The Parking Space (S03E21)

Episode Transcript
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(00:00):
Talking signfoud has bought to you.But the four finger this can't network.
Look at this crazy. What areyou doing? Hey, hey, you're
stealing my space? George. Wait, you don't know who this guy Isn't
people kill for a parking space inthis city? No? No, no,
he's not getting away with George.What are you doing? I think

(00:20):
I'm parking my car. You can'tdo that. You can't just sneak in
from the backlank that. I'm notsneaking. I didn't even know you were
parking. You were just sitting therethree spaces up. What if you didn't
think I was parking? Why didyou put it in head first? Well,
that's the way I park anyway.You didn't start backing until I pulled
it. I was in the middleof a conversation. Hey buddy, what

(00:40):
can I tell you? The pointis I was hit first. I was
closer to this space than you were. But I'm backing in. You can't
put it in head first. Ican't if I a Welcome to Talking Sci

(01:04):
Fi, the podcast where we discusseverything we know about the show about Nothing.
This week, we are here toreview the episode for Partner Space.
I am Dando. I am guyand Oh my gosh, can I relate
to this episode in multiple ways,not just when it comes to car parks,
but when it comes to just aboutanything. Dando, would you like
to hear an anecdote? Oh,I would love to hear your anecdote,

(01:26):
mister Davis. As many of myanecdotes do. This one starts with the
lovely Luise. They all begin anend with the lovely Luise. But listeners
to the show, maybe we're maybeI haven't disclosed she was studying to become
a counselor therapist and as actually qualifiedto do that. Now she's rented a

(01:46):
room in Geelong. So if you'vegot no mental discontents or emotional discontent of
anyway, go see Luise. She'llsort you right out. Can you book
me in for four pm today?Please? This is our therapy is Yeah,
how we binge and purge so tospeak. But before the actual business
of getting clients through the door,to decorate the room, got to make

(02:08):
it a safe space, so tospeak. You know, we've got a
couple of very nice comfortable chairs offGeelong market Place on Facebook. Lovely sort
of orange thin cord. They're reallynice and lou had her eye on this
other chair out of day funer storein North Geelong, being me being the
supportive boyfriend, and I'm like,well, let's go check it out.

(02:29):
And you know I've got good taste. Maybe I can you offer a bit
of advice on it. So wego out, we look at the chair.
I'm like, the chair's not bad. We get these kind of cushions
and a compidence this way bladd eyreI sound like, I like to think
I know what I'm talking about.Everyone's looking at me like what kind of
shoot is he talking? But whilewe're looking at this chair and it's floor
stock, the one, the onlyone left, okay, you know,

(02:49):
we're taking seats on it, likeoh it's comfortable, Yeah, this will
work. Oh, this cushion workswith it. One of the women who
works there comes over, picks upthe chair, says, I just sold
it to these people. No youdidn't, you didn't, like it's what
the fuck? So what happened?So no, no, you can't do
that. You actually can't. No, you're sitting on it, actually sitting

(03:10):
on on that stage. But youknow, we were it was clear that
we were circling and trying to makeup our mind about it. And then
there's other couple who had clearly seenus two very attractive, stylish people looking
at this chair. Gum, Iwant a bit of that guy and low
action, so to speak, sweptinto that chair, I would be robable.

(03:31):
So what happened? Did you love? Luise would have taken this surely,
I think, because she was intwo minds about it. Okay,
we viewed this as kind of likethe universe sending us a message because she
so she didn't really like it youdid. So what she did was she
told this other couple, Hey,my partner wants this. I don't really
want it. I feel I don'twant to tell him that it's bad,
though, So how about you buyit? I'll give you the money to

(03:53):
buy it. In the end,in the well, the chairs, the
chairs been taken by the by thesepeople, we also saw that they were
buying some other thing that looked likea real piece of shit, Like,
well, clearly these people have gotterrible taste, so maybe this chair is
not that good after it? Yeah, well you have to send me a
photo of this. Did you havea photo of this chair? I'll have
to see it at some point,I think I did take one or two

(04:15):
pictures. They can. I'll findit on there. I'll find it on
the I'll let you know once hehas gone up, and you can post
it up in the in the Patreongroup so we can know what I'm talking
about it. But you did getchairs in the end, though, We've
got a better idea of the chairthat we wanted. The same style but
a different color. Is it likelike a long one of those long couch
chairs or is that just a no, no, no, it's a it's
a comfortable sort of arm chair dealchair. Okay, cool? But you

(04:38):
know, I mean thinking about theparking space. Think about this episode of
Seinfeld, and you know, whentwo people want the same thing and you
know, both people think they've gotyou know, DIBs on it or whatever,
it can lead to frustration, canlead to tension. And I tend
to get very possessive about parking spaces, much like much like George does in
this episode. I had a similarthing. I've got another anecdote when it

(04:58):
comes to parking. But recently,Nicol she never spends money on herself,
right, She always a She justsays she doesn't have the confidence to go
try and close. She doesn't.She has no confidence when it comes to
that thing. But she's a terribleshopper when it comes to buying things for
herself because she just doesn't. Shecan't justify spending any money on herself.
So she goes through all these thingsand she buys. She'd try and ten
dresses and buy one. I'm like, you liked four of them, I

(05:19):
only need one. I'm like,you liked four, You've got the money
for four by four anyway. Soin Maya here in Geelong and Nicola's size,
she got through these dresses on theclearance right and only have a certain
amount of sizes on the clearance thing, and Nicholas sort of going through looking
for a size, and then thiswoman sort of swoops in and just sort
of grabs one off and that wasthe one size that fit Nikol on this

(05:41):
dress that she We've been shopping forlike an hour. She finally found something
she liked. This woman just sortof took it off. Right. I'm
thinking, in my head, thisis not going to fit you. And
she's looking at it, and she'slooking in the mirror, and I'm thinking,
I'm thinking, my head, moneyhave to fucking settle some pitches here.
But thankfully she came to her andDan, they're gonna have to joke
someone, and I sort of said, I said, not loud, but
I sort of went as if thatdress is going to fit her because she

(06:02):
was bigger, and she choked atme. She gave me a dirty look
and she threw the dress down thecash and walked off. And I was
like, hey, at least mywife got the dress that she wanted now,
but no, you got to playdirty. This is the thing.
I'm like, you might be buyingthat dress to maybe one day fit into

(06:23):
it, but you ain't fucking gettingthat. You ain't fitting into that dress
today. Honey, my wife's beenshopping for an hour and she wanted that
dress and she didn't have anything.She didn't want to tell this woman that
she wanted that dress. I'm gettingyou that dress because I want to go
home. But when it comes tobut when it comes to parking spaces,
right, I may have told thison another podcast, but one time at
the Gelong Waterfront, right, it'sone lane each way. Oh my god,

(06:45):
parking at the Gelong Waterfront, yeah, one lane each way angle parking,
right, and it's as guys justsaid it's very busy. Not New
York level busy, but it's it'shard to get a park on the actual
waterfront and the angle parking. Right. So we've got two kids and they
want to play on the grass area, you know, the grassy area near
the waterfront there. So I'm thinking, all right, the closer we can
get to there, the better becauseI don't have to walk too far of
the kids because they always get tootired, blah blah blah, and they

(07:08):
don't want to get into pram andall this other shit. Right, So
we're driving down this park is justavailable, and I was like, holy
shit, this is awesome. It'smeant to be. I go to pull
in. This woman starts walking outof the park, up out of the
park and puts her hand up andI went, what are you doing?
She's putting she's she's going on thiswaving her Hand's gone no no, no,
no, no no no, it'smy park, my park, no
no, no, no no.And I'm trying and I'm in the left

(07:29):
lane, right, So I'm inthe left lane turning left into an angle
park. She's standing in the carpark. There's no cars in front of
me right, So I'm holding uptraffic, going move, fucking move,
this isn't you've got no car move. She points to the other side of
the road, two cars deep.Her husband is down on the other side
of the road in traffic. Sothere's a red light on the other on
the other way right, So he'sidol. He's he's stationary in traffic on

(07:50):
the opposite side of the road,facing the other direction, waiting for the
green lights. He can move forwardin traffic. Enter and he's got he's
got his wife to get out ofthe car and stand in the fucking car
park on the other side of theroad, blocking anyone from getting in.
And I'm going move and I'll startmoving the car forward, and she sort
of she's not moving. And Isaid to Nicola, am I gonna have
to hit her legs? Nicolas going, Brandon, just just go find I

(08:11):
said Nicola, No, she cannotfucking do this. So I start turning
into the park. He starts honking, he's on waving, he's out out
the window. I moved a littlebit more forward. She isn't moving.
She is not going anywhere further.And she had that look at the face
while she was about to bang onmy car. So I thought the kids
in the car, I left.But I'll tell you what, if my
kids were not in that car,she was getting run down, absolutely,

(08:31):
and you cannot be justified. No, you cannot do that. He was
down in traffic, like two cardsdeep. Further down in traffic. Stationary
sent his wife to walk across thestreet to stand at a car park.
Mate. No, no, there'san exclusion zone, you might say,
when it comes to that guy.He wasn't even on the side of the
road. Yeah. Look if hewas on the other side of the road

(08:54):
but right next to you, yeah, had his indicators on still. And
also if he's also if he's significantother, they hadn't been so much of
a you know what I mean,she's Muslim's right there. We're just trying
to get this part. You'd probablygo, oh, look, yeah,
it's the Gelong Waterfront. It's anightmare at the best of time. Okay,
I'll do the right thing this time. But this combination of elements and

