Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
(00:00):
Presenting the transcription feature Superman under theSky. Look, it's a word,
it's a queen, It's Superman.And now Superman Superman walks the Earth and
mingles with men as mild spectacle.Clark Kent, news reporter for the Daily
(00:23):
Planet, and our story opens today Superman and his character of Clark Kent
had just telephoned his story of theNorth star Mine to his editor, Perry
White. White offers his congratulations andalso gives Kent a bit of welcome news.
Listen, I'm all finished out here, mister White. Nice work.
Can't you did a good job withthat North Carline story. I've little of
(00:45):
surprise, boy, surprise ever hearof San Miguel Penitentiary to a model prison
there where you are, Sam mcguil, sure i've heard of it,
so view. Don't you remember that'swhere they sent the Wolf and Keno,
the two fellows who tried to directthat train the Silver Clipper. Hey,
that's right, the Wolf and Keno. Well, if you see them,
give them my regard. What's theidea, mister White, Justice Kenn We've
(01:07):
sent Lowis Lane out to San Miguelto do a feature Stork on the modern
penitentiary. He's out there. Nowjoin her and bring her back with you.
You'll be company for one another.Gee. Thanks, mister White,
I forget it. Have a goodtrip, Kent, Bye, operator,
Oh operator. Is there a garagein town where I can rent a car?
Yes, Kennedy's okay. Please connectme hiring a car. Clark Kent
(01:42):
heads out at once on the dustyroad to Sand Miguel, fifty miles away.
Meanwhile, in the prison itself,a strange John Rest has taken possession
of the men within the walls.All unknowing the authorities escort Lois Lane on
the tour of the prison. Buteven as Lois looks down from a window
of the warden's office, two menfall casually into step in the exercise yard
(02:05):
below. One is Keno, theother the dark, sinister figure we have
come to know as the Wolf.All right, Keno, just keep on
walking, not too fast and nottoo slow. We can tuck around the
corner the steam plant board. No, no better, stay out in plain
sight. I'll get this now,Qino. The break is set for today.
(02:29):
What time after supper in the dininghall? It's all a right,
hey, boys, what about thetime yep, Quiet about the tunnel,
Keno, do you want to retard? They can hurry in on this all
right? All right? How faralong? Is it almost done? And
so far no one suspects a thing? How could they when it's being thrilled
from the outside. That's what itmeans to have a guy like the Yellow
(02:51):
Mask on your side. Quiet isit? God? Keep moving the hair,
No hanging around in the corners.Come on the move. You're out
here for exercise. I knew theman could spring us sooner, and lady
h it's about time. You know. He's left us alone far too long.
But what do you care if hegets us out now? My friend,
there'll be a settlement between me andthe Mask. I should never have
(03:14):
gone to jail at all. Heknows what he's doing for us. And
if you know what's good for you, you take what comes and don't tangle
with him. Don't worry Keino.If he can use me, I can
use him. I'll let him getus out of here and then we'll see
for what else. Fors they're goingto ring the bell right away from what
I say, you know, rightafter supper, before we've marched out,
(03:35):
they'll get disturbance. I've attended tothat. Who's in on it? All
the men we need, most ofthem will head for the gates. I've
arranged that too. But you andI and a few more will rush the
steam plants. Well what's that for? Well, for one thing, it's
close to the walls. For another, never mind, Now there goes the
bell. Hey, horse, lookup in the window the warden's office.
(03:57):
Hey, what's that chain doing?Oh? Yes, yes, I understand.
She's writing up the prison for anewspaper Kino. Well, if she
stays till supper time, she'll havea real story. And that's less than
an hour ago, less than anhour to go, and all unconscious of
the impending prison break, Lois Laneworks up the details of her story while
(04:21):
the warden offers every assistance anything else, Miss Lane. You've been at it
since erely afternoon. I'm not nearlyfinished yet, Warden. Well you've seen
about all there is to see.Aren't you get hungry? What time?
