson who was the lead in this role.
Not only because of the way that he looks. I mean,
he is completely unrecognizable with the wig and everything like that,

(01:22:33):
but because he delivers the acting talent just in spades here.

Speaker 14 (01:22:40):
Now.

Speaker 1 (01:22:41):
It also it's not like he gets an easy ride here.
The director sad he doesn't give him a here go, Dwayne,
this is a this is an easy role for you.
The screenplay for The Smashing Machine puts Johnson through the ringer.
Not only does he have to deliver during the fight sequences,

(01:23:01):
but he has these tough emotional scenes with Emily Blunt
as well. And then there's also at the there's this
kind of thing where he has to be at the
top of his game to portray this character that's nearing
breaking point as he faces the reality of a painful
drug addiction. Now, when I'm talking about those scenes with
Emily Blunt, again, it's not just a couple fighting. This

(01:23:23):
is absolutely brutal.

Speaker 53 (01:23:24):
This is.

Speaker 1 (01:23:26):
A relationship so toxic where Emily Blunt's character pushes him
to the absolute limit where he has to punch a
door in order to stop himself from hitting her. Basically,
there's also scenes in this where suicide becomes a major point,

(01:23:48):
and there's these really emotional scenes where Dwayne Johnson Emily
Blunt end up like on the floor crying, holding each other.
These are brutal scenes. These are scenes that Oscar winning
actors would prepare for for days before they had to
do them. These scenes are that brutal, and he you

(01:24:10):
have Dwayne Johnson delivering them. And if you go on
to our website you will actually see an interview with
Dwayne Johnson on there where he's talking about what it
was like doing these scenes. Now, if you think that
some of the scenes that Mickey Rourke had to deliver
in his Oscar winning performance in The Wrestler, if you
think about those roles, then you're kind of on par
with what Johnson has to deliver here in The Smashing Machine. Now,

(01:24:34):
Aside from Johnson's performance, this film is also lifted by
the fact that, in order to make this not just
another fighting movie, Benny Saftie brings in an artistic side
to the film at times. The natural approach to the
film that he brings makes the audience feel like you're
watching a documentary or reality TV rather than a film,

(01:24:57):
and that writing style makes this a film that's driven
by its characters rather than the impressive fight sequences. And again,
that's another major test for Dwayn Johnson because he has
to be able to put in this natural performance. Now,
the result of what Safti does there is is this
becomes a film that's successible to people that don't know

(01:25:18):
a thing about MMA or fighting in general. You don't
have to be a sports fan to know what it
is like. I have to overcome these personal obstacles in
your life. Now, while most of the acting plaudits here
will be heaped on Dwayne Johnson. It would be wrong
to write about this film, or to talk about this
film and not acknowledge the fact that Emily Blunt and

(01:25:40):
Ryan Beta are also brilliant here. Blunt is amazing at
playing a character that most of the audience will grow
to hate, while Beta shows that if Hollywood starts calling
once his MMA career is over, then acting is certainly
something that he will be good at. Most people who
watch this film will not even realize that he is
a and not an actor as they're watching the film. Now,

(01:26:03):
when it comes to award season, certainly expect for there
to be whispers around the Smashing Machine and Duayne Johnson.
This well written film turns out to be the perfect
vehicle to show that there is more of Johnson's acting
career than he's ever showed us before. And I think
this is one of the must see films of this year.
I'm actually gonna give it four out of five. It

(01:26:24):
has got a general release, so check your local cinema
guide to see if it's showing you, and go along
and check it out.

Speaker 54 (01:26:32):
Every money, Hello Hagget from the gunner of my Government, Bob,
I know it's that, but I see it.

Speaker 7 (01:26:43):
I can use it for the Wiganer.

Speaker 8 (01:26:46):
Sam how to work it out once again? Has pridicted
the broken heart open and you lifted it out.

Speaker 55 (01:27:06):
Something's got me reeling, can stop me from believing, turned me.

Speaker 8 (01:27:11):
Around again so that we can do it.

Speaker 7 (01:27:17):
You know, I want to do it again.

Speaker 32 (01:27:26):
After tomorrow.

Speaker 8 (01:27:28):
Every shut the door bay, don't say a word. She
always trying.

Speaker 46 (01:27:39):
The door bay, and shut the door bay.

Speaker 56 (01:27:50):
Every morning there's a heart aching in from the corner
of my conference for post bad.

Speaker 9 (01:27:59):
I know it's not many.

Speaker 8 (01:28:00):
I know she thinks she loves me, but I never
can't believe what she said.

Speaker 55 (01:28:07):
Something so seeing when you stop believing, churning me around again,
he said we couldn't do it.

Speaker 8 (01:28:18):
No, I won't do it again.

Speaker 56 (01:28:30):
Every morning, don't say every should the door She always
writes the role for me. She always writes the roll.

Speaker 14 (01:28:55):
For me.

Speaker 54 (01:28:56):
Every mon has a hello hanging.

Speaker 8 (01:28:59):
From the corner.

Speaker 14 (01:29:00):
My god, I know.

Speaker 57 (01:29:07):
Fucking years well, Harley.

Speaker 1 (01:29:27):
On last week's show, we asked people to start sending
in lists in order to win both movie tickets and
also subculture collectibles packs. We've got one that we're going
to play on our show. Right now. This is an
absolutely amazing list that's been put together by I'm just

(01:29:48):
trying to find the name Katie Brunt, who is from
Rabina in Queensland. Now. Katie came up with the concept
of and this is what she wrote. She said, I've
been listening to the older Ranger Things soundtracks in readiness
for the new Stranger Things coming out on Netflix in
a couple of months, and I realized how many great
songs have been used in that show. I decided to

(01:30:11):
put together a top ten list for you guys of
the best tracks ever used in Stranger Things. Now, the
funny bit about my list is that my all time
favorite scene of Stranger Things was the scene in which
some of the cast got to sing got to sing
Sorry never Ending Story by Lamal. That's not my number

(01:30:35):
one song though, as you'll see, there is a number
one song in there that's not that track, but that
is my favorite scene. So, Katie, because you actually did
send in this amazing Stranger Things list, we're going to
play the Stranger Things list now, but we're also going
to send you a ticket to go and see Familiar Touch,
which is a brand a film that's out in cinemas

(01:30:58):
right now. And we're also going to send you a
Subculture Collectible's pack which includes a twenty percent off discount
if you use it online. So, without any our further ado,
let's kick off this top ten list of tracks used
on Stranger Things. Now, I do have to warn people
there is a heavy Metallica track as part of this list,

(01:31:20):
But because Katie's list was so good and it was
only one heavy list, you'll just have to sit tight
and you don't like heavy music just.

