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August 15, 2025 29 mins
Suspense was one of the most popular and successful old time radio series during it's run of over 900 episodes, spanning 1940-1962. Guest stars included Orson Welles, Frank Sinatra, Lucille Ball, Agnes Moorehead, Marlene Dietrich and Humphrey Bogart. The plots were mostly engaging crime dramas, science fiction and some horror - usually with a surprise ending.

Hope you enjoy this episode of Suspense! Find all our OTR radio stations and podcasts at theaterofthemind-otr.com - Audio Credit: The Old Time Radio Researchers Group. - All Podcasts @ Spreaker | Apple | YouTube | Spotify | Amazon | iHeart


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Episode Transcript

Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:05):
Auto light and it's ninety six thousand dealers bring you,
mister Dan Durier. In a story based on fact Tonight's
presentation of cells spends, a.

Speaker 2 (00:21):
Young man holds up a shop is cornered kills. You've
read the story in your newspaper, Tonight Auto Light recreates
it and calls it remember me, our star, mister Dan Durier.

Speaker 1 (00:41):
Well, half, it's April again. What does that remind you of? Why?

Speaker 3 (00:44):
Showers? Of course, harlow and what is April remind you of.

Speaker 1 (00:49):
An auto light stay full battery? Half? But then every
month reminds me of that bright, brisk and brawnee battery
that needs water only three times a year in normal
car use. That especially energetics superstarter that gives longer life
is proved by tests conducted according to accepted life cycle standards.

Speaker 3 (01:05):
That and I suppose in April you can get an
auto light stainful at the same place as always.

Speaker 1 (01:11):
Why Why sure? Hap at your nearest auto light battery dealer.
He services all makes of batteries and has an auto
light stay full in case a replacement is needed for
your car. To find your nearest neighborhood dealer, just call
Western Union by number.

Speaker 4 (01:26):
And that's for me, Operator twenty five. I'll tell you
where you can get an auto light stainful, the battery.

Speaker 1 (01:31):
That needs water only three times a year in normal
car use. And remember, from bumper to tail light, you're
always right with auto light.

Speaker 2 (01:41):
And now with remember me and the performance of mister
Dan Durier auto light hopes once again to keep.

Speaker 3 (01:49):
You in souse spend.

Speaker 5 (02:02):
In three minutes, it'll be over, Harry boy, no longer
than it takes the iceman to make a routine delivery.

Speaker 3 (02:09):
All you have to do is walk in and wave
a gun, and then you got money in your pocket again. Easy.

Speaker 5 (02:17):
Funny how they always turn to jelly when they see
a gun.

Speaker 3 (02:23):
The light's still on in the window, street's dark, nobody around.
Just right there he is inside counting money.

Speaker 6 (02:40):
Oh you just made it.

Speaker 3 (02:42):
I was closing. What can I do for you? This
is a stick up, A stick up, a stick up.
Come on, I want the money. No, you can't do this.

Speaker 5 (02:51):
You can't do this, says I can.

Speaker 3 (02:54):
But all you're doing a paper bag and hurry. But
I don't have much money. This is a small business.
I come on that register. I won't you get out
of here, out of the way. I'll get it myself. No, no,
for a small business, you do. Okay, you can't take
my money. I won't let you, crazy old man. You

(03:14):
can get away from me. You can't rob me. You can't,
you dirty hoo.

Speaker 6 (03:25):
Oh fool.

Speaker 3 (03:28):
Asking for it. You gotta get out of here. Where's
my hat up?

Speaker 6 (03:42):
Didn't think you'd still be open? Who are you? Where's
mister Lebow?

Speaker 3 (03:46):
He isn't here. He had to leave.

Speaker 6 (03:49):
Is missus Lebow sick again?

Speaker 3 (03:51):
Yeah?

Speaker 5 (03:52):
Yeah, she's sick again. I've been watching the store for him.
I was just closing.

Speaker 6 (03:56):
Oh well, maybe I better run upstairs and see if
there's anything I can do.

Speaker 3 (03:59):
No, uh no, he took her to the hospital. He
aren't here.

Speaker 6 (04:03):
See, I'm sorry to hear that.

Speaker 3 (04:06):
What are you looking at me for?

Speaker 6 (04:08):
Don't I know you?

Speaker 3 (04:09):
No, you don't know me. Look, I'm closing and you
don't have to come back tomorrow.