Is it? Very close to suppertime? That's another thing I want to
know about the woman's angle again,Warden, What are the men got to
(04:41):
eat? Good wholesome food, missLane? And nothing fancy of course,
could I watch them see if theyget tonight for instance? Well, it's
more or less what you'll get yourself, miss Lane, if you'll be my
guess, Gordon, that's awfully niceof you. But well, would it
be against the rules if I watchedthe prisoners in the dining hall mm,
six o'clock dinner at past five?Now, I'll tell you weren't. How
(05:04):
would you like to see the INFIRMO? Well, now they're just about time,
and when you get through their way, I'll drop you off for the
dining hall. Whatever you say,Warden, shall we start right along?
Time passes ten minutes, twenty minutes, a half hour, and suddenly the
quiet routine of prisoner is broken byfrantic bells and the shrieking whale of the
(05:26):
sirens. Wharton, theyre going apower of the guards in the dining room
barricaded themselves in clancy quick who's theleader the wolf? Some of them are
getting ready to crash the main gates. Better call out the militia, warn
the state police by short wave.You'd better hurry, Warden, calling state
(05:51):
bleek cause five rio at San MiguelPrison. Close all roads leading to front
San Miguel Stop all pause, closeoff in triarrhea, stand by for further
orders. I will repeat calling statepolice cause five nine twenty seven sirens,
(06:15):
State Police militia. All roads blockedoff. And meanwhile, Clark Kent,
in his hired car, speeds northwardtowards San Miguel through a forest of towering
pine, closer, ever closer,and presently a curious sound in the distance
comes over the wilderness to his supersensitiveears. The road makes a sudden turn,
and in the twilight he sees menin uniform barring his way. A
police whistle stabs the quiet. Hollyup, buddy, this is as far
(06:42):
as you go. What's the matter? Officer? Roadblock? Yeah, block
right here, turn a round,head back where you came from. Why
can't I get through where you're bound? San Miguel? I have a date
at the prison ere What kind ofa date. Why? I'm a newspaper
man, Clark Kent of the DailyPlanet, a reporter. Hey, how'd
you get winded? This so quick? Wind of? What? Don't give
me that stuff? Who told youabout the I had at San Miguel?
Riot? When right now, buddy, and we're under orders to stop all
(07:03):
cars bounding or out. I'll look, Officer, I'm sorry, but I've
just got to go through. What'sthe matter death, I said, we're
stopping all cars, come to thinkof it. Climb out at your loppie.
If there's trouble at San Miguel,I just having time to stop having
time. Say who do you thinkyou're talking about? You're sorry. I'd
like to stay, but I reallycan't. It's a long Officer. If
I can't take my car, I'lljust make a run for it. See
what's saying again? Hey guy,Bill take him? Catch him? Hey,
(07:26):
look at him. Go hop onyour motorcycle. Doyle, I'll catch
him. He can't play tricks likethis on the jump in the side car.
Herry got hit around that curve,and I lay my hands on that
fresh guy. I'll stretch him outlike a rug. Hang on and you'll
be lucky to even see him.Toyle, he's going like a jack rabbit
all the way. We'll be hittingseventy five. Alright, Cash, Look
will you look? Who is thatguy? Toyle? He's leaving us behind
(07:46):
like Fanny Still. Why he's flying? I'm seeing things. I don't believe
it. Look we're doing seventy five, baby, and he's getting further away
every second. Look at him.Sorry, boys, I'd like to stay
in chat, but I can't doit now. If there's trouble at San
(08:09):
Miguel, I've got to be there, and be there in a hurry up
we go, and faster, faster, high over the desolate waste, Superman
wings his way toward the gray wallsand towers of San Miguel, scene of
riot and danger. While inside theprison itself in the office of the warden,
(08:37):
Hello, warden speaking, Why yes, Colonel Peppert, it looks bad.
There's about one hundred of the millionabove the yard for the rest are
of the dining hall with their leader. You'll send two companies of militia.
