March 5, 2025 • 29 mins
Please enjoy Easy Money a great episode of the legendary Suspense - - a Old Time Radio OTR classic.
This content was created in partnership and with the help of Artificial Intelligence AI
This content was created in partnership and with the help of Artificial Intelligence AI
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Episode Transcript
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Speaker 1 (00:00):
Roma Wines r O m A made in California for
enjoyment throughout the world. Roma Wines present us Spence.
Speaker 2 (00:14):
N Roma Winds bring him It to Jack Corson as star.
Speaker 1 (00:17):
Of Easy Money. I Suspend play produce edited and directed
for Roma Wines by William Steers. Suspend Radios out fanding theater.
Thrills is presented for your enjoyment by Roma Wines. That's
r Oma Roma Wines, those excellent California wines that can
(00:41):
add so much pleasantness to the way you live, to
your happiness in entertaining guests, to your enjoyment of everyday meals. Yes,
right now, Glassgow would be very pleasant as Roma Wines
bring you. Jack Carson in a remarkable tale of Suspends.
(01:05):
The night I'm telling about that Easy Money was hanging
up there somewhere, just waiting to paul right into my lap.
I didn't even know it. All I knew was I
had business elsewhere. I was playing the piano with Mary
was over in Brooklyn. But that night I slept out early.
I didn't even tell Allan. I just left because for
the first time in fourteen years, I had a purpose
(01:26):
in life, a plan and objective and I wanted to think.
I was sitting in Gus's grille over a cup of coffee,
still thinking. When I looked up. Suddenly in there was Ellen.
I mean, right off my own. Where'd you think the astrology?
Speaker 3 (01:43):
I too?
Speaker 1 (01:45):
Girl?
Speaker 3 (01:45):
Can sure work up and have a site chasing the man?
Speaker 1 (01:47):
Go a wait, wait, I'm to press.
Speaker 4 (01:49):
That's all my reason you need me?
Speaker 1 (01:51):
Then the food here is terrible. Some of US's customers
have to be traded.
Speaker 5 (01:54):
For shock, and let's go somewhere else.
Speaker 1 (01:57):
It's the only place where my credit's still good.
Speaker 3 (02:00):
I stopped at your rooming house yesterday. Somebody said you
had to move if you need money, Paul, Why didn't
you tell me?
Speaker 1 (02:08):
Because I'm thrill taking money from you? You're only bowling.
Speaker 3 (02:13):
Look, this is a terrible blow to my pride, darling.
But for the tenth time, will you marry me?
Speaker 1 (02:18):
Nope?
Speaker 2 (02:20):
Why not?
Speaker 1 (02:21):
It makes me terribly happy? Is the happy for a
month and miserable for the rest of your life. This
is a kind way of telling me that you don't
love him.
Speaker 5 (02:29):
M m.
Speaker 1 (02:30):
You're never out of my mind. But just walking in
the street, I get a lonely point.
Speaker 3 (02:35):
Been marrying the call I'd be good for you. I'd
always been nagging you and driving you to work harder
and get some place.
Speaker 1 (02:42):
I'm just exactly where I belong. Wulling up thena with
Marios for I was let you as a light breakers.
I know better.
Speaker 2 (02:49):
Now.
Speaker 3 (02:49):
A couple of times I was there when you stayed
after closing. You thought you were all alone.
Speaker 1 (02:54):
I heard you playing.
Speaker 3 (02:56):
How did you ever get like this?
Speaker 1 (03:00):
Anything? Ill you?
Speaker 3 (03:02):
You never tell me anything about yourself, Paul. When I
stopped at your room yesterday, I saw something on the
floor that kind of puzzled me.
Speaker 1 (03:12):
You dead, huh?
Speaker 3 (03:14):
A page drawn out of last week's Destiny magazine.
Speaker 1 (03:17):
What's so puzzling about that?
Speaker 4 (03:19):
It was all carefully folded it.
Speaker 3 (03:21):
It all look like something he's been caring in your pocket.
I thought maybe you dropped it, so I brought it along.
Speaker 1 (03:27):
What want that for? I don't know.
Speaker 4 (03:31):
It's just a full page add about the Diary of
Martha Laythrop is starting next week, says after ten years abroad,
Martha Laythrop has just come back to America, where authoritative
books have opened to seecret doors of politics. Her cane
mind is alerted America on world affairs and punctured the
stuffed shirts of important men. Now read the sensation story behind.
Speaker 1 (03:56):
All her story. Extraordinary woman.
Speaker 5 (03:58):
Yeah, oh, well.
Speaker 1 (04:02):
You didn't answer my question yet?
Speaker 4 (04:05):
Which question the only one that really interests a woman?
Speaker 1 (04:09):
Are you going to marry me? I'm already married, You're married.
It happens to many, you know.
Speaker 3 (04:17):
Oh why didn't you ever tell me, pou, Because.
Speaker 1 (04:20):
It's something that happened a long time ago. It's fourteen
years since I last sorry, fourteen.
Speaker 3 (04:25):
Years, and you never did anything about it.
Speaker 1 (04:28):
There was nothing I could do until now, until Martha
came back to this country.
Speaker 3 (04:33):
Martha do you mean this woman?
Speaker 1 (04:36):
Yeah, she's my wife, Marsa to your wife, I'm going
to say her tonight, because why.
Speaker 3 (04:44):
In all these years, why didn't you have it?
Speaker 1 (04:45):
Because sometimes marriage really seems to mean what it says,
till death to us part Well, I left Allan went
up there. She was living in a big converted brownstone
(05:08):
on grammar Sy Blade, overlooking the part. The door was
opened by a rough looking character. It would have been
a lot more convincing as a private dick than as
a butler, which is what he was apparently supposed to be.
For a moment, I wanted if he knew anything about me.
This watch dog might be the one person she could
have told her to warn him against me. But of
course I was goron, not with her pride, not her,
(05:30):
not Martha. Yes, I want to see miss Slavery. You
have an appointment. No, but then you can't see it.
And I don't wait a minute out an appointment. You
can't see her. Nobody can see her. Missus Lathrop is
a very sick woman. Sick the newspapers didn't say anything about.
Never mind what the newspaper said. You heard what I said. Well, look,
just give her this watch. Always what about the watch?
(05:53):
Or just give it to her? I think she'll see
me and as her name in it. Oh something you found? Yeah,
something I found. He took the wash and went upstairs.
