August 7, 2025 • 29 mins
Please enjoy Beware The Quiet Man a great episode of the legendary Suspense - Old Time Radio show OTR - a Old Time Radio OTR classic.
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:04):
In just a moment suspense with Anne Southern.
Speaker 2 (00:08):
Billy turned that radio down? How can we play Bridge?
Speaker 3 (00:11):
Okay?
Speaker 4 (00:12):
On? I like the Auto Light Show, but not too loud?
Whose deal is it?
Speaker 3 (00:16):
May mind?
Speaker 4 (00:16):
Mary? Martha bed always listens to when he's home on Thursdays.
Our house sounds just.
Speaker 2 (00:22):
Like his service station.
Speaker 4 (00:23):
I know what you mean? Did I probably spark plug? Nice?
Could think the announcer with his commercials is be enough.
Speaker 5 (00:28):
But no, it's.
Speaker 4 (00:30):
Which to Auto Light resist spark plug. I know batteries
and ignition businesses. Well do what are you dreaming about?
Speaker 6 (00:38):
Oh?
Speaker 3 (00:39):
Or a right?
Speaker 4 (00:40):
You mean the show with Anne Southern? Oh? Mary, tell
Billy to turn off the radio again. I wouldn't miss.
Then turn the radio up. Your aunt, darware Man.
Speaker 7 (01:01):
St Spend, Auto Light and sixty thousand dealers and service
stations bring you radio's outstanding theater of drills, Darrington Night
Miss and Southern in Anton Leader's production of Beware the
Quiet Man, A tail well calculated to get you in
(01:25):
Dot Spend.
Speaker 3 (01:51):
What do you have them?
Speaker 5 (01:52):
Then?
Speaker 4 (01:52):
Short of the christ Bland.
Speaker 8 (01:53):
Okay, okay, your name Mikey? Yes, you know he's gonna
come in here with a heavy set. Guy Black wavy hair.
Where's it die, big diamond? Yeah, yeah, he was in
a while ago. He said it that he'd be late
for you to be sure and wait for him.
Speaker 4 (02:10):
But I can't wait. I gotta get home to my
I gotta get home. Holid you say deep?
Speaker 3 (02:15):
Oh farther now?
Speaker 9 (02:16):
Oh for crying out loud?
Speaker 10 (02:19):
Okay, give me some nicol? Yeah, thanks, hello, mister Banning please, yeah, mister.
Speaker 11 (02:40):
Arthur Banny mm hmmm, Arthur, Maggie, I'm gonna be late
to suffer.
Speaker 9 (02:52):
Yeah.
Speaker 4 (02:53):
I ran into a girl I used to know it Lincoln. Hi.
She wants me to have a drink with her.
Speaker 10 (02:58):
Yeah, and say when you pick up some hamburg on
the way home, a sertificated I'll be there as good
as I can.
Speaker 3 (03:03):
Bye, Cat's you drink?
Speaker 4 (03:09):
Now here's money lies.
Speaker 3 (03:15):
There's a young fellow down yetting the bar wants to
buy you one. No, than it looks like a nice guy.
Speaker 4 (03:21):
That tall brown fellow over by the man another.
Speaker 1 (03:24):
And you got a whole lot of kill.
Speaker 4 (03:26):
Is he He isn't drunk?
Speaker 3 (03:28):
Is he? N? He's had a few, but he always
carries it good. I might help pass the time.
Speaker 4 (03:33):
Say what's it to you? Anyway?
Speaker 3 (03:35):
Five bucks, he said, I sure appreciate it.
Speaker 4 (03:38):
You have a two five bucks to get me to
have a drink with him? Yeah, he is kind of
good looking.
Speaker 9 (03:45):
Well okay, sure, what the heck, I'll have a drink
with him.
Speaker 5 (03:57):
Okay, say you're married. Nothing wrong than having drink together.
So what I figure? What's your old man?
Speaker 10 (04:03):
Don't know on hurdie, I should I'd have a drink
with you. If you've got any other ideas, out buy
my own, all right.
Speaker 5 (04:08):
I don't get me wrong, honey, I spotted you as
a good kid in the minute. Chankles isn't here. You
just lack excitement, that's all. And I'm the guy that
can dish it out. Yeah, yeah, you see, I'm a
private eye. Yeah no kidding, like you hear about on
the radio with a blake for me. You just stick
around me, honey, and you'll get plenty of excitement.
Speaker 9 (04:27):
Yeah.
Speaker 5 (04:28):
I'll bet you know you take. It's no client of mine, now,
bet you anything. It makes our headlines tomorrow. Yeah, tender
wanting your murderer's wife? Oh good, he hired me to
find out if his wife's been stepping out. I felt
kind of sorry for the guy. He probably doesn't have
the money to take her out of himself. He's a
bank teller or the second national.
Speaker 4 (04:46):
Thank thank heller Maa. What's his name?
Speaker 5 (04:52):
Oh honey, No, no, that that stuff's confidential. Matter of fact,
I'm not supposed to talk about cases at all.
Speaker 4 (04:57):
I'll go on, I won't telling anybody.
Speaker 5 (04:59):
Well, now, you don't look back. The kind of baby
that blabs everything she knows. How about that drinking?
Speaker 2 (05:04):
Sure, I Charley too of me in the.
Speaker 5 (05:07):
Words, you know, he sort of gave me the creeps.
This guy sat there eating as lunch, calm as you please,
all the time figuring how to kill his wife.
Speaker 4 (05:19):
How do you know what he was figuring?
Speaker 5 (05:20):
Well, for one thing, he didn't want evidence for a divorce.
He sort of looked at me funny and said, I
just want to know, that's all. If Margie is stepping
out of take care of it my own way. Maggie. Yeah. Yeah,
that's his wife's name, Margie.
Speaker 4 (05:35):
That was the money, nothing, nothing at all.
Speaker 5 (05:39):
Hey, you don't look so good. Maybe you drank a
lesson too fast.
Speaker 10 (05:42):
No, no, I'm sorry, I'll just naturally tail it tall.
You were saying about his clients, You figure he's gonna
murder his wife.
Speaker 5 (05:50):
Oh sure, sure it's in a bag either. That is suicide.
But he's more the type for murder.
Speaker 10 (05:56):
Oh one of those big rudle guys, said said him,
mean looking high.
Speaker 5 (06:00):
No, quiet mossy kind doesn't have much to say. Those
are the guys you gotta watch. But why because they
never let you know what they're really thinking, not until
it's too late.
Speaker 4 (06:12):
They don't.
Speaker 5 (06:12):
You know, most guys when they find their wives step
and raised came. Maybe they'll even get a divorce, but
they don't get so enoughter murder. Yeah, but these quiet fellas,
you know, they put the little woman on a pistol.
He wouldn't catch them out with other women, not in
a million years. And when they discover their one and
only has been kicking up her heels, no brother, watch
out guy. The worst of it is they go on
(06:34):
acting like nothing's wrong, you see, and then all of
a sudden, hwango, they explode. Ex Yeah, you know, like
I always say, beware the quiet man that gets new
client of mine. For example, calm you never met anybody calmer?
But I don't. Oh well, well, just about average brown
hair getting sort of thin on the top, a little
(06:56):
bit stoop shouldered.
Speaker 4 (06:58):
Medium height the glasses.
Speaker 5 (07:00):
Yeah, yeah, you know.
Speaker 4 (07:01):
I no, No, I don't know any of the boys.
Excuse me?
Speaker 3 (07:05):
Oh, where you go?
Speaker 4 (07:06):
I don't make a phone call. It's another time. Don't
go away. I'll be write back. M Ralph n.
Speaker 10 (07:21):
I can't see you this afternoon. No, I'm not sure
about could be in late. But whatever you do, don't
come into Charlie's place. Yeah, that's where I am.