Good rust them, Colonel. Everymoment counts. Wharton, Wharton. They're
going to rest the front gate.They've got a battering ramp. Two companies
of militia run the way. Iwon't be time, Warton. You better
call the tower, sir. Machineguns will driving back. No guns,
(09:00):
Clancy, warn the guards. Ican't shoot them down in cold blood.
Try tear guess how we have,but there's too much wind for gas.
Bullets are the only thing. NoClancy, Try tear gas again. Drop
it from the roof. Now,hurry, they're at the gate. Hurry.
Ah, there's the prison and there'sthe riot. That state trooper was
(09:26):
right. I think it's time Supermantook a hand in this before somebody gets
hurt. Down, down, down, out of the sky hurdles an amazing
figure in blue costume and red cloak, whilst the high wall appears out of
(09:46):
the tear gas smoke as the screamingconvict's mass for a concerted rush on the
main gates of the prison, carryinga huge timber as a battering ram.
All right, we got it beforeyou guys. It's twenty feet on two
feet tick, come on, let'sgo. Hey, I hoo's that guy
the guy that tap? Where didthe frock? Drop that timper? Lush
(10:09):
you black and eight of the way, I said, drop that timper?
All right? It just means Igot to take it away away. What
the hey, he's got a temper. He just starts it roof bat get
back is crazy. He's swinging itlike a baseball of bath, swinging the
(10:31):
huge twenty foot timber like a bamboocane. Superman clears the space before the
main gates and drives the screaming,terror stricken convict back across the yard and
into the cell block, where amazedguards put them swiftly under lock and key.
But what of the wolf and Kenoand the handful of convicts still at
large? And what of Loa's Lanetrapped in the dining hall when the riot
(10:52):
broke out? Is she in theclutches of the wolf? Tune in next
time follow the story, and rememberbe sure to tune in the next thrilling
installment of the Amazing transcription feature SupermanUp in the Sky Mook It's a bird,
(11:13):
it's a thing, It's Superman.Superman is a copyrighted feature appearing in
Action comics magazines
Presenting the transcription feature Superman under theSky. Look, it's a word,
it's a queen, It's Superman.And now Superman Superman walks the Earth and
mingles with men as mild spectacle.Clark Kent, news reporter for the Daily
(00:23):
Planet, and our story opens today Superman and his character of Clark Kent
had just telephoned his story of theNorth star Mine to his editor, Perry
White. White offers his congratulations andalso gives Kent a bit of welcome news.
Listen, I'm all finished out here, mister White. Nice work.
Can't you did a good job withthat North Carline story. I've little of
(00:45):
surprise, boy, surprise ever hearof San Miguel Penitentiary to a model prison
there where you are, Sam mcguil, sure i've heard of it,
so view. Don't you remember that'swhere they sent the Wolf and Keno,
the two fellows who tried to directthat train the Silver Clipper. Hey,
that's right, the Wolf and Keno. Well, if you see them,
give them my regard. What's theidea, mister White, Justice Kenn We've
(01:07):
sent Lowis Lane out to San Miguelto do a feature Stork on the modern
penitentiary. He's out there. Nowjoin her and bring her back with you.
You'll be company for one another.Gee. Thanks, mister White,
I forget it. Have a goodtrip, Kent, Bye, operator,
Oh operator. Is there a garagein town where I can rent a car?
Yes, Kennedy's okay. Please connectme hiring a car. Clark Kent
(01:42):
heads out at once on the dustyroad to Sand Miguel, fifty miles away.
Meanwhile, in the prison itself,a strange John Rest has taken possession
of the men within the walls.All unknowing the authorities escort Lois Lane on
the tour of the prison. Buteven as Lois looks down from a window
of the warden's office, two menfall casually into step in the exercise yard
(02:05):
below. One is Keno, theother the dark, sinister figure we have
come to know as the Wolf.All right, Keno, just keep on
walking, not too fast and nottoo slow. We can tuck around the
corner the steam plant board. No, no better, stay out in plain
sight. I'll get this now,Qino. The break is set for today.