I knew the watch would work because Martha herself had
(06:13):
given us on me as a wedding presence. I knew
exactly how it would work up to a point. And
if she still wouldn't give me what I wanted, I
was ready for that too. But there was something about
the whole setup that I didn't get. The house itself,
dark and somber as a prison, The pug ugly butler
the potter butter being sick. It didn't say, it just
(06:35):
didn't fit with what I knew about Martha Lasler. I
sat down in the living room the way almost jumped
out of my skin. It was a big bullet, like
a parador, a car mac or whatever it's called, peering
at me through the bars of a cage. I remember
now reading about how some big game hunter had given
it to her. It was big and bright colored and
(06:56):
mean looking, with a green stripe between its eyes, which
gave her would be quite startling impression that the thing
was wearing spectacles. I was still staring at it when
I turned and I saw him on for the first
time in fourteen years. She was pale, thinner than I remember,
but with the same hard and tense blue eyes, the
(07:17):
same air of cold condescension. But it was something else.
Suddenly I knew what it was. It was fear, a
look of hidden fella was almost shocking to me. Who
would always know Martha is utterly, even wholly fearless. I
was in for another shock. She didn't speak to me.
(07:37):
She spoke to the butler, Robert, have you said him
not yet? Miss later? Please do turn around. It was
the idea. I said, turn around. Well he's all right,
miss laper Okay, well you may go now, Rob, Yes,
miss laper Well, And I asked what that was? It's
(08:00):
all about it. I've had some they trying experiences in times,
and I saw your call. You must say that you
have to search all the callers for concealed weapons. To
what are you afraid of?
Speaker 5 (08:10):
Marty had rather not discuss it.
Speaker 1 (08:11):
If you don't mind, what do you want? You're not
exactly overjoyed to see me, I said, what do you want?
I read about your diary? I came to.
Speaker 3 (08:20):
Congratulations, congratulate again.
Speaker 1 (08:23):
Get out the birds. Seems to be as bad tempered
as you are. Can you keep him out of this conversation?
This conversation is over, not my end of it. Now,
what did you come here for money? Because the answer
is no, no, not this time. This time I want
something money can't buy one of the very two things
it can't. What's that to be free? Marty? Why so
(08:48):
that I can marry again? Did I happen to say
something funny? I suppose some people love it isn't funny?
Is it wasn't me? When I married you? That was
the one bad miscalculation I made in my life. I
know I knew that first time you went to Paris,
friend newspaper, I'd never see you again. You said going
(09:09):
away would only be temporary. But does the French say
there's nothing so permanent? It is the temporary. Why didn't
you get a divorced in Why didn't you think then
that someday you might want to marry again after my
experience with you, my dear mother, When I thought of
women after that isn't set language, even for your But
you worried about taking money from a woman.
Speaker 5 (09:25):
Were you?
Speaker 1 (09:26):
You went about purging chex with my name?
Speaker 5 (09:28):
Were you?
Speaker 1 (09:29):
Oh? I needed it and I knew your vanity. That
was my temptation and my safety. As you couldn't bear
to look ridiculous by admitting that you had a and
no good bum of a husband, we made up, Bobby.
I could have sent you the GEO. I still can't
remember this now. Why didn't you divorce me? I did
that because you didn't want me, But you couldn't bear
the thought that I might be completely free of That's ridiculous.
(09:51):
Someone once said that we'd kill the thing we loved.
Speaker 5 (09:53):
Are you trying to say I still love you you.
Speaker 1 (09:56):
Made in a twisted sort of a way because money
was the only love you ever we had. Maybe somewhere
deep in your mind you're trying to keep the bleached
bones of it. I wonder, Martha, I've always wanted without
an answer, without my freedom.
Speaker 4 (10:10):
He answers.
Speaker 5 (10:10):
No.
Speaker 1 (10:11):
Never do you hear? Never? No? All right, Martha, but never.
It's a long long.
Speaker 2 (10:16):
Time or suspense. Roma Winds are bringing you, Jack.
Speaker 1 (10:30):
Cosson in Easy Money, a radio play by Sidney Reenthal.
Speaker 2 (10:35):
Roma Winds presentation tonight in radio's outstanding theater of thrills.
Speaker 1 (10:40):
Suspense between the acts of suspense. This is Ken Niles
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(11:00):
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Wines bring back the Hollywood soundstage. Jack Thowson in Easy Money,
a tail well calculated to keep you in suspend. So
(12:14):
Martha wouldn't give me a divorce, all right? I could
have said that, But that business about sending me to jail,
it was different. And I knew my Martha, and I
knew that now that she was back from Europe and
could do it, she still hated me enough so that
someday she deals with the temptation and would do it.
And but that was all right too. My the wanted
to play that way. I was ready. I was way
ahead of her in a place like Mary. As the
(12:36):
customers we have, you can get a hold of almost
anything he wants, you know, to ask. So the first
thing I got was night to seeing because it was
the easiest, one of the deadliest, and the next was
a bunch of keys, taskeys, and that was all I needed.
So the next night, after I left Mary, I was
I just waited out in the park across the streets.
(12:59):
I was preparing to wait for every night for a
week if I had to. But it was less than
an hour the flats. He drove up in front of
the house, A well dressed, well heeled looking gent got
out and went in the night, and about the same
minutes he came out again with Martha and they drove
off a little time after that, the butler less, I
(13:19):
walked across the street, and the third night, Fine let
me in the door and.
Speaker 5 (13:29):
Go off.
Speaker 1 (13:35):
It was a scene of a bird and it only
stopped me for a minute. I won't say I wasn't nervous,
because anybody's nervous when they're about to commit a murder.
But I hadn't any reason to be. I kept telling myself,
who was gonna pin it on me? As far as
anybody who knew Martha was concerned, I didn't even exist all.
I went upstairs and found her bedroom, and on the
(13:56):
bedside table I found the bottle of sleeping pills, just
as I expected he'd always use him, and she was
attired that all was wood. Very carefully, I sat each
little capsule apart and emptied this contents down the wash
basin in the backroom, and I filled each one up
again with night raisine enough to kill a horse. I
(14:16):
was down at the bottom of the stairs again when
the light went on of the restibule. She was coming back.
I had just time to slip behind one of the
heavy curtains in the living room. But that was all
I Martha to suspect me of old TV, not night.
