November 17, 2025 • 29 mins
Suspense was one of the most popular and successful radio series during it's run of over 900 episodes, spanning 1940-1962. Guest stars included Orson Welles, Frank Sinatra, Lucille Ball, Agnes Moorehead, Marlene Dietrich and Humphrey Bogart. The plots were mostly engaging crime dramas, science fiction and some horror - usually with a surprise ending.
Hope you enjoy this episode of Suspense! Find all our OTR radio stations and podcasts at theaterofthemind-otr.com - Audio Credit: The Old Time Radio Researchers Group. - All Podcasts @ Spreaker | Apple | YouTube | Spotify | Amazon | iHeart
Hope you enjoy this episode of Suspense! Find all our OTR radio stations and podcasts at theaterofthemind-otr.com - Audio Credit: The Old Time Radio Researchers Group. - All Podcasts @ Spreaker | Apple | YouTube | Spotify | Amazon | iHeart
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Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:06):
And now the night's presentation of radio's outstanding theater of
Prill's Suspense good Night, a story of devotion in which
a woman risks her life in order that her husband
might be spared. It's called the Tip our Star, Miss Loreene.
Speaker 2 (00:29):
Tuttle, Thanks for driving me to the station there.
Speaker 3 (00:43):
Pleasure, darling.
Speaker 2 (00:44):
You really shouldn't have.
Speaker 3 (00:45):
Now, let's not start that again.
Speaker 2 (00:47):
But the doctor told you to take it easy.
Speaker 3 (00:48):
He didn't tell me to hibernate. My heart isn't that bad.
We'll be together for a long time year.
Speaker 2 (00:54):
Thank God for that again.
Speaker 3 (00:56):
I thank him daily. Here comes a tree.
Speaker 2 (00:59):
Oh yeah, well, I'll be home as soon as I can.
Speaker 3 (01:02):
Call me when you get here, and i'll.
Speaker 2 (01:03):
Pick you off, all right, if you just.
Speaker 3 (01:06):
A minute, mister, what would you chip the cabby?
Speaker 4 (01:10):
Oh?
Speaker 5 (01:11):
Of course they are, thank you.
Speaker 6 (01:30):
It's Flora, missus Stratton.
Speaker 3 (01:31):
Thank you, mister Raymond.
Speaker 4 (01:42):
Come in and shut the door, Sit down and be quiet.
That's better. Just do as you're told and there won't
be any need for this gun to fight here.
Speaker 3 (01:54):
Who are you?
Speaker 4 (01:54):
I was about to ask you that I'm a name Stratton,
missus honey. I never thought of him as married. Who
mister Stratton. Your husband? Where is he on his way
to work?
Speaker 3 (02:04):
I just drove into the station.
Speaker 4 (02:05):
Yes, i'm missing hope you don't mind if I wait?
Speaker 3 (02:09):
What do you want with him?
Speaker 4 (02:10):
What do I want with him? I want to kill him?
Speaker 3 (02:13):
What what did you say? Why?
Speaker 4 (02:19):
What did he do to ruin me?
Speaker 3 (02:21):
My husband?
Speaker 4 (02:21):
Yes, but that's absurd, not to me. I had my
own business, a wife, two little girls. They're gone now,
everything gone since mister Stratton came into the picture. How
could he put me out of business, broke up my home?
Speaker 3 (02:35):
Well, however it happened, I'm sure he'll straighten it out.
If it's money you need, He's had.
Speaker 4 (02:40):
His chance only a week ago. I begged him to
help me. But I i'd had money, then my wife
would have stayed. I told him that he showed me out.
Speaker 3 (02:47):
Oh maybe he didn't understand.
Speaker 4 (02:48):
How I'll understand now.
Speaker 3 (02:51):
Well, i'll help you.
Speaker 4 (02:53):
I'll make out a check right now and call the
police as soon as I accepted. Oh, use, missus Stratton.
I'm going to be here when you husband comes home,
and you might as well get used to the idea.
There's nothing I can do about it, absolutely nothing.
Speaker 3 (03:15):
Maybe if I just talk, you'll understand all right. I
know you hate him. I know you don't care if
you're hung for killing him. I care, though I love him.
George and I we grew up together. I know him
better than you ever could. We went to school together.
(03:37):
If I speak to him, I'm sure I can get
him to do something if he was unfair to you.
If you kill him, you might as well kill me too.
I've been lost without him, trying to understand. Whatever you
can get by murder, you can do better. Otherwise there
won't be any need for revenge you. I won't call
(04:00):
the police if you give us this one chance. I promise,
I promise, I promise.
Speaker 4 (04:06):
I don't hear a word.
Speaker 3 (04:20):
I promise, I promise.
Speaker 4 (04:23):
It's twelve thirty now you've been at it for two
and a half hours. You can't possibly keep it up
until your husband gets home.
Speaker 3 (04:29):
You won't listen.
Speaker 4 (04:30):
That should be obvious. Listen, that should be obvious.
Speaker 3 (04:34):
It is it certainly is good.
Speaker 4 (04:36):
Maybe you'll be quiet?
Speaker 3 (04:37):
Quiet? You expect me to sit here and calmly wait
to see my husband shop by a madman?
Speaker 4 (04:43):
What else can you do? I can call a police
and I can stop you. You can try get away
from that phone.
Speaker 3 (04:48):
Go ahead, father, don't point that gun, use it that don.
Speaker 4 (04:55):
Get a word.
Speaker 3 (04:59):
I'll try to get I keep trying, trying.
Speaker 4 (05:02):
Not where the wires ripped out. You won't too. All
right now you can play with the phone all you want.
What's the matter? Not interested anymore?
Speaker 3 (05:16):
Why didn't you shoot me?
Speaker 4 (05:18):
It wasn't necessary?
Speaker 3 (05:19):
Is that the reason?
Speaker 4 (05:20):
Or are you afraid to don't get any wrong ideas?
Speaker 3 (05:23):
The noise might attract attention? Isn't that it might? Then,
for all your threats, you.
Speaker 4 (05:27):
Wouldn't use it, not until I had to.
Speaker 3 (05:30):
Well you have to right now.
Speaker 4 (05:32):
All I have to do is tie you up, jag
you until your husband comes home. Would you rather be
tied up? Who's that? I don't know, expecting anyone.
Speaker 3 (05:42):
I ordered some groceries on the way home this morning.
Could be the delivery boy.
Speaker 4 (05:48):
All right, there's your chance to hear the gun go off.
One wrong word out of you and I'll fire, but
not only at you, at the delivery boy too. You
wouldn't d try me? Then I killed both of you.
Whoever it is the wrong word, I'll kill both. You
may involve an innocent party in your problems, if you
wish the choice is yours? Go ahead open the door.
