August 19, 2025 • 29 mins
Suspense was one of the most popular and successful radio series during it's run of over 900 episodes, spanning 1940-1962. Guest stars included Orson Welles, Frank Sinatra, Lucille Ball, Agnes Moorehead, Marlene Dietrich and Humphrey Bogart. The plots were mostly engaging crime dramas, science fiction and some horror - usually with a surprise ending.
Hope you enjoy this episode of Suspense! Find all our OTR radio stations and podcasts at theaterofthemind-otr.com - Audio Credit: The Old Time Radio Researchers Group. - All Podcasts @ Spreaker | Apple | YouTube | Spotify | Amazon | iHeart
Hope you enjoy this episode of Suspense! Find all our OTR radio stations and podcasts at theaterofthemind-otr.com - Audio Credit: The Old Time Radio Researchers Group. - All Podcasts @ Spreaker | Apple | YouTube | Spotify | Amazon | iHeart
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:06):
Auto Light and it's ninety eight thousand dealers. Bring you
Miss Dinah Shore. In tonight's presentation of Suspence.
Speaker 2 (00:19):
To light, auto Light presents the recreation in song and
story of an American legend. You were about to hear
what happened to Frankie and Johnny our star, Miss Dinah Shore?
Speaker 3 (00:36):
Kay Horn.
Speaker 4 (00:37):
Were those circus acrobats wonderful?
Speaker 1 (00:40):
Yes, sir, hap you know they remind me of the
autolight electrical system in every auto light equipped car working
together just like the coil distributor, generators, starting motor battery,
spark plugs and all the other important parts of the
complete auto light electrical system.
Speaker 3 (00:55):
Where there's a big difference, you bet there is.
Speaker 1 (00:58):
Half Those actors bats perform for only a few minutes
at a time, but the electrical system and your auto
light equipped car goes to work this second you turn
the switch to start your car, and it keeps right
on working every second your car is used. That's why
with auto light you can be sure every unit and
every component part of the electrical system is related by
auto light engineering design and manufacturing skill to give you
(01:22):
the smoothest performance money can buy.
Speaker 3 (01:26):
The used to keep the auto light teamed together. He Harnald,
it sure does have so. Friends.
Speaker 1 (01:31):
If your auto light equipped car needs replacement parts, be
sure to insist on auto light original factory parts. And remember,
from bumper to tail light, you're always right with Autolite.
And now with Frankie and Johnny and.
Speaker 2 (01:46):
The performance of Miss Dianah Shore auto LIGHTE hopes once
again to keep you in Seul spends.
Speaker 5 (02:20):
Crying out your long black copper man, bring out your
funeral clothes.
Speaker 6 (02:34):
Johnny's gone and cast his check to the gravy yard.
Speaker 4 (02:43):
My Johnny goes. He was my man. He was my man.
He was mind and Maddy.
Speaker 7 (03:09):
Johnny, Johnny, Honey, put away that clarinet and talk to me, Johnny, what.
Speaker 4 (03:19):
You love me? Honey?
Speaker 8 (03:20):
Sure?
Speaker 4 (03:21):
Sure, Johnny, Johnny.
Speaker 9 (03:30):
Why do you want?
Speaker 10 (03:31):
Now?
Speaker 4 (03:32):
Talk to me? Baby? That's all I want?
Speaker 8 (03:35):
Mm hmm, alrightk at me. That's what you wanted It.
Speaker 4 (03:42):
Here, my man, Johnny, That's right, I'm your man. Except
sometimes what are you talking about? Except sometimes? Johnny? When
you go away? Where do you go? When you go away?
Speaker 9 (03:52):
A baby?
Speaker 4 (03:53):
Where do you go?
Speaker 3 (03:54):
Johnny googo? It was on Basin Street.
Speaker 4 (03:56):
You know that they don't serve nothing there I can't
make you, Johnny.
Speaker 9 (04:00):
What says the back room? Backroom and a place to
play my music? Place to sit and play. Nobody bothers
me and a couple others. You know that, baby, Don't
you worry?
Speaker 4 (04:10):
You can play your music someplace else and get money
for it. I worry about it.
Speaker 3 (04:13):
Away from here, Frankie, take yourself a walk town of.
Speaker 4 (04:17):
New Orleans, so many places to play your music, and
you sit in a back room. You go away from me.
Speaker 9 (04:21):
I told you something, baby, you don't like it. You
can take that long walk to Georgia where you come from.
Speaker 8 (04:28):
You leave him.
Speaker 4 (04:30):
No.
Speaker 9 (04:33):
A couple of girls I used to know and never
bothered me about not going down to cuckaroos.
Speaker 4 (04:37):
I won't bother you. Johnny.
Speaker 9 (04:41):
Got any money, Frankie, I got some. I saw me
a suit walking down Basin Street. I saw me a
suit in the store window. I need me that suit.
Speaker 8 (04:51):
Honey. You say, A look good in it?
Speaker 4 (04:53):
What's it cost? Johnny?
Speaker 3 (04:55):
I mean a cheap suit.
Speaker 4 (04:57):
I didn't say that, Johnny.
Speaker 3 (04:58):
I just asked him, un dollars.
Speaker 9 (05:01):
You got a hundred dollars, baby.
Speaker 4 (05:02):
I got it.
Speaker 8 (05:04):
Well, that's good, that's funny.
Speaker 4 (05:16):
We walked real slow along Basin.
Speaker 11 (05:20):
The girls all called him bunny. But I want real
close to my Johnny because I know that man stealing games.
Speaker 9 (05:39):
It's one day and Frankie, while I put it on.
Speaker 11 (05:42):
Johnny and me, we went walking and Johnny hasn't bad Lucy.
Speaker 12 (05:51):
Happy.
Speaker 7 (05:52):
You know, had all of that money just to me.
Speaker 4 (05:58):
Momy, looky, he was my man.
Speaker 8 (06:02):
Show me up, Frankie.
Speaker 11 (06:04):
Sure, honey, we'll walk down here to Esplanade and down
Esplanade where the light's are and everybody can see your fine.
Speaker 9 (06:10):
Lights are right in there, baby, I won't have to
walk so much. I kind of like it where the
lights are inside anyhow.
Speaker 4 (06:15):
Anyway, you walk, Johnny.
Speaker 13 (06:16):
Sure, Hi, Johnny, Ali, Hi, Nellie. That new suit huh yeah,
Frankie bought it for me.
Speaker 14 (06:33):
Bit you good, Johnny, you look real nice.
Speaker 9 (06:39):
I need me a bed, Frankie, get you one.
