July 21, 2025 • 67 mins
On this week's episode of Teen Girl Talk, we're covering the new I Know What You Did Last Summer! This one has the same bunch of jerks with their edges smoothed off sending someone to their death off of Reaper's Curve and a bunch of the old jerks coming back again. Also on this episode, Suesie talks about how her cat is a bully. Frank points out some plot holes. Intro and outro is Rebel Girl by Bikini Kill.
Please rate, review and subscribe to the show on iTunes and Spotify
E-mail: realteengirltalk@gmail.com
Teen Girl Talk's Instagram: https://www.instagram.com/realteengirltalk/
Frank's writing website: franklincota.com
Suesie's Instagram: https://www.instagram.com/susieboboozy/
Frank's Instagram: https://www.instagram.com/siriwouldchallenge/
Frank’s YouTube: https://www.youtube.com/channel/UCJcUttxP0ujvc6HXBz-4kIw
Please rate, review and subscribe to the show on iTunes and Spotify
E-mail: realteengirltalk@gmail.com
Teen Girl Talk's Instagram: https://www.instagram.com/realteengirltalk/
Frank's writing website: franklincota.com
Suesie's Instagram: https://www.instagram.com/susieboboozy/
Frank's Instagram: https://www.instagram.com/siriwouldchallenge/
Frank’s YouTube: https://www.youtube.com/channel/UCJcUttxP0ujvc6HXBz-4kIw
Mark as Played
Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:18):
Welcome to teen Girl Talk.
Speaker 2 (00:20):
Teen Girl Talk.
Speaker 1 (00:20):
I'm Suzi Kota Frank, and this week we're talking about
I Know what you did that summer.
Speaker 2 (00:26):
This week, we know what you did last summer. You
worked at the Shake Shack.
Speaker 1 (00:31):
Five. That's the part I was like, I want to
say something else, not to be confused with nineteen ninety seven.
Speaker 2 (00:38):
So far, we've done the show, We've done the original.
I don't remember we've done the original. I know what
you did last summer, which.
Speaker 1 (00:44):
I only remember Ryan Felipe's character being an asshole. Yeah,
because Frank talked about it a lot. I mean it's undeniable.
Speaker 2 (00:51):
He is, but a memorable line of you guys look
like hammered shit like a character.
Speaker 1 (00:57):
Yeah.
Speaker 2 (00:57):
Well, he's iconically standing on a falcony in a white
tank top of white pants and he has his early
ad dyed blonde hairla. Yeah, very, this is going to
ruin the tour he was. He was on Brooklyn ninety
nine as Gina Lenetti's baby daddy.
Speaker 1 (01:16):
Justin Timberlake, not Ryan p.
Speaker 2 (01:17):
Felipee. Really yeah, do you know what's still really good?
Speaker 1 (01:22):
Really? I thought he aged poorly. I might be thinking
of someone else.
Speaker 2 (01:26):
Yeah, I think you think someone else, I'll say, like
you pull a picture of him, but like he's looking good.
Speaker 1 (01:31):
Okay, because oil, I was gonna say, I feel like
he kind of like fell off of the face of
the earth, like I hadn't seen him in anything else.
Speaker 2 (01:44):
Yeah.
Speaker 1 (01:44):
Also, he was not asked to come back to this,
but I guess it would be hard to write him
in because what is he gonna like come back and
like rage all over the place. Well, he's dead, yes,
Sarah Michelle Geller.
Speaker 2 (01:56):
Also, but like nobody cares about Ryan Felipe's character.
Speaker 1 (02:00):
Okay, Frank, they could definitely imagine. Okay, here's my alternative
plot to I know what you did last. It's not
even a plot, an entire plot.
Speaker 2 (02:09):
It's a character sort of arc.
Speaker 1 (02:14):
What was Oh, yeah, he does look good. He looks
pretty much the same unaged cana reefstyle. What was the.
Speaker 2 (02:24):
Name of the bro character on the boat and the dude?
Speaker 1 (02:32):
Yes, okay, look it up. While you do that, I
will tell listeners we saw this Thursday night together. It
is Sunday. It was three days ago, and I gun
to my head I could not tell you one character's name.
I did not connect with any of the characters.
Speaker 2 (02:49):
I mean, it's sort.
Speaker 1 (02:50):
Of a perfect horror movie. Because even the next day,
I think as we left the theater, I was like,
this movie just slid off my brain. I have no
idea what happened? Teddy? Yes, thank you. See teamwork, we
figured out it's Teddy. So what if Teddy was really
into wig Aboard and because his fiance name.
Speaker 2 (03:17):
Not Danica, Danica, we'll get there.
Speaker 1 (03:21):
Yes, this is we're starting.
Speaker 2 (03:24):
At the beginning of the film.
Speaker 1 (03:25):
In my alternative retelling, Teddy is like, oh my goodness,
loves true crime and the occult.
Speaker 2 (03:35):
So he says, I love beer, I love America, I
love true crime.
Speaker 3 (03:41):
And I yes, when in reality his characters seem to
love boats, being rich and alcohol.
Speaker 2 (03:54):
In no, not in that order. It would be like,
give me my boat, queen.
Speaker 1 (04:02):
Talk about bad dads. Oh my good So I mean, okay,
so just let me get through this dumb thing because
it's like not even gonna be worth it when I
get to the end of it. So Teddy says, Danica,
you are the croaker, queen. But think about they really
should have waited until it was thirty years so we're
(04:23):
like thirty year anniversary.
Speaker 2 (04:24):
Oh my god, it's happening again.
Speaker 1 (04:25):
Whatever, But twenty seven years ago, the Croaker Queen and
her nightmare of a boyfriend were murdered. I want to
contact her nightmare of a boyfriend name redacted because I
can't remember it. And so they do the Ouija board
(04:45):
and Ryan Feleipe gets to appear and throw Sarah Michelle
Geller in there too, and they're like, we were hot
and full of promise and kind of nightmare people. Because like,
that's what I think is so funny about Helen Shivers
remember her name because they say it a lot. Which
(05:08):
if they do want me to remember characters' names, you like,
have the characters speak about themselves a third person. The
characters say their name when they.
Speaker 2 (05:16):
Enter the room.
Speaker 1 (05:17):
Just that walks in the room, Helen Shivers, Danica, last
name unknown.
Speaker 2 (05:23):
You just want everybody to be Pokemon, yes, Teddy Teddy,
Teddy Teddy.
Speaker 1 (05:29):
Or I'm like Poochi. Like either way, I remember the
names of these characters. So yeah, that that is my
rewrite suggestion. Teddy invokes nightmare boyfriend.
Speaker 2 (05:42):
Did we learn his name yet? Barry? He is such
a Barry.
Speaker 1 (05:48):
A Barry, And then I don't know the rest of
the plot just goes on like normal. Okay, who was
the main girl? Okay, what's the main girl's name in this?
Speaker 2 (05:58):
Yes? Ava?
Speaker 1 (06:00):
Who was Ava's dead boyfriend?
Speaker 2 (06:03):
Well, they weren't tenderly boyfriend and girlfriend.
Speaker 1 (06:06):
Milo Frank loves to get in the weeds and specifics.
Speaker 2 (06:09):
They are a love rekindled.
Speaker 1 (06:11):
So Milo looks so much like Adam what's his name
from the Osa Horwitz?
Speaker 2 (06:19):
No?
Speaker 1 (06:21):
Wow, we are just like really zero for zero and no,
the one who was in Jennifer's body. He plays the
lead of the band. He was just in that Netflix
movie with the Lady from the Good Place. I read
a tweet recently and I screenshoted and meant to send
it to you that the closest to being a ghost
(06:42):
is when you're listening to a podcast and you're yelling
the fact that the host can't remember Adam Brody. Yes,
so he looks a Netflix Adam Brody that I wanted
him to have Adam Brody's swagger, but he does not.
Milo is such and this is no fault of the actor.
I think the actor did exactly what the role was
asking for. What I'm going to say about the role
(07:03):
of Milo, is he like half the time I forgot
he was in the scene. Give Milo more to do.
Make Milo a Barry, because Teddy's not a full Barry
in my opinion.
Speaker 2 (07:14):
No, but here's the thing I I I like where
you're going with that, bring Barry back. I never thought
I would invoke a Barry. Honestly, we'll bring bring Barry back.
We do your board style. But let me let me
one up in a little bit. Yeah, okay, So Teddy
like has an imaginary friend that he's had since he
(07:34):
like was a little kid. H And he was just
like like yeah, like like my meaginary friend loves to party.
It's Barry amazing. Okay, But but everybody's just like, dude,
you have, well your your imaginary friend, Like is it jerk?
Like it's a huge jerk. He's like super problematic.
Speaker 1 (07:53):
Now, I mean the other Oscar was climbing under the
blanket on the couch behind Frying, So now there's just like, yes,
this lump.
Speaker 2 (08:07):
I'm on the edge of my seat.
Speaker 1 (08:09):
Yeah, at some point Oscar is definitely gonna attack Fry,
like but through the blanket, so.
Speaker 2 (08:18):
You'll be fine, okay, remembering a blanket. But then they're
just like like, but Berry not Barry. Teddy keeps insisting
Barry's real. He's like, watch and he holds out of
smiranov ice and then you suddenly see like he holds
up the smen off ice. It's grabbed by something, and
then the the smelon ice immediately drops down about uh
(08:38):
if you were kneeling, and then it just disappears. I mean, yes, okay,
by the way, I still think that. So what I
describe is called icing. When we were younger, you would
hang him to make smir off ice, they have to
draw to a knee and drink the whole thing. I
think that was a sye op buy smeiranov it. I
just want a movie about smearonov operatives going to frat
(09:01):
parties and it's.
Speaker 1 (09:03):
Like super Charge, but it's about the smearing off trend.
Speaker 2 (09:06):
Yeah, like like like oh, let's get you iced. But yeah,
like the most low stakes action film you've ever.
Speaker 1 (09:19):
Seen, I know. And then it just kind of ends
because I'm not even sure that that drink still exists. Yeah,
green alcohol and sugar is such a bad combination.
Speaker 2 (09:32):
It's like the ultimate hangover.
Speaker 1 (09:35):
Yeah, I say, yeah, look, I know, Frank's like, oh
my god, so many schmeerny nights, and I'm.
Speaker 2 (09:42):
Like, let's call that, I'll be the createst magician in
the OC. Don't call it that.
Speaker 1 (09:49):
So this shore town is called question Mark, question Mark.
Speaker 2 (09:53):
So forth instead of like.
Speaker 1 (09:59):
I know, because he definitely knows the youn bully you.
We're referring to Oscar, not Barry. Barry would also bully rap.
Barry would bully anyone. It's it really makes you. So
here are the things I really liked. I do think
that I know you did. Last Summer twenty twenty five
did have some homage moments to the original, which was
(10:25):
based on Lewis Duncan book. So I'm trying to remember.
I believe that all of the characters in the original
were also standing on the side of the road sort
of looking over the cliff. Yeah, and so they redo that.
But the thing is they have Teddy. I mean, not
(10:48):
a lot happens before the murder, which I appreciate because
I feel like a lot of these movies are like
thirty minutes of preamble for you to get the to
know these characters that are going to be dispatched fairly quickly.
Speaker 2 (11:00):
We get enough to know, like somewhat about these characters.
Ava shows up, she's been she didn't come home after
college like everybody else seemingly did, and she and we
know that her.
Speaker 1 (11:13):
Mom has passed. I'm not gonna say it doesn't matter
because obviously to the character Ava, it doesn't matter. To
the plot, it is of no consequence. Stevie's dad being
a jerk who stole her college money heavily factored in
to the plot. Ava's mom mentioned never to return.
Speaker 2 (11:35):
Yeah, Like, I think it's just what did you make
of that?
Speaker 1 (11:38):
Do you think there's another version of this movie where
that's significant, because the other part is I'm like, oh, okay,
what if they did that to explain why there's no parents?
Just no parents at that engagement party? No parents, baby shower,
no parents. The only parents we see thereby shower, no
baby show, sorry, bridal shower.
Speaker 2 (12:00):
There's two engagement parties or two bridal showers in this.
Speaker 1 (12:03):
No engagement party to Teddy bridal shower with rip I
can't remember his name.
Speaker 2 (12:08):
Doesn't matter. He's like in the movie for.
