Episode Transcript
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Speaker 1 (00:05):
The Columbia Network takes pleasure in bringing you The Sense Defense,
a new series of programs with one.
Speaker 2 (00:25):
Sick purpose in views your entertainment.
Speaker 1 (00:28):
Each week at this time, CBS that decides thirty minutes
to excite you, santi by you, and on occasion, to
horror by you, with a catalog of the world's great thrillers,
dramas from the stage, and screens from fiction and radio dramas,
to bring you.
Speaker 2 (00:49):
The Friends Fifth, the second offering of a new series,
is a unique one.
Speaker 1 (00:58):
Certainly, it is one of the very few pieces of
suspense literature that somehow manages to tickle your funny born
while busily engaged in tingling your spine. Make no mistake,
though nobody's kidding. CBS presents its adaptation of John Tyler's
well known short story Wet Saturdays.
Speaker 3 (01:33):
It's a whit Saturday. Never folty Harder. I'm Princess Frederick Princey,
just an ordinary family man. I have a son, a daughter,
and a wife. Might be out gulfing now as it
hasn't been, Prince I can drive.
Speaker 4 (01:50):
Over to the misty this afternoon, to the borders.
Speaker 2 (01:53):
You know, a whole lot of them. Make me stink yere.
Speaker 3 (01:58):
I'm George there and a day they go punting, punting
because in't find the plast punt them in the weather.
Speaker 2 (02:07):
Though I'm home, I was going.
Speaker 5 (02:15):
To pay a crook.
Speaker 2 (02:17):
How Yes, that's the Princi family.
Speaker 1 (02:27):
We find them at home Missus Prensy Millicent, George sprawl on.
Speaker 2 (02:30):
A college, mister Pency biting on a dry pipe.
Speaker 1 (02:34):
Their living room is dull and over stupp rain beats
of the windows. They are any middle class family at
home on a wet day, except for one small license.
As you sit with them in the living room, you
can see through the door of the sunboat a pair
of men's feet in case in black food.
Speaker 2 (02:54):
They look like the feet of a curate. There's a
tenness in the room.
Speaker 1 (02:59):
The air is charged with excitement, but the feet are
very still.
Speaker 3 (03:06):
Don't keep staring at them. Listen to me, all of you.
Don't you see they hang her? That's what they do.
They'd hang her.
Speaker 4 (03:16):
It's too wolf.
Speaker 3 (03:17):
That was awful, catastrophic. I suppose it is sweet. Can
good intelligent girl, respected loved by the whole village doing
a thing like this speak of the popularity of the squat.
Do you think I'm going to resign from the bench
of best hell out and live in some ugay hotel abrough.
Speaker 6 (03:37):
Oh no, no, no, I kill myself.
Speaker 5 (03:41):
I will.
Speaker 3 (03:42):
I don't be a fault.
Speaker 7 (03:43):
And then all that you have been the governor, be quiet.
Speaker 3 (03:48):
It wouldn't be so bad if it were you. Everybody
in the village knows you're not responsible. George. Yeah, get up,
best house, sit up on your spine, might be of
a little youse here if you could think.
Speaker 2 (04:03):
That isn't my funeral? Or shut up?
Speaker 3 (04:07):
As long as I can remember, George, you've been a
child and a tribulation to me.
Speaker 4 (04:13):
Oh, I can't stand it. I can't stand it.
Speaker 3 (04:15):
You got to stand it, my dear. I keep that
his credical note happening about it? You here we are,
we are talking about the weather now, George.
Speaker 2 (04:31):
Uh, George, if.
Speaker 3 (04:34):
He's fell down the old well, say uh, hiking his
head several times?
Speaker 2 (04:40):
What about it?
Speaker 3 (04:40):
Heh he don't know, Governor, what about it? Don't be
an ask. I'm asking you to think he'd have had
to hit the side several times in thirty or forty season,
and that all the correct and governor.
Speaker 6 (04:56):
Now, no, I'm.
Speaker 3 (04:58):
Afraid now I'm afraid not. We'll have to go over
it all again. Oh no, father, Oh no, I couldn't.
We couldn't, Melicten. We must go over it all again.
Both see you toat him all face facts major with
(05:20):
him lying there.
Speaker 2 (05:21):
No, he's pretending it to take me.
Speaker 3 (05:24):
Hey, my tang you melicant. Oh, stop it shaking.
Speaker 5 (05:29):
Stop it here, you must stop it.