(02:29):
What time after supper in the dininghall? It's all a right,
hey, boys, what about thetime yep, Quiet about the tunnel,
Keno, do you want to retard? They can hurry in on this all
right? All right? How faralong? Is it almost done? And
so far no one suspects a thing? How could they when it's being thrilled
from the outside. That's what itmeans to have a guy like the Yellow
(02:51):
Mask on your side. Quiet isit? God? Keep moving the hair,
No hanging around in the corners.Come on the move. You're out
here for exercise. I knew theman could spring us sooner, and lady
h it's about time. You know. He's left us alone far too long.
But what do you care if hegets us out now? My friend,
there'll be a settlement between me andthe Mask. I should never have
(03:14):
gone to jail at all. Heknows what he's doing for us. And
if you know what's good for you, you take what comes and don't tangle
with him. Don't worry Keino.If he can use me, I can
use him. I'll let him getus out of here and then we'll see
for what else. Fors they're goingto ring the bell right away from what
I say, you know, rightafter supper, before we've marched out,
(03:35):
they'll get disturbance. I've attended tothat. Who's in on it? All
the men we need, most ofthem will head for the gates. I've
arranged that too. But you andI and a few more will rush the
steam plants. Well what's that for? Well, for one thing, it's
close to the walls. For another, never mind, Now there goes the
bell. Hey, horse, lookup in the window the warden's office.
(03:57):
Hey, what's that chain doing?Oh? Yes, yes, I understand.
She's writing up the prison for anewspaper Kino. Well, if she
stays till supper time, she'll havea real story. And that's less than
an hour ago, less than anhour to go, and all unconscious of
the impending prison break, Lois Laneworks up the details of her story while
(04:21):
the warden offers every assistance anything else, Miss Lane. You've been at it
since erely afternoon. I'm not nearlyfinished yet, Warden. Well you've seen
about all there is to see.Aren't you get hungry? What time?
Is it? Very close to suppertime? That's another thing I want to
know about the woman's angle again,Warden, What are the men got to
(04:41):
eat? Good wholesome food, missLane? And nothing fancy of course,
could I watch them see if theyget tonight for instance? Well, it's
more or less what you'll get yourself, miss Lane, if you'll be my
guess, Gordon, that's awfully niceof you. But well, would it
be against the rules if I watchedthe prisoners in the dining hall mm,
six o'clock dinner at past five?Now, I'll tell you weren't. How
(05:04):
would you like to see the INFIRMO? Well, now they're just about time,
and when you get through their way, I'll drop you off for the
dining hall. Whatever you say,Warden, shall we start right along?
Time passes ten minutes, twenty minutes, a half hour, and suddenly the
quiet routine of prisoner is broken byfrantic bells and the shrieking whale of the
(05:26):
sirens. Wharton, theyre going apower of the guards in the dining room
barricaded themselves in clancy quick who's theleader the wolf? Some of them are
getting ready to crash the main gates. Better call out the militia, warn
the state police by short wave.You'd better hurry, Warden, calling state
(05:51):
bleek cause five rio at San MiguelPrison. Close all roads leading to front
San Miguel Stop all pause, closeoff in triarrhea, stand by for further
orders. I will repeat calling statepolice cause five nine twenty seven sirens,
(06:15):
State Police militia. All roads blockedoff. And meanwhile, Clark Kent,
in his hired car, speeds northwardtowards San Miguel through a forest of towering
pine, closer, ever closer,and presently a curious sound in the distance
comes over the wilderness to his supersensitiveears. The road makes a sudden turn,
and in the twilight he sees menin uniform barring his way. A
police whistle stabs the quiet. Hollyup, buddy, this is as far
(06:42):
as you go. What's the matter? Officer? Roadblock? Yeah, block
right here, turn a round,head back where you came from. Why
can't I get through where you're bound? San Miguel? I have a date
at the prison ere What kind ofa date. Why? I'm a newspaper
man, Clark Kent of the DailyPlanet, a reporter. Hey, how'd
you get winded? This so quick? Wind of? What? Don't give
me that stuff? Who told youabout the I had at San Miguel?