I would rather not to scutt it. Martha, you must
realize that these obsessions are symptoms of the thick price. Say,
I would rather enough to scatty good night. And she'd
(14:40):
had a quarrel with someone AD was good. Now I
knew she'd take the sleeping pills. She went directly upstairs,
and I went, why would this light? As the butler
came in, But he went straight onto his own quarters
somewhere in the back of the house. And I waited
some more. It seemed like hours, so I suppose it
(15:01):
was only a few minutes. I wondered if she'd taken
the sleeping pills. Yet I wonder if i'd hear when
she fell. Finally, I didn't dare wait any longer. I
stopped bot from behind the curtain and crossed the living room,
and I jest closed the trunk door quietly behind me.
When a light went on inside, I pressed into a
corner the vest step. There was the glass panel of
(15:22):
the door. I could see Martha and a negligee coming
down the stairs, and she had a bottle in her hand,
the bottle of sleeping pills. And I was thinking, I
thought she must have found out somehow that she was
going to call the police. However, she wasn't moving like
a sleepwalker. She crossed the living room, she was dumping
one of the pills out of the bottle into her hand,
and then she stopped. She stopped in front of the
(15:44):
cage of that bird. Suddenly I saw the whole thing.
The tough buttler who says she was sick and searched
pable for weapons, the stear behind her eyes, the man
she just quarreled with about obsessions and symptoms of a
sick wine. Martha was insane. I watched while she took
(16:08):
the sleeping till on her fingers and held it through
the bars of the cage for the bird. I saw
the bird grabbing his beak, but I didn't wait for
the rest as lonty as I could. I opened the
outer door and went down to the street. And Martha
was insane. And because she was insane, because she thought
people were trying to kill her, I couldn't kill her.
(16:29):
Nobody could ever kill her.
Speaker 5 (16:47):
Hell, Paul, are you all right?
Speaker 1 (16:51):
I'm sure, I'm all right. What time is it? Five o'clock?
Speaker 4 (16:57):
I just saw the papers, saw.
Speaker 5 (16:59):
The papers about Matola through What about her dead?
Speaker 1 (17:05):
Poisoned poison?
Speaker 3 (17:08):
They found nightro set.
Speaker 1 (17:09):
That's impossil it. It couldn't be.
Speaker 5 (17:11):
I'm afraid it's true.
Speaker 1 (17:13):
Ellen, Hell, why it does? Wait there, oh, Paul.
Speaker 4 (17:28):
Let's go away with what.
Speaker 1 (17:29):
I've got a little money.
Speaker 3 (17:30):
Enough to get us to Chicago. Maybe Los Angeles. Could
we we could change our names and start over again.
Speaker 1 (17:35):
Ellen, huh heus they got killed? Or don't you?
Speaker 2 (17:40):
Oh?
Speaker 4 (17:41):
If you did, I I know why you did, and
I don't care.
Speaker 1 (17:45):
You're quite a gallant. But I didn't kill her. You
were there, you said you were this I was, I was,
But I didn't kill her. And I can prove it.
Would you believe me?
Speaker 5 (17:55):
Okay?
Speaker 1 (17:59):
Wait away, an't give me a couple of those, Yes, sir,
he is all about the big murder murder, yes, sir,
uh human okay, po thanks, all right, okay, take it
easy way. I got to.
Speaker 5 (18:12):
Paul.
Speaker 4 (18:14):
It wasn't you, Oh Paul.
Speaker 1 (18:16):
Doctor Martin Ostman must have been the guy she went
out with last night, and they've got him cold.
Speaker 3 (18:22):
They quill publicly good reasons.
Speaker 5 (18:25):
She said he was trying to poison her.
Speaker 3 (18:27):
He'd given her the prescription for the sleeping field that
killed her, Helen, How would you.
Speaker 1 (18:32):
Like to have some real money and earn it? Easy money? Money?
This asterman is rich, filthy rich. I can prove I
didn't do it. I can prove that he didn't do it.
(19:03):
Which one is handling the Austinen pis?
Speaker 5 (19:05):
I'll give you mister Harris, Hello, Bess.
Speaker 1 (19:12):
Yes, the papers say that you're doctor Martin Ostenman's lawyer.
Is that right?
Speaker 3 (19:17):
Oh?
Speaker 5 (19:17):
Yes, yes, that's right.
Speaker 1 (19:19):
Who is this? Your client's in a pretty bad way,
isn't he. Okay, I'm not in the habit of speaking
over the phone to people. You don't speak to me
because I can prove his innocence. You can what That's
what I said. I can prove it. Well, o, mister
whatever your name is, if you have any evidence, I'd
certainly be glad that you come down to my opposite. Well,
I'll send somebody else down my secretary. If you want money, well,
(19:44):
fifty thousand dollars.
Speaker 5 (19:47):
Fifty dollars.
Speaker 1 (19:48):
Yeah, you get in touch with doctor Ostenman to say
if he doesn't think his life is worth that.
Speaker 5 (19:51):
But jealous suggesting is not only against the law.
Speaker 1 (19:54):
I don't care about the law, and I don't think
as will either. I'll have somebody down there in an hour.
Are you arranged by then? Well?
Speaker 5 (20:02):
Possibly?
Speaker 1 (20:03):
All right, and we want the money in cash.
Speaker 3 (20:23):
Harrison, which is in Fox.
Speaker 1 (20:25):
Is a young lady waiting for this call in mister
Harrison's office. I want to speak to him. Oh, yes,
Paul Ellen, are they giving you the money? Yes? Did
she counted? Yes? All right, put Harrison on and then
start for Grand Central station.
Speaker 3 (20:42):
All right, Paul, she wants to talk to you.
Speaker 1 (20:45):
Thank you, hello, mister Harrison. Yes, all right, here's the go.
Martha Lathrop was not murdered. She committed suicide. Suicide, And
here's the proof. She was suffering from Zulu. She thought
people were trying to kill her poisoning so on. Doctor
Oslin confirms that, of course, yes, he doesn't know. He
(21:07):
said it had gone so far. She was trying out things.
She ate on that big parrot. She had took a car. Yeah,
the butler will confirm that. Anyway, she tried out those
sleeping pills and the bird before she took them. And
you'll find a dead bird in the house to confirm that.
God Heaven. So she knew those pills were poisoned before
she took them. Marta Lathrop killed herself. I must say
(21:35):
they took it like a sport. They've paid up and
shut up. An hour later, Ellen and I were on
a train speeding along the banks of the Hudson Riever
Bounds in California. Oh well, fifty thousand dollars, easy of money.