Speaker 3 (05:32):
Keep your voice, wife, Melsten. We are talking, uh the winner.
Now we will push him. God, oh, should have thought
of those books. Many I'm not moving him, But sit up, George,
(05:56):
stop shoving up people. I'll Melicten, look at me. Answer
it truthfully. We'll hear. Yeah. Answer. You were in the
croquet court if I who knew you were in love
with this?
Speaker 2 (06:13):
Watch is cur oh oh rivage.
Speaker 3 (06:17):
They've been stinking about it at the pub for three years. Medicins.
We continue. You were on the crooked course here you
were putting the crooked head into its stock.
Speaker 8 (06:33):
Here it it was starting to raise. I was carrying
the ballone and the sun porch.
Speaker 4 (06:41):
The box is there.
Speaker 3 (06:43):
You heard someone enter the garden gates and come across
the yard there, good to see.
Speaker 2 (06:51):
Who it was?
Speaker 8 (06:52):
Not the first I would carry into the sun porch.
Speaker 4 (06:57):
I threw down all.
Speaker 8 (06:57):
The merits, but the red one turned around.
Speaker 3 (07:01):
It was whether so you called him loudly? You call
him loudly cause anyone her father?
Speaker 5 (07:12):
Now, father, I'm sure not.
Speaker 4 (07:14):
I didn't really call him.
Speaker 5 (07:16):
I I just took his name, he told me as
I went to the door and just waked his hand
and came over.
Speaker 3 (07:24):
How can I find out from your weather but with
anyone about or that he could have been seen.
Speaker 5 (07:29):
I'm sure not, father, I'm I'm quite sure.
Speaker 3 (07:33):
So your boat went in for the sun part.
Speaker 8 (07:37):
Yes, it was raining hard.
Speaker 2 (07:39):
Then what did he say?
Speaker 5 (07:41):
He said, hello, really and excurited, coming in the best way,
but he set hard to walk over to list or not,
and he.
Speaker 4 (07:50):
Said he passing apart and he now.
Speaker 8 (07:55):
Not me, thought of me, and so he just took
in for m He he had something to.
Speaker 3 (08:04):
Tell me, he.
Speaker 5 (08:07):
Said, he was so happy.
Speaker 6 (08:09):
He wanted me to share.
Speaker 3 (08:10):
That he had some.
Speaker 8 (08:12):
Dedici things that have ridiculous and it wasn't done that
that it meant he could marry.
Speaker 4 (08:22):
Then he began to stop. That's all consumed wanted.
Speaker 5 (08:25):
Course, I thought you meant me.
Speaker 3 (08:29):
Don't tell me what you thought, tell me exactly what
he said nothing else.
Speaker 6 (08:34):
Well, well.
Speaker 2 (08:39):
A luxury.
Speaker 3 (08:41):
You can no longer fat tell me what happened.
Speaker 7 (08:47):
He said, so.
Speaker 4 (08:49):
He said it it wasn't really it.
Speaker 8 (08:53):
Elebrate did, and David and and he would sorry him
and all the m.
Speaker 3 (09:01):
S.
Speaker 2 (09:01):
He wat the girl and then.
Speaker 8 (09:07):
He turned his back.
Speaker 6 (09:09):
I had the red man at the clok his.
Speaker 4 (09:10):
Head in my hand.
Speaker 3 (09:12):
I forgot to drop it in the box that.
Speaker 2 (09:14):
He craves it.
Speaker 3 (09:15):
And I do shout or scream. I mean, as you
hit him now, I'm sure I didn't. Did he come on?
Speaker 6 (09:25):
Speak up your father?
Speaker 2 (09:26):
And then I threw it down.
Speaker 5 (09:29):
I can't stay in here, I went to little mother.
Speaker 3 (09:36):
No, I would not, as a child made Maybe I
had no idea. You WoT I'm thinking you'll see George
he probably told people he was going to liston doesn't
and no one knows he calms here, but he he
(09:57):
didn't decide until he crossed the park. He might have
been at in the woods. We must consider it detail
a cure it with his head better.
Speaker 6 (10:09):
They don't.
Speaker 3 (10:10):
Don't a cure head better? Now? Who would want to
kill with her or.
Speaker 2 (10:19):
Kill with her?
Speaker 3 (10:20):
Well? I would wit better? How you do me? Oh,
sit down and pray us and get up for me.
Missus princey you either listen my word, just being neighborly
on a bad day, I wanted to ask you about
those daily abounds. Printy for a short cut on account
of the rain, and walk right in. Knew you wouldn't mind.