Speaker 6 (04:12):
Harry, Harry Norris. Sure we went to school together, you
know me? She were from Stuyvesant. Hi, I'm Ruth Shaw.

Speaker 3 (04:18):
Remember No, I don't remember yet.

Speaker 6 (04:20):
No, I guess you wouldn't. But I remember you, Harry.

Speaker 3 (04:24):
Yeah, I guess you do.

Speaker 6 (04:27):
I just need a few things before you close. Here's
the list.

Speaker 5 (04:30):
Yeah, uh, you pull down the shades on the windows
and throw the latch.

Speaker 3 (04:34):
Well, I get them.

Speaker 6 (04:34):
Sure of all the people to run into, I haven't
seen YouTube high school.

Speaker 3 (04:40):
Let's see bread, bread, bread? Oh? Here, coffee, Oh, where's
the coffee.

Speaker 6 (04:50):
Right there above you? The coffee?

Speaker 3 (04:52):
Oh oh?

Speaker 6 (04:54):
And potato salad in the refrigerator.

Speaker 3 (04:57):
Look, do you have to have all this stuff right now?

Speaker 6 (05:00):
Of course I do.

Speaker 3 (05:01):
What's the matter, nothing, man, I'll get the potato salad.

Speaker 6 (05:05):
You haven't changed a bit, Harry. I know you anywhere.
You know. I never forget a face, especially yours.

Speaker 5 (05:20):
It's too bad. She's kind of a pretty girl. But
she had to walk in on me. She does remember me.
She could put the finger on me, but fast when
they find old manly bewitch his body too bad. Now
I got to kill her too, but not here. Somebody
might have heard the shots and called the cops. I
got to get out of here and take her with me,
but I got to be careful, make her think I'm

(05:41):
belong here.

Speaker 3 (05:43):
Get the rest of her stuff and get out of here.
Potato salad? What else? You? Oh? I thought you were
pulling the shades down.

Speaker 6 (05:51):
They're down.

Speaker 3 (05:52):
What else do you need?

Speaker 6 (05:53):
That's enough for now. I have more than I can
carry as it is.

Speaker 3 (05:57):
That's all in.

Speaker 6 (05:58):
Yes, how much is it?

Speaker 3 (06:00):
Three and a half? Even here?

Speaker 6 (06:04):
Two three and a half on a nose. Well, it
was nice seeing you again, Harry. Run now, let's close.

Speaker 3 (06:13):
Wait, don't rush off.

Speaker 6 (06:16):
I better I've kept you as it is.

Speaker 3 (06:18):
Well, that's okay, I'll walk here. We can talk about
old times.

Speaker 6 (06:23):
Don't you have to do anything before you close?

Speaker 3 (06:25):
No? All done here. I'll carry the groceries for you.

Speaker 6 (06:29):
Oh, that's okay, I can carry them. I only live
around the corner on Third Avenue.

Speaker 3 (06:32):
I'm going that way too. I'll carry this for you.

Speaker 6 (06:35):
Come on, well, I forgot I need flower too, flower, Yes,
the large bag there on the stand. I'll get it. Okay, okay,
got it here, sixty cents.

Speaker 3 (06:50):
We'll charge it. Let's get out of here.

Speaker 6 (06:52):
I can carry the flower, all.

Speaker 3 (06:53):
Right, But you do need to help with all this
other stuff.

Speaker 6 (06:57):
Want me to get the life?

Speaker 3 (06:59):
Yeah? Please?

Speaker 6 (07:02):
There. Nice of you to carry the packages for me, Harry.
It's nothing surprised. I haven't run into you before around
the store.

Speaker 3 (07:20):
Well, this is the first time I watched the store
for mister Lebowitz.

Speaker 6 (07:24):
You must have left in an awful hurry, he did.

Speaker 3 (07:26):
His wife was pretty sick.

Speaker 6 (07:28):
Do you have to walk so fast?

Speaker 3 (07:29):
Oh? No, sorry? Where did you say?

Speaker 6 (07:34):
You lived on Third Avenue, just around the corner.

Speaker 3 (07:37):
You live alone?

Speaker 5 (07:39):
Yes, you uh, you know it's been a long time
since high school.

Speaker 3 (07:43):
You've got a good memory for faces. I know I
don't remember you.

