April 12, 2025 • 25 mins
Please enjoy Swift Rise Of Eddie a great episode of the legendary Suspense - - a Old Time Radio OTR classic.
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Episode Transcript
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Speaker 1 (00:01):
Yes, Roma Wines tastes better because only Roma selects from
the world's greatest wine reserves for your pleasures. And now
Romo Wines r O m a Roma Wines Present Upend.
Speaker 2 (00:23):
The nice Roma Wines, bringing mister Phil Silvers. Then the
first rise of Eddy al Right at the Fence. Play
for Give, edited and directed for Roma Wines by William Spear.
Speaker 3 (00:40):
Up classing good morning, good morning, get back in the coffee.
Good morning is bring That's probably what it please.
Speaker 4 (01:05):
I don't like the way it is with me all day,
law you see, I got my helps and downs, like
they say, but I like it that way.
Speaker 3 (01:12):
See, because I'm not gonna be doing this forever. I'm
not even gonna be doing this very much, lawlor at all,
because I got.
Speaker 4 (01:18):
A job as an assistant or mister Garvey, the building manage,
the way.
Speaker 3 (01:22):
I handle my car, the customer. I'm gonna be a
pinch toget it if I go am so much attius
by I've told me that that's what I am already
really is a manicure. If the elite barber shot down
a mix and three or four times a week and
my oar follow, I jump out of my uniform and
into my heapos and.
Speaker 4 (01:41):
Go down there and get a manicure.
Speaker 3 (01:43):
Sure they got a million staked out. See, And that's
where I am understanding when all this happens. Down there
getting a manicure from.
Speaker 5 (01:50):
Millie got real nice hands, though, mister Albright, real sunday.
Speaker 3 (01:54):
Well, you see for a man in my position.
Speaker 6 (01:56):
And I will also say that you don't really have
to have them said for it quite ah.
Speaker 7 (02:01):
That I mean.
Speaker 6 (02:01):
I wouldn't tell that to everyone, but some of my customers.
I like to give my very best to second advice.
Speaker 3 (02:06):
You know, well maybe I do.
Speaker 6 (02:08):
Oh, just let your hand relax, miss, You're all right?
Speaker 3 (02:10):
Yeah, well maybe I know that. Maybe I got my reason, ah, Mis.
Speaker 4 (02:15):
You're all right.
Speaker 5 (02:15):
I can't imagine what kind of reason is it?
Speaker 4 (02:17):
Yes, but a guy like me, nobody has to stand
on money tim on his seat.
Speaker 1 (02:22):
Real.
Speaker 3 (02:22):
All my friends call.
Speaker 4 (02:24):
Me Eddie really sure, mister Gardy and everybody just like
I called you Milli.
Speaker 8 (02:29):
That's all right, isn't Oh well sure?
Speaker 6 (02:31):
But but me calling a customer, but well it it
makes a difference.
Speaker 3 (02:34):
You know that am just.
Speaker 6 (02:36):
Another custom You must hold your hands still, mister Albright.
Speaker 4 (02:40):
Yeah, sure, what I mean just because I hold a
slightly higher position than somebody else.
Speaker 3 (02:46):
That don't make any difference to me.
Speaker 4 (02:48):
That's my idea of democracy.
Speaker 3 (02:50):
Everybody is just as good as anybody else. Of course,
unless you're a millionaire.
Speaker 5 (02:55):
Well what's so special about a millionaire.
Speaker 6 (02:58):
I got a customer that's a millionaire, and he's hand
not many a one here is yours.
Speaker 4 (03:02):
Well, what I mean is I'm not quite in that
class yet, but I wish you work for me.
Speaker 5 (03:07):
I mean, well, you know I was thinking about you.
Uh huh, what's a choice?
Speaker 6 (03:13):
I mean you you're quite young to be holding a
position of assistant manager of a big building like the
Dunbar Building.
Speaker 4 (03:18):
Well right, yeah, father, at the bottom, of course, but
those little tricks you get to the top, just like
in everything else.
Speaker 6 (03:24):
See I wish diningstone.
Speaker 3 (03:26):
Well take me for instance. You know I got where
I am remembering names he faced his bus all right, yes, sir,
When I was just really an elevator offering remembering.
Speaker 7 (03:36):
Then you'd be a little thing like that.
Speaker 3 (03:38):
And get a little thing like that. Listen, what do
you suppose Jim Paul's out where he is today?
Speaker 9 (03:44):
Where is it?
Speaker 3 (03:45):
I don't know where he is, right now, But that's
how he got to be postmaster gunner, sirs, remembering names
and sass just well, a little thing, that's all.
Speaker 6 (03:54):
Well, I don't know. He must have had some kind
of other abilities. I mean, you must have been a
bug on stance or something.
Speaker 5 (04:00):
Kevin took a look at that us.
Speaker 3 (04:02):
Well maybe one through the little things. But that was
the main thing I take tim for him.
Speaker 6 (04:07):
I mean, oh, I'm sorry, yeady, but said I to
keep your ham still here.
Speaker 3 (04:10):
Yeah, I okay'll really forget it.
Speaker 4 (04:12):
But I was just trying to show you something in
the paper.
Speaker 5 (04:14):
Be his tiches, yeah, Frankie's and nose madic for I'm
a New York gangs to escape from Atlanta six months ago,
believed to be in the city. Oh sure, I saw
that this morning.
Speaker 3 (04:25):
Yeah, so did I.
Speaker 4 (04:26):
And when I saw it, I said to myself, Eddie, you, Eddie, oldbright,
you've seen this guy somewhere before, and just.
Speaker 3 (04:33):
Like that, I remember it.
Speaker 6 (04:34):
Oh well, I said, I can remember an ugly mug
like that.
Speaker 4 (04:37):
Yeah, but suppose you only seen him three four times
and it was two three years ago, and it was
old with a whole lot of other people.
Speaker 6 (04:43):
Yady, you you know Frankie Maddick.
Speaker 4 (04:46):
No, but I took him up in my car.
Speaker 3 (04:48):
Uh. That was when I was just theater. A elevator
out there.
Speaker 4 (04:50):
Wow, I took him up three four times. There's a
rich guy named Ellenville. It isn't a penhouse on top
of our buildings. And I took him up there.
Speaker 3 (04:57):
And that was two three years ago. But right away
I remember.
Speaker 9 (05:01):
We call the faith.
Speaker 6 (05:02):
I guess that is pretty good.
Speaker 4 (05:04):
All right, Sure, that's the kindest thing for got me
where I am.
Speaker 5 (05:07):
Well, some people are lucky, I guess.
Speaker 3 (05:09):
Well, I don't know.
Speaker 4 (05:11):
For some people that are lucky, you like to share
their luck with other people and not to think about that.
Speaker 6 (05:17):
I'm quite sure. I don't know what you mean.
Speaker 4 (05:19):
Well, take you and me, for example, what maybe we
could be lucky to get. I mean maybe you and
me could go out to dinner and miss theater somebody.
Speaker 6 (05:29):
See that'd be awful nice.
Speaker 4 (05:31):
Well, hell about tonight tonight?
Speaker 6 (05:34):
Well, I don't know, like, well, I guess I could
make it tonight.
Speaker 1 (05:38):
Okay, Wow, So this is where you spend all your time?
Speaker 3 (05:44):
Hello, No, I just remember something important. I gotta go.
Speaker 7 (05:49):
I haven't seen Ye're hurry.
Speaker 9 (05:51):
You might at least introduce a little lady to your bott.
Speaker 6 (05:55):
Then you must be mister Jarveys.
Speaker 3 (06:01):
Say, what's this guy been telling you?
Speaker 6 (06:05):
I don't see. What's so funny I know is that
mister Albright here is mister Garvey's personal assistant in the dunbar.
Speaker 3 (06:12):
Is that what he shows? Alex can I gow?