Speaker 7 (06:15):
Good afternoon, madam. I represent the Better Products Company, and.
Speaker 3 (06:18):
I wonder Oh, oh, come right in.
Speaker 7 (06:21):
Why thank you, madam oh man of the house.
Speaker 4 (06:25):
No, oh, I see, well now you're kind of busy
right now. Maybe you'd better come back later.
Speaker 3 (06:33):
Oh, not that dizzy. He may have something I need.
Speaker 5 (06:36):
Oh, I'm sure I have.
Speaker 4 (06:37):
Of course.
Speaker 7 (06:37):
I don't mean to intrude, but if you'll just take
a moment, the Better Products Company, by way of introduction,
is letting you have it. No obligation to you one
of these three items.
Speaker 4 (06:45):
We're busy.
Speaker 3 (06:45):
These are free, is that right?
Speaker 7 (06:49):
That's right, madam, Absolutely free, no obligation to you.
Speaker 4 (06:51):
Now.
Speaker 7 (06:52):
First there's this handy little cuticle pusher. Second, this dandy
plastic cover fits over any dish, and third this beautifully
carved letter opener.
Speaker 5 (07:00):
Take your choice, madam.
Speaker 3 (07:02):
I think I'll take the letter opener.
Speaker 4 (07:05):
A perfect choice. Yes, these are very popular.
Speaker 7 (07:08):
Now, if you care to look through this catalog, I'm
sure you'll find many useful household products which you may
want to order.
Speaker 5 (07:13):
On this page.
Speaker 7 (07:14):
For example, we have many specials and this is the
last day you can save up to thirty percent by
ordering now.
Speaker 3 (07:20):
I do need some of these items.
Speaker 7 (07:22):
Another time, well, I deprived the lady sir, of course
I didn't intend to true. Wait, my sample came, well,
goodbye off.
Speaker 3 (07:31):
Some other time.
Speaker 4 (07:33):
I didn't like that.
Speaker 3 (07:34):
I don't like you.
Speaker 4 (07:36):
Don't try anything like that again?
Speaker 3 (07:39):
Stay away from you?
Speaker 4 (07:39):
Don't try anything like that again?
Speaker 3 (07:41):
Or how does it stay away? Wait?
Speaker 4 (07:45):
By you drop that letter opener from me? You don't
want to fire this thing that I will drop that
letter open or drop it? That's better. I'll leave the
way to your medicine cabinet. You're going to find this
cut for me? No, I said, no, I'm not fooling
(08:05):
missus Streppton.
Speaker 8 (08:11):
This way.
Speaker 4 (08:24):
Oh that hurt.
Speaker 3 (08:27):
I'm glad there.
Speaker 4 (08:31):
Thanks. What's that poble? You take? My pills look healthy
to me.
Speaker 3 (08:38):
They're for my heart.
Speaker 4 (08:39):
Oh that's too bad. You shouldn't excite yourself. Good where
you're going.
Speaker 3 (08:46):
I'm following your advice. I'm going into the kitchen. I
am tender. Calmly take my pills and calmly drink a
cup of cup.
Speaker 9 (08:55):
I'll go along. I was sure you would, and brew
an extra cup for me. Here's your coffee sugar, I'll
get it.
Speaker 6 (09:17):
Here.
Speaker 10 (09:17):
It is.
Speaker 4 (09:21):
It's hot. I like it hot bad to please drink yours.
Speaker 3 (09:27):
Not at the same table. Thank you, it's a little
too chummy. I'll have mine over here.
Speaker 4 (09:32):
Suit yourself. I hope you don't mind if I turn
my chair around, though I don't like to have my
back to you. That's right, my manners.
Speaker 3 (09:54):
What time is it?
Speaker 4 (09:55):
Look at the clock?
Speaker 3 (09:56):
You're blocking it.
Speaker 4 (09:57):
How's that? What time?
Speaker 3 (10:00):
Look at the clock?
Speaker 4 (10:01):
My back is to it.
Speaker 3 (10:03):
Two ten?
Speaker 4 (10:06):
Maybe that's your delivery boy. Maybe yead answer it, but
don't forget what I said before. Still go choice? Is
yours the wrong word? I'll kill whoever's at the door.
I know.
Speaker 11 (10:19):
Home with eight nine three two five George Stratton, Yes,
from the telephone company and operates reports, so they couldn't
get through to you.
Speaker 5 (10:26):
May I look at your telephone?
Speaker 3 (10:27):
Of course, come in.
Speaker 5 (10:30):
Someone's been trying to reach you, I guess, and report it.
Say you heard this happened?
Speaker 6 (10:35):
Accident accident.
Speaker 4 (10:37):
I tlipped over the rug and grabbed the phone. As
I went down, the wires ripped out.
Speaker 5 (10:41):
It must have been quite a fool. Is that how
you hurt your hand?
Speaker 4 (10:45):
Yeah?
Speaker 5 (10:46):
I will have to reconnect those wires will.
Speaker 4 (10:48):
Take long no, I'm sorry.
Speaker 3 (10:50):
You have to go through the trouble.
Speaker 5 (10:51):
That's my job.
Speaker 3 (10:54):
Do you get many ripped wires?
Speaker 4 (10:57):
Oh? I imagine accidents happened.
Speaker 5 (10:59):
Oh not this kind.
Speaker 11 (11:00):
The only rip wire job I ever had, and I'm
working for the company for a long time. Friend of
mine did though. He went to the apartment fixed.
Speaker 3 (11:07):
It was it an accident.
Speaker 5 (11:10):
That's what the guy said.
Speaker 11 (11:11):
My friend found a guy in a gallon there when
he read the papers the next day found out the
gulls been.
Speaker 3 (11:16):
Murdered, and I guess it wasn't an accident.
Speaker 11 (11:19):
No, came out in court later the guy had ripped
the wires out.
Speaker 3 (11:23):
He could almost be the same here, couldn't it.
Speaker 5 (11:26):
Yeah, it could.
Speaker 4 (11:27):
Imagine if you read the paper come on and find
out missus strapping his murder.
Speaker 5 (11:33):
That show would be a coincidence.
Speaker 4 (11:35):
Room it.
Speaker 5 (11:37):
Was there, that wasn't bad.
Speaker 4 (11:40):
I just tested.
Speaker 5 (11:45):
Balsic here Elmwood eight nine three two five.
Speaker 11 (11:50):
Yeah right, thanks all set no trouble now that party'll
be able to reach you. Hi.
Speaker 4 (11:59):
You now you have your telephone and working on MM.
Silence is last? Or are you only sleepy?
Speaker 3 (12:12):
Sleepy? No?
Speaker 4 (12:14):
No, I'm not you look sleepy.
Speaker 3 (12:17):
No, I can't be the kill.