Speaker 14 (01:31:30):
For that one track.

Speaker 3 (01:31:31):
Not that heavy. It's it's it's it's not such a
bad trick. You'll be fine.

Speaker 1 (01:31:36):
Yeah, So here we go. Let's start off with number ten,
which is musical. Use past the duchy.

Speaker 8 (01:31:54):
Look, don't believe it, Leave Leaven Leave leave, he.

Speaker 58 (01:32:04):
Said, Fastian left fan side FASTI doany left one.

Speaker 25 (01:32:10):
Side the tagabat.

Speaker 7 (01:32:15):
General lonely, breezy.

Speaker 25 (01:32:20):
Afternue Do you feel.

Speaker 7 (01:32:21):
When you got no food?

Speaker 8 (01:32:23):
And you feel?

Speaker 14 (01:32:24):
Does it?

Speaker 7 (01:32:25):
It was the mondo the field when you got no food.
So I let my gait and went out for a
world that you feel when you got no food?

Speaker 59 (01:32:36):
As a past the dread last campaign to them, saying
do you feel when you got FASTI left hand side fastyany.

Speaker 25 (01:32:47):
Left an side the dagabat music.

Speaker 8 (01:32:50):
Mat me John.

Speaker 51 (01:32:53):
Give music, will leave.

Speaker 7 (01:33:01):
So I stopped to find out what was going on?
Is it too when you can't know?

Speaker 59 (01:33:08):
Was the spirit ubjack? You know you you when you
got there was a ring up jets and the session.

Speaker 7 (01:33:17):
Was there, and so you when you got no field as.

Speaker 58 (01:33:22):
I seen an, that's it you when you can't know?
Pass they left on side past a side tabot music.

Speaker 8 (01:33:35):
Maybe John.

Speaker 60 (01:33:40):
Ellison, your mommy Sellison, Tabius, gimme the cole music.

Speaker 32 (01:33:45):
Maybe why know you.

Speaker 60 (01:33:46):
Ellison to your mommy Silison, Olivius give me the co music?

Speaker 32 (01:33:51):
Maybe why not?

Speaker 58 (01:33:52):
Maybe Pasney left one size pasty left.

Speaker 60 (01:33:58):
One side Labama, give me the music, Mammy. John you
know you play it on the radio and saw me
say we are here.

Speaker 8 (01:34:09):
It's on the stereo. I saw me know we a
go play it on the disc and saw me say
we have here.

Speaker 51 (01:34:16):
It's on the stereo.

Speaker 7 (01:34:17):
You pass the left hand size past the left onside
Tago bar the music man.

Speaker 25 (01:34:27):
Drunk Bago music.

Speaker 9 (01:34:32):
On the left hand side, on the left hand side,
on the left hand side, on the left and side, and.

Speaker 60 (01:34:46):
The left hand sideway on the lea and side.

Speaker 7 (01:35:07):
Do we stay hot? Pall house broken?

Speaker 32 (01:35:13):
It to.

Speaker 14 (01:35:15):
To to.

Speaker 7 (01:35:22):
Stacos nice? He s round, no reagionbout you you feeling
that it's gone the changeable.

Speaker 31 (01:35:42):
If we get a love survive the time.

Speaker 7 (01:35:53):
Sometime that will.

Speaker 9 (01:35:55):
Find you right, don's change that finder some nice will
be mind you, Jo Show saying the rose.

Speaker 7 (01:36:09):
Above my s to know volati sunti you know I
stir up. You know we don't start no sac trouble

(01:36:31):
times betweet, confusing and.

Speaker 8 (01:36:38):
Fair to stand d.

Speaker 7 (01:36:48):
For the sins we angle and you kill my scar.

Speaker 14 (01:37:02):
A.

Speaker 61 (01:37:02):
Listen, you never a love token about this something that
will find.

Speaker 32 (01:37:18):
You straight those Chase.

Speaker 9 (01:37:21):
I find you one night, We'll rEFInd you. Don't sunday
no sacred ways.

Speaker 7 (01:37:30):
I bet you to want this.

Speaker 9 (01:37:36):
You you, I'll still have you with dout somewhere. Some

(01:38:28):
days we'll find you, my boss, Chase, I find you one.

Speaker 32 (01:38:36):
Night, We'll remind you.

Speaker 7 (01:38:42):
You see that's a fat to love mo dests you.

Speaker 8 (01:38:50):
You know I still love you.

Speaker 62 (01:39:00):
All of the surprise up at the sky gray, at
the sky spray.

Speaker 9 (01:39:18):
As I would say, why say that if I.

Speaker 14 (01:39:33):
Was that? I thought.

Speaker 32 (01:39:39):
I sat a man's.

Speaker 7 (01:39:40):
Day stopped into a church. I passed along a way
wait till I got down on my name and I
returned way. I've betwn to pray we did be cool.

Speaker 8 (01:40:04):
He knows I'm.

Speaker 25 (01:40:05):
Going to stay.

Speaker 32 (01:40:13):
Tis day.

Speaker 7 (01:40:55):
The guys and this guys.

Speaker 11 (01:41:21):
I thought you.

Speaker 25 (01:41:25):
I thought your man.

Speaker 32 (01:41:29):
I the bottle puffs, punk up.

Speaker 63 (01:41:56):
The cross start, I had to show him.

Speaker 46 (01:42:01):
Then I took him.

Speaker 48 (01:42:02):
Only from but you did.

Speaker 63 (01:42:06):
Super start of propolio about excity because I had to
a friend.

