Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
(00:00):
Presenting the transcription feature Superman up inthe sky Hawk. It's a word,
it's a plain. It's Superman Now. Superman. Faster than an aeroplane,
stronger than a locomotive, able tomeet tall buildings at a single bound,
(00:22):
Champion of the weak and the oppressed, tireless, fighter for truth than justice.
When we last saw him, Supermanhad just rescued Lois Lane from a
gang of convicts at San Miguel Prison, only to learn at the last minute
that the two leaders of the riot, Keno and the Wolf, have made
good their escape. In the confusion, alarms ring and sirens wail, but
(00:44):
two fugitives are nowhere to be seen. Kenton Lois return home, bringing their
story of the riot, and bya curious coincidence, the Wolf and Keno
arrive in the same city at aboutthe same time. Following instructions, they
make their way to the underground hideoutof the Yellow Mask. Listen, listen,
(01:06):
boys, be sure you know whereyou're going, certainly you know,
although why we were told to takethis roundabout way, I'm sure I can't
tell you. Leave that to theMask. Boys. He knows what he's
doing, indeed, you know.And then perhaps you can explain why he
lets us so long and that confoundedjail. He knows what he's doing.
He show us to ever let usgo to jail at all? Well,
how could he help it? Thatguy kent the Report's his business to help
(01:29):
it? He made fools us saidenough to hear you say that, boys,
he'll hear me say more than thatwhen I find him. That's not
where you are. We've arrived.I don't see nothing. This is just
a blank wool. Watch Ko,there, keep looking, Keno, look
(01:51):
right at the wall. Gee,it's a door open up right in the
rock. Quick and just in timetoo. There's a police car not far
off me. You think they're lookingfor us, possibly, but they'll never
find us. Stand back you offwhile the door closes. It's pitch black.
(02:16):
I can't see where I am.It's a passage. Just walk straight
ahead. Is this where we'll findthe miss? I hope so, Ko,
And when I do find him,there'll be a settlement, which is
quite a bit over your people.I think what you say. You know,
I've made up my mind. Themask has run things far too long.
(02:37):
It's my turn now. Now.You can't say that, but I
do say it. Why should Itake second place. I'll run things myself
from now on. There's not roomfor both of us. And to let
my frame. I entirely agree withyou. It's him the mask. Turn
on the lights in the house ofthe mask, my frame. Be careful
(02:57):
what you say, very well,masked, you heard me. It's either
you or I. And since Ihave to have a pistol here in my
pockets, so you've brought a pistol. Wolf. This is the last time
you will stand in the way ofWI voltage that finishes the wolf. Quino,
(03:20):
I think I've heard you use theterm boss. You will remember after
this to whom it applies. Yes, sure, whatever you say. Where't
you want to see us? Aboutplans? Kino, Great plans in which
you shall have a share, plansthat concern millions of dollars and thousands of
lives. Tank quietly where you areand listen. And almost at the same
(03:44):
time that the yellow Mass tells Kenoof his planned and a prepary White of
the Daily Planet speaks to Clock cantand Lois Lane of a new assignment.
Hello the Loss, come in closeit off. Did you want to see
both of us, mister White?I certainly. Did you made out so
well on that person break that I'mgoing to send you and Ken out again.
Oh gee, that's great, misterWhite. I'm sure mister Kent could
(04:05):
cover it much better alone. Wellyou're going along loss, so sit down
and listen. Have either of youheard what's going on in Dryerville? I
haven't heard a thing about anything.I have cheap how the human encyclopedia,
he knows about everything. You knowwhere Darville is lost? Only more or
less? Mister White. Well,it's up in the hills, flourishing.
The little city of about thirty thousand. Since about two weeks ago, they've
(04:26):
been calling it the Jinkstown. Thenall those accidents, is that why,
mister White? Well, first theythought it was funny, and then it
got curious. Now they don't knowwhat to think. Why what happened?
Curious? Unbelievable accidents? I think, very striking At first, just all
the radio sets were not a whackor all at once, and then the
telephone say that might have been serious. It was can Then two days ago,
although there hadn't been any rains,the town was flooded, flooded three
(04:49):
feet deep in water, without anywarning at all, the Jefferson River went
over its banks and mighty near drownedthem all out, mister White. Anything
else? That was two days ago? Camp Yesterday all the electric power in
the city went off, and todaythey were rocked by a series of earthquakes
this section of the country, well, heavy explosions far on the ground,
and they don't know what to makeof it. People are excited naturally,
(05:12):
and now they're just a little bitafraid. Do you blame them asking themselves?
What's behind all this? And that'swhere you're sending me and Kent,
mister White, If you're sure youdon't mind loss, I feel safe over
the more adequate escort. Oh gosh, miss Lena. I'll do the best
I can to keep you out oftrouble. Thank you, mister Kent.