Speaker 6 (07:48):
You wouldn't. You didn't know me too well. You used
to say hello sometimes when we passed in the halls.
Oh you were a big shot football player and all
that stuff. All the girls had a crush you, Harry.

Speaker 3 (08:00):
Did They sure? Been living in this neighborhood long.

Speaker 6 (08:07):
Too long. But the rent's cheap, and I'm not far
from work, so I stay here.

Speaker 3 (08:13):
I know what you mean.

Speaker 6 (08:15):
That's the place up ahead with the ivy on the
fire escape, groceries getting heavy.

Speaker 5 (08:19):
No, no, I got to think fast. It's no good
here on the street. Too many people around. Like she said,
she lives alone. I have to get inside with her
alone in her apartment, then I can get rid of her.

Speaker 3 (08:38):
I wish she'd quit talk.

Speaker 5 (08:39):
And she asked too many questions, and this potato styleid stinks.

Speaker 3 (08:42):
I hate potato salad. I got to get inside that apartment.

Speaker 6 (08:50):
This is it pretty crummy? Huh?

Speaker 3 (08:53):
What's it like inside?

Speaker 6 (08:54):
Just as bad. I fixed my apartment up some. But
it's the smell these old places have, and get rid
of it.

Speaker 3 (09:00):
I'd like to see it. See what you've done.

Speaker 6 (09:03):
Well, I don't know. The landlady is funny about visitors,
and it's kind of late.

Speaker 5 (09:08):
Oh, come on, you can't carry all this stuff alone after.

Speaker 6 (09:13):
You Well, okay, no, you go on up. I have
to throw the light switch.

Speaker 3 (09:22):
Which way upstairs? Right? The groceries are getting heavy.

Speaker 6 (09:28):
The first door on your right at the top.

Speaker 3 (09:30):
You could use more light on this stairway.

Speaker 6 (09:32):
That's not all this place for you?

Speaker 3 (09:37):
That's it?

Speaker 6 (09:38):
Yeah, here, I'll unlock it. Go ahead, Well, this is
it home?

Speaker 3 (09:51):
Not bad? You fix it up by yourself.

Speaker 6 (09:54):
Yeah here, let me take the bag, sit down and
when I put this stuff away?

Speaker 3 (09:59):
Sure? Yeah? Can you fix this place up?

Speaker 6 (10:04):
Okay?

Speaker 3 (10:07):
Nice you too?

Speaker 1 (10:08):
Yeah?

Speaker 6 (10:09):
They l go drive past the window. Did you get
used to that too? You should have seen it when
I moved in. Really a miss. Then I went to
work on I thought you were in the other room.

Speaker 3 (10:24):
What are you doing?

Speaker 6 (10:26):
I got flower on my skirt. I put some water
on for coffee.

Speaker 3 (10:30):
Good idea.

Speaker 6 (10:31):
Come in the other room, Harry. I want to show
you something, a picture of you, of me in a
football uniform. Yet I still have our class book, your
pictures in it.

Speaker 3 (10:41):
Sit down, Yeah, sure.

Speaker 6 (10:45):
Funny running into you. I was going through the book
a couple of weeks ago, and I was thinking about you,
wondering whatever became of you.

Speaker 3 (10:52):
You were thinking about me.

Speaker 6 (10:55):
You didn't know it, but I had a big crush
on you when we were in school.

Speaker 5 (10:59):
No, no, I I thought I was a big shot
in those days. I couldn't see anything.

Speaker 6 (11:04):
You sure did. Look, here's a picture of the fourth
of July dance in the gym. Yeah, do you remember it?

Speaker 3 (11:14):
I'm not sure.

Speaker 6 (11:15):
You asked me for a dance that day? Was I surprise?
We no more than started and they stopped the music
to take this picture. You ran off to find Mona Stark.
Mona You remember her?

Speaker 3 (11:27):
Oh? Yeah, yeah, I remember Mona.

Speaker 6 (11:29):
You were going with her when you quit school, weren't you.

Speaker 3 (11:32):
Yeah?

Speaker 6 (11:32):
What happened?

Speaker 3 (11:33):
We broke up?

Speaker 6 (11:34):
Why?

Speaker 5 (11:35):
I borrowed a car from a pal so we could
drive up to Connecticut and get married. It was a
big yellow CONVERTIBLEOK. Wanted to make a big impression. Mona
liked to be impressed. Only my pal I for I
got to tell me it was a stolen car.