Speaker 46 (01:42:11):
I'm going to those about what to do, but student
to come and rob me, but the.

Speaker 25 (01:42:26):
From me up.

Speaker 63 (01:42:38):
As well as something that aticle this no plastic money
and then not the funking gag and b he had.

Speaker 46 (01:42:44):
You shouldn't come and now would you?

Speaker 63 (01:42:45):
The mumbo comes ever and mandron leaping and punk super
start abouz propolia about exciting can that's about I'm to
butt rock door and have to come and.

Speaker 11 (01:42:58):
Rob me Upbout.

Speaker 64 (01:43:00):
Pays unsays the sun, past Gods, new salads, Salida pass.

Speaker 46 (01:43:20):
Comes to.

Speaker 9 (01:43:42):
Pass, the sassails and the last.

Speaker 32 (01:44:03):
Was the bass.

Speaker 46 (01:44:16):
Also the Pals.

Speaker 25 (01:45:13):
Jungle Light.

Speaker 7 (01:45:14):
I'm following flower, oh.

Speaker 34 (01:45:17):
My own, my dad's I thought, I don't see a
bland over rush across the four Borer's monkey business.

Speaker 7 (01:45:27):
On a sunny afternoon Juncle light the leading needview lady
bade the cares a.

Speaker 19 (01:45:39):
Bing that my father blotless guys, I said, wonder, it's
a message.

Speaker 14 (01:45:46):
Get to you.

Speaker 9 (01:46:06):
Night to night, give the uti tante night, give give nice.

Speaker 25 (01:46:15):
Night, give up, give me the out, Johno.

Speaker 7 (01:46:41):
Life the battle way loved, it's all right.

Speaker 8 (01:46:46):
You won't be so.

Speaker 7 (01:46:49):
The good chance he'd better be behind.

Speaker 27 (01:46:52):
He's gonna enjoin you.

Speaker 46 (01:46:54):
Walk the service gets.

Speaker 7 (01:46:55):
Easy to survive, Johango line.

Speaker 8 (01:47:00):
Lady need.

Speaker 7 (01:47:03):
O alone like that, say.

Speaker 56 (01:47:07):
Ride and see the play Lomora for his month business
on a sunny afternoon.

Speaker 8 (01:47:16):
Nights night, give me, give me up, James night night night,
give it up, give me out.

Speaker 11 (01:47:29):
The next night.

Speaker 9 (01:47:32):
By night night, give me give me up.

Speaker 8 (01:47:38):
Jacks Snap, Oh yeah, nice night night, give me give
me out.

Speaker 7 (01:48:24):
I get to New York's names.

Speaker 35 (01:48:32):
You take your Friday, no.

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Exact me, so.

Speaker 25 (01:48:47):
I said that, said of you, I gotta take about
way out.

Speaker 14 (01:49:00):
Exact me.

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Here you stayed me.

Speaker 64 (01:49:10):
By red baby lipay me by found baby ud like
a red baby child round.

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I think accident.

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I got to be a friend.

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We're not a movie.

Speaker 8 (01:49:45):
Except me.

Speaker 64 (01:49:51):
Here he stayed me baby.

Speaker 25 (01:49:56):
Child like red baby child.

Speaker 32 (01:49:59):
Fow you spend time.

Speaker 65 (01:50:04):
By the record night wi.

Speaker 31 (01:50:24):
You you speak me by.

Speaker 65 (01:50:34):
Red baby right.

Speaker 64 (01:50:36):
Round round He gave me right by the red baby,
right round round.

Speaker 11 (01:50:45):
He say.

Speaker 35 (01:50:51):
Round Sunday, just.

Speaker 50 (01:51:30):
Fassi play by no word No so comes out.

Speaker 35 (01:51:36):
This stops un.

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Rays about wood sucking stop its claire thing.

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No, don't get go struck sun.

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Thanks for your well see or stall your.

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Name next a zoo that one's feeling you.

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Don't master, Oh baby, y'all master.

Speaker 32 (01:52:08):
Your nine b.

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M babe, y'all master docter.

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That's it's a bulling scrace.

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Fussing your minds passing a dread. That is my baby
passing a day. Just got my name, desire your scrap master, master,
just got my name designed scrap.

Speaker 7 (01:52:37):
Master masters.

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They don't want no way If I you'll betray nine
bad me godic later on say Monopoly ring from it
the rag down your breakmas do six me you will
say me or inside your name the next day into

(01:53:13):
how I'm feeling.

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You don't go down there?

Speaker 25 (01:53:24):
I bet you after.

Speaker 7 (01:53:28):
Your line bird after.

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By y'all after after chapter A moment of bling a spry.

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You'll see your mind passing a day?

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Did your past day? Just now my name deciun your
spray after after just got my name deciding you stray.

Speaker 45 (01:53:57):
After after.

Speaker 36 (01:54:12):
S master master pleasant dreams and I've been I've the

(01:55:53):
master master promise.

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Only lies laughter lotter.

Speaker 50 (01:56:02):
Laughter, laughter, laughter, laughing at my fries' one.

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Thot that that's all happen, sass.

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Just stop riding without a reason, never riding. Base you
the number day now, y'all life thout season.

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I will on you wrong, I will help your side.

Speaker 8 (01:57:39):
I will run.

Speaker 32 (01:57:40):
Do you now, I roll yourself.

Speaker 31 (01:57:47):
Don't roll.

Speaker 9 (01:57:52):
A bat, y'all.

Speaker 32 (01:57:56):
Your life burn faster.

Speaker 66 (01:58:46):
Night in the bed the clock Ti Garvine called a
little circles.

Speaker 51 (01:58:56):
Confus of news nothing you punch back long night, almost
eleve sooncat sven.

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Time out.

Speaker 51 (01:59:14):
Sometimes you're picture me.

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I'm talking too far ahead.

Speaker 65 (01:59:21):
Your coding to me.

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I can't you what you've said? Then you said goes through.

Speaker 30 (01:59:33):
Follow me.

Speaker 27 (01:59:36):
The second hand, dumb wine.