I'm usually able to do that muchfor myself. When do we leave,
(05:32):
mister Whye as soon as you canget an advanced from the cashier and hire
a car. A car. What'sthe matter with the train? I don't
know. I just have a feeling, mister White. What do you mean
there's something back of this loss?I don't understand it. All these things
aren't accidents. Wh do you thinkthey're intended. I don't know, Kent,
but if they are, well,I'd rather have you on a car
than on a train heading into direbel Come along, I'll see you as
(05:56):
far as the cash. Yes,this is the yellow mask. This is
reporting from the Daily Planet office.Go On fifteen, reported Clark Kent in
the feature right of Lewis Lane willarrive in Dierville by automobile at evening?
Not at all? Well? Areyou sure you know which way you're going?
(06:24):
Mister Kent? Look Lois? Couldn'tyou call me Clark? Sorry?
For some reason, I seem toprefer mister Kent, and I also prefer
miss Lane. All right, missLane? As I was saying, are
you sure you're on the right road? Positive? There was a root signed
back away to Dyerville. And aren'twe almost there? What time? Is
it too dark to see mine?Turning on the dome light? Thanks,
(06:46):
that's half past eleven. Look doubtthere's a car coming, I see it.
Look doubt he's coming straight at us. Mister Kent, the idiot.
He almost put us in the ditch, driving like a maniac too. What's
the matter, nothing, mister Kemp. Was there anything strange about that car?
Strange. How do you mean?I thought, well, of course
(07:06):
I can get a very good lookat it. But I thought i'd seen
it before. Not me. Ithought it passed us a while ago,
going the other way. What wouldhe be doing that for? Oh?
Look here, lois I mean?Miss Lane? You're tired? En upset?
I say you are? I thinkabout something else? How about switching
on the radio? Thanks, ratherthan not? Oh, come on,
(07:26):
at least we'll get the late news. Must you hear the news? Why
not give it a chance to warmup? First? Look, miss Lane,
they're ahead. That's Dyerville down thereover the river. Uh huh,
that's the Jefferson. We crossed thetoll bridge, and then we're in Dyreville.
Nothing doing on the radio. Ireally don't know. Maybe it's broken.
(07:46):
Lights up? All right? Lookout, there's a car coming up
behind us, coming fast too,mister can't be careful. He's not turning
out. Look out, crazy idiot. Mister Kennon was the same car.
You're right? Why did I gethis number? Hang on? What's that
(08:07):
the radio? I'm gonna catch that, fellow. If it's the last thing
I do. Go back, mister, Go bank, Go bank, mister
kent that voice. There's a comefrom the radio. That's not possible.
Someone called me my name, goback, go back car, that's where
it comes from. There's a radiotransmitter in that car. Now I've got
(08:30):
to catch him. Right ahead,there's the bridge, bridge or no bridge.
I'm gonna catch that car. Hangon, Lois, it's gone,
mister camp there's not a sign ofthere must be a cann have vanished,
mister Ken't be careful the toll bridge. There's a man there in the barsado.
Look out, what're going? Mythro did you have to go so
(08:54):
first? Just look what you've doneat the gates, Lucky. If they
don't take any why do you thinkyou're gone? I can't to see the
lights. I'm sorry, Julie.Sorry, let me see your license,
John Collas, here's a toll bridge, not a speedway. I'll pay the
toll, I hope to tell.You'll pay the toll and you'll pay for
them gates too. And about fiftydollars for reckless driving. It wasn't reckless
(09:16):
driving, officer. I was chasingthat car head and I just what a
car? What carpead? You're theonly car this bridge in the left half
hor I tell you there was acar. I saw it. Keep on
and you'll see pink elephants and greenelephants. All right? How much is
the toll? Never you mind thetoll. That's the least of your worries.
The bridge it's shaking. What's thematter the bridge? It's another quake.
(09:37):
Run run, got to save thebridge and save lowis not much time,
but thin gets dark. They couldn'tsee Clark can't change in the Superman.
If I can get down underneath it, down on the piers quick,
It's going matter of seconds, down, down, down through the darkness.
(10:07):
Superman plumbus like an arrow, whilethe great structure of struts and cables sways
and groans above the river, whilethe car containing Lois Lane slips, halts,
and slips again, nearer to thesudden brink that yawns suddenly where a
moment before with solid pavement. Canthe man of steel save the bridge of
steel? Or have matters already gonebeyond the power of even his incalculable strength?
(10:31):
And whose was the voice on theradio? And what terrible fate hangs
over the town of Dyreville. Tunein next time and follow the story and
remember be sure to tune in thenext thrilling installment of the amazing transcription feature
Superman Up in the Sky mop It'sa bird, it's a plane, It's
(10:56):
Superman. Superman is a copyrighted featureappearing in Action Comics magazine
Presenting the transcription feature Superman up inthe sky Hawk. It's a word,
it's a plain. It's Superman Now. Superman. Faster than an aeroplane,
stronger than a locomotive, able tomeet tall buildings at a single bound,
(00:22):
Champion of the weak and the oppressed, tireless, fighter for truth than justice.