Speaker 4 (06:42):
Oh I am thirsty, honey, I'm thirsty.
Speaker 8 (06:45):
I'm real thirsty.
Speaker 4 (06:46):
All I got nine dollars.
Speaker 9 (06:48):
Yeah, I hate that they see. Just give me one
of 'em. All right here, alright, come on, I'll sit
you down there at the piano. You wait here, Frankie,
I'll bring me back my beer and sit with you.
Speaker 15 (07:10):
Ah, I am Fancky want me to play a song?
Speaker 4 (07:14):
Just do what you're doing, Tiso.
Speaker 15 (07:15):
I like it, dreamy like him?
Speaker 4 (07:18):
Yeah, I feel dreaming.
Speaker 15 (07:26):
Hey, how are you and Johnny getting along? Frankie?
Speaker 4 (07:29):
Like that music you're playing.
Speaker 15 (07:31):
I'm glad.
Speaker 16 (07:33):
I'm mighty glad if I get homesick, Frankie.
Speaker 4 (07:39):
Oh first I did. I never think about him no more.
Speaker 15 (07:43):
George is a real nice place a girl can do,
real nice.
Speaker 4 (07:47):
Say, I'm doing nice.
Speaker 11 (07:49):
I got Johnny? Yeah, sure, I got Johnny. He comes
back to the table from the bar.
Speaker 16 (07:55):
You ask him, I'll do that when he comes back.
He ain't at the bar, Frankie.
Speaker 4 (08:05):
Button, Yeah, what you want?
Speaker 10 (08:07):
Man?
Speaker 4 (08:07):
Where's Johnny?
Speaker 3 (08:08):
Your name Frankie, ma'am?
Speaker 4 (08:10):
Yeah? Where's Johnny?
Speaker 15 (08:12):
He told me to tell you something.
Speaker 3 (08:13):
He said he had to leave.
Speaker 15 (08:15):
He said, don't wait up for it. He said not
to worry.
Speaker 4 (08:18):
Where'd he go?
Speaker 3 (08:19):
I don't know. I just don't know.
Speaker 4 (08:29):
I ran to the street in a hurry.
Speaker 17 (08:32):
My Johnny was nowhere around Aga leaned in a doory,
made a soft laughing sound.
Speaker 4 (08:38):
You're looking for your man.
Speaker 14 (08:42):
Your Johnny's gone.
Speaker 18 (08:46):
Up and down on the paper. Knock gone, lock, Keep
on asking him for my loving Johnny in the weapon
car door.
Speaker 11 (09:06):
Guys tried to sell me some nighttime, tried to kiss
away tears and sit. Come along, pretty, Frankie, I love you.
Speaker 4 (09:13):
For years and years. Forget your man, forget your man.
But I just walked toward North Ramp and search the.
Speaker 11 (09:21):
Dark night in between, keeps looking for loving Johnny. Ride
down to old.
Speaker 4 (09:30):
Darky water, My man.
Speaker 19 (09:41):
Evening, Frankie.
Speaker 4 (09:42):
Oh, hello, miss Willie.
Speaker 20 (09:44):
Pretty evening, I did, haven't noticed. It's a real pretty evening, Frankie.
Speaker 4 (09:49):
You out strolled all alone. I guess I am.
Speaker 19 (09:52):
Come on inside. We'll have us a chat.
Speaker 4 (09:55):
No, I'm gonna walk some more.
Speaker 19 (09:57):
We'll have us some beer.
Speaker 4 (09:58):
No thanks, miss Willie.
Speaker 19 (10:00):
We'll have us some whiskey.
Speaker 4 (10:01):
Frankie, I gotta walk some more.
Speaker 19 (10:04):
Who you looking for?
Speaker 4 (10:05):
It don't matter.
Speaker 19 (10:08):
I got something to tell you.
Speaker 10 (10:09):
Frank Here.
Speaker 19 (10:12):
What I sit here all day long, all night long.
I never sleep. I see all sorts of things, people,
things going on.
Speaker 4 (10:25):
You see Johnny come by here, miss Willie.
Speaker 19 (10:28):
He waiting for you.
Speaker 4 (10:30):
Have you seen him?
Speaker 18 (10:31):
Oh?
Speaker 19 (10:32):
He's sure a good looking boy, black hair plastered down
like that mine. My, the way he walks here.
Speaker 4 (10:38):
You notice the way. He walks. Huh, people step back
and let him come past the way.
Speaker 19 (10:42):
He walks, My, Johnny, what's your interested in, Frankie?
Speaker 4 (10:47):
He's my man? Uh huh? You see him come by
here lately?
Speaker 19 (10:53):
I've seen a gal come by here lately.
Speaker 4 (10:55):
Well, I I gotta go look for Johnny.
Speaker 19 (10:57):
Ooh, this gal wasn't alone in the night for a
gal to be alone? Real pretty gown?
Speaker 4 (11:05):
Who was she with? Miss Willie had gold.
Speaker 19 (11:08):
Hair and red lips, and her name was Nellie.
Speaker 11 (11:10):
Bly Nellie Bla. He said hello to a gal named
Nellie in a place we were in.
Speaker 19 (11:17):
He was with a Frankie.
Speaker 4 (11:20):
Where'd they go?
Speaker 11 (11:21):
Oh?
Speaker 19 (11:21):
To show off his new suit?
Speaker 4 (11:22):
I guess where did they go?
Speaker 19 (11:24):
Up the street? Down that way, Frankie.
Speaker 4 (11:26):
Down to Jelly Cakes Place.
Speaker 20 (11:28):
I leaned out the window, and I think I saw
them go into jelly Cakes. I ain't sure now, but
I think they did. Where are you going, Frankie? Jelly Cakes?
Speaker 4 (11:37):
The other way?
Speaker 7 (11:38):
I'm gonna find me a pawn shop. Why Frankie gotta
buy me something? What gotta buy me a gun?
Speaker 19 (11:48):
What they gonna do with a gun, Frankie.
Speaker 4 (11:51):
I'm gonna kill Johnny. I'm gonna kill him cause he's
doing me wrong.
Speaker 2 (11:57):
Oh auto light is bringing you Miss Diana Shore in
Frankie and Johnny Tonight's production in Radio's outstanding Theater of Thrills,
(12:20):
South Spence, Hey Harnold.
Speaker 3 (12:32):
Takes you a lot of experience to being acrobat, and
a lot of skill too have.
Speaker 1 (12:36):
That's why autolid electrical systems are such successful performers. They've
long been used as original equipment on many leading makes
of our finest cars, trucks and tractors. And every unit
and component part is related by auto light engineering design
and manufacturing skill to give the finest performance money can buy.