Speaker 4 (12:23):
There's your party, shall I answered?
Speaker 10 (12:26):
No?
Speaker 3 (12:26):
No, unlaunting. Hello, Oh mister Street, you were my telephone
was out of order. That's all right. Those things happened, Holly.
Oh fine, I didn't plan to use him today, thank you?
(12:48):
Who was that my grocery? He was rushed so he
couldn't make up my orders? Doing it now soon? I
don't know.
Speaker 4 (12:56):
You look tired, missus Trappton.
Speaker 3 (12:59):
No, I've got to stop.
Speaker 4 (13:03):
You can't blame you for trying.
Speaker 3 (13:08):
Why are you grinning at me like that?
Speaker 4 (13:10):
Are you sleepy? Missus Stratton.
Speaker 3 (13:14):
It's just it's hot here.
Speaker 4 (13:17):
You look very tired.
Speaker 3 (13:19):
I'm not as you are. Sleepy your coffee. I put
pills and my sleeping too. You fall asleep soon and
I'll call please.
Speaker 4 (13:39):
I switched the cups when you went for the sugar.
Oh no, why don't you stretch out on the couch.
Speaker 3 (13:47):
I mustn't, I mustn't.
Speaker 4 (13:50):
I can't stay away close.
Speaker 3 (13:53):
I've got away, George, George, What.
Speaker 4 (14:02):
A shame, Missus Trapton, wake up and find your husband dead?
Speaker 12 (14:07):
Juffy stuffy in here?
Speaker 4 (14:11):
Oh willow, let me go ahead, moltens missus.
Speaker 12 (14:18):
You sleep, oh, calmly, sleep well Missus Tratton, you are
(14:52):
listening to Miss Loreene Turtle in Carl Abram's story The
Tip tonight's presentation in Radio's outstanding Theater of Thrills Suspense.
Speaker 13 (15:14):
Later this evening, on most of these same stations, John
Lund makes his latest tour de force as Yours Truly
Johnny Dollar Dollar wides in when fraud, murder and double
cross dovetail neatly with the reappearance of a long missing painting.
Listen for the flowering Judas Matter involving Yours Truly Johnny
Dollar up to his neck in trouble later this evening.
Now we bring back to our Hollywood soundstage, Miss Loreene
(15:37):
Twettle in Elliot Lewis's production of The Tip, a tail
well calculated to keep you in suspense.
Speaker 3 (15:56):
Oh sleepy, I was sleepy.
Speaker 4 (16:06):
It was a dream, this nightmare, I'm afraid not, Missus Stratton.
That's right, it wasn't a dream.
Speaker 3 (16:15):
How long did I sleep?
Speaker 4 (16:16):
Long enough? It's five thirty. No, he must be doue
home soon.
Speaker 3 (16:20):
No, he's not coming home.
Speaker 4 (16:22):
I'm it's true about this time. I guess it takes
an hour to get here.
Speaker 3 (16:28):
Got to get home.
Speaker 4 (16:29):
Away from that door.
Speaker 3 (16:30):
I won't let you come.
Speaker 4 (16:35):
Convinced.
Speaker 6 (16:35):
You dods.
Speaker 3 (16:37):
I tell you.
Speaker 4 (16:43):
I should have tied and gagged you while you were sleepy.
Speaker 3 (16:46):
I didn't you.
Speaker 4 (16:47):
Because it's more interesting this way. You are a madman, No,
just a little boored with a full day of waiting
board murder. No murder has been committed yet, missus Stratton.
I'm sure things will be more exciting and your husband
comes home, won't you. I don't think you can stop me.
What have you done so far? You tried to drug
me a kid. Stunts are backfired. Worst of all, you've
(17:09):
been trying to stop me with brawn. That might be brave,
but let's face it, I'm stronger. Oh. You've done is
to earn yourself a few slaps and a throtling.
Speaker 3 (17:18):
You will get away with it.
Speaker 4 (17:19):
Stop repeating yourself. Sit down, that's better you see. I
already have your taking my commands, but that's to be expected.
You're a woman.
Speaker 3 (17:29):
Women are emotional, and you're a man, a big, brave
murderer who knows how to slap a woman.
Speaker 4 (17:35):
Natural for me to take advantage of my strength in
this situation.
Speaker 3 (17:38):
And you're superior, cunning, no doubt.
Speaker 4 (17:40):
Oh, I imagine you're just as smart, but not in
this kind of setup. As I said, women are emotions.
They can't think on a tight spot.
Speaker 3 (17:48):
I suppose there's a morraw to this little sermon.
Speaker 4 (17:50):
Simple, use your good sense and be still?
Speaker 3 (17:53):
Can I I reviews?
Speaker 4 (17:56):
That's probably your delivery? Open the door and shall I read?
I know?
Speaker 3 (18:00):
Not over?
Speaker 4 (18:01):
That's right, No, you was dragging the delivery boy into it.
Speaker 3 (18:08):
Good evening, missus Stratton. Michael. Hello, I'm sorry this is
so late. On top of everything. I forgot your bundle
on my last rum hand to go back for it.
That's all right? Shall I bring it in for you?
No need to doctor? Will you take this for me? Please?
Speaker 4 (18:23):
Sure? Right here?
Speaker 3 (18:26):
Suh, there you are one moment, Michael, I'll get some change.
Speaker 4 (18:29):
Don't bother.
Speaker 3 (18:30):
I have some Yeah, half a buck thanks, doc.
Speaker 4 (18:47):
Five after six pretty soon.
Speaker 3 (18:50):
Now you don't know what you're doing much.
Speaker 4 (18:52):
I don't another five minutes.
Speaker 3 (19:00):
You can't do it, you can't.
Speaker 4 (19:07):
You should be here in about fifteen minutes.
Speaker 3 (19:10):
Kill me, kill me?
Speaker 4 (19:17):
No, no, please.
Speaker 14 (19:20):
No, good evening, madam.
Speaker 7 (19:31):
I thought i'd stop back. You said you might want
to make an order before.
Speaker 4 (19:34):
I told you another time. Oh you're still here.
Speaker 7 (19:37):
Sorry, I had hoped you were gone. I didn't mean
to intrude again.
Speaker 4 (19:40):
But telln isn't he? Come on, missus Stator? Come on?
You don't want to miss the fund, do you? Yeah?
(20:02):
I have a figure apple cam your nerves.
Speaker 3 (20:04):
I don't thank you.
Speaker 4 (20:09):
Nine. Doesn't look like you ever smoked before.
Speaker 3 (20:19):
I used to. I'm not accustomed to it.
Speaker 4 (20:22):
Anymore now dragged deep, missus Stratton, we've only got about
ten minutes left.
Speaker 3 (20:38):
Hello, Hi, Milly, you have the wrong number? Doesn't this
have a green?