It must be the easiest money any man ever made
in his life. What's a bit about two weeks after
(22:07):
we got to California and I got the phone call
is mister Bidley, Yeah, my name is McNaughty. I run
a picture downtown. You must have wrong, No, no, no, no,
I don't think so. I got something down here. You
might be interested in him?
Speaker 5 (22:21):
A bird?
Speaker 1 (22:22):
Huh? A bird?
Speaker 5 (22:25):
Yeah, I'm a call real beauty. Got a green stripe
between his eyes. Look exactly so he's wearing glasses.
Speaker 1 (22:34):
Are you interested?
Speaker 4 (22:35):
No?
Speaker 1 (22:37):
No, I'm oh I could easily bring him up to
show you I got your rap. No, I said, I'm
not interested in that night, I told Helen I got
tom bugs in the place. So we moved. Two months later,
I was alone and there was a knock in the door.
(23:00):
Mister Bentley, what do you want? I brought the bird anyway,
Mister Bentley, I thought sure you'd want him when you
saw it.
Speaker 2 (23:07):
Look, I said, quiet time finding where you'd moved.
Speaker 1 (23:10):
Though. Oh look, isn't your beauty Look? I told him
I didn't three one king before. Oh they're very rare,
very rare. What what made you think i'd want him?
I just thought too would don't you want him how much? Well? Now,
like I say, that's a very rare bird. Five d yes,
(23:31):
that'd be your life. Oh, thank you, mister Bentley, and
I'm sure you're enjoying.
Speaker 5 (23:39):
I'll get off.
Speaker 1 (23:42):
Good night, mister Bentley. There could be no doubt about it.
It was the same bird. I opened occasion off the
fighters to say if the markets might have been I
hate it on he bit, but it was the same bird.
(24:04):
He sat there staring eagle at me, saw those specrocles
that he was laughing at me. I reached in the
cage again, rang his neck. I wrapped the body up
in the newspaper. I gotta shovel out of the garage.
(24:25):
I drove about five miles up to Panga Canyon and
parked in a side road of my life's on. I
went down into the canyon and started digging and dug
like a madman. The sweat was running into my eyes
and I was gasping for air, and suddenly a light
was shining full of my face. All right, then, oh wait,
the bird is dead. I couldn't have done it. I
couldn't have killed The.
Speaker 5 (24:42):
Bird is dead.
Speaker 1 (24:57):
Ellen had nothing to do with it. She thought I
was innocent all along. Okay, we got nothing against her,
but the bird. I well, Bentley, that was what you
might call psychological warfare. We knew you were guilty though
when you bought it. I mean the poison. Oh oh,
we found poison all right, still traces on its beacon
claws when we got there, but there was one thing
(25:18):
we couldn't understand for quite a while. Not the dipping
os or the bron zoo finally tipped us off. But
if Margaret took the poison, I saw her give it
to that bird. I saw the bird gob with a
quite a nip tie. Yeah. You see, with this nightless scene,
some birds can take that stuff by the spoonful and
it won't even phase them. You just picked the wrong
kind of poison and the wrong kind of bird, and saw,
(25:50):
being a sound mind and somewhat relieved the Nord, I
do hereby bequeathing this my last will and testament right
witness there in the death House Assin in New York,
on this seventh day of November, to my wife Ellen
the sum of forty eight seven hundred dollars remainder of
that easy money. Hoping that the facts here and said
(26:11):
fourth will assure that she has a right to it,
says I will shortly, to my regrets, have earned every
nickel of it. Suspend Presented by Roma wie r O
(26:36):
na Aid in California for enjoyment throughout the world. This
is Ken Niles presenting our spent star of evening the
handsomest man in Hollywood, Jack Carson, Jack, you can stop
twisting my arm now, I said it. H I suppose
I'm not really the handsomest, just just one of the
(26:57):
best looking. Oh hell Jack, when it comes to look
so I'll take heady lamar. But as an actor, believe me,
Jack Carson, rank with the best. Gee. Thanks can I
I'm sorry about your arms. Oh that's all right, Jack,
My arm is still in good enough shape to give
you this gift basket of fine Roma wines with the
compliments of Roma. Your hosts tonight wonderful. That's a grand present,
(27:19):
and my thanks to Roma. So you folks really make
me feel at home. Well, Roma wine as a way
of doing that, Jack, That's why your Roma gift basket
includes Roma California sherry. When friends drop in, share with them,
golden amber, fragrant Roma Shehriy. Roma Shery's tempting nutlike taste
is the favorite of posts and guests for afternoon or
(27:39):
evening entertaining, and millions enjoy Roma sherry daily as the
perfect first call to dinner. I'll buy that, Ken and Jack,
because Roma and only Rama selects from the world's greatest
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is better tasting every time. Yes, no other than selects
(28:00):
for your pleasure from so vast a treasure of good taste.
No other ventner can equal Roma in wine making skills
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other wife makes sense to me, Ken Well, I must
be going. Thanks for everything, and sincerely, it's been a
stimulating an exciting experience tonight, Pa. I never missed Suspense,
(28:22):
and I've been looking forward to my appearance here for
a long time. I hope you'll have you back again. Well,
thank you, Jack. We thought you were great in your
newest Warner Brothers picture. Two guys from Milwaukee, and we'll
be hearing you on your regular Wednesday night show for
Campbell Suits and give a listen to us. Next Thursday
on Suspense, we'll have Hume Cronan our staff. I'll do
(28:43):
nice next Thursday, same time you will hear Hume Cronan.
That star.
Speaker 2 (28:48):
All Suspense.
Speaker 1 (28:52):
Produced and directed by William Spear for the Roma Wine
Company of Fresno, California. In the coming weeks, Suspence will
present such stars as Judy Garland, Chester Morris Olivia.
Speaker 2 (29:04):
De Havilan, Kerry Grant, Joseph Cotton, Boddy McDowell.
Speaker 1 (29:08):
And others make it a point to listen each Thursday
to Suspense radio's outstanding theater of thrill. Suspence is broadcast
from coast to coast and to our men and women
overseas by shortwaves and through the worldwide facilities of the
Armed Forces Radio Service. Stay tuned for the thrilling adventures
of the FBI in peace and war. Following immediately over
(29:30):
most of these safeties, there's this CBA, the Columbia Broadcasting
System
Roma Wines r O m A made in California for
enjoyment throughout the world. Roma Wines present us Spence.