Speaker 6 (11:47):
What happened?

Speaker 3 (11:48):
Never saw her again?

Speaker 5 (11:49):
Saw a picture of her though, on the cover of
a secret detective magazine. She had a gun in one hand,
a bottle in the other, and some guy was choking her.

Speaker 3 (11:57):
She looked good.

Speaker 6 (11:59):
Well, enough of the good old days. What are you
doing now, Harry? For a living?

Speaker 3 (12:06):
I mean me, nothing worth talking about.

Speaker 6 (12:09):
How do you happen to know mister Lebowitz?

Speaker 3 (12:11):
Mister Leibowitz, he's the sweetest old ear.

Speaker 6 (12:14):
He'll take credit right up to his ears, but people
always get around to pay him. You must know him
pretty well to be left in charge of the store.

Speaker 3 (12:22):
Well, I what's that?

Speaker 6 (12:25):
It's the l goes right past the window, shakes.

Speaker 3 (12:28):
The whole building. How do you put up with that?

Speaker 6 (12:43):
You get used to it? Noisy? Huh?

Speaker 3 (12:46):
Yeah.

Speaker 6 (12:47):
You could fire a cannon in here when it goes
by and you wouldn't hear it. You get used to it.
I think the coffee's ready, only take a minute.

Speaker 5 (13:04):
You could fire a cannon and I'm only carrying a
thirty eight. Sure, all I have to do is sit
and wait. We'll drink coffee and chat about the good
old days. And when the all goes by again, I'll
be able to walk out of.

Speaker 3 (13:17):
Here, safe and sound. Nothing to worry about it. Ruthie
won't be up to remembering anything. She'll be dead.

Speaker 2 (13:41):
Auto Light is bringing you, Dan Durier with Charlotte Lawrence
in Remember Me to Night's production in Radio's outstanding Theater
of Thrills sALS spend.

Speaker 3 (14:02):
See Harlow. How can I get some action around here?

Speaker 6 (14:06):
Why?

Speaker 1 (14:06):
A simple hap. Just get a dandy, dependable and dynamic
autolite stainful battery, the battery that needs water only three
times a year. In normal car use, you will have
instant action, quick starts for a long long time because
the autolite stayful battery is protected by fiberglass retaining mats
to reduce shedding and flaking and give longer life, as

(14:26):
proved by tests conducted according to accepted life cycle standards.

Speaker 3 (14:30):
Where do I get this famous battery?

Speaker 1 (14:32):
Just visit your neighborhood autolite battery dealer. He's the man
who services all makes of batteries to quickly learn his location.
Just call Western Union by number and ask.

Speaker 4 (14:42):
For me operator twenty five. I'll gladly tell you where
you can get an autolte. Stayful the battery that needs
water only three times a year in normal car use.

Speaker 1 (14:51):
And remember, from bumper to tail light, you're always right
with autolite.

Speaker 2 (14:56):
And now Autolite brings back to our Hollywood Si on
stage mister Dan Durier in Elliott Lewis's production of Remember
Me A dramatic report well calculated to keep you in.

Speaker 3 (15:10):
So spend.

Speaker 1 (15:22):
Coffee.

Speaker 6 (15:23):
You'll be ready in a minute. Harry, I'm not much.

Speaker 5 (15:26):
Let her make coffee, let her do anything she wants.
She's only got a few minutes to live, only until
the l goes by again, goes by with a big noise,
so no one can hear the little noise of my
thirty eight going off, And then Ruthie, who remembers me so.

Speaker 3 (15:40):
Well, will be out of the way.

Speaker 5 (15:42):
Then I can get out of here, safe and sound
and nobody knowing anything. They'll just find two bodies a
couple of blocks apart, and I'll be miles from here.
All I have to do now is wait for the.

Speaker 6 (15:53):
Yel Harry, you're hungry. Why I asked you if you
were hungry, I.

Speaker 5 (15:57):
Could make no no, no thanks, Just the coffee, okay,
coffee coming up?

Speaker 3 (16:05):
Good?

Speaker 6 (16:08):
Sugar black here hot?

Speaker 3 (16:14):
Yeah? Good?

Speaker 6 (16:17):
Hmmm?

Speaker 3 (16:20):
How long you lived here, ruthy over here?