Speaker 1 (12:10):
Five minutes, I know, really the only one without faults.
Speaker 2 (12:14):
And then Danica takes his annex and immediately forgets about him.
He's not mentioned ever again.
Speaker 1 (12:19):
Like sometimes people will be like, and they killed your
fiance and she's like, yeah, I'm like, did you forget?
Speaker 2 (12:26):
Like I care? So the only reason I like he
we might have been married. He did have a sizable
life insured falseley and then Mike E from that chapter ten.
Speaker 1 (12:38):
Then she says, am I a widow now? Which is
a weird question, and it's like a joking question in
the police station at she's still covered in her fiance's blood.
She found him, Like we're getting ahead, but I was
just like, weird, weird move. Be more human, be more human.
(13:04):
We can't bounce back from the gruesome murder of this man,
so fuss give it more than eighty minutes.
Speaker 2 (13:11):
Please, This is like a Marvel equip after we just
blew something up and killed a bunch of people.
Speaker 1 (13:16):
Like cities destroyed. Oh didn't see that coming, what sir?
Speaker 2 (13:21):
Whoops the dunk? Yeah, so Koba fell killed a bunch
of people. Whoopee, And it's like.
Speaker 1 (13:29):
Can we have a little more gramatized but okay, so let's.
Speaker 2 (13:31):
See sorry a Quicksilver and Scarlett witge or forever or
no mass we destroyed your whole country. But Here's the
thing is like these move like I know what you done.
The Less Summer franchise always has this insurmountable problem of
we have to make these people who love somebody for
(13:52):
dead likable. This movie did it in a way that
I would say somewhat likable, but it then makes the
killers motivations even more confounding. Yes, so Ava shows up like.
Speaker 1 (14:05):
I really just wanted to get to the part where
she's getting dressed.
Speaker 2 (14:08):
Yeah, okay, well that's like she shows up. She looks
at the picture of her mom, which is short haand
for her mom's dead.
Speaker 1 (14:13):
Well, she says, thinking about you mom to the picture
and I was like, movie, I'm not a dumb ass.
Stop treating me like I'm a dumbas Frank question, I
loved this observation you made while we were in the movie.
Frank leans over to me and goes, that's how you
know she's likable when she because she was nice to
the uber driver, because I was like, is it her dad?
(14:34):
Why is she sitting in the back seat because he said,
welcome home? How's this man? No, it's her home? So oh,
because oh I am a total ding dong, we skipped
the part where she met the podcaster.
Speaker 2 (14:49):
Well that's the second time she comes up, yes, because.
Speaker 1 (14:53):
She gets picked up by Milo slash pseudo Adam Brodie. Okay,
So she gets home to an abandoned town. She is
trying on dresses. She's talking to herself, which I do
all the time. No judgment there, and it's like, he's
not even your boyfriend anymore. She tries on a series
of dresses that are fine, one of them has maybe
(15:15):
a period staying on it, okay, and then chooses an
outfit that's very flattering, but the top is hideous and
the skirt is really cute. It's sort of like an
Art deco beaded skirt.
Speaker 2 (15:33):
You're gonna move to the floor.
Speaker 1 (15:35):
Frank is basically being I know what you did last
summer by my cat. He's now going can you move
the microphone by him?
Speaker 2 (15:46):
So I don't know if they got it. I'll try boot.
Speaker 1 (16:01):
This is how my cat likes to bully us. But
it especially works up Frank because Frank is not used
to it. So I'm like, okay, this is, you know,
a pretty regular returning to the hometown. An incidental thing
is gonna happen. Old Feuds and Loves will re emerge.
Speaker 2 (16:25):
Fine.
Speaker 1 (16:26):
She goes to this party her best friend Danica, uhmy
that sort of strong, yeah, and is talking about how
she's seeing someone who is not a psychic but like
an EmPATH. This is just I mean again, this is
(16:47):
the movie's shorthand. They're trying to let us know that
the movie thinks this character is frivolous. Teddy is the charming,
handsome party boy that she is engaged to. That actor
is actually in a movie coming up. It's like, I think,
like basically a body horror movie about football players.
Speaker 2 (17:07):
Oh him, yeah, Oh, I say the previous for that.
I'm like, that looks terrifying.
Speaker 1 (17:14):
Well, I hadn't recognized him before, and then I was like, oh,
that's the guy from I Know What you did last summer.
Speaker 2 (17:18):
Like the trailer for that movie is phenomenal. Well you
just see the like heads collide. That cut to like
the X ray view of what's happening with the head
the skulls. It's like produced by Jordan p I'm like, Okay,
now I know where we're going.
Speaker 1 (17:31):
Yes, so, and then Milo's there. As the night winds down,
they're talking about taking a drive to uh smoke weed.
Everyone keeps brandishing these skinny little joints, and I'm like,
I am not smoked pot in forever, but I was like,
(17:52):
from what I can hear, they legalized pot in New
Jersey like two three years ago, and it seems like
weed has gotten like a lot more sophisticated and a
lot more complicated. And I know they're not in New Jersey,
but I just think it's so funny that, like we
also saw Eva during her like getting dressed montage find
a skiddy little joint, light it and then be like ew,
(18:15):
that is sort of beholden of nothing like that doesn't
go anywhere.
Speaker 2 (18:19):
That doesn't.
Speaker 1 (18:21):
So they see Stevie, their former friend, Stevie's dad. It's
never clarified what Stevie's dad did, but he seemingly squandered
her college fund and then abandoned the family. We will
never see any other parents. I don't know where Stevie's
(18:41):
mom is, and we don't get a lot of backstory
on that other than her friends, who are admittedly pretty vapid,
did not come through to her, not the surprise of
the century. Like, if you would ask me the odds
of them coming through and being supportive, I'd be like
zero point zero like these they do not seem like
(19:03):
ride or dies. And here's the other part, like if
Ava's mom passed, which I think is what we're supposed
to take from the photo and the nostalgic touch of
the photo, she should get it, she should show up,
and she didn't. But they say, let's invite her for
(19:24):
old time's sake.
Speaker 2 (19:25):
Awkward, weird, and so let's invite her for old times
sake as she continues to do work for us.
Speaker 1 (19:31):
Yes, so they ask what are you doing here? And
she said, oh, my boss sent me to pick up
the empties, which I guess if you like. The levels
of wealth in the friend group are like obscene levels
of wealth, like no one seems to work. The houses
all have these like automated doors, like every luxury.
Speaker 2 (19:53):
You could imagine.
Speaker 1 (19:56):
And what I think is so funny is wealth is
never addressed in this film, like economic disparity is only
kind of mentioned in context of Stevie. And Stevie gives
us a little exposition dump to her coworker, who is
also I guess her faith based friend, which we'll find
(20:20):
out later, where she's like, oh, those are my supposed
friends that ditch me when everything happened.
Speaker 2 (20:25):
With my dad, did we mention she was also in
she's in recovery.
Speaker 1 (20:31):
Yes, which makes we didn't mention it. But I'm saying, yes,
you're right to mention that because they know the vapid
friends know that she spun out and went to rehab
after her dad betrayed the family. Why are you inviting
her on a weed drive? They don't even tell her
there's gonna be pot again. Am I surprised by their
(20:51):
lack of thoughtfulness and empathy? No?
Speaker 2 (20:54):
Do I still think it stinks?
Speaker 1 (20:55):
Yes? So they're like, come watch the fireworks with us
on a thing we will later find is called dead
Man's Curve. And she's like, yeah, I should get in
a car with these yahoos I haven't spoken to in years.
Speaker 2 (21:11):
You could not pay me any amount of money to
do that.
Speaker 1 (21:17):
So here's the thing. Danica is driving the car poorly
and uh Ava asks, oh, haven't you been drinking? And
Danica says, no, it's bloat. It causes bloating. Teddy is
being distracting, Teddy is getting high. They get to the
(21:38):
point they get out of the car. Teddy's in the
middle of the road. There's an oncoming car that swears.
They're like, Teddy, what the fuck?
Speaker 2 (21:46):
What are you doing? I can tell you at some
point shows I've been visible, which.
Speaker 1 (21:53):
Like lets you know that he's not gonna make it
to the end.
Speaker 2 (21:56):
Of the of the was it huge bomb or whatever?
The well, there's a Willernette sex tapepe schedule. Sison's already
like the dudes from Lonely Island okay, and Jesus is
already like, has this sex machine in a port? He's like,
(22:18):
I'll live forever. And it cuts to like a headlines
as Willownette killed by sex.
Speaker 1 (22:27):
So another car comes around the curve. Teddy is still
being irresponsible.
Speaker 2 (22:33):
It's a big old pickup truck driving so fast.
Speaker 1 (22:37):
Like, here's the thing. I've watched a lot of Judge shouty,
I'm basically a lawyer at this point. JK, No, I'm not.
Please don't sue mate.
Speaker 2 (22:48):
Susy said she was a lawyer on a podcast that
I'm suing her for it. Are also a lawyer?
Speaker 1 (22:52):
No, because she watched a lot of Judge Judy.
Speaker 2 (22:56):
I watched a lot of dared a better lawyer, I mean.
Speaker 1 (23:00):
And you can magically keep a business that does only
for a bone of work. I frank, you know how
driggering this is so uh one of the things she
brings up all the time because when there's a car
accident and people come in and say, like, well, it
was this person's fault, that person's fault, it's the same
(23:21):
with dogs and cars. You have to have control at
all times. And so I am not blaming the victim,
I am saying. And like someone does bring this up,
they say it's Reaper's curve. They were going really fast,
and I'm gonna I just want to put a little
(23:43):
footnote in here from when we get to who we
find out was it driving this truck.
Speaker 2 (23:50):
They didn't know exactly.
Speaker 1 (23:52):
Where they were going, like maybe they were given a pin,
but to drive this quickly when you're looking to pick
someone up. Like, I'm not gonna say this is a
huge plot hole because humans are humans and they're gonna
do human stuff and it's not always gonna make sense.
But I'm going to say that the movie kind of
really gets stuck in the mud with this plot part.
Speaker 2 (24:13):
Oh don't worry, there's another enormous plot hole, like a
like this pickup truck. Pickup truck would get lost in
this other plot hole.
Speaker 1 (24:24):
So the funny part is most of the movie hinges
around this pickup truck and the ownership of the pickup truck.
And they like they were like, we just can't write
ourselves out of this hole.
Speaker 2 (24:38):
Just got to leave it in. Okay. So here's the
thing in the book of I Know what You did
last summer, they hit a kid and they cover it
up and like, which is horrifying, you know, like just
imagine being a parent in that situation, like something happened
to your child.
Speaker 1 (24:53):
You don't know what's going I think it makes sense
that they changed it because I don't think there is
any way to make it movie with characters.
Speaker 2 (25:03):
With any redeeming Yep. Then in the other one, they
just hit a dude, like an older dude.
Speaker 1 (25:09):
Frank means the nineteen ninety seven version of the movie.
Speaker 2 (25:11):
Thank You, and they throw him into the They throw
him into the bay, and then like ridf is like
we all make a pack. Nobody's said anything.
Speaker 1 (25:20):
If we do get a yelling packed in this one
as well.
Speaker 2 (25:23):
Okay, But in this one, like the pick a truck
goes through the guardrail, they immediately all rush to try
and provide aid. To the driver. They're pulling on on
the driver's side door, like it's not it's locked, it
won't open. The guy punches through the window and grabs Teddy,
and I'm just like, good, you guys can pull them
(25:43):
out right, Like no, like he's just grabbing onto Teddy.
And then the truck starts slipping and they all like Teddy,
you know, just by being grabbed, like runs around to
the back and starts like trying to pull it up,
and like all five of them are trying to pull
the truck back up. But of course it's like, what's
seventy times piece of machinery. Yeah, it was into the drink.
I'm like they tried. Yeah.
Speaker 1 (26:05):
Like it's like, sir, if you were not trying to
attack people and instead, like, think about how much force
it would take to punch through a vehicle window.
Speaker 2 (26:15):
Yeah.
Speaker 1 (26:15):
I don't think there's any world where I could ever punch.
I think I would break my hand and I'd be like, well,
I guess I'm just going in the ocean. So like
the fact that this person was like, I hate you
for being in the middle of the road, and that
is my priority over getting out of my car, which
is definitely about to go over the cliff like question mark,
question mark, question mark?