Speaker 2 (00:14):
N Roma Winds bring him It to Jack Corson as star.
Speaker 1 (00:17):
Of Easy Money. I Suspend play produce edited and directed
for Roma Wines by William Steers. Suspend Radios out fanding theater.
Thrills is presented for your enjoyment by Roma Wines. That's
r Oma Roma Wines, those excellent California wines that can
(00:41):
add so much pleasantness to the way you live, to
your happiness in entertaining guests, to your enjoyment of everyday meals. Yes,
right now, Glassgow would be very pleasant as Roma Wines
bring you. Jack Carson in a remarkable tale of Suspends.
(01:05):
The night I'm telling about that Easy Money was hanging
up there somewhere, just waiting to paul right into my lap.
I didn't even know it. All I knew was I
had business elsewhere. I was playing the piano with Mary
was over in Brooklyn. But that night I slept out early.
I didn't even tell Allan. I just left because for
the first time in fourteen years, I had a purpose
(01:26):
in life, a plan and objective and I wanted to think.
I was sitting in Gus's grille over a cup of coffee,
still thinking. When I looked up. Suddenly in there was Ellen.
I mean, right off my own. Where'd you think the astrology?
Speaker 3 (01:43):
I too?
Speaker 1 (01:45):
Girl?
Speaker 3 (01:45):
Can sure work up and have a site chasing the man?
Speaker 1 (01:47):
Go a wait, wait, I'm to press.
Speaker 4 (01:49):
That's all my reason you need me?
Speaker 1 (01:51):
Then the food here is terrible. Some of US's customers
have to be traded.
Speaker 5 (01:54):
For shock, and let's go somewhere else.
Speaker 1 (01:57):
It's the only place where my credit's still good.
Speaker 3 (02:00):
I stopped at your rooming house yesterday. Somebody said you
had to move if you need money, Paul, Why didn't
you tell me?
Speaker 1 (02:08):
Because I'm thrill taking money from you? You're only bowling.
Speaker 3 (02:13):
Look, this is a terrible blow to my pride, darling.
But for the tenth time, will you marry me?
Speaker 1 (02:18):
Nope?
Speaker 2 (02:20):
Why not?
Speaker 1 (02:21):
It makes me terribly happy? Is the happy for a
month and miserable for the rest of your life. This
is a kind way of telling me that you don't
love him.
Speaker 5 (02:29):
M m.
Speaker 1 (02:30):
You're never out of my mind. But just walking in
the street, I get a lonely point.
Speaker 3 (02:35):
Been marrying the call I'd be good for you. I'd
always been nagging you and driving you to work harder
and get some place.
Speaker 1 (02:42):
I'm just exactly where I belong. Wulling up thena with
Marios for I was let you as a light breakers.
I know better.
Speaker 2 (02:49):
Now.
Speaker 3 (02:49):
A couple of times I was there when you stayed
after closing. You thought you were all alone.
Speaker 1 (02:54):
I heard you playing.
Speaker 3 (02:56):
How did you ever get like this?
Speaker 1 (03:00):
Anything? Ill you?
Speaker 3 (03:02):
You never tell me anything about yourself, Paul. When I
stopped at your room yesterday, I saw something on the
floor that kind of puzzled me.
Speaker 1 (03:12):
You dead, huh?
Speaker 3 (03:14):
A page drawn out of last week's Destiny magazine.
Speaker 1 (03:17):
What's so puzzling about that?
Speaker 4 (03:19):
It was all carefully folded it.
Speaker 3 (03:21):
It all look like something he's been caring in your pocket.
I thought maybe you dropped it, so I brought it along.
Speaker 1 (03:27):
What want that for? I don't know.
Speaker 4 (03:31):
It's just a full page add about the Diary of
Martha Laythrop is starting next week, says after ten years abroad,
Martha Laythrop has just come back to America, where authoritative
books have opened to seecret doors of politics. Her cane
mind is alerted America on world affairs and punctured the
stuffed shirts of important men. Now read the sensation story behind.
Speaker 1 (03:56):
All her story. Extraordinary woman.
Speaker 5 (03:58):
Yeah, oh, well.
Speaker 1 (04:02):
You didn't answer my question yet?
Speaker 4 (04:05):
Which question the only one that really interests a woman?
Speaker 1 (04:09):
Are you going to marry me? I'm already married, You're married.
It happens to many, you know.
Speaker 3 (04:17):
Oh why didn't you ever tell me, pou, Because.
Speaker 1 (04:20):
It's something that happened a long time ago. It's fourteen
years since I last sorry, fourteen.
Speaker 3 (04:25):
Years, and you never did anything about it.
Speaker 1 (04:28):
There was nothing I could do until now, until Martha
came back to this country.
Speaker 3 (04:33):
Martha do you mean this woman?
Speaker 1 (04:36):
Yeah, she's my wife, Marsa to your wife, I'm going
to say her tonight, because why.
Speaker 3 (04:44):
In all these years, why didn't you have it?
Speaker 1 (04:45):
Because sometimes marriage really seems to mean what it says,
till death to us part Well, I left Allan went
up there. She was living in a big converted brownstone
(05:08):
on grammar Sy Blade, overlooking the part. The door was
opened by a rough looking character. It would have been
a lot more convincing as a private dick than as
a butler, which is what he was apparently supposed to be.
For a moment, I wanted if he knew anything about me.
This watch dog might be the one person she could
have told her to warn him against me. But of
course I was goron, not with her pride, not her,
(05:30):
not Martha. Yes, I want to see miss Slavery. You
have an appointment. No, but then you can't see it.
And I don't wait a minute out an appointment. You
can't see her. Nobody can see her. Missus Lathrop is
a very sick woman. Sick the newspapers didn't say anything about.
Never mind what the newspaper said. You heard what I said. Well, look,
just give her this watch. Always what about the watch?
(05:53):
Or just give it to her? I think she'll see
me and as her name in it. Oh something you found? Yeah,
something I found. He took the wash and went upstairs.