Speaker 1 (06:15):
Eddie?
Speaker 3 (06:16):
I'm ashamed?
Speaker 7 (06:17):
How could you do such a thing.
Speaker 3 (06:18):
That's such a cute little.
Speaker 6 (06:20):
Lady, Eddie Olbright, you're gonna sit there and let this
man talk to me.
Speaker 7 (06:23):
I better sit there because I am his bar.
Speaker 3 (06:26):
I'm chief starter on the Dunbar elevators. And little Eddie
here is operator number twenty three.
Speaker 7 (06:33):
He and when I say go, he goes. And when
I say stay.
Speaker 3 (06:38):
He says, really, look, Lily, I got.
Speaker 6 (06:41):
Finished your hands. Mister Orbright, Oh.
Speaker 3 (06:45):
Loudly, let's not be good?
Speaker 10 (06:48):
Well, goodbye.
Speaker 3 (07:00):
Now you can imagine how that made me skill. Then
I spoke lower in the same basement, and now it worse.
It was all true what I told me. I all
accept the little part about being with in the garden.
Speaker 11 (07:11):
The distance, but I did me number safest.
Speaker 3 (07:13):
I was gonna get to the top. I was there
already I could see.
Speaker 11 (07:17):
But all I could think of was all I could
get in with that start or that now like Henderson
without having him firement. And pretty soon he came back
and I just didn't speak to him.
Speaker 4 (07:29):
I didn't even look at him, but I could.
Speaker 3 (07:31):
See him gin and all over out of me, push
to his every time Jeanie looked at me, and then
I see him looking through this. You going over to
talk to some guys who just can't leave me, but
I recognize you can't move it. And then they separate
and sort of hang around the lobby.
Speaker 4 (07:45):
Trying to look and though they are they and I figure,
I'll find my time to get that out here.
Speaker 3 (07:49):
Like so pretty soon I move you over to where
he is.
Speaker 1 (07:53):
Well, well, well if it isn't this strong, but I.
Speaker 3 (07:57):
Say, okay, you had your fun, but all you can
take schoing.
Speaker 1 (08:00):
In the lobby.
Speaker 8 (08:01):
Well, now I wouldn't tell everyone, but of course an
important man.
Speaker 3 (08:05):
Like you can't you what's going on.
Speaker 8 (08:08):
They had to tip Frankie Maddox was heading for this building.
Speaker 1 (08:11):
Frankie Maddox, Yeah, friend of yours.
Speaker 3 (08:14):
I know what it looks like.
Speaker 4 (08:16):
I took him up to the penthouse three four times,
two three years ago.
Speaker 3 (08:19):
I never yeah, who was with him? General Macarthy? Now look,
I'm not kidding, I'd remember him any play. Well, why
don't you just go over and speak to the lieutenant
over there?
Speaker 2 (08:28):
Okay, I look, get back on your car, Get back
on your wow.
Speaker 3 (08:33):
Well well look who's coming in the door.
Speaker 6 (08:36):
Our girlfriend?
Speaker 3 (08:37):
Our girlfriend? O listen, Alex, I.
Speaker 1 (08:40):
Can take char do you do, Miss O'Malley.
Speaker 6 (08:42):
I'm quite well, thank you. Mister Henderson. Hello, I wonder
if you could have one of your boys take me
up to the penthouse. We got a call at the
shop a little while ago, so mister Ellinger who wanted
to manicure send up.
Speaker 1 (08:53):
Hi.
Speaker 2 (08:54):
Sure, Miss O'Malley, the last car there.
Speaker 6 (08:56):
Thank you very kindly, mister Henny.
Speaker 7 (08:58):
Eddie, take the young lady up to a penthouse right away.
Look sharp, really the penthouse?
Speaker 9 (09:14):
Please?
Speaker 3 (09:15):
Oh listen, really, I.
Speaker 6 (09:16):
Can explain all that, and I do not wish to
engage in any unnecessary conversation with the help mister Albright.
Speaker 3 (09:23):
Oh, Lily, that guy's jealous, that's all he knows.
Speaker 4 (09:26):
When that job comes up, I'm a sin strip and
he won't stand a chance. H He's just trying to
get the knife on me. That's all, and that job.
Speaker 3 (09:33):
Is coming up, and I'm gonna get it anything now
you'll see. Oh really give me afraid, you said yourself.
Speaker 4 (09:41):
I didn't matter even if a guy was a lion.
Speaker 6 (09:43):
I'm a very democratic person. But you're alright. I have
no objection at all to a man being an elevator
operator whatsoever. But I do object to his being a
big phony. I believe this is my floor. Good day, miright.
Speaker 3 (09:59):
Literally hold it, bud, all right, you're hiding haul it.
Speaker 4 (10:03):
I'm sorry, but you gentlemen can't bring that carpet down
on this car. You'll have to take the fate out
of it.
Speaker 2 (10:08):
Yeah that listen, all right, easy, now, okay, stand up,
stand it up in a corner.
Speaker 3 (10:17):
Well, of course, if you gentlemen, and.
Speaker 7 (10:18):
Says okay, that'll do it.
Speaker 3 (10:21):
Our policy used to give part and coding your service
to all the occupents of this building. However, I regular down.
But it's against regulations.
Speaker 4 (10:28):
Not down, yes, sir, But it's against regulations to carry
furniture in the passenger cars.
Speaker 3 (10:36):
A big carpet like that?
Speaker 9 (10:37):
What about a big carpet like that?
Speaker 3 (10:39):
Well, it's furniture.
Speaker 2 (10:41):
Well what do you know, Sonny boy here thinks this
is furnit.
Speaker 4 (10:45):
Well, it ain't furniture, sonny boy.
Speaker 3 (10:47):
Well the regulations yeah, have it, yes sir? What flaw sir?
Speaker 7 (10:54):
The basement, yessir?
Speaker 3 (10:56):
Or which basement?
Speaker 12 (10:57):
You ain't trying to be funny, are you, sonny boy.
Speaker 3 (11:00):
No, sir, but we have big basements in the sability
or would like the don't at a street? Yeah, they're stairs,
but it.
Speaker 4 (11:06):
Didn't I get a fight when their contact, Yes, sir,
but the building regulation yeah yeah, yes, sir. Well, like
I say, we believe in giving compilentrating the service. So
I wasn't gonna argue with anybody to take to anybody
and twig and tough and seffil guys, well, they wanted to.
Speaker 3 (11:29):
Take a cap to the basement, now skill up finding me.
It was a good.
Speaker 4 (11:33):
Capital, right, it was rolled up and they had to
standing in the corner between them, and I glanced at it,
just castual life, and then I saw something doesn't made
my skin come up in goosebump swing over sticking out
of the bottom of that carp It was a pair
of street dang those guys had a bad body.
Speaker 9 (11:52):
In that carpet.
Speaker 2 (12:04):
More suspense, Roma wines are bringing you Phil Silver's in
the swift ries a ready albright Roma Winds presentation tonight
in Radio's Outstanding Theater Thrills us spend.
Speaker 3 (12:32):
Well.
Speaker 4 (12:32):
When I saw those two tough guys had a body
rolled up in that carpet, I just stood there at
the controls of my car and try to keep my
knees from knocking until.
Speaker 3 (12:40):
We got dial of the free basement.
Speaker 9 (12:46):
Just the basement, h I say, is this the basement?
Speaker 5 (12:49):
Oh?
Speaker 2 (12:50):
Yes, sir, Okay, all right, that's what the Can I
help you?
Speaker 7 (12:56):
You got it.
Speaker 3 (13:03):
All right, toney boy, you can beat it.
Speaker 7 (13:05):
Yes, and listen bud, Yes, sir. If I was you,
I'd forget I ever seen this copy? Understand?
Speaker 9 (13:12):
Yes, sir?