(09:18):
her just go no, no,no, no not. I was so
angry, justifiably so. I mean, it's but it's amazing how worked up
we get over car park and that'sand that's what I was going to say.
And at the end of the day, it was only because I had
to. It was over a carpark, and I'm thinking, you look
back down, I think, whyare you so angry? But it was
more like the principle of the thing. I was like, no, no,
no, no, no, no, no, you just you cannot

(09:41):
do that. And I was sodisappointed at the time. But at the
end of the day, a partlike a hundred minutes down the road,
it was fine, why do welet the parking spaces get to us?
But it's like a sense of pride, It's a it's a sense of ownership.
It's like, this is my park. You will not take it.
I found it first, you cannothave it. It also feels like they're
at such a premium. Yeah,especially now in john because Geelong used to
be what they call sleepy hollow wherewe live here in Geelong and now it's

(10:03):
just gone kablamo and it just seemslike the population is triple. That's what
it feels like. Anywhere you goto the city. What used to take
you two minutes to get through ittakes you like twenty now. Indeed,
everybody's coming to getown, and notjust because it's the home of Dandlin guy.
No, not at all. No, but I think you know,
a situation like this and the emotionsof the delicits clearly very heated ones,

(10:24):
certainly in our case and I imaginefor many other people as well. It
speaks to the genius of Seinfeld thatthey're able to recognize that, pluck it
out and spin it into gold,as they have with this episode the parking
spot for the parking space. I'vejust got here a great way to take
something that happens every day, notjust in New York, because sometimes you
can get very New york Ish.The things that happened in Seinfeld, this
is universal, as you were saying, and to be able to drag it

(10:46):
out for twenty two minutes and keepit so entertaining when nothing was really happening.
It was just, you know,two guys fighting over a parking space
for essentially the entire time. AndStucky said that the beauty of Seinfeld is
the genius is the genius of thewriting. And they recognized as well that
this is not just an issue thatonly triggers certain people. Everyone will have

(11:09):
an opinion on this you see itwhen when George and Mike moffatter, you
know, just refusing to give givean inch either way, and this crowd
of people on the on the sidework, on the sidewalk, on the footpath.
There just no, you've got todo with this. No, no,
there's rules and regulations kind of thing. We live in a society.

(11:30):
So yeah, I was very happywith the way they did that and very
happy with this episode overall. Andthey never do Settler because even the cops
are debating at the end of theepisode, there's never a clear indication.
But Larry David said in the insideLook documentary on the DVD that, you
know he agrees with George. Youknow, you can't. You can't pull
in front first into a park,especially someone's already there about to reverse.
But what I love about to thisepisode is the fact that things like stars

(11:54):
are sent to a line for Seinfeld. So this was filmed outside right,
not like an actual outdoor, andactually had an audience there of about one
hundred, one hundred and fifty peoplecoming in going throughout the day, right,
because it apparently took four to fivehours to film this scene with the
parking space, right, But theway that it gets darker and darker.
That's because it took so long tofilm that it became nighttime. But that

(12:15):
really emphasized how long they'd been Therefore, that wasn't planned. That just happened
because it took so long to film. Oh, now, serendipitous. That's
good. That's good stuff love whensomething like that happens. Yes, but
did you know this was actually writtenor co written by one Greg Daniels.
I did notice that. That's actuallymy first note in my notes, Greg

(12:35):
Daniels. A little show called Kingof the Hill that a couple of guys
from JEELNG just happened to be talkingabout on podcasts. Yeah, Speaking of
the Hill. If you haven't checkedit out yet, make sure you do
so, need to subscribe button.Would appreciate the support there. But he
also need worked on the Simpsons fourfigure discount would do that. What didn't
you work on, Greg Daniels?He just seemed to be all of animation
in the nineties, didn't he Hedid. He's got his fingers in many

(12:56):
many parts. Yes, and themen knows what he's talking about. Apparently,
this whole story was based on somethingthat happened with his father. So
yeah, So I imagine everyone's gota parking story. You just had one.
Yeah, everyone would have a atleast a traffic related story, wouldn't
they. So I guess this isthe point where we have to come clean

(13:16):
and disclose. When it comes toparallel parking, are you reversing in or
you're going in head first? Ifyou're able to go in it forward,
I do. If I'm able toright, it just makes it easier.
But you should go in reverse.I mean, if there was there wasn't
that much. I don't think there'senough room to really go in forward there,
like the amount of space there,Like that's a reverse in. Like

(13:37):
I think you should always be reversingin parallel parking personally. But if I
but me, I break the rules. If I'm able to just go forward
in because I can't parallel park,well that's the thing. If there's a
big enough spot, you know,and you can drive in head first,
then yeah, by all means doso. But it's often the case that
you'll you'll go in and you'll beon like a weird angling You're gonna have

(13:58):
to reverse out again, and you'redoing a lot of wheel spinning in situation
like that, you know, eighttimes out of ten. So I might
just be saying this because look,I don't boast about a lot of stuff.
I don't have a lot of stuffto boast about, Dando, but
I can parallel park like a fuckingwizard. Said. Yeah, I immediately
thought of you when George was likebragging about his parallel parking. This is
a totally fucking guy on his firstdate of Louise. It's like, check,

(14:22):
there's that baby. You're about tosee some magic. You're about to
see as good as guy gets.Yeah. Yeah, but you feel like
this episode felt like one of thosereal time episodes, kind of like the
Chinese restaurant things like that, eventhough it wasn't, it just it felt
that way. I thought it hadthat kind of immediacy and that kind of

(14:43):
sort of tension that refused to,you know, sort of let up.
Really, I mean not not likewhite knuckle tension, more like you're getting
more and more frustrated and angry bythe situation. It's just slowly building all
the time. Because the food lineof the boxing match, true, yeah,
that adds that adds a good elementto it. I'm going to say,

(15:03):
yeah, it did it felt realtime? As you said, though,
I mean even though it's not,but yeah, I just had that
feeling of, oh, when's thisgoing to let up? You know,
when's the tension going to break onthis? And then never really does.
It's kind of the genius of theepisode. Well, I thought that whole
boxing match element was very nostalgic forme because this was nineteen ninety When does

(15:24):
add nineteen ninety two? I wantto say, wasn't it ninety two?
Right back in a time when whenthere's a live paper view on a big
boxing match or sporting event or aconcert whatever, you couldn't just stream it
whenever you felt like it. Lateron, when it was live, it
was live and you had to watchit. Then if you won't taping,
you had to then watch it.So the fact that with why that moment
who grew up in the nineties orlived through the nineties where something was about

(15:45):
to come on TV and then somethinggoes wrong You're like, fuck, I'm
going to miss this one thing.I mean looking forward to this entire time,
I'm gonna miss it. And thenfor me it was the South Park
from I've told you that the cartsMom's a Dirty Slut when they had the
season finale or whatever it was,and the family were all the beach and
I'm like, We've got to gethome and watch Cartmann's a Dirty Slut,
you know. Like, so Ihad to see that that finalewise, You're

(16:06):
you're never going to see it again. There was always that sense of,
well, if I don't see itnow, will I ever see it?
Back in the nineties, And that'swhat that's what this is sort of building
off of. You had to bevery proficient with programming of VCR or something
like that. Yeah it does.You be on standby to push those two
buttons down at the same time orwhatever, or you know, I just
hope for a hope for a repeator a rerun or something like that.

(16:27):
But no, I mean, itcertainly did have that feeling of miss it
now gone forever because pay per viewswere like now they're they're not dead,
but they're dying. They're like,there's occasional wrestling pay per view or a
boxing event, is it Triller whateverit is that Jake Paul boxing events that
the celebrity showdown basically things a UFCfarts or MMA you see. Yeah,

(16:48):
yeah, so that is so youhave seen is kind of like the modern
day boxing now, isn't it Likethey're they're they're the ones that people seem
to be looking forward to the most. You have your boxing pay per views,
But they're not. They're not UFClevel anymore. It really has sort
of taken the place of heavyweight boxingand championship boxing and stuff like that.
Or yeah, definitely, if notraced right ahead of it, it's certainly

(17:08):
got maybe ahead or two ahead ofit at this stage. Yeah, I
mean I was listening to a lotof podcasts about because Creed three isn't cinemas
now. Guy's review coming soon,trust me, but a lot of them.
One in particular, I was talkingabout how, yeah, boxing just
doesn't have the cachet that it usedto have. It doesn't have the mass

(17:29):
appeal that it used to have,and yeah, MMA seems to have kind
of stepped up, and wrestling alsoto some degree in terms of like big
physical male sport that well, andand female as well, sorry but primarily
male. Yeah, um, yeah, it seems like those things are taking

(17:49):
precedence over say boxing, But Ijust like that aspect to it, just
the way that sort of Cramer andJoy were excited for it at the start,
you know, the little playboxing,it's coming, the events life like
that that countdown like it's only fiveminutes, Like I love that throw when
I was a kid being a bigwrestling fan, skipping skipping school and watching
the wwfpapvs back in the back inthe day on the Monday morning here in
Australia. But I also liked herein this episode they brought up the flea

(18:12):
market. Now, we recently toyedwith the idea from our man. I
believe it may have been Pat Wrightwho wrote into us, one of our
first ever patrons. He wrote inwith an idea for the flea market story,
and I thought that would actually bea nice sequel to this one where
they actually do invite Kramer to theflea market this time. But overall,
yeah, this was a really funepisode that starring obviously Lee Arenberg, who

(18:33):
is one of those guys who's beena lot of things, but he's never
really been the star of what he'sbeen in, is has he? Well
no, no, I mean Imust admit, when he first showed up,
I'm like's this guy? I knowthis guy? I mean a middly
I thought it was like David Crossfrom Mister Show and Arrest of Development and
all that kind of stuff, butyou know, a bulkier, angrier version.