I knew the watch would work because Martha herself had
(06:13):
given us on me as a wedding presence. I knew
exactly how it would work up to a point. And
if she still wouldn't give me what I wanted, I
was ready for that too. But there was something about
the whole setup that I didn't get. The house itself,
dark and somber as a prison, The pug ugly butler
the potter butter being sick. It didn't say, it just
(06:35):
didn't fit with what I knew about Martha Lasler. I
sat down in the living room the way almost jumped
out of my skin. It was a big bullet, like
a parador, a car mac or whatever it's called, peering
at me through the bars of a cage. I remember
now reading about how some big game hunter had given
it to her. It was big and bright colored and
(06:56):
mean looking, with a green stripe between its eyes, which
gave her would be quite startling impression that the thing
was wearing spectacles. I was still staring at it when
I turned and I saw him on for the first
time in fourteen years. She was pale, thinner than I remember,
but with the same hard and tense blue eyes, the
(07:17):
same air of cold condescension. But it was something else.
Suddenly I knew what it was. It was fear, a
look of hidden fella was almost shocking to me. Who
would always know Martha is utterly, even wholly fearless. I
was in for another shock. She didn't speak to me.
(07:37):
She spoke to the butler, Robert, have you said him
not yet? Miss later? Please do turn around. It was
the idea. I said, turn around. Well he's all right,
miss laper Okay, well you may go now, Rob, Yes,
miss laper Well, And I asked what that was? It's
(08:00):
all about it. I've had some they trying experiences in times,
and I saw your call. You must say that you
have to search all the callers for concealed weapons. To
what are you afraid of?
Speaker 5 (08:10):
Marty had rather not discuss it.
Speaker 1 (08:11):
If you don't mind, what do you want? You're not
exactly overjoyed to see me, I said, what do you want?
I read about your diary? I came to.
Speaker 3 (08:20):
Congratulations, congratulate again.
Speaker 1 (08:23):
Get out the birds. Seems to be as bad tempered
as you are. Can you keep him out of this conversation?
This conversation is over, not my end of it. Now,
what did you come here for money? Because the answer
is no, no, not this time. This time I want
something money can't buy one of the very two things
it can't. What's that to be free? Marty? Why so
(08:48):
that I can marry again? Did I happen to say
something funny? I suppose some people love it isn't funny?
Is it wasn't me? When I married you? That was
the one bad miscalculation I made in my life. I
know I knew that first time you went to Paris,
friend newspaper, I'd never see you again. You said going
(09:09):
away would only be temporary. But does the French say
there's nothing so permanent? It is the temporary. Why didn't
you get a divorced in Why didn't you think then
that someday you might want to marry again after my
experience with you, my dear mother, When I thought of
women after that isn't set language, even for your But
you worried about taking money from a woman.
Speaker 5 (09:25):
Were you?
Speaker 1 (09:26):
You went about purging chex with my name?
Speaker 5 (09:28):
Were you?
Speaker 1 (09:29):
Oh? I needed it and I knew your vanity. That
was my temptation and my safety. As you couldn't bear
to look ridiculous by admitting that you had a and
no good bum of a husband, we made up, Bobby.
I could have sent you the GEO. I still can't
remember this now. Why didn't you divorce me? I did
that because you didn't want me, But you couldn't bear
the thought that I might be completely free of That's ridiculous.
(09:51):
Someone once said that we'd kill the thing we loved.
Speaker 5 (09:53):
Are you trying to say I still love you you.
Speaker 1 (09:56):
Made in a twisted sort of a way because money
was the only love you ever we had. Maybe somewhere
deep in your mind you're trying to keep the bleached
bones of it. I wonder, Martha, I've always wanted without
an answer, without my freedom.
Speaker 4 (10:10):
He answers.
Speaker 5 (10:10):
No.
Speaker 1 (10:11):
Never do you hear? Never? No? All right, Martha, but never.
It's a long long.
Speaker 2 (10:16):
Time or suspense. Roma Winds are bringing you, Jack.
Speaker 1 (10:30):
Cosson in Easy Money, a radio play by Sidney Reenthal.
Speaker 2 (10:35):
Roma Winds presentation tonight in radio's outstanding theater of thrills.
Speaker 1 (10:40):
Suspense between the acts of suspense. This is Ken Niles
for Roma wines. Whether you've been hunting, ducks or houses,
There's no pleasanter ending to a busy day than a
(11:00):
firest family evening at home mights, low fire lips and
attempting glass of Roma wine to enjoy. For Roma, California, sherry,
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(11:22):
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(11:46):
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and save on Roma America's favorite wine. And now Roma
Wines bring back the Hollywood soundstage. Jack Thowson in Easy Money,
a tail well calculated to keep you in suspend. So
(12:14):
Martha wouldn't give me a divorce, all right? I could
have said that, But that business about sending me to jail,
it was different. And I knew my Martha, and I
knew that now that she was back from Europe and
could do it, she still hated me enough so that
someday she deals with the temptation and would do it.
And but that was all right too. My the wanted
to play that way. I was ready. I was way
ahead of her in a place like Mary. As the
(12:36):
customers we have, you can get a hold of almost
anything he wants, you know, to ask. So the first
thing I got was night to seeing because it was
the easiest, one of the deadliest, and the next was
a bunch of keys, taskeys, and that was all I needed.
So the next night, after I left Mary, I was
I just waited out in the park across the streets.
(12:59):
I was preparing to wait for every night for a
week if I had to. But it was less than
an hour the flats. He drove up in front of
the house, A well dressed, well heeled looking gent got
out and went in the night, and about the same
minutes he came out again with Martha and they drove
off a little time after that, the butler less, I
(13:19):
walked across the street, and the third night, Fine let
me in the door and.
Speaker 5 (13:29):
Go off.
Speaker 1 (13:35):
It was a scene of a bird and it only
stopped me for a minute. I won't say I wasn't nervous,
because anybody's nervous when they're about to commit a murder.
But I hadn't any reason to be. I kept telling myself,
who was gonna pin it on me? As far as
anybody who knew Martha was concerned, I didn't even exist all.
I went upstairs and found her bedroom, and on the
(13:56):
bedside table I found the bottle of sleeping pills, just
as I expected he'd always use him, and she was
attired that all was wood. Very carefully, I sat each
little capsule apart and emptied this contents down the wash
basin in the backroom, and I filled each one up
again with night raisine enough to kill a horse. I
(14:16):
was down at the bottom of the stairs again when
the light went on of the restibule. She was coming back.
I had just time to slip behind one of the
heavy curtains in the living room. But that was all
I Martha to suspect me of old TV, not night.
