September 21, 2025 • 28 mins
Suspense was one of the most popular and successful radio series during it's run of over 900 episodes, spanning 1940-1962. Guest stars included Orson Welles, Frank Sinatra, Lucille Ball, Agnes Moorehead, Marlene Dietrich and Humphrey Bogart. The plots were mostly engaging crime dramas, science fiction and some horror - usually with a surprise ending.
Hope you enjoy this episode of Suspense! Find all our OTR radio stations and podcasts at theaterofthemind-otr.com - Audio Credit: The Old Time Radio Researchers Group. - All Podcasts @ Spreaker | Apple | YouTube | Spotify | Amazon | iHeart
Hope you enjoy this episode of Suspense! Find all our OTR radio stations and podcasts at theaterofthemind-otr.com - Audio Credit: The Old Time Radio Researchers Group. - All Podcasts @ Spreaker | Apple | YouTube | Spotify | Amazon | iHeart
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Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:05):
Auto light and it's ninety eight thousand dealers. Bring you,
mister Joseph Cotton. In Tonight's presentation of suspense, Tonight Autolite
presents a story based on flat an American legend of
love and death. As we recreate the tragic history of
(00:26):
Tom Dooley, our star, mister Joseph Cotton, Hey will catch
you where you rationing like a lo co coyote. Hi, Sheriff, Well,
I've got a date to tell folks that for the swellest,
sweetest and smoothest performance money can buy, you just can't
(00:47):
beat those world famous significan engineered auto light sparklight. Well,
even an agrant critter like me, No red sure, Sheriff,
and I'll bet you also know that if your presence
spark plugs aren't functioning properly, your car won't give you
the performance It should. Have those spark plugs checked by
your Autolite spark plug dealer, the expert in cleaning and adjustment,
(01:08):
and if replacements are needed, he'll recommend agnition engineered auto
light spark plugs either standard or resistor time ep ware,
the smoothing gramm or slapjacks. Right, you are so see
you're nearest auto light spark plug dealer to quickly locate him,
phone Western Union by number and ask for operator twenty five. Remember,
from bumper to tail light, you're always right with Autolite
(01:33):
And now Autolite presents Tom Dooley, starring mister Joseph Cotton,
hoping once again to keep you in suspense.
Speaker 2 (01:47):
Bow down your head, Tom Dooley, Bow down your head
and cry. Bow down your head, Tom Dooley. If you
know you're bound to die, you.
Speaker 3 (02:05):
Wait here now, You're fool, Tom.
Speaker 4 (02:08):
You ought to do it.
Speaker 3 (02:08):
You're gonna stop me?
Speaker 4 (02:09):
Cousin just watching.
Speaker 3 (02:11):
The horses.
Speaker 4 (02:17):
Open? Yes?
Speaker 3 (02:22):
What you be Paul Cabot?
Speaker 4 (02:25):
Yes, I'm Cabot. What I get up? Maybe I ain't
gonna kill you? I don't know.
Speaker 3 (02:31):
Get up.
Speaker 4 (02:47):
Let's go, cousin. How do I look?
Speaker 3 (03:07):
Cousin? Dirdy?
Speaker 4 (03:08):
She won't mind. She hears what you just did, she
won't mind it. Don't you need you anymore?
Speaker 3 (03:14):
No, I'll go home.
Speaker 4 (03:15):
I'm waiting, ha ha, You're liable.
Speaker 3 (03:17):
Away right long, Laura.
Speaker 5 (03:31):
Laura, Hello, Tom, uh darling?
Speaker 4 (03:35):
Still a dollar? Putty?
Speaker 5 (03:37):
Is you better come in?
Speaker 4 (03:41):
Uh?
Speaker 1 (03:42):
I better?
Speaker 6 (03:45):
Well?
Speaker 4 (03:47):
Well my dollar?
Speaker 5 (03:48):
I thought you were dead Tom Dad.
Speaker 3 (03:50):
They were piled high, but.
Speaker 4 (03:52):
Not Tom Dooley.
Speaker 5 (03:54):
Months ago at the Getty's Bird when the men came
drifting back home, nobody seen you, Tom. Some said they
heard you were dead, died early at Manassa's what's.
Speaker 3 (04:06):
They're talking for? Lah?
Speaker 4 (04:08):
What's all is talking for?
Speaker 1 (04:10):
Huh?
Speaker 3 (04:10):
Don't Tom pretty moud wasting On'm talking? Don't teasing and
trembling in a way.
Speaker 4 (04:16):
I remember.
Speaker 5 (04:20):
I'm sorry Tom.
Speaker 3 (04:23):
Whatever you do after now, Laura, don't hit no more, gentlemen.
Mm you do that now?
Speaker 5 (04:32):
Four years you've been away, Tom.
Speaker 3 (04:34):
Doing, I'm back.
Speaker 4 (04:35):
Now you're back, and.
Speaker 5 (04:37):
I thought you were dead over a year now, and
I grieve for you like.
Speaker 3 (04:41):
I had to do when a man came along, and
gently like I heard he did.
Speaker 4 (04:45):
Yes, Paul Cabot, I love him.
Speaker 5 (04:48):
That's the way things are now, doctor a Yankee. The
war's done, Tom Douley, and the killing's done, and the
hate's done.
Speaker 4 (04:55):
What's happened to the loving Laura yours to.
Speaker 5 (04:58):
Me over Tom? It was grieving like I told you,
and it's over. And I love a Yankee doctor named
Paul Cabot.
Speaker 1 (05:05):
Love him.
Speaker 4 (05:06):
Come on, I'll take you to him.
Speaker 3 (05:08):
Where he's laying on the floor, and I think it
was whimpering when I left him, like a sugar candy baby.
Come on, I'll show you get out of here. Maybe
I will, but I don't know that yet. First, that
one you to remember something, Laura.
Speaker 4 (05:24):
Get out. I want you to remember.
Speaker 3 (05:25):
You're hanging on my horse and wailing the tears on
you four years ago when I rode out to join
with beb Vance and his cavalry. You remember, Laura, I agree,
hears on you.
Speaker 4 (05:36):
That was your grieving. Listen to mine.
Speaker 3 (05:38):
The fighting and the blood and the screaming and bull
running Manassas and the Yankees killing him, and they always
come in Virginia and Pennsylvania, and the killing and leaving
your own blood every.
Speaker 4 (05:48):
Place you go. Come, but you go because as long as.