And acrobats need to rest hard ah, but not the
(12:58):
auto light electrical system. It goes to work the second
you turn the switch to start your car and run
your engine, use your light's horn, radio heater, or electric
windshield wiper, and.
Speaker 3 (13:07):
An acrobat has to be in perfect.
Speaker 1 (13:09):
Shape, same with the electrical system. Happ So, friends, treat
your car to a periodic checkup at your car dealer's
or authorized auto light service station. Make sure the electrical
system is always in top shape for top performance. You
can quickly locate your nearest authorized auto light service station
in the classified section of your telephone book, or by
(13:31):
calling Western Union by number and asking for operator twenty five.
And remember, from bumper to tail light, you're always right
with auto light.
Speaker 2 (13:41):
Now Autolite brings back to while Hollywood sound stage, Miss
Dinah Shore in Elliott Lewis's production of Frankie and Johnny
A True Story well calculated to keep you in suspends.
Speaker 12 (14:31):
I like that.
Speaker 15 (14:33):
I got no one here for you, but first, oh boys, and.
Speaker 21 (14:37):
They're gonna take five.
Speaker 8 (14:38):
Be with you soon.
Speaker 3 (14:43):
Jelly Cake, Hi, are you, miss Franky?
Speaker 4 (14:45):
Can I talk to you a minute? Jelly Cake? Please
you be big? Please sit down?
Speaker 8 (14:52):
Can I get you something to drink?
Speaker 4 (14:54):
Has Johnny been in here?
Speaker 8 (14:56):
You've been here with a girl? He was calling a
Never what did they do here?
Speaker 21 (15:02):
They were sitting over there and they got up and
danced for awhile a couple of times when we played
him soft, but mostly they just sat He kiss her.
Speaker 8 (15:11):
Mm. You hadn't ask any things like that, Miss Frankie.
Speaker 4 (15:13):
I want to know what he did.
Speaker 8 (15:15):
Uh.
Speaker 21 (15:15):
He had a little fight while he was then here.
Wasn't much of a fight. Just hit a man, that's all.
Speaker 4 (15:21):
Johnny never hit a man on account of knee.
Speaker 8 (15:23):
Or it wasn't that, Miss Frankie.
Speaker 10 (15:24):
Uh.
Speaker 21 (15:24):
Some man walked up and spilled a little gin on
Johnny's new suit. It was a accident. Man didn't mean nothing,
but Johnny hit him. Said the man had drill in
his suit. Johnny might have killed that man except for
the lady, the one he called Nellie.
Speaker 3 (15:38):
She fixed it, fixed it how took.
Speaker 21 (15:41):
Johnny out of here for a little while. Then they
come back. Johnny was smiling. Johnny was smiling and leaning
close to the one he called Nellie, telling her things.
Then she'd be smiling too, laying her head up against
Johnny his new yellow suit.
Speaker 4 (15:56):
Yellow suit. I didn't buy him a yellow suit.
Speaker 8 (15:58):
That's the kind of suit he's wearing when they come
back on there, Miss.
Speaker 21 (16:01):
Frankly, soft kind of yellow, not the kind of screams
at you whispery kind of yellow.
Speaker 4 (16:07):
The one I bought him cost a hundred dollars.
Speaker 8 (16:10):
Or you couldn't buy that yellow suit for the hundred dollars.
Speaker 21 (16:12):
This was five pearl buttons on the coat mm and
the vest was silk, and there was a big gold
chain across the front. Ah that Johnny lighted up the
place I saw pretty light I'd have brought him a
suit like that if he'd a asked me to, I'd
of bought him anything he wanted.
Speaker 8 (16:31):
Never ask you for no diamonds, did it?
Speaker 3 (16:33):
Diamonds like the one he's went on.
Speaker 21 (16:35):
His little finger, Miss Frankiet That was the biggest diamond,
and the whole world the brightest one too. Now, Johnny
ain't never gonna need a light to find his way around,
not put that diamond on his little finger.
Speaker 4 (16:47):
I guess Nelly bought him that too, And the.
Speaker 8 (16:49):
Pattern of his shoes and the cane, and I guess
she likes him real well. Guess Danny got hisself a woman.
Speaker 4 (16:57):
Where'd they go? Jelly Cake?
Speaker 8 (16:59):
Out of hear? Some time ago?
Speaker 3 (17:01):
Must have been an hour where?
Speaker 21 (17:03):
Well, he give me a dollar to play me a tune,
Call me a tune, said, play it before I take
my love and Nelly home.
Speaker 4 (17:10):
You know where she lives?
Speaker 3 (17:12):
Uh?
Speaker 21 (17:12):
Where urstline crosses Chatters it's Frankie third hours down left side.
Speaker 4 (17:17):
Thanks, Jelly Kate, what you're gonna do? You know what
I'm gonna do.
Speaker 8 (17:22):
You're gonna kill him? Yeah, good night, Miss Franky.
Speaker 12 (17:45):
Chap Oh, that man took all of my money.
Speaker 17 (18:10):
That man took all of my love. He left me
so sad and so lonely. My heart's a broken, winged up.
He is my man, but he's doing me wrong. Got
a big rock on his finger and a yellow suit
on his back, making love to that nelly blind so driver,
(18:33):
roll that tack.
Speaker 4 (18:34):
Gonna kill that man. What'd you say, lady, Gonna kill
that man? Turn here? The three hourses down and stop.
Speaker 22 (18:48):
I guess you wanna go someplace after you leave here, lady?
You want me to wait?
Speaker 4 (18:52):
You can wait?
Speaker 10 (19:11):
Oh what'd you want?
Speaker 4 (19:12):
Where's Johnny? I know what you're talking about, lady, Nellie
Bly live here. She's gone, lady, she ain't never coming back.
A man with her wearing a yellow suit and a
gold chain and a diamond ring. Name was Johnny.
Speaker 21 (19:22):
Uh was a gent, real gent.
Speaker 3 (19:25):
He's gone too. He's gone with Nellie Bly.
Speaker 4 (19:28):
They talk about where they we're going. They talked about
Memphis and Saint Louis By riding the river boat.
Speaker 3 (19:34):
Come on, and that Johnny is a real sport.
Speaker 4 (19:37):
Lady.
Speaker 3 (19:38):
Five dollar bill right here where my hand is.
Speaker 4 (19:41):
Only got two dollars right here where my hand is.
Thank you, Conny? What do you buy for five dollars, mister, what.
Speaker 3 (19:52):
I'm gonna sell you?