Speaker 4 (13:13):
What copy?
Speaker 7 (13:24):
Coffee?
Speaker 3 (13:25):
WHOA? Where you've been? Big shot?
Speaker 4 (13:28):
Oh?
Speaker 3 (13:28):
Oh, I had to take a ton of down to
the to the to the basement, the basement. Yeah, somebody
from the payhouse. One of them wanted to see the
super about something.
Speaker 2 (13:40):
Oh I see, I thought you were going to stick
around and help the cops catsmatics.
Speaker 3 (13:45):
When he shows up.
Speaker 4 (13:46):
Okay, Alex, you think I'm kidding, but I do know
well he looks like with his mug all over the paper.
Speaker 3 (13:52):
Sure you and a million other people. I don't know
what he looks like. Flies.
Speaker 4 (13:58):
I remember he's a median five small guy about myself.
Oh shrimp, all right, but you wait if that guy.
Speaker 3 (14:04):
Comes into this building, our spottom and.
Speaker 7 (14:05):
I'll h.
Speaker 3 (14:09):
That's the lieutenant.
Speaker 7 (14:09):
I must be madic matter And there's no danger, folks,
no danger. We're just trying to locate somebody.
Speaker 3 (14:15):
Hey, I gotta go. You staying here? I just remember
the puddle up on the fifteen fourth. You say, let's see.
Speaker 11 (14:30):
I think of the cop.
Speaker 3 (14:31):
Had everything under control about this matter, said there was
no use to my button until I need me. And
so I'm sort of getting my breath and dawn paf
ninth law.
Speaker 4 (14:39):
Before I know it's a little guy in the car
with me.
Speaker 3 (14:42):
A nice look, a little guy, and he seeks me
real friendly.
Speaker 9 (14:45):
What's at the excitements at?
Speaker 4 (14:47):
Oh? Well, they think some gangster named mad Us was
loosing the building somewhere, do they?
Speaker 9 (14:53):
Yeah, maybe it was a good idea we started up.
We did.
Speaker 2 (14:55):
Uh.
Speaker 3 (14:56):
Oh, I don't know, don't worry me none. What law?
Speaker 9 (15:00):
The uh? The penthouse?
Speaker 3 (15:01):
Please?
Speaker 4 (15:02):
Oh you're looking for miss Ellinger.
Speaker 9 (15:03):
That's right.
Speaker 3 (15:04):
My girl's up there with him right now.
Speaker 12 (15:06):
You're a girl.
Speaker 3 (15:07):
Yeah, she's a monecutor. Miss Ellen's attent for a little
while ago for a manacure. Oh oh, here's your flaw.
Speaker 9 (15:13):
I'll say, wait a minute before you open those doors.
I got a little proposition to make to you.
Speaker 3 (15:19):
Uh proposition.
Speaker 9 (15:21):
Yeah, you've seen mister Ellens is an old palamone. He's
a great guy. For gag. I haven't seen him for
quite a while. I want to pull one on him.
See oh well, yeah, but I wanna borrow your uniform.
If the just swap coat, that's enough. It'll only take
a minute. The whole thing.
Speaker 3 (15:35):
Oh, I'm sorry. I couldn't do anything like that the regularly.
Speaker 9 (15:38):
Sure, sure, I know what this help?
Speaker 3 (15:43):
Oh no, I prinn't do you see it?
Speaker 2 (15:45):
One hundred bucks?
Speaker 9 (15:47):
Sure? With me and Ellinger, it's anything for a gag.
And like I say, it'll only take a minute.
Speaker 3 (15:51):
Well I don't know what one hundred buck?
Speaker 9 (15:54):
Oh, here go on and take him. Oh give me
your coat here mine?
Speaker 3 (15:59):
Well, you sure will only take a minute. That's ryan okay, see.
Speaker 9 (16:04):
Okay, now let's go. You better come with me, though,
so you can get your coat back and go right
on down.
Speaker 1 (16:10):
Yeah.
Speaker 3 (16:10):
Sure, I'll prop the car doors open.
Speaker 6 (16:24):
I'm sorry, Eddie Oldbright, for heaven's sake.
Speaker 3 (16:27):
Now what Oh shit, Oh that's my Uh that's movie
that I told you about.
Speaker 9 (16:31):
Oh where's Eligent?
Speaker 6 (16:32):
Well, I'm sure I don't know, and I've been waiting
quite a while. If I have to wait much longer,
sure he's not home, well I should be now. If
I have to wait much longer, I'm simply gonna have
to charge him the full rate. Anyway, And if you're
a friend of his, I wish you.
Speaker 9 (16:44):
Sure, sure, I'll fix it for you, will come in
and win.
Speaker 6 (16:47):
As for you, mister Oldbright, of course, no business to
mine if you want to slow away your job, your
whole career.
Speaker 3 (16:53):
I got I read.
Speaker 4 (16:54):
Come on, Well, yeah, but you said will only take him.
Speaker 9 (16:57):
Come on, come on, there's another hundred in the fort
when he gets your coat back dollars. See, boyfriend and
I are just pulling a little gag.
Speaker 6 (17:04):
Miss boyfriend, Are you implicating that this, Well, I must say,
someone has given you the wrong kind of oppression entirely.
Speaker 9 (17:11):
Yeah. Okay, but we too could do quite a lot
with a couple of hundred bucks, couldn't you suppose?
Speaker 1 (17:15):
Uh?
Speaker 9 (17:16):
You wait here in the front room, miss we're going inside,
but don't tell me to elidy.
Speaker 3 (17:19):
We're here.
Speaker 9 (17:20):
We want to surprise it.
Speaker 6 (17:21):
Yes, there, of course that's too when your job listen.
Speaker 9 (17:24):
I can't wait longer, know, Yeah, sure I know in here.
Uh let's uh go out on the balcony. Ah, franks
up here.
Speaker 3 (17:41):
Yeah, that old bond of a penhouse.
Speaker 9 (17:43):
You know what I'm looking all over for this Maddox.
Uh whatever his name is. They won't miss you for
a while.
Speaker 3 (17:50):
Yeah, there's that boy. I just wish I could lay
my hands on that guy.
Speaker 9 (17:54):
Oh Maddox.
Speaker 13 (17:56):
Yeah, boy, if I could just catch him single handed
or something, that's the matter.
Speaker 9 (18:00):
He got something against the guy?
Speaker 4 (18:02):
Oh no, no, mister uh Mason, No, mister Mason, I
got nothing against him.
Speaker 3 (18:08):
But I gotta do something pretty quick.
Speaker 9 (18:10):
Falling around with guys like this Maddox could be a
little unhealthy, though, couldn't it.
Speaker 3 (18:15):
Yeah?
Speaker 4 (18:15):
Not that, but well, you see, mister Mason, I gotta
do something for Lillie.
Speaker 9 (18:20):
Now, I don't know. She seems like a nice kid.
She doesn't seem like a kind of expect any crazy
grandstand plays with a guy.
Speaker 3 (18:28):
Oh she wouldn't, mister Mason. Millie's the pop she's Ason's.
But you see, well I already made one in.
Speaker 7 (18:35):
A flop with a terrible flow.
Speaker 9 (18:37):
Oh, showing off for a day. Huh like a little kid.
Speaker 3 (18:41):
H I just Oh, mister Mason, I guess I made
a lawful fool out of my clove. But well, now
I gotta do something to make up for it.
Speaker 9 (18:48):
Listen that he a dame. That's any good. She doesn't
expect anything special of a guy if she does layoff
because she's poisoned. Take my word for it.
Speaker 12 (18:56):
I know.
Speaker 9 (18:58):
Maybe I wouldn't be where I am today if I
haven't tried to show off for a day. It's like
you there was a punk kid.
Speaker 13 (19:05):
I would only better see, mister Nathan, I wouldn't say
where you are today is so bad being able to
pass out a hundred dollar bills like you do.