(18:55):
If you can't have an angrier versionof David Cross. I was like,
I know this guy, and allthe way through I'm sort of racking
my brain. And then the endcredits come up and say, oh,
Lee, aaronber who I primarily knowas one of the guys from one of
the Henchmen from Parts of the Carabeana performance that I really liked as well.
He fit really, he seemed tohave that sign field energy and a

(19:18):
really good antagonist or opponent for George. They seem like two sides of the
same coin, or even the sameside of the same coin. Really,
my note says George with testosterone Georgeon the t Yeah, So basically he's
just George, if George, becauseyou get a sense that Mike would be
the kind of guy that would throwsome punches, right, oh George,
George, wo never throw a punch. You'd try and find a way to

(19:41):
talk himself out of throwing a punch, you know. So George is the
guy. They both probably hate thesame things. They probably have more more
similar with each other than what theyactually realize. These two characters, but
Mike and George, and when itcomes to resolving something to take two different
approaches. George is there, howcan I wheezeer my way out? And
Mike's like, motherfucker, let's throwdown. I don't think Mike would be
all that good at fighting, buthe'd be enthusiastic it throws some punts,

(20:03):
he goes swinging. Yeah, alsoto that at the end, we also
so not quite the end, butwhen Jerry tells him I know what you've
been talking about and he tries totalk his way out of it. Yes,
he comes across, such as whenhe yells at Cramer and says,
why did you telling him? I'mlike, it's a scary dude, he
thought. A little ball of energy. He just comes across. I think
the word to describe Mike would beunpredictable. Yes, volatile. You've got

(20:26):
to watch out for guys like thatwho they may not seem like trouble,
but it's it's the Gimli effect.We also get the first appearance here of
Matthew and his mother, who madetheir next appearance in The Non Fat Yogurt
when they when Jerry ruins his father'sbusiness by spoiling the old non fat askment,

(20:47):
I think the non fat yogurt willbe up there with like top five
most iconic episodes, right, hegot super Nazi the non fat yogurt,
But else would be up there eitherthe bet, the contest. Sorry,
there'd be another one. Yeah,but there's certainly the best ones still all
to come. But also did youknow so he mentions here, Kramer says
that you know, I think you'repregnant. Congratulations, But Julia was actually

(21:07):
pregnant when they when they filmed this. He actually pregnant during this time.
Watch she's wearing a lot of baggyclothes because she's actually pregnant with their kid.
Congratulations, JLD. Yeah. Gettingback to um earlier on when we're
discussing how they filmed it outside,So basically they had the set outside.
They had a little stage like alike a tiered seating with one hundred one
hundred people people coming and going,they said, though Tom Shona said it

(21:27):
didn't really work though because it wasn'ton the sound stage. The actors couldn't
hear the response from the audience,and the audience could barely hear them because
it wasn't miked up properly, Sothe cameras were picking it up, but
the crowd couldn't couldn't get They couldsort of hear Mike yelling occasionally, but
it didn't have the same effect.It's kind of like, Oh, we're
going to watch seinfold, but itdoesn't feel like we're watching a proper Seinfeld
sitcom set up, you know whatI mean? Yeah, that makes a

(21:48):
lot of sense, and I imagineit would sort of possibly throw your timing
or your interaction off. Yeah,but to the show's credit, it doesn't
really seem that way. It's sayingit still has that quintessential Seinfeld zip.
That is. What were your favoritemoments from the episode. I was very

(22:11):
taken with the whole talk of hatsand yep, you know, disappointing people
if you or yeah, a hatbeing like sort of false, false pretense.
I'm gonna ask you, is thisis this somewhat true to an extent
in my case? No? Notreally. I mean anytime I tend to

(22:32):
wear caps and hats hats a lotbecause you know, first of all,
yes, I'm bald, ads,and secondly, I'm very pale. I
mean, I tend to burn veryeasily, so it's like I could wear
so I'll generally put sunscreen and ahat on, just a double up.
It's like we're in two condoms.But no, I mean, I'm not
necessarily thinking I'm not going to goon a first date wearing a hat,
thinking I'm not going to take thisoff. Just you know, I'm not

(22:56):
gonna give anyone in any extra ammunitionagainst me or anything like that. I
can see why people would do that, but I just thought it was very,
very funny that the George would belike, oh, I wish I
was around in the thirties and forties, you know, Heaven for bald men.
But I thought that whole riff waswas pretty hilarious. Actually, I
was a big fan of that.And I also like the analogy of parking
and prostitution. If you can geta free park, then you take it,

(23:18):
you know, paying for parking,I don't know, it feels kind
of sorted. Well, I've gotI've got an anecdote from that same shopping
day. And when it comes topaying for parking as well, oh my
god, we'll get to that.When we get to that moment but yes,
I was another moment where I wasnone too impressed. Well, what
were your favorite moments from this episode. I enjoyed when Kramer says, well,
I usually parking in front first.Fun first, That's how you park

(23:41):
when you're pulling a bank job.I also loved the scene where Julia walks
in Elaine bursts in. She's likeor disheveled, she's got she's gone full
story. You know, these kidswere chasing us, but the Hennigans and
she tips it into sick with Joey'snot looking and look on Jerry's face like
the fuck you drank? All thatI just thought acted so well without any

(24:02):
words being used. It was justvery, very very good. Also,
the bit that tickled me the mostwas we come back from commercial and they
have selected two different drivers to parktheir carts for them because I don't trust
themselves. I'm like, that isawesome. These guys like are so ridiculous.
But the fact that they're also everyone'sgathered around their stand and they're waiting
for their cars get part because Idon't trust each other and I was like,

(24:22):
this is just so Si Fell.But I just love it, and
the fact that it got darker overthe commercial break. They've been there for
a while. Yeah, it's justso awesome. Could you spell that?
Please? No? Next question?All right, it's time for some trivia,
mister Davis. Before then, weneed to do it out the names
of the people who support us hereeach and every week on the four finger
Discount Net. Remember, guys,five dollars or more each week gets your
name right out on the podcast.So first of all, share out to

(24:45):
our man Aliot j O'Neill the SimpsonsIndex Podcast continuing to supporting support us here
with these one hundred dollars patronage.Don't forget guys, check out the Simpsons
Index Podcast hosted by Alie, jO'Neil and co and guy and myself.
We're on there late last year wellas a hell of a good time The
Simpsons Index Podcast. Also our manAndrew Zur for his fifty dollars support each
and every month, absolute legend.Also our man Heath Appleby who supports us

(25:08):
by joining thirty five dollars each monthas well. Thank you so much,
Heath, you're absolute champion. Andthe following people as well, Jordan Mullman,
Richie, Christopher Darby, Jonathan Rossie, Zach Prullett, Timothy Belson,
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g Daniel Kotnick, Shannonhofa, ReeseRoberts, Balo winder Bank, Mark Boston

(25:30):
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thank you to the following people whohave now joined the four Finger Discount family.
We have Ryan Simmons, Ashley Anderson, Grant, Jay Man, Willie
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(25:53):
Monica Sonsen. Thank you so much, guys for joining us here and supporting
us here on the four Finger Discount. Now we'll remember five dollars and or
gets your name shouted out on thepodcast, early access to all the shows,
and much much more. Mister Davis, what's your first trivia question?
Hit me well before we get withthat. I think I'm going to walk
around for the rest of the day. And I say this with all due
respect to the rest of our newpatrons, but I'm going to walk around

(26:14):
saying for them and Chen it's agreat name. That's just that's great fun
to say. My first question toyou, mister Dando. Jerry parked his
car at the corner of what andwhat? That was My first question actually
where it was eighty fourth and Columbus. Fourth and Columbus. My first one
was where was the toll booth?That's Helene said that they got harassed at?

(26:37):
Was it that Henry Hudson. HenryHudson, Henry Husson? Ye,
what's Homer Hudson? Was that icecream? I don't know. That's Google.
Let's have a quick look Homer Hudson. Anything he named something brand wise
Homer after The Simpsons was release,is just asking for a lawsuit? That
is true. Yeah, Homer Hudsonchocolate ice cream? When was it established
here? Homer Hudson was a brand. It must have been before some discmeut.