Speaker 4 (20:43):
Three?
Speaker 6 (20:43):
Five, nine, six four?
Speaker 4 (20:44):
No?
Speaker 3 (20:45):
Are you sure?
Speaker 5 (20:47):
You're sure?
Speaker 9 (20:47):
Sound like Milly?
Speaker 3 (20:48):
I'm not Milly whoever?
Speaker 4 (20:49):
That is? Okay, I'm sorry, goodbye? But you're sure?
Speaker 3 (20:53):
Sound like goodbye?
Speaker 4 (20:55):
Annoying at a time like this, isn't it?
Speaker 3 (20:57):
What do you think?
Speaker 4 (20:58):
I think? Hey, don't you know something funny? Something burning?
Speaker 3 (21:04):
I don't know anything I do.
Speaker 4 (21:06):
What do you do with your cigarette?
Speaker 3 (21:07):
My cigarette?
Speaker 4 (21:08):
It's smoking well through your lit cigarette on the couch,
didn't you Yes?
Speaker 3 (21:12):
I did.
Speaker 4 (21:12):
Well. There's nothing like a fire to attract attention, right
you are?
Speaker 14 (21:17):
What are you going to do?
Speaker 4 (21:18):
Put your little campfire on the first I got to
be sure you're safely out of the way.
Speaker 6 (21:23):
More.
Speaker 4 (21:25):
I know right here.
Speaker 3 (21:35):
Let me all.
Speaker 4 (21:37):
Let me if I can get that fire you started
under control.
Speaker 3 (21:41):
If not so bad, please please please let me out.
Speaker 4 (21:54):
Is that nice? After I rescue Bee Bee? I don't
get Missus Strapton, the fire is out raise more smoke
when I poured water on it, though, than when it
was burning. I hope it didn't frighten you.
Speaker 3 (22:10):
Chill you.
Speaker 4 (22:11):
I guess I heard a lot of burn turn up.
It's not come now, Missus strapp from your husband has
the key of his own. Open the door and say
who is and make sure you get rid of them fast.
Speaker 6 (22:29):
Missus fatten the neighbors, they say they smell smoke.
Speaker 3 (22:34):
Smoke.
Speaker 4 (22:35):
You better let me look around.
Speaker 3 (22:40):
There's no need. What's the oh that it's all right now?
Speaker 4 (22:44):
Cigarette slip behind the cushions.
Speaker 6 (22:47):
I see, well, it's all out now.
Speaker 4 (22:50):
It only took one pot of water. I see. Oh
he is a mister strattonhole not yet, I see, you'll
say too much.
Speaker 6 (22:59):
Well, I don't see anything.
Speaker 4 (23:00):
I see a lot, but I don't see anything, all right,
you see not go huh oh? Yeah, well I suppose
I'm in the way.
Speaker 3 (23:08):
No, Miss Raymond, You're not in the way.
Speaker 4 (23:10):
In fact, well, that's all right, missus Stratton.
Speaker 11 (23:12):
I pride myself on not being naise I understand how
things happen.
Speaker 6 (23:18):
Just be careful not to set the building up.
Speaker 3 (23:24):
What are you trying to do? What kind of ideas
were you trying to put into his mind?
Speaker 4 (23:29):
They were already there. I can't help the way he
thinks that might be something though, husband slain in Loveness. Quiet,
all right, and my apologies if I've seen drew, But
don't try it again or I might use that alibi.
Speaker 3 (23:51):
My pills. Oh, please get me my pills to yourself.
Speaker 4 (23:57):
Please. I told you I wouldn't trust you alone for that.
Speaker 3 (24:00):
I'll be still.
Speaker 4 (24:04):
Yeah, take it.
Speaker 2 (24:07):
Hello, Hi, Joe, I'm down the station. I still want
to pick.
Speaker 3 (24:10):
Me up, pick you up.
Speaker 4 (24:12):
I am careful.
Speaker 3 (24:15):
I'd love to matter, matter nothing, nothing, way, Joe.
Speaker 9 (24:22):
You have another attack?
Speaker 4 (24:23):
No, no, joge hold on, I'll take a text.
Speaker 3 (24:26):
No George, no, no, don't come home. Don't come home, George,
don't don't come home.
Speaker 4 (24:49):
Cab just pulled away. He's on his way up.
Speaker 3 (24:52):
Now, let him talk to you. Give him that wood chance.
Speaker 4 (24:56):
He'll die as he stepped through that door. You do, Joe,
You hear him oh.
Speaker 3 (25:05):
Please, I may you please, I'm not well. I'm not well.
Run joyde run go up the job.
Speaker 14 (25:24):
Run, run, run.
Speaker 4 (25:42):
Well. Missus Trodden, good work, she said, took her along enough.
I gave her a pretty hard time.
Speaker 15 (25:50):
I don't hear about pretty smart idea. I'll pay you
off as so as the insurance comes through.
Speaker 4 (25:58):
Anybody see you here, anybody see this place is like
Grand Simon.
Speaker 2 (26:04):
All right, let's get our story straight.
Speaker 15 (26:06):
Then we were both here when it happens here, an
old friend, an old friend. You spent the day here. Okay,
I'll call a doctor.
Speaker 4 (26:13):
The doctor. I had her so scared she even called
me her doctor. But she was so scared she covered
my being here by calling me her doctor. When the
kid was here with the bundles, he said to me
take these for me, doctor. What kid? The delivery boy,
Mike I think her name was Mike.
Speaker 2 (26:35):
Michael caught.
Speaker 1 (26:35):
That delivery boy is doctor Court's son, her doctor, the
only doctor she's ever had.
Speaker 16 (26:42):
Missus Stratton, Missus Stratton, this is doctor.
Speaker 6 (26:46):
Court, Missus Stratton.
Speaker 16 (26:48):
Is anything wrong, Missus Stratton. Open the door, officer, open
it all, Open up.
Speaker 4 (26:58):
The name of the.
Speaker 10 (26:59):
Law suspense in which Lorene title was starting the tip.
Speaker 13 (27:22):
By nineteen sixty, our population will top one hundred and
eighty million. Every year there are more families and bigger families,
creating new consumer needs, asking better roads and transportation, seeking
new communities with more elbow space. The future of America
can look very bright to you and your neighbors when
you think of the new roads, new factories, new services
are increasing population demands.
Speaker 4 (27:42):
Have faith in the future of America.
Speaker 1 (27:44):
Next week the story of a man who killed and
the woman who helped him try to get away with it.