I would rather not to scutt it. Martha, you must
realize that these obsessions are symptoms of the thick price. Say,
I would rather enough to scatty good night. And she'd
(14:40):
had a quarrel with someone AD was good. Now I
knew she'd take the sleeping pills. She went directly upstairs,
and I went, why would this light? As the butler
came in, But he went straight onto his own quarters
somewhere in the back of the house. And I waited
some more. It seemed like hours, so I suppose it
(15:01):
was only a few minutes. I wondered if she'd taken
the sleeping pills. Yet I wonder if i'd hear when
she fell. Finally, I didn't dare wait any longer. I
stopped bot from behind the curtain and crossed the living room,
and I jest closed the trunk door quietly behind me.
When a light went on inside, I pressed into a
corner the vest step. There was the glass panel of
(15:22):
the door. I could see Martha and a negligee coming
down the stairs, and she had a bottle in her hand,
the bottle of sleeping pills. And I was thinking, I
thought she must have found out somehow that she was
going to call the police. However, she wasn't moving like
a sleepwalker. She crossed the living room, she was dumping
one of the pills out of the bottle into her hand,
and then she stopped. She stopped in front of the
(15:44):
cage of that bird. Suddenly I saw the whole thing.
The tough buttler who says she was sick and searched
pable for weapons, the stear behind her eyes, the man
she just quarreled with about obsessions and symptoms of a
sick wine. Martha was insane. I watched while she took
(16:08):
the sleeping till on her fingers and held it through
the bars of the cage for the bird. I saw
the bird grabbing his beak, but I didn't wait for
the rest as lonty as I could. I opened the
outer door and went down to the street. And Martha
was insane. And because she was insane, because she thought
people were trying to kill her, I couldn't kill her.
(16:29):
Nobody could ever kill her.
Speaker 5 (16:47):
Hell, Paul, are you all right?
Speaker 1 (16:51):
I'm sure, I'm all right. What time is it? Five o'clock?
Speaker 4 (16:57):
I just saw the papers, saw.
Speaker 5 (16:59):
The papers about Matola through What about her dead?
Speaker 1 (17:05):
Poisoned poison?
Speaker 3 (17:08):
They found nightro set.
Speaker 1 (17:09):
That's impossil it. It couldn't be.
Speaker 5 (17:11):
I'm afraid it's true.
Speaker 1 (17:13):
Ellen, Hell, why it does? Wait there, oh, Paul.
Speaker 4 (17:28):
Let's go away with what.
Speaker 1 (17:29):
I've got a little money.
Speaker 3 (17:30):
Enough to get us to Chicago. Maybe Los Angeles. Could
we we could change our names and start over again.
Speaker 1 (17:35):
Ellen, huh heus they got killed? Or don't you?
Speaker 2 (17:40):
Oh?
Speaker 4 (17:41):
If you did, I I know why you did, and
I don't care.
Speaker 1 (17:45):
You're quite a gallant. But I didn't kill her. You
were there, you said you were this I was, I was,
But I didn't kill her. And I can prove it.
Would you believe me?
Speaker 5 (17:55):
Okay?
Speaker 1 (17:59):
Wait away, an't give me a couple of those, Yes, sir,
he is all about the big murder murder, yes, sir,
uh human okay, po thanks, all right, okay, take it
easy way. I got to.
Speaker 5 (18:12):
Paul.
Speaker 4 (18:14):
It wasn't you, Oh Paul.
Speaker 1 (18:16):
Doctor Martin Ostman must have been the guy she went
out with last night, and they've got him cold.
Speaker 3 (18:22):
They quill publicly good reasons.
Speaker 5 (18:25):
She said he was trying to poison her.
Speaker 3 (18:27):
He'd given her the prescription for the sleeping field that
killed her, Helen, How would you.
Speaker 1 (18:32):
Like to have some real money and earn it? Easy money? Money?
This asterman is rich, filthy rich. I can prove I
didn't do it. I can prove that he didn't do it.
(19:03):
Which one is handling the Austinen pis?
Speaker 5 (19:05):
I'll give you mister Harris, Hello, Bess.
Speaker 1 (19:12):
Yes, the papers say that you're doctor Martin Ostenman's lawyer.
Is that right?
Speaker 3 (19:17):
Oh?
Speaker 5 (19:17):
Yes, yes, that's right.
Speaker 1 (19:19):
Who is this? Your client's in a pretty bad way,
isn't he. Okay, I'm not in the habit of speaking
over the phone to people. You don't speak to me
because I can prove his innocence. You can what That's
what I said. I can prove it. Well, o, mister
whatever your name is, if you have any evidence, I'd
certainly be glad that you come down to my opposite. Well,
I'll send somebody else down my secretary. If you want money, well,
(19:44):
fifty thousand dollars.
Speaker 5 (19:47):
Fifty dollars.
Speaker 1 (19:48):
Yeah, you get in touch with doctor Ostenman to say
if he doesn't think his life is worth that.
Speaker 5 (19:51):
But jealous suggesting is not only against the law.
Speaker 1 (19:54):
I don't care about the law, and I don't think
as will either. I'll have somebody down there in an hour.
Are you arranged by then? Well?
Speaker 5 (20:02):
Possibly?
Speaker 1 (20:03):
All right, and we want the money in cash.
Speaker 3 (20:23):
Harrison, which is in Fox.
Speaker 1 (20:25):
Is a young lady waiting for this call in mister
Harrison's office. I want to speak to him. Oh, yes,
Paul Ellen, are they giving you the money? Yes? Did
she counted? Yes? All right, put Harrison on and then
start for Grand Central station.
Speaker 3 (20:42):
All right, Paul, she wants to talk to you.
Speaker 1 (20:45):
Thank you, hello, mister Harrison. Yes, all right, here's the go.
Martha Lathrop was not murdered. She committed suicide. Suicide, And
here's the proof. She was suffering from Zulu. She thought
people were trying to kill her poisoning so on. Doctor
Oslin confirms that, of course, yes, he doesn't know. He
(21:07):
said it had gone so far. She was trying out things.
She ate on that big parrot. She had took a car. Yeah,
the butler will confirm that. Anyway, she tried out those
sleeping pills and the bird before she took them. And
you'll find a dead bird in the house to confirm that.
God Heaven. So she knew those pills were poisoned before
she took them. Marta Lathrop killed herself. I must say
(21:35):
they took it like a sport. They've paid up and
shut up. An hour later, Ellen and I were on
a train speeding along the banks of the Hudson Riever
Bounds in California. Oh well, fifty thousand dollars, easy of money.