Speaker 6 (05:52):
You're going, you're coming back back here to the Smokies,
back here to Laura Foster, pretty mouse, Laura.
Speaker 4 (06:04):
Laura, Laura.
Speaker 3 (06:06):
No, I don't love you no more.
Speaker 5 (06:07):
Tom, I don't.
Speaker 3 (06:08):
You're going to love me. You'll remember how you ain't
worth those four years.
Speaker 4 (06:15):
You couldn't wait for your man. Better go, cousin, get
out of here.
Speaker 3 (06:25):
No, you're my blood cousin, and I'm holding a gun
on you, and I'm saying you gotta go.
Speaker 4 (06:33):
I'll tell you where you stand.
Speaker 3 (06:34):
Tom, no matter blame me. I would Tom, heah, I
think you would night Laura still know how to play
(07:13):
a tune on a fair don't you? Tom?
Speaker 4 (07:15):
Sure I do?
Speaker 3 (07:16):
Nobody plays like you play?
Speaker 7 (07:18):
Tom.
Speaker 3 (07:18):
Thank you, Jess, I misschief around the stove. Why all
of us thought.
Speaker 4 (07:23):
You, oh I was dead?
Speaker 3 (07:25):
What kept you? Tom? All of us come backtions We
here generally surrendering. Well, haven't you? I had never seen
Pennsylvania walked around it with a gasp. Just walk You
walk too slow? Tom, you walked a lot too slow.
Laura Foster had passed you ride by. Yeah, I heard,
(07:46):
tell me she's lying how to read? And right now
I heard that too. Doctor Yankee was over Jess fighting, hating.
Speaker 4 (07:57):
While you're laughing.
Speaker 3 (07:58):
I had you almost killed the Yankee?
Speaker 1 (08:00):
Doctor Tom, you heard it, so I guess I did.
Speaker 4 (08:04):
Hey, No, what you want, Jess?
Speaker 3 (08:06):
Has that? Jeg over here? Give you a cousin a drink.
Speaker 4 (08:08):
I ain't drinking no more, Jess.
Speaker 3 (08:10):
Hang now reasons you ain't doing a lot of things? Well,
you changed, Tom, I reckon, I have you gonna learn
how to read and write. Doctors say he can teach
anybody wants to line. It is how you can line
a lot from that doctor. Stop it, Jess. Those Yankees
are smart fudders recon That's why they won the war,
(08:32):
won't everything? Those Yankees? You heat up my cousin, Your
tongue is gonna be real cold, Jess, Oh be it?
Speaker 7 (08:38):
Now?
Speaker 3 (08:40):
What are you gonna say about that? Tom?
Speaker 4 (08:42):
Keep talking?
Speaker 3 (08:43):
I don't mind. All I can say is my gal
start cheeking with somebody else? Hi Yankee? O?
Speaker 8 (08:56):
What are you on?
Speaker 4 (08:58):
I've got a list here. I need some groceries.
Speaker 3 (09:00):
We've just been talking by you, Me, Zach Humming, Josh,
all of us, nor Dooley his cousin Tom too.
Speaker 4 (09:08):
Here's the list.
Speaker 3 (09:10):
You read it to me, doctor, I ain't got the.
Speaker 4 (09:12):
Lining Ssaca potatoes, Like.
Speaker 3 (09:15):
I said, We've been talking wondering, Sacha, sugar, wondering you
like North Carolina Yankee Carolina Knights.
Speaker 4 (09:27):
Green beans and flour?
Speaker 3 (09:28):
How about enough Carolina women? Pretty? Ain't the sow wait
on him? Jess and Lars putty stuff all? Ain't you
wait on him?
Speaker 4 (09:38):
Ain't she?
Speaker 3 (09:40):
Tom Dooley here used to think so the man wants
to buy something shopkeepers sell it to him. I've seen
you walking, Yankee, trying to get yourself lost with Laura.
Yess and what you want? Tom?
Speaker 4 (09:54):
Why do you knock him down? Mister Dooley makes up
for things. I'm apologizing.
Speaker 3 (09:59):
I want to shake your hand.
Speaker 1 (10:02):
I'd be pleased. It's all right about the other night.
I've forgotten about it. I want to be your friend.
Speaker 4 (10:09):
That's what you are right now, mister Cabot.
Speaker 3 (10:11):
And I want to tell you this what Laura loves you.
Speaker 4 (10:14):
And that's all right. We're getting married, mister Dooley.
Speaker 3 (10:17):
I'm not saying you can't. I'm saying I hope you
will be very happy.
Speaker 4 (10:22):
Laura will be very glad to hear that, mister Dooley. Yes,
Laura says you play the fiddle.
Speaker 3 (10:29):
I hear you having a betrothal party tomorrow night.
Speaker 4 (10:32):
Yes, that's right.
Speaker 3 (10:33):
Well I'll play the fiddle for you, for you and Laura.
Speaker 2 (10:45):
It's the black black heart within you, a scheme and
for alt saying you'd play the fiddle while feel in
a long You're not.
Speaker 4 (11:10):
He come come here a minute.
Speaker 3 (11:13):
Yeah, what what you want?
Speaker 6 (11:14):
Tom?
Speaker 4 (11:14):
Spell me?
Speaker 3 (11:15):
I'm a fiddle a little bit, Noah, Sure, man, I
bet you're tired fiddling two hours, not letting up. Spell me, cousin,
take the fiddle while you going, Tom, just play the fiddle,
pretty cousin.
Speaker 4 (11:24):
Don't worry about me.
Speaker 3 (11:43):
Lie. I didn't mean to frighten your lie, but that's
all right.
Speaker 4 (11:48):
No, it's playing me my fiddle. I saw you come
out here.
Speaker 3 (11:51):
I wanted to say something to you, Tom.
Speaker 4 (11:55):
Yeah, I'm glad.
Speaker 5 (11:58):
I wanted to talk to you too. Paul told me
what you did. They teased him and called him yankee.
Speaker 3 (12:06):
Can you that's all right?
Speaker 5 (12:08):
And I didn't hearing other things, Tom boy, how you're different,
how you ease down and not so while so much
no more.
Speaker 3 (12:17):
I'm glad, Tom, But it don't make no difference to you,
does it?
Speaker 4 (12:21):
How I feel?
Speaker 3 (12:22):
You mean?
Speaker 5 (12:23):
No?
Speaker 3 (12:25):
Why are you out here by yourself?
Speaker 5 (12:28):
Because I'm so happy, Tom, because I danced a lot,
and because my heart's pounding so much, because Paul's in
the end when I look.