Speaker 6 (10:39):
Oh his head, your father, if we could all have
our little jokes, don't pretend to be shocked.
Speaker 3 (10:50):
Wallet, mischair facing the fireplace, Sit.
Speaker 2 (10:54):
Down, mother, we'll take you the tap for the sun.
Speaker 4 (10:57):
Posh here he looks so gloomy out there.
Speaker 3 (11:00):
I just well shot the rain, just talking about the
little theoretical cure killing Smollett. Look, young people these days
like thrillers. Pops on his side, justifiable pops on his side.
If you heard about Ella Bragdon Davis and I shall
be most properly laughed at. Why why should you be
(11:20):
laughed at?
Speaker 2 (11:21):
Smullet?
Speaker 3 (11:22):
No, and the shot in that direction myself? Then I've said,
yeah too, haven't you heard? She told most people? Now
it'll look as if I got turned down for a
white rat.
Speaker 2 (11:35):
And a dog collar.
Speaker 3 (11:37):
Oh too bad? Fortune of war? Yeah four killed of war?
Speaker 2 (11:45):
Art?
Speaker 3 (11:45):
How it happens, isn't it s down? Smollett? Milicine console,
Captain Smollett, with your best light. Conversation with you too, Mother,
George and I have something to look at outside. It's
this way, you know, but it is bad, very bad. Come,
don't ride or gun. Mr. Maybe we'll make raincoat for all.
(12:05):
I don't think so. It'll just make yourself home. Smile,
it's make your at all. A cigarette, get the smellet,
Thank you, thank you. I'm not the day to be
going out, but.
Speaker 4 (12:17):
Something about the old will just off the sun fort door,
you know. The terrible start and weather seems to have
loosen some of the stones and off.
Speaker 3 (12:24):
Too bad dash, too bad, spoils the tennis and croquet.
Speaker 2 (12:28):
I mean a day like this doesnt did Milly? Doesn't?
Did Milly?
Speaker 3 (12:33):
Oh?
Speaker 5 (12:33):
Yes it does.
Speaker 4 (12:34):
She was practicing out on the croquet court.
Speaker 3 (12:36):
Ear.
Speaker 4 (12:36):
Yes, but i'll do for your chair near the fire, Captain.
It was so dense we thought it would be cozy to.
Speaker 2 (12:42):
Night to thank you.
Speaker 3 (12:42):
I'm quite comfortable.
Speaker 8 (12:46):
I uh, I hope you don't feel too bad about
a hair, David.
Speaker 3 (12:51):
I'm always win. Can't say though, what you women see
in these bloodles clerics.
Speaker 4 (12:56):
Oh, I always thought that sier this was that these are.
Speaker 3 (12:59):
Very on you, so I'd agree, But why should anyone
want to marry him. You wouldn't want to marry him,
would you, Milly?
Speaker 2 (13:06):
Not now that that are you?
Speaker 3 (13:11):
Oh?
Speaker 4 (13:12):
Oh no, good.
Speaker 2 (13:14):
Mollett?
Speaker 3 (13:16):
Yes, yes, kid, good old man?
Speaker 2 (13:18):
You do coming off suddenly?
Speaker 3 (13:22):
Yes? I did. Oh, don't mind this old double bartrel
shot down. Been working on it, Mollette. May I have
the other at tension for a minute. There's something on
the sun port I'd like to show you why, Yes, yes,
of course, Mollette.
Speaker 2 (13:42):
George and I went.
Speaker 3 (13:43):
Out to see you if we could shoot some rats
which have been driven out of the old world by
the high water said they might get into the house.
Now you must listen to me very carefully, very carefully,
or you will be shot by at princess.
Speaker 2 (14:02):
What got into you?
Speaker 3 (14:04):
You heard me ask if you came in, who would
kill with us? You also heard militant make a comment
and unguarded comment, well, what of it? Very little unless
you were this here, but with us had met a
violent end this very afternoon, And that, my dear Smollett,
(14:27):
is what you are going to hear.
Speaker 2 (14:29):
What with whose?
Speaker 3 (14:32):
Yes? Who killed Milic?
Speaker 5 (14:37):
Good lord?
Speaker 2 (14:38):
Yes, it's a mess, and of course you.
Speaker 3 (14:41):
Would have remembered and guessed. Maybe that's a psibl I
should therefore, you constitute a problem. Why did you kill him? Oh,
it's one of those disgusting things. Pitiful too, she deluded herself,
feeble in love with her if Billy, Oh, yes, of course,
(15:03):
I see he had told her about.