Speaker 9 (19:12):
We well, you get older, you say things a little different.
So times, how'd you come to louse it up with her?
Speaker 13 (19:20):
Well, you see, it began by me telling about this
job that I got his assistant to mister Garfy, the
building manager, only I don't have it yet.
Speaker 4 (19:27):
And then dollar he's the starter, he tips so off,
And then I'm trying to explain.
Speaker 3 (19:32):
Now when I bring her up here. Only I don't
get a chance because the two mugs get in my
car with a black cob mugs. The two to come
from the penthouse here. I guess they're working for mister
Ellinger and he got a big rolled up carpet and
they wanna go down to the basement. And I call
him the regulation. But see, maybe I shouldn't be saying this.
Answer what they told me?
Speaker 9 (19:51):
What did they tell you?
Speaker 3 (19:52):
Well about the comfort? They said confident, So that's it.
Speaker 4 (19:57):
Well, I guess it's okay to tell you, mister Nason,
but I was scared.
Speaker 3 (20:01):
Mm.
Speaker 4 (20:02):
Well it was a funny in that carpet.
Speaker 3 (20:05):
Gosh, you don't suppose that's why, Miss Allan.
Speaker 9 (20:08):
Listen, Eddie, you stay right here.
Speaker 3 (20:09):
See but mister Mason, my coat.
Speaker 9 (20:11):
I'll be back in two minutes. Kid, then you'll be
all set the basement.
Speaker 3 (20:14):
That yeah, mister Waves.
Speaker 9 (20:16):
Mister Mace, stay here, you want your coat back?
Speaker 6 (20:21):
Oh well, all right, I see your new found friend
has left. You're holding the bag.
Speaker 3 (20:28):
Oh really, I don't know everything is going wrong today?
Speaker 6 (20:32):
Well, you can't say that your friends are those who
were your friends didn't give you fair warning.
Speaker 3 (20:38):
Mm you're still my friend.
Speaker 5 (20:40):
I didn't say that.
Speaker 6 (20:41):
I just hope that mister Alex Henderson is your friend.
When you try to explain to him what happened to
your uniform coat.
Speaker 3 (20:46):
Alex Henderson, listen, Well you don't see anything or that guy,
do you. Well he.
Speaker 6 (20:52):
Is a very high tight gentleman and not a big phony,
and at least he is not ashamed of his position too.
I'm seeing that he is your superior.
Speaker 3 (21:03):
He will be for long.
Speaker 4 (21:04):
I can tell you that right now, all right.
Speaker 3 (21:07):
Rach I'm not trying to throw him, get him my fick.
Speaker 7 (21:10):
I've done matter.
Speaker 3 (21:11):
Hen't listen, I'm not matter. I think your kidding.
Speaker 9 (21:14):
We know you've been having a doctor change your face
the last six months.
Speaker 4 (21:17):
And then you think you're gonna walk right in here
and I go off Ellen just forout fifty.
Speaker 3 (21:20):
Three and he took your call. Well get right a
little late.
Speaker 4 (21:22):
You know why lest some followers to go along, don't
you remember, I'll.
Speaker 3 (21:26):
Tell you why.
Speaker 12 (21:27):
The car the way he got tipped off and we
got Ellen's You're out of here in a carpet.
Speaker 3 (21:30):
How do you like that? You know he's going to
get it? You manic look like she seated and she said,
look any.
Speaker 7 (21:40):
Last words, Manick waits and listen.
Speaker 3 (21:42):
I'm not matter some the elevator boys.
Speaker 9 (21:45):
I never thought i'd see you crawl, Maddick.
Speaker 3 (21:48):
Look, don't you remember I took you down with the
coppet to the basement.
Speaker 12 (21:51):
I go ahead, I'm getting the big food out of
the Wait a minute, and he discussed him.
Speaker 3 (21:57):
Come over here you yes, sir, I think it is
the elevator punk.
Speaker 12 (22:02):
That's me.
Speaker 3 (22:03):
So that's right, the elevator Punk that's me.
Speaker 10 (22:05):
He got a what do you see?
Speaker 12 (22:07):
I don't know what happened in your uniform, punks, Old
there was a man. He was in my car, all right,
turn around a charismatic. What happened those next.
Speaker 3 (22:26):
Few minutes, I'll never know.
Speaker 4 (22:27):
I was down on the floor until the shooting stump,
and then the north look killed and I opened the
door in my eye looked around him Tomation, only he
was not acause I recognize him. And the two mugs
were lying on the floor and they weren't moving either.
Speaker 3 (22:40):
And then I saw Moly lying that too, and I
rushed over to.
Speaker 4 (22:43):
Her and I took herm my arms and she opened
her eyes, ring her shoes.
Speaker 8 (22:47):
All right, I went back to limatic, okay, and I
took the gun out of the hand, and then all
of a sudden the people talked an alan time and
from mister garby the horse running around me and everybody
was there something different Maddix?
Speaker 7 (23:05):
All right, cheef, he's got identificate.
Speaker 9 (23:08):
What happened here?
Speaker 1 (23:08):
That's a missing operator Henderson.
Speaker 7 (23:10):
That's right, mister Garvey.
Speaker 9 (23:11):
Who's the girl?
Speaker 7 (23:12):
Why was he? He's got a gun in his answer?
Speaker 9 (23:14):
Give me that, son? Yes, well, say son, you must
have been mixed up in this little part of yourself. Son,
where'd you get the gun?
Speaker 3 (23:24):
Well, lieutenant, it's.
Speaker 9 (23:25):
Madx gun, isn't it.
Speaker 7 (23:26):
That's right, Cheef, that's what must have happened.
Speaker 6 (23:28):
Maddox gunned the two hoods, and then the kid jumped in.
Speaker 9 (23:31):
Yeah. Well that's a lot of courage, sons, is that's
what happens?
Speaker 3 (23:37):
Well, sir, go ahead it speak up.
Speaker 9 (23:39):
Don't be afraid.
Speaker 3 (23:40):
Oh no, mister Garvey, I'm not afraid. I'm firsty unless
what happened, son? Well, what happened? Yes, sir, that's what happened,
all right? What you said?
Speaker 4 (23:51):
Mister Maddox made me come in here and changed ploths
with them, and then those two came in and Maddick
shot them and.
Speaker 3 (23:56):
Then well I just sort of overpowered him and the
gun went off and and he was killed.
Speaker 7 (24:03):
I know guys on the courts wouldn't have there.
Speaker 9 (24:05):
Through that, did she say?
Speaker 6 (24:08):
I think it?
Speaker 2 (24:09):
Well, say, young man, you certainly are to be congratulated, sir.
Speaker 1 (24:14):
You're the type of man we need on the dumb
bar building staff.
Speaker 9 (24:17):
Which reminds me there's.
Speaker 2 (24:19):
A position as my personal assistant coming open.
Speaker 1 (24:21):
I think you could fill it.
Speaker 3 (24:22):
Come and talk to me about it in the morn.
Speaker 7 (24:23):
Oh yes, Maddix, he's alone, so he yes, he can talk.
Speaker 3 (24:32):
He can talk.
Speaker 9 (24:34):
How about it, Maddix? Is that would happen? What happens?
Speaker 1 (24:39):
The kid here says you gunned the other two and he.
Speaker 4 (24:42):
Overpowered it and you got it in the struggle for
the gun.
Speaker 9 (24:46):
That would happen. Yeah. The kid there, oh yeah, yeah,
is a kid.
Speaker 3 (25:00):
Who will powered me.
Speaker 4 (25:03):
God gosh.
Speaker 2 (25:13):
The spend.
Speaker 1 (25:16):
The new spend directed by William for the Roma Wine
Company of Presno, California.