Speaker 2 (26:35):
What Yeah? So, like Teddy calls his dad. He's like, like,
my dad's gonna take care of it, Like you know,
his dad is mayor of the town. Yeah, let's go.
Let's go to the police station. And they go back
to Teddy's house and like a bunch of like how
we're going to the police station. He's like, no, we're
not gonna talk about this anymore. My dad is taking
(26:55):
care of it.
Speaker 1 (26:56):
They're standing in some sort of like weird catacomb. I
think it might be the garage. I don't know. This
house seems to have a series of catacombs under it,
and there's later we'll see a hallway that is closed.
Speaker 2 (27:12):
Off by a wrought iron gate. It has like.
Speaker 1 (27:18):
A what's that thing that knights wear a suit of
armor at the end of it.
Speaker 2 (27:24):
If this house is weird, if I was Teddy, I'll
get to that scene. Okay, So cut to one year
later and this one year later, Eus once again showing up.
But who's she? Like, who's she smooching in the bathroom?
Oh it's a pretty young lady.
Speaker 1 (27:41):
Oh god, weird, weird to say it like that it's
Kyle a true crime on Tyler. Whatever. I am sorry
Kyle Tyler Tyler because she's really cool. I like her
a lot, like she is sort of like the kind
(28:05):
of blunt character I wish Short showed up.
Speaker 2 (28:08):
In this movie more. Yeah. Like, so.
Speaker 1 (28:13):
Her and Eva hookup and then Ava's like, well, I
guess i'll see you later. My ex boyfriend is picking
me up for like a weird ride back to Southport.
Speaker 2 (28:21):
She doesn't say the ex boyfriend part.
Speaker 1 (28:23):
And Tyler, yes, okay, Tyler. I was like, it's not
your fault.
Speaker 2 (28:33):
Last week we had an actress and a person both
named Skyler.
Speaker 1 (28:38):
So Tyler's like, funny, quintin, I'm also going to Southport.
So they get in the car.
Speaker 2 (28:46):
Eva doesn't have the social type like we're done. Yeah,
Well here's the other part.
Speaker 1 (28:54):
Her and Milo like things are. Milo helps pressure Eva
into saying she's not gonna say anything about what I'm
going to say is like sort of like a neglectful murder,
like not an at I I don't think they're necessarily
at fault for what happened. Do I think that they
(29:16):
were being irresponsible?
Speaker 2 (29:17):
Yes?
Speaker 1 (29:17):
Do I think that they are responsible for this person's death.
Speaker 2 (29:20):
No, I just I just want to point something out.
But in the backseat, while Tyler is explaining everything about
having about the old murders, like and like Milo and
Eva are getting uncomfortable, she's very clearly eating those Dorito's
knockoff talkies. Yes, like and I want to bring this
up because we get to the new engagement party or
(29:42):
bridal shower for Danica and the like, which has several
photographers photographers and like she's also wearing like a bikini underneath,
like a slip kind of thing. It was Janica is, yeah,
and they've left Tyler in town.
Speaker 1 (30:02):
I was gonna say, I'm not sure why you brought
up the doritos.
Speaker 2 (30:04):
Well then, because then we cut to that, and very
clearly in the middle of the table, while discussing the
note that Danica got, that says, I know what you
did last summer. There's several bags of tostitos. The leonover
Susia whispered, I'm really hungry for someon doritos and tostidos.
Speaker 1 (30:23):
It's funny because Syler keeps taking the bag, cheating it
up to camera, straightening the corners of the bag so
that you cannot I mean, it's on a gigantic screen,
it's on a movie screen. I'm not missing that she's
eating doritos. I kind of just assumed she was eating
normal doritos. I didn't know she was eating Takis.
Speaker 2 (30:42):
Meanwhile, Talkies is like, I know what it does, like like, hey,
do you mind if we feature you on our film?
Like you think we need you? Click? Where Taki's bitch click?
Speaker 1 (30:54):
I mean, the only thing I'm gonna say is a
misstep is when Takis did those like weird blue talk
I know they just taste the same, but I don't
want to eat blue chips unless they're blue corn tortilla chips.
Speaker 2 (31:07):
Okay. One of my roommates Ones bought that, like green Ketchup.
I could not disassociate myself from it being weird, Like
was like ketchup is red. My brain would not accept
green ketchup.
Speaker 1 (31:18):
Yeah, I get it. I'm like, we don't need to
mess with things just to mess with things. Leave it alone,
Leave the ketch up alone, leave the Tackys alone.
Speaker 2 (31:25):
Yeah.
Speaker 1 (31:27):
Okay, So the at the shower, Milo is the only
dude there until we see the fiance from the neck
down and he comes in and says oh, I know,
I'm not supposed to see the bride until after, which
is not a thing at Bridal Showers at all. And
(31:49):
he leans down into frame. It's not Teddy bomb bomb Bomb.
Bride kept saying, is that the same guy? It's a
different guy. That's not the same guy. And I was like, no,
it's not the same guy.
Speaker 2 (32:02):
My pension for not being to differentiate different white dudes
was really hindering me.
Speaker 1 (32:07):
And that's you were like, something's different, Oh so I did.
Speaker 2 (32:13):
Yeah, so, but.
Speaker 1 (32:18):
Frank's like, I am just not going to pick a
connecting word.
Speaker 2 (32:22):
Yeah so, but I was listening there that sounds like.
Speaker 1 (32:28):
Dialogue from the Bear.
Speaker 2 (32:30):
Well, so chef gut these fuckings out there anyway, Okay,
but I was listening what sus was saying. I was like,
Susu's gonna like explain this really well. So while she's
doing that, I'm gonna look up why right, Plea was
not in this movie? Yes, And the director was like,
(32:51):
we love Ryan. If there's a sequel, Ryan's going to
be in it. If there was just too many, like
they were felling they were overloading with too many of
the like returning stars, because like we're bringing almost all
the warriors back, so okay, so yeah, Denica gets this note,
soas I know what you did this summer, she starts
(33:12):
freaking out. They all think like, oh, maybe it's Teddy
did this. Maybe I mean good guess. Yeah, So they
go to see Teddy. He's living on his boat, his
dad is very angry about what happened last year, and
he has just become kind of a drunken mess.
Speaker 1 (33:30):
So yeah, it definitely still hits the gym every day. Yeah,
it's maybe doing twice a days. I sort of wondered
if he had come off of him into this movie,
because like, part of the thing about him is the movie,
I mean not the actor replays Teddy, but is that
(33:51):
he is supposed to. And I'm just gleaning this from
the preview, but have almost like a supernatural type of fitness.
So I'm wondering if one was filmed before the other
and he was like I mean a or he could
just be a dude who's.
Speaker 2 (34:10):
Very into bodybuilding.
Speaker 1 (34:11):
I don't know. Yeah, but there was another movie I
saw where I feel like an actor had come off
of like maybe one of the Marvel movies or something.
But this was a wrong com and he was like
sort of unnecessarily buff for the character he was playing,
where I'm like, that character wouldn't be that rimmed.
Speaker 2 (34:29):
That's weird. It's just like, you know, you'll see these
movies where it's just like, oh, the poor hero rising
up through the ranks and he's like cut his hell.
You're like, is he getting all that protein? Like?
Speaker 1 (34:41):
And it would take a trader to like have that
level of discipline.
Speaker 2 (34:46):
Well, one of my favorites is I call it the
big budget glow up. Yeah. So in Serenity or in
the Firefly TV show, there's a scene where Nathan Fillion
is left naked Christina Hendrix in the desert and he's
just sitting there and you know he's still like a
good looking man, but he's not in shape. Then he
(35:07):
cuts your Serenity of the movie. He takes his shirt off,
cut to hell. Yeah, like same thing with Evil Dead
Evil Dead too. I know he said, Nef Campbell, Bruce
Campbell looking like a normal dude, cut to you know,
Army of Darkness. He's also cut his hell. So it's like, oh,
(35:28):
now we can hire somebody to take first Campbell to
the gym. Yeah. But yeah, so Barry's like not Barry.
Oh my god. Teddy's like, I don't know what's going on.
It's not me.
Speaker 1 (35:42):
He's like, get off of my boat. Get out of here.
Speaker 2 (35:45):
I never wanted here. You get out of here, and
Milo rights away like a confused pony. Cut back to
Danica's house. Danica is like, I'm gonna go relax with
a with a bath bomb to her.
Speaker 1 (36:01):
Frank and I were freaking out because they're like you
were I think you literally said, why if you were
being like, not accused of murder, but like hunted for
doing a murder, would you use like a red bath? Bob?
Speaker 2 (36:17):
He was like, it's not even like a nice shade
of red. It just looks like blood.
Speaker 1 (36:22):
It's awful. It is not. And she's doing a guided
medication in the bath. I can't imagine anything less relaxing
than bathing in water that looks like blood.
Speaker 2 (36:35):
So like, while she's bathing in her blood bath, accurate,
like her fiance who's an alcoholic once again, they just
have all this alcohol route and he's just chugging from
a wine bottle, I think, and he's like, oh, that's
the stuff. All of a sudden, he gets gunned down
by a heartpode and it just starts dragging on forever.
Speaker 1 (36:57):
Yeah, Like, this character did not do anything, and like movie,
I see you, and I feel like the reason you're
saying this character is expendable is because they have substance
abuse problems and that fucking sucks. This guy excuse my language,
but this guy didn't do anything. So you're saying because
he is an illness that is not being treated. Ha
(37:20):
ha oh No, he's gone because he because we watched
him be sweet to his fiance and seemingly supportive of
her and drink a half bottle of wine.
Speaker 2 (37:32):
Like I don't love that. I really don't our main
like Teddy, Yes, I had the Paulsberry again.
Speaker 1 (37:41):
I mean, Barry is Teddy's favorite true crime character.
Speaker 2 (37:46):
Teddy also has a drinking problem, but.
Speaker 1 (37:49):
Like you know, is he But Teddy is not played
like a clueless sap like I I don't know, I
did I and like, I have been very open about
the fact that I am a decade sober, But I
feel like portrayals like this are operating off of a
(38:10):
really old morality and I think it is or perceived morality,
and I think it is booby doop.
Speaker 2 (38:17):
Well, it's just like it's just kind of weird, like
when we watched that movie Taro where like the two
like the two queer characters got killed so much worse
than like everybody else.
Speaker 1 (38:29):
Yes, and like I get that he is being dispatched
early because he is not a character we know, and
they need to like make space for Teddy to move
back into the friend group. Fine, this dude was not
gonna go on some sort of avenging spree with the
(38:49):
rest of the friends. Daniga hasn't even told him what's
going on.
Speaker 2 (38:53):
So yeah, so Danaker comes down. She sees her her
boyfriend all murdered or her fiancea all murdered. And this
is where I started. Uh now, this is not where
I started suspecting.
Speaker 1 (39:07):
This is where I started suspecting that Barry was so alive.
Speaker 2 (39:10):
Oh there was a part of me that was like,
maybe that's just a little do It's like Barry's back.
Speaker 1 (39:17):
Barry's back, and he's still the worst so confused. Harry's
back and he's still angry.
Speaker 2 (39:27):
The friends all gather back together and they try and
comfort her, and they decide to all spend the night together.
Oh no, they okay, this is I know they don't
decide to spend the night just yet. No, so.
Speaker 1 (39:44):
Ava is staying with Danica. Ava apologizes to Danica for
not being a good friend. Danica apologizes to Ava for not.
Speaker 2 (39:51):
Being a good friend.
Speaker 1 (39:53):
They go to sleep, and then the next day friends
are all together to kind of.
Speaker 2 (40:04):
Like trying to.
Speaker 1 (40:04):
Brainstorm about what's been happening, and so Teddy is drinking
surprise surprise, and Milow, in what seems like a pretty
clear case of sour grapes, brings up, well, how do
you know it's not Tyler slash Kyle that the podcaster
(40:26):
who is here to investigate the murders. What did you
tell her name? Was like, well, we did not do
a lot of talking, so no, I have not told her.
And so they all this is where we get sort
of our Scooby Doo assignments.
Speaker 2 (40:39):
What I would have really loved though, if like this
is what really endear made of Teddy, if he just
went nice and just yes.