Speaker 4 (19:53):
F two?
Speaker 3 (19:54):
Johnny sent me to his place to pick up something.
Speaker 4 (19:57):
You're lying. Johnny ain't got nothing except what's on his back.
Speaker 15 (20:00):
Got a clarinet, that's what it told me to get.
Speaker 3 (20:03):
That's all what you want, Jennifer.
Speaker 4 (20:07):
I got something to give him too.
Speaker 10 (20:09):
What's that I've done?
Speaker 4 (20:17):
You find him, lady, I know where he is. I
know for sure where he is.
Speaker 3 (20:20):
Is that where we going to? Cuckloos on Base the street?
That's right, well, I know where that is.
Speaker 23 (20:26):
Won't take long, Cabby, Gail, Lady, I got no more money.
Speaker 4 (20:37):
Oh, I can't pay you for this ride.
Speaker 3 (20:39):
Cabby, you weren't kidding. Wear you about what you said before?
About what about killing a man?
Speaker 4 (20:46):
I wasn't kidding. I'm gonna kill him.
Speaker 22 (20:50):
This ride won't cost you nothing. I wish I had
me a gal like you, love me so much she'd
kill I wouldn't do a.
Speaker 3 (20:58):
Gal like that.
Speaker 22 (20:59):
No wrong, m.
Speaker 14 (21:30):
Where you going, Frankie?
Speaker 4 (21:31):
Get out of my way, Nellie.
Speaker 14 (21:32):
Blind can't go in that back room. Johnny won't he
let me go in there, So I ain't gonna let you.
Speaker 4 (21:37):
I got no argument with you, so get out of
my way.
Speaker 14 (21:39):
You got an argument, my sweet man, You got an
argument with me.
Speaker 11 (21:42):
You wanna go to Memphis, Nellie, I'm going. You wanna
go to Saint Louis.
Speaker 14 (21:47):
I'm going there too.
Speaker 7 (21:48):
Maybe you're going, and I ain't gonna stop you. But
you're gonna find another sweet man to go if not.
Speaker 4 (21:54):
Johnny, Honey, he don't love you no more.
Speaker 14 (21:58):
He's tired of you. You told me, tell me lots
of things. Tell me about my gold hair and the
red lips.
Speaker 3 (22:06):
Tell me.
Speaker 4 (22:09):
You ain't going with Johnny?
Speaker 7 (22:12):
No no, I I guess I ain't get out of here, Nelly.
Speaker 14 (22:18):
Where you hold that gunn at?
Speaker 7 (22:21):
Guess I'd better get on that river boat and never
come back.
Speaker 14 (22:24):
I ain't never coming back, cracking.
Speaker 16 (22:26):
I'm ashamed to kill him, Frankie. He ain't much of
(22:51):
a guy, but Johnny plays a lot of clarinet.
Speaker 4 (22:54):
Get out to so.
Speaker 3 (23:06):
Jordon to kill him, Frankly.
Speaker 7 (23:07):
When you leave here, mister, close the door, Johnny. Goodbye, Johnny.
Speaker 10 (23:32):
Johnny, Roll him over, easy boy, roll him over slow.
Speaker 15 (23:53):
Oh, how do you feel, Johnny?
Speaker 3 (23:58):
H m hm hurt?
Speaker 4 (24:03):
All right?
Speaker 15 (24:08):
I guess you don't hurt no more?
Speaker 8 (24:09):
John What happened? To him.
Speaker 15 (24:16):
He got shot. He died.
Speaker 3 (24:20):
You doing, Frankie.
Speaker 2 (24:24):
I gotta take you to the jail house.
Speaker 8 (24:25):
Frankie, we better go.
Speaker 1 (24:48):
I brought your chair to stand on, Frankie, in case
you want to look out the jail window.
Speaker 3 (24:54):
You want to look?
Speaker 15 (24:56):
You want to look, Frankie, what do you see?
Speaker 4 (25:19):
I feel long black coffin his people in funeral clothes.
Speaker 7 (25:28):
M Johnny's gone and cast his chicks to the graveyard.
Speaker 4 (25:43):
My Johnny gootes.
Speaker 10 (25:48):
They go that rubber tied carriage.
Speaker 4 (25:56):
There goes that rubber tide haack.
Speaker 6 (26:04):
Twelve man gone to the gravy, and eleven come back.
Speaker 4 (26:18):
Johnny was man made, but he done me.
Speaker 2 (26:43):
Suspense a true story presented by auto Light to night Star,
Miss Dinah Shore.
Speaker 1 (26:52):
This is Harlow Wilcox speaking for auto Light, World's largest
independent manufacturer of automotive electrical Equipmenttoite is proud to serve
the greatest names in the industry. They are members of
the Autolite family, as are the ninety eight thousand Autolite
distributors and dealers in the United States and thousands more
in Canada and throughout the world. Our family also includes
(27:15):
the nearly thirty thousand men and women in twenty eight
great autolite plants from coast to coast, and in still
other autolite plants in many foreign countries, as well as
the eighteen thousand people who have invested a portion of
their savings in autolite. Every autolite product is backed by
constant research and precision, built to the highest standards of
(27:36):
quality and performance.
Speaker 8 (27:38):
So remember, from.
Speaker 1 (27:39):
Bumper to tail light, you're always right with Autolite.
Speaker 3 (27:49):
Next week, a man leaves his home, drives.
Speaker 2 (27:52):
To work, talks to his friends, excuses himself for a moment,
and is never seen again. The story is called The
Miss Person The Star Mister McDonald Carrey. The program will
be presented next week on South Spence.
Speaker 3 (28:11):
Suspense is produced.
Speaker 2 (28:12):
And directed by Elliott Lewis, with music composed by Lucian
Morrowick and conducted by lud Gluskin. Tonight's Frankie and Johnny
was written for Suspense by Morton Fine and David Friedkin.
In tonight's story, Lamont Johnson was heard as Johnny. Featured
in the cast were Alvina Temple, Martha Wentworth, Sidney Miller,
(28:33):
Joseph Kerns, Roy Glenn, Harry Bartel, and Jack Rushan.
Speaker 1 (28:38):
Dinah Shore may be seen each Tuesday and Thursday in
her own television show on another network.
Speaker 2 (28:45):
And remember next week on Suspense, mister McDonald Carrey in
the Missing.
Speaker 24 (28:51):
Person with the location of your nearest authorized or service station,
or your nearest auto light battery or auto light sparklot dealer.
Phone Western Union by number and ask for Operator twenty five.
Switch to Autolite.
Speaker 18 (29:09):
Goodnight.