Speaker 4 (07:30):
Now.
Speaker 10 (07:30):
You bet there's something wrong. There's plenty wrong either this
guy I'm talking to it's crazy. Hurry else is trying
to murder me?
Speaker 7 (07:52):
Sports suspense, audible light is bringing hum missam Southern and
radio is outstanding theater of thrills.
Speaker 6 (08:00):
Spell well do we're down two hundreds on that hand? Oh, Harry,
it's easy to see there's no playing bridge with you
girls with suspense on. So let's stop playing and switch
to auto light, spark plugs or or whatever for the rest.
Speaker 2 (08:21):
Of the half hour.
Speaker 4 (08:22):
Huh Oh, Mary, I could kiss you.
Speaker 10 (08:24):
You're such an understanding sister in law, and I don't
want to miss a single word.
Speaker 4 (08:28):
What about you, mate, Dory? Did you know that my
husband knows Frank Martin, the auto light salesman he does well,
then let's listen to mister Morton.
Speaker 1 (08:37):
Right now. You can get auto life resistance spark plugs
almost anywhere in the United States. They're sensational. Why no
other spark plug will give and maintain such performance. Auto
light work with leading car and truck manufacturers, and the
Ignition engineered a ten thousand orm resistor right into the
auto light spark plug that permits a wider spark gap
setting and maintains it far longer than another sparks. Actually,
(09:01):
when you replace your narrow gap spark plugs with a
set of wide gap auto life resistance spark plugs, you
can tell the difference in your car.
Speaker 6 (09:08):
Oh dear, and I think that I'll hear every word
of that again from ED when I get home.
Speaker 1 (09:13):
Now, here's a simple lowdown. As a result of the
wide gap and the resistor spark plugs, your engine idle smoother,
You have better luck with lean gas mixtures and save gas,
and within established limits, you reduce spark plug interference with
radio and television reception. Yes, and today you can get
the resistor spark plug from almost any of auto light
sixty thousand dealers. That's the biggest spark plug used in
(09:35):
years and.
Speaker 7 (09:37):
Now Auto Light brings back to our Hollywood soundstage, Miss
and Southern as Margie and Beware the Quiet Man, A
tail well calculated to keep you in does spend.
Speaker 4 (10:02):
I stood there in the phones with a minute after
I hung up. I wasn't scared exactly, but I had
let those words think him either this guy I'm talking
to his crazy or else the office tiring to murder me.
I went back to the bars. I had to find help.
Speaker 5 (10:19):
Oh, I thought you got a lot set Kay.
Speaker 4 (10:24):
Now about this fella, the one who's going to murder
his boss.
Speaker 3 (10:26):
Oh that's a kind of shop.
Speaker 5 (10:28):
I want to hear by shop. I don't even know
your name.
Speaker 4 (10:31):
Did he say what made him think she was stepping home?
Speaker 5 (10:33):
Ah, she's supposed to belong to some bridge club the
bank colored his wife's got up, But friends of his
so head downtown a couple of times on our bridge dates?
Speaker 4 (10:42):
Is that all you know?
Speaker 5 (10:43):
How to get pretty smart? You make like you're really
interested in that guy's work. Oh but I yeh, you
know I had a little doll. Once I felt plenty,
I would have married him. Man, even I mean every
time I started talking about a case, he shut me up.
Speaker 4 (10:55):
Never mind about your little dolls? What about this guy? Hey,
you're jealous, but what do you know? I'm not jealous.
I don't want to know.
Speaker 5 (11:02):
It's okay, honey, he's okay. Sure. A cute little dog
like you doesn't want to hear a guy spotting off
about another dame. Yeah, maybe I had a few too.
Speaker 4 (11:10):
I just want to hear about the stank killer. Have
you met his wife?
Speaker 5 (11:14):
Maybe no, but he showed me a picture of it.
Speaker 4 (11:17):
Oh then you know what she looks like?
Speaker 5 (11:23):
What's to find?
Speaker 6 (11:25):
Never mind?
Speaker 4 (11:26):
It jokes on me.
Speaker 5 (11:29):
Maybe you better not have him any more to drink.
You're a.
Speaker 4 (11:36):
Here's to you a long life, a long long life?
Speaker 5 (11:40):
Yeah, not at.
Speaker 4 (11:46):
Yeah?
Speaker 5 (11:47):
Full a little watching, you know. He showed me a
snapshot of a bathing shit. Oh boy, was she stacked?
As a matter of fact, about your height and bill
are blonde like you too? Like you?
Speaker 3 (12:01):
Pres I am.
Speaker 5 (12:02):
I couldn't see her face, it's kind of blurred. He's
bringing me a better picture of an omara.
Speaker 4 (12:07):
Oh I think i'd like another dream.
Speaker 5 (12:11):
You know, honey, you better start taking vitamins or something.
Speaker 4 (12:13):
You're paid as a sheet a dream.
Speaker 5 (12:15):
Oh yeah, said Charlie, somehow the same. Uh yeah, poor
little won't you? You know that's one thing I can
never figure out. The killed little dolls with flirtation's eyes
always pick some homeway, quiet game when it comes to
settling down. And the handsome he man who has to
beat off the James with the.
Speaker 3 (12:33):
Club, what does he do?
Speaker 5 (12:35):
He marries a drab little pisheon. And that's why we
get so many axe murders. Only in this case you
use it.
Speaker 10 (12:42):
God, he doesn't have it. I mean most don't cutt'n done. Oh,
this one does, now, I mean, like, will you yeah?
Speaker 5 (12:51):
Sure, yeah, Hey, maybe if you lay off a booze,
honey and take a tonic or something, you'll feel better.
I'll get your hands they're trembling.
Speaker 4 (13:02):
How do you know he has it done?
Speaker 5 (13:04):
Ah? Oh, I get it?
Speaker 3 (13:09):
What you tell me?
Speaker 5 (13:10):
What you gotta Squiamy's stomach?
Speaker 3 (13:13):
All let's talk about guns and shooting.
Speaker 5 (13:14):
No, honey, I'm sorry. I won't say one more word
about it.
Speaker 10 (13:17):
I'm not screaming, and I don't need bidamin. I want
to know how you know this bank till a guy.
Speaker 4 (13:22):
Is a gun?
Speaker 5 (13:23):
Alright, So I'm going to a pawn shopping buy one.
You know, honey, I could really go for you. The
funny thing, we never even introduced that, so that's something
we gotta do. My name's close, limb close, but yours.
Speaker 4 (13:34):
You mean that man got a gun and now he's
home waiting to murder his black and cold black.
Speaker 5 (13:38):
Oh no, no, he won't do anything until he gets
my report. You see, Tomorrow, I check with her friends
to see if she's been going to Bridge Club like
she's supposed to. And I meet my client to lunch
and get a picture of myrching. I take it around
to the downtown bars to find out if she's been
seen with anybody. And then I give my client the
report when he gets off work.
Speaker 4 (13:57):
Yeah, and then and.
Speaker 5 (13:59):
If he suspicions are right, and they usually are, it's
all over.
Speaker 2 (14:03):
But the shooting.
Speaker 5 (14:04):
The shooting, Yeah, bang bang, that's all bang bang. Say
what'd you say your name was?
Speaker 4 (14:11):
I've got to get home.
Speaker 3 (14:25):
Hello, dear, Hello, I was beginning to worry about you.
Speaker 4 (14:28):
Well.
Speaker 10 (14:29):
I really couldn't have been Nate for dinner. I wanted
to leave, but Nate Jell her name, you know, the
girl I used to go to school.
Speaker 4 (14:35):
But she kept talking. He asked you yes, and I
just couldn't walk out in the middle of the sinner.
Speaker 3 (14:39):
That's all right, I didn't mind. The potatoes are already
like you told me.