Speaker 4 (12:38):
At him, Lie, yes, walk with me.
Speaker 5 (12:44):
That wouldn't be right.
Speaker 4 (12:45):
Tom, things I got to tell you. It wouldn't be right.
Speaker 5 (12:48):
To listen, Tom, just a.
Speaker 4 (12:49):
Favor, I'm asking. I'm plead I changed you heard that
little walk.
Speaker 5 (12:55):
Lie a little walk, yes, and my heart was settled down.
Speaker 4 (13:04):
You remember we used to come this way.
Speaker 5 (13:06):
No talk of that, Tom, I.
Speaker 4 (13:07):
Remember going back.
Speaker 3 (13:09):
No, no, no, no, uh.
Speaker 4 (13:11):
I'm sorry.
Speaker 5 (13:14):
Tom.
Speaker 4 (13:15):
Tom.
Speaker 5 (13:16):
You'll find you a girl. There's no goodterness now he
is the Tom.
Speaker 3 (13:22):
Tom, the way that water runs from the top of
the mountains to who knows where.
Speaker 5 (13:30):
You'll find you a girl, and you'll be happy a
man like me, Laura, Tom, why the knife.
Speaker 3 (13:38):
Because a man like me never be happy?
Speaker 8 (13:41):
You a cause, Laura, you the taught. I'll check the
(14:10):
fiddle now, North.
Speaker 4 (14:12):
Hey, how you feel better?
Speaker 3 (14:13):
Tom?
Speaker 4 (14:14):
I feel a lot better.
Speaker 1 (14:35):
Autolite is bringing you, mister Joseph Cotton in Tom Dooley
Tonight's presentation in Radio's Outstanding Theater of Thrills Suspense. This
is Harlow Wilcox speaking for Autolite, and I have here
(14:57):
as our special guest, Lieutenant Crent well Sherman D. Cosgrove
of the United States Army. Colonel Cosgrove, I understand that
the Army has special relief funds that are made available
to officers and enlisted personnel in their families in time
of distress.
Speaker 4 (15:12):
We do, mister Wilcox.
Speaker 3 (15:14):
It's administered by the Army Emergency Relief in Washington.
Speaker 1 (15:17):
Or where do these funds come from, Colonel Cosgrove.
Speaker 3 (15:21):
The money comes from voluntary contributions by the men and
women in the services, and from proceeds of a very
few special outside events approved by the officers in charge
of these three relief organizations, that's the Army, the Navy,
and the Air Force. One of these events, by the way,
is the supper party and reception to be given by
the Autolite Family at the Waldorf Astoria Hotel in New
(15:43):
York City on April seventh.
Speaker 1 (15:44):
Well, tell me how are these funds made available to
those in distress after thorough investigation? Allocation of funds is
handled by chaplains under the supervision of their commanding officers.
Must require a huge sum of money to take care
of all the needs that develop.
Speaker 4 (15:59):
Over of a year. It surely does, mister Wilcox.
Speaker 3 (16:03):
Since it's incorporation in February nineteen forty two, Army Emergency
Relief alone has dispersed over twenty four million dollars in
rendering financial assistance to over two hundred and fifty thousand
members of the Army and their families.
Speaker 1 (16:16):
Well thank you very much, Colonel Cosgrove. Tonight we've been
privileged to have as our guest Colonel Sherman D. Cosgrove,
who has brought you a special message on behalf of
the Armed Services Emergency relief funds and now Auto LIGHTE
brings back to our Hollywood soundstage, mister Joseph Cotton in
Elliott Lewis's production of Tom Dooley, based on fact and
(16:41):
well calculated to keep you in suspense.
Speaker 2 (16:50):
Aw down your head, Tom Dooley, While down your head
and cry you killed poor law A Foster. You know
your bomb to dum.
Speaker 4 (17:12):
Hello, mister Julie.
Speaker 3 (17:13):
Nice party you guys. Go on, mister Cavin, talk to
you for a minute.
Speaker 4 (17:16):
Show off. Hey Noah, spell me again?
Speaker 3 (17:18):
Will you?
Speaker 1 (17:19):
Yeah?
Speaker 4 (17:19):
Sure? Tom? What can I do for you?
Speaker 3 (17:23):
Have you seen Laura a while ago when I was
fiddling macee looks pretty tonight? There's something else I got
to tell you. Yes, you know the Yankees know how
to give parties too.
Speaker 4 (17:33):
How long ago did you see Laura?
Speaker 3 (17:35):
Well, like I told you, one hours?
Speaker 4 (17:36):
How long ago was that half hour? Maybe?
Speaker 3 (17:39):
Why?
Speaker 4 (17:40):
What's the matter? But she's not here? Well outside, maybe
not that I could find. Well, maybe would you come
help me look for She don't need looking for it,
She'll be around. Enjoy yourself, mister Julie.
Speaker 3 (17:51):
I'll do that, mister Cavin Aaron, Yeah.
Speaker 4 (17:54):
Oh see Laura.
Speaker 1 (17:56):
So I go outside a will back.
Speaker 3 (17:58):
I haven't seen her hitting.
Speaker 4 (17:59):
Get a few boys, Let's go outside and look for her. Sure, Hey,
Betty lout, come on, give me a dance.
Speaker 3 (18:20):
Tom, Tom, wake up, Come on, Tom, come on, wake up,
Get on your feet.
Speaker 4 (18:27):
Why why are you awaking me, cousin? You listen to me?
Speaker 3 (18:30):
Why are you awaking me when it's still black outside?
Speaker 4 (18:34):
You kill Laura?
Speaker 3 (18:35):
Tom? Why they found Laura snag on a rock right
under the north forest.
Speaker 4 (18:39):
She was stabbed. What are you saying? Though?
Speaker 3 (18:41):
I'm saying that and everybody else is saying it, saying
what you put a knife to Laura? You saw me dancing? No,
everybody saw me dancing. People seen you go outside too.
They're coming after you, Tom, saying I killed and knowing it,
knowing you're the only person had reason. But I you
talking and they're coming after you. They're gonna hang you, cousin.
They're gonna hang you for sure. You killed it, didn't you.
(19:05):
You gotta help me you put on all the gentleman,
there was nothing but black inside you. You my cousin,
and I'm your cousin, and you gotta help me kill her,
pretty thing like Laura, your blood kin to me knowing
you're gonna help me.
Speaker 4 (19:19):
You're gonna do what I tell you.