(27:00):
Let's have a look Homer Hudson's inAustralia as well. It's a brand
of ice cream. Is it stillavailable. Homer Hudson is a super premium
ice cream packed full of unapologetic chunksof everything a mouth could hope for.
You've got three hundred and sixteen followerson Instagram. When did they last post?
The last posted four hundred and fiveweeks ago, So I would say
to a show that they're probably ifit's just anymore. I think Ben and

(27:23):
Jerry got together and they kicked theshit out of Homer Huts. Yeah.
Yeah, they went to town andthen Hargan Das came in and just administered
the kudo gras. But I rememberthose occasions when I was a starving freelancer
and like, oh, I've madea say I'll tend to treat myself,
and you know, I'd got inthe supermarket and get yourself a little tub
of Homer Hudson and was like,oh, what's the premium ice cream?
Chock full of good stuff? ButI've forgotten all about it until just that

(27:47):
very moment. Yeah, I amfunny with ice cream. If I'm going
to go full iceings, I usuallyit's got the light ice cream because I'm
just funny like that. But ifI'm going to go full blunt ice you,
it's got to be. Do youhave chunks of shit in it?
You know it's good like cookies andcream with chunks of cookie And don't just
give me like strawberry full fat icecream. I want chunks. It's gonna
be chunky ice cream. I don'tknow what about you. Are you a
chunky ice cream kind of guy?On occasion? Yes, I mean I

(28:08):
like a like say a Rocky Roadstyle ice creams, like oh yeah,
there's a bit of a nice chunkof marshmallow or a nut or a bit
of chocolate something like that, butthey're occasionally like an smooth one as well.
I saw a machine recently. Itcame up and I actually was Target
where it was like you know whereyou got your cold rock ice cream here
in Australia where they mix all differentYou p pay like twenty bucks extra,
just what you can do at homebasically, but it's a machine that you

(28:30):
tip Eminem's and Smarties and lollies orwhatever into it and you sort of pull
the lever and it makes like acold rock ascream, like mixes it all
through the ice cream, and I'mlike, this is a genius idea,
as like forty bucks I'm like,I could buy this, but I didn't
buy it. But I'm like,if someone out there has got one of
these machines, let me never works. So I want to get it because
just pulling all these sweets into it, and it's pulling the lever and having
this chocolate ice cream full of sweets, it'll be the best. Okay,

(28:52):
Willy Wonka, Yeah it does soundnice. Am I asking you a question?
Yeah? Youre asking your next one? Yeah? Okay? Where is
the fleamak get located? Ah?Fuck? I should know? This?
Was it west Chester or whatever it'scalled? West was? Just? Yes?
Okay? My final question because youstole my first one. Was someone's

(29:14):
yelling out driving a truck, anice cream truck. They tell them to
move because they've got a whole truckfull of ice cream here. Who did
he work for? You can seethe top of the sign on the door.
Oh give your clue. Specter JamesBond, No, Phil Spector Phills?
What was called shows? Where myhead's at? All? Right?

(29:36):
I have one more question here ifyou're interested. H Jerry in his final
stand up, is talking about agame of musical chairs that everyone took.
Everyone sat down in what year wasnineteen sixty four. And the reason I
know this is because I remember whenI watched it, I was like,
oh, that's the year the Beatlesplayed in Melin. It's amazing how our

(29:56):
brains work. Yeah, it reallyis. By the way. Fun fact,
the guy who was yelling out thetruck driver, his name is Michael
Costanza and or college friend of JerrySeinfeld's who inspired the name George Costanza.
There you go. Do you loveBob's Burgers? Of course you do.
Who doesn't. Well, what ifI was to tell you that if you
supported j Pal's Guy and Dando forjust a dollar a month, you could

(30:19):
help us finally launch a weekly Bob'sBurgers podcast. Yes, we've set ourselves
a goal of launching the new showonce we hit a thousand supporters, and
we're currently sitting at three hundred andfifty, so you know, there's still
a way to go. But ifyou've enjoyed the thousand plus hours of concept
we've chucked out over the last eightyears, you can show your support by
joining the four figure discount family todayand actually making it a reality. So

(30:40):
go ahead, help us reach outa goal and finally launched that Bob's Burgers
podcast by going to patreon dot comslash four figure discount. You have the
parent inside you right now, souse it. The original air day of
The Parking Space was April twenty second, nineteen ninety two. It was directed

(31:00):
by Tom Sharonez and written by LarryDavid and Gregor Daniels. The episode kicks
off with some stand up discussing compactcar parks. You do see this occasionally
and you're just like, okay,I'm not offended it. I'm just like,
motherfucker, just why can't I parkthere? I get it's usually because
if you park there, you're goingto cause the person almost like adjacent to
it not be able to back out. But I'm like, hey, that's
their problem, not mine. Right. Yeah. I've been in a few

(31:22):
occasions where it's like, you're veryclose, I could make this, I
reckon yeah, And then once you'rein, it's like, yeah, you're
right in somebody else's problem. Igot mine. And as a Seymour Skinner,
as I'm in the lines, youdon't like it, go tell your
mamma exactly right. That wasn't skinnerthere, that was this is ka.

(31:44):
I think that was missus k becauseyes, of course, yes, missus
Skinner is going to hear about this, believe me. Yes, I've got
some bad news for your buddy.I think your car got stolen again.
Why do you talk? And I'mbad? Or you parked it on eighty
fourth in Columbus, right, yeah, well I just walked by there and
that car is gone. Oh yeah, I know whoa Well where is it?

(32:09):
Well, there's no difference, youknow. I'm just curious. I
always have to know everything that's goingon. Don't you what happened to the
car? If I don't tell you, it will kill you, won't it.
Yeah? Yeah, it'll kill me. You have to know. You
must know. I must know.Well I'm not telling you. Oh come

(32:30):
on, Nope, I don't thinkso. But please not today. Bo
Okay, I beg you, nowsee, just saying beg doesn't make it
a real beg. You gotta putsome beg into it. Okay, please
space down, all right, I'lltell you, but your beggar needs a
lot of work. Okay, okay, what is it? Come? I
loaned the car to George George Charley, but what four? George and Elaine

(32:57):
went to a flea market in Westchester. Okay, all right, I mean
why did you want to go therefor? Would you stop it? Alrighty?
You know, why didn't they askme to go? I don't know
how much wasn't know, but theydon't like me. I don't like you.
Why didn't they ask me to go? Oh? Yeah? Did you

(33:20):
think that was a kramer esque tobe annoyed that he wasn't invited to the
flea marker Flip Kramer has been veryblase. For him to hold such a
strong grudge felt a little bit offfor Cramer in my opinion. Well,
he's so unpredictable, isn't he?He is unpredictable? Yeah? I mean
sometimes do you think he's, youknow, just go with the flow and
does whatever he pleases. But sometimesyou think he really wants to be part

(33:40):
of the group. Yeah, Idon't know. Do you think he was
more upset that he wasn't he wasn'thanging out with George and Lane, or
that he dipped down on potential bargainsat the flea market? Yeah? Potentially.
Wait, I love the idea ofgoing to like those fleet We don't
call the flea markets here, wejust call him just markets whatever. But
they've got to be the meal marketshere and Geelong where it's just very your
stalls, and I'm like, youknow, I'm like, if I go

(34:01):
there, I know I'm going tofind something old that I don't need,
but I want. Yeah. Doyou know how many times I've been to
places like the Mill Market and pulledout leather jackets and think, maybe,
do you meanly go bad to thewhole? Three times? Exactly three times

(34:22):
I've done it, you know,And it's usually like some long black you
know, Keanu s Keano in theMatrix style, the long trescat one.
Okay, yeah, I mean I'dtend to be fairly picky about that kind
of things, but like, oh, this is a this is a pretty
good one, and it's a bitof money, but it's a lot less
money. They'll be back if Igot a new But at the same time,

(34:45):
I'm the kind of guy I canpull off a you know, I
don't think i'd look like Neo.I think I'd look like Joe Panteliano when
the Matrix instead eating the State's ignorant. That's the every time Lou and I
would go out to park for asteak, my cipher coat. This is
juicy. Look at this douchebag.But imagine walking out of the meal markets

(35:10):
wearing that coat though, with thefinal song playing in your head for the
Matrix, just flying into the sky. He just got like an you know,
your MP three player or something inyour pocket or or your phone.
Yes, let's bring us up tothe modern moment um. Yeah, you've
got Rage of the Machine on Spotify. What the song was that wasn't killing

(35:37):
the name of was it? Whatsong were they playing? No, no,
I can. I'm gonna look itup because it's because they had at
the end of the Matrix Resurrections thelatest one, but it was someone else
song end of Matrix. Let's havea look song end of Matrix. It's
wake Up, yes, wake Up? Yeah? Yeah, that new Matrix

(35:57):
not great. Yeah, I watchedit going this is fine, but that
I've actually said it's numerous times youfind it with number four in a film
franchise. It's never usually like terrible, but you're watching it going was it
necessary? No? Yeah, Ithink that this one's sort of running on

(36:17):
fumes. Yeah, yeah, it'sget We're getting there. It's a little
bit too matter, a little bittoo matter. For my liking very very
much too matter. Yeah, andthere were people who are really into that
kind of thing, and yeah,more power to him, but it felt
like a Saturday not life skid attimes compared to an actual Matrix movie a
little bit. Yeah, and Godbless Uiano. We all love him,
but I think he's well, he'spushing sixty, isn't he actually is sixties?

(36:42):
He doesn't look it, no,although he's starting to look starting to
essionally shaves the mustache off in fuckingBill and Tere I was like, whoa,
yes, but you see pictures.I mean john Wick four is coming
up fairly soon. Yeah, Ican't wait for it, really looking forward
to it. But you see thebehind the scenes stuff where ye know,
he's sort of talking about, oh, here's the making, when here were

(37:04):
all these great action stizes. Itwas like, dude, you're looking a
bit kind of drawn and tired.And I hope, I hope John Wick
four is great. I'm sure itwill be, but I hope it might
be the last one. I hopeyou wrap it up nicely and then you
know, Keiana can just have anice late part of his career doing you
know, romantic comedies. Or stuffwhere he gets the obsid at a desk,
Lean Neesson walks up to him andhe goes, it'll happen to you.