Speaker 3 (29:13):
This is the CBS Radio Network.
Auto Light and it's ninety eight thousand dealers. Bring you
Miss Dinah Shore. In tonight's presentation of Suspence.
Speaker 2 (00:19):
To light, auto Light presents the recreation in song and
story of an American legend. You were about to hear
what happened to Frankie and Johnny our star, Miss Dinah Shore?
Speaker 3 (00:36):
Kay Horn.
Speaker 4 (00:37):
Were those circus acrobats wonderful?
Speaker 1 (00:40):
Yes, sir, hap you know they remind me of the
autolight electrical system in every auto light equipped car working
together just like the coil distributor, generators, starting motor battery,
spark plugs and all the other important parts of the
complete auto light electrical system.
Speaker 3 (00:55):
Where there's a big difference, you bet there is.
Speaker 1 (00:58):
Half Those actors bats perform for only a few minutes
at a time, but the electrical system and your auto
light equipped car goes to work this second you turn
the switch to start your car, and it keeps right
on working every second your car is used. That's why
with auto light you can be sure every unit and
every component part of the electrical system is related by
auto light engineering design and manufacturing skill to give you
(01:22):
the smoothest performance money can buy.
Speaker 3 (01:26):
The used to keep the auto light teamed together. He Harnald,
it sure does have so. Friends.
Speaker 1 (01:31):
If your auto light equipped car needs replacement parts, be
sure to insist on auto light original factory parts. And remember,
from bumper to tail light, you're always right with Autolite.
And now with Frankie and Johnny and.
Speaker 2 (01:46):
The performance of Miss Dianah Shore auto LIGHTE hopes once
again to keep you in Seul spends.
Speaker 5 (02:20):
Crying out your long black copper man, bring out your
funeral clothes.
Speaker 6 (02:34):
Johnny's gone and cast his check to the gravy yard.
Speaker 4 (02:43):
My Johnny goes. He was my man. He was my man.
He was mind and Maddy.
Speaker 7 (03:09):
Johnny, Johnny, Honey, put away that clarinet and talk to me, Johnny, what.
Speaker 4 (03:19):
You love me? Honey?
Speaker 8 (03:20):
Sure?
Speaker 4 (03:21):
Sure, Johnny, Johnny.
Speaker 9 (03:30):
Why do you want?
Speaker 10 (03:31):
Now?
Speaker 4 (03:32):
Talk to me? Baby? That's all I want?
Speaker 8 (03:35):
Mm hmm, alrightk at me. That's what you wanted It.
Speaker 4 (03:42):
Here, my man, Johnny, That's right, I'm your man. Except
sometimes what are you talking about? Except sometimes? Johnny? When
you go away? Where do you go? When you go away?
Speaker 9 (03:52):
A baby?
Speaker 4 (03:53):
Where do you go?
Speaker 3 (03:54):
Johnny googo? It was on Basin Street.
Speaker 4 (03:56):
You know that they don't serve nothing there I can't
make you, Johnny.
Speaker 9 (04:00):
What says the back room? Backroom and a place to
play my music? Place to sit and play. Nobody bothers
me and a couple others. You know that, baby, Don't
you worry?
Speaker 4 (04:10):
You can play your music someplace else and get money
for it. I worry about it.
Speaker 3 (04:13):
Away from here, Frankie, take yourself a walk town of.
Speaker 4 (04:17):
New Orleans, so many places to play your music, and
you sit in a back room. You go away from me.
Speaker 9 (04:21):
I told you something, baby, you don't like it. You
can take that long walk to Georgia where you come from.
Speaker 8 (04:28):
You leave him.
Speaker 4 (04:30):
No.
Speaker 9 (04:33):
A couple of girls I used to know and never
bothered me about not going down to cuckaroos.
Speaker 4 (04:37):
I won't bother you. Johnny.
Speaker 9 (04:41):
Got any money, Frankie, I got some. I saw me
a suit walking down Basin Street. I saw me a
suit in the store window. I need me that suit.
Speaker 8 (04:51):
Honey. You say, A look good in it?
Speaker 4 (04:53):
What's it cost? Johnny?
Speaker 3 (04:55):
I mean a cheap suit.
Speaker 4 (04:57):
I didn't say that, Johnny.
Speaker 3 (04:58):
I just asked him, un dollars.
Speaker 9 (05:01):
You got a hundred dollars, baby.
Speaker 4 (05:02):
I got it.
Speaker 8 (05:04):
Well, that's good, that's funny.
Speaker 4 (05:16):
We walked real slow along Basin.
Speaker 11 (05:20):
The girls all called him bunny. But I want real
close to my Johnny because I know that man stealing games.
Speaker 9 (05:39):
It's one day and Frankie, while I put it on.
Speaker 11 (05:42):
Johnny and me, we went walking and Johnny hasn't bad Lucy.
Speaker 12 (05:51):
Happy.
Speaker 7 (05:52):
You know, had all of that money just to me.
Speaker 4 (05:58):
Momy, looky, he was my man.
Speaker 8 (06:02):
Show me up, Frankie.
Speaker 11 (06:04):
Sure, honey, we'll walk down here to Esplanade and down
Esplanade where the light's are and everybody can see your fine.
Speaker 9 (06:10):
Lights are right in there, baby, I won't have to
walk so much. I kind of like it where the
lights are inside anyhow.
Speaker 4 (06:15):
Anyway, you walk, Johnny.
Speaker 13 (06:16):
Sure, Hi, Johnny, Ali, Hi, Nellie. That new suit huh yeah,
Frankie bought it for me.
Speaker 14 (06:33):
Bit you good, Johnny, you look real nice.
Speaker 9 (06:39):
I need me a bed, Frankie, get you one.
Speaker 4 (06:42):
Oh I am thirsty, honey, I'm thirsty.
Speaker 8 (06:45):
I'm real thirsty.
Speaker 4 (06:46):
All I got nine dollars.
Speaker 9 (06:48):
Yeah, I hate that they see. Just give me one
of 'em. All right here, alright, come on, I'll sit
you down there at the piano. You wait here, Frankie,
I'll bring me back my beer and sit with you.
Speaker 15 (07:10):
Ah, I am Fancky want me to play a song?
Speaker 4 (07:14):
Just do what you're doing, Tiso.
Speaker 15 (07:15):
I like it, dreamy like him?
Speaker 4 (07:18):
Yeah, I feel dreaming.
Speaker 15 (07:26):
Hey, how are you and Johnny getting along? Frankie?
Speaker 4 (07:29):
Like that music you're playing.