Speaker 4 (14:44):
No, no, I'll hear a dinner. You just sit down
and read the taste on.
Speaker 3 (14:50):
You all right? So you look a little flushed.
Speaker 4 (14:52):
Oh I'm fine. I was just resting. I thought it'd
be ready in a minute. Did you have a hard day?
Speaker 12 (15:00):
Oh?
Speaker 3 (15:01):
Usual. People are taking out more money these days, and
they're putting them.
Speaker 4 (15:04):
Yeah, try to die off lunch. M I mean, nothing
happened to me.
Speaker 8 (15:12):
Oh a funny thing. Man came us again this morning,
first thing the doors were opened. Wanted to withdraw all
the money from their joint account before his wife beat
him to it. See she was leaving him for another man.
Oh oh, oh yeah, well.
Speaker 3 (15:26):
He was there. She appeared. You should have heard her
carry on.
Speaker 1 (15:30):
Huh.
Speaker 3 (15:31):
She was a real shrew.
Speaker 4 (15:32):
What happened?
Speaker 3 (15:33):
Oh nothing, He didn't say a word. He was a gentleman.
But I'll bet if he'd had a gun he'd have
killed it. Oh well, seeing things like that happen all
the time, newspapers full of it.
Speaker 4 (15:49):
Are you mad at me? Are you mad at me? Am?
Speaker 3 (15:53):
I mad?
Speaker 6 (15:55):
No?
Speaker 5 (15:56):
Should I be?
Speaker 4 (15:57):
I've got something to say.
Speaker 3 (16:00):
Well, fire away.
Speaker 4 (16:01):
I didn't go to big club last week.
Speaker 3 (16:03):
No, I thought you'd die before you gave up break.
Oh really, honey, you look offully CD.
Speaker 4 (16:11):
No, I'm fine. I feel fine. I had sort of
a crawl over in the rain.
Speaker 10 (16:16):
I didn't want to tell you because you're always talking
about how women can't get along with each other.
Speaker 4 (16:21):
Instead of going to big club, I went shopping instead.
Speaker 3 (16:25):
I'm fine. Only I hope you didn't go over the budget.
Speaker 4 (16:29):
Oh no, that's right.
Speaker 3 (16:31):
I always said bridge was a waste of time.
Speaker 4 (16:33):
Then you're not angry about anything?
Speaker 3 (16:36):
Why?
Speaker 8 (16:36):
No?
Speaker 3 (16:37):
Why should I be?
Speaker 4 (16:38):
Oh?
Speaker 3 (16:40):
What's the matter now?
Speaker 4 (16:41):
I don't deserve a twelve husband like you.
Speaker 3 (16:44):
I'm not so huh.
Speaker 4 (16:45):
Oh you always did the dinner.
Speaker 10 (16:47):
Dishes and bring me my bress in bead on Sunday morning,
the only morning you have to sleep.
Speaker 4 (16:53):
I feel terrible. If anything ever happened to her, what's
gonna happen? It was something? It got real mad and exploded. Yeah,
what have you got a gun and shot me dead?
Speaker 3 (17:02):
For heaven takes Margie? Where do you get those crazy ideas?
Speaker 4 (17:06):
You mean, no matter how magicized, no matter what I
did to make you Maggie, wouldn't you dead?
Speaker 3 (17:12):
And Margie, you know I'd rather die than hurt one
hair on your head?
Speaker 4 (17:15):
Oh not fuicide?
Speaker 3 (17:17):
Say how many drinks did you made?
Speaker 4 (17:18):
Bell?
Speaker 3 (17:18):
Have awes?
Speaker 10 (17:20):
I want you to know I'm gonna change. I'm gonna
be a better one now on. I'll stay home all
the time and done.
Speaker 4 (17:27):
Just stop you you just wait, I'll get up every
morning and make you Betterie.
Speaker 3 (17:34):
You know you won't do any of those things. I
will too, Mine said women like you've.
Speaker 4 (17:38):
Never changed, I will too. I'll change bright the way.
Speaker 3 (17:42):
Tomorrow I can want you to.
Speaker 5 (17:45):
I'll come here, baby.
Speaker 3 (17:46):
I want you to stay just exactly.
Speaker 4 (17:48):
The way you are right now, just exactly.
Speaker 8 (17:51):
I love you very much, just the way you are.
So that reminds me I made a point before you.
Tomorrow you're having your picture takes pitch you. I shure
to follow that old snapshot of you today, the one
we took at the beach were so dogged he couldn't
see what you looked like, and I realized we didn't
have a single decent picture of.
Speaker 3 (18:11):
You at all.
Speaker 4 (18:11):
So I haven't taken tomorrow.
Speaker 3 (18:14):
The studio next to the.
Speaker 8 (18:15):
Bank is having a special advertising the new sixty minute service.
That way I can pick up the finished picture before I.
Speaker 3 (18:21):
Go to lunch.
Speaker 4 (18:21):
I don't want my take to take.
Speaker 3 (18:24):
Honey, what the matter?
Speaker 2 (18:25):
Don't you take it at all?
Speaker 12 (18:35):
So they gave me the craps guy that there. Reason
as calm as you please all the time. Figure in
how they can kill us. Why at Macy, I said,
you gotta watch never let you know what that really?
Nothing Wangolode's bank.
Speaker 4 (18:58):
No it must be let say, father wouldn't have I
don't think about it. I'll take a sleeping power and
go to bed. The gun he did buy a gun.
It's all true. Everything word, that's true. Hello, No, I
(19:36):
told him to call me here. No, no, it isn't
all right. Arthur bought a gun home last night. Yes,
a gun. Said he was keeping a full friend. That's
going to say, yeah, I think so just a minute,
I'll look, well the gun's gone. He must have taken
me to word. Oh don't you see as soon as
(19:56):
he's find out for killing him.
Speaker 2 (19:58):
No, no, no, no, no, I never want to hear
you again.
Speaker 4 (20:03):
I don't think.
Speaker 2 (20:06):
Oh never, Oh Lorraine, what was you expect, darling?
Speaker 13 (20:16):
Fancy son, aunt, you're gonna invite me in, but I
just don't know's sheelthy, silly and not friends.
Speaker 4 (20:22):
I'm gonna hurry, Lorraine, I said, oh my, I'm latest beauty.
Speaker 13 (20:24):
Shop now, but I was driving past anywhere, so I
thought I dropped in and give you the latest on
the girl from the Bridge clubs on some other day.
I've honestly, Mandie, this is choice. You know what I
heard about missus Dentler. You know she's the wife of
Ben Dentil. Then you tell her as the bank the
one from to don't mind?
Speaker 4 (20:39):
Oh that's right.
Speaker 13 (20:40):
You haven't better because you haven't been around lately. That's
just kind of a pretty little thing and a plucked
eye brows wat of wey. You should hear what her
husband told my husband, Lorraine. I, of course my father said.
Speaker 4 (20:53):
I wouldn't breathe a word kind of low, Lorraine. What
I brought that I haven't time standing gothic from you
to day? Anyway? You're as nervous as a camel, right,
tepically all right, but periods ten second? What heaven's under
half hour?
Speaker 2 (21:07):
Lay?
Speaker 4 (21:07):
By the bye you gotta run, oh darling, be sure
and we could n set tomorrow.
Speaker 2 (21:12):
They're running a story about our Bridge spinners.
Speaker 4 (21:14):
Okay, by hitches and everything. They didn't have time taking
new picture, but I gave him when he took the
Valentine party.
Speaker 10 (21:20):
The one I was thinking public hit sure my picture
in the paper, but yours was the only slaffering one
in the group.
Speaker 4 (21:28):
The reporter picked you up right away. He seemed quite smitten.
Speaker 13 (21:33):
Oh yes, yes, he asked all about you because I
told him that you didn't come to the meetings.
Speaker 3 (21:39):
Very awesome.