Speaker 1 (40:47):
So then and I believe I think it's maybe Stevie
who says they don't think it's Tyler. Someone else chimes
in and says, like that really doesn't make a lot
of sense if a podcaster is coming here to investigate
a murder that happened twenty seven years ago, and then
they murdered Danica's fiance.
Speaker 2 (41:08):
But like, and they're like, that would also required her
know what we did last summer. How would she know
what we did?
Speaker 1 (41:13):
Yeah, because like clearly, Ava, who is also in danger
at this point of whoever the killer is, would not
tell her yet.
Speaker 2 (41:24):
So they go to see They go to see Tyler,
who was wandering around Southport looking at it. Well.
Speaker 1 (41:30):
Eva goes to see her, go to see her.
Speaker 2 (41:32):
They end up going to where.
Speaker 1 (41:35):
This restaurant, this something house, it's like the Southport House
or something.
Speaker 2 (41:39):
Yeah, and there it's closed for some reason despite it
being summer.
Speaker 1 (41:43):
I think murders took place where the killer lived there.
It looks in really good shape for being abandoned for
twenty seven years.
Speaker 2 (41:52):
Yeah. So they're wandering around and then uh Ava sees
the sees the killer. She goes running away. Ava it
counters the killer. They fight a little bit. She hands
up slicingly the killer's arm and has blood on the knife.
I'm like, okay, cool, bring that up to the cops.
And then she thinks it's Tyler, but then Tyler appears
(42:13):
on a balcony above her, and she's like, oh shit, it's.
Speaker 1 (42:16):
Not Tyler, Ava says Roun Tyler, and so Tyler takes
off and takes a dumb waiter up to like the
attic or something.
Speaker 2 (42:25):
Meanwhile, cage falls onto Ava, trapping her like she's in
at the tail end of mouse Trap the board game.
Speaker 1 (42:33):
So uh, I couldn't. Oh no, it's raised bar that
has all the crazy crap on the walls. Yeah, so
sound Sport seems to really lean into we don't know
how to interior decorate, so instead we just have detritus everywhere.
You have nautical themes, yeah, which is like, well, you're
out of shore town. I guess tourists would come in
(42:53):
and be like, oh cool, there's like a crab trap
or whatever.
Speaker 2 (42:58):
But it's like not c Yeah, like we're not talking,
like do.
Speaker 1 (43:03):
You know what I think that is? I think it's
a shark cage.
Speaker 2 (43:05):
Well that's what I'm I was about to say, Like,
it's not even like the fancy one from Jaws, where
like you know that bearded dude had a lot of
room to maneuver around it. It's literally like you have
enough room to like maybe turn around if you're moving
in place and that's it. Like, yeah, so Ava has
the only way to get is Ava has to unscrew
(43:25):
the things, the hinges in the door. Toyler gets killed
and then her body is hung outside. It sucks. Yeah.
Oh but this is why I started thinking with Stevie,
because like, all of a sudden, Stevie's just there.
Speaker 1 (43:38):
Yeah, like I'm just like because Eva had sent a
text to the group.
Speaker 2 (43:41):
Text like.
Speaker 1 (43:45):
Audio to text, which was like a weird choice.
Speaker 2 (43:50):
I need to hide from this killer better loudly text.
Speaker 1 (43:53):
Yeah, and Ava says, come to see Southport house. Uh,
Tyler seems sketchy.
Speaker 2 (44:02):
Yeah. Also, I was reading, just reading the Wikipedia. Do
you know who was originally up for Ava's role? Camilla Mendez? Okay,
but I mean Chase. I think her name is Cheese
Stude wonders. She kills it as they were, so once
again they reconvene. Tyler had brought up there's a professor
(44:25):
at the local college who knows what's up. You better
believe we know who that is. They're gonna go see
her tomorrow. So we have another night of everybody hanging out.
Danica and Teddy cuddle, and Milo and Ava start making out.
Speaker 1 (44:44):
It gets so many questions when Stevie says, I gotta
go back to the bar.
Speaker 2 (44:50):
What Ava? And uh, excuse me. Eva and Milo started
getting amorous, but then like Mile becomes comfortable and leaves
and he's outside stugging himself out. Killer shows up kills him.
I don't want to get into how he dies. It's
also not great. And then like Able leaves him, like
(45:12):
he says, car leaving and she's like, well, I guess
he left me at least in a voicemail. It goes
to yeah, the killers whatever, he doesn't real.
Speaker 1 (45:21):
Killer text back and says, I'm sorry, I just need space.
I'll contact you when I'm ready.
Speaker 2 (45:27):
Yeah. So next day, Ava goes to see well we
see the back of a woman's head as she screams,
because says, you were left the theater at this point, Yeah,
I went to.
Speaker 1 (45:41):
I went to like go use the bathroom.
Speaker 2 (45:44):
I was like, I'm jump with this movie. Julie, Like,
we see a woman's scream and it turns around it's
Jennifer Love Hewett as Julie Jones, and she's talking about
PTSD and the effects it has on the body. She
leaves and Able catches her, and she's like, like, I
(46:04):
need to talk to you about the murders. She's like, oh, well,
here we go, and she's like somebody's pursuing us, like
I have a hook hand and she's just like uh huh.
Then she says, oh, I's left a note that said
I know what you did last summer. And well, like
she's like he left me a note and did all
these things, and Julie like she's like, okay, but I
(46:26):
need you to tell me. This is like the big
movie trailer. I gotta wish they had kept this a secret.
Speaker 1 (46:30):
Yeah.
Speaker 2 (46:31):
Like, it's just like when I hate one movies these days,
we're just like, hey, so and so is gonna be
in this movie. I'm like, like, whole plot in the trailer. Yeah.
Speaker 1 (46:42):
I felt that way about Bride Hard and I think
that's why, like it was in and out of theaters.
Speaker 2 (46:47):
In like a week.
Speaker 1 (46:48):
Yeah, So don't show me all the big banner moments
in the three minute trailer because I'm not gonna go
see the movie.
Speaker 2 (46:56):
Yeah. It's like that episode of The Simpsons where Homer's
watching a movie at the local video store and he's like, oh, sir,
do you want to read that it's like, why, I
just saw the best part of the movie.
Speaker 1 (47:05):
Yeah.
Speaker 2 (47:06):
So Julie takes her back to her house and she's like, look,
you're gonna, like you can't run from the guy. You're
gonna have to fight him.
Speaker 1 (47:15):
Basically, what terrible advice, terrible irresponsible advice. I'm no lawyer,
despite what I said earlier, but I don't think she
should be giving this advice to an impressionable person.
Speaker 2 (47:27):
Yeah. So she's just like, this is what happened with us.
And meanwhile, Danica and Teddy are at a graveyard because
they're trying to figure out.
Speaker 1 (47:40):
What the reasoning about why they're at the graveyard is, Like,
so thing.
Speaker 2 (47:44):
They got, They want to find the truck, which apparently
is still owned. It hasn't been smashed in the like
years since like it happened. They get the information who
owned the truck, they go and try to find his grave. Yeah,
and then like the gravekeepers just like I know, to
(48:05):
give you information and then like just tell us who
left these flowers. He was like, Okay, I guess I'll
go watch the videotapes. He's killed and I was just like, killer,
come on, you could have just knocked him out like
he was just a man doing his job. Yeah.
Speaker 1 (48:19):
This is where I'm like, look, I know this might
be a hot take. I think these killers are bad,
bad people.
Speaker 2 (48:27):
Yeah. So, but here's the thing about this scene, Like
when we're at the graveyard, it is like Frank lost
his mind. We're like we're waxing towards evening, like it's
like late afternoon. Teddy and Dank had just sat in
this graveyard until the dead of night. Like they're like, hey, guys,
(48:49):
do you mind getting out of here, because there's just
two random teens sitting in the cemetery drinking. And we
hold on these kids getting their beers and leaving, and
this is where I did lose my mind.
Speaker 1 (48:59):
No one asks them to leave. Teddy sees them, abandons
Stanica in the spooky graveyard to go track down the
guy checking the video. He stops by these two extras
that were not given lines and says, hey, can I
have a beard? They don't respond. He goes, yeah, no,
it's okay, walks away.
Speaker 2 (49:19):
Danica turns her back for a second.
Speaker 1 (49:21):
And the second herd back is turned, they pick up
their beers and leave and then she turns around. It's
like I'm alone. It's confounding, Like, so obviously she needs
to get attacked now.
Speaker 2 (49:34):
Yeah, so she gets attacked. She goes running and apparently
the cemetery is right next to where we store floats,
like that we've kept for twenty seven years because we see.
Speaker 1 (49:44):
Well no, because she's also the Croaker Queen.
Speaker 2 (49:46):
Oh yeah, like they don't update the float. I don't
think so Okay, I guess who cares?
Speaker 1 (49:53):
I mean, like, how much?
Speaker 2 (49:54):
How much are you going to update the Croker Queen float? Frank? Yeah, eventually.
Speaker 1 (49:58):
Do you think Southport's made of money?
Speaker 2 (50:00):
Yes, but that's a whole plot one in this film
is this guy turned. It arounds me this big like
instead of being like the guy being Teddy sad, yeah,
and so being a murdered town, it became what.
Speaker 1 (50:12):
They say, the Hampton's of the South God's sakes.
Speaker 2 (50:16):
So yes, they do have money for a new float.
Speaker 1 (50:20):
It's like this is where I really want to drill down.
Speaker 2 (50:23):
Yeah, so like they like, Danica does get away.
Speaker 1 (50:30):
Fortunately she hides in the float. See now they're gonna
have to get a new float because the killer destroys
the float and Teddy comes in to rescue her. They
killer runs away and Teddy's like, yeah, you better run.
Speaker 2 (50:46):
Yeah, So the next day they go. They all meet
up again the next day, but with no Milo and
less Stevie. Nobody seems to give a ship that Stevie's
not there. Nobody says like, hey, we see Steve. We
should be sure she hasn't been murdered, which that that
should have been a plotline because she should have like
(51:07):
I got a note too, you know. Yeah, So we
got to the next day, there's a big town hall
meeting about the about the the at this point three murders,
and but there it's basically the scene from Jaws, like
(51:28):
we're not closing the beaches, yes, And then somebody comes
storming in. It's a man with salt and pepper hair.
He's looking good. That's right. It's Ferry Prince Junior as
right from the first movie, and he is now the
ex husband of Julie Jones, but he's also Stevie's boss.
But it's all connected, it's all a whip. He's just
(51:49):
like like, this is what's happening. And it was like
and they're like, oh, we're blaming we're blaming Tyler's death
that she was suicidal, because like just look at her.
It's like fucking small time. Yeah. And so Ray talks
to the kids, He's just like, you guys need to
be on your card. He goes and talk to Julie
(52:09):
and he's like, Julie, why did you tell these kids
to fight in the Killer? Yeah, Julie also has all
this security system. She doesn't own a gun. I'm just like,
come on, Julie, Like even I think Julie Bowen's character
in Totally Killer owned a gun, like I think you
owned several guns. Yeah, like and also the knife with
(52:30):
the blood on it, Yeah, I'm seemingly missing.
Speaker 1 (52:35):
So uh oh. I think it goes without saying, but
we will say it anyway. Obviously, the cops in this
town are corrupt and in the pocket of the mayor.
Speaker 2 (52:45):
Yeah, who is just like boyaboy, I can't wait to
use my career cops to not save my son, which
is coming up. I have a quick trip to the
bake sale. Okay, So they figure out that it's sometimes.
Speaker 1 (52:59):
Just one more note about the cops. The mayor has
been telling like paying the cops to make stuff disappear
for years and then is mad when the police are bad.
Speaker 2 (53:08):
At doing police work.
Speaker 1 (53:09):
And it's like, sorry, you have been paying them to
not do police work.
Speaker 2 (53:14):
He basically hired like Chief Wigham.
Speaker 1 (53:17):
Yes, and then was like, why are you so bad
at this?
Speaker 2 (53:20):
Do you know they wreckcon Chief Wiggam's wife. No, like
they made her into like a jewel thief who fell
in love with him. God. Yeah, well he's supposed to
be a patsy and she's like, oh no, I'm into
this and so, uh they somehow figure out I forget
that they don't have figure out it's he's attached to
(53:40):
the local church.
Speaker 1 (53:42):
Oh, because the truck belonged to the pastor. Okay, So
then it kept being said that he was driving a
stolen truck.