Speaker 2 (15:06):
The Davis girl. I understand now.
Speaker 3 (15:09):
I have no wish that she will comprehend that she
should be proved either a lunatic or a murderers. I
could hardly go on living here after that, I suppose not.
On the other hand, you know about it, because if
I see, that makes me your problem. You're wondering if
I could keep my mouth shut if I promise. I
am wondering if I could believe you. But if I
(15:32):
probably if things went smoothly, Yeah, but not that there
was any sort of suspicion, any questioning. You would be
afraid of being an accessory wife.
Speaker 2 (15:41):
I don't know, I do What are we going to do?
Speaker 3 (15:47):
I can't see anything else. You'll never be fool enough
to do me into it. You can't get rid of
two corpses, or have regarded as a better richer than
the other. It could be an accident, or you and
Withers could both disappear. There are possibilities in that you
(16:07):
can't I can, but there may be a way out.
There is, Smilett. You gave it to me, your sad
I did what you said you would kill with us.
Speaker 2 (16:20):
You have a motive for here. I was joking, of course,
you saw.
Speaker 3 (16:24):
That you are always joking. Listen, Smollett. I can't trust you.
You must trust me else I will kill you now
in the next minute. I mean that you can choose
between dying and living. Go uh Now, there's the old
word just outside the sun porch store. That's where I'm
(16:44):
going to put with us. No one outside knows he
has come up here this afternoon. No one will ever
look there for him unless you tell them. You must
give me evidence that you have murdered with us.
Speaker 2 (16:55):
I murdered him.
Speaker 3 (16:56):
Why do you want that? So that I shall be dead?
Sure you will never open your lips on the subject.
Speaker 2 (17:03):
I see what evidence.
Speaker 3 (17:07):
George hit him in the pace. Sure, keep out of it,
our captain. You should be more careful. Look what you're
deep into my muscles again?
Speaker 2 (17:19):
George?
Speaker 7 (17:19):
Okay, I.
Speaker 3 (17:23):
Keep quiet, you women, keep out of it. I'm hollow.
Smollett but there must be traces of a struggle between
you and with us. Then it will not be altogether
safe for you to go to the police.
Speaker 2 (17:37):
Can't you take my word?
Speaker 3 (17:38):
Then I will when we are finished, George, get the
cook Meria right, take your handkerchief to it in there
on the sun porch floor.
Speaker 7 (17:50):
Yes, I got it, Gatherer.
Speaker 3 (17:53):
There, Captain, there's no weapons, as I told you, Smarlett.
Now you'll just the end that smashed Withers hands. I
shall shoot you if you don't.
Speaker 2 (18:06):
Good, do what you can and all right.
Speaker 3 (18:10):
That's it now deposited out by the side of the house,
out of the way, of course. No wait, don't er first,
you bitter, pull a few hairs out of his hands
and put them under the nail the Withers right now,
prince Hip.
Speaker 2 (18:27):
You got mad? You are what you're doing with this gun?
Speaker 3 (18:30):
Yes? Go ahead, George? Yeah? Sorry, then must your hair up?
Speaker 7 (18:36):
Oh, shut out, mullet.
Speaker 3 (18:39):
That's all we need now for whether we will fix it?
Right up? Be right with your governor, Mallett. You may
turn around with us. Is just there in the sun potch.
Draw back the curtains, good lord, pretty yeah, messy, But
(19:01):
where do you get him?
Speaker 2 (19:02):
Fixed up. Now you saw it.
Speaker 3 (19:05):
You just got to drag him through the door and
jump him in the old ware just beyond the door.
Speaker 2 (19:11):
Captain, I won't touch him.
Speaker 3 (19:13):
I won't try. All right, Penda fight, I'll wearing short
right only one place. I want this bullet to go. God,
keep quiet. My aims down to Wait.
Speaker 2 (19:22):
A minute, wait a minute.
Speaker 3 (19:25):
I'll better, Molly, much better.
Speaker 2 (19:30):
Go on now in here.
Speaker 3 (19:32):
You'll have to take him outside by the shoulders. Ought
to do it, Captain quiet, George, go on, Mollick, go on.
We've seen dead men before. Oh, crag him, grab him.
I'll just pulled the gun here to make sure that
everything goes all.
Speaker 4 (20:01):
Oh, Lester, come up from the dis w go you
don't blue. But Captain Smollet sving forget. It's as possiful
man in his work. I'm sure what.