It's called Run, Sheep, Run, and it will star Kathy
and Elliot Lewis. That's next week on Suspense. The Spence
is produced and directed by Elliot Lewis, with music composed
by Lucian Marroovick and conducted by lud Gluskin. The Tip
(28:06):
was written for suspense by Carl Abrams. In Tonight's story,
Herb Butterfield was heard as the stranger and high ever
back as George Teaching of the cast for Howard mcneer,
Jerry Housner, Shepmankin, Dick Fields and Eddie Fields and Remember.
Next week Martin Fine and David Friedkins's new play Run
sheep Run starring Kaffy and Elliott Lewis.
Speaker 13 (28:28):
America listens most to the CBS Radio network, Bat Batt
And now the night's presentation of radio's outstanding theater of
Prill's Suspense good Night, a story of devotion in which
a woman risks her life in order that her husband
might be spared. It's called the Tip our Star, Miss Loreene.
Speaker 2 (00:29):
Tuttle, Thanks for driving me to the station there.
Speaker 3 (00:43):
Pleasure, darling.
Speaker 2 (00:44):
You really shouldn't have.
Speaker 3 (00:45):
Now, let's not start that again.
Speaker 2 (00:47):
But the doctor told you to take it easy.
Speaker 3 (00:48):
He didn't tell me to hibernate. My heart isn't that bad.
We'll be together for a long time year.
Speaker 2 (00:54):
Thank God for that again.
Speaker 3 (00:56):
I thank him daily. Here comes a tree.
Speaker 2 (00:59):
Oh yeah, well, I'll be home as soon as I can.
Speaker 3 (01:02):
Call me when you get here, and i'll.
Speaker 2 (01:03):
Pick you off, all right, if you just.
Speaker 3 (01:06):
A minute, mister, what would you chip the cabby?
Speaker 4 (01:10):
Oh?
Speaker 5 (01:11):
Of course they are, thank you.
Speaker 6 (01:30):
It's Flora, missus Stratton.
Speaker 3 (01:31):
Thank you, mister Raymond.
Speaker 4 (01:42):
Come in and shut the door, Sit down and be quiet.
That's better. Just do as you're told and there won't
be any need for this gun to fight here.
Speaker 3 (01:54):
Who are you?
Speaker 4 (01:54):
I was about to ask you that I'm a name Stratton,
missus honey. I never thought of him as married. Who
mister Stratton. Your husband? Where is he on his way
to work?
Speaker 3 (02:04):
I just drove into the station.
Speaker 4 (02:05):
Yes, i'm missing hope you don't mind if I wait?
Speaker 3 (02:09):
What do you want with him?
Speaker 4 (02:10):
What do I want with him? I want to kill him?
Speaker 3 (02:13):
What what did you say? Why?
Speaker 4 (02:19):
What did he do to ruin me?
Speaker 3 (02:21):
My husband?
Speaker 4 (02:21):
Yes, but that's absurd, not to me. I had my
own business, a wife, two little girls. They're gone now,
everything gone since mister Stratton came into the picture. How
could he put me out of business, broke up my home?
Speaker 3 (02:35):
Well, however it happened, I'm sure he'll straighten it out.
If it's money you need, He's had.
Speaker 4 (02:40):
His chance only a week ago. I begged him to
help me. But I i'd had money, then my wife
would have stayed. I told him that he showed me out.
Speaker 3 (02:47):
Oh maybe he didn't understand.
Speaker 4 (02:48):
How I'll understand now.
Speaker 3 (02:51):
Well, i'll help you.
Speaker 4 (02:53):
I'll make out a check right now and call the
police as soon as I accepted. Oh, use, missus Stratton.
I'm going to be here when you husband comes home,
and you might as well get used to the idea.
There's nothing I can do about it, absolutely nothing.
Speaker 3 (03:15):
Maybe if I just talk, you'll understand all right. I
know you hate him. I know you don't care if
you're hung for killing him. I care, though I love him.
George and I we grew up together. I know him
better than you ever could. We went to school together.
(03:37):
If I speak to him, I'm sure I can get
him to do something if he was unfair to you.
If you kill him, you might as well kill me too.
I've been lost without him, trying to understand. Whatever you
can get by murder, you can do better. Otherwise there
won't be any need for revenge you. I won't call
(04:00):
the police if you give us this one chance. I promise,
I promise, I promise.
Speaker 4 (04:06):
I don't hear a word.
Speaker 3 (04:20):
I promise, I promise.
Speaker 4 (04:23):
It's twelve thirty now you've been at it for two
and a half hours. You can't possibly keep it up
until your husband gets home.
Speaker 3 (04:29):
You won't listen.
Speaker 4 (04:30):
That should be obvious. Listen, that should be obvious.
Speaker 3 (04:34):
It is it certainly is good.
Speaker 4 (04:36):
Maybe you'll be quiet?
Speaker 3 (04:37):
Quiet? You expect me to sit here and calmly wait
to see my husband shop by a madman?
Speaker 4 (04:43):
What else can you do? I can call a police
and I can stop you. You can try get away
from that phone.
Speaker 3 (04:48):
Go ahead, father, don't point that gun, use it that don.
Speaker 4 (04:55):
Get a word.
Speaker 3 (04:59):
I'll try to get I keep trying, trying.
Speaker 4 (05:02):
Not where the wires ripped out. You won't too. All
right now you can play with the phone all you want.
What's the matter? Not interested anymore?
Speaker 3 (05:16):
Why didn't you shoot me?
Speaker 4 (05:18):
It wasn't necessary?
Speaker 3 (05:19):
Is that the reason?
Speaker 4 (05:20):
Or are you afraid to don't get any wrong ideas?
Speaker 3 (05:23):
The noise might attract attention? Isn't that it might? Then,
for all your threats, you.
Speaker 4 (05:27):
Wouldn't use it, not until I had to.
Speaker 3 (05:30):
Well you have to right now.
Speaker 4 (05:32):
All I have to do is tie you up, jag
you until your husband comes home. Would you rather be
tied up? Who's that? I don't know, expecting anyone.
Speaker 3 (05:42):
I ordered some groceries on the way home this morning.
Could be the delivery boy.
Speaker 4 (05:48):
All right, there's your chance to hear the gun go off.
One wrong word out of you and I'll fire, but
not only at you, at the delivery boy too. You
wouldn't d try me? Then I killed both of you.
Whoever it is the wrong word, I'll kill both. You
may involve an innocent party in your problems, if you
wish the choice is yours? Go ahead open the door.
Speaker 7 (06:15):
Good afternoon, madam. I represent the Better Products Company, and.
Speaker 3 (06:18):
I wonder Oh, oh, come right in.
Speaker 7 (06:21):
Why thank you, madam oh man of the house.
Speaker 4 (06:25):
No, oh, I see, well now you're kind of busy
right now. Maybe you'd better come back later.
Speaker 3 (06:33):
Oh, not that dizzy. He may have something I need.
Speaker 5 (06:36):
Oh, I'm sure I have.