(37:29):
Lean Neeson's realized now, like Ican't do big action movies. Be
just sort of the occasion you can. You can throw the occasional punch.
Now he's always like an older,tired FBI agent or whatever. But you
know, get back to Seinfeld.So we get George here. You're very
happy with his hat. As you'rediscussing earlier, there was a ball paradise
in the twenties and thirties. Theydidn't but they didn't know it. You
know, that's the thing. Youlook back on photos from the twenties and

(37:52):
thirties and the fucking style of thepeople back then compared to now, Like,
yeah, look at guys and youguys would wear a suit to go
buy a pack of smoke from themilk bar. Now people wear fucking moccasins
and trackies and sometimes no shirt.Blue and I were watching Married at First
Sight last night because I'm a goodboyfriend and I'll watch Married at First Sight
with my girlfriend. And you know, they had one couple sitting down for

(38:14):
the you know, at the endof the end of week debriefing or whatever
it was. She looked like shewas dressed to go to the oscars.
He looked like he was dressed togo to pick up fish and chips.
And I mean, I'm I tendto get a bit sensitive about that kind
of thing because you'll see on youknow, social media or something like women

(38:35):
are always you know, dolling themselvesup for their for their men, and
men just aren't, you know,putting in the effort. And I'm like,
oh no, sometimes we put inthe effort, but you see things
like like, oh no, We'rereally not, aren't we. This is
the thing I was starting off.I started exercising a bit. Next I'm
just like, all my nice clothesthey fit, but they don't quite fit.
And I'm like, I just said, it's a little bit of weight

(38:55):
because now I can be wearing mynice shit again. Because I'm just I'll
just go on like Dad boddas lasttwelve months, it's just been fucking hard
being dad and just know Holly's notsleeping and all these extra shit. So
I'm just like, now at thetime I'm going to exercise, I'm going
to fit into my nice, coolshirts and feel nice again. Oh yeah,
Now this is the primary reason men, I aim to lose weight,

(39:16):
and maybe I'm probably women too,you know. I mean you can say
no, I want to be aroundlonger for my kids, or I want
to have a bit more. Iwant my clothes to fucking fit. Yeah,
that's something. I've blown so muchmoney on clothes. And yeah,
I'm like you, Dan, Imean, I've got shirts that it's like,
m Yeah, if I wear thisout, I'm looking a bit like

(39:36):
a sausage. This is a bitof a Christmas hands so precisely so,
I'm like, no, I'm verymuch with you on like I mean,
as soon as we finished recording thispodcast, maybe not as immediately. Maybe
I'll take a few minutes just totake a breath. But then no,
I'm going for a run around theblock and I'm going to keep running around.
Should get like a trabmilla or abike or something. Just fucking watch
movies and exercise at the same time. I killed two birds at once,

(39:58):
don't I know. But I actuallylike getting out and getting fresh. It's
good for you. It's good forthe head as well as the as well
as the heart and body. Yeah, but so yeah, Daniel and guy
bringing you the beef keg bucket George'sum. He explains how he's worried about
that first moment he took the hatoff. That's why you know he can't
wear a hat around ladies, becausehe's just like he's worried. What if

(40:21):
they think I'm not bored? Whatwas the point in your life where you
just went, I don't care thatI'm bored, because like, being bored
doesn't mean anything to me. Ican give a fuck whether you're ball or
not. But as someone who iswho who? As someone who you know
you've said you've lived through it,right, what was the point where you
just went, I don't care ifanyone knows that I'm bored. I'm just
I'm bored and that's who I am. Well, do you think you live
via casually through like the Bruce Willisear away? He was like, it's

(40:42):
cool to be bored. Oh yeah, to an extent a bit. Yeah.
I mean certainly when I first noticedit that it was really thinning,
like this is a bit of adrag. I mean the initial part,
I'm like, I've got a bitof recession there. That's not too bad,
you know, But I've got enoughleft uptop that I can, you
know, swirl it and cover itall up. But it'll be fine.
It'll be fine. But anyone who'ssuffered male pattern ball, yeah, there's

(41:08):
just some dreadful in between stage whereyou know it's all going, but it
hasn't all gone yet, and there'snot much you can do with it,
you know. I mean, that'sthe and that's easily the point where guys
starts shaving it or just trimming itright down with the number one number one
kind because I think it was tobe trying to justify keeping the little bit

(41:29):
sometimes you see that the guys hada little bit of fluff, like an
island in the middle of the head. It's like, just get rid of
it. Yeah, why, yeah, that's that's not fooling anybody. Yeah,
I don't think I ever had anyreal moments of like denial or anything
like that. I Mean, Louasked the other night if I'd ever thought
about you here, replacement techniques oranything like that. I'm like, no,

(41:50):
never did. Just see mainly becausewhen I was losing my hair was
in the stage where those things justlooked really obvious. Yeah, And I
didn't want that. I know,I was just handsome and dashing enough with
hero or without it. You needa demoxinol from the Simpsons demoxinol whatever it
was called. Anyway, So Elainemoves the moves the mirror so you can

(42:13):
see a glasses courses. George says, is what caused him to him or
over the pothole. But really maybeI was not a great driver. But
Cramer then comes up with the Kramerand he's furious. He says, well,
I don't like you. You've gotproblems. Problems. Jerry mentions that
the fight starts in thirty five minutes. They sort of pretend their fight,
as will say, and they're allamped up. They're really excited. I
think just little things like that createthe sense that it's a big deal of

(42:35):
this fight, which is why Jerrydoesn't want to miss in things like they
clearly excited for it. Kramer sayshe's invited over Mike Moffatt. Oh hey,
you know I invited Mike Morfatt.You don't mind, do you?
No? I like Mike, Yeah, yeah, I just got off the
phone with him. You know,we had a great conversation. Oh yeah,
what're you talking? About Well,actually he's talked about you. Yeah,
he had some pretty interesting things tosay. Oh yeah, what say?

(43:00):
You have to know everything? Don'tcome on, cram Why is that?
Why do you have to know everything? Crammer, Just tell me what
the guy said. Bag me,Ladies, don't make me. I want
you to bag me, and Idon't want you to say it. I
just want you to put some bagon. Cramer, please tell me what the

(43:21):
guy No, No, I reallydon't think that's a bag. Oh it's
close, but Cramer, Look,I can't say anything. You know,
the guy told me the stuff inconfidence. I'd be betraying a friend.
Well, you can't just mention itand then not tell me. All right,
I'll tell you, but you can'tsay anything to him. I'm not
saying anything. I'm putting it inthe vault. I'm locking the vault.

(43:43):
That's a vault. I think you'rea phony. I told you he thinks
you're a phony. A phony.He called me a phony, a big
phony. Why don't you tell methat? If I can't say anything,
you bag Kramer should use his judgmenthere. If someone says to you one

(44:04):
of your friends, you know,it's just say Tony, your friend Tony,
Right, Anthony, Tony says toyou one of your other friends,
I think he's a pretentious that guy. You wouldn't then tell that friend,
right, or do you think it'syour duty as a friend to tell them?
I think you just don't say anything. No, I don't think you're
saying anything. I mean, yeah, you have to use your judgment in
that regard. I mean, ifsomeone really unloads on someone that you know,
you got to stop them, andyeah, then you've got us all.

(44:27):
Yeah. And also if you knowthat person is then being kind of
false faced to that persons, Hey, how are you doing? And all
that kind stuff, like I thinkthis person might be full of shit.
Yeah, but you know if it'sjust like a bit of a phony,
you know. I mean, Idon't know, maybe there's having a bad
day, or maybe they had abad running, just one bad running and

(44:51):
they kind of colored their opinion inthat way. But no, I kind
of keep that to myself. ButKrammer here, he sort of falls behind
the fact of well you begged me. It's like, yeah, but you
shouldn't have the first place I've said, Oh, well, he's had some
interesting things about you. It's likeas soon as you say that, you
have to tell them. Now youdo, don't you. Yeah, that's
poor form. Yeah, makes someJerry promise that you won't tell Mike,
which obviously he doesn't. Later onwe get GEORGEI and he's blaming a lane.

(45:14):
He threw off his equilibrium when shemoved moved the mirror, and she
questions he's driving, and he doesnot take this well at all. And
when he's sort of saying how hecan do this and he can do that,
I'm sure you could. But mendo get very defensive about their driving.
Absolutely, yes, yeah, Imean, do you think you're a

(45:34):
good driver. I'm a good driver, not a good parker. This is
the thing. Nicola, not agreat driver, good parker? Right?
I sorry? Your dream team,Yeah, we're a dream team. The
problem is that I call Nikola azipper. She's very zippy with their parking
over their driving. She's you know, she's one of those people who when
I approached what I can see,there's a red light ahead, right,
I roll to the red light slowly. He's on the brake and just pull

(45:59):
up right. She has the drivedrive drive drive drive break. I'm like
you saw it was red like she'svery often he's sort of like jerking in
the car of Nickeola because she doesn't. She likes. She likes to be
on the move. She doesn't liketo be slowing down. She's very zippy,
zippy zippi driver in and out oflane's parking. She's fine. She's
one of those pompous people that hasto fucking reverse into a park no matter
where you are, She's going toreverse him. I'm like, Nicola,
just point it's easy to pull out. I'm like, yeah, hold,

(46:20):
it was traffic. There's like threeparks. Yeah, you could have just
driven him. Jesus Christs all thetime. But um but yeah. But
me, I'm a much better Ifeel like I'm a better judgment of reading
the play, I say, andthen when you read the plates on,
all right, I can see thatcar three cards heads, got the right
indicator on. I'm going to getin the left lane now, so I
get stuck behind them while they're waitingfor uncoming things like that. Nicola doesn't,

(46:42):
she's not good at reading the trafficlike that. I too, I'm
very much like that. Well,I like to think that I am.
I'll tell you a quick story.Uh, I was going out with this
woman I was we were up inMelbourne where she lived, and I was
driving her to work one morning,and I was also doing stuff for the
radio at this time. I wasdoing movie reviews for the radio station down

(47:06):
here Geelong, so I had todo it over the phone, and I
didn't have hands free so I wasso I basically had the phone in one
hand. I'm driving her to workthrough this out of Melbourne suburb that's kind
of busy and it's not it's notquite rush out, but there's you know,
there's a traffic on the road andI'm sort of I'm driving with one
hand, I got the phone inthe other. I'm zipping in and out
between cars and you know that I'mgonna stop and all that it comes to,

(47:30):
you know, I've done my fiveten minute review or whatever to hang
up. One looked him and said, don't ever do that again. She
was terrified. I mean, Ifeel bad if you ever drive me anywhere
and you pulled that phone out.But mate, put that phone down.
So yeah, I really enjoyed.Agent Cody Banks to assignment or I'm just

(47:53):
trying to ye, I've got myradio voice on and shit, she looked,
don't ever do and he was datinga woman, correct, I dropped
riving. Now I never saw heragain. I think we should only see
other people. But yeah, soanyway, so George, George's um.