Speaker 3 (19:20):
No, I'm not Tom. I'm doing nothing to help you.
Speaker 4 (19:22):
You're talking like a man. I don't care if you die.
Speaker 3 (19:25):
You're gonna wait till I get out of this cabin,
until I get on your horse and start riding to
a Tennessee. And you're gonna wait tomorrow till you hear
them coming. Then you're gonna get on my horse and
have my hat, and you're gonna start riding in the
other direction.
Speaker 4 (19:37):
When you leave.
Speaker 3 (19:38):
I got the length of this room to decide whether
they shoot you in the back.
Speaker 4 (19:44):
Now you get going.
Speaker 2 (20:05):
Tom Dooley Road. The morning Tom Doole Girl at West
and when the sun was gone, he laid him down.
Speaker 3 (20:15):
To the Who's there, Who's who's there? I see you,
I'm gonna shoot.
Speaker 9 (20:32):
That's my friend Selomon. You might see me. You can't
see it all because I'm at your back. Now, you
just stand where you're standing. Do you stand where you're standing,
and you're gonna feel something. Bet it my gun to
your back, all right, Salma, take.
Speaker 3 (20:49):
It gun, give it to him, Give it to him.
That's it. You come out to George, you two dozen.
Speaker 4 (20:58):
I don't know you man who Yankees? What do you
want me for?
Speaker 9 (21:01):
Well, we don't know, Johnny Reb. We just come down
here on a visit. You want money, Now, there's a thought.
Speaker 3 (21:08):
Where's raw money? Red?
Speaker 4 (21:10):
Oh?
Speaker 3 (21:10):
You got you got none where you come from, Rebro
from back there, you're still wearing the rebel jacket.
Speaker 4 (21:20):
Don't you know?
Speaker 9 (21:20):
The war is over, enjoying it, living off the fat
of Southern Land won a war we did, Reb and
we're enjoying it.
Speaker 4 (21:28):
I've got no quarrel with it.
Speaker 3 (21:29):
Now. Once you head a quarrel, where'd you fight?
Speaker 4 (21:33):
Reb? Nassas?
Speaker 3 (21:36):
Get us Manassas. You take a look at the wood
I wear for a leg. Rib I changed him at
Manassas a red bullet? You shoot that bullet?
Speaker 4 (21:48):
Maybe I did?
Speaker 3 (21:50):
You got us a brave one, Seremon.
Speaker 9 (21:52):
Make him cry a little bit, Get up, Reb, get her.
Speaker 3 (22:07):
You crying?
Speaker 9 (22:09):
You smiling? Can't tell with that face Solomon made for you.
Now let me look real close. Well, you ain't doing
nothing at all.
Speaker 4 (22:18):
Just let me kick it out of here.
Speaker 3 (22:21):
Nice entertainment, that's what we're looking for.
Speaker 4 (22:23):
Reb.
Speaker 9 (22:23):
And you don't do nothing, live, cry nothing, Ah, you
dance have bit you, ReBs. I tell you what you
dance for us, Dawson, get us a rope. You've got
no cost to hang in for dancing purposes. You do
us a dozy dough on the air from that tree
over there. Thank you kindly do no cause at all?
Don't like to dance? Then what you're gonna do for
(22:46):
is Reb? I know a thing sing us a tune,
one nice Yankee tune.
Speaker 3 (22:52):
Reb. You know what? Sure you do? I'll help you, Reb,
yink it dude to keep it.
Speaker 4 (22:59):
Out, saying let him alone?
Speaker 3 (23:04):
Will you a Yankee like you?
Speaker 4 (23:09):
Isn't that right?
Speaker 3 (23:10):
Tom?
Speaker 4 (23:10):
Yes, sir, Yes, so, mister Cabot a Yankee gentlemen.
Speaker 3 (23:16):
Who says with this rifle that the hating's over.
Speaker 4 (23:19):
I'll leave this man.
Speaker 3 (23:20):
Alone and get out, all right, all right, man, get me,
mister Cabot. They were going to kill me.
Speaker 4 (23:31):
I'm grateful, grateful for saving your life.
Speaker 1 (23:35):
Mister cab You're going back right where you came from. Tom,
Dooley to where you kill Laura. Walk ahead of me,
Tom Dooley, or I'll shoot you where you stand?
Speaker 4 (23:45):
Doctor yank you? Doctor who's going to see that you die? Legal?
Speaker 7 (23:50):
Tom Dooley, cart ready for you, Tom, Time for hanging?
Speaker 3 (24:22):
Oh h.
Speaker 10 (24:29):
Yeah, Come on, Tom, that scrub oak tree. Get up
on your horse, Tom, rope tied to the branchump, then,
(24:56):
mister Cabot.
Speaker 4 (24:58):
Reckon. You want to fit the noose to Tom's neck?
Speaker 7 (25:02):
Yes, lean down, Tom Dooley.
Speaker 3 (25:09):
All right, it's done. You got anything to say? Tom
before we slap your horse out from under.
Speaker 4 (25:17):
Ball?
Speaker 2 (25:18):
Don your hair, Tom dooy Ball, don your hair and cry.
Speaker 3 (25:30):
By Tom. May your soul rest in peace.
Speaker 2 (25:33):
You killed poor lord fast You know your barn to doe.
Speaker 1 (25:48):
Eat suspense presented by Autolite to night Star mister Joseph
(26:10):
Cotton Suspense has again been brought to you by Autolite,
World's largest independent manufacturer of automotive electrical equipment. Autolite is
proud to serve the greatest names in the industry. That's why,
during these early months of nineteen fifty three, the Autolite
family has again saluted the leading manufacturers who install auto
(26:33):
light products as original equipment. Next week as a climax
to this salute series, our show will originate from the
Easter Parade of Stars Auto Show in the Grand ball
Room of New York's Waldorf Astoria Hotel. Our story will
be a dramatization of the first and only Round the
World auto race ever held. Our star will be Van Johnson,
(26:55):
so be sure to be with us next week for
the auto race that stirred the world. Next week, a
story based on fact as we recreate the first international
(27:15):
automobile race, the time nineteen eight. The story Around the World,
Our star mister Van Johnson, That's next week on.
Speaker 4 (27:28):
Suspense.
Speaker 1 (27:45):
Suspense is produced and directed by Elliott Lewis, with music
composed by Lucian Morrowick and conducted by lud Gluskin. Tom
Dooley was written for suspense by Martin Fine and David Friedkin.