Speaker 15 (07:31):
I'm glad.
Speaker 16 (07:33):
I'm mighty glad if I get homesick, Frankie.
Speaker 4 (07:39):
Oh first I did. I never think about him no more.
Speaker 15 (07:43):
George is a real nice place a girl can do,
real nice.
Speaker 4 (07:47):
Say, I'm doing nice.
Speaker 11 (07:49):
I got Johnny? Yeah, sure, I got Johnny. He comes
back to the table from the bar.
Speaker 16 (07:55):
You ask him, I'll do that when he comes back.
He ain't at the bar, Frankie.
Speaker 4 (08:05):
Button, Yeah, what you want?
Speaker 10 (08:07):
Man?
Speaker 4 (08:07):
Where's Johnny?
Speaker 3 (08:08):
Your name Frankie, ma'am?
Speaker 4 (08:10):
Yeah? Where's Johnny?
Speaker 15 (08:12):
He told me to tell you something.
Speaker 3 (08:13):
He said he had to leave.
Speaker 15 (08:15):
He said, don't wait up for it. He said not
to worry.
Speaker 4 (08:18):
Where'd he go?
Speaker 3 (08:19):
I don't know. I just don't know.
Speaker 4 (08:29):
I ran to the street in a hurry.
Speaker 17 (08:32):
My Johnny was nowhere around Aga leaned in a doory,
made a soft laughing sound.
Speaker 4 (08:38):
You're looking for your man.
Speaker 14 (08:42):
Your Johnny's gone.
Speaker 18 (08:46):
Up and down on the paper. Knock gone, lock, Keep
on asking him for my loving Johnny in the weapon
car door.
Speaker 11 (09:06):
Guys tried to sell me some nighttime, tried to kiss
away tears and sit. Come along, pretty, Frankie, I love you.
Speaker 4 (09:13):
For years and years. Forget your man, forget your man.
But I just walked toward North Ramp and search the.
Speaker 11 (09:21):
Dark night in between, keeps looking for loving Johnny. Ride
down to old.
Speaker 4 (09:30):
Darky water, My man.
Speaker 19 (09:41):
Evening, Frankie.
Speaker 4 (09:42):
Oh, hello, miss Willie.
Speaker 20 (09:44):
Pretty evening, I did, haven't noticed. It's a real pretty evening, Frankie.
Speaker 4 (09:49):
You out strolled all alone. I guess I am.
Speaker 19 (09:52):
Come on inside. We'll have us a chat.
Speaker 4 (09:55):
No, I'm gonna walk some more.
Speaker 19 (09:57):
We'll have us some beer.
Speaker 4 (09:58):
No thanks, miss Willie.
Speaker 19 (10:00):
We'll have us some whiskey.
Speaker 4 (10:01):
Frankie, I gotta walk some more.
Speaker 19 (10:04):
Who you looking for?
Speaker 4 (10:05):
It don't matter.
Speaker 19 (10:08):
I got something to tell you.
Speaker 10 (10:09):
Frank Here.
Speaker 19 (10:12):
What I sit here all day long, all night long.
I never sleep. I see all sorts of things, people,
things going on.
Speaker 4 (10:25):
You see Johnny come by here, miss Willie.
Speaker 19 (10:28):
He waiting for you.
Speaker 4 (10:30):
Have you seen him?
Speaker 18 (10:31):
Oh?
Speaker 19 (10:32):
He's sure a good looking boy, black hair plastered down
like that mine. My, the way he walks here.
Speaker 4 (10:38):
You notice the way. He walks. Huh, people step back
and let him come past the way.
Speaker 19 (10:42):
He walks, My, Johnny, what's your interested in, Frankie?
Speaker 4 (10:47):
He's my man? Uh huh? You see him come by
here lately?
Speaker 19 (10:53):
I've seen a gal come by here lately.
Speaker 4 (10:55):
Well, I I gotta go look for Johnny.
Speaker 19 (10:57):
Ooh, this gal wasn't alone in the night for a
gal to be alone? Real pretty gown?
Speaker 4 (11:05):
Who was she with? Miss Willie had gold.
Speaker 19 (11:08):
Hair and red lips, and her name was Nellie.
Speaker 11 (11:10):
Bly Nellie Bla. He said hello to a gal named
Nellie in a place we were in.
Speaker 19 (11:17):
He was with a Frankie.
Speaker 4 (11:20):
Where'd they go?
Speaker 11 (11:21):
Oh?
Speaker 19 (11:21):
To show off his new suit?
Speaker 4 (11:22):
I guess where did they go?
Speaker 19 (11:24):
Up the street? Down that way, Frankie.
Speaker 4 (11:26):
Down to Jelly Cakes Place.
Speaker 20 (11:28):
I leaned out the window, and I think I saw
them go into jelly Cakes. I ain't sure now, but
I think they did. Where are you going, Frankie? Jelly Cakes?
Speaker 4 (11:37):
The other way?
Speaker 7 (11:38):
I'm gonna find me a pawn shop. Why Frankie gotta
buy me something? What gotta buy me a gun?
Speaker 19 (11:48):
What they gonna do with a gun, Frankie.
Speaker 4 (11:51):
I'm gonna kill Johnny. I'm gonna kill him cause he's
doing me wrong.
Speaker 2 (11:57):
Oh auto light is bringing you Miss Diana Shore in
Frankie and Johnny Tonight's production in Radio's outstanding Theater of Thrills,
(12:20):
South Spence, Hey Harnold.
Speaker 3 (12:32):
Takes you a lot of experience to being acrobat, and
a lot of skill too have.
Speaker 1 (12:36):
That's why autolid electrical systems are such successful performers. They've
long been used as original equipment on many leading makes
of our finest cars, trucks and tractors. And every unit
and component part is related by auto light engineering design
and manufacturing skill to give the finest performance money can buy.
And acrobats need to rest hard ah, but not the
(12:58):
auto light electrical system. It goes to work the second
you turn the switch to start your car and run
your engine, use your light's horn, radio heater, or electric
windshield wiper, and.
Speaker 3 (13:07):
An acrobat has to be in perfect.
Speaker 1 (13:09):
Shape, same with the electrical system. Happ So, friends, treat
your car to a periodic checkup at your car dealer's
or authorized auto light service station. Make sure the electrical
system is always in top shape for top performance. You
can quickly locate your nearest authorized auto light service station
in the classified section of your telephone book, or by
(13:31):
calling Western Union by number and asking for operator twenty five.
And remember, from bumper to tail light, you're always right
with auto light.