Speaker 31 (01:59:39):
If you're lost, you.

Speaker 8 (01:59:40):
Can luck and you will find it time out to time.

Speaker 9 (01:59:46):
If you fall, I will catch up.

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Me waiting.

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Time after time.

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If you're lost, you can luck and you will find it.

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Time out to.

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the sts turn to.

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Deep inside.

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Jumping smelled up time.

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Can you wear find it?

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If you fall, I will catch uppy way.

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Phobe the second hand duty.

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it time up to tip. If you fall, I will
at you. I'll be awaited.

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Time up to time. If you're lost, you can luck
and you will find.

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It time out the tip. If you fall, I will.

Speaker 7 (02:01:53):
At you an will be waiting.

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Time up the time, time after.

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Time, time after time, be time after time, time after time,
time after time, time after time.

Speaker 30 (02:02:26):
Sad, look at what you see me, look mirror.

Speaker 8 (02:02:38):
Your dreaming.

Speaker 65 (02:02:44):
Of us, answer.

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Story, Please stop.

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Lil fantasy.

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doll behind.

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(02:04:47):
don't because thatsyment.

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Behind the ball.

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All the rest answers loves God.

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Never snow, so it doesn't have.

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You don't feel happy.

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Don't you want to know no more than it? Just
turn me? Do you want to hear about the deal?
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With God and I get on a small mod spear
running a therod.

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Silver lecord. You don't want to hurt men? See deep

(02:06:54):
the worldline unaway try it was so.

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There is thunder in a horse.

Speaker 32 (02:07:06):
You It is just so much.

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She's gonna water love. Tell me we're both meden, do.

Speaker 14 (02:07:15):
You you?

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It's you and me.

Speaker 7 (02:07:24):
It's you and me.

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You'll be unhappy on God and make a tail with God.

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And again to swall, he says.

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Been running on that road, been running.

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Over you, be running up that fieldfuly cord.

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It's human me. It's you and me, be U helping co.

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Cold.

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Let me steal this morning from you now.

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Calling jail cold calm.

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Don that's exchange as give a cord and we can die.

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And again it's a small sad.

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You there's no girl s cord make a.

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Teal God and I can't as still, he says.

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Cordes, no miss.

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Still make way.

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Got slade with no pro.

Speaker 14 (02:09:42):
So s.

Speaker 32 (02:09:48):
You with no rows.

Speaker 1 (02:10:10):
And that has been Katie Brunt from Robina's list of
the top ten tracks used in Stranger Things.

Speaker 2 (02:10:18):
And yeah, Katie, that was an inspired list. How long
has it been since have been waiting for the end
of Stranger Things to come out?

Speaker 3 (02:10:27):
So that's a that's a good lead up for it. Yes,
one of those songs with Dynamite and.

Speaker 1 (02:10:34):
Extra points for getting California Dream and rock Me, Armadaeis
and Tarzan Boy all intol like the one list. That
is a pretty awesome list. And of course Kate Bush
there taking out the number one spot with Running Up
That Hill people.

Speaker 2 (02:10:50):
I love the fact that she had a real resurgence
because of that, because she is so good. She was
like the most unique voice of the eighties and then
you know, we just haven't sort of heard her and
it was like, yeah, do something else?

Speaker 3 (02:11:06):
Where are you?

Speaker 1 (02:11:08):
Placebo had an awesome cover of Running Up the Hill
as well a few years ago.

Speaker 2 (02:11:11):
So yeah, a lot of it, especially since it, you know,
came out on Netflix, all these people were scrambling to
do cover to them.

Speaker 1 (02:11:20):
That's uh, yeah, Katie, because you did such a great
job listeners, we do want you to send in more lists,
so keep those lists coming in. But Katie, We're actually
going to play something very special for you.

Speaker 34 (02:11:30):
Now.

Speaker 1 (02:11:30):
You mentioned that the cast singing Never Ending Story was
one of your highlights, So we're actually going to play
that cast recording right now of Never Ending Story. So
sit back, Katie, enjoy your prizes, but I also enjoy
right now the Stranger Things cast singing Lamal's Never Ending Story.

Speaker 8 (02:11:53):
Look at what you see fet the mir rugert.

Speaker 9 (02:12:05):
Re Believe the everywhere in amad three None the Pages
is the answer to a never in store.

Speaker 7 (02:12:25):
Free stars like that.

Speaker 8 (02:12:32):
Dream or dream then what you.

Speaker 11 (02:12:35):
Say will be.

Speaker 64 (02:12:40):
Us A keep Percy Brisville from both behind Thatthod.

Speaker 9 (02:12:46):
The dever the Rainbow is the answer to a never
rending store.

Speaker 1 (02:13:24):
Well, now on the show, I want to take a
look at a brand new Australian film that is in
cinemas right now. I'm talking about The Travelers, the brand
new film from internationally acclaimed screenwriter and director Bruce Beresford,
who was looking for a project to do during COVID.
He wanted to write something during the COVID times and

(02:13:48):
the result was The Travelers. Before the screening that I
was at, Bruce Beresford actually did a little talk about
this film and he said that it was inspired by
a friend of his who traveled back to Australia and

(02:14:11):
found that things were a little different to what they
were before he left. Now, in the case of the
film The Travelers, that person traveling back to Australia is
Stephen played by Luke Bracey. Now, he left the little
country town where the weird artistic kid kind of didn't
fit in, and obviously spent time in Perth, I'll say

(02:14:34):
obviously because of something I'll talk about later, but then
went overseas where he made a name for himself as
a set designer for opera. He is well regarded in
that job and he's getting top jobs all the time.
In fact, at the time he travels back to Australia

(02:14:54):
is actually working on a new German production. Now, the
reason he travels back to Australia is because his mother
is on death's doorstep in hospital. He's received a few
calls from his sister Nicki played by Susie Porter to
come home, and finally Stephen does decide to come home. Now,

(02:15:16):
what he comes home to is unexpected. His family home
is a mess. It's very very obvious that his father,
Fred played by Brian Brown, can't look after himself anymore,
and I think that's a little bit of a shock
to Steven, and I guess that's in a way why