Featured in the night's cast verse Emmy Hill, William Conrad,
Joseph Kerns, and Bill Whistle.
Speaker 4 (28:04):
The singer was Harry Stanton.
Speaker 1 (28:10):
Joseph Cotton may currently be seen in the twentieth century Fox.
Speaker 4 (28:14):
Picture Niagara.
Speaker 1 (28:20):
And Remember next week, mister Van Johnson in Around the World.
Speaker 4 (28:32):
This is the CBS radio network,
Auto light and it's ninety eight thousand dealers. Bring you,
mister Joseph Cotton. In Tonight's presentation of suspense, Tonight Autolite
presents a story based on flat an American legend of
love and death. As we recreate the tragic history of
(00:26):
Tom Dooley, our star, mister Joseph Cotton, Hey will catch
you where you rationing like a lo co coyote. Hi, Sheriff, Well,
I've got a date to tell folks that for the swellest,
sweetest and smoothest performance money can buy, you just can't
(00:47):
beat those world famous significan engineered auto light sparklight. Well,
even an agrant critter like me, No red sure, Sheriff,
and I'll bet you also know that if your presence
spark plugs aren't functioning properly, your car won't give you
the performance It should. Have those spark plugs checked by
your Autolite spark plug dealer, the expert in cleaning and adjustment,
(01:08):
and if replacements are needed, he'll recommend agnition engineered auto
light spark plugs either standard or resistor time ep ware,
the smoothing gramm or slapjacks. Right, you are so see
you're nearest auto light spark plug dealer to quickly locate him,
phone Western Union by number and ask for operator twenty five. Remember,
from bumper to tail light, you're always right with Autolite
(01:33):
And now Autolite presents Tom Dooley, starring mister Joseph Cotton,
hoping once again to keep you in suspense.
Speaker 2 (01:47):
Bow down your head, Tom Dooley, Bow down your head
and cry. Bow down your head, Tom Dooley. If you
know you're bound to die, you.
Speaker 3 (02:05):
Wait here now, You're fool, Tom.
Speaker 4 (02:08):
You ought to do it.
Speaker 3 (02:08):
You're gonna stop me?
Speaker 4 (02:09):
Cousin just watching.
Speaker 3 (02:11):
The horses.
Speaker 4 (02:17):
Open? Yes?
Speaker 3 (02:22):
What you be Paul Cabot?
Speaker 4 (02:25):
Yes, I'm Cabot. What I get up? Maybe I ain't
gonna kill you? I don't know.
Speaker 3 (02:31):
Get up.
Speaker 4 (02:47):
Let's go, cousin. How do I look?
Speaker 3 (03:07):
Cousin? Dirdy?
Speaker 4 (03:08):
She won't mind. She hears what you just did, she
won't mind it. Don't you need you anymore?
Speaker 3 (03:14):
No, I'll go home.
Speaker 4 (03:15):
I'm waiting, ha ha, You're liable.
Speaker 3 (03:17):
Away right long, Laura.
Speaker 5 (03:31):
Laura, Hello, Tom, uh darling?
Speaker 4 (03:35):
Still a dollar? Putty?
Speaker 5 (03:37):
Is you better come in?
Speaker 4 (03:41):
Uh?
Speaker 1 (03:42):
I better?
Speaker 6 (03:45):
Well?
Speaker 4 (03:47):
Well my dollar?
Speaker 5 (03:48):
I thought you were dead Tom Dad.
Speaker 3 (03:50):
They were piled high, but.
Speaker 4 (03:52):
Not Tom Dooley.
Speaker 5 (03:54):
Months ago at the Getty's Bird when the men came
drifting back home, nobody seen you, Tom. Some said they
heard you were dead, died early at Manassa's what's.
Speaker 3 (04:06):
They're talking for? Lah?
Speaker 4 (04:08):
What's all is talking for?
Speaker 1 (04:10):
Huh?
Speaker 3 (04:10):
Don't Tom pretty moud wasting On'm talking? Don't teasing and
trembling in a way.
Speaker 4 (04:16):
I remember.
Speaker 5 (04:20):
I'm sorry Tom.
Speaker 3 (04:23):
Whatever you do after now, Laura, don't hit no more, gentlemen.
Mm you do that now?
Speaker 5 (04:32):
Four years you've been away, Tom.
Speaker 3 (04:34):
Doing, I'm back.
Speaker 4 (04:35):
Now you're back, and.
Speaker 5 (04:37):
I thought you were dead over a year now, and
I grieve for you like.
Speaker 3 (04:41):
I had to do when a man came along, and
gently like I heard he did.
Speaker 4 (04:45):
Yes, Paul Cabot, I love him.
Speaker 5 (04:48):
That's the way things are now, doctor a Yankee. The
war's done, Tom Douley, and the killing's done, and the
hate's done.
Speaker 4 (04:55):
What's happened to the loving Laura yours to.
Speaker 5 (04:58):
Me over Tom? It was grieving like I told you,
and it's over. And I love a Yankee doctor named
Paul Cabot.
Speaker 1 (05:05):
Love him.
Speaker 4 (05:06):
Come on, I'll take you to him.
Speaker 3 (05:08):
Where he's laying on the floor, and I think it
was whimpering when I left him, like a sugar candy baby.
Come on, I'll show you get out of here. Maybe
I will, but I don't know that yet. First, that
one you to remember something, Laura.
Speaker 4 (05:24):
Get out. I want you to remember.
Speaker 3 (05:25):
You're hanging on my horse and wailing the tears on
you four years ago when I rode out to join
with beb Vance and his cavalry. You remember, Laura, I agree,
hears on you.
Speaker 4 (05:36):
That was your grieving. Listen to mine.
Speaker 3 (05:38):
The fighting and the blood and the screaming and bull
running Manassas and the Yankees killing him, and they always
come in Virginia and Pennsylvania, and the killing and leaving
your own blood every.
Speaker 4 (05:48):
Place you go. Come, but you go because as long as.
Speaker 6 (05:52):
You're going, you're coming back back here to the Smokies,
back here to Laura Foster, pretty mouse, Laura.
Speaker 4 (06:04):
Laura, Laura.
Speaker 3 (06:06):
No, I don't love you no more.
Speaker 5 (06:07):
Tom, I don't.
Speaker 3 (06:08):
You're going to love me. You'll remember how you ain't
worth those four years.
Speaker 4 (06:15):
You couldn't wait for your man. Better go, cousin, get
out of here.