(48:15):
He's angry that lane's questioned he's parking. He says he's got a system.
He looks for the dreaming spot.He won't park in the parking garage.
He's gonna find the dreaming spot wherehe drives around and around you like,
around the block, and then workshis way out, basically like the Australian
thing, the Australian thing. Wedo the block, you do the blocky
yep, it's like you know,you dropped on one. I was like,
if I can find a parking fine, but I'm gonna otherwise. I'll
do a block here, I'll doit. I'll go around the block.

(48:36):
Yeah. And he explains here thatnobody in his family can pay for parking.
It's like a sickness. He mentionshis brother here. The last time
we ever hear about George's brother.I was thinking about that because I mean,
I've watched my share of Seinfeld,but I mean I wouldn't call myself,
you know, an absolute encyclopedia,like you, Dana, not thinking

(48:57):
did Brad Garrett show up as likehis brother or something? Thing? You
know, I mean, I knowBrad Garrett is Raymond's brother, but yeah,
did his brother? Was his brotherhappened? Yeah? No, it
doesn't exist. This last week getsmentioned, he got mentioned in the suicide,
and he gets mentioned in this episodehere. But yes, my parking
story, right, So I wasout for shopping with Nichola that day and
it was the day it was ouranniversary day. Actually, we sort of

(49:19):
went out shopping in sort of theday to ourselves, no kids, blah
blah, took the day off workand at it's called Westfield here shopping plaza.
We can park here, right,and it's like one dollar for the
first hour, you know, threedollars for the first two, five dollars
for the next four or whatever.And then we're like all right, cool,
well you know it was it wasit was five dollars for four hours,
and be like no, eight dollarswhatever for like six or whatever.

(49:40):
We'll just got like three dollars brackets. That's sort of seemed No, once
you go over four or five hours, it goes to seventeen dollars. Oh
my god. I was furious.Nicholas was like, don't worry about I'm
like, no, it's the fuckingprinciple, and she and I'm like.
I was like, I was soangry for like five minutes. Nickola was
like, just calmed down, don'truin the day. We have such a
good dawn, right, But whythe fuck? Why is it five dollars

(50:05):
but we go an extra three minutesand now it's seventeen Fuck you. First
of all, first thing, Ireally want to set up a chalkboard or
a little scoreboard every time he's like, it's the principle. It's a principle.
I think you've just got so manyprinciples that you do, that you
follow in life or that you thinkpeople should follow in love. But secondly,

(50:25):
that really sucks. I mean,yeah, just that. Oh how
do they justify that over five hoursto over? I don't know how they
justify I think this was my theoryat the time. A casual shift has
to be I think it's five hoursor four hours, right, so I
think it wanted to go over fourhours. It was like seventeen dollars,
right, whatever it was, itwas the minimum casual shift is like four

(50:47):
hours here in Australia, right,So I think it's preventing workers from parking
there and taking up space from customers. They want workers to go park elsewhere
and then customers can park in theshopping plaza because if if a casual worker
is working more than four hours,they won't then parking next we're gonna pay
seventeen dollars, but they're less thanfour hours, they're only going to pay
five. So I think it's away of weaning out the workers. Well

(51:09):
thought out down, that's a goodway of thinking about it. I mean,
have you parked in Melbourne recently inthe CBD, I always park a
crack casino. Yeah, it's theway to go in all honesty. I
mean I went, I parked ata city car park a couple of weeks
ago, and you know, gotup there nights and early. I'll take

(51:30):
it vant to the early bird discountsand like, oh, it's twenty five
bucks for this amount of time.Fine, good, I got that.
And I've misread it of course,because I mean I got back a little
um, I got back and Iput the ticket in. It's like that'll
be seventy eight dollars please, seventyeight Holy shit, seventy eight dollars.
Yeah, because they charge an extortionamount per hour if you get in a

(51:52):
certain time. And then then Irealized, oh, it's if you if
you leave after a certain time asopposed to before a certain time. It's
the early bird rate. Okay.So I'm like, yeah, because I
went, I saw a pull myticket and who works out it's playing this
to me? And this guy said, yeah, you read it wrong.
Don't worry. Everybody reads it wrong. Come back in fifteen minutes. You'll

(52:15):
be fine. We'll cotch you twentyfive buck. Oh okay, I'm going
to go. I'm going to gohave a cocktail. Apologies for that black
eye, sir, excuse you,pardon me for spitting. And I was
about to challenge into a duel,slap him across the lace, rubbing glove.
But yo, parking, parking,and see Seinfeld knows what time it

(52:36):
is. People just get worked upover it. Yeah, but I just
love the excitement of George when theyElaine finds the park. See see,
I told you I was right.You know, he's a jovial The thing
is, he's so you know,arrogant about his parking that he holds up.
He wastes enough time talking about himselfthat gives Mike enough time to catch
up and trying to steal the park. So it's George's fault in the effort
for blubbing about himself for too long. Indeed, pride, pride comes before

(53:00):
the fall. By the way,what did you think of the hat and
the Sunnis? Who was wearing thehat and the sunnies? Well, George,
George bought a hat and sunnis.What do I think of him?
What do you think of him?I thought George suited the hat for sure.
I know Joey makes fun of himand says high Indiana, But um,
I thought that had suit on him. I just didn't didn't fit quite

(53:21):
right. I mean he might haveto sort of adjust that a bit more.
Hated the Sunnis. Hated the sunis, yeah, I mean sunny
is for me, they either lookgreat or they look just obnoxious to me.
Sunnis. Sometimes you see some peoplewith glasses and the big chunky ones
just basically covering their face. I'mlike, what are you doing? Nicholas?
One of those people that has tobe wearing sunny we're going in the
backyard. Oh, where's my sonis? Where's my Sunny's? Or we'll

(53:43):
get it to the car. Iforgot my son is. I'm like Nicola,
we're driving to maccas Oh it's toobright. I'm like, Nicola,
you're not wearing your You'll be fine. People will see your eyes. You'll
be okay, stress less. I'mteam Nicola. I've got it. I
can't leave the house. My sunniesgo to them. But Sunny's, I'm

(54:04):
like, I'm like, what's hisname? Marlon Brown on the island with
Doctor Moreau. I've just got tohave like the zinc cream all over whenever
I leave the house, and bigshades. But George, she says,
you know, I wish you couldmake a living from parallel parking. I'm
like, I'm pretty sure a fewepisodes ago you had the chance to do
that, and you sucked it up, Budd and you ruined Woody Allen's movie.
Good point, man, Mike,you told George this is where Mike

(54:25):
Paul's in head first, And asI've forgot my notes here, I'm completely
with George here. Mike's doing thewrong thing. Plus Mike's just a douchebag.
I'm like, naw, they establishedearlier, they established earlier. It
Mike's not a nice person. He'sbeen talking about Joey behind his back.
So as an audience member, you'relike, well, I'm already teamed George,
regardless or whether he's right or wrong. He talks behind your back,
and he tries to pull in fromthe front. Yeah, and Elaine there,

(54:47):
she just needs to go to thetoilet. So she goes to tell
Jerry what happened. She has tocome up with an idea, tells me
I think of something, and justto end the scene here, just both
start honking their horns at each other. I I'm a horn honker occasionally.
I did it to an old guyyesterday who was just I don't like honking

(55:07):
old people, right, but whenyou're holding up traffic because yeah, they
don't know what you're doing, oryou forget where you are, I'm not
sure. But we're in the carpark and you're the car park at Woolworths.
I'm paco. Terrible car park,very busy, very small right there.
Yeah, it is the probably thesecond worst besides Supermarket car park and
Geelong. So this old girl theworst this old guy pulls out, so

(55:30):
like pulls out of the park.Everyone's waiting for him, and he just
stops. He starts adjusting his mirrors, and I'm like, go, motherfucker
go. Here's where I get veryangry because if you get into your car,
if you yeah, your car isparked, you get into your car
to pull out, it's on youto adjust your ship very quickly. Person

(55:52):
won't do it before you even turnyour engine on, you know, it's
like, oh, I'd better adjustmy side mirrors or something like that,
Better make sure the seats right,all this kind of stuff. That's when
you turn it off. Because theminute you hit your indicators, say I'm
leaving, that's when you leave.Do not sit there with your indicator on
and then take maybe don't even takethirty seconds. You just get out of

(56:13):
there as quickly as possible to makethat. All the people that sort of
they turn their car on in theparking space and then so they take it
out a park, put their footon the brakes and the brake lights come
on. So you're sitting there waitingfor him to come out, and they
fucking they come out. It's like, are you moving? Are you getting
out what the fuck you're doing.And then you start to go, and
then they start reversing out and you'relike, oh, now you're going.