Speaker 2 (25:45):
In the coming weeks, Suspence will present such stars as
Ava Gardner, David Niven, Poland Lip And Barrats and others.
Yes, Roma Wines tastes better because only Roma selects from
the world's greatest wine reserves for your pleasures. And now
Romo Wines r O m a Roma Wines Present Upend.
Speaker 2 (00:23):
The nice Roma Wines, bringing mister Phil Silvers. Then the
first rise of Eddy al Right at the Fence. Play
for Give, edited and directed for Roma Wines by William Spear.
Speaker 3 (00:40):
Up classing good morning, good morning, get back in the coffee.
Good morning is bring That's probably what it please.
Speaker 4 (01:05):
I don't like the way it is with me all day,
law you see, I got my helps and downs, like
they say, but I like it that way.
Speaker 3 (01:12):
See, because I'm not gonna be doing this forever. I'm
not even gonna be doing this very much, lawlor at all,
because I got.
Speaker 4 (01:18):
A job as an assistant or mister Garvey, the building manage,
the way.
Speaker 3 (01:22):
I handle my car, the customer. I'm gonna be a
pinch toget it if I go am so much attius
by I've told me that that's what I am already
really is a manicure. If the elite barber shot down
a mix and three or four times a week and
my oar follow, I jump out of my uniform and
into my heapos and.
Speaker 4 (01:41):
Go down there and get a manicure.
Speaker 3 (01:43):
Sure they got a million staked out. See, And that's
where I am understanding when all this happens. Down there
getting a manicure from.
Speaker 5 (01:50):
Millie got real nice hands, though, mister Albright, real sunday.
Speaker 3 (01:54):
Well, you see for a man in my position.
Speaker 6 (01:56):
And I will also say that you don't really have
to have them said for it quite ah.
Speaker 7 (02:01):
That I mean.
Speaker 6 (02:01):
I wouldn't tell that to everyone, but some of my customers.
I like to give my very best to second advice.
Speaker 3 (02:06):
You know, well maybe I do.
Speaker 6 (02:08):
Oh, just let your hand relax, miss, You're all right?
Speaker 3 (02:10):
Yeah, well maybe I know that. Maybe I got my reason, ah, Mis.
Speaker 4 (02:15):
You're all right.
Speaker 5 (02:15):
I can't imagine what kind of reason is it?
Speaker 4 (02:17):
Yes, but a guy like me, nobody has to stand
on money tim on his seat.
Speaker 1 (02:22):
Real.
Speaker 3 (02:22):
All my friends call.
Speaker 4 (02:24):
Me Eddie really sure, mister Gardy and everybody just like
I called you Milli.
Speaker 8 (02:29):
That's all right, isn't Oh well sure?
Speaker 6 (02:31):
But but me calling a customer, but well it it
makes a difference.
Speaker 3 (02:34):
You know that am just.
Speaker 6 (02:36):
Another custom You must hold your hands still, mister Albright.
Speaker 4 (02:40):
Yeah, sure, what I mean just because I hold a
slightly higher position than somebody else.
Speaker 3 (02:46):
That don't make any difference to me.
Speaker 4 (02:48):
That's my idea of democracy.
Speaker 3 (02:50):
Everybody is just as good as anybody else. Of course,
unless you're a millionaire.
Speaker 5 (02:55):
Well what's so special about a millionaire.
Speaker 6 (02:58):
I got a customer that's a millionaire, and he's hand
not many a one here is yours.
Speaker 4 (03:02):
Well, what I mean is I'm not quite in that
class yet, but I wish you work for me.
Speaker 5 (03:07):
I mean, well, you know I was thinking about you.
Uh huh, what's a choice?
Speaker 6 (03:13):
I mean you you're quite young to be holding a
position of assistant manager of a big building like the
Dunbar Building.
Speaker 4 (03:18):
Well right, yeah, father, at the bottom, of course, but
those little tricks you get to the top, just like
in everything else.
Speaker 6 (03:24):
See I wish diningstone.
Speaker 3 (03:26):
Well take me for instance. You know I got where
I am remembering names he faced his bus all right, yes, sir,
When I was just really an elevator offering remembering.
Speaker 7 (03:36):
Then you'd be a little thing like that.
Speaker 3 (03:38):
And get a little thing like that. Listen, what do
you suppose Jim Paul's out where he is today?
Speaker 9 (03:44):
Where is it?
Speaker 3 (03:45):
I don't know where he is, right now, But that's
how he got to be postmaster gunner, sirs, remembering names
and sass just well, a little thing, that's all.
Speaker 6 (03:54):
Well, I don't know. He must have had some kind
of other abilities. I mean, you must have been a
bug on stance or something.
Speaker 5 (04:00):
Kevin took a look at that us.
Speaker 3 (04:02):
Well maybe one through the little things. But that was
the main thing I take tim for him.
Speaker 6 (04:07):
I mean, oh, I'm sorry, yeady, but said I to
keep your ham still here.
Speaker 3 (04:10):
Yeah, I okay'll really forget it.
Speaker 4 (04:12):
But I was just trying to show you something in
the paper.
Speaker 5 (04:14):
Be his tiches, yeah, Frankie's and nose madic for I'm
a New York gangs to escape from Atlanta six months ago,
believed to be in the city. Oh sure, I saw
that this morning.
Speaker 3 (04:25):
Yeah, so did I.
Speaker 4 (04:26):
And when I saw it, I said to myself, Eddie, you, Eddie, oldbright,
you've seen this guy somewhere before, and just.
Speaker 3 (04:33):
Like that, I remember it.
Speaker 6 (04:34):
Oh well, I said, I can remember an ugly mug
like that.
Speaker 4 (04:37):
Yeah, but suppose you only seen him three four times
and it was two three years ago, and it was
old with a whole lot of other people.
Speaker 6 (04:43):
Yady, you you know Frankie Maddick.
Speaker 4 (04:46):
No, but I took him up in my car.
Speaker 3 (04:48):
Uh. That was when I was just theater. A elevator
out there.
Speaker 4 (04:50):
Wow, I took him up three four times. There's a
rich guy named Ellenville. It isn't a penhouse on top
of our buildings. And I took him up there.
Speaker 3 (04:57):
And that was two three years ago. But right away
I remember.
Speaker 9 (05:01):
We call the faith.
Speaker 6 (05:02):
I guess that is pretty good.
Speaker 4 (05:04):
All right, Sure, that's the kindest thing for got me
where I am.
Speaker 5 (05:07):
Well, some people are lucky, I guess.
Speaker 3 (05:09):
Well, I don't know.
Speaker 4 (05:11):
For some people that are lucky, you like to share
their luck with other people and not to think about that.
Speaker 6 (05:17):
I'm quite sure. I don't know what you mean.
Speaker 4 (05:19):
Well, take you and me, for example, what maybe we
could be lucky to get. I mean maybe you and
me could go out to dinner and miss theater somebody.
Speaker 6 (05:29):
See that'd be awful nice.
Speaker 4 (05:31):
Well, hell about tonight tonight?
Speaker 6 (05:34):
Well, I don't know, like, well, I guess I could
make it tonight.
Speaker 1 (05:38):
Okay, Wow, So this is where you spend all your time?
Speaker 3 (05:44):
Hello, No, I just remember something important. I gotta go.
Speaker 7 (05:49):
I haven't seen Ye're hurry.
Speaker 9 (05:51):
You might at least introduce a little lady to your bott.
Speaker 6 (05:55):
Then you must be mister Jarveys.
Speaker 3 (06:01):
Say, what's this guy been telling you?
Speaker 6 (06:05):
I don't see. What's so funny I know is that
mister Albright here is mister Garvey's personal assistant in the dunbar.
Speaker 3 (06:12):
Is that what he shows? Alex can I gow?
Speaker 1 (06:15):
Eddie?
Speaker 3 (06:16):
I'm ashamed?