Speaker 2 (53:50):
But they.
Speaker 1 (53:53):
Conjecture, what if the truck was not stolen? Yeah, so
they goes the truck was never reported as stolen.
Speaker 2 (53:58):
Okay, thank you, I missed that far. So they go
to Danica and Eva go to the church. It is
like something out of Midsommar the Weir. The vibes are
all wrong. Uh. Danica goes to sneak into the the
pastor's thing. She finds a murder notebook, Like there's no
(54:19):
other way to but it's just like all these pictures
of this dude and Halo's and all these things. Eva
and Danica goes, I don't think it's a murder note book.
Speaker 1 (54:27):
I definitely thought they were trying to lead us to
believe that he was in love with the person driving
the truck, because he put a picture of the two
of them in that I think had been printed in
the newspaper and drew angel wings around it. Frank's like
deaf murderer behavior.
Speaker 2 (54:45):
Okay, but I mean like revenge fa y. Yeah. So
they go to the AVA and Danna go to the polization.
They're like, it's totally this person, and they're like, don't worry,
we're gonna lock you in here for the night. They
don't say that's just what they do. They just lock
them in at a interrogation room.
Speaker 1 (55:01):
And then they call Teddy's shitty dad and they're like,
these women are being hysterical. He's like, yeah, lock him up.
Speaker 2 (55:09):
Oh, by the way, Teddy goes to the same gym
that Barry did, and he gets a full workout in
and he goes to the steam room and somebody writes
your next in the steam and.
Speaker 1 (55:22):
And they weren't lying.
Speaker 2 (55:23):
He is next, Okay, Yeah, so Teddy is just drinking
by himself.
Speaker 1 (55:28):
Like this is after okay, this is like not funny funny,
but I thought it was kind of funny because I
feel like it was so indicative of the Teddy character.
Everyone else is phone calling, texting, I haven't heard from
you guys.
Speaker 2 (55:42):
Are you okay?
Speaker 1 (55:42):
What's going on? And Teddy no, no concerns, no thoughts
in his head, empty, like yeah.
Speaker 2 (55:51):
So he is like just drinking. Killer shows up. Him
and the killer get into a pretty serious fight, like
Teddy's holding his own but like he's on our man,
getting pretty hooked, like consistently he and like his death
actually made me kind of sad because he's like he
is outside, so he's crawling towards the window. He sees
(56:13):
his mom through the window, and he's like calling for
his mom and crawling towards her. I'm like, this is
not like how people should die in horror movies.
Speaker 1 (56:22):
It's really rough and like the thing is a couple different,
like sort of casual mentions. It seems like Teddy's mom
is pretty unhappy and cheating on his dad, and his
dad seems like a monster. So Teddy is a product
of like a not very great home. So to see
him kind of dispatched at the age of nineteen.
Speaker 2 (56:43):
Is it's like a little bit rough, but don't worry.
His trash dad is gonna get it too. Yeah. So
the killer knocks on the door that comes out gets
immediately killed.
Speaker 1 (56:54):
I mean he does seem sad about his son.
Speaker 2 (56:56):
Yeah, they are hung up like the sharks from Jahn
was like, oh boy, and Ava, Stevie and Danica are
just like, yo, what fuck this? And they all hop
on a boat and they leave at Ray's insistence. We
are just pelting towards the end of this movie, okay,
and this is where the plot hole opens up into
(57:16):
a castle. Yes, so Ray tells them get on this
boat with Stevie and get going. Stevie takes them in
the middle of the ocean and they're just.
Speaker 1 (57:24):
Like, this is after Ray had previously said you can't
run away and you know why, but we're not saying it.
And it was like, movie, you're not allowed to paper
over a plot hole by seeing you know why, we're
not saying it. That's not a solution.
Speaker 2 (57:38):
The forest doesn't work that way because we said so.
And then you know, okay, so Danica and Ava are
just like this sucks, like what are we gonna do?
All of a sudden, the engine cuts out and who
should have appear with Stevie in a rain slicker and
(57:59):
she's just like, guess what, I'm the killer. Haha, you
guys killed my person. I cared a lot about and
she ends up fighting the two of them.
Speaker 1 (58:08):
Here they do like, bring up, but you wanted to
leave too? Why did this? Like why has all this
gone on? And Stevie's like, first of all, didn't know
it was my friend. Second of all, you guys abandoned me.
Speaker 2 (58:24):
Okay, I'm so sorry. I know where only in the
midst of the finale, but we forgot one the most
important scenes. I forgot the most important scene. I don't
want to put this once. So while they're in the
police station, Danica has a dream. She's looking at the stage.
How do we forget that? Yeah, I mean she's looking
at somebody on stage for the Croaker pageant and she
(58:44):
turns around. It's Sarah Michelle Geller as Helen Shivers. I
was so excited. Yes, I do think they de aged her. Yeah,
it makes sense. Yeah, but I've seen Bigelo. She's still
looking great. Her favorite junior like of still killing it
and she's holding like the hook and she's threatening her
(59:05):
with it. And then I just that brought like that
didn't give me a Hali Chaps. That give me Puffy
Vampire Slayer. Yeah, I really not want to see if
Puffy ever killed somebody. Hook. He kills a lot of people.
And then like she's like taunting Danna cuts the guy
has cocher queen and now I'm like dad and her
face de kays and that's when Danica wakes up. Uh,
(59:29):
it is stellar. I thought it was great. I'm really
hoping that's how they bring Barry back in the next film.
I don't know what juice head bro he's gonna have.
It's gonna have a dream about him. I know r
Teddy So, Uh, Stevie like takes off the slicker though.
(59:50):
She's like god, these things are so fucking hot. I'm
like fair. So she hooks Danica in the stomach. Ray
here's the thing we see Ray be like, oh shit,
and he hops on his boat and gives chase and
like he shows up on the boat. Danik has been
(01:00:10):
thrown into the ocean. Ava has like or Stevie has
Ava's like Stevie has Ava by the throat of the hook.
Ray shoots Stevie off the boat. Okay, done, you know,
movie's over. It ends exactly how the last movie ended. Cool. Okay.
(01:00:30):
They go back to shore and Ray's talking to Stevie.
I was talking to Ava and He's just like yeah.
He takes off his coat. He has a big bandage
around his arm, roughly where Ava cut the killer. And
this is where I'm saying, this is where the chasm opens.
So Ray told them to go on the boat. Yeah.
(01:00:55):
He then made a big deal by himself being like
oh no, and chased after the boat.
Speaker 1 (01:01:01):
Yes.
Speaker 2 (01:01:02):
He then had Ava right where he wanted. Nobody knew
she was out there, so he shoots Stevie, his partner
in crime, off of the boat, and instead of just
killing her there with Stevie, he then brings her back
to the bar, back to the mainland where it's way
easier to get away from killers because you can just
(01:01:24):
run out of door, and fights her in his bar. Yes,
and Julie figures it out. Julie shows up, she fights Ray,
and that gives Ava time to stab him with a
hook or stab him with another harpoon gun. There's so
many goddamn harpoon guns. How often, like are people using
harpoon guns in this question? So Ray's dead, Julie, Oh,
(01:01:50):
and then who should happen to wash Ashore? It's Danica.
Speaker 1 (01:01:54):
Don't worry, she's alive.
Speaker 2 (01:01:56):
Yeah. Then Ava and Danica are in the hospital together,
like they're like, you want to get out of here, Like, yeah,
we don't have I guess we don't have parents to
come pick us up or anything.
Speaker 1 (01:02:05):
Yeah. They've both been through incredibly traumatic events but are
just released on their own cognizance.
Speaker 2 (01:02:12):
Yeah, still looking both pretty banged up. They're like, get
some real food, So they get some French fries and
they're just eating like all this shore food and that
they're playfully disgusting what happened. And they're like, yeah, I
guess Stevee's probably not dead. I guess we'll see her,
that bitch. So those are hurt their words.
Speaker 1 (01:02:29):
Like well, Ava tells Naniga, well Stevie's not dead, and
Danica's like.
Speaker 2 (01:02:34):
What, Yeah, how do they know that?
Speaker 1 (01:02:38):
Like the nurses were gossiping, I suppose.
Speaker 2 (01:02:41):
But like she was in the middle of the ocean,
she got shot.
Speaker 1 (01:02:47):
Well, Ray does say when Ava says, but you killed Stevie.
Speaker 2 (01:02:54):
He says, did I okay, she still was basically keel hauled. Well,
she got fell off the front of the boat, so.
Speaker 1 (01:03:03):
We don't know what happened to the boat.
Speaker 2 (01:03:05):
She could have just taken off.
Speaker 1 (01:03:06):
In the boat.
Speaker 2 (01:03:08):
So Ray and her just hopped in his little raft, yes,
and abandoned the boat. Okay, I don't know. I mean
it makes as much, says as anything else does in
this film, says it. Meanwhile, so credits roll. Then we
get Brandy and her very handsome husband are our Carla.
Speaker 1 (01:03:30):
You know, it's not just Brandy, Brandy as herself.
Speaker 2 (01:03:35):
Cal's just like watching the news. She's like, oh shit,
and like her husband's like, isn't that your old college roommate.
She's like, yeah, oh no. He's like like Teddy says,
let's go to the Bahamas, and Ray's like, you don't
want to go to Bahamas? Trust me on that one. Yeah,
referencing the absolute garbage film I still know what you
did last lewer?
Speaker 1 (01:03:54):
Oh okay, so here I was being like movie, what
do you mean? And it was a call back? Okay, Yeah,
did we watch that one?
Speaker 2 (01:04:02):
Yes? We did? And it was hot trash we were
struggling so hard, like there's nothing to this movie. There's
so many like karaoke sequences in it.
Speaker 4 (01:04:13):
Oh, true, true, And then I think they killed they
killed a bunch of people I actually liked, so anyway,
Like there's a knock at the door.
Speaker 2 (01:04:25):
And she was just like like, hey, I got this,
and she also got a note that said like you're
like you're next or whatever, and like Colors is like,
all right, who are we fucking up? Now? Credits again?
Speaker 1 (01:04:41):
Yeah, and Frank's like best movie I've ever seen.
Speaker 2 (01:04:47):
Yes, well, I really wanted to reference that song The
Boy's Mind, but I can't remember who the other singer
on it was. Monica. Yeah, just like it's I bet
you it's Monica. She's she's bummed Ice stole her philandering man,
I you know what it's a I would say it's
a fun like slasher film. I don't know, like the death.
Speaker 1 (01:05:11):
It's kind of the perfect summer film.
Speaker 2 (01:05:13):
Yeah, turn off your brain and just I just wish
the deaths were a little dis gory. Yeah, like hook
based deaths are not fun.
Speaker 1 (01:05:20):
This is why we had to stop watching the Fear
Streets series. Everything was just too much.
Speaker 2 (01:05:24):
They put somebody through her bred Slicer.
Speaker 1 (01:05:27):
Yeah.
Speaker 2 (01:05:27):
Fun, Like I know, like I still remember one fear
Street and one of the Stepsister fear Street books, like
the Stepsister gets her ear knocked off by a frying pan,
Like how much force does that take? Yeah? Like and
then she also puts glue in a toothpaste two but
I'm like, how would it stick? Like you would have
to then like brush your teeth and then like hold
your teeth together for a good like minute and a half.
Speaker 1 (01:05:51):
Anyway, So Susan ned Sprank's Fear Street review.
Speaker 2 (01:05:56):
I would like to keep us in this world of
I Know what you did last summer by covering I
will always know what you did last summer. What is that?
That is the sequel after I still Know what you
did last summer? It has none of the original. You
can tell it's gonna.
Speaker 1 (01:06:16):
Be called amazing. Yes, let's do it.
Speaker 2 (01:06:21):
So let's see if I can but yeah, so yeah,
so yeah, uh yeah, look, oh my god.
Speaker 1 (01:06:32):
I love that they use like like not even lookalikes
like loa kinda as Yeah. So we will be returning
to Southport. If you would like to write us, you
can write us at Realteengirl talk at gmail dot com.
We have an Instagram page that Frank moderates.
Speaker 2 (01:06:53):
I have my own website, Frank Arcota dot com, where
I publish my writings and other little things I write.