(02:15:36):
this film spoke to me a little bit, because last
year my dad had a lot of health issues and
you kind of get that little wake up call that
this person that's always been in your life is not
a mortal. And that's definitely what Stephen has happened here.
But his arrival back is kind of interesting because it

(02:15:58):
also awakens other things as well. He has a partner
in Europe. Whether they're a girlfriend, girlfriend boyfriend or just
seeing each other's kind of not established. In the phone
conversations that we see, she kind of jokes about seeing

(02:16:20):
other people if he doesn't come back and stuff like that,
but you're not sure if they're jokes or whether that's
just how they work. What we do know is that
while he's here, Stephen hooks up with a lover that
he has in Perth, and then also finds an ex
flame in the country town that he's in, the little

(02:16:41):
country town in western Australia that he's in, and yeah,
there's some flirty moments between them as well. This is
where I find this to be an interesting film because
you expect a film like that, like this these days,
to be that this per and travels back to their
country town and starts the love that they had. I mean,

(02:17:07):
even the Eric Banner crime series that we've seen over
the years, even that touched on that where it was
like it was a bit of a taboo relationship. But
he's going to start it back up. And this is
where The Travelers becomes a very interesting film because I
can easily sit here and say this is a film
where not much happens, and that literally is the case.

(02:17:28):
But at the same time, this is a film that
will make you go away from the cinema and think
there's something here in Bruce Bereff Said's script where even
if you don't like the lifestyle that Steven is living,
and I know, talking to a couple of people after
the screening, they were like, Oh, I can't believe that
he went it hooked up with that married woman in

(02:17:51):
Perth when he had a partner overseas, there's still something
in this film. You kind of get the feeling that
Stephen not being the perfect moral character actually enhances this
story a little bit, because it would be a very
very easy story for him to be someone who comes
back and sees that his father is suffering, and sees

(02:18:14):
that his mother is suffering and wants to stay change
his life. You don't get that with Steven. You get
the feeling that this guy can't wait to get back
on the plane and be back in Germany. There's a
phone conversation that he has at one point with the
director and the producer of the production in Germany, and
you instantly kind of get this feeling that, look, this

(02:18:36):
guy doesn't really want to be here. He wants to
be back over there, and even at the times when
he is talking to some Australian connections, it's not about
him coming back and living in the country town. It's
about him being in Sydney or being in Perth. So

(02:18:56):
you kind of have this weird character. But at the
same time you want to see where this goes, like
what is this guy going to going to do? What
is he going to achieve? Is he going to be
able to help his father? This is also arguably a
film where there's not a happy resolution for Fred, the

(02:19:18):
Brian Brown character, and again I think that's Bruce Beresford
just focusing on life. I mean, we all want the
best for our parents, but at the same time, sometimes
what they want is not best for them. And that's
why I find this to be a very very interesting

(02:19:41):
film in a sense that it makes you stop and
think that this life is not always a rosy kind
of life. There's ups and downs, and sometimes the downs
can't be undone. Even though we like to think of
that Hollywood magic of where every bad situation works out,

(02:20:02):
that's not the way it works out in real life.
The one thing that you do get with this film
is some strong performance is Brian Brown is great as Fred,
Luke Bracey is brilliant as Steven, and Susie Porter is
amazing as Nicky. In fact, this is a film I
think that'll make a lot of people sit up and
take notice of Luke Bracey. He's kind of an interesting

(02:20:27):
character in that he's done a lot of work overseas,
but it's been his last two Australian films. I think
that's really made us sit up and take notice. Mercy
Road was great and now The Travelers, where he plays
this dramatic role. I think we're kind of been used

(02:20:48):
to him recently playing a lot of kind of action
kind of films overseas. But yeah, to see him in
this dramatic role really reminds us what a great actor
he is. So look, go along and see the Travelers.
Don't expect a rosy Hollywood film, but expect a film
that will stop and make you think. I'm actually going

(02:21:08):
to give this one three out of five. I think
it's a decent film. Go along and check it out.
Has got a general release. She'd be showing you in
a cinemat niche she came on way from America.

Speaker 7 (02:21:23):
She had a plan, destiny and a sound. They hour.

Speaker 26 (02:21:31):
Had a true less sacred ring.

Speaker 9 (02:21:35):
Now her parents are.

Speaker 68 (02:21:37):
Do boss and a friends committed to the sad faster.

Speaker 27 (02:21:47):
You do want of me?

Speaker 8 (02:21:49):
So just say.

Speaker 7 (02:21:55):
The I talk few both hours in the bottle.

Speaker 68 (02:22:05):
Of a small town hotel and asked what I was
stinking out stay get over the bed itself in the back,
white thing to stop us sumpting low, And I can ask.

Speaker 11 (02:22:26):
From the bar you know why to me?

Speaker 9 (02:22:29):
To me just said, don't fucking down my face, Just
don't let me to.

Speaker 69 (02:22:38):
Then can say from the bar, standing the sip of
thing I couldn't refer times, I kind of stoll the
lot of fat.

Speaker 70 (02:22:54):
Thing I saw design sound the post.

Speaker 8 (02:23:17):
I'm feel the type of types of gysic.

Speaker 14 (02:23:25):
What do you know? I know?

Speaker 7 (02:23:28):
Could not stand down?

Speaker 30 (02:23:32):
A lot of meads?

Speaker 7 (02:23:33):
Still mean I can't before I know, I cannot stop sound,
a lot of fads.

Speaker 25 (02:23:47):
You know a lot of meads?

Speaker 1 (02:23:51):
Why man, well, Harley? How much do you know about

(02:24:31):
the band called Gua?

Speaker 3 (02:24:34):
Actually not much, but I do recognize the name. Are
we going to find out some more?

Speaker 14 (02:24:40):
So?

Speaker 1 (02:24:40):
Gua is a band full of aliens that came to
Earth with the decision to first of all destroy it,
but then decided to form a band and instead entertain it.
So they're also going to be They've been around now
for about twenty years. They are coming to the Good
Things Festival, which will be in Melbourne, Sydney and Brisbane.