Speaker 4 (21:39):
The Gauzette doesn't use men reporters for society. Well they do.
Speaker 2 (21:43):
Now, dear.
Speaker 4 (21:44):
He didn't sound much like a reporter, though, he kept
calling me how many Oh blind fast talk esca, Yeah.
Speaker 2 (21:51):
You're my picture.
Speaker 4 (21:52):
Well of cool name. Oh well, let's see funny and
I think.
Speaker 10 (21:58):
It was Clutton them Cluson, But Charley, it's a man
of life and death.
Speaker 4 (22:14):
I've got to get all the lamb before now.
Speaker 3 (22:15):
Well, like I said, he ain't for them.
Speaker 4 (22:17):
You surely never told you a way worth.
Speaker 3 (22:18):
No, you've come to us for some private detective box.
Speaker 10 (22:21):
Oh give me some nickles last and nicklause. I got
some telephones to do, like me, detective agency. You have
a man named Cluson working for you menclusion.
Speaker 4 (22:32):
No thanks man, am agency, I want missus clusion them clusion.
Oh yeah, I guess I have the wrong number.
Speaker 10 (22:45):
Has detective another for a man named them cluten No,
I don't want to hire you to find him. Miss
is the last one in the po he's.
Speaker 8 (22:54):
Got okay, sorry, no luck, No, I just remember let
him see the guy who worked for just opened up
and Tom probably in the phone book yet.
Speaker 5 (23:12):
Don't want to get out of here.
Speaker 4 (23:13):
Flank tell us suicide.
Speaker 3 (23:16):
That fight skid just because I won't let how many
a ped on his papers? He yells in the door.
Thanks your so in here every time?
Speaker 4 (23:23):
Wait, wait, you're come on?
Speaker 2 (23:33):
Thanks No boy, thait the lady you do take suicide?
Speaker 3 (23:37):
Write in the second National Bank?
Speaker 1 (23:38):
You want a paper?
Speaker 4 (23:39):
Here here guys.
Speaker 3 (23:41):
Wife steps out with another joke, So the poor does goodbye.
Margin pulls the trigger.
Speaker 4 (23:46):
Yeah, lady, Frank suicide.
Speaker 5 (23:50):
Oh well it doesn't match you.
Speaker 4 (23:51):
Get away from lem Cluton.
Speaker 5 (23:53):
You were looking for me here. I am if I
got a lot to tell you, send me alone.
Speaker 2 (23:56):
I want to read all that right up?
Speaker 5 (23:58):
No good here give it here, I've got better. I
come on into Charlie's and I'll give you the int
give my paper murder it.
Speaker 3 (24:06):
Hey, wait a minute, Oh, I get it. You figure
he bumped himself.
Speaker 5 (24:10):
Off on account of my report. That's a screwy part.
He didn't even wait for the report. I got it
right here in my pocket.
Speaker 4 (24:15):
Take your hand off my own, honey.
Speaker 5 (24:17):
Now, come on, you're coming into Charlenge.
Speaker 4 (24:18):
If I have to drag, leave me alone.
Speaker 3 (24:21):
I figured she'd be so my spot and off the way.
Speaker 5 (24:23):
I didn't Charlenge yesterday. But how did I know who
you were? A hey, Charlie, subourbon highs double.
Speaker 4 (24:30):
I don't want to tell you.
Speaker 5 (24:31):
I should have seen my face this morning when I
screwy friend of yours gave me the picture of your bridge,
and there you were.
Speaker 3 (24:37):
It's real, his life, and just.
Speaker 5 (24:38):
As cute, I says to myself, why you dumb ox.
Speaker 3 (24:41):
You got that little doll worried sick?
Speaker 5 (24:43):
And then when I read in the paper about my
client giving your husband the gun to keep Etherial use
it on himself, I think, holy cow, what did she say?
And then I think, I bet she figures I planned
the whole thing just to scare it. What do you mean, Oh,
I don't try to kid me, min? Do you know
you figured that client of mine was your hus that
he was gonna bump you off.
Speaker 4 (25:02):
You mean he wasn't.
Speaker 5 (25:03):
No, No, your name's Banning, isn't that. My client's name
was Dentler, Benjamin Dentler. Funny thing is white being named
Margie too? Yeah? I never thought he'd do it anyway.
Speaker 4 (25:13):
Oh, I think I'd like that drink, after all.
Speaker 5 (25:16):
It's that honey.
Speaker 4 (25:18):
So that's the gossip Loring was trying to tell Mentaler
the tell Us in Chicago.
Speaker 5 (25:23):
Now, I've been thinking a lot about you and Arthur
really even begun for a thing. I'll tell you what, honey.
I know a quiet little spot across the town. He
danced anything we want.
Speaker 4 (25:32):
Might have told me about Dentlist.
Speaker 5 (25:34):
It's a kid, a little place. Baby, they got a
knockout band of What.
Speaker 4 (25:37):
Are you talking to me about it?
Speaker 5 (25:39):
Wow?
Speaker 3 (25:39):
What do you say?
Speaker 4 (25:40):
Okay?
Speaker 5 (25:41):
So what what you and me? Honey? I?
Speaker 4 (25:46):
Ah, you're asking me to step back with you? Well?
Speaker 1 (25:51):
Why not?
Speaker 4 (25:52):
How about my husband?
Speaker 3 (25:54):
Oh?
Speaker 5 (25:54):
That mousy little guy.
Speaker 3 (25:55):
We got nothing to worry about them here?
Speaker 4 (25:57):
But I thought you always said the word five man.
Speaker 10 (26:01):
You never know what they're bene But no bus, If
you'll pardon me, missus lamaclusion, I'm going home and started supper.
Speaker 7 (26:09):
Yeah, thank you and Southern for a splendid performance. Miss
(26:31):
Southern will be back in just a moment.
Speaker 6 (26:34):
Daur I apologize that show is better than a six
No trump ast Why Mary, first thing? You know you'll
be in edge class cracking about all the light resistance
spots plugs like Donald's. Be on me a great, big hand, Mary,
and watch me get back that two hundred we went down.
Speaker 4 (26:50):
You know I looked at me, you said, of those sparkslows.
Speaker 6 (26:53):
Why not ask ed tomorrow to put a seat of
those auto light resist sparks plugs in your car?
Speaker 4 (26:58):
Oh well then, may will you tell ed I'll be
over tomorrow.
Speaker 10 (27:02):
Certainly, Well, mile Card's gonna get auto light resistance spark
plug too.
Speaker 1 (27:07):
Yes, switching to autolite is safe thing, sound, sober judgment,
and a sure way to spark plug satisfaction. That's why
everybody's switching to autolite. Autolite means resistors, spark plug, ignition engineer,
spark plug. Auto LIGHTE means batteries, day poll batteries. Auto
LIGHTE means ignition systems, the lifeline of your.
Speaker 3 (27:30):
Car and now here again is miss Anne Southern.
Speaker 10 (27:42):
I've enjoyed disappearance an sistems very much and as a
regular suspense listener, I'm looking forward next week when Marsa
Scott stars in Crisis, a powerful study.
Speaker 1 (27:53):
In a suspend, and Southern appears by courtesy of Metro
Golden Mayer Studios, producers of Julia Misbehaves starring Walter Pigeon
and Rear Guns. Tonight's The Sense Play was written by
(28:16):
Toby Hall, with music composed by Lucian Marlack and conducted
by Blood Bluster. The entire production was under the direction
of Antonine Leader. Next Thursday, same time, you will hear
Martha Stock in miss.
Speaker 4 (28:36):
This is the Ontolite Essential calling the people of the USA.
Speaker 1 (28:40):
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nine years now, nine years since Europe's people have been
able to live decently, by clothes to wear, get enough
to eat. That's a long time. It's far too long.