I also do another podcast with my buddy Donnie called
I Hope I Can Make It Through. It's about the
show Degrassi
Speaker 1 (01:07:06):
And until next week, I am Susie Cota, I'm Frova
Coda Zamkota
Welcome to teen Girl Talk.
Speaker 2 (00:20):
Teen Girl Talk.
Speaker 1 (00:20):
I'm Suzi Kota Frank, and this week we're talking about
I Know what you did that summer.
Speaker 2 (00:26):
This week, we know what you did last summer. You
worked at the Shake Shack.
Speaker 1 (00:31):
Five. That's the part I was like, I want to
say something else, not to be confused with nineteen ninety seven.
Speaker 2 (00:38):
So far, we've done the show, We've done the original.
I don't remember we've done the original. I know what
you did last summer, which.
Speaker 1 (00:44):
I only remember Ryan Felipe's character being an asshole. Yeah,
because Frank talked about it a lot. I mean it's undeniable.
Speaker 2 (00:51):
He is, but a memorable line of you guys look
like hammered shit like a character.
Speaker 1 (00:57):
Yeah.
Speaker 2 (00:57):
Well, he's iconically standing on a falcony in a white
tank top of white pants and he has his early
ad dyed blonde hairla. Yeah, very, this is going to
ruin the tour he was. He was on Brooklyn ninety
nine as Gina Lenetti's baby daddy.
Speaker 1 (01:16):
Justin Timberlake, not Ryan p.
Speaker 2 (01:17):
Felipee. Really yeah, do you know what's still really good?
Speaker 1 (01:22):
Really? I thought he aged poorly. I might be thinking
of someone else.
Speaker 2 (01:26):
Yeah, I think you think someone else, I'll say, like
you pull a picture of him, but like he's looking good.
Speaker 1 (01:31):
Okay, because oil, I was gonna say, I feel like
he kind of like fell off of the face of
the earth, like I hadn't seen him in anything else.
Speaker 2 (01:44):
Yeah.
Speaker 1 (01:44):
Also, he was not asked to come back to this,
but I guess it would be hard to write him
in because what is he gonna like come back and
like rage all over the place. Well, he's dead, yes,
Sarah Michelle Geller.
Speaker 2 (01:56):
Also, but like nobody cares about Ryan Felipe's character.
Speaker 1 (02:00):
Okay, Frank, they could definitely imagine. Okay, here's my alternative
plot to I know what you did last. It's not
even a plot, an entire plot.
Speaker 2 (02:09):
It's a character sort of arc.
Speaker 1 (02:14):
What was Oh, yeah, he does look good. He looks
pretty much the same unaged cana reefstyle. What was the.
Speaker 2 (02:24):
Name of the bro character on the boat and the dude?
Speaker 1 (02:32):
Yes, okay, look it up. While you do that, I
will tell listeners we saw this Thursday night together. It
is Sunday. It was three days ago, and I gun
to my head I could not tell you one character's name.
I did not connect with any of the characters.
Speaker 2 (02:49):
I mean, it's sort.
Speaker 1 (02:50):
Of a perfect horror movie. Because even the next day,
I think as we left the theater, I was like,
this movie just slid off my brain. I have no
idea what happened? Teddy? Yes, thank you. See teamwork, we
figured out it's Teddy. So what if Teddy was really
into wig Aboard and because his fiance name.
Speaker 2 (03:17):
Not Danica, Danica, we'll get there.
Speaker 1 (03:21):
Yes, this is we're starting.
Speaker 2 (03:24):
At the beginning of the film.
Speaker 1 (03:25):
In my alternative retelling, Teddy is like, oh my goodness,
loves true crime and the occult.
Speaker 2 (03:35):
So he says, I love beer, I love America, I
love true crime.
Speaker 3 (03:41):
And I yes, when in reality his characters seem to
love boats, being rich and alcohol.
Speaker 2 (03:54):
In no, not in that order. It would be like,
give me my boat, queen.
Speaker 1 (04:02):
Talk about bad dads. Oh my good So I mean, okay,
so just let me get through this dumb thing because
it's like not even gonna be worth it when I
get to the end of it. So Teddy says, Danica,
you are the croaker, queen. But think about they really
should have waited until it was thirty years so we're
(04:23):
like thirty year anniversary.
Speaker 2 (04:24):
Oh my god, it's happening again.
Speaker 1 (04:25):
Whatever, But twenty seven years ago, the Croaker Queen and
her nightmare of a boyfriend were murdered. I want to
contact her nightmare of a boyfriend name redacted because I
can't remember it. And so they do the Ouija board
(04:45):
and Ryan Feleipe gets to appear and throw Sarah Michelle
Geller in there too, and they're like, we were hot
and full of promise and kind of nightmare people. Because like,
that's what I think is so funny about Helen Shivers
remember her name because they say it a lot. Which
(05:08):
if they do want me to remember characters' names, you like,
have the characters speak about themselves a third person. The
characters say their name when they.
Speaker 2 (05:16):
Enter the room.
Speaker 1 (05:17):
Just that walks in the room, Helen Shivers, Danica, last
name unknown.
Speaker 2 (05:23):
You just want everybody to be Pokemon, yes, Teddy Teddy,
Teddy Teddy.
Speaker 1 (05:29):
Or I'm like Poochi. Like either way, I remember the
names of these characters. So yeah, that that is my
rewrite suggestion. Teddy invokes nightmare boyfriend.
Speaker 2 (05:42):
Did we learn his name yet? Barry? He is such
a Barry.
Speaker 1 (05:48):
A Barry, And then I don't know the rest of
the plot just goes on like normal. Okay, who was
the main girl? Okay, what's the main girl's name in this?
Speaker 2 (05:58):
Yes? Ava?
Speaker 1 (06:00):
Who was Ava's dead boyfriend?
Speaker 2 (06:03):
Well, they weren't tenderly boyfriend and girlfriend.
Speaker 1 (06:06):
Milo Frank loves to get in the weeds and specifics.
Speaker 2 (06:09):
They are a love rekindled.
Speaker 1 (06:11):
So Milo looks so much like Adam what's his name
from the Osa Horwitz?
Speaker 2 (06:19):
No?
Speaker 1 (06:21):
Wow, we are just like really zero for zero and no,
the one who was in Jennifer's body. He plays the
lead of the band. He was just in that Netflix
movie with the Lady from the Good Place. I read
a tweet recently and I screenshoted and meant to send
it to you that the closest to being a ghost
(06:42):
is when you're listening to a podcast and you're yelling
the fact that the host can't remember Adam Brody. Yes,
so he looks a Netflix Adam Brody that I wanted
him to have Adam Brody's swagger, but he does not.
Milo is such and this is no fault of the actor.
I think the actor did exactly what the role was
asking for. What I'm going to say about the role
(07:03):
of Milo, is he like half the time I forgot
he was in the scene. Give Milo more to do.
Make Milo a Barry, because Teddy's not a full Barry
in my opinion.
Speaker 2 (07:14):
No, but here's the thing I I I like where
you're going with that, bring Barry back. I never thought
I would invoke a Barry. Honestly, we'll bring bring Barry back.
We do your board style. But let me let me
one up in a little bit. Yeah, okay, So Teddy
like has an imaginary friend that he's had since he
(07:34):
like was a little kid. H And he was just
like like yeah, like like my meaginary friend loves to party.
It's Barry amazing. Okay, But but everybody's just like, dude,
you have, well your your imaginary friend, Like is it jerk?
Like it's a huge jerk. He's like super problematic.
Speaker 1 (07:53):
Now, I mean the other Oscar was climbing under the
blanket on the couch behind Frying, So now there's just like, yes,
this lump.
Speaker 2 (08:07):
I'm on the edge of my seat.
Speaker 1 (08:09):
Yeah, at some point Oscar is definitely gonna attack Fry,
like but through the blanket, so.
Speaker 2 (08:18):
You'll be fine, okay, remembering a blanket. But then they're
just like like, but Berry not Barry. Teddy keeps insisting
Barry's real. He's like, watch and he holds out of
smiranov ice and then you suddenly see like he holds
up the smen off ice. It's grabbed by something, and
then the the smelon ice immediately drops down about uh
(08:38):
if you were kneeling, and then it just disappears. I mean, yes, okay,
by the way, I still think that. So what I
describe is called icing. When we were younger, you would
hang him to make smir off ice, they have to
draw to a knee and drink the whole thing. I
think that was a sye op buy smeiranov it. I
just want a movie about smearonov operatives going to frat
(09:01):
parties and it's.
Speaker 1 (09:03):
Like super Charge, but it's about the smearing off trend.
Speaker 2 (09:06):
Yeah, like like like oh, let's get you iced. But yeah,
like the most low stakes action film you've ever.
Speaker 1 (09:19):
Seen, I know. And then it just kind of ends
because I'm not even sure that that drink still exists. Yeah,
green alcohol and sugar is such a bad combination.
Speaker 2 (09:32):
It's like the ultimate hangover.
Speaker 1 (09:35):
Yeah, I say, yeah, look, I know, Frank's like, oh
my god, so many schmeerny nights, and I'm.
Speaker 2 (09:42):
Like, let's call that, I'll be the createst magician in
the OC. Don't call it that.
Speaker 1 (09:49):
So this shore town is called question Mark, question Mark.
Speaker 2 (09:53):
So forth instead of like.
Speaker 1 (09:59):
I know, because he definitely knows the youn bully you.
We're referring to Oscar, not Barry. Barry would also bully rap.
Barry would bully anyone. It's it really makes you. So
here are the things I really liked. I do think
that I know you did. Last Summer twenty twenty five
did have some homage moments to the original, which was
(10:25):
based on Lewis Duncan book. So I'm trying to remember.
I believe that all of the characters in the original
were also standing on the side of the road sort
of looking over the cliff. Yeah, and so they redo that.
But the thing is they have Teddy. I mean, not
(10:48):
a lot happens before the murder, which I appreciate because
I feel like a lot of these movies are like
thirty minutes of preamble for you to get the to
know these characters that are going to be dispatched fairly quickly.
Speaker 2 (11:00):
We get enough to know, like somewhat about these characters.
Ava shows up, she's been she didn't come home after
college like everybody else seemingly did, and she and we
know that her.
Speaker 1 (11:13):
Mom has passed. I'm not gonna say it doesn't matter
because obviously to the character Ava, it doesn't matter. To
the plot, it is of no consequence. Stevie's dad being
a jerk who stole her college money heavily factored in
to the plot. Ava's mom mentioned never to return.
Speaker 2 (11:35):
Yeah, Like, I think it's just what did you make
of that?
Speaker 1 (11:38):
Do you think there's another version of this movie where
that's significant, because the other part is I'm like, oh, okay,
what if they did that to explain why there's no parents?
Just no parents at that engagement party? No parents, baby shower,
no parents. The only parents we see thereby shower, no
baby show, sorry, bridal shower.
Speaker 2 (12:00):
There's two engagement parties or two bridal showers in this.
Speaker 1 (12:03):
No engagement party to Teddy bridal shower with rip I
can't remember his name.
Speaker 2 (12:08):
Doesn't matter. He's like in the movie for.
Speaker 1 (12:10):
Five minutes, I know, really the only one without faults.
Speaker 2 (12:14):
And then Danica takes his annex and immediately forgets about him.
He's not mentioned ever again.
Speaker 1 (12:19):
Like sometimes people will be like, and they killed your
fiance and she's like, yeah, I'm like, did you forget?
Speaker 2 (12:26):
Like I care? So the only reason I like he
we might have been married. He did have a sizable
life insured falseley and then Mike E from that chapter ten.
Speaker 1 (12:38):
Then she says, am I a widow now? Which is
a weird question, and it's like a joking question in
the police station at she's still covered in her fiance's blood.
She found him, Like we're getting ahead, but I was
just like, weird, weird move. Be more human, be more human.
(13:04):
We can't bounce back from the gruesome murder of this man,
so fuss give it more than eighty minutes.
Speaker 2 (13:11):
Please, This is like a Marvel equip after we just
blew something up and killed a bunch of people.
Speaker 1 (13:16):
Like cities destroyed. Oh didn't see that coming, what sir?
Speaker 2 (13:21):
Whoops the dunk? Yeah, so Koba fell killed a bunch
of people. Whoopee, And it's like.
Speaker 1 (13:29):
Can we have a little more gramatized but okay, so let's.