(02:25:02):
So we decided to catch up with one of the
aliens from GUA. I survived the encounter, but we sat
down with one of the aliens from Gua to chat
a little bit about the Good Things festivals.

Speaker 2 (02:25:14):
So hang on, how do I know you're still David?
I've seen Invasion of the Body snatches.

Speaker 1 (02:25:20):
I could actually be one of the aliens from Gua.
Now we wouldn't know, but yeah, let's sit back and
enjoy listening to our overlords talk about their band.

Speaker 14 (02:25:31):
You're great. How about you?

Speaker 1 (02:25:32):
I am going really really well. Thank you so much
for agreeing to chat to us today. So we are
very excited about the fact that you are heading to
Australia for part of the Good Things festival. How are
you feeling about heading down Under for this festival?

Speaker 14 (02:25:50):
Well, I can't wait to get down under.

Speaker 44 (02:25:53):
Oh my favorite thing.

Speaker 53 (02:25:55):
If you know what I mean, it's got to be great.
I mean, where very excited. We haven't been to Australia
and years and years and years, and we've tried. We've
finally managed to make it happen. Hopefully this will be
the beginning of a long relationship between WARR and the Australian.

Speaker 1 (02:26:19):
Definitely. So you're part of a very fantastic festival lineup.
Tell us a little bit about how you find playing
at festivals. Is that a highlight for you to play
at a festival like this?

Speaker 53 (02:26:31):
Well, I mean it's always fun because at festivals you
get to see bands that you wouldn't normally see. Especially
at festival like Good Thing, you have.

Speaker 14 (02:26:39):
A wide swath of styles.

Speaker 53 (02:26:44):
Represented and genres represented and even time periods represented, and
you know, so that's that's a lot of fun. We've
gotten to meet people that we never would expect to
play with, Merle Haggard, Jerry Lee Lewis, people people like that,

(02:27:04):
and you know, so that's really fun. It's really cool.
And then at the same time, festivals they tend to
be I mean, it's a little harder because it's hot,
it's outdoors. But like I've been telling people, I mean,
there's kind of an outdoor band now anyway, right we're
like a We're like an old cat that won't stop

(02:27:26):
making a mess, so they just put us outside. Anyway,
We're the outside band of metal. So you know, I mean,
I enjoy playing in front of people who haven't seen
the band. That's always probably the best thing about festivals
is that you're playing in front of people who don't

(02:27:46):
have experience.

Speaker 14 (02:27:47):
Watching Guar and Gar will melt your brain if you've
never seen it before. For sure.

Speaker 1 (02:27:52):
I've spoken to some musicians in the past that find
that intimidating that they're playing in front of people that
don't know their music, But that is generally something that
that you enjoy doing.

Speaker 14 (02:28:02):
Absolutely, of course, I mean you know, War is a
lot more than music. War is a metal band that
you go see.

Speaker 53 (02:28:09):
I mean, I can understand, like you know, if you're
standing up there and you're playing songs and you have
a sense that people that don't know don't know who
you are, and you're counting on them to listen in
to what you're doing right or catch a hold of it.
But with Gar, I mean, War is an entertainment. It's
a spectacle, and there are things to look at, there's things.

Speaker 14 (02:28:34):
To see, God knows, there's things to smell even.

Speaker 53 (02:28:38):
And and it's it's unlike anything else. And it's part
stand up comedy, it's part rock musical, and it's a
horror movie. It's an orgy of violence and hilarity. And
music is a part of the music is the driving
force of it. But there's a lot going on at

(02:29:00):
a Guar show. So watching people who they didn't even
know something like this is possible that that's what I enjoyed, right,
because you're not this isn't kids, right. You're not going
out and looking at a band that has millions of
dollars to put what's on stage on stage. You're looking
at a punk rock version of a shock rock band

(02:29:23):
made by the people that are on the stage wearing
the ship right like the we are artists, we are sculptors,
we're painters, and we're performers and that's what sets squar Park.
It's a it's a troupe, a theatrical troop that that
plays music and that comes out of punk rock.

Speaker 1 (02:29:41):
SEP's talking about that. How do you how do you
all go about working out what is going to go
into a show? Like there's Is there a lot of preparation?
Is there a lot of talk about what's going into
a show? And can you give us any kind of
hint at what you might have planned for us here
in Australia?

Speaker 53 (02:29:59):
Well, yeah, I mean, of course war is really a
lot of fun to be in as well, right because sure,
I mean we ride around on the bus, or we
just hang out with each other. We smoke a lot
of weed, maybe we take some muzsrooms, maybe we get drunk.

Speaker 49 (02:30:17):
Maybe we're just sitting around right and make each other
laugh and we tell stories in a way. It's like
the old Vikings, right, like the old no you know,
like all those stories from mythology really just sound like
a bunch of people telling each other funny stories and
making each other laugh and making up things that stretch
the imagination, you.

Speaker 14 (02:30:37):
Know, And that's what we do.

Speaker 53 (02:30:39):
And the difference is that, you know, guar you you
might sit around with some of your friends that you
have a rapport with and make up bits and it's
like yeah, and then we'll do this and it's really funny.
But in War, we actually do it, and we go
on stage and we make it happen, and we build
the shit and we want to see on stage, and we.

Speaker 1 (02:30:57):
Do it that way, talking about yeah, go ahead, no.

Speaker 14 (02:31:03):
No, that's that's all.

Speaker 53 (02:31:04):
That's that's that's all. And of course, what we're going
to do in Australia, I think I remember now. Uh,
it's gonna be a gur show man. It's you know,
the band's sounding great. You're going to see a group
of musicians that are at their peak level of performance. Uh,
get out there and and put on a great show
with a sorry uh, with a good narrative that that

(02:31:27):
goes from beginning to end and and and you know,
we're gonna tell a story and we're gonna kill stuff
and we're gonna.

Speaker 14 (02:31:37):
Just I don't know, be funny. It's gonna be great.