Speaker 4 (06:37):
Of course.
Speaker 7 (06:37):
I don't mean to intrude, but if you'll just take
a moment, the Better Products Company, by way of introduction,
is letting you have it. No obligation to you one
of these three items.
Speaker 4 (06:45):
We're busy.
Speaker 3 (06:45):
These are free, is that right?
Speaker 7 (06:49):
That's right, madam, Absolutely free, no obligation to you.
Speaker 4 (06:51):
Now.
Speaker 7 (06:52):
First there's this handy little cuticle pusher. Second, this dandy
plastic cover fits over any dish, and third this beautifully
carved letter opener.
Speaker 5 (07:00):
Take your choice, madam.
Speaker 3 (07:02):
I think I'll take the letter opener.
Speaker 4 (07:05):
A perfect choice. Yes, these are very popular.
Speaker 7 (07:08):
Now, if you care to look through this catalog, I'm
sure you'll find many useful household products which you may
want to order.
Speaker 5 (07:13):
On this page.
Speaker 7 (07:14):
For example, we have many specials and this is the
last day you can save up to thirty percent by
ordering now.
Speaker 3 (07:20):
I do need some of these items.
Speaker 7 (07:22):
Another time, well, I deprived the lady sir, of course
I didn't intend to true. Wait, my sample came, well,
goodbye off.
Speaker 3 (07:31):
Some other time.
Speaker 4 (07:33):
I didn't like that.
Speaker 3 (07:34):
I don't like you.
Speaker 4 (07:36):
Don't try anything like that again?
Speaker 3 (07:39):
Stay away from you?
Speaker 4 (07:39):
Don't try anything like that again?
Speaker 3 (07:41):
Or how does it stay away? Wait?
Speaker 4 (07:45):
By you drop that letter opener from me? You don't
want to fire this thing that I will drop that
letter open or drop it? That's better. I'll leave the
way to your medicine cabinet. You're going to find this
cut for me? No, I said, no, I'm not fooling
(08:05):
missus Streppton.
Speaker 8 (08:11):
This way.
Speaker 4 (08:24):
Oh that hurt.
Speaker 3 (08:27):
I'm glad there.
Speaker 4 (08:31):
Thanks. What's that poble? You take? My pills look healthy
to me.
Speaker 3 (08:38):
They're for my heart.
Speaker 4 (08:39):
Oh that's too bad. You shouldn't excite yourself. Good where
you're going.
Speaker 3 (08:46):
I'm following your advice. I'm going into the kitchen. I
am tender. Calmly take my pills and calmly drink a
cup of cup.
Speaker 9 (08:55):
I'll go along. I was sure you would, and brew
an extra cup for me. Here's your coffee sugar, I'll
get it.
Speaker 6 (09:17):
Here.
Speaker 10 (09:17):
It is.
Speaker 4 (09:21):
It's hot. I like it hot bad to please drink yours.
Speaker 3 (09:27):
Not at the same table. Thank you, it's a little
too chummy. I'll have mine over here.
Speaker 4 (09:32):
Suit yourself. I hope you don't mind if I turn
my chair around, though I don't like to have my
back to you. That's right, my manners.
Speaker 3 (09:54):
What time is it?
Speaker 4 (09:55):
Look at the clock?
Speaker 3 (09:56):
You're blocking it.
Speaker 4 (09:57):
How's that? What time?
Speaker 3 (10:00):
Look at the clock?
Speaker 4 (10:01):
My back is to it.
Speaker 3 (10:03):
Two ten?
Speaker 4 (10:06):
Maybe that's your delivery boy. Maybe yead answer it, but
don't forget what I said before. Still go choice? Is
yours the wrong word? I'll kill whoever's at the door.
I know.
Speaker 11 (10:19):
Home with eight nine three two five George Stratton, Yes,
from the telephone company and operates reports, so they couldn't
get through to you.
Speaker 5 (10:26):
May I look at your telephone?
Speaker 3 (10:27):
Of course, come in.
Speaker 5 (10:30):
Someone's been trying to reach you, I guess, and report it.
Say you heard this happened?
Speaker 6 (10:35):
Accident accident.
Speaker 4 (10:37):
I tlipped over the rug and grabbed the phone. As
I went down, the wires ripped out.
Speaker 5 (10:41):
It must have been quite a fool. Is that how
you hurt your hand?
Speaker 4 (10:45):
Yeah?
Speaker 5 (10:46):
I will have to reconnect those wires will.
Speaker 4 (10:48):
Take long no, I'm sorry.
Speaker 3 (10:50):
You have to go through the trouble.
Speaker 5 (10:51):
That's my job.
Speaker 3 (10:54):
Do you get many ripped wires?
Speaker 4 (10:57):
Oh? I imagine accidents happened.
Speaker 5 (10:59):
Oh not this kind.
Speaker 11 (11:00):
The only rip wire job I ever had, and I'm
working for the company for a long time. Friend of
mine did though. He went to the apartment fixed.
Speaker 3 (11:07):
It was it an accident.
Speaker 5 (11:10):
That's what the guy said.
Speaker 11 (11:11):
My friend found a guy in a gallon there when
he read the papers the next day found out the
gulls been.
Speaker 3 (11:16):
Murdered, and I guess it wasn't an accident.
Speaker 11 (11:19):
No, came out in court later the guy had ripped
the wires out.
Speaker 3 (11:23):
He could almost be the same here, couldn't it.
Speaker 5 (11:26):
Yeah, it could.
Speaker 4 (11:27):
Imagine if you read the paper come on and find
out missus strapping his murder.
Speaker 5 (11:33):
That show would be a coincidence.
Speaker 4 (11:35):
Room it.
Speaker 5 (11:37):
Was there, that wasn't bad.
Speaker 4 (11:40):
I just tested.
Speaker 5 (11:45):
Balsic here Elmwood eight nine three two five.
Speaker 11 (11:50):
Yeah right, thanks all set no trouble now that party'll
be able to reach you. Hi.
Speaker 4 (11:59):
You now you have your telephone and working on MM.
Silence is last? Or are you only sleepy?
Speaker 3 (12:12):
Sleepy? No?
Speaker 4 (12:14):
No, I'm not you look sleepy.
Speaker 3 (12:17):
No, I can't be the kill.
Speaker 4 (12:23):
There's your party, shall I answered?
Speaker 10 (12:26):
No?
Speaker 3 (12:26):
No, unlaunting. Hello, Oh mister Street, you were my telephone
was out of order. That's all right. Those things happened, Holly.
Oh fine, I didn't plan to use him today, thank you?
(12:48):
Who was that my grocery? He was rushed so he
couldn't make up my orders? Doing it now soon? I
don't know.
Speaker 4 (12:56):
You look tired, missus Trappton.