Speaker 2 (13:31):
See sorry a Quicksilver and Scarlett witge or forever or
no mass we destroyed your whole country. But Here's the
thing is like these move like I know what you done.
The Less Summer franchise always has this insurmountable problem of
we have to make these people who love somebody for
(13:52):
dead likable. This movie did it in a way that
I would say somewhat likable, but it then makes the
killers motivations even more confounding. Yes, so Ava shows up like.
Speaker 1 (14:05):
I really just wanted to get to the part where
she's getting dressed.
Speaker 2 (14:08):
Yeah, okay, well that's like she shows up. She looks
at the picture of her mom, which is short haand
for her mom's dead.
Speaker 1 (14:13):
Well, she says, thinking about you mom to the picture
and I was like, movie, I'm not a dumb ass.
Stop treating me like I'm a dumbas Frank question, I
loved this observation you made while we were in the movie.
Frank leans over to me and goes, that's how you
know she's likable when she because she was nice to
the uber driver, because I was like, is it her dad?
(14:34):
Why is she sitting in the back seat because he said,
welcome home? How's this man? No, it's her home? So oh,
because oh I am a total ding dong, we skipped
the part where she met the podcaster.
Speaker 2 (14:49):
Well that's the second time she comes up, yes, because.
Speaker 1 (14:53):
She gets picked up by Milo slash pseudo Adam Brodie. Okay,
So she gets home to an abandoned town. She is
trying on dresses. She's talking to herself, which I do
all the time. No judgment there, and it's like, he's
not even your boyfriend anymore. She tries on a series
of dresses that are fine, one of them has maybe
(15:15):
a period staying on it, okay, and then chooses an
outfit that's very flattering, but the top is hideous and
the skirt is really cute. It's sort of like an
Art deco beaded skirt.
Speaker 2 (15:33):
You're gonna move to the floor.
Speaker 1 (15:35):
Frank is basically being I know what you did last
summer by my cat. He's now going can you move
the microphone by him?
Speaker 2 (15:46):
So I don't know if they got it. I'll try boot.
Speaker 1 (16:01):
This is how my cat likes to bully us. But
it especially works up Frank because Frank is not used
to it. So I'm like, okay, this is, you know,
a pretty regular returning to the hometown. An incidental thing
is gonna happen. Old Feuds and Loves will re emerge.
Speaker 2 (16:25):
Fine.
Speaker 1 (16:26):
She goes to this party her best friend Danica, uhmy
that sort of strong, yeah, and is talking about how
she's seeing someone who is not a psychic but like
an EmPATH. This is just I mean again, this is
(16:47):
the movie's shorthand. They're trying to let us know that
the movie thinks this character is frivolous. Teddy is the charming,
handsome party boy that she is engaged to. That actor
is actually in a movie coming up. It's like, I think,
like basically a body horror movie about football players.
Speaker 2 (17:07):
Oh him, yeah, Oh, I say the previous for that.
I'm like, that looks terrifying.
Speaker 1 (17:14):
Well, I hadn't recognized him before, and then I was like, oh,
that's the guy from I Know What you did last summer.
Speaker 2 (17:18):
Like the trailer for that movie is phenomenal. Well you
just see the like heads collide. That cut to like
the X ray view of what's happening with the head
the skulls. It's like produced by Jordan p I'm like, Okay,
now I know where we're going.
Speaker 1 (17:31):
Yes, so, and then Milo's there. As the night winds down,
they're talking about taking a drive to uh smoke weed.
Everyone keeps brandishing these skinny little joints, and I'm like,
I am not smoked pot in forever, but I was like,
(17:52):
from what I can hear, they legalized pot in New
Jersey like two three years ago, and it seems like
weed has gotten like a lot more sophisticated and a
lot more complicated. And I know they're not in New Jersey,
but I just think it's so funny that, like we
also saw Eva during her like getting dressed montage find
a skiddy little joint, light it and then be like ew,
(18:15):
that is sort of beholden of nothing like that doesn't
go anywhere.
Speaker 2 (18:19):
That doesn't.
Speaker 1 (18:21):
So they see Stevie, their former friend, Stevie's dad. It's
never clarified what Stevie's dad did, but he seemingly squandered
her college fund and then abandoned the family. We will
never see any other parents. I don't know where Stevie's
(18:41):
mom is, and we don't get a lot of backstory
on that other than her friends, who are admittedly pretty vapid,
did not come through to her, not the surprise of
the century. Like, if you would ask me the odds
of them coming through and being supportive, I'd be like
zero point zero like these they do not seem like
(19:03):
ride or dies. And here's the other part, like if
Ava's mom passed, which I think is what we're supposed
to take from the photo and the nostalgic touch of
the photo, she should get it, she should show up,
and she didn't. But they say, let's invite her for
(19:24):
old time's sake.
Speaker 2 (19:25):
Awkward, weird, and so let's invite her for old times
sake as she continues to do work for us.
Speaker 1 (19:31):
Yes, so they ask what are you doing here? And
she said, oh, my boss sent me to pick up
the empties, which I guess if you like. The levels
of wealth in the friend group are like obscene levels
of wealth, like no one seems to work. The houses
all have these like automated doors, like every luxury.
Speaker 2 (19:53):
You could imagine.
Speaker 1 (19:56):
And what I think is so funny is wealth is
never addressed in this film, like economic disparity is only
kind of mentioned in context of Stevie. And Stevie gives
us a little exposition dump to her coworker, who is
also I guess her faith based friend, which we'll find
(20:20):
out later, where she's like, oh, those are my supposed
friends that ditch me when everything happened.
Speaker 2 (20:25):
With my dad, did we mention she was also in
she's in recovery.
Speaker 1 (20:31):
Yes, which makes we didn't mention it. But I'm saying, yes,
you're right to mention that because they know the vapid
friends know that she spun out and went to rehab
after her dad betrayed the family. Why are you inviting
her on a weed drive? They don't even tell her
there's gonna be pot again. Am I surprised by their
(20:51):
lack of thoughtfulness and empathy? No?
Speaker 2 (20:54):
Do I still think it stinks?
Speaker 1 (20:55):
Yes? So they're like, come watch the fireworks with us
on a thing we will later find is called dead
Man's Curve. And she's like, yeah, I should get in
a car with these yahoos I haven't spoken to in years.
Speaker 2 (21:11):
You could not pay me any amount of money to
do that.
Speaker 1 (21:17):
So here's the thing. Danica is driving the car poorly
and uh Ava asks, oh, haven't you been drinking? And
Danica says, no, it's bloat. It causes bloating. Teddy is
being distracting, Teddy is getting high. They get to the
(21:38):
point they get out of the car. Teddy's in the
middle of the road. There's an oncoming car that swears.
They're like, Teddy, what the fuck?
Speaker 2 (21:46):
What are you doing? I can tell you at some
point shows I've been visible, which.
Speaker 1 (21:53):
Like lets you know that he's not gonna make it
to the end.
Speaker 2 (21:56):
Of the of the was it huge bomb or whatever?
The well, there's a Willernette sex tapepe schedule. Sison's already
like the dudes from Lonely Island okay, and Jesus is
already like, has this sex machine in a port? He's like,
(22:18):
I'll live forever. And it cuts to like a headlines
as Willownette killed by sex.
Speaker 1 (22:27):
So another car comes around the curve. Teddy is still
being irresponsible.
Speaker 2 (22:33):
It's a big old pickup truck driving so fast.
Speaker 1 (22:37):
Like, here's the thing. I've watched a lot of Judge shouty,
I'm basically a lawyer at this point. JK, No, I'm not.
Please don't sue mate.
Speaker 2 (22:48):
Susy said she was a lawyer on a podcast that
I'm suing her for it. Are also a lawyer?
Speaker 1 (22:52):
No, because she watched a lot of Judge Judy.
Speaker 2 (22:56):
I watched a lot of dared a better lawyer, I mean.
Speaker 1 (23:00):
And you can magically keep a business that does only
for a bone of work. I frank, you know how
driggering this is so uh one of the things she
brings up all the time because when there's a car
accident and people come in and say, like, well, it
was this person's fault, that person's fault, it's the same
(23:21):
with dogs and cars. You have to have control at
all times. And so I am not blaming the victim,
I am saying. And like someone does bring this up,
they say it's Reaper's curve. They were going really fast,
and I'm gonna I just want to put a little
(23:43):
footnote in here from when we get to who we
find out was it driving this truck.
Speaker 2 (23:50):
They didn't know exactly.
Speaker 1 (23:52):
Where they were going, like maybe they were given a pin,
but to drive this quickly when you're looking to pick
someone up. Like, I'm not gonna say this is a
huge plot hole because humans are humans and they're gonna
do human stuff and it's not always gonna make sense.
But I'm going to say that the movie kind of
really gets stuck in the mud with this plot part.
Speaker 2 (24:13):
Oh don't worry, there's another enormous plot hole, like a
like this pickup truck. Pickup truck would get lost in
this other plot hole.
Speaker 1 (24:24):
So the funny part is most of the movie hinges
around this pickup truck and the ownership of the pickup truck.
And they like they were like, we just can't write
ourselves out of this hole.
Speaker 2 (24:38):
Just got to leave it in. Okay. So here's the
thing in the book of I Know what You did
last summer, they hit a kid and they cover it
up and like, which is horrifying, you know, like just
imagine being a parent in that situation, like something happened
to your child.
Speaker 1 (24:53):
You don't know what's going I think it makes sense
that they changed it because I don't think there is
any way to make it movie with characters.
Speaker 2 (25:03):
With any redeeming Yep. Then in the other one, they
just hit a dude, like an older dude.
Speaker 1 (25:09):
Frank means the nineteen ninety seven version of the movie.
Speaker 2 (25:11):
Thank You, and they throw him into the They throw
him into the bay, and then like ridf is like
we all make a pack. Nobody's said anything.
Speaker 1 (25:20):
If we do get a yelling packed in this one
as well.
Speaker 2 (25:23):
Okay, But in this one, like the pick a truck
goes through the guardrail, they immediately all rush to try
and provide aid. To the driver. They're pulling on on
the driver's side door, like it's not it's locked, it
won't open. The guy punches through the window and grabs Teddy,
and I'm just like, good, you guys can pull them
(25:43):
out right, Like no, like he's just grabbing onto Teddy.
And then the truck starts slipping and they all like Teddy,
you know, just by being grabbed, like runs around to
the back and starts like trying to pull it up,
and like all five of them are trying to pull
the truck back up. But of course it's like, what's
seventy times piece of machinery. Yeah, it was into the drink.
I'm like they tried. Yeah.
Speaker 1 (26:05):
Like it's like, sir, if you were not trying to
attack people and instead, like, think about how much force
it would take to punch through a vehicle window.
Speaker 2 (26:15):
Yeah.
Speaker 1 (26:15):
I don't think there's any world where I could ever punch.
I think I would break my hand and I'd be like, well,
I guess I'm just going in the ocean. So like
the fact that this person was like, I hate you
for being in the middle of the road, and that
is my priority over getting out of my car, which
is definitely about to go over the cliff like question mark,
question mark, question mark?
Speaker 2 (26:35):
What Yeah? So, like Teddy calls his dad. He's like, like,
my dad's gonna take care of it, Like you know,
his dad is mayor of the town. Yeah, let's go.
Let's go to the police station. And they go back
to Teddy's house and like a bunch of like how
we're going to the police station. He's like, no, we're
not gonna talk about this anymore. My dad is taking
(26:55):
care of it.
Speaker 1 (26:56):
They're standing in some sort of like weird catacomb. I
think it might be the garage. I don't know. This
house seems to have a series of catacombs under it,
and there's later we'll see a hallway that is closed.
Speaker 2 (27:12):
Off by a wrought iron gate. It has like.
Speaker 1 (27:18):
A what's that thing that knights wear a suit of
armor at the end of it.
Speaker 2 (27:24):
If this house is weird, if I was Teddy, I'll
get to that scene. Okay, So cut to one year
later and this one year later, Eus once again showing up.
But who's she? Like, who's she smooching in the bathroom?
Oh it's a pretty young lady.
Speaker 1 (27:41):
Oh god, weird, weird to say it like that it's
Kyle a true crime on Tyler. Whatever. I am sorry
Kyle Tyler Tyler because she's really cool. I like her
a lot, like she is sort of like the kind
(28:05):
of blunt character I wish Short showed up.