Speaker 6 (20:09):
He's doing is right.
Speaker 4 (20:10):
The Captain, I can't because nothing question your dear father,
I sare you two.
Speaker 3 (20:18):
Still add there's enough trouble around here without blubbering.
Speaker 2 (20:21):
I'm not having good.
Speaker 3 (20:26):
And never look an hour work. You see the house stantly,
I guess it's awful.
Speaker 5 (20:35):
Good happens a man looks good.
Speaker 3 (20:37):
Gripping wet. Why why didn't you slip the raincoat on you?
Speaker 4 (20:41):
Ready, my dear, you need just a minute, dear having
the bridget.
Speaker 3 (20:45):
I guess you what you need Smollett. Pup of tea.
Speaker 4 (20:48):
The thing in the world the water off a car
and I want you, ah, don't.
Speaker 3 (20:52):
Mind getting the chair wet? You know it said? So
I stick to my bite.
Speaker 8 (20:59):
So funny how you think everything hot man, I hope
brig here.
Speaker 3 (21:03):
Put the trains unto me here on the table, I say, captain,
you've gone and catch your lip.
Speaker 2 (21:10):
I just knocked it.
Speaker 4 (21:11):
How dreadful?
Speaker 5 (21:12):
Keep bridget, keep the captain.
Speaker 2 (21:14):
This captain.
Speaker 3 (21:17):
Stuy irather thyse's running along now she doesn't mind the captain, Smollett.
Speaker 4 (21:23):
Would I see the tea if.
Speaker 3 (21:25):
You don't mind, missus princess. If I could just have
my ring ConTroll, I'll get saw your captain, or it
is very distressing, smallst very, I'll be all right presently.
Speaker 2 (21:36):
I'm sure here we are now.
Speaker 3 (21:38):
Let me help you. Actually that player, i'd better go
out the front way, Smollett.
Speaker 2 (21:44):
Walk is dry.
Speaker 3 (21:45):
Let me hold the door while your captain and don't
want billow.
Speaker 2 (21:49):
Don't worry it all.
Speaker 3 (21:56):
Nothing scary as I imagine, Yeah, you go western, they'll
be all right. Is rain by the way, my liten,
you're not looking at it too well, you know.
Speaker 8 (22:05):
Twll at all.
Speaker 4 (22:06):
I'm sure it was that crooky cause see outdoors and
whether like this is simply fool hearted.
Speaker 3 (22:10):
The lad's right nearly before it happened to Captain Smallow.
Speaker 4 (22:15):
Come home, dear, I shall give you a hawk for
thought and put you to the and a couple of
days in there.
Speaker 3 (22:22):
Yes, send me worth milliondon don't worry a bother thing.
Speaker 2 (22:26):
The burst.
Speaker 3 (22:28):
Well, I guess out of a little rest too.
Speaker 2 (22:31):
God, No, it's a fine arter number a nap.
Speaker 3 (22:35):
Indeed, it is done. Well. Enjoy yourself. I'll see you later.
I'll see you all later.
Speaker 2 (22:46):
M R.
Speaker 3 (22:59):
John, Oh would you get me the police station? Please,
station right away, the.
Speaker 7 (23:13):
Headquarter set.
Speaker 3 (23:16):
Oh hello, Satan, this is princive Abatrod. I believe you
know me, Sat. A horrible thing has just happened White.
It's straordinary murdering. In fact, I am afraid it looks
rather bad for worfore for a close friend of ours.
Unfortunately we saw him do it. I I think you'd
better send someone over right away.
Speaker 7 (23:38):
Our man should be there.
Speaker 3 (23:39):
That beke your pass.
Speaker 7 (23:43):
I say, our men should be there now, cortin first
trip to low your house there just rang, it seems
Captain Smollett was with him.
Speaker 3 (23:55):
Captain Smollett reported.
Speaker 7 (23:57):
To rather queer, going down at your pace. Okay, certainly
did murder. Help don't touch anything with your princy, and
don't worry, don't weary at all.
Speaker 3 (24:09):
No, no, no, no, I won't shut thank he come
on right, stop shouting.
Speaker 2 (24:22):
We we had some visitors.
Speaker 3 (24:24):
Govern Oh yeah, yes there's I can see that well comfortable,
good afternoon, good print and Smollett, I say, what a
what a remarkable fellow you are coming back like with
here to reenact the crime only the one against me, pretty,
the one against the curate.
Speaker 2 (24:43):
I'll lead to you people.