Speaker 7 (06:17):
How could you do such a thing.
Speaker 3 (06:18):
That's such a cute little.
Speaker 6 (06:20):
Lady, Eddie Olbright, you're gonna sit there and let this
man talk to me.
Speaker 7 (06:23):
I better sit there because I am his bar.
Speaker 3 (06:26):
I'm chief starter on the Dunbar elevators. And little Eddie
here is operator number twenty three.
Speaker 7 (06:33):
He and when I say go, he goes. And when
I say stay.
Speaker 3 (06:38):
He says, really, look, Lily, I got.
Speaker 6 (06:41):
Finished your hands. Mister Orbright, Oh.
Speaker 3 (06:45):
Loudly, let's not be good?
Speaker 10 (06:48):
Well, goodbye.
Speaker 3 (07:00):
Now you can imagine how that made me skill. Then
I spoke lower in the same basement, and now it worse.
It was all true what I told me. I all
accept the little part about being with in the garden.
Speaker 11 (07:11):
The distance, but I did me number safest.
Speaker 3 (07:13):
I was gonna get to the top. I was there
already I could see.
Speaker 11 (07:17):
But all I could think of was all I could
get in with that start or that now like Henderson
without having him firement. And pretty soon he came back
and I just didn't speak to him.
Speaker 4 (07:29):
I didn't even look at him, but I could.
Speaker 3 (07:31):
See him gin and all over out of me, push
to his every time Jeanie looked at me, and then
I see him looking through this. You going over to
talk to some guys who just can't leave me, but
I recognize you can't move it. And then they separate
and sort of hang around the lobby.
Speaker 4 (07:45):
Trying to look and though they are they and I figure,
I'll find my time to get that out here.
Speaker 3 (07:49):
Like so pretty soon I move you over to where
he is.
Speaker 1 (07:53):
Well, well, well if it isn't this strong, but I.
Speaker 3 (07:57):
Say, okay, you had your fun, but all you can
take schoing.
Speaker 1 (08:00):
In the lobby.
Speaker 8 (08:01):
Well, now I wouldn't tell everyone, but of course an
important man.
Speaker 3 (08:05):
Like you can't you what's going on.
Speaker 8 (08:08):
They had to tip Frankie Maddox was heading for this building.
Speaker 1 (08:11):
Frankie Maddox, Yeah, friend of yours.
Speaker 3 (08:14):
I know what it looks like.
Speaker 4 (08:16):
I took him up to the penthouse three four times,
two three years ago.
Speaker 3 (08:19):
I never yeah, who was with him? General Macarthy? Now look,
I'm not kidding, I'd remember him any play. Well, why
don't you just go over and speak to the lieutenant
over there?
Speaker 2 (08:28):
Okay, I look, get back on your car, Get back
on your wow.
Speaker 3 (08:33):
Well well look who's coming in the door.
Speaker 6 (08:36):
Our girlfriend?
Speaker 3 (08:37):
Our girlfriend? O listen, Alex, I.
Speaker 1 (08:40):
Can take char do you do, Miss O'Malley.
Speaker 6 (08:42):
I'm quite well, thank you. Mister Henderson. Hello, I wonder
if you could have one of your boys take me
up to the penthouse. We got a call at the
shop a little while ago, so mister Ellinger who wanted
to manicure send up.
Speaker 1 (08:53):
Hi.
Speaker 2 (08:54):
Sure, Miss O'Malley, the last car there.
Speaker 6 (08:56):
Thank you very kindly, mister Henny.
Speaker 7 (08:58):
Eddie, take the young lady up to a penthouse right away.
Look sharp, really the penthouse?
Speaker 9 (09:14):
Please?
Speaker 3 (09:15):
Oh listen, really, I.
Speaker 6 (09:16):
Can explain all that, and I do not wish to
engage in any unnecessary conversation with the help mister Albright.
Speaker 3 (09:23):
Oh, Lily, that guy's jealous, that's all he knows.
Speaker 4 (09:26):
When that job comes up, I'm a sin strip and
he won't stand a chance. H He's just trying to
get the knife on me. That's all, and that job.
Speaker 3 (09:33):
Is coming up, and I'm gonna get it anything now
you'll see. Oh really give me afraid, you said yourself.
Speaker 4 (09:41):
I didn't matter even if a guy was a lion.
Speaker 6 (09:43):
I'm a very democratic person. But you're alright. I have
no objection at all to a man being an elevator
operator whatsoever. But I do object to his being a
big phony. I believe this is my floor. Good day, miright.
Speaker 3 (09:59):
Literally hold it, bud, all right, you're hiding haul it.
Speaker 4 (10:03):
I'm sorry, but you gentlemen can't bring that carpet down
on this car. You'll have to take the fate out
of it.
Speaker 2 (10:08):
Yeah that listen, all right, easy, now, okay, stand up,
stand it up in a corner.
Speaker 3 (10:17):
Well, of course, if you gentlemen, and.
Speaker 7 (10:18):
Says okay, that'll do it.
Speaker 3 (10:21):
Our policy used to give part and coding your service
to all the occupents of this building. However, I regular down.
But it's against regulations.
Speaker 4 (10:28):
Not down, yes, sir, But it's against regulations to carry
furniture in the passenger cars.
Speaker 3 (10:36):
A big carpet like that?
Speaker 9 (10:37):
What about a big carpet like that?
Speaker 3 (10:39):
Well, it's furniture.
Speaker 2 (10:41):
Well what do you know, Sonny boy here thinks this
is furnit.
Speaker 4 (10:45):
Well, it ain't furniture, sonny boy.
Speaker 3 (10:47):
Well the regulations yeah, have it, yes sir? What flaw sir?
Speaker 7 (10:54):
The basement, yessir?
Speaker 3 (10:56):
Or which basement?
Speaker 12 (10:57):
You ain't trying to be funny, are you, sonny boy.
Speaker 3 (11:00):
No, sir, but we have big basements in the sability
or would like the don't at a street? Yeah, they're stairs,
but it.
Speaker 4 (11:06):
Didn't I get a fight when their contact, Yes, sir,
but the building regulation yeah yeah, yes, sir. Well, like
I say, we believe in giving compilentrating the service. So
I wasn't gonna argue with anybody to take to anybody
and twig and tough and seffil guys, well, they wanted to.
Speaker 3 (11:29):
Take a cap to the basement, now skill up finding me.
It was a good.
Speaker 4 (11:33):
Capital, right, it was rolled up and they had to
standing in the corner between them, and I glanced at it,
just castual life, and then I saw something doesn't made
my skin come up in goosebump swing over sticking out
of the bottom of that carp It was a pair
of street dang those guys had a bad body.
Speaker 9 (11:52):
In that carpet.
Speaker 2 (12:04):
More suspense, Roma wines are bringing you Phil Silver's in
the swift ries a ready albright Roma Winds presentation tonight
in Radio's Outstanding Theater Thrills us spend.
Speaker 3 (12:32):
Well.
Speaker 4 (12:32):
When I saw those two tough guys had a body
rolled up in that carpet, I just stood there at
the controls of my car and try to keep my
knees from knocking until.
Speaker 3 (12:40):
We got dial of the free basement.
Speaker 9 (12:46):
Just the basement, h I say, is this the basement?
Speaker 5 (12:49):
Oh?
Speaker 2 (12:50):
Yes, sir, Okay, all right, that's what the Can I
help you?
Speaker 7 (12:56):
You got it.
Speaker 3 (13:03):
All right, toney boy, you can beat it.
Speaker 7 (13:05):
Yes, and listen bud, Yes, sir. If I was you,
I'd forget I ever seen this copy? Understand?
Speaker 9 (13:12):
Yes, sir?
Speaker 4 (13:13):
What copy?
Speaker 7 (13:24):
Coffee?