Speaker 3 (12:59):
No, I've got to stop.
Speaker 4 (13:03):
You can't blame you for trying.
Speaker 3 (13:08):
Why are you grinning at me like that?
Speaker 4 (13:10):
Are you sleepy? Missus Stratton.
Speaker 3 (13:14):
It's just it's hot here.
Speaker 4 (13:17):
You look very tired.
Speaker 3 (13:19):
I'm not as you are. Sleepy your coffee. I put
pills and my sleeping too. You fall asleep soon and
I'll call please.
Speaker 4 (13:39):
I switched the cups when you went for the sugar.
Oh no, why don't you stretch out on the couch.
Speaker 3 (13:47):
I mustn't, I mustn't.
Speaker 4 (13:50):
I can't stay away close.
Speaker 3 (13:53):
I've got away, George, George, What.
Speaker 4 (14:02):
A shame, Missus Trapton, wake up and find your husband dead?
Speaker 12 (14:07):
Juffy stuffy in here?
Speaker 4 (14:11):
Oh willow, let me go ahead, moltens missus.
Speaker 12 (14:18):
You sleep, oh, calmly, sleep well Missus Tratton, you are
(14:52):
listening to Miss Loreene Turtle in Carl Abram's story The
Tip tonight's presentation in Radio's outstanding Theater of Thrills Suspense.
Speaker 13 (15:14):
Later this evening, on most of these same stations, John
Lund makes his latest tour de force as Yours Truly
Johnny Dollar Dollar wides in when fraud, murder and double
cross dovetail neatly with the reappearance of a long missing painting.
Listen for the flowering Judas Matter involving Yours Truly Johnny
Dollar up to his neck in trouble later this evening.
Now we bring back to our Hollywood soundstage, Miss Loreene
(15:37):
Twettle in Elliot Lewis's production of The Tip, a tail
well calculated to keep you in suspense.
Speaker 3 (15:56):
Oh sleepy, I was sleepy.
Speaker 4 (16:06):
It was a dream, this nightmare, I'm afraid not, Missus Stratton.
That's right, it wasn't a dream.
Speaker 3 (16:15):
How long did I sleep?
Speaker 4 (16:16):
Long enough? It's five thirty. No, he must be doue
home soon.
Speaker 3 (16:20):
No, he's not coming home.
Speaker 4 (16:22):
I'm it's true about this time. I guess it takes
an hour to get here.
Speaker 3 (16:28):
Got to get home.
Speaker 4 (16:29):
Away from that door.
Speaker 3 (16:30):
I won't let you come.
Speaker 4 (16:35):
Convinced.
Speaker 6 (16:35):
You dods.
Speaker 3 (16:37):
I tell you.
Speaker 4 (16:43):
I should have tied and gagged you while you were sleepy.
Speaker 3 (16:46):
I didn't you.
Speaker 4 (16:47):
Because it's more interesting this way. You are a madman, No,
just a little boored with a full day of waiting
board murder. No murder has been committed yet, missus Stratton.
I'm sure things will be more exciting and your husband
comes home, won't you. I don't think you can stop me.
What have you done so far? You tried to drug
me a kid. Stunts are backfired. Worst of all, you've
(17:09):
been trying to stop me with brawn. That might be brave,
but let's face it, I'm stronger. Oh. You've done is
to earn yourself a few slaps and a throtling.
Speaker 3 (17:18):
You will get away with it.
Speaker 4 (17:19):
Stop repeating yourself. Sit down, that's better you see. I
already have your taking my commands, but that's to be expected.
You're a woman.
Speaker 3 (17:29):
Women are emotional, and you're a man, a big, brave
murderer who knows how to slap a woman.
Speaker 4 (17:35):
Natural for me to take advantage of my strength in
this situation.
Speaker 3 (17:38):
And you're superior, cunning, no doubt.
Speaker 4 (17:40):
Oh, I imagine you're just as smart, but not in
this kind of setup. As I said, women are emotions.
They can't think on a tight spot.
Speaker 3 (17:48):
I suppose there's a morraw to this little sermon.
Speaker 4 (17:50):
Simple, use your good sense and be still?
Speaker 3 (17:53):
Can I I reviews?
Speaker 4 (17:56):
That's probably your delivery? Open the door and shall I read?
I know?
Speaker 3 (18:00):
Not over?
Speaker 4 (18:01):
That's right, No, you was dragging the delivery boy into it.
Speaker 3 (18:08):
Good evening, missus Stratton. Michael. Hello, I'm sorry this is
so late. On top of everything. I forgot your bundle
on my last rum hand to go back for it.
That's all right? Shall I bring it in for you?
No need to doctor? Will you take this for me? Please?
Speaker 4 (18:23):
Sure? Right here?
Speaker 3 (18:26):
Suh, there you are one moment, Michael, I'll get some change.
Speaker 4 (18:29):
Don't bother.
Speaker 3 (18:30):
I have some Yeah, half a buck thanks, doc.
Speaker 4 (18:47):
Five after six pretty soon.
Speaker 3 (18:50):
Now you don't know what you're doing much.
Speaker 4 (18:52):
I don't another five minutes.
Speaker 3 (19:00):
You can't do it, you can't.
Speaker 4 (19:07):
You should be here in about fifteen minutes.
Speaker 3 (19:10):
Kill me, kill me?
Speaker 4 (19:17):
No, no, please.
Speaker 14 (19:20):
No, good evening, madam.
Speaker 7 (19:31):
I thought i'd stop back. You said you might want
to make an order before.
Speaker 4 (19:34):
I told you another time. Oh you're still here.
Speaker 7 (19:37):
Sorry, I had hoped you were gone. I didn't mean
to intrude again.
Speaker 4 (19:40):
But telln isn't he? Come on, missus Stator? Come on?
You don't want to miss the fund, do you? Yeah?
(20:02):
I have a figure apple cam your nerves.
Speaker 3 (20:04):
I don't thank you.
Speaker 4 (20:09):
Nine. Doesn't look like you ever smoked before.
Speaker 3 (20:19):
I used to. I'm not accustomed to it.
Speaker 4 (20:22):
Anymore now dragged deep, missus Stratton, we've only got about
ten minutes left.
Speaker 3 (20:38):
Hello, Hi, Milly, you have the wrong number? Doesn't this
have a green?
Speaker 4 (20:43):
Three?
Speaker 6 (20:43):
Five, nine, six four?
Speaker 4 (20:44):
No?
Speaker 3 (20:45):
Are you sure?
Speaker 5 (20:47):
You're sure?
Speaker 9 (20:47):
Sound like Milly?
Speaker 3 (20:48):
I'm not Milly whoever?
Speaker 4 (20:49):
That is? Okay, I'm sorry, goodbye? But you're sure?