It must be the easiest money any man ever made
in his life. What's a bit about two weeks after
(22:07):
we got to California and I got the phone call
is mister Bidley, Yeah, my name is McNaughty. I run
a picture downtown. You must have wrong, No, no, no, no,
I don't think so. I got something down here. You
might be interested in him?
Speaker 5 (22:21):
A bird?
Speaker 1 (22:22):
Huh? A bird?
Speaker 5 (22:25):
Yeah, I'm a call real beauty. Got a green stripe
between his eyes. Look exactly so he's wearing glasses.
Speaker 1 (22:34):
Are you interested?
Speaker 4 (22:35):
No?
Speaker 1 (22:37):
No, I'm oh I could easily bring him up to
show you I got your rap. No, I said, I'm
not interested in that night, I told Helen I got
tom bugs in the place. So we moved. Two months later,
I was alone and there was a knock in the door.
(23:00):
Mister Bentley, what do you want? I brought the bird anyway,
Mister Bentley, I thought sure you'd want him when you
saw it.
Speaker 2 (23:07):
Look, I said, quiet time finding where you'd moved.
Speaker 1 (23:10):
Though. Oh look, isn't your beauty Look? I told him
I didn't three one king before. Oh they're very rare,
very rare. What what made you think i'd want him?
I just thought too would don't you want him how much? Well? Now,
like I say, that's a very rare bird. Five d yes,
(23:31):
that'd be your life. Oh, thank you, mister Bentley, and
I'm sure you're enjoying.
Speaker 5 (23:39):
I'll get off.
Speaker 1 (23:42):
Good night, mister Bentley. There could be no doubt about it.
It was the same bird. I opened occasion off the
fighters to say if the markets might have been I
hate it on he bit, but it was the same bird.
(24:04):
He sat there staring eagle at me, saw those specrocles
that he was laughing at me. I reached in the
cage again, rang his neck. I wrapped the body up
in the newspaper. I gotta shovel out of the garage.
(24:25):
I drove about five miles up to Panga Canyon and
parked in a side road of my life's on. I
went down into the canyon and started digging and dug
like a madman. The sweat was running into my eyes
and I was gasping for air, and suddenly a light
was shining full of my face. All right, then, oh wait,
the bird is dead. I couldn't have done it. I
couldn't have killed The.
Speaker 5 (24:42):
Bird is dead.
Speaker 1 (24:57):
Ellen had nothing to do with it. She thought I
was innocent all along. Okay, we got nothing against her,
but the bird. I well, Bentley, that was what you
might call psychological warfare. We knew you were guilty though
when you bought it. I mean the poison. Oh oh,
we found poison all right, still traces on its beacon
claws when we got there, but there was one thing
(25:18):
we couldn't understand for quite a while. Not the dipping
os or the bron zoo finally tipped us off. But
if Margaret took the poison, I saw her give it
to that bird. I saw the bird gob with a
quite a nip tie. Yeah. You see, with this nightless scene,
some birds can take that stuff by the spoonful and
it won't even phase them. You just picked the wrong
kind of poison and the wrong kind of bird, and saw,
(25:50):
being a sound mind and somewhat relieved the Nord, I
do hereby bequeathing this my last will and testament right
witness there in the death House Assin in New York,
on this seventh day of November, to my wife Ellen
the sum of forty eight seven hundred dollars remainder of
that easy money. Hoping that the facts here and said
(26:11):
fourth will assure that she has a right to it,
says I will shortly, to my regrets, have earned every
nickel of it. Suspend Presented by Roma wie r O
(26:36):
na Aid in California for enjoyment throughout the world. This
is Ken Niles presenting our spent star of evening the
handsomest man in Hollywood, Jack Carson, Jack, you can stop
twisting my arm now, I said it. H I suppose
I'm not really the handsomest, just just one of the
(26:57):
best looking. Oh hell Jack, when it comes to look
so I'll take heady lamar. But as an actor, believe me,
Jack Carson, rank with the best. Gee. Thanks can I
I'm sorry about your arms. Oh that's all right, Jack,
My arm is still in good enough shape to give
you this gift basket of fine Roma wines with the
compliments of Roma. Your hosts tonight wonderful. That's a grand present,
(27:19):
and my thanks to Roma. So you folks really make
me feel at home. Well, Roma wine as a way
of doing that, Jack, That's why your Roma gift basket
includes Roma California sherry. When friends drop in, share with them,
golden amber, fragrant Roma Shehriy. Roma Shery's tempting nutlike taste
is the favorite of posts and guests for afternoon or
(27:39):
evening entertaining, and millions enjoy Roma sherry daily as the
perfect first call to dinner. I'll buy that, Ken and Jack,
because Roma and only Rama selects from the world's greatest
reserves of fine wines. Rama Sherry, like all Roma wines,
is better tasting every time. Yes, no other than selects
(28:00):
for your pleasure from so vast a treasure of good taste.
No other ventner can equal Roma in wine making skills
and resources. No wonder more Americans enjoy Roma than any
other wife makes sense to me, Ken Well, I must
be going. Thanks for everything, and sincerely, it's been a
stimulating an exciting experience tonight, Pa. I never missed Suspense,
(28:22):
and I've been looking forward to my appearance here for
a long time. I hope you'll have you back again. Well,
thank you, Jack. We thought you were great in your
newest Warner Brothers picture. Two guys from Milwaukee, and we'll
be hearing you on your regular Wednesday night show for
Campbell Suits and give a listen to us. Next Thursday
on Suspense, we'll have Hume Cronan our staff. I'll do
(28:43):
nice next Thursday, same time you will hear Hume Cronan.
That star.
Speaker 2 (28:48):
All Suspense.
Speaker 1 (28:52):
Produced and directed by William Spear for the Roma Wine
Company of Fresno, California. In the coming weeks, Suspence will
present such stars as Judy Garland, Chester Morris Olivia.
Speaker 2 (29:04):
De Havilan, Kerry Grant, Joseph Cotton, Boddy McDowell.
Speaker 1 (29:08):
And others make it a point to listen each Thursday
to Suspense radio's outstanding theater of thrill. Suspence is broadcast
from coast to coast and to our men and women
overseas by shortwaves and through the worldwide facilities of the
Armed Forces Radio Service. Stay tuned for the thrilling adventures
of the FBI in peace and war. Following immediately over
(29:30):
most of these safeties, there's this CBA, the Columbia Broadcasting
System
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