Speaker 2 (13:41):
Now Autolite brings back to while Hollywood sound stage, Miss
Dinah Shore in Elliott Lewis's production of Frankie and Johnny
A True Story well calculated to keep you in suspends.
Speaker 12 (14:31):
I like that.
Speaker 15 (14:33):
I got no one here for you, but first, oh boys, and.
Speaker 21 (14:37):
They're gonna take five.
Speaker 8 (14:38):
Be with you soon.
Speaker 3 (14:43):
Jelly Cake, Hi, are you, miss Franky?
Speaker 4 (14:45):
Can I talk to you a minute? Jelly Cake? Please
you be big? Please sit down?
Speaker 8 (14:52):
Can I get you something to drink?
Speaker 4 (14:54):
Has Johnny been in here?
Speaker 8 (14:56):
You've been here with a girl? He was calling a
Never what did they do here?
Speaker 21 (15:02):
They were sitting over there and they got up and
danced for awhile a couple of times when we played
him soft, but mostly they just sat He kiss her.
Speaker 8 (15:11):
Mm. You hadn't ask any things like that, Miss Frankie.
Speaker 4 (15:13):
I want to know what he did.
Speaker 8 (15:15):
Uh.
Speaker 21 (15:15):
He had a little fight while he was then here.
Wasn't much of a fight. Just hit a man, that's all.
Speaker 4 (15:21):
Johnny never hit a man on account of knee.
Speaker 8 (15:23):
Or it wasn't that, Miss Frankie.
Speaker 10 (15:24):
Uh.
Speaker 21 (15:24):
Some man walked up and spilled a little gin on
Johnny's new suit. It was a accident. Man didn't mean nothing,
but Johnny hit him. Said the man had drill in
his suit. Johnny might have killed that man except for
the lady, the one he called Nellie.
Speaker 3 (15:38):
She fixed it, fixed it how took.
Speaker 21 (15:41):
Johnny out of here for a little while. Then they
come back. Johnny was smiling. Johnny was smiling and leaning
close to the one he called Nellie, telling her things.
Then she'd be smiling too, laying her head up against
Johnny his new yellow suit.
Speaker 4 (15:56):
Yellow suit. I didn't buy him a yellow suit.
Speaker 8 (15:58):
That's the kind of suit he's wearing when they come
back on there, Miss.
Speaker 21 (16:01):
Frankly, soft kind of yellow, not the kind of screams
at you whispery kind of yellow.
Speaker 4 (16:07):
The one I bought him cost a hundred dollars.
Speaker 8 (16:10):
Or you couldn't buy that yellow suit for the hundred dollars.
Speaker 21 (16:12):
This was five pearl buttons on the coat mm and
the vest was silk, and there was a big gold
chain across the front. Ah that Johnny lighted up the
place I saw pretty light I'd have brought him a
suit like that if he'd a asked me to, I'd
of bought him anything he wanted.
Speaker 8 (16:31):
Never ask you for no diamonds, did it?
Speaker 3 (16:33):
Diamonds like the one he's went on.
Speaker 21 (16:35):
His little finger, Miss Frankiet That was the biggest diamond,
and the whole world the brightest one too. Now, Johnny
ain't never gonna need a light to find his way around,
not put that diamond on his little finger.
Speaker 4 (16:47):
I guess Nelly bought him that too, And the.
Speaker 8 (16:49):
Pattern of his shoes and the cane, and I guess
she likes him real well. Guess Danny got hisself a woman.
Speaker 4 (16:57):
Where'd they go? Jelly Cake?
Speaker 8 (16:59):
Out of hear? Some time ago?
Speaker 3 (17:01):
Must have been an hour where?
Speaker 21 (17:03):
Well, he give me a dollar to play me a tune,
Call me a tune, said, play it before I take
my love and Nelly home.
Speaker 4 (17:10):
You know where she lives?
Speaker 3 (17:12):
Uh?
Speaker 21 (17:12):
Where urstline crosses Chatters it's Frankie third hours down left side.
Speaker 4 (17:17):
Thanks, Jelly Kate, what you're gonna do? You know what
I'm gonna do.
Speaker 8 (17:22):
You're gonna kill him? Yeah, good night, Miss Franky.
Speaker 12 (17:45):
Chap Oh, that man took all of my money.
Speaker 17 (18:10):
That man took all of my love. He left me
so sad and so lonely. My heart's a broken, winged up.
He is my man, but he's doing me wrong. Got
a big rock on his finger and a yellow suit
on his back, making love to that nelly blind so driver,
(18:33):
roll that tack.
Speaker 4 (18:34):
Gonna kill that man. What'd you say, lady, Gonna kill
that man? Turn here? The three hourses down and stop.
Speaker 22 (18:48):
I guess you wanna go someplace after you leave here, lady?
You want me to wait?
Speaker 4 (18:52):
You can wait?
Speaker 10 (19:11):
Oh what'd you want?
Speaker 4 (19:12):
Where's Johnny? I know what you're talking about, lady, Nellie
Bly live here. She's gone, lady, she ain't never coming back.
A man with her wearing a yellow suit and a
gold chain and a diamond ring. Name was Johnny.
Speaker 21 (19:22):
Uh was a gent, real gent.
Speaker 3 (19:25):
He's gone too. He's gone with Nellie Bly.
Speaker 4 (19:28):
They talk about where they we're going. They talked about
Memphis and Saint Louis By riding the river boat.
Speaker 3 (19:34):
Come on, and that Johnny is a real sport.
Speaker 4 (19:37):
Lady.
Speaker 3 (19:38):
Five dollar bill right here where my hand is.
Speaker 4 (19:41):
Only got two dollars right here where my hand is.
Thank you, Conny? What do you buy for five dollars, mister, what.
Speaker 3 (19:52):
I'm gonna sell you?
Speaker 4 (19:53):
F two?
Speaker 3 (19:54):
Johnny sent me to his place to pick up something.
Speaker 4 (19:57):
You're lying. Johnny ain't got nothing except what's on his back.
Speaker 15 (20:00):
Got a clarinet, that's what it told me to get.
Speaker 3 (20:03):
That's all what you want, Jennifer.
Speaker 4 (20:07):
I got something to give him too.
Speaker 10 (20:09):
What's that I've done?
Speaker 4 (20:17):
You find him, lady, I know where he is. I
know for sure where he is.
Speaker 3 (20:20):
Is that where we going to? Cuckloos on Base the street?
That's right, well, I know where that is.
Speaker 23 (20:26):
Won't take long, Cabby, Gail, Lady, I got no more money.
Speaker 4 (20:37):
Oh, I can't pay you for this ride.