Speaker 1 (02:31:40):
Talking of of stories, the comic book, the graphic novel
that came out with the last album. I know a
lot of our listeners were very, very excited about that.
Tell us a little bit about that, because that is something.
As I said, our listeners loved the comic book concept
that works so well, and it was a brilliant graphic novel.
Tell us a little bit about that journey of putting
that together.

Speaker 11 (02:32:02):
Well.

Speaker 14 (02:32:03):
Gar has always been involved with comics.

Speaker 53 (02:32:06):
The whole band started as an underground comic and our
very first live performance was at a comic book convention
and we didn't even play music. We just strutted around
in the costumes and pretended like we knew.

Speaker 14 (02:32:21):
What we were doing. But that's the whole thing, is
that Gar is born out of that world of.

Speaker 53 (02:32:28):
Comic book, science fiction, horror movies, gothic storytelling and and
and underground comics in particular right, and so it's an
easy transition.

Speaker 14 (02:32:40):
We've always had people who make comics in the band.

Speaker 53 (02:32:44):
I write comics, Ballstack writes comics, and uh, we have
artists that draw the comics in our in our band.
So uh, it's a natural step for Gar. I like
the way we did this one, because you have a
short little story that's illustrated with a fairly brief graphic

(02:33:05):
novel that it gets the point across. Well, yeah, I
love it, very very into it. And uh yeah, so
I mean that that mode of storytelling has always been
a big, a big, big thing for us, and I
appreciate that you like it. We did a I think
the the guys in the band who draw it did

(02:33:26):
a really great job.

Speaker 1 (02:33:28):
So I have to ask both your comic book writing,
when did that start and what sparked that interest? Was
it growing up on a steady stream of comics yourself?

Speaker 27 (02:33:40):
Yeah?

Speaker 14 (02:33:40):
Absolutely?

Speaker 53 (02:33:41):
And and like I said, so in the very early
days of War, all I knew about this band, uh
was there were two members uh Techno Destructive and Odorous yourngus.
They're human thralls, right, the people that that that animated

(02:34:03):
those characters, Uh, they were comic book artists and they
drew aren't. They had comics that I loved and was
a big fan of. And really, I mean it's that
War is what brought me into that.

Speaker 1 (02:34:16):
So bringing it back to the Good Things Festival, you
have got so many amazing tracks in the back catalog
now of the gua back catalog. How do you go
about putting together a playlist or a set list for
a show like this?

Speaker 14 (02:34:34):
Yeah, I mean, you know, it's at this point.

Speaker 53 (02:34:36):
It's really like, partly we're taking requests, we're listening to
what people in Australia tell us.

Speaker 14 (02:34:43):
They want to hear, and we have to think that
we haven't been there in a while. I think that's
going to shape some of what we do.

Speaker 53 (02:34:51):
You know, we're going to do a lot of the
older material, the classics that people want to hear, and
then we're going to set that against the of the
newer stuff that we have, the brand new stuff, And
you know, as far as the older material, that's a
little harder to decide. But more is a band that
has narrative, so a lot of times the songs we

(02:35:13):
pick are songs that reflect the narrative of the story
we're telling, So that guides us in those decisions a
little bit.

Speaker 1 (02:35:21):
But I have to ask as well. I love asking
this when people are coming to Australia for a visit,
especially for a festival like this, are you hoping to
do anything away from the stage as well?

Speaker 53 (02:35:32):
Of course I want to go I want to go swimming.
I want to wrestle a crocodile. I want to Yeah,
I want to see a shy.

Speaker 14 (02:35:40):
You know what I'd really like to do. I'd like
to go fishing. I love to fish.

Speaker 1 (02:35:45):
Okay, yeah, well that can definitely happen here. So is
that something that you're you're hoping too organized while you're here?

Speaker 14 (02:35:54):
Oh? Yeah, for sure.

Speaker 1 (02:35:56):
Awesome. Well, man, I know we are running out of
time very very quickly, so I guess to finish off.
Do you have a message for all of the Aussie
GUA fans out there before you head down Under for
good things?

Speaker 14 (02:36:09):
Yeah? Throw another Barbie on the drim. We're coming and
we are going to that's right.

Speaker 53 (02:36:16):
We are going to see if our turns circle a
different direction when they go down the dream.

Speaker 14 (02:36:22):
We are here. We're gonna We're gonna have a blast.

Speaker 25 (02:36:24):
Man.

Speaker 14 (02:36:25):
We cannot wait to rip it up down under.

Speaker 8 (02:36:28):
It's grim.

Speaker 11 (02:36:41):
Yeah, like you who got the last you want?

Speaker 7 (02:37:03):
Blows you?

Speaker 8 (02:37:06):
God?

Speaker 7 (02:37:09):
You have your word, Blow.

Speaker 11 (02:37:13):
You God.

Speaker 7 (02:37:17):
On the streets. God you want, don ls talk your old.

Speaker 35 (02:37:23):
Block you got?

Speaker 11 (02:37:29):
He asked how.

Speaker 8 (02:37:35):
You set up?

Speaker 7 (02:37:39):
Really?

Speaker 11 (02:37:39):
Then like you want to.

Speaker 8 (02:37:42):
You set up on.

Speaker 7 (02:37:45):
You said that that talks to you you ain't a
feeling like.

Speaker 11 (02:37:49):
A dress job.

Speaker 7 (02:37:51):
Then you hot din a case song to the lights.

Speaker 25 (02:37:58):
You are a second.

Speaker 7 (02:38:01):
Use your will flow, you got use your will blow.

Speaker 35 (02:38:11):
You gut.

Speaker 7 (02:38:14):
B sree of the box flo But I'll try your
wall blow. You got.

Speaker 71 (02:39:09):
Blood on the rocks, blood on the streets, blood in
the stone, blood on that seats.

Speaker 8 (02:39:21):
If you compa.

Speaker 7 (02:39:27):
You gotta.

Speaker 46 (02:39:37):
Walks of a bird fuckers.

Speaker 8 (02:39:45):
With your lock.

Speaker 11 (02:39:46):
Do you go mat Your walk.

Speaker 9 (02:39:52):
Is your walk, if you walk down, if you can
let your wall do his tip about bowing that dog down,

(02:40:13):
don don about the don bo.