Speaker 3 (24:45):
Extrawdinary sense of humor.
Speaker 2 (24:47):
The good Prince her Joe said to look at what's
in your world.
Speaker 3 (24:50):
Not a pretty type at not pretty at all. Yeah,
Captain Smollet, for color, if nothing else, you say, when
they did it out in the back, oh quite, we
were just could turn it from a walk small. It
evident that had been laying for the current hiding out
in those bushes by the road. I imagine it was
never inside this How never old, you say, Captain, I
(25:11):
say that, while I was inside this house a guest
of the family, I was coerced into dragging the curate
body outside and dutting it in the well. There.
Speaker 2 (25:20):
We are not entirely comfortable.
Speaker 3 (25:23):
I'll just remove my raincoat where and demonstrate how damp
I got my clothes when I went outside without it. No,
that's interesting, isn't it quite? He undoubtedly removed his coat
at some point between here and your posts. I might
as well tell you that his weapon, a red cooking mallet,
is out by the side of the house. I shouldn't
(25:44):
be a false surprise. But did you find his fingerprints
all over it? All over the end of the marriage constable,
the end that mashed withers his hands, not the end
either the hat the grass in order to do the matching, Governor.
That's a decent tri it smellet, But it won't work.
There must be other evidence, is comfortable. You will undoubtedly
find them when you examine the body. He means my
(26:06):
hair and the wizard is nail. Well, so if you
look carefully, I believe you'll find the fuel of my
precious hairs under his son's nails through here? What are
you trying to answerable? This is an utter waste of time.
So far as the violence struggle between Smallets and with us,
it's concerned Smallets. Hey speaks for itself quite eloquently, I believe,
or but no more eloquently than your son's knuckles, as
(26:28):
you see, comfortable of fresh abrasion.
Speaker 7 (26:30):
He did that on my teeth?
Speaker 2 (26:33):
Or did he? What I say?
Speaker 7 (26:36):
Or did he?
Speaker 3 (26:38):
He might have done that on within't his teeth?
Speaker 2 (26:44):
Oh?
Speaker 3 (26:44):
I see what you mean, But I didn't, governor, he said,
I keep still your li with Let me think, Let
me think. As a matter of fact, George, the more
I think of it, the more I'm convinced it was
your voice. I heard quite a vigorous quarrel, something about
the curate duting your sister, or don't there a killer?
Speaker 2 (27:04):
Smollett said it.
Speaker 3 (27:05):
Well, Princey, if your son didn't do it, who did?
Speaker 2 (27:08):
That's what I'd like to know, How about it, mister Princey?
Speaker 3 (27:12):
Well that that is a sticker, all right?
Speaker 2 (27:17):
George, my boy, it.
Speaker 3 (27:19):
Looks like you're elected directed.
Speaker 2 (27:22):
Hurry you mean I didn't do it?
Speaker 3 (27:23):
Fause your mouth shut?
Speaker 2 (27:25):
Will your d I'm not gonna take the blame for her.
Millie did it.
Speaker 3 (27:29):
She didn't do what I had married. I thought you
could prove that proved. I yes, a fingerprints on the
malat the handles white.
Speaker 2 (27:37):
George.
Speaker 3 (27:37):
Don't you remember when you made me touch the marriage
and you picked it up with your handkerchief? No, George,
I'm sure you wipe that handle clean. Oh well, I
could hardly expect you to remember that if you you
can't even remember killing the curate donor. I told Juseph
Keith till Don You're not gonna turn me. Oh you am,
long as I can remember. George, You've been a trial
(27:59):
and the relation to it. You shouldn't have done it.
Speaker 2 (28:03):
Son.
Speaker 3 (28:04):
You really should know, George, that was definitely wrong. I say, Princey,
I think I'll have that cup of tea aftraw, not
even like it's in.
Speaker 2 (28:14):
Weather like this wet Saturday. From the short story by
John Collier.
Speaker 1 (28:23):
You have just heard the second in Columbia's News Series,
a series designed to bring you the best in thrill entertainment,
outstanding dramas.
Speaker 2 (28:31):
From the field of fiction and radio, stage and screens,
dramas of pure suspense.
Speaker 1 (28:49):
This Columbia feature is produced and directed by Charles.
Speaker 2 (28:53):
Vander, with scripts by Herald med Birt.
Speaker 1 (28:56):
And score by Bernard Herman. Be with us again next
week at the same time when we present the Spence.
This is the Columbia Broadcasting System.