Speaker 3 (06:25):
No, you're my blood cousin, and I'm holding a gun
on you, and I'm saying you gotta go.
Speaker 4 (06:33):
I'll tell you where you stand.
Speaker 3 (06:34):
Tom, no matter blame me. I would Tom, heah, I
think you would night Laura still know how to play
(07:13):
a tune on a fair don't you? Tom?
Speaker 4 (07:15):
Sure I do?
Speaker 3 (07:16):
Nobody plays like you play?
Speaker 7 (07:18):
Tom.
Speaker 3 (07:18):
Thank you, Jess, I misschief around the stove. Why all
of us thought.
Speaker 4 (07:23):
You, oh I was dead?
Speaker 3 (07:25):
What kept you? Tom? All of us come backtions We
here generally surrendering. Well, haven't you? I had never seen
Pennsylvania walked around it with a gasp. Just walk You
walk too slow? Tom, you walked a lot too slow.
Laura Foster had passed you ride by. Yeah, I heard,
(07:46):
tell me she's lying how to read? And right now
I heard that too. Doctor Yankee was over Jess fighting, hating.
Speaker 4 (07:57):
While you're laughing.
Speaker 3 (07:58):
I had you almost killed the Yankee?
Speaker 1 (08:00):
Doctor Tom, you heard it, so I guess I did.
Speaker 4 (08:04):
Hey, No, what you want, Jess?
Speaker 3 (08:06):
Has that? Jeg over here? Give you a cousin a drink.
Speaker 4 (08:08):
I ain't drinking no more, Jess.
Speaker 3 (08:10):
Hang now reasons you ain't doing a lot of things? Well,
you changed, Tom, I reckon, I have you gonna learn
how to read and write. Doctors say he can teach
anybody wants to line. It is how you can line
a lot from that doctor. Stop it, Jess. Those Yankees
are smart fudders recon That's why they won the war,
(08:32):
won't everything? Those Yankees? You heat up my cousin, Your
tongue is gonna be real cold, Jess, Oh be it?
Speaker 7 (08:38):
Now?
Speaker 3 (08:40):
What are you gonna say about that? Tom?
Speaker 4 (08:42):
Keep talking?
Speaker 3 (08:43):
I don't mind. All I can say is my gal
start cheeking with somebody else? Hi Yankee? O?
Speaker 8 (08:56):
What are you on?
Speaker 4 (08:58):
I've got a list here. I need some groceries.
Speaker 3 (09:00):
We've just been talking by you, Me, Zach Humming, Josh,
all of us, nor Dooley his cousin Tom too.
Speaker 4 (09:08):
Here's the list.
Speaker 3 (09:10):
You read it to me, doctor, I ain't got the.
Speaker 4 (09:12):
Lining Ssaca potatoes, Like.
Speaker 3 (09:15):
I said, We've been talking wondering, Sacha, sugar, wondering you
like North Carolina Yankee Carolina Knights.
Speaker 4 (09:27):
Green beans and flour?
Speaker 3 (09:28):
How about enough Carolina women? Pretty? Ain't the sow wait
on him? Jess and Lars putty stuff all? Ain't you
wait on him?
Speaker 4 (09:38):
Ain't she?
Speaker 3 (09:40):
Tom Dooley here used to think so the man wants
to buy something shopkeepers sell it to him. I've seen
you walking, Yankee, trying to get yourself lost with Laura.
Yess and what you want? Tom?
Speaker 4 (09:54):
Why do you knock him down? Mister Dooley makes up
for things. I'm apologizing.
Speaker 3 (09:59):
I want to shake your hand.
Speaker 1 (10:02):
I'd be pleased. It's all right about the other night.
I've forgotten about it. I want to be your friend.
Speaker 4 (10:09):
That's what you are right now, mister Cabot.
Speaker 3 (10:11):
And I want to tell you this what Laura loves you.
Speaker 4 (10:14):
And that's all right. We're getting married, mister Dooley.
Speaker 3 (10:17):
I'm not saying you can't. I'm saying I hope you
will be very happy.
Speaker 4 (10:22):
Laura will be very glad to hear that, mister Dooley. Yes,
Laura says you play the fiddle.
Speaker 3 (10:29):
I hear you having a betrothal party tomorrow night.
Speaker 4 (10:32):
Yes, that's right.
Speaker 3 (10:33):
Well I'll play the fiddle for you, for you and Laura.
Speaker 2 (10:45):
It's the black black heart within you, a scheme and
for alt saying you'd play the fiddle while feel in
a long You're not.
Speaker 4 (11:10):
He come come here a minute.
Speaker 3 (11:13):
Yeah, what what you want?
Speaker 6 (11:14):
Tom?
Speaker 4 (11:14):
Spell me?
Speaker 3 (11:15):
I'm a fiddle a little bit, Noah, Sure, man, I
bet you're tired fiddling two hours, not letting up. Spell me, cousin,
take the fiddle while you going, Tom, just play the fiddle,
pretty cousin.
Speaker 4 (11:24):
Don't worry about me.
Speaker 3 (11:43):
Lie. I didn't mean to frighten your lie, but that's
all right.
Speaker 4 (11:48):
No, it's playing me my fiddle. I saw you come
out here.
Speaker 3 (11:51):
I wanted to say something to you, Tom.
Speaker 4 (11:55):
Yeah, I'm glad.
Speaker 5 (11:58):
I wanted to talk to you too. Paul told me
what you did. They teased him and called him yankee.
Speaker 3 (12:06):
Can you that's all right?
Speaker 5 (12:08):
And I didn't hearing other things, Tom boy, how you're different,
how you ease down and not so while so much
no more.
Speaker 3 (12:17):
I'm glad, Tom, But it don't make no difference to you,
does it?
Speaker 4 (12:21):
How I feel?
Speaker 3 (12:22):
You mean?
Speaker 5 (12:23):
No?
Speaker 3 (12:25):
Why are you out here by yourself?
Speaker 5 (12:28):
Because I'm so happy, Tom, because I danced a lot,
and because my heart's pounding so much, because Paul's in
the end when I look.
Speaker 4 (12:38):
At him, Lie, yes, walk with me.
Speaker 5 (12:44):
That wouldn't be right.
Speaker 4 (12:45):
Tom, things I got to tell you. It wouldn't be right.
Speaker 5 (12:48):
To listen, Tom, just a.
Speaker 4 (12:49):
Favor, I'm asking. I'm plead I changed you heard that
little walk.