Speaker 3 (13:25):
WHOA? Where you've been? Big shot?
Speaker 4 (13:28):
Oh?
Speaker 3 (13:28):
Oh, I had to take a ton of down to
the to the to the basement, the basement. Yeah, somebody
from the payhouse. One of them wanted to see the
super about something.
Speaker 2 (13:40):
Oh I see, I thought you were going to stick
around and help the cops catsmatics.
Speaker 3 (13:45):
When he shows up.
Speaker 4 (13:46):
Okay, Alex, you think I'm kidding, but I do know
well he looks like with his mug all over the paper.
Speaker 3 (13:52):
Sure you and a million other people. I don't know
what he looks like. Flies.
Speaker 4 (13:58):
I remember he's a median five small guy about myself.
Oh shrimp, all right, but you wait if that guy.
Speaker 3 (14:04):
Comes into this building, our spottom and.
Speaker 7 (14:05):
I'll h.
Speaker 3 (14:09):
That's the lieutenant.
Speaker 7 (14:09):
I must be madic matter And there's no danger, folks,
no danger. We're just trying to locate somebody.
Speaker 3 (14:15):
Hey, I gotta go. You staying here? I just remember
the puddle up on the fifteen fourth. You say, let's see.
Speaker 11 (14:30):
I think of the cop.
Speaker 3 (14:31):
Had everything under control about this matter, said there was
no use to my button until I need me. And
so I'm sort of getting my breath and dawn paf
ninth law.
Speaker 4 (14:39):
Before I know it's a little guy in the car
with me.
Speaker 3 (14:42):
A nice look, a little guy, and he seeks me
real friendly.
Speaker 9 (14:45):
What's at the excitements at?
Speaker 4 (14:47):
Oh? Well, they think some gangster named mad Us was
loosing the building somewhere, do they?
Speaker 9 (14:53):
Yeah, maybe it was a good idea we started up.
We did.
Speaker 2 (14:55):
Uh.
Speaker 3 (14:56):
Oh, I don't know, don't worry me none. What law?
Speaker 9 (15:00):
The uh? The penthouse?
Speaker 3 (15:01):
Please?
Speaker 4 (15:02):
Oh you're looking for miss Ellinger.
Speaker 9 (15:03):
That's right.
Speaker 3 (15:04):
My girl's up there with him right now.
Speaker 12 (15:06):
You're a girl.
Speaker 3 (15:07):
Yeah, she's a monecutor. Miss Ellen's attent for a little
while ago for a manacure. Oh oh, here's your flaw.
Speaker 9 (15:13):
I'll say, wait a minute before you open those doors.
I got a little proposition to make to you.
Speaker 3 (15:19):
Uh proposition.
Speaker 9 (15:21):
Yeah, you've seen mister Ellens is an old palamone. He's
a great guy. For gag. I haven't seen him for
quite a while. I want to pull one on him.
See oh well, yeah, but I wanna borrow your uniform.
If the just swap coat, that's enough. It'll only take
a minute. The whole thing.
Speaker 3 (15:35):
Oh, I'm sorry. I couldn't do anything like that the regularly.
Speaker 9 (15:38):
Sure, sure, I know what this help?
Speaker 3 (15:43):
Oh no, I prinn't do you see it?
Speaker 2 (15:45):
One hundred bucks?
Speaker 9 (15:47):
Sure? With me and Ellinger, it's anything for a gag.
And like I say, it'll only take a minute.
Speaker 3 (15:51):
Well I don't know what one hundred buck?
Speaker 9 (15:54):
Oh, here go on and take him. Oh give me
your coat here mine?
Speaker 3 (15:59):
Well, you sure will only take a minute. That's ryan okay, see.
Speaker 9 (16:04):
Okay, now let's go. You better come with me, though,
so you can get your coat back and go right
on down.
Speaker 1 (16:10):
Yeah.
Speaker 3 (16:10):
Sure, I'll prop the car doors open.
Speaker 6 (16:24):
I'm sorry, Eddie Oldbright, for heaven's sake.
Speaker 3 (16:27):
Now what Oh shit, Oh that's my Uh that's movie
that I told you about.
Speaker 9 (16:31):
Oh where's Eligent?
Speaker 6 (16:32):
Well, I'm sure I don't know, and I've been waiting
quite a while. If I have to wait much longer,
sure he's not home, well I should be now. If
I have to wait much longer, I'm simply gonna have
to charge him the full rate. Anyway, And if you're
a friend of his, I wish you.
Speaker 9 (16:44):
Sure, sure, I'll fix it for you, will come in
and win.
Speaker 6 (16:47):
As for you, mister Oldbright, of course, no business to
mine if you want to slow away your job, your
whole career.
Speaker 3 (16:53):
I got I read.
Speaker 4 (16:54):
Come on, Well, yeah, but you said will only take him.
Speaker 9 (16:57):
Come on, come on, there's another hundred in the fort
when he gets your coat back dollars. See, boyfriend and
I are just pulling a little gag.
Speaker 6 (17:04):
Miss boyfriend, Are you implicating that this, Well, I must say,
someone has given you the wrong kind of oppression entirely.
Speaker 9 (17:11):
Yeah. Okay, but we too could do quite a lot
with a couple of hundred bucks, couldn't you suppose?
Speaker 1 (17:15):
Uh?
Speaker 9 (17:16):
You wait here in the front room, miss we're going inside,
but don't tell me to elidy.
Speaker 3 (17:19):
We're here.
Speaker 9 (17:20):
We want to surprise it.
Speaker 6 (17:21):
Yes, there, of course that's too when your job listen.
Speaker 9 (17:24):
I can't wait longer, know, Yeah, sure I know in here.
Uh let's uh go out on the balcony. Ah, franks
up here.
Speaker 3 (17:41):
Yeah, that old bond of a penhouse.
Speaker 9 (17:43):
You know what I'm looking all over for this Maddox.
Uh whatever his name is. They won't miss you for
a while.
Speaker 3 (17:50):
Yeah, there's that boy. I just wish I could lay
my hands on that guy.
Speaker 9 (17:54):
Oh Maddox.
Speaker 13 (17:56):
Yeah, boy, if I could just catch him single handed
or something, that's the matter.
Speaker 9 (18:00):
He got something against the guy?
Speaker 4 (18:02):
Oh no, no, mister uh Mason, No, mister Mason, I
got nothing against him.
Speaker 3 (18:08):
But I gotta do something pretty quick.
Speaker 9 (18:10):
Falling around with guys like this Maddox could be a
little unhealthy, though, couldn't it.
Speaker 3 (18:15):
Yeah?
Speaker 4 (18:15):
Not that, but well, you see, mister Mason, I gotta
do something for Lillie.
Speaker 9 (18:20):
Now, I don't know. She seems like a nice kid.
She doesn't seem like a kind of expect any crazy
grandstand plays with a guy.
Speaker 3 (18:28):
Oh she wouldn't, mister Mason. Millie's the pop she's Ason's.
But you see, well I already made one in.
Speaker 7 (18:35):
A flop with a terrible flow.
Speaker 9 (18:37):
Oh, showing off for a day. Huh like a little kid.
Speaker 3 (18:41):
H I just Oh, mister Mason, I guess I made
a lawful fool out of my clove. But well, now
I gotta do something to make up for it.
Speaker 9 (18:48):
Listen that he a dame. That's any good. She doesn't
expect anything special of a guy if she does layoff
because she's poisoned. Take my word for it.
Speaker 12 (18:56):
I know.
Speaker 9 (18:58):
Maybe I wouldn't be where I am today if I
haven't tried to show off for a day. It's like
you there was a punk kid.
Speaker 13 (19:05):
I would only better see, mister Nathan, I wouldn't say
where you are today is so bad being able to
pass out a hundred dollar bills like you do.