Speaker 5 (16:24):
I wouldn't last overnight with he all going by the
window like that I'm used to doing.

Speaker 3 (16:28):
Does it go by often?

Speaker 6 (16:30):
Never stop? I'll warn you the next time I heard coming.
Yeah you you do that, Harry Norris here in my apartment.
Why I can't get over running into you like this?

Speaker 3 (16:45):
Yeah? Well you never know.

Speaker 6 (16:48):
Are you married, Harry? No funny? I pictured you married
by now and with a family. So here you are
a little older, but about the same.

Speaker 3 (16:57):
Yeah. Well that's that's the way it goes.

Speaker 6 (17:00):
What do you do for a living?

Speaker 3 (17:01):
Oh?

Speaker 5 (17:02):
Nothing right now? But I got plans, big plans. I'm
gonna be running a lot of guys around this town
some day, and I'm gonna have money.

Speaker 3 (17:10):
Lots of it.

Speaker 6 (17:11):
I don't doubt it. You say you have plans, Tell
me about them, Harry.

Speaker 3 (17:15):
What's it a town? I'm after big money, that's all
you'll have it.

Speaker 6 (17:19):
If you're the Harry I remember, you'll get whatever you want.

Speaker 3 (17:22):
What do you mean by that?

Speaker 6 (17:24):
I remember how you were around school. When you saw
something you wanted, you got it, Nothing could stop you.
I remember a football game with a story a high.
You got knocked out and they carried you off the field.
We were losing the game, and you came back in
all bandaged up and put us ahead.

Speaker 3 (17:39):
Yeah.

Speaker 6 (17:40):
I was very proud of you. I thought you were wonderful. You.

Speaker 3 (17:45):
But uh, we hardly knew each other.

Speaker 6 (17:48):
I knew you well. I waited outside the gym that
night to see if you were all right. I saw
you leave and you had a little bandage right right
there where the tiny scar is now.

Speaker 3 (18:02):
Oh listen, So you waited around to see if I
was okay. Huh.

Speaker 6 (18:08):
Yeah. I even followed you home that night. I was
afraid you might pass out on the street and there
would be no one to take care of you. So
I followed you.

Speaker 3 (18:19):
I remember that night, but not much of what I did.

Speaker 6 (18:22):
Instead of going home, you stopped you at a pool room,
so I waited outside for hours.

Speaker 3 (18:27):
You did.

Speaker 6 (18:29):
Then it started the snow and I went home.

Speaker 3 (18:32):
It's funny I don't remember seeing you, and yet you were.
You were around so much.

Speaker 6 (18:39):
It's funny well, I was a pretty horrible looking kid.

Speaker 5 (18:42):
Then maybe there's nothing wrong with you now, Ruthie, What
time is it?

Speaker 6 (18:51):
The clocks in the bedroom?

Speaker 3 (18:52):
Oh?

Speaker 6 (18:54):
I wonder how missus Lebowitz is doing.

Speaker 3 (18:57):
Missus Lebowitz. Oh, oh, you call in in the morning
and find out.

Speaker 6 (19:01):
She's been sick a lot lately. Poor old mister Leebel,
which has been worried to death about her.

Speaker 3 (19:06):
You like the old man?

Speaker 6 (19:07):
Sure? He kept me in groceries for a long time
last year while I was looking for work, and he's
done the same for other people in the neighborhood.

Speaker 3 (19:16):
What's the matter, Harry, nothing's the matter?

Speaker 6 (19:19):
And sit back and relax. You're sitting there like a
tiger about to jump on something.

Speaker 3 (19:22):
Yeah. Sure you like living alone like this? I love it,
don't You get a little lonesome sometimes?

Speaker 6 (19:35):
But I have friends in the neighborhood and we get
together and have crazy times.

Speaker 3 (19:39):
How come you never got married, ruth.

Speaker 6 (19:41):
Never met the kind of man I'd want to spend
the rest of my life with.

Speaker 3 (19:44):
I guess, no boyfriends, no one.

Speaker 6 (19:48):
It's kind of your fault, Harry, my fault. When a
girl has a crush on a fella and nothing happens.
She goes on thinking that maybe someday something will have happened,
and in the meantime, the other fellas just don't mean much.

Speaker 3 (20:06):
I guess, ruth I don't get it. Did you feel
this way about me?