Speaker 5 (12:55):
Lie a little walk, yes, and my heart was settled down.
Speaker 4 (13:04):
You remember we used to come this way.
Speaker 5 (13:06):
No talk of that, Tom, I.
Speaker 4 (13:07):
Remember going back.
Speaker 3 (13:09):
No, no, no, no, uh.
Speaker 4 (13:11):
I'm sorry.
Speaker 5 (13:14):
Tom.
Speaker 4 (13:15):
Tom.
Speaker 5 (13:16):
You'll find you a girl. There's no goodterness now he
is the Tom.
Speaker 3 (13:22):
Tom, the way that water runs from the top of
the mountains to who knows where.
Speaker 5 (13:30):
You'll find you a girl, and you'll be happy a
man like me, Laura, Tom, why the knife.
Speaker 3 (13:38):
Because a man like me never be happy?
Speaker 8 (13:41):
You a cause, Laura, you the taught. I'll check the
(14:10):
fiddle now, North.
Speaker 4 (14:12):
Hey, how you feel better?
Speaker 3 (14:13):
Tom?
Speaker 4 (14:14):
I feel a lot better.
Speaker 1 (14:35):
Autolite is bringing you, mister Joseph Cotton in Tom Dooley
Tonight's presentation in Radio's Outstanding Theater of Thrills Suspense. This
is Harlow Wilcox speaking for Autolite, and I have here
(14:57):
as our special guest, Lieutenant Crent well Sherman D. Cosgrove
of the United States Army. Colonel Cosgrove, I understand that
the Army has special relief funds that are made available
to officers and enlisted personnel in their families in time
of distress.
Speaker 4 (15:12):
We do, mister Wilcox.
Speaker 3 (15:14):
It's administered by the Army Emergency Relief in Washington.
Speaker 1 (15:17):
Or where do these funds come from, Colonel Cosgrove.
Speaker 3 (15:21):
The money comes from voluntary contributions by the men and
women in the services, and from proceeds of a very
few special outside events approved by the officers in charge
of these three relief organizations, that's the Army, the Navy,
and the Air Force. One of these events, by the way,
is the supper party and reception to be given by
the Autolite Family at the Waldorf Astoria Hotel in New
(15:43):
York City on April seventh.
Speaker 1 (15:44):
Well, tell me how are these funds made available to
those in distress after thorough investigation? Allocation of funds is
handled by chaplains under the supervision of their commanding officers.
Must require a huge sum of money to take care
of all the needs that develop.
Speaker 4 (15:59):
Over of a year. It surely does, mister Wilcox.
Speaker 3 (16:03):
Since it's incorporation in February nineteen forty two, Army Emergency
Relief alone has dispersed over twenty four million dollars in
rendering financial assistance to over two hundred and fifty thousand
members of the Army and their families.
Speaker 1 (16:16):
Well thank you very much, Colonel Cosgrove. Tonight we've been
privileged to have as our guest Colonel Sherman D. Cosgrove,
who has brought you a special message on behalf of
the Armed Services Emergency relief funds and now Auto LIGHTE
brings back to our Hollywood soundstage, mister Joseph Cotton in
Elliott Lewis's production of Tom Dooley, based on fact and
(16:41):
well calculated to keep you in suspense.
Speaker 2 (16:50):
Aw down your head, Tom Dooley, While down your head
and cry you killed poor law A Foster. You know
your bomb to dum.
Speaker 4 (17:12):
Hello, mister Julie.
Speaker 3 (17:13):
Nice party you guys. Go on, mister Cavin, talk to
you for a minute.
Speaker 4 (17:16):
Show off. Hey Noah, spell me again?
Speaker 3 (17:18):
Will you?
Speaker 1 (17:19):
Yeah?
Speaker 4 (17:19):
Sure? Tom? What can I do for you?
Speaker 3 (17:23):
Have you seen Laura a while ago when I was
fiddling macee looks pretty tonight? There's something else I got
to tell you. Yes, you know the Yankees know how
to give parties too.
Speaker 4 (17:33):
How long ago did you see Laura?
Speaker 3 (17:35):
Well, like I told you, one hours?
Speaker 4 (17:36):
How long ago was that half hour? Maybe?
Speaker 3 (17:39):
Why?
Speaker 4 (17:40):
What's the matter? But she's not here? Well outside, maybe
not that I could find. Well, maybe would you come
help me look for She don't need looking for it,
She'll be around. Enjoy yourself, mister Julie.
Speaker 3 (17:51):
I'll do that, mister Cavin Aaron, Yeah.
Speaker 4 (17:54):
Oh see Laura.
Speaker 1 (17:56):
So I go outside a will back.
Speaker 3 (17:58):
I haven't seen her hitting.
Speaker 4 (17:59):
Get a few boys, Let's go outside and look for her. Sure, Hey,
Betty lout, come on, give me a dance.
Speaker 3 (18:20):
Tom, Tom, wake up, Come on, Tom, come on, wake up,
Get on your feet.
Speaker 4 (18:27):
Why why are you awaking me, cousin? You listen to me?
Speaker 3 (18:30):
Why are you awaking me when it's still black outside?
Speaker 4 (18:34):
You kill Laura?
Speaker 3 (18:35):
Tom? Why they found Laura snag on a rock right
under the north forest.
Speaker 4 (18:39):
She was stabbed. What are you saying? Though?
Speaker 3 (18:41):
I'm saying that and everybody else is saying it, saying
what you put a knife to Laura? You saw me dancing? No,
everybody saw me dancing. People seen you go outside too.
They're coming after you, Tom, saying I killed and knowing it,
knowing you're the only person had reason. But I you
talking and they're coming after you. They're gonna hang you, cousin.
They're gonna hang you for sure. You killed it, didn't you.
(19:05):
You gotta help me you put on all the gentleman,
there was nothing but black inside you. You my cousin,
and I'm your cousin, and you gotta help me kill her,
pretty thing like Laura, your blood kin to me knowing
you're gonna help me.
Speaker 4 (19:19):
You're gonna do what I tell you.
Speaker 3 (19:20):
No, I'm not Tom. I'm doing nothing to help you.
Speaker 4 (19:22):
You're talking like a man. I don't care if you die.
Speaker 3 (19:25):
You're gonna wait till I get out of this cabin,
until I get on your horse and start riding to
a Tennessee. And you're gonna wait tomorrow till you hear
them coming. Then you're gonna get on my horse and
have my hat, and you're gonna start riding in the
other direction.