Speaker 9 (19:12):
We well, you get older, you say things a little different.
So times, how'd you come to louse it up with her?
Speaker 13 (19:20):
Well, you see, it began by me telling about this
job that I got his assistant to mister Garfy, the
building manager, only I don't have it yet.
Speaker 4 (19:27):
And then dollar he's the starter, he tips so off,
And then I'm trying to explain.
Speaker 3 (19:32):
Now when I bring her up here. Only I don't
get a chance because the two mugs get in my
car with a black cob mugs. The two to come
from the penthouse here. I guess they're working for mister
Ellinger and he got a big rolled up carpet and
they wanna go down to the basement. And I call
him the regulation. But see, maybe I shouldn't be saying this.
Answer what they told me?
Speaker 9 (19:51):
What did they tell you?
Speaker 3 (19:52):
Well about the comfort? They said confident, So that's it.
Speaker 4 (19:57):
Well, I guess it's okay to tell you, mister Nason,
but I was scared.
Speaker 3 (20:01):
Mm.
Speaker 4 (20:02):
Well it was a funny in that carpet.
Speaker 3 (20:05):
Gosh, you don't suppose that's why, Miss Allan.
Speaker 9 (20:08):
Listen, Eddie, you stay right here.
Speaker 3 (20:09):
See but mister Mason, my coat.
Speaker 9 (20:11):
I'll be back in two minutes. Kid, then you'll be
all set the basement.
Speaker 3 (20:14):
That yeah, mister Waves.
Speaker 9 (20:16):
Mister Mace, stay here, you want your coat back?
Speaker 6 (20:21):
Oh well, all right, I see your new found friend
has left. You're holding the bag.
Speaker 3 (20:28):
Oh really, I don't know everything is going wrong today?
Speaker 6 (20:32):
Well, you can't say that your friends are those who
were your friends didn't give you fair warning.
Speaker 3 (20:38):
Mm you're still my friend.
Speaker 5 (20:40):
I didn't say that.
Speaker 6 (20:41):
I just hope that mister Alex Henderson is your friend.
When you try to explain to him what happened to
your uniform coat.
Speaker 3 (20:46):
Alex Henderson, listen, Well you don't see anything or that guy,
do you. Well he.
Speaker 6 (20:52):
Is a very high tight gentleman and not a big phony,
and at least he is not ashamed of his position too.
I'm seeing that he is your superior.
Speaker 3 (21:03):
He will be for long.
Speaker 4 (21:04):
I can tell you that right now, all right.
Speaker 3 (21:07):
Rach I'm not trying to throw him, get him my fick.
Speaker 7 (21:10):
I've done matter.
Speaker 3 (21:11):
Hen't listen, I'm not matter. I think your kidding.
Speaker 9 (21:14):
We know you've been having a doctor change your face
the last six months.
Speaker 4 (21:17):
And then you think you're gonna walk right in here
and I go off Ellen just forout fifty.
Speaker 3 (21:20):
Three and he took your call. Well get right a
little late.
Speaker 4 (21:22):
You know why lest some followers to go along, don't
you remember, I'll.
Speaker 3 (21:26):
Tell you why.
Speaker 12 (21:27):
The car the way he got tipped off and we
got Ellen's You're out of here in a carpet.
Speaker 3 (21:30):
How do you like that? You know he's going to
get it? You manic look like she seated and she said,
look any.
Speaker 7 (21:40):
Last words, Manick waits and listen.
Speaker 3 (21:42):
I'm not matter some the elevator boys.
Speaker 9 (21:45):
I never thought i'd see you crawl, Maddick.
Speaker 3 (21:48):
Look, don't you remember I took you down with the
coppet to the basement.
Speaker 12 (21:51):
I go ahead, I'm getting the big food out of
the Wait a minute, and he discussed him.
Speaker 3 (21:57):
Come over here you yes, sir, I think it is
the elevator punk.
Speaker 12 (22:02):
That's me.
Speaker 3 (22:03):
So that's right, the elevator Punk that's me.
Speaker 10 (22:05):
He got a what do you see?
Speaker 12 (22:07):
I don't know what happened in your uniform, punks, Old
there was a man. He was in my car, all right,
turn around a charismatic. What happened those next.
Speaker 3 (22:26):
Few minutes, I'll never know.
Speaker 4 (22:27):
I was down on the floor until the shooting stump,
and then the north look killed and I opened the
door in my eye looked around him Tomation, only he
was not acause I recognize him. And the two mugs
were lying on the floor and they weren't moving either.
Speaker 3 (22:40):
And then I saw Moly lying that too, and I
rushed over to.
Speaker 4 (22:43):
Her and I took herm my arms and she opened
her eyes, ring her shoes.
Speaker 8 (22:47):
All right, I went back to limatic, okay, and I
took the gun out of the hand, and then all
of a sudden the people talked an alan time and
from mister garby the horse running around me and everybody
was there something different Maddix?
Speaker 7 (23:05):
All right, cheef, he's got identificate.
Speaker 9 (23:08):
What happened here?
Speaker 1 (23:08):
That's a missing operator Henderson.
Speaker 7 (23:10):
That's right, mister Garvey.
Speaker 9 (23:11):
Who's the girl?
Speaker 7 (23:12):
Why was he? He's got a gun in his answer?
Speaker 9 (23:14):
Give me that, son? Yes, well, say son, you must
have been mixed up in this little part of yourself. Son,
where'd you get the gun?
Speaker 3 (23:24):
Well, lieutenant, it's.
Speaker 9 (23:25):
Madx gun, isn't it.
Speaker 7 (23:26):
That's right, Cheef, that's what must have happened.
Speaker 6 (23:28):
Maddox gunned the two hoods, and then the kid jumped in.
Speaker 9 (23:31):
Yeah. Well that's a lot of courage, sons, is that's
what happens?
Speaker 3 (23:37):
Well, sir, go ahead it speak up.
Speaker 9 (23:39):
Don't be afraid.
Speaker 3 (23:40):
Oh no, mister Garvey, I'm not afraid. I'm firsty unless
what happened, son? Well, what happened? Yes, sir, that's what happened,
all right? What you said?
Speaker 4 (23:51):
Mister Maddox made me come in here and changed ploths
with them, and then those two came in and Maddick
shot them and.
Speaker 3 (23:56):
Then well I just sort of overpowered him and the
gun went off and and he was killed.
Speaker 7 (24:03):
I know guys on the courts wouldn't have there.
Speaker 9 (24:05):
Through that, did she say?
Speaker 6 (24:08):
I think it?
Speaker 2 (24:09):
Well, say, young man, you certainly are to be congratulated, sir.
Speaker 1 (24:14):
You're the type of man we need on the dumb
bar building staff.
Speaker 9 (24:17):
Which reminds me there's.
Speaker 2 (24:19):
A position as my personal assistant coming open.
Speaker 1 (24:21):
I think you could fill it.
Speaker 3 (24:22):
Come and talk to me about it in the morn.
Speaker 7 (24:23):
Oh yes, Maddix, he's alone, so he yes, he can talk.
Speaker 3 (24:32):
He can talk.
Speaker 9 (24:34):
How about it, Maddix? Is that would happen? What happens?
Speaker 1 (24:39):
The kid here says you gunned the other two and he.
Speaker 4 (24:42):
Overpowered it and you got it in the struggle for
the gun.
Speaker 9 (24:46):
That would happen. Yeah. The kid there, oh yeah, yeah,
is a kid.
Speaker 3 (25:00):
Who will powered me.
Speaker 4 (25:03):
God gosh.
Speaker 2 (25:13):
The spend.
Speaker 1 (25:16):
The new spend directed by William for the Roma Wine
Company of Presno, California.
Speaker 2 (25:45):
In the coming weeks, Suspence will present such stars as
Ava Gardner, David Niven, Poland Lip And Barrats and others.
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