When we last saw him, Supermanhad just rescued Lois Lane from a
gang of convicts at San Miguel Prison, only to learn at the last minute
that the two leaders of the riot, Keno and the Wolf, have made
good their escape. In the confusion, alarms ring and sirens wail, but
(00:44):
two fugitives are nowhere to be seen. Kenton Lois return home, bringing their
story of the riot, and bya curious coincidence, the Wolf and Keno
arrive in the same city at aboutthe same time. Following instructions, they
make their way to the underground hideoutof the Yellow Mask. Listen, listen,
(01:06):
boys, be sure you know whereyou're going, certainly you know,
although why we were told to takethis roundabout way, I'm sure I can't
tell you. Leave that to theMask. Boys. He knows what he's
doing, indeed, you know.And then perhaps you can explain why he
lets us so long and that confoundedjail. He knows what he's doing.
He show us to ever let usgo to jail at all? Well,
how could he help it? Thatguy kent the Report's his business to help
(01:29):
it? He made fools us saidenough to hear you say that, boys,
he'll hear me say more than thatwhen I find him. That's not
where you are. We've arrived.I don't see nothing. This is just
a blank wool. Watch Ko,there, keep looking, Keno, look
(01:51):
right at the wall. Gee,it's a door open up right in the
rock. Quick and just in timetoo. There's a police car not far
off me. You think they're lookingfor us, possibly, but they'll never
find us. Stand back you offwhile the door closes. It's pitch black.
(02:16):
I can't see where I am.It's a passage. Just walk straight
ahead. Is this where we'll findthe miss? I hope so, Ko,
And when I do find him,there'll be a settlement, which is
quite a bit over your people.I think what you say. You know,
I've made up my mind. Themask has run things far too long.
(02:37):
It's my turn now. Now.You can't say that, but I
do say it. Why should Itake second place. I'll run things myself
from now on. There's not roomfor both of us. And to let
my frame. I entirely agree withyou. It's him the mask. Turn
on the lights in the house ofthe mask, my frame. Be careful
(02:57):
what you say, very well,masked, you heard me. It's either
you or I. And since Ihave to have a pistol here in my
pockets, so you've brought a pistol. Wolf. This is the last time
you will stand in the way ofWI voltage that finishes the wolf. Quino,
(03:20):
I think I've heard you use theterm boss. You will remember after
this to whom it applies. Yes, sure, whatever you say. Where't
you want to see us? Aboutplans? Kino, Great plans in which
you shall have a share, plansthat concern millions of dollars and thousands of
lives. Tank quietly where you areand listen. And almost at the same
(03:44):
time that the yellow Mass tells Kenoof his planned and a prepary White of
the Daily Planet speaks to Clock cantand Lois Lane of a new assignment.
Hello the Loss, come in closeit off. Did you want to see
both of us, mister White?I certainly. Did you made out so
well on that person break that I'mgoing to send you and Ken out again.
Oh gee, that's great, misterWhite. I'm sure mister Kent could
(04:05):
cover it much better alone. Wellyou're going along loss, so sit down
and listen. Have either of youheard what's going on in Dryerville? I
haven't heard a thing about anything.I have cheap how the human encyclopedia,
he knows about everything. You knowwhere Darville is lost? Only more or
less? Mister White. Well,it's up in the hills, flourishing.
The little city of about thirty thousand. Since about two weeks ago, they've
(04:26):
been calling it the Jinkstown. Thenall those accidents, is that why,
mister White? Well, first theythought it was funny, and then it
got curious. Now they don't knowwhat to think. Why what happened?
Curious? Unbelievable accidents? I think, very striking At first, just all
the radio sets were not a whackor all at once, and then the
telephone say that might have been serious. It was can Then two days ago,
although there hadn't been any rains,the town was flooded, flooded three
(04:49):
feet deep in water, without anywarning at all, the Jefferson River went
over its banks and mighty near drownedthem all out, mister White. Anything
else? That was two days ago? Camp Yesterday all the electric power in
the city went off, and todaythey were rocked by a series of earthquakes
this section of the country, well, heavy explosions far on the ground,
and they don't know what to makeof it. People are excited naturally,
(05:12):
and now they're just a little bitafraid. Do you blame them asking themselves?
What's behind all this? And that'swhere you're sending me and Kent,
mister White, If you're sure youdon't mind loss, I feel safe over
the more adequate escort. Oh gosh, miss Lena. I'll do the best
I can to keep you out oftrouble. Thank you, mister Kent.