Riot? When right now, buddy, and we're under orders to stop all
(07:03):
cars bounding or out. I'll look, Officer, I'm sorry, but I've
just got to go through. What'sthe matter death, I said, we're
stopping all cars, come to thinkof it. Climb out at your loppie.
If there's trouble at San Miguel,I just having time to stop having
time. Say who do you thinkyou're talking about? You're sorry. I'd
like to stay, but I reallycan't. It's a long Officer. If
I can't take my car, I'lljust make a run for it. See
what's saying again? Hey guy,Bill take him? Catch him? Hey,
(07:26):
look at him. Go hop onyour motorcycle. Doyle, I'll catch
him. He can't play tricks likethis on the jump in the side car.
Herry got hit around that curve,and I lay my hands on that
fresh guy. I'll stretch him outlike a rug. Hang on and you'll
be lucky to even see him.Toyle, he's going like a jack rabbit
all the way. We'll be hittingseventy five. Alright, Cash, Look
will you look? Who is thatguy? Toyle? He's leaving us behind
(07:46):
like Fanny Still. Why he's flying? I'm seeing things. I don't believe
it. Look we're doing seventy five, baby, and he's getting further away
every second. Look at him.Sorry, boys, I'd like to stay
in chat, but I can't doit now. If there's trouble at San
(08:09):
Miguel, I've got to be there, and be there in a hurry up
we go, and faster, faster, high over the desolate waste, Superman
wings his way toward the gray wallsand towers of San Miguel, scene of
riot and danger. While inside theprison itself in the office of the warden,
(08:37):
Hello, warden speaking, Why yes, Colonel Peppert, it looks bad.
There's about one hundred of the millionabove the yard for the rest are
of the dining hall with their leader. You'll send two companies of militia.
Good rust them, Colonel. Everymoment counts. Wharton, Wharton. They're
going to rest the front gate.They've got a battering ramp. Two companies
of militia run the way. Iwon't be time, Warton. You better
call the tower, sir. Machineguns will driving back. No guns,
(09:00):
Clancy, warn the guards. Ican't shoot them down in cold blood.
Try tear guess how we have,but there's too much wind for gas.
Bullets are the only thing. NoClancy, Try tear gas again. Drop
it from the roof. Now,hurry, they're at the gate. Hurry.
Ah, there's the prison and there'sthe riot. That state trooper was
(09:26):
right. I think it's time Supermantook a hand in this before somebody gets
hurt. Down, down, down, out of the sky hurdles an amazing
figure in blue costume and red cloak, whilst the high wall appears out of
(09:46):
the tear gas smoke as the screamingconvict's mass for a concerted rush on the
main gates of the prison, carryinga huge timber as a battering ram.
All right, we got it beforeyou guys. It's twenty feet on two
feet tick, come on, let'sgo. Hey, I hoo's that guy
the guy that tap? Where didthe frock? Drop that timper? Lush
(10:09):
you black and eight of the way, I said, drop that timper?
All right? It just means Igot to take it away away. What
the hey, he's got a temper. He just starts it roof bat get
back is crazy. He's swinging itlike a baseball of bath, swinging the
(10:31):
huge twenty foot timber like a bamboocane. Superman clears the space before the
main gates and drives the screaming,terror stricken convict back across the yard and
into the cell block, where amazedguards put them swiftly under lock and key.
But what of the wolf and Kenoand the handful of convicts still at
large? And what of Loa's Lanetrapped in the dining hall when the riot
(10:52):
broke out? Is she in theclutches of the wolf? Tune in next
time follow the story, and rememberbe sure to tune in the next thrilling
installment of the Amazing transcription feature SupermanUp in the Sky Mook It's a bird,
(11:13):
it's a thing, It's Superman.Superman is a copyrighted feature appearing in
Action comics magazines
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