Speaker 72 (02:41:11):
Meaning it down by the jets of land, well pontoons, bumpings.

Speaker 7 (02:41:23):
All the others read and standing.

Speaker 1 (02:41:30):
As the man.

Speaker 73 (02:41:31):
Lived, very cuts its way to suck it to here
the captain blow his way.

Speaker 8 (02:41:43):
Yes, so long she's been aware.

Speaker 74 (02:41:52):
I'm sourling morning rayessor.

Speaker 7 (02:41:59):
Not to very happened. Way to start.

Speaker 8 (02:42:09):
S down line.

Speaker 7 (02:42:11):
That cannaby heaved shot down, line.

Speaker 8 (02:42:18):
That canna behave so.

Speaker 72 (02:42:23):
Throw down your or gone. Don't be so wreckly, throw
down your work gone.

Speaker 74 (02:42:33):
Don't be so you like Scotts of the Antartic base
camp too far away Russian sub beneath the Arctic burcn

(02:42:56):
Wills and Camels.

Speaker 7 (02:42:59):
Initial, I was in the tree shop down lie.

Speaker 8 (02:43:08):
That cannaby.

Speaker 7 (02:43:09):
Hey shit down line.

Speaker 8 (02:43:14):
That cannaby.

Speaker 14 (02:43:15):
He so.

Speaker 72 (02:43:19):
Throw down your orgne, don't be so reckles, throw down
your gone, don't.

Speaker 20 (02:43:30):
Be so reckless.

Speaker 72 (02:43:33):
Throw down your work. Don't be so recklet throw down
your work. Don't be so record.

Speaker 17 (02:43:55):
I don't go case. I don't draw anything me. It
got me a somewhere to keep.

Speaker 51 (02:44:11):
The bird of birds was a ski keeps not some
future from as the bird is plumper to.

Speaker 8 (02:44:26):
Say, somebody me had.

Speaker 9 (02:44:31):
Tamas. Nobody gives a damn or bad.

Speaker 75 (02:44:58):
I myself father, you see I did Please don't call
myself to find.

Speaker 8 (02:45:15):
No cuts? What sup.

Speaker 7 (02:45:22):
Surprise old my fause, I can't come.

Speaker 5 (02:45:28):
To somebody get me out.

Speaker 9 (02:45:37):
Myself, old bodybut called the colt.

Speaker 5 (02:46:02):
Sman, s court, sman.

Speaker 44 (02:46:13):
May the bin, somebody get me out here.

Speaker 7 (02:46:26):
The day at the mass, I've.

Speaker 5 (02:46:33):
Got to make a boy says to.

Speaker 7 (02:46:38):
Kill Massell. Somebody get me out the day.

Speaker 25 (02:46:50):
Sell.

Speaker 9 (02:46:53):
Nobody got to time by butte.

Speaker 1 (02:47:34):
And that's it for this episode of Subculture meets the
Popcorn Conspiracy. We did play a couple of tracks there
as well of artists that are playing at Good Things Festival,
make sure you jump on Subculture Entertainment dot com at
the moment to check out all of the side shows
that are being announced, because a few of the bands

(02:47:55):
have announced some sideos. I think Tool are even announced
now that they're going to play in Adelaide, which is
great because poor old Adelaide gets left off a lot
of the tours these days, so make sure you check
that for all that information. And then the lead up
to Good Things, we will be interviewing a few more
of the bands and we're hoping fingers crossed that Harley
and I will be on the ground at Good Things

(02:48:17):
doing interviews as well, so something to look forward to.

Speaker 2 (02:48:20):
Harley, Yes, so you know, if you're keen to hear that,
pray hard and you know we'll make it a reality exactly.

Speaker 1 (02:48:31):
And Holly, Apart from our website, where can people check
out more information about what we're doing here at subculture
as well?

Speaker 3 (02:48:38):
Well?

Speaker 2 (02:48:38):
If you're looking for some good things, you've got to
look for Subculture Entertainment on Facebook, TikTok x or Twitter,
discord Blue Skies, look for a Subculture Dave on Instagram
and threads. We also have a Patreon, so if you
want even more exclusive content that's not even on the website, well,

(02:49:04):
go to patreon dot com look for subculture Entertainment, and
you know, you get early access to these radio shows
and podcasts before they go up anywhere else.

Speaker 3 (02:49:15):
The whole bunch of other.

Speaker 2 (02:49:19):
Special things you do, different kinds of reviews and discussions,
and there's even a whole bunch of stuff from the past,
isn't there, Dave.

Speaker 1 (02:49:28):
There is, And there's gonna be something very special go
up on Patreon this week as well. I had a
one on one interview with Dwayne the Roth Johnson about
the new film of Smashing Machine. So that's going to
go up on Patreon. So if you want to be
able to read that, you're going to have to join
our Patreon in order to read that interview with the

(02:49:48):
Rock about Smashing Machine. Maybe the as I said in
my review earlier, maybe the movie that's going to win
the Rock and Oscar. So yeah, you don't want to
miss that one. And in the lead up to the
Golden Globes there will be a lot of content going
up just on Patreon, So yeah, make sure you jump
on that. But we better get out of here right now.

Speaker 2 (02:50:09):
So for now, just before we do, I just want
to send another shout out to Katie thanks for that
awesome list for the Stranger Things soundtrack.

Speaker 3 (02:50:18):
That was really good. So guys keep sending your ideas
in because they're so good.

Speaker 1 (02:50:25):
Definitely, So are we going to get out of here
right now?

Speaker 14 (02:50:28):
So?

Speaker 3 (02:50:28):
I've been Dave G and I've been Harley. Catch you
next time.

Speaker 1 (02:50:35):
Five time platinum certified alternative rock mainstays The Red Jumpsuit
Apparatus have just released their sixth album, X's for Eyes Now.
This album contains the already brilliant single Perfection plus ten
other brilliant tracks. So go and grab your copy of
The Red Jumpsuit Apparatus's brand new album, X'es for Eyes,

(02:50:56):
available from the Better Noise Music website or your favorite
music streaming platform