Our government is doing something about it. Its long range
program will help the store economic prospects, but there won't
(29:01):
be any immediate direct help for the people who are
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Remember the name and address Care c R New York.
Speaker 12 (29:33):
Good Night, Switch to autolife.
Speaker 1 (29:36):
This is CBS, the Columbia Broadcasting Systems
In just a moment suspense with Anne Southern.
Speaker 2 (00:08):
Billy turned that radio down? How can we play Bridge?
Speaker 3 (00:11):
Okay?
Speaker 4 (00:12):
On? I like the Auto Light Show, but not too loud?
Whose deal is it?
Speaker 3 (00:16):
May mind?
Speaker 4 (00:16):
Mary? Martha bed always listens to when he's home on Thursdays.
Our house sounds just.
Speaker 2 (00:22):
Like his service station.
Speaker 4 (00:23):
I know what you mean? Did I probably spark plug? Nice?
Could think the announcer with his commercials is be enough.
Speaker 5 (00:28):
But no, it's.
Speaker 4 (00:30):
Which to Auto Light resist spark plug. I know batteries
and ignition businesses. Well do what are you dreaming about?
Speaker 6 (00:38):
Oh?
Speaker 3 (00:39):
Or a right?
Speaker 4 (00:40):
You mean the show with Anne Southern? Oh? Mary, tell
Billy to turn off the radio again. I wouldn't miss.
Then turn the radio up. Your aunt, darware Man.
Speaker 7 (01:01):
St Spend, Auto Light and sixty thousand dealers and service
stations bring you radio's outstanding theater of drills, Darrington Night
Miss and Southern in Anton Leader's production of Beware the
Quiet Man, A tail well calculated to get you in
(01:25):
Dot Spend.
Speaker 3 (01:51):
What do you have them?
Speaker 5 (01:52):
Then?
Speaker 4 (01:52):
Short of the christ Bland.
Speaker 8 (01:53):
Okay, okay, your name Mikey? Yes, you know he's gonna
come in here with a heavy set. Guy Black wavy hair.
Where's it die, big diamond? Yeah, yeah, he was in
a while ago. He said it that he'd be late
for you to be sure and wait for him.
Speaker 4 (02:10):
But I can't wait. I gotta get home to my
I gotta get home. Holid you say deep?
Speaker 3 (02:15):
Oh farther now?
Speaker 9 (02:16):
Oh for crying out loud?
Speaker 10 (02:19):
Okay, give me some nicol? Yeah, thanks, hello, mister Banning please, yeah, mister.
Speaker 11 (02:40):
Arthur Banny mm hmmm, Arthur, Maggie, I'm gonna be late
to suffer.
Speaker 9 (02:52):
Yeah.
Speaker 4 (02:53):
I ran into a girl I used to know it Lincoln. Hi.
She wants me to have a drink with her.
Speaker 10 (02:58):
Yeah, and say when you pick up some hamburg on
the way home, a sertificated I'll be there as good
as I can.
Speaker 3 (03:03):
Bye, Cat's you drink?
Speaker 4 (03:09):
Now here's money lies.
Speaker 3 (03:15):
There's a young fellow down yetting the bar wants to
buy you one. No, than it looks like a nice guy.
Speaker 4 (03:21):
That tall brown fellow over by the man another.
Speaker 1 (03:24):
And you got a whole lot of kill.
Speaker 4 (03:26):
Is he He isn't drunk?
Speaker 3 (03:28):
Is he? N? He's had a few, but he always
carries it good. I might help pass the time.
Speaker 4 (03:33):
Say what's it to you? Anyway?
Speaker 3 (03:35):
Five bucks, he said, I sure appreciate it.
Speaker 4 (03:38):
You have a two five bucks to get me to
have a drink with him? Yeah, he is kind of
good looking.
Speaker 9 (03:45):
Well okay, sure, what the heck, I'll have a drink
with him.
Speaker 5 (03:57):
Okay, say you're married. Nothing wrong than having drink together.
So what I figure? What's your old man?
Speaker 10 (04:03):
Don't know on hurdie, I should I'd have a drink
with you. If you've got any other ideas, out buy
my own, all right.
Speaker 5 (04:08):
I don't get me wrong, honey, I spotted you as
a good kid in the minute. Chankles isn't here. You
just lack excitement, that's all. And I'm the guy that
can dish it out. Yeah, yeah, you see, I'm a
private eye. Yeah no kidding, like you hear about on
the radio with a blake for me. You just stick
around me, honey, and you'll get plenty of excitement.
Speaker 9 (04:27):
Yeah.
Speaker 5 (04:28):
I'll bet you know you take. It's no client of mine, now,
bet you anything. It makes our headlines tomorrow. Yeah, tender
wanting your murderer's wife? Oh good, he hired me to
find out if his wife's been stepping out. I felt
kind of sorry for the guy. He probably doesn't have
the money to take her out of himself. He's a
bank teller or the second national.
Speaker 4 (04:46):
Thank thank heller Maa. What's his name?
Speaker 5 (04:52):
Oh honey, No, no, that that stuff's confidential. Matter of fact,
I'm not supposed to talk about cases at all.
Speaker 4 (04:57):
I'll go on, I won't telling anybody.
Speaker 5 (04:59):
Well, now, you don't look back. The kind of baby
that blabs everything she knows. How about that drinking?
Speaker 2 (05:04):
Sure, I Charley too of me in the.
Speaker 5 (05:07):
Words, you know, he sort of gave me the creeps.
This guy sat there eating as lunch, calm as you please,
all the time figuring how to kill his wife.
Speaker 4 (05:19):
How do you know what he was figuring?
Speaker 5 (05:20):
Well, for one thing, he didn't want evidence for a divorce.
He sort of looked at me funny and said, I
just want to know, that's all. If Margie is stepping
out of take care of it my own way. Maggie. Yeah. Yeah,
that's his wife's name, Margie.
Speaker 4 (05:35):
That was the money, nothing, nothing at all.
Speaker 5 (05:39):
Hey, you don't look so good. Maybe you drank a
lesson too fast.
Speaker 10 (05:42):
No, no, I'm sorry, I'll just naturally tail it tall.
You were saying about his clients, You figure he's gonna
murder his wife.
Speaker 5 (05:50):
Oh sure, sure it's in a bag either. That is suicide.
But he's more the type for murder.
Speaker 10 (05:56):
Oh one of those big rudle guys, said said him,
mean looking high.
Speaker 5 (06:00):
No, quiet mossy kind doesn't have much to say. Those
are the guys you gotta watch. But why because they
never let you know what they're really thinking, not until
it's too late.
Speaker 4 (06:12):
They don't.
Speaker 5 (06:12):
You know, most guys when they find their wives step
and raised came. Maybe they'll even get a divorce, but
they don't get so enoughter murder. Yeah, but these quiet fellas,
you know, they put the little woman on a pistol.
He wouldn't catch them out with other women, not in
a million years. And when they discover their one and
only has been kicking up her heels, no brother, watch
out guy. The worst of it is they go on
(06:34):
acting like nothing's wrong, you see, and then all of
a sudden, hwango, they explode. Ex Yeah, you know, like
I always say, beware the quiet man that gets new
client of mine. For example, calm you never met anybody calmer?
But I don't. Oh well, well, just about average brown
hair getting sort of thin on the top, a little
(06:56):
bit stoop shouldered.
Speaker 4 (06:58):
Medium height the glasses.
Speaker 5 (07:00):
Yeah, yeah, you know.
Speaker 4 (07:01):
I no, No, I don't know any of the boys.
Excuse me?
Speaker 3 (07:05):
Oh, where you go?
Speaker 4 (07:06):
I don't make a phone call. It's another time. Don't
go away. I'll be write back. M Ralph n.
Speaker 10 (07:21):
I can't see you this afternoon. No, I'm not sure
about could be in late. But whatever you do, don't
come into Charlie's place. Yeah, that's where I am.