I'm usually able to do that muchfor myself. When do we leave,
(05:32):
mister Whye as soon as you canget an advanced from the cashier and hire
a car. A car. What'sthe matter with the train? I don't
know. I just have a feeling, mister White. What do you mean
there's something back of this loss?I don't understand it. All these things
aren't accidents. Wh do you thinkthey're intended. I don't know, Kent,
but if they are, well,I'd rather have you on a car
than on a train heading into direbel Come along, I'll see you as
(05:56):
far as the cash. Yes,this is the yellow mask. This is
reporting from the Daily Planet office.Go On fifteen, reported Clark Kent in
the feature right of Lewis Lane willarrive in Dierville by automobile at evening?
Not at all? Well? Areyou sure you know which way you're going?
(06:24):
Mister Kent? Look Lois? Couldn'tyou call me Clark? Sorry?
For some reason, I seem toprefer mister Kent, and I also prefer
miss Lane. All right, missLane? As I was saying, are
you sure you're on the right road? Positive? There was a root signed
back away to Dyerville. And aren'twe almost there? What time? Is
it too dark to see mine?Turning on the dome light? Thanks,
(06:46):
that's half past eleven. Look doubtthere's a car coming, I see it.
Look doubt he's coming straight at us. Mister Kent, the idiot.
He almost put us in the ditch, driving like a maniac too. What's
the matter, nothing, mister Kemp. Was there anything strange about that car?
Strange. How do you mean?I thought, well, of course
(07:06):
I can get a very good lookat it. But I thought i'd seen
it before. Not me. Ithought it passed us a while ago,
going the other way. What wouldhe be doing that for? Oh?
Look here, lois I mean?Miss Lane? You're tired? En upset?
I say you are? I thinkabout something else? How about switching
on the radio? Thanks, ratherthan not? Oh, come on,
(07:26):
at least we'll get the late news. Must you hear the news? Why
not give it a chance to warmup? First? Look, miss Lane,
they're ahead. That's Dyerville down thereover the river. Uh huh,
that's the Jefferson. We crossed thetoll bridge, and then we're in Dyreville.
Nothing doing on the radio. Ireally don't know. Maybe it's broken.
(07:46):
Lights up? All right? Lookout, there's a car coming up
behind us, coming fast too,mister can't be careful. He's not turning
out. Look out, crazy idiot. Mister Kennon was the same car.
You're right? Why did I gethis number? Hang on? What's that
(08:07):
the radio? I'm gonna catch that, fellow. If it's the last thing
I do. Go back, mister, Go bank, Go bank, mister
kent that voice. There's a comefrom the radio. That's not possible.
Someone called me my name, goback, go back car, that's where
it comes from. There's a radiotransmitter in that car. Now I've got
(08:30):
to catch him. Right ahead,there's the bridge, bridge or no bridge.
I'm gonna catch that car. Hangon, Lois, it's gone,
mister camp there's not a sign ofthere must be a cann have vanished,
mister Ken't be careful the toll bridge. There's a man there in the barsado.
Look out, what're going? Mythro did you have to go so
(08:54):
first? Just look what you've doneat the gates, Lucky. If they
don't take any why do you thinkyou're gone? I can't to see the
lights. I'm sorry, Julie.Sorry, let me see your license,
John Collas, here's a toll bridge, not a speedway. I'll pay the
toll, I hope to tell.You'll pay the toll and you'll pay for
them gates too. And about fiftydollars for reckless driving. It wasn't reckless
(09:16):
driving, officer. I was chasingthat car head and I just what a
car? What carpead? You're theonly car this bridge in the left half
hor I tell you there was acar. I saw it. Keep on
and you'll see pink elephants and greenelephants. All right? How much is
the toll? Never you mind thetoll. That's the least of your worries.
The bridge it's shaking. What's thematter the bridge? It's another quake.
(09:37):
Run run, got to save thebridge and save lowis not much time,
but thin gets dark. They couldn'tsee Clark can't change in the Superman.
If I can get down underneath it, down on the piers quick,
It's going matter of seconds, down, down, down through the darkness.
(10:07):
Superman plumbus like an arrow, whilethe great structure of struts and cables sways
and groans above the river, whilethe car containing Lois Lane slips, halts,
and slips again, nearer to thesudden brink that yawns suddenly where a
moment before with solid pavement. Canthe man of steel save the bridge of
steel? Or have matters already gonebeyond the power of even his incalculable strength?
(10:31):
And whose was the voice on theradio? And what terrible fate hangs
over the town of Dyreville. Tunein next time and follow the story and
remember be sure to tune in thenext thrilling installment of the amazing transcription feature
Superman Up in the Sky mop It'sa bird, it's a plane, It's
(10:56):
Superman. Superman is a copyrighted featureappearing in Action Comics magazine
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