Speaker 6 (20:13):
I did once when we were in school, but I
got over it, did you sure?

Speaker 3 (20:22):
I guess you're a funny kid. I don't get you.

Speaker 6 (20:26):
Forget it, Harry.

Speaker 3 (20:28):
I wish I could remember what you looked.

Speaker 6 (20:30):
Like like I said, I was pretty off.

Speaker 3 (20:34):
What are you looking at your scar?

Speaker 6 (20:38):
It's no larger than a match in. Yeah, I can
hardly feel it. And you have another tiny scar on
the side of your nose right here. Where'd you get it? Harry?

Speaker 3 (20:52):
A fight? And I think?

Speaker 6 (20:54):
Always a tough guy. That's why the girls liked you
so much. You treated them so rough, did I? And
you ignored them most of the time. Yeah, the way
you're ignoring me right now? Am I only inches between
us and you ignore me? Ignore this? If you can
erin and this, Ruthie, baby, Harry, Honey, m that was ill.

(21:35):
That just went by.

Speaker 3 (21:36):
I heard it. I heard it.

Speaker 6 (21:39):
Now you can relax for another five minutes.

Speaker 3 (21:41):
Another five minutes, Ruthie what's the matter, Harry, I don't know.

Speaker 5 (21:46):
I don't know. I must be going soft in the head.
I came up here to do something. Now I can't.
The things you said, the way you act, you make
me feel like I mean something to you. All the
time I didn't know you were alive. If I really
mean anything to you, your help me. I need help, Ruthie.

Speaker 3 (22:03):
Can I trust you? Ruthie? Are you home? Who' said?
I don't know, honey. It's Jimmy Ruth.

Speaker 6 (22:13):
Jim.

Speaker 3 (22:13):
Don't make a sound.

Speaker 6 (22:15):
What's going on there?

Speaker 3 (22:16):
Missus Tooley? Have you seen ruth come.

Speaker 6 (22:19):
In a while ago?

Speaker 3 (22:19):
I didn't say it.

Speaker 6 (22:20):
Girl?

Speaker 3 (22:20):
What are you bang on her door for? She doesn't answer.

Speaker 4 (22:23):
Do you have a key?

Speaker 3 (22:24):
A key?

Speaker 1 (22:25):
I think so?

Speaker 3 (22:26):
We'll get it. You're so excited about Look, Ruthie, do
as I say, or you're going to get hurt. See
the thirty eight. It'll be against your side. Like this,
I act like you've been asleep. And answer that guy
and get rid of m Understand, Okay, I'm taking my
hand away from your mouth. I'll be careful. I don't
want anybody to know I'm here.

Speaker 6 (22:45):
Get rid of them, all right, Harry. I'll get rid
of him, ruth What what's going on out there?

Speaker 3 (22:55):
Ruthie?

Speaker 6 (22:57):
Jimmy is that you?

Speaker 4 (22:59):
Yeah?

Speaker 3 (23:00):
Are you all right?

Speaker 6 (23:02):
What do you want?

Speaker 4 (23:04):
It's late, of course.

Speaker 6 (23:06):
I'm all right.

Speaker 3 (23:07):
Why didnt jamser when I knocked?

Speaker 6 (23:09):
I've been asleep. What do you want?

Speaker 4 (23:12):
Well?

Speaker 3 (23:13):
Well, nothing, honey.

Speaker 4 (23:15):
I was worried about you.

Speaker 6 (23:16):
That's all worried about me.

Speaker 5 (23:19):
Sure you You said you were going to stop by
old man Liebo which this place for groceries on your
way home.

Speaker 6 (23:23):
I did stop there? What about it?

Speaker 4 (23:27):
Well?

Speaker 3 (23:27):
Was everything okay?

Speaker 6 (23:29):
Yes, everything was all right.

Speaker 3 (23:33):
Why mister Leebo which was held up tonight? He was shot?
This is Leebowoods came down to the store and found
it dead behind the counter.

Speaker 6 (23:42):
Brude, I I heard you, Jimmy.

Speaker 3 (23:47):
The neighborhood is full of cops.

Speaker 2 (23:48):
They say it happened less than an hour ago.

Speaker 3 (23:51):
You can see why I was so worried. Get rid
of him.

Speaker 6 (23:53):
I'm all right, hunt, Jimmy. I'll see you tomorrow.