Speaker 3 (20:39):
Cabby, you weren't kidding. Wear you about what you said before?
About what about killing a man?
Speaker 4 (20:46):
I wasn't kidding. I'm gonna kill him.
Speaker 22 (20:50):
This ride won't cost you nothing. I wish I had
me a gal like you, love me so much she'd
kill I wouldn't do a.
Speaker 3 (20:58):
Gal like that.
Speaker 22 (20:59):
No wrong, m.
Speaker 14 (21:30):
Where you going, Frankie?
Speaker 4 (21:31):
Get out of my way, Nellie.
Speaker 14 (21:32):
Blind can't go in that back room. Johnny won't he
let me go in there, So I ain't gonna let you.
Speaker 4 (21:37):
I got no argument with you, so get out of
my way.
Speaker 14 (21:39):
You got an argument, my sweet man, You got an
argument with me.
Speaker 11 (21:42):
You wanna go to Memphis, Nellie, I'm going. You wanna
go to Saint Louis.
Speaker 14 (21:47):
I'm going there too.
Speaker 7 (21:48):
Maybe you're going, and I ain't gonna stop you. But
you're gonna find another sweet man to go if not.
Speaker 4 (21:54):
Johnny, Honey, he don't love you no more.
Speaker 14 (21:58):
He's tired of you. You told me, tell me lots
of things. Tell me about my gold hair and the
red lips.
Speaker 3 (22:06):
Tell me.
Speaker 4 (22:09):
You ain't going with Johnny?
Speaker 7 (22:12):
No no, I I guess I ain't get out of here, Nelly.
Speaker 14 (22:18):
Where you hold that gunn at?
Speaker 7 (22:21):
Guess I'd better get on that river boat and never
come back.
Speaker 14 (22:24):
I ain't never coming back, cracking.
Speaker 16 (22:26):
I'm ashamed to kill him, Frankie. He ain't much of
(22:51):
a guy, but Johnny plays a lot of clarinet.
Speaker 4 (22:54):
Get out to so.
Speaker 3 (23:06):
Jordon to kill him, Frankly.
Speaker 7 (23:07):
When you leave here, mister, close the door, Johnny. Goodbye, Johnny.
Speaker 10 (23:32):
Johnny, Roll him over, easy boy, roll him over slow.
Speaker 15 (23:53):
Oh, how do you feel, Johnny?
Speaker 3 (23:58):
H m hm hurt?
Speaker 4 (24:03):
All right?
Speaker 15 (24:08):
I guess you don't hurt no more?
Speaker 8 (24:09):
John What happened? To him.
Speaker 15 (24:16):
He got shot. He died.
Speaker 3 (24:20):
You doing, Frankie.
Speaker 2 (24:24):
I gotta take you to the jail house.
Speaker 8 (24:25):
Frankie, we better go.
Speaker 1 (24:48):
I brought your chair to stand on, Frankie, in case
you want to look out the jail window.
Speaker 3 (24:54):
You want to look?
Speaker 15 (24:56):
You want to look, Frankie, what do you see?
Speaker 4 (25:19):
I feel long black coffin his people in funeral clothes.
Speaker 7 (25:28):
M Johnny's gone and cast his chicks to the graveyard.
Speaker 4 (25:43):
My Johnny gootes.
Speaker 10 (25:48):
They go that rubber tied carriage.
Speaker 4 (25:56):
There goes that rubber tide haack.
Speaker 6 (26:04):
Twelve man gone to the gravy, and eleven come back.
Speaker 4 (26:18):
Johnny was man made, but he done me.
Speaker 2 (26:43):
Suspense a true story presented by auto Light to night Star,
Miss Dinah Shore.
Speaker 1 (26:52):
This is Harlow Wilcox speaking for auto Light, World's largest
independent manufacturer of automotive electrical Equipmenttoite is proud to serve
the greatest names in the industry. They are members of
the Autolite family, as are the ninety eight thousand Autolite
distributors and dealers in the United States and thousands more
in Canada and throughout the world. Our family also includes
(27:15):
the nearly thirty thousand men and women in twenty eight
great autolite plants from coast to coast, and in still
other autolite plants in many foreign countries, as well as
the eighteen thousand people who have invested a portion of
their savings in autolite. Every autolite product is backed by
constant research and precision, built to the highest standards of
(27:36):
quality and performance.
Speaker 8 (27:38):
So remember, from.
Speaker 1 (27:39):
Bumper to tail light, you're always right with Autolite.
Speaker 3 (27:49):
Next week, a man leaves his home, drives.
Speaker 2 (27:52):
To work, talks to his friends, excuses himself for a moment,
and is never seen again. The story is called The
Miss Person The Star Mister McDonald Carrey. The program will
be presented next week on South Spence.
Speaker 3 (28:11):
Suspense is produced.
Speaker 2 (28:12):
And directed by Elliott Lewis, with music composed by Lucian
Morrowick and conducted by lud Gluskin. Tonight's Frankie and Johnny
was written for Suspense by Morton Fine and David Friedkin.
In tonight's story, Lamont Johnson was heard as Johnny. Featured
in the cast were Alvina Temple, Martha Wentworth, Sidney Miller,
(28:33):
Joseph Kerns, Roy Glenn, Harry Bartel, and Jack Rushan.
Speaker 1 (28:38):
Dinah Shore may be seen each Tuesday and Thursday in
her own television show on another network.
Speaker 2 (28:45):
And remember next week on Suspense, mister McDonald Carrey in
the Missing.
Speaker 24 (28:51):
Person with the location of your nearest authorized or service station,
or your nearest auto light battery or auto light sparklot dealer.
Phone Western Union by number and ask for Operator twenty five.
Switch to Autolite.
Speaker 18 (29:09):
Goodnight.
Speaker 3 (29:13):
This is the CBS Radio Network.
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Football’s funniest family duo — Jason Kelce of the Philadelphia Eagles and Travis Kelce of the Kansas City Chiefs — team up to provide next-level access to life in the league as it unfolds. The two brothers and Super Bowl champions drop weekly insights about the weekly slate of games and share their INSIDE perspectives on trending NFL news and sports headlines. They also endlessly rag on each other as brothers do, chat the latest in pop culture and welcome some very popular and well-known friends to chat with them. Check out new episodes every Wednesday. Follow New Heights on the Wondery App, YouTube or wherever you get your podcasts. You can listen to new episodes early and ad-free, and get exclusive content on Wondery+. Join Wondery+ in the Wondery App, Apple Podcasts or Spotify. And join our new membership for a unique fan experience by going to the New Heights YouTube channel now!
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