Speaker 4 (19:37):
When you leave.
Speaker 3 (19:38):
I got the length of this room to decide whether
they shoot you in the back.
Speaker 4 (19:44):
Now you get going.
Speaker 2 (20:05):
Tom Dooley Road. The morning Tom Doole Girl at West
and when the sun was gone, he laid him down.
Speaker 3 (20:15):
To the Who's there, Who's who's there? I see you,
I'm gonna shoot.
Speaker 9 (20:32):
That's my friend Selomon. You might see me. You can't
see it all because I'm at your back. Now, you
just stand where you're standing. Do you stand where you're standing,
and you're gonna feel something. Bet it my gun to
your back, all right, Salma, take.
Speaker 3 (20:49):
It gun, give it to him, Give it to him.
That's it. You come out to George, you two dozen.
Speaker 4 (20:58):
I don't know you man who Yankees? What do you
want me for?
Speaker 9 (21:01):
Well, we don't know, Johnny Reb. We just come down
here on a visit. You want money, Now, there's a thought.
Speaker 3 (21:08):
Where's raw money? Red?
Speaker 4 (21:10):
Oh?
Speaker 3 (21:10):
You got you got none where you come from, Rebro
from back there, you're still wearing the rebel jacket.
Speaker 4 (21:20):
Don't you know?
Speaker 9 (21:20):
The war is over, enjoying it, living off the fat
of Southern Land won a war we did, Reb and
we're enjoying it.
Speaker 4 (21:28):
I've got no quarrel with it.
Speaker 3 (21:29):
Now. Once you head a quarrel, where'd you fight?
Speaker 4 (21:33):
Reb? Nassas?
Speaker 3 (21:36):
Get us Manassas. You take a look at the wood
I wear for a leg. Rib I changed him at
Manassas a red bullet? You shoot that bullet?
Speaker 4 (21:48):
Maybe I did?
Speaker 3 (21:50):
You got us a brave one, Seremon.
Speaker 9 (21:52):
Make him cry a little bit, Get up, Reb, get her.
Speaker 3 (22:07):
You crying?
Speaker 9 (22:09):
You smiling? Can't tell with that face Solomon made for you.
Now let me look real close. Well, you ain't doing
nothing at all.
Speaker 4 (22:18):
Just let me kick it out of here.
Speaker 3 (22:21):
Nice entertainment, that's what we're looking for.
Speaker 4 (22:23):
Reb.
Speaker 9 (22:23):
And you don't do nothing, live, cry nothing, Ah, you
dance have bit you, ReBs. I tell you what you
dance for us, Dawson, get us a rope. You've got
no cost to hang in for dancing purposes. You do
us a dozy dough on the air from that tree
over there. Thank you kindly do no cause at all?
Don't like to dance? Then what you're gonna do for
(22:46):
is Reb? I know a thing sing us a tune,
one nice Yankee tune.
Speaker 3 (22:52):
Reb. You know what? Sure you do? I'll help you, Reb,
yink it dude to keep it.
Speaker 4 (22:59):
Out, saying let him alone?
Speaker 3 (23:04):
Will you a Yankee like you?
Speaker 4 (23:09):
Isn't that right?
Speaker 3 (23:10):
Tom?
Speaker 4 (23:10):
Yes, sir, Yes, so, mister Cabot a Yankee gentlemen.
Speaker 3 (23:16):
Who says with this rifle that the hating's over.
Speaker 4 (23:19):
I'll leave this man.
Speaker 3 (23:20):
Alone and get out, all right, all right, man, get me,
mister Cabot. They were going to kill me.
Speaker 4 (23:31):
I'm grateful, grateful for saving your life.
Speaker 1 (23:35):
Mister cab You're going back right where you came from. Tom,
Dooley to where you kill Laura. Walk ahead of me,
Tom Dooley, or I'll shoot you where you stand?
Speaker 4 (23:45):
Doctor yank you? Doctor who's going to see that you die? Legal?
Speaker 7 (23:50):
Tom Dooley, cart ready for you, Tom, Time for hanging?
Speaker 3 (24:22):
Oh h.
Speaker 10 (24:29):
Yeah, Come on, Tom, that scrub oak tree. Get up
on your horse, Tom, rope tied to the branchump, then,
(24:56):
mister Cabot.
Speaker 4 (24:58):
Reckon. You want to fit the noose to Tom's neck?
Speaker 7 (25:02):
Yes, lean down, Tom Dooley.
Speaker 3 (25:09):
All right, it's done. You got anything to say? Tom
before we slap your horse out from under.
Speaker 4 (25:17):
Ball?
Speaker 2 (25:18):
Don your hair, Tom dooy Ball, don your hair and cry.
Speaker 3 (25:30):
By Tom. May your soul rest in peace.
Speaker 2 (25:33):
You killed poor lord fast You know your barn to doe.
Speaker 1 (25:48):
Eat suspense presented by Autolite to night Star mister Joseph
(26:10):
Cotton Suspense has again been brought to you by Autolite,
World's largest independent manufacturer of automotive electrical equipment. Autolite is
proud to serve the greatest names in the industry. That's why,
during these early months of nineteen fifty three, the Autolite
family has again saluted the leading manufacturers who install auto
(26:33):
light products as original equipment. Next week as a climax
to this salute series, our show will originate from the
Easter Parade of Stars Auto Show in the Grand ball
Room of New York's Waldorf Astoria Hotel. Our story will
be a dramatization of the first and only Round the
World auto race ever held. Our star will be Van Johnson,
(26:55):
so be sure to be with us next week for
the auto race that stirred the world. Next week, a
story based on fact as we recreate the first international
(27:15):
automobile race, the time nineteen eight. The story Around the World,
Our star mister Van Johnson, That's next week on.
Speaker 4 (27:28):
Suspense.
Speaker 1 (27:45):
Suspense is produced and directed by Elliott Lewis, with music
composed by Lucian Morrowick and conducted by lud Gluskin. Tom
Dooley was written for suspense by Martin Fine and David Friedkin.
Featured in the night's cast verse Emmy Hill, William Conrad,
Joseph Kerns, and Bill Whistle.
Speaker 4 (28:04):
The singer was Harry Stanton.
Speaker 1 (28:10):
Joseph Cotton may currently be seen in the twentieth century Fox.
Speaker 4 (28:14):
Picture Niagara.
Speaker 1 (28:20):
And Remember next week, mister Van Johnson in Around the World.
Speaker 4 (28:32):
This is the CBS radio network,
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