(56:36):
You've got to be careful how youuse the you honk the horn. I
mean, I I don't think I'veever sort of gone to anyone, and
maybe I think I could count ontwo hands the occasions that I've done that
in all the time I've been drivinga while. M Yeah, get a
little right at the at the lights, for instance, you know, you

(56:57):
at the green arrow. They haven'tnoticed the green arrow. Come on,
If it's less than two seconds,that's that's the come on, buddy,
It's okay. I'm not not angry. More than two seconds, that's like
let's throw down. Yeah, it'sbut a little. It's like a tap
on the shoulders, like excuse me, We're good to go. Yeah,
excuse me, fucking idiot, Andbut one more grip to get out.

(57:20):
It's people when you're waiting for someone, a grippy episode waiting for someone at
the petrol station, the gas stationthat we call in America. You're win
your turn and they get back totheir car and then start fucking going through
their wallet and start doing this,start doing that, and it's like,
go to the park and do that. Go park over there and do your
fucking wallet, and shit, don'tdo it now or even even worth than

(57:43):
that. Say, there are twobowsers, right, and yeah, they're
both being used. The first personpulls out in the second one is there,
and it's like, can I stilla sneak around and get into that
first one? But often you can't. You just didn't have having to wait
for this person forever. Yeah,why don't we even use gust? Okay,

(58:06):
now, listen, we were atthe toll booth at the Henry Hudson
Parkway, okay, and there werethese like this pack of extremely wild teenagers
in a convertible behind us, okay, and for some reason, I don't
know, they just started to tauntus and so and so then we pay
the toll and then and then wewent through, and then they started to

(58:28):
follow us. All right, SoGeorge tries to lose him and and and
but but they were in this reallylike a souped up car, you know.
And so he turned off the roadreally suddenly and the car was on
two wheels, and I was justsorry, George, this is such a
fiver yeah, he is fantastic.And then they fired a gun right up

(58:50):
in the air. I think itwas a gun. And then and then
they followed us all the way intothe city and then they just stopped and
they turned around and I went home. Are you okay? Yeah, yeah,
I'm already. Oh, by theway, the car hit aparthole and

(59:13):
now it's making a clanking noise.Oh well, I mean, as long
as you're okay, that's the importantthing. Exactly. She's so great at
this, isn't she Julia at justShe told it once before, but it
wasn't It wasn't a bullshit story.It was her talking about something crazy on

(59:36):
the highway. It was at theairport or something. It was the episode
where they get the stranded at theparty, wasn't it or something? There
was some there was some episode whereshe tells a story about being like stranded
or like a highway or something.But she's just the madness of the traffic.
She's so good at just George,I mean, Jason Alexander's great added
as well, but they're do itin two different ways. She's almost like
exhausted, where he's just like agitatedwhen they tell the stories that's a great

(59:58):
way of putting it, that she'sjust a sort of so worn out by
oh my god, all this happen. I can't believe this. You won't
believe what happened, you know,But just her emphasis on the words.
And George is such a George driver. Yeah, George gets yeah, George
gets more worked up the more hetells the story. You can feel Elaine
powering down and everyone well just youknow, but you know, you know,

(01:00:21):
and then you know, George hita pothole. Now you can't making
the clanking sound, but you knowwhatever, just sort of at the end
of the story. But I lovedit. And he had a gun.
He had a gun. I thinkit was a gun. It's always like
the Elaine character whether one step toofar and she was like, actually,
I don't know where I'm going withthis. I think it was a gun.
Look it turned this back down alittle bit. Just her face at

(01:00:42):
the end was just great. AndI like the way they played it up
like Jerry believed it. He didn't. He was playing them the entire time.
So he goes to see George firstof all, when he was at
the window. Crazy kids, Huh, what's thought it was so funny.
And then Elaine realized, oh fuck, got to cover up for this,
and then Kramer he enters. He'snot happy with Elane, but so Cramer

(01:01:04):
and Joe that they go to help. Lane's gonna come down. After she's
finished in the toilet. Mike saysto George here, you know, I'm
going to sleep in my car.George, I'll die out here. There's
no way either of these guys aregonna lose. Like George is going to
go to the ends of the yearto make sure he wins this debate and
the bystanders or debating as well.And Larry David has said that whilst he
agrees that reversing in as the wayto go, like George was right here,

(01:01:27):
he wanted to make sure it wasbalanced out. So he wanted to
make sure that the people who decidethat driving in forward is the right thing
they get their fair share as well, which is why he had everyone sort
of debating, the police and thebystanders and things like that. Jerry here,
you know, acknowledging, you know, says to George Indiana that to
me was just like it was justfriends being friends, just a bit of
bad yeah, And he can seethat the relationship between Jerry and George is

(01:01:52):
so much more pleasant than the relationshipwith Mike and Kramer. I just I
just feel like Mike is just nota good person to have around. This
isn't we kept saying unpredictable. He'snot the kind of person you want at
a party. Because one person saysthe wrong thing, he parties ruined.
Yeah, I mean, Newman's nota pleasant person, but he's sort of
on the same wavelength as Crameer tosome degree. All there, he is

(01:02:15):
who he is. He doesn't hidewho he is. His unpleasantness synchronizes with
Kramer's laid backness. But he alsohe doesn't He doesn't pretend to like somebody.
If he doesn't like it, he'lltell you that he isn't like you.
Yeah, you're looking tremendous. Whatdo you want some kind of regiment?
Yeah, twenty five percent brand pleagus. The forty percent was too much,
so I father STI makes it upspecial for me. They're taking down

(01:02:35):
another fifteen percent. Definite. Hey, your friend, he has some real
problems me. You see what hedid here, You see how he tried
to sneak into my space. Hejust because I went in front, person,

(01:02:57):
doesn't mean I'm sneaking stroll me backingup and getting up room the parrel
up. I only wait in frontfirst because I could make it in front
first. Out of your pot I'llshow you. Oh got a prayer.
I go in front first all thetime. Frun first. That's how your
park when you're pulling a bank job. Did you did you talk to him?
Yeah, it's all taken care of. I told him, what did

(01:03:19):
you say? I did a numberon him. It was a thing of
beauty. You really had to havebeen there on a christiate And what did
you say? I told him?A pack of teenagers in a convertible or
terrorizing huts and they followed us intothe city a pack. By the time

(01:03:39):
I get to the end of thestore, he was so relieved that we
were alive. He couldn't care onceabout the car us. It's as simple
as that. What can I say? You know it's a gift. I
don't know. Wish I could teachyou, but you know it's inborn and
cramer than as it confronts them,why didn't you invite me? And then
it goes on. That's what that'swhat you're annoyed about. But she noticed

(01:04:00):
here Mike made fun of them forgoing to the flea market as well.
You went to a flea mark,like, fuck you dude, is this
guy? But they said they forgotGeorge has a guy, Jerry Jery.
I don't know. I was supposedto say it wasn't suposed to say anything.
And George is just like you didn'texercise your judgment, Jerry. He
didn't do anything wrong in my opinion, I don't think so. Ay,
why would he think Kramer will beannoyed? Yeah, we'll established that there

(01:04:24):
four friends who obviously have lunch togetherand things like that, but they have
lives outside of each other as well. That's the thing. Yeah, they're
not existing in each other's pockets.No, yeah, yeah, it's a
massive overreaction from Cramer, and hedoesn't accept. George is so so sorry.
At the ice cream and Driver,which was Jerry's college buddy, Hey,

(01:04:45):
this car, I gotta get you, worry the man. I guess
you'd better be moving your car andlike you're not just gonna back it in
if I do that, Well,somebody vadible something soon. I gotta drop
all ice cream here we get backfrom commercial and they've got the two non
passion drivers to move the cars becausethey didn't trust themselves. And then Jerry

(01:05:05):
questions the story, and George's goingalong with that. Lane's going along with
as well, why did you doto my car? When Jerry goes for
Jerry, sci fi is just there'sno one like it really is an it's
it's so much fun to hear andso much fun to actually do to do
it. Yeah, it's so muchfun. Ton as I my boys.
You know, I never said agood driver said I was a good park

(01:05:26):
and I was like, no,no, no, no, no,
rewind the tape. You said you'rea good driver, buddy. And it's
where Sid rocks up from the alternateside. Old Sid. He's like,
whatever you pod car? Something goeson, Hey, somebody better move these
cards. You're making a commotion.They said, who are you? Never
mind? Why? I am?I know? Why? I am know?

(01:05:48):
Why is it every time you parkercard is block everything gets instructed and
joined if said, it's completely hisfault, right, why did you start
taking a bush? It's now startingto get dark and Jerry Eline say they
went to leave, but George doesn'twant them to this old guy arguing with
Matthew the kid. I'm like,it was my kid. I'm like,
oh man, what are you doing? Go away, leave my child alone.