Speaker 3 (20:53):
Sound like goodbye?
Speaker 4 (20:55):
Annoying at a time like this, isn't it?
Speaker 3 (20:57):
What do you think?
Speaker 4 (20:58):
I think? Hey, don't you know something funny? Something burning?
Speaker 3 (21:04):
I don't know anything I do.
Speaker 4 (21:06):
What do you do with your cigarette?
Speaker 3 (21:07):
My cigarette?
Speaker 4 (21:08):
It's smoking well through your lit cigarette on the couch,
didn't you Yes?
Speaker 3 (21:12):
I did.
Speaker 4 (21:12):
Well. There's nothing like a fire to attract attention, right
you are?
Speaker 14 (21:17):
What are you going to do?
Speaker 4 (21:18):
Put your little campfire on the first I got to
be sure you're safely out of the way.
Speaker 6 (21:23):
More.
Speaker 4 (21:25):
I know right here.
Speaker 3 (21:35):
Let me all.
Speaker 4 (21:37):
Let me if I can get that fire you started
under control.
Speaker 3 (21:41):
If not so bad, please please please let me out.
Speaker 4 (21:54):
Is that nice? After I rescue Bee Bee? I don't
get Missus Strapton, the fire is out raise more smoke
when I poured water on it, though, than when it
was burning. I hope it didn't frighten you.
Speaker 3 (22:10):
Chill you.
Speaker 4 (22:11):
I guess I heard a lot of burn turn up.
It's not come now, Missus strapp from your husband has
the key of his own. Open the door and say
who is and make sure you get rid of them fast.
Speaker 6 (22:29):
Missus fatten the neighbors, they say they smell smoke.
Speaker 3 (22:34):
Smoke.
Speaker 4 (22:35):
You better let me look around.
Speaker 3 (22:40):
There's no need. What's the oh that it's all right now?
Speaker 4 (22:44):
Cigarette slip behind the cushions.
Speaker 6 (22:47):
I see, well, it's all out now.
Speaker 4 (22:50):
It only took one pot of water. I see. Oh
he is a mister strattonhole not yet, I see, you'll
say too much.
Speaker 6 (22:59):
Well, I don't see anything.
Speaker 4 (23:00):
I see a lot, but I don't see anything, all right,
you see not go huh oh? Yeah, well I suppose
I'm in the way.
Speaker 3 (23:08):
No, Miss Raymond, You're not in the way.
Speaker 4 (23:10):
In fact, well, that's all right, missus Stratton.
Speaker 11 (23:12):
I pride myself on not being naise I understand how
things happen.
Speaker 6 (23:18):
Just be careful not to set the building up.
Speaker 3 (23:24):
What are you trying to do? What kind of ideas
were you trying to put into his mind?
Speaker 4 (23:29):
They were already there. I can't help the way he
thinks that might be something though, husband slain in Loveness. Quiet,
all right, and my apologies if I've seen drew, But
don't try it again or I might use that alibi.
Speaker 3 (23:51):
My pills. Oh, please get me my pills to yourself.
Speaker 4 (23:57):
Please. I told you I wouldn't trust you alone for that.
Speaker 3 (24:00):
I'll be still.
Speaker 4 (24:04):
Yeah, take it.
Speaker 2 (24:07):
Hello, Hi, Joe, I'm down the station. I still want
to pick.
Speaker 3 (24:10):
Me up, pick you up.
Speaker 4 (24:12):
I am careful.
Speaker 3 (24:15):
I'd love to matter, matter nothing, nothing, way, Joe.
Speaker 9 (24:22):
You have another attack?
Speaker 4 (24:23):
No, no, joge hold on, I'll take a text.
Speaker 3 (24:26):
No George, no, no, don't come home. Don't come home, George,
don't don't come home.
Speaker 4 (24:49):
Cab just pulled away. He's on his way up.
Speaker 3 (24:52):
Now, let him talk to you. Give him that wood chance.
Speaker 4 (24:56):
He'll die as he stepped through that door. You do, Joe,
You hear him oh.
Speaker 3 (25:05):
Please, I may you please, I'm not well. I'm not well.
Run joyde run go up the job.
Speaker 14 (25:24):
Run, run, run.
Speaker 4 (25:42):
Well. Missus Trodden, good work, she said, took her along enough.
I gave her a pretty hard time.
Speaker 15 (25:50):
I don't hear about pretty smart idea. I'll pay you
off as so as the insurance comes through.
Speaker 4 (25:58):
Anybody see you here, anybody see this place is like
Grand Simon.
Speaker 2 (26:04):
All right, let's get our story straight.
Speaker 15 (26:06):
Then we were both here when it happens here, an
old friend, an old friend. You spent the day here. Okay,
I'll call a doctor.
Speaker 4 (26:13):
The doctor. I had her so scared she even called
me her doctor. But she was so scared she covered
my being here by calling me her doctor. When the
kid was here with the bundles, he said to me
take these for me, doctor. What kid? The delivery boy,
Mike I think her name was Mike.
Speaker 2 (26:35):
Michael caught.
Speaker 1 (26:35):
That delivery boy is doctor Court's son, her doctor, the
only doctor she's ever had.
Speaker 16 (26:42):
Missus Stratton, Missus Stratton, this is doctor.
Speaker 6 (26:46):
Court, Missus Stratton.
Speaker 16 (26:48):
Is anything wrong, Missus Stratton. Open the door, officer, open
it all, Open up.
Speaker 4 (26:58):
The name of the.
Speaker 10 (26:59):
Law suspense in which Lorene title was starting the tip.
Speaker 13 (27:22):
By nineteen sixty, our population will top one hundred and
eighty million. Every year there are more families and bigger families,
creating new consumer needs, asking better roads and transportation, seeking
new communities with more elbow space. The future of America
can look very bright to you and your neighbors when
you think of the new roads, new factories, new services
are increasing population demands.
Speaker 4 (27:42):
Have faith in the future of America.
Speaker 1 (27:44):
Next week the story of a man who killed and
the woman who helped him try to get away with it.
It's called Run, Sheep, Run, and it will star Kathy
and Elliot Lewis. That's next week on Suspense. The Spence
is produced and directed by Elliot Lewis, with music composed
by Lucian Marroovick and conducted by lud Gluskin. The Tip
(28:06):
was written for suspense by Carl Abrams. In Tonight's story,
Herb Butterfield was heard as the stranger and high ever
back as George Teaching of the cast for Howard mcneer,
Jerry Housner, Shepmankin, Dick Fields and Eddie Fields and Remember.
Next week Martin Fine and David Friedkins's new play Run
sheep Run starring Kaffy and Elliott Lewis.
Speaker 13 (28:28):
America listens most to the CBS Radio network, Bat Batt
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