Speaker 4 (07:30):
Now.
Speaker 10 (07:30):
You bet there's something wrong. There's plenty wrong either this
guy I'm talking to it's crazy. Hurry else is trying
to murder me?
Speaker 7 (07:52):
Sports suspense, audible light is bringing hum missam Southern and
radio is outstanding theater of thrills.
Speaker 6 (08:00):
Spell well do we're down two hundreds on that hand? Oh, Harry,
it's easy to see there's no playing bridge with you
girls with suspense on. So let's stop playing and switch
to auto light, spark plugs or or whatever for the rest.
Speaker 2 (08:21):
Of the half hour.
Speaker 4 (08:22):
Huh Oh, Mary, I could kiss you.
Speaker 10 (08:24):
You're such an understanding sister in law, and I don't
want to miss a single word.
Speaker 4 (08:28):
What about you, mate, Dory? Did you know that my
husband knows Frank Martin, the auto light salesman he does well,
then let's listen to mister Morton.
Speaker 1 (08:37):
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(09:01):
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Speaker 6 (09:08):
Oh dear, and I think that I'll hear every word
of that again from ED when I get home.
Speaker 1 (09:13):
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wide gap and the resistor spark plugs, your engine idle smoother,
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(09:35):
years and.
Speaker 7 (09:37):
Now Auto Light brings back to our Hollywood soundstage, Miss
and Southern as Margie and Beware the Quiet Man, A
tail well calculated to keep you in does spend.
Speaker 4 (10:02):
I stood there in the phones with a minute after
I hung up. I wasn't scared exactly, but I had
let those words think him either this guy I'm talking
to his crazy or else the office tiring to murder me.
I went back to the bars. I had to find help.
Speaker 5 (10:19):
Oh, I thought you got a lot set Kay.
Speaker 4 (10:24):
Now about this fella, the one who's going to murder
his boss.
Speaker 3 (10:26):
Oh that's a kind of shop.
Speaker 5 (10:28):
I want to hear by shop. I don't even know
your name.
Speaker 4 (10:31):
Did he say what made him think she was stepping home?
Speaker 5 (10:33):
Ah, she's supposed to belong to some bridge club the
bank colored his wife's got up, But friends of his
so head downtown a couple of times on our bridge dates?
Speaker 4 (10:42):
Is that all you know?
Speaker 5 (10:43):
How to get pretty smart? You make like you're really
interested in that guy's work. Oh but I yeh, you
know I had a little doll. Once I felt plenty,
I would have married him. Man, even I mean every
time I started talking about a case, he shut me up.
Speaker 4 (10:55):
Never mind about your little dolls? What about this guy? Hey,
you're jealous, but what do you know? I'm not jealous.
I don't want to know.
Speaker 5 (11:02):
It's okay, honey, he's okay. Sure. A cute little dog
like you doesn't want to hear a guy spotting off
about another dame. Yeah, maybe I had a few too.
Speaker 4 (11:10):
I just want to hear about the stank killer. Have
you met his wife?
Speaker 5 (11:14):
Maybe no, but he showed me a picture of it.
Speaker 4 (11:17):
Oh then you know what she looks like?
Speaker 5 (11:23):
What's to find?
Speaker 6 (11:25):
Never mind?
Speaker 4 (11:26):
It jokes on me.
Speaker 5 (11:29):
Maybe you better not have him any more to drink.
You're a.
Speaker 4 (11:36):
Here's to you a long life, a long long life?
Speaker 5 (11:40):
Yeah, not at.
Speaker 4 (11:46):
Yeah?
Speaker 5 (11:47):
Full a little watching, you know. He showed me a
snapshot of a bathing shit. Oh boy, was she stacked?
As a matter of fact, about your height and bill
are blonde like you too? Like you?
Speaker 3 (12:01):
Pres I am.
Speaker 5 (12:02):
I couldn't see her face, it's kind of blurred. He's
bringing me a better picture of an omara.
Speaker 4 (12:07):
Oh I think i'd like another dream.
Speaker 5 (12:11):
You know, honey, you better start taking vitamins or something.
Speaker 4 (12:13):
You're paid as a sheet a dream.
Speaker 5 (12:15):
Oh yeah, said Charlie, somehow the same. Uh yeah, poor
little won't you? You know that's one thing I can
never figure out. The killed little dolls with flirtation's eyes
always pick some homeway, quiet game when it comes to
settling down. And the handsome he man who has to
beat off the James with the.
Speaker 3 (12:33):
Club, what does he do?
Speaker 5 (12:35):
He marries a drab little pisheon. And that's why we
get so many axe murders. Only in this case you
use it.
Speaker 10 (12:42):
God, he doesn't have it. I mean most don't cutt'n done. Oh,
this one does, now, I mean, like, will you yeah?
Speaker 5 (12:51):
Sure, yeah, Hey, maybe if you lay off a booze,
honey and take a tonic or something, you'll feel better.
I'll get your hands they're trembling.
Speaker 4 (13:02):
How do you know he has it done?
Speaker 5 (13:04):
Ah? Oh, I get it?
Speaker 3 (13:09):
What you tell me?
Speaker 5 (13:10):
What you gotta Squiamy's stomach?
Speaker 3 (13:13):
All let's talk about guns and shooting.
Speaker 5 (13:14):
No, honey, I'm sorry. I won't say one more word
about it.
Speaker 10 (13:17):
I'm not screaming, and I don't need bidamin. I want
to know how you know this bank till a guy.
Speaker 4 (13:22):
Is a gun?
Speaker 5 (13:23):
Alright, So I'm going to a pawn shopping buy one.
You know, honey, I could really go for you. The
funny thing, we never even introduced that, so that's something
we gotta do. My name's close, limb close, but yours.
Speaker 4 (13:34):
You mean that man got a gun and now he's
home waiting to murder his black and cold black.
Speaker 5 (13:38):
Oh no, no, he won't do anything until he gets
my report. You see, Tomorrow, I check with her friends
to see if she's been going to Bridge Club like
she's supposed to. And I meet my client to lunch
and get a picture of myrching. I take it around
to the downtown bars to find out if she's been
seen with anybody. And then I give my client the
report when he gets off work.
Speaker 4 (13:57):
Yeah, and then and.
Speaker 5 (13:59):
If he suspicions are right, and they usually are, it's
all over.
Speaker 2 (14:03):
But the shooting.
Speaker 5 (14:04):
The shooting, Yeah, bang bang, that's all bang bang. Say
what'd you say your name was?
Speaker 4 (14:11):
I've got to get home.
Speaker 3 (14:25):
Hello, dear, Hello, I was beginning to worry about you.
Speaker 4 (14:28):
Well.
Speaker 10 (14:29):
I really couldn't have been Nate for dinner. I wanted
to leave, but Nate Jell her name, you know, the
girl I used to go to school.
Speaker 4 (14:35):
But she kept talking. He asked you yes, and I
just couldn't walk out in the middle of the sinner.
Speaker 3 (14:39):
That's all right, I didn't mind. The potatoes are already
like you told me.
Speaker 4 (14:44):
No, no, I'll hear a dinner. You just sit down
and read the taste on.
Speaker 3 (14:50):
You all right? So you look a little flushed.
Speaker 4 (14:52):
Oh I'm fine. I was just resting. I thought it'd
be ready in a minute. Did you have a hard day?
Speaker 12 (15:00):
Oh?
Speaker 3 (15:01):
Usual. People are taking out more money these days, and
they're putting them.
Speaker 4 (15:04):
Yeah, try to die off lunch. M I mean, nothing
happened to me.
Speaker 8 (15:12):
Oh a funny thing. Man came us again this morning,
first thing the doors were opened. Wanted to withdraw all
the money from their joint account before his wife beat
him to it. See she was leaving him for another man.