Speaker 2 (24:00):
Okay, Hey, don't I get.

Speaker 4 (24:02):
A good night kiss?

Speaker 6 (24:03):
I'm not dressed.

Speaker 3 (24:07):
Good night, Okay, good night, honey, missus Dooley, forget about
the keys. He's all right.

Speaker 6 (24:19):
You killed it.

Speaker 3 (24:20):
Ill him.

Speaker 6 (24:21):
You're going to kill me.

Speaker 3 (24:22):
I'm going to kill you.

Speaker 6 (24:24):
Yes, you have to. I could fix you good with
the police.

Speaker 5 (24:26):
Yes you could. You almost got up before. But you
got me mixed up a little. You made me forget
what I come up here to do, trying to make
me think.

Speaker 3 (24:33):
You cared about me, Harry, I did.

Speaker 6 (24:34):
Yeah.

Speaker 5 (24:35):
Does everybody in the building stop by for a good
night kiss?

Speaker 3 (24:38):
I don't care who he is, only why the routine
with me? What will you after?

Speaker 6 (24:43):
Harry? Why don't you give yourself up? You heard Jimmy.
The neighborhood is full of police. You can't get away
in tighter spots.

Speaker 5 (24:49):
In this I always get away.

Speaker 3 (24:57):
Here it comes, Ruthie, Harry.

Speaker 6 (24:59):
Sorry, tell anyone, Harry, Sorry, baby, don't kill me.

Speaker 7 (25:02):
Sorry baby, it's all right, miss, it's all right.

Speaker 6 (25:29):
Is he dead off?

Speaker 3 (25:31):
Yeah?

Speaker 6 (25:34):
I didn't know whether you get here in time.

Speaker 5 (25:38):
We finally found that trail of flower you left from
the store up here.

Speaker 3 (25:42):
We hit the door just as the l passed close.
I was quick, thinking, lady, that trail of flower. Did
you see him shoot the old man?

Speaker 6 (25:50):
No? When Harry opened the refrigerator to get some potato salad,
I saw mister leeba with his legs sprawled out on
the floor, and when he came from behind the color
he left tracks of blood.

Speaker 2 (26:05):
Yeah, hey, how did you keep him here so long?

Speaker 3 (26:09):
Without without him killing you?

Speaker 6 (26:11):
We had a lot to talk about. I knew Harry
a long time ago. There were things I remembered about him,
but he but he didn't remember me.

Speaker 2 (26:47):
sALS spends a story based on fact presented by auto
Light to Light star Dan Durier.

Speaker 1 (26:56):
This is Harlow Wilcox speaking for auto Light, Where's largest
independent manufacturer of automotive electrical equipment. Last week, it was
the very great privilege of Autolite to salute leading car
manufacturers who install Autolite products as original equipment in the
Parade of Stars Automobile Show in the grand ball room
of the Waldorf Astoria Hotel in New York City. Here,

(27:19):
in a colorful setting were presented brilliant new car models
produced by members of the Autolite family. On the opening night,
the show was presented to millions at Autolite suspense television
time in the first national television preview of an automobile show.
Later in the week, the show was attended by thousands
from all over the world, as well as by leaders

(27:41):
in the automotive industry and stars of the entertainment world.
All members of our Autolite family joined in this salute
and were proud to have had this opportunity of expressing
appreciation to the distinguished members of our family and to
their dealers for our many years of association. Next week,

(28:08):
a True Story of a Murder on the High seas
a classic of documentary American crime in which our star,
mister Richard Widmark will appear as Mate Brahm. The dramatization
is based on Edmund Pearson's famous essay and will be presented.

Speaker 3 (28:24):
On South s Spence.

Speaker 2 (28:34):
Suspense is produced and directed by Elliott Lewis, with music
composed by Lucian Morrowick and conducted by lud Gluskin. Remember
Me was written for Suspense by Gus C. Bays. In
tonight's play, Charlotte Lawrence was heard as Ruth. Featured in
the cast were Joseph Kerns, Ruth Perrott, Lee Malar, and

(28:54):
Charles Calvert.

Speaker 4 (29:00):
For the location of your nearest battery or sparkplug dealer
or your nearest authorized auto light service station found Western
Union by number and ask for operator twenty five switch
to auto light. Good night.

Speaker 1 (29:15):
This is the CBS Radio network.
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