(01:06:10):
I must have been it's a it'sa come way. You didn't really
expect to say no. No.But then we see Jerry, you know,
he tells his father's business is closingdown. Kramer congratulates his mother for
being pregnant. Have you ever witnesseda moment like this? I once,
when I worked in the Dahi,had a worker compliment a customer on being
pregnant. When they went pregnant.I died inside for them. You would,

(01:06:33):
wouldn't you know. I mean I'veI think I learned from a young
age. It's like, never neverassume that no, Never never assume that
no. Yeah. They could bein the delivery room and he was like
getting your appendix out because there wasthis sense of no. It was a

(01:06:55):
pack dally and just this like everyonejust like, oh, I'm going to
turn on the slice of buddy,you can go and put your head.
I was like, oh shit.It was one of those moments I will
never forget. I remember thinking thinks, oh god, that was not me.
Here's the thing though, righte Idied inside picking up Alott from daycare
on Monday. It was a Friday. That was Friday. Right. So

(01:07:20):
there is a little person right whosechild goes to Aliott's daycare and she picks
him up every day blah blah blahwhen we usually at the same time as
me. Alliott walks up to thiswoman right in her face and says,
why are you so small? AndI was like, no, no,
but but that's my bully. Shejust went because everyone's just super different,

(01:07:43):
buddy, and she know. Shetook it like a champion. I was
like, oh yeah, well andmade me realize I shouldn't have been embarrassed
by that. A he's four.He's not doing it from a malicious point
of view. He's just asking questionsbecause he's fucking four years old. And
the way she handed it is howwe should always handle it. We're all
different, doesn't make anyone worse orbetter. We're just different. I was
like, I fucking learned something today. But at that moment, for that

(01:08:03):
brief two three seconds, I froze. I didn't know what to do.
I was like, oh oh shit, oh shit, oh shit, oh
shit. But She was just like, no, we're all super different,
buddy. And I was like I'msorry, and she's like, no,
it's fine, and she just keptwalking. I was like, shout out
to that little l was like,yeah, why why did I panic?
I literally panicked for a moment,But yeah, learned something. Yeah,
we're all different. That's all thatmatters. Tell you. Kids are all

(01:08:24):
different and nobody's better than anybody else. Of course, Kramer has to double
down though. He's like, areyou sure you're the hole is deep enough?
Mate? Yeah? Most people justtake the l Are you sure?
It's now nighttime? And Jerry tollse Lane. You know, Mike said
this about me, and she says, you know, you've got to open
your vault. You've I can't.I promise Kramer, You've got to open

(01:08:45):
the vault. Then we get newmin here, and you know he agrees
front first. You know, ifyou're going front first, you're reducing everyone
to jungle law before we're doing it. Before we get into that part though,
just a little shout out to thatlovely little word play where they're talking
about the vault. Joe's asking thisguy for he was talking me out.

(01:09:06):
He's right, never Oh yeah,what if he got to ten carlinks?
Should the pull all the way upto the front car? But I'm supposed
to be got ten carlinks? Tencar ls? What about Sundays and holidays?
I got here? The guy playedMichael was his name again? Um
Lee? He nearly flubs his linehere, but they left it in obviously,

(01:09:28):
So he's yelling and carrying on,and it's when he's about to say
what if there's a ten what ifthere's ten car lengths? Right? But
he says what if he got tencar lengths? He's nearly he nearly goes
to say carlinks before he says whatif you've got ten car links? But
they left it in. He justgoes, what if you got ten car
lengths? It comes across like aguy who's just flustered, but clearly he

(01:09:49):
flubbed his line. You gotta takeyou gotta take advantage of happy accidents like
yeah, adds a bit of realismof the scene. Then being wow,
went stea Newman, then changes histuner. He sold Newman, maybe you
are right, mate, maybe areor maybe going in front first? Is
it does work? You know?Well, if there's ten carlts, then
we get a beautiful woman. Shecompliments George on his hat and Newman just

(01:10:11):
out of nowhere? Can I tryit on? I'm like, fuck off
Newman, Dick moved, Dick movedby the Dick Master knew, but I
did love Wayne Knight's reaction when Georgeforces the hat on his head. I
was defending your party, all cryingand all upset. Then the fight has
started, but everyone's like, Oh, I want to go, but no
one's going. If he's going in, I'm not going. If there going,

(01:10:32):
everyone's got a beef of somebody inthis scene, Well he's going,
I'm not going. I still don'thave to go. Why why won't you
go? If I go? Why, I'll tell you why? No?
Don't cherry like you didn't call meup? Party fight? Real car?
Right? Jerry? First of all, I think you completely misunderstood what I

(01:10:54):
said. I meant it in acomplimentary way. I mean, you know,
when people say he's bad, itreally means he's that sort of thing,
you know, a slam us,a set man. Now, Michael
John is soul phony. Have youever been in a moment where you've said

(01:11:15):
something about somebody and they've found outabout it? And you've tried to talk
your way around it rather than justgone you're right mate, you got me.
I said that you are you aperson who will try and justify what
you said? Or will you justgo sorry? Mate? I wasn't thinking
shop. I would probably be thelatter. A probably, I'm sorry,
man. It's always better to justgo sorry, mate. I don't know
why I said. That's fucking shootthing for me to say my bad.

(01:11:36):
I can't. I can't deny.I can't deny it. I did it.
I think if you do it thatway, most guys will go all
right, whatever, let's go getto be I've done that. But if
you try and justify your lie justmakes another person even angrier. Yeah,
I mean Mike doing the whole.It's like when you know you say something's

(01:11:56):
bad, but it's really good.Man. That Michael Jordan, what a
photo, man, Na, MichaelJordan is so phony putting on the exit.
But the cops that arrived they havea debate about the parking situation as
well. And Jerry, he's justarrived home. He's about to watch the
fight and the fight is over eightnine ten thing ding. Larry David was

(01:12:19):
the voiceover the boxing guy. Yes, so I read boxing announcer, I
should say so. The episode finisheswith some stand up talking about people killing
each other for a park in NewYork. As you're saying, it's like
a musical chairs gaining us that we'veeveryone sat down in nineteen sixty four.
It's true though they're making more andmore cars, but they're not making more
and more parking spaces. That's whatit feels like in Gelong. You're adding

(01:12:39):
jobs into the city, but Yankgiven us place as the fucking park.
In fact, you're taking away passI mean very Geelong reference. But that's
what we do here at the four, being a discain network, we're bringing
Geelong to the world. You know, we should actually be sponsored by the
City Groad Geelong because we doing more, doing more for tourism than just about
anybody except Joel Selwod. We shouldhave to pay our rates, that's for

(01:13:00):
damn sure. That is one Dand I we're talking about rates, but
when we came on air really grabsmy gears. Damn rates. I'm already
paying for my house. You wantme to pay for a little jomp my
hair? What? There's a there'sa street in Gelong called Jerry Heavens Street
used to have parks, you know, Yeah, the parks that you would

(01:13:23):
just drive into, they'd be angularparks. Now they're coming from a good
place. They're coming from a placeof good intentions, like, oh,
we're gonna put some bike lanes andwe want to start you know, you
want people to ride more rather thandrive. You know, it's good,
good for the environment, for theplanet. It's bad for Jerringham Streets,
say because cut by mute, becauseyou had good intentions. But now there's

(01:13:47):
all these parallel parks. It's likea third or a quarter of the parks
that used to be there. Andthis was a place where a lot of
people used to park. It's ridiculous. I remember the first time because what
they did people listening at home.Used to be a four lane street and
they got rid of we're going onthe direction that goes into the city.
They got rid of the left laneand just ended it and just created um

(01:14:08):
parking right. Well, I rememberthe first time I was driving up I
went I didn't realize that the parkingat end because it's not really like signed
off. It's just sort of likea little brick thing across behind the cars
without the park and I'm waiting forthese cars to go. I'm like,
go go, munk my horn,and I realized these cars are parked.
I'm like, what's happened here?What's going on here? So yeah,

(01:14:30):
that is for the for a bikelane, for a bike lane. Yeah,
I'm like, I said, goodintentions, but they're not really thought
through. It's funny as at Louisthe other don't she said? If you're
seen this, um, it wason this thing on YouTube about ten minutes.
It was a film mate. Itwas like a tourist thing about Geelong.

(01:14:51):
Yeah. I saw the song postingthat around. Yeah. Yeah.
First of all, it had likethe Trey Parker voices the Welcome to July
exactly, it's a city on theground looking at out these new cars coming
out of part and now we gotyou out. It's a comming out natural

(01:15:15):
gas. But Luno looking at it, going shit, look at all that
space. Remember when we had aspace. Look at her. Every family
has a car and every car hasparking. Everyone has their own park.
I was like in Lost, likewe gotta go back. I saw I

(01:15:41):
saw the first minute of it andI was like, I can't watch.
It's gonna make me too sad.Yeah, that's that's precisely. It's a
bet. Now we watch the wholething, but and bet halfway loose,
you're gonna keep doing that? Voicesaid, you don't know, you bet?
I am. What's my bringing itinto the bad? Drop that right,
buddy. Anyway, for those ofyou what we're doing for love anyone

(01:16:08):
who wasn't aware, this is whatwe do on our South Park podcast from
start to finish. So yeah,become a listen to Going down to South
Park, available every second Monday onyour feed, So check out that one
if you're a South Park fan.But anyway, this has been The Parking
Space a good episode of Event,really, isn't it. It really has
been. I think we yeah,we lewis lost to the two therapy cloth.

(01:16:31):
It's likely because we've worked out allour anger rights episodes like festivals,
just airing our grievances. Indeed,indeed, but no Parking Space, very
good episode and no one. Ithink this was a very good episode of
Talking Song. Yes, the nextone we're gonna be reviewing is the season
finale, one of the big episodesof sign Fair that leads into a big
story arc after season four. Itis the key, so listener for that
one here on talking Signold. Thekeys coming out for you in a couple

(01:16:55):
of weeks. But this has beenthe parking space. Don't forget guys.
If we do enjoy this show,you can support us by being a member
of the four Finger Discap family onPatreon. I think it's a description of
this arm Office podcast, but fornow, mister Davis, any final words
for those listeners out there. WhenI don't like you, You've got problems.

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