Oh oh, oh yeah, well.
Speaker 3 (15:26):
He was there. She appeared. You should have heard her
carry on.
Speaker 1 (15:30):
Huh.
Speaker 3 (15:31):
She was a real shrew.
Speaker 4 (15:32):
What happened?
Speaker 3 (15:33):
Oh nothing, He didn't say a word. He was a gentleman.
But I'll bet if he'd had a gun he'd have
killed it. Oh well, seeing things like that happen all
the time, newspapers full of it.
Speaker 4 (15:49):
Are you mad at me? Are you mad at me? Am?
Speaker 3 (15:53):
I mad?
Speaker 6 (15:55):
No?
Speaker 5 (15:56):
Should I be?
Speaker 4 (15:57):
I've got something to say.
Speaker 3 (16:00):
Well, fire away.
Speaker 4 (16:01):
I didn't go to big club last week.
Speaker 3 (16:03):
No, I thought you'd die before you gave up break.
Oh really, honey, you look offully CD.
Speaker 4 (16:11):
No, I'm fine. I feel fine. I had sort of
a crawl over in the rain.
Speaker 10 (16:16):
I didn't want to tell you because you're always talking
about how women can't get along with each other.
Speaker 4 (16:21):
Instead of going to big club, I went shopping instead.
Speaker 3 (16:25):
I'm fine. Only I hope you didn't go over the budget.
Speaker 4 (16:29):
Oh no, that's right.
Speaker 3 (16:31):
I always said bridge was a waste of time.
Speaker 4 (16:33):
Then you're not angry about anything?
Speaker 3 (16:36):
Why?
Speaker 8 (16:36):
No?
Speaker 3 (16:37):
Why should I be?
Speaker 4 (16:38):
Oh?
Speaker 3 (16:40):
What's the matter now?
Speaker 4 (16:41):
I don't deserve a twelve husband like you.
Speaker 3 (16:44):
I'm not so huh.
Speaker 4 (16:45):
Oh you always did the dinner.
Speaker 10 (16:47):
Dishes and bring me my bress in bead on Sunday morning,
the only morning you have to sleep.
Speaker 4 (16:53):
I feel terrible. If anything ever happened to her, what's
gonna happen? It was something? It got real mad and exploded. Yeah,
what have you got a gun and shot me dead?
Speaker 3 (17:02):
For heaven takes Margie? Where do you get those crazy ideas?
Speaker 4 (17:06):
You mean, no matter how magicized, no matter what I
did to make you Maggie, wouldn't you dead?
Speaker 3 (17:12):
And Margie, you know I'd rather die than hurt one
hair on your head?
Speaker 4 (17:15):
Oh not fuicide?
Speaker 3 (17:17):
Say how many drinks did you made?
Speaker 4 (17:18):
Bell?
Speaker 3 (17:18):
Have awes?
Speaker 10 (17:20):
I want you to know I'm gonna change. I'm gonna
be a better one now on. I'll stay home all
the time and done.
Speaker 4 (17:27):
Just stop you you just wait, I'll get up every
morning and make you Betterie.
Speaker 3 (17:34):
You know you won't do any of those things. I
will too, Mine said women like you've.
Speaker 4 (17:38):
Never changed, I will too. I'll change bright the way.
Speaker 3 (17:42):
Tomorrow I can want you to.
Speaker 5 (17:45):
I'll come here, baby.
Speaker 3 (17:46):
I want you to stay just exactly.
Speaker 4 (17:48):
The way you are right now, just exactly.
Speaker 8 (17:51):
I love you very much, just the way you are.
So that reminds me I made a point before you.
Tomorrow you're having your picture takes pitch you. I shure
to follow that old snapshot of you today, the one
we took at the beach were so dogged he couldn't
see what you looked like, and I realized we didn't
have a single decent picture of.
Speaker 3 (18:11):
You at all.
Speaker 4 (18:11):
So I haven't taken tomorrow.
Speaker 3 (18:14):
The studio next to the.
Speaker 8 (18:15):
Bank is having a special advertising the new sixty minute service.
That way I can pick up the finished picture before I.
Speaker 3 (18:21):
Go to lunch.
Speaker 4 (18:21):
I don't want my take to take.
Speaker 3 (18:24):
Honey, what the matter?
Speaker 2 (18:25):
Don't you take it at all?
Speaker 12 (18:35):
So they gave me the craps guy that there. Reason
as calm as you please all the time. Figure in
how they can kill us. Why at Macy, I said,
you gotta watch never let you know what that really?
Nothing Wangolode's bank.
Speaker 4 (18:58):
No it must be let say, father wouldn't have I
don't think about it. I'll take a sleeping power and
go to bed. The gun he did buy a gun.
It's all true. Everything word, that's true. Hello, No, I
(19:36):
told him to call me here. No, no, it isn't
all right. Arthur bought a gun home last night. Yes,
a gun. Said he was keeping a full friend. That's
going to say, yeah, I think so just a minute,
I'll look, well the gun's gone. He must have taken
me to word. Oh don't you see as soon as
(19:56):
he's find out for killing him.
Speaker 2 (19:58):
No, no, no, no, no, I never want to hear
you again.
Speaker 4 (20:03):
I don't think.
Speaker 2 (20:06):
Oh never, Oh Lorraine, what was you expect, darling?
Speaker 13 (20:16):
Fancy son, aunt, you're gonna invite me in, but I
just don't know's sheelthy, silly and not friends.
Speaker 4 (20:22):
I'm gonna hurry, Lorraine, I said, oh my, I'm latest beauty.
Speaker 13 (20:24):
Shop now, but I was driving past anywhere, so I
thought I dropped in and give you the latest on
the girl from the Bridge clubs on some other day.
I've honestly, Mandie, this is choice. You know what I
heard about missus Dentler. You know she's the wife of
Ben Dentil. Then you tell her as the bank the
one from to don't mind?
Speaker 4 (20:39):
Oh that's right.
Speaker 13 (20:40):
You haven't better because you haven't been around lately. That's
just kind of a pretty little thing and a plucked
eye brows wat of wey. You should hear what her
husband told my husband, Lorraine. I, of course my father said.
Speaker 4 (20:53):
I wouldn't breathe a word kind of low, Lorraine. What
I brought that I haven't time standing gothic from you
to day? Anyway? You're as nervous as a camel, right,
tepically all right, but periods ten second? What heaven's under
half hour?
Speaker 2 (21:07):
Lay?
Speaker 4 (21:07):
By the bye you gotta run, oh darling, be sure
and we could n set tomorrow.
Speaker 2 (21:12):
They're running a story about our Bridge spinners.
Speaker 4 (21:14):
Okay, by hitches and everything. They didn't have time taking
new picture, but I gave him when he took the
Valentine party.
Speaker 10 (21:20):
The one I was thinking public hit sure my picture
in the paper, but yours was the only slaffering one
in the group.
Speaker 4 (21:28):
The reporter picked you up right away. He seemed quite smitten.
Speaker 13 (21:33):
Oh yes, yes, he asked all about you because I
told him that you didn't come to the meetings.
Speaker 3 (21:39):
Very awesome.
Speaker 4 (21:39):
The Gauzette doesn't use men reporters for society. Well they do.
Speaker 2 (21:43):
Now, dear.
Speaker 4 (21:44):
He didn't sound much like a reporter, though, he kept
calling me how many Oh blind fast talk esca, Yeah.
Speaker 2 (21:51):
You're my picture.
Speaker 4 (21:52):
Well of cool name. Oh well, let's see funny and
I think.
Speaker 10 (21:58):
It was Clutton them Cluson, But Charley, it's a man
of life and death.
Speaker 4 (22:14):
I've got to get all the lamb before now.
Speaker 3 (22:15):
Well, like I said, he ain't for them.
Speaker 4 (22:17):
You surely never told you a way worth.
Speaker 3 (22:18):
No, you've come to us for some private detective box.
Speaker 10 (22:21):
Oh give me some nickles last and nicklause. I got
some telephones to do, like me, detective agency. You have
a man named Cluson working for you menclusion.
Speaker 4 (22:32):
No thanks man, am agency, I want missus clusion them clusion.
Oh yeah, I guess I have the wrong number.
Speaker 10 (22:45):
Has detective another for a man named them cluten No,
I don't want to hire you to find him. Miss
is the last one in the po he's.
Speaker 8 (22:54):
Got okay, sorry, no luck, No, I just remember let
him see the guy who worked for just opened up
and Tom probably in the phone book yet.
Speaker 5 (23:12):
Don't want to get out of here.
Speaker 4 (23:13):
Flank tell us suicide.
Speaker 3 (23:16):
That fight skid just because I won't let how many
a ped on his papers? He yells in the door.
Thanks your so in here every time?
Speaker 4 (23:23):
Wait, wait, you're come on?
Speaker 2 (23:33):
Thanks No boy, thait the lady you do take suicide?
Speaker 3 (23:37):
Write in the second National Bank?
Speaker 1 (23:38):
You want a paper?
Speaker 4 (23:39):
Here here guys.
Speaker 3 (23:41):
Wife steps out with another joke, So the poor does goodbye.
Margin pulls the trigger.
Speaker 4 (23:46):
Yeah, lady, Frank suicide.
Speaker 5 (23:50):
Oh well it doesn't match you.
Speaker 4 (23:51):
Get away from lem Cluton.
Speaker 5 (23:53):
You were looking for me here. I am if I
got a lot to tell you, send me alone.
Speaker 2 (23:56):
I want to read all that right up?
Speaker 5 (23:58):
No good here give it here, I've got better. I
come on into Charlie's and I'll give you the int
give my paper murder it.
Speaker 3 (24:06):
Hey, wait a minute, Oh, I get it. You figure
he bumped himself.
Speaker 5 (24:10):
Off on account of my report. That's a screwy part.
He didn't even wait for the report. I got it
right here in my pocket.
Speaker 4 (24:15):
Take your hand off my own, honey.
Speaker 5 (24:17):
Now, come on, you're coming into Charlenge.
Speaker 4 (24:18):
If I have to drag, leave me alone.
Speaker 3 (24:21):
I figured she'd be so my spot and off the way.
Speaker 5 (24:23):
I didn't Charlenge yesterday. But how did I know who
you were? A hey, Charlie, subourbon highs double.
Speaker 4 (24:30):
I don't want to tell you.
Speaker 5 (24:31):
I should have seen my face this morning when I
screwy friend of yours gave me the picture of your bridge,
and there you were.
Speaker 3 (24:37):
It's real, his life, and just.
Speaker 5 (24:38):
As cute, I says to myself, why you dumb ox.
Speaker 3 (24:41):
You got that little doll worried sick?
Speaker 5 (24:43):
And then when I read in the paper about my
client giving your husband the gun to keep Etherial use
it on himself, I think, holy cow, what did she say?
And then I think, I bet she figures I planned
the whole thing just to scare it. What do you mean, Oh,
I don't try to kid me, min? Do you know
you figured that client of mine was your hus that
he was gonna bump you off.
Speaker 4 (25:02):
You mean he wasn't.
Speaker 5 (25:03):
No, No, your name's Banning, isn't that. My client's name
was Dentler, Benjamin Dentler. Funny thing is white being named
Margie too? Yeah? I never thought he'd do it anyway.
Speaker 4 (25:13):
Oh, I think I'd like that drink, after all.
Speaker 5 (25:16):
It's that honey.
Speaker 4 (25:18):
So that's the gossip Loring was trying to tell Mentaler
the tell Us in Chicago.
Speaker 5 (25:23):
Now, I've been thinking a lot about you and Arthur
really even begun for a thing. I'll tell you what, honey.
I know a quiet little spot across the town. He
danced anything we want.
Speaker 4 (25:32):
Might have told me about Dentlist.
Speaker 5 (25:34):
It's a kid, a little place. Baby, they got a
knockout band of What.
Speaker 4 (25:37):
Are you talking to me about it?
Speaker 5 (25:39):
Wow?
Speaker 3 (25:39):
What do you say?
Speaker 4 (25:40):
Okay?
Speaker 5 (25:41):
So what what you and me? Honey? I?
Speaker 4 (25:46):
Ah, you're asking me to step back with you? Well?
Speaker 1 (25:51):
Why not?
Speaker 4 (25:52):
How about my husband?
Speaker 3 (25:54):
Oh?
Speaker 5 (25:54):
That mousy little guy.
Speaker 3 (25:55):
We got nothing to worry about them here?
Speaker 4 (25:57):
But I thought you always said the word five man.
Speaker 10 (26:01):
You never know what they're bene But no bus, If
you'll pardon me, missus lamaclusion, I'm going home and started supper.
Speaker 7 (26:09):
Yeah, thank you and Southern for a splendid performance. Miss
(26:31):
Southern will be back in just a moment.
Speaker 6 (26:34):
Daur I apologize that show is better than a six
No trump ast Why Mary, first thing? You know you'll
be in edge class cracking about all the light resistance
spots plugs like Donald's. Be on me a great, big hand, Mary,
and watch me get back that two hundred we went down.
Speaker 4 (26:50):
You know I looked at me, you said, of those sparkslows.
Speaker 6 (26:53):
Why not ask ed tomorrow to put a seat of
those auto light resist sparks plugs in your car?
Speaker 4 (26:58):
Oh well then, may will you tell ed I'll be
over tomorrow.
Speaker 10 (27:02):
Certainly, Well, mile Card's gonna get auto light resistance spark
plug too.
Speaker 1 (27:07):
Yes, switching to autolite is safe thing, sound, sober judgment,
and a sure way to spark plug satisfaction. That's why
everybody's switching to autolite. Autolite means resistors, spark plug, ignition engineer,
spark plug. Auto LIGHTE means batteries, day poll batteries. Auto
LIGHTE means ignition systems, the lifeline of your.
Speaker 3 (27:30):
Car and now here again is miss Anne Southern.
Speaker 10 (27:42):
I've enjoyed disappearance an sistems very much and as a
regular suspense listener, I'm looking forward next week when Marsa
Scott stars in Crisis, a powerful study.
Speaker 1 (27:53):
In a suspend, and Southern appears by courtesy of Metro
Golden Mayer Studios, producers of Julia Misbehaves starring Walter Pigeon
and Rear Guns. Tonight's The Sense Play was written by
(28:16):
Toby Hall, with music composed by Lucian Marlack and conducted
by Blood Bluster. The entire production was under the direction
of Antonine Leader. Next Thursday, same time, you will hear
Martha Stock in miss.
Speaker 4 (28:36):
This is the Ontolite Essential calling the people of the USA.
Speaker 1 (28:40):
It's your thank you. This is care Incorporated. It's been
nine years now, nine years since Europe's people have been
able to live decently, by clothes to wear, get enough
to eat. That's a long time. It's far too long.
Our government is doing something about it. Its long range
program will help the store economic prospects, but there won't
(29:01):
be any immediate direct help for the people who are
hungry today. They can look only to us. For you
and me, we can send help through Care. The forty
thousand calories of food good food, and a CARE package
goes a long way. Because Care is nonprofit, government approved,
it will deliver your package in Europe for just ten dollars.
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Ten dollars sent to Care will supplement rations of a
family of four Europeans for a month. Won't you help?
Remember the name and address Care c R New York.
Speaker 12 (29:33):
Good Night, Switch to autolife.
Speaker 1 (29:36):
This is CBS, the Columbia Broadcasting Systems
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