Speaker 2 (28:08):
In this movie more. Yeah. Like, so.
Speaker 1 (28:13):
Her and Eva hookup and then Ava's like, well, I
guess i'll see you later. My ex boyfriend is picking
me up for like a weird ride back to Southport.
Speaker 2 (28:21):
She doesn't say the ex boyfriend part.
Speaker 1 (28:23):
And Tyler, yes, okay, Tyler. I was like, it's not
your fault.
Speaker 2 (28:33):
Last week we had an actress and a person both
named Skyler.
Speaker 1 (28:38):
So Tyler's like, funny, quintin, I'm also going to Southport.
So they get in the car.
Speaker 2 (28:46):
Eva doesn't have the social type like we're done. Yeah,
Well here's the other part.
Speaker 1 (28:54):
Her and Milo like things are. Milo helps pressure Eva
into saying she's not gonna say anything about what I'm
going to say is like sort of like a neglectful murder,
like not an at I I don't think they're necessarily
at fault for what happened. Do I think that they
(29:16):
were being irresponsible?
Speaker 2 (29:17):
Yes?
Speaker 1 (29:17):
Do I think that they are responsible for this person's death.
Speaker 2 (29:20):
No, I just I just want to point something out.
But in the backseat, while Tyler is explaining everything about
having about the old murders, like and like Milo and
Eva are getting uncomfortable, she's very clearly eating those Dorito's
knockoff talkies. Yes, like and I want to bring this
up because we get to the new engagement party or
(29:42):
bridal shower for Danica and the like, which has several
photographers photographers and like she's also wearing like a bikini underneath,
like a slip kind of thing. It was Janica is, yeah,
and they've left Tyler in town.
Speaker 1 (30:02):
I was gonna say, I'm not sure why you brought
up the doritos.
Speaker 2 (30:04):
Well then, because then we cut to that, and very
clearly in the middle of the table, while discussing the
note that Danica got, that says, I know what you
did last summer. There's several bags of tostitos. The leonover
Susia whispered, I'm really hungry for someon doritos and tostidos.
Speaker 1 (30:23):
It's funny because Syler keeps taking the bag, cheating it
up to camera, straightening the corners of the bag so
that you cannot I mean, it's on a gigantic screen,
it's on a movie screen. I'm not missing that she's
eating doritos. I kind of just assumed she was eating
normal doritos. I didn't know she was eating Takis.
Speaker 2 (30:42):
Meanwhile, Talkies is like, I know what it does, like like, hey,
do you mind if we feature you on our film?
Like you think we need you? Click? Where Taki's bitch click?
Speaker 1 (30:54):
I mean, the only thing I'm gonna say is a
misstep is when Takis did those like weird blue talk
I know they just taste the same, but I don't
want to eat blue chips unless they're blue corn tortilla chips.
Speaker 2 (31:07):
Okay. One of my roommates Ones bought that, like green Ketchup.
I could not disassociate myself from it being weird, Like
was like ketchup is red. My brain would not accept
green ketchup.
Speaker 1 (31:18):
Yeah, I get it. I'm like, we don't need to
mess with things just to mess with things. Leave it alone,
Leave the ketch up alone, leave the Tackys alone.
Speaker 2 (31:25):
Yeah.
Speaker 1 (31:27):
Okay, So the at the shower, Milo is the only
dude there until we see the fiance from the neck
down and he comes in and says oh, I know,
I'm not supposed to see the bride until after, which
is not a thing at Bridal Showers at all. And
(31:49):
he leans down into frame. It's not Teddy bomb bomb Bomb.
Bride kept saying, is that the same guy? It's a
different guy. That's not the same guy. And I was like, no,
it's not the same guy.
Speaker 2 (32:02):
My pension for not being to differentiate different white dudes
was really hindering me.
Speaker 1 (32:07):
And that's you were like, something's different, Oh so I did.
Speaker 2 (32:13):
Yeah, so, but.
Speaker 1 (32:18):
Frank's like, I am just not going to pick a
connecting word.
Speaker 2 (32:22):
Yeah so, but I was listening there that sounds like.
Speaker 1 (32:28):
Dialogue from the Bear.
Speaker 2 (32:30):
Well, so chef gut these fuckings out there anyway, Okay,
but I was listening what sus was saying. I was like,
Susu's gonna like explain this really well. So while she's
doing that, I'm gonna look up why right, Plea was
not in this movie? Yes, And the director was like,
(32:51):
we love Ryan. If there's a sequel, Ryan's going to
be in it. If there was just too many, like
they were felling they were overloading with too many of
the like returning stars, because like we're bringing almost all
the warriors back, so okay, so yeah, Denica gets this note,
soas I know what you did this summer, she starts
(33:12):
freaking out. They all think like, oh, maybe it's Teddy
did this. Maybe I mean good guess. Yeah, So they
go to see Teddy. He's living on his boat, his
dad is very angry about what happened last year, and
he has just become kind of a drunken mess.
Speaker 1 (33:30):
So yeah, it definitely still hits the gym every day. Yeah,
it's maybe doing twice a days. I sort of wondered
if he had come off of him into this movie,
because like, part of the thing about him is the movie,
I mean not the actor replays Teddy, but is that
(33:51):
he is supposed to. And I'm just gleaning this from
the preview, but have almost like a supernatural type of fitness.
So I'm wondering if one was filmed before the other
and he was like I mean a or he could
just be a dude who's.
Speaker 2 (34:10):
Very into bodybuilding.
Speaker 1 (34:11):
I don't know. Yeah, but there was another movie I
saw where I feel like an actor had come off
of like maybe one of the Marvel movies or something.
But this was a wrong com and he was like
sort of unnecessarily buff for the character he was playing,
where I'm like, that character wouldn't be that rimmed.
Speaker 2 (34:29):
That's weird. It's just like, you know, you'll see these
movies where it's just like, oh, the poor hero rising
up through the ranks and he's like cut his hell.
You're like, is he getting all that protein? Like?
Speaker 1 (34:41):
And it would take a trader to like have that
level of discipline.
Speaker 2 (34:46):
Well, one of my favorites is I call it the
big budget glow up. Yeah. So in Serenity or in
the Firefly TV show, there's a scene where Nathan Fillion
is left naked Christina Hendrix in the desert and he's
just sitting there and you know he's still like a
good looking man, but he's not in shape. Then he
(35:07):
cuts your Serenity of the movie. He takes his shirt off,
cut to hell. Yeah, like same thing with Evil Dead
Evil Dead too. I know he said, Nef Campbell, Bruce
Campbell looking like a normal dude, cut to you know,
Army of Darkness. He's also cut his hell. So it's like, oh,
(35:28):
now we can hire somebody to take first Campbell to
the gym. Yeah. But yeah, so Barry's like not Barry.
Oh my god. Teddy's like, I don't know what's going on.
It's not me.
Speaker 1 (35:42):
He's like, get off of my boat. Get out of here.
Speaker 2 (35:45):
I never wanted here. You get out of here, and
Milo rights away like a confused pony. Cut back to
Danica's house. Danica is like, I'm gonna go relax with
a with a bath bomb to her.
Speaker 1 (36:01):
Frank and I were freaking out because they're like you
were I think you literally said, why if you were
being like, not accused of murder, but like hunted for
doing a murder, would you use like a red bath? Bob?
Speaker 2 (36:17):
He was like, it's not even like a nice shade
of red. It just looks like blood.
Speaker 1 (36:22):
It's awful. It is not. And she's doing a guided
medication in the bath. I can't imagine anything less relaxing
than bathing in water that looks like blood.
Speaker 2 (36:35):
So like, while she's bathing in her blood bath, accurate,
like her fiance who's an alcoholic once again, they just
have all this alcohol route and he's just chugging from
a wine bottle, I think, and he's like, oh, that's
the stuff. All of a sudden, he gets gunned down
by a heartpode and it just starts dragging on forever.
Speaker 1 (36:57):
Yeah, Like, this character did not do anything, and like movie,
I see you, and I feel like the reason you're
saying this character is expendable is because they have substance
abuse problems and that fucking sucks. This guy excuse my language,
but this guy didn't do anything. So you're saying because
he is an illness that is not being treated. Ha
(37:20):
ha oh No, he's gone because he because we watched
him be sweet to his fiance and seemingly supportive of
her and drink a half bottle of wine.
Speaker 2 (37:32):
Like I don't love that. I really don't our main
like Teddy, Yes, I had the Paulsberry again.
Speaker 1 (37:41):
I mean, Barry is Teddy's favorite true crime character.
Speaker 2 (37:46):
Teddy also has a drinking problem, but.
Speaker 1 (37:49):
Like you know, is he But Teddy is not played
like a clueless sap like I I don't know, I
did I and like, I have been very open about
the fact that I am a decade sober, But I
feel like portrayals like this are operating off of a
(38:10):
really old morality and I think it is or perceived morality,
and I think it is booby doop.
Speaker 2 (38:17):
Well, it's just like it's just kind of weird, like
when we watched that movie Taro where like the two
like the two queer characters got killed so much worse
than like everybody else.
Speaker 1 (38:29):
Yes, and like I get that he is being dispatched
early because he is not a character we know, and
they need to like make space for Teddy to move
back into the friend group. Fine, this dude was not
gonna go on some sort of avenging spree with the
(38:49):
rest of the friends. Daniga hasn't even told him what's
going on.
Speaker 2 (38:53):
So yeah, so Danaker comes down. She sees her her
boyfriend all murdered or her fiancea all murdered. And this
is where I started. Uh now, this is not where
I started suspecting.
Speaker 1 (39:07):
This is where I started suspecting that Barry was so alive.
Speaker 2 (39:10):
Oh there was a part of me that was like,
maybe that's just a little do It's like Barry's back.
Speaker 1 (39:17):
Barry's back, and he's still the worst so confused. Harry's
back and he's still angry.
Speaker 2 (39:27):
The friends all gather back together and they try and
comfort her, and they decide to all spend the night together.
Oh no, they okay, this is I know they don't
decide to spend the night just yet. No, so.
Speaker 1 (39:44):
Ava is staying with Danica. Ava apologizes to Danica for
not being a good friend. Danica apologizes to Ava for not.
Speaker 2 (39:51):
Being a good friend.
Speaker 1 (39:53):
They go to sleep, and then the next day friends
are all together to kind of.
Speaker 2 (40:04):
Like trying to.
Speaker 1 (40:04):
Brainstorm about what's been happening, and so Teddy is drinking
surprise surprise, and Milow, in what seems like a pretty
clear case of sour grapes, brings up, well, how do
you know it's not Tyler slash Kyle that the podcaster
(40:26):
who is here to investigate the murders. What did you
tell her name? Was like, well, we did not do
a lot of talking, so no, I have not told her.
And so they all this is where we get sort
of our Scooby Doo assignments.
Speaker 2 (40:39):
What I would have really loved though, if like this
is what really endear made of Teddy, if he just
went nice and just yes.
Speaker 1 (40:47):
So then and I believe I think it's maybe Stevie
who says they don't think it's Tyler. Someone else chimes
in and says, like that really doesn't make a lot
of sense if a podcaster is coming here to investigate
a murder that happened twenty seven years ago, and then
they murdered Danica's fiance.
Speaker 2 (41:08):
But like, and they're like, that would also required her
know what we did last summer. How would she know
what we did?
Speaker 1 (41:13):
Yeah, because like clearly, Ava, who is also in danger
at this point of whoever the killer is, would not
tell her yet.
Speaker 2 (41:24):
So they go to see They go to see Tyler,
who was wandering around Southport looking at it. Well.
Speaker 1 (41:30):
Eva goes to see her, go to see her.
Speaker 2 (41:32):
They end up going to where.
Speaker 1 (41:35):
This restaurant, this something house, it's like the Southport House
or something.
Speaker 2 (41:39):
Yeah, and there it's closed for some reason despite it
being summer.
Speaker 1 (41:43):
I think murders took place where the killer lived there.
It looks in really good shape for being abandoned for
twenty seven years.
Speaker 2 (41:52):
Yeah. So they're wandering around and then uh Ava sees
the sees the killer. She goes running away. Ava it
counters the killer. They fight a little bit. She hands
up slicingly the killer's arm and has blood on the knife.
I'm like, okay, cool, bring that up to the cops.
And then she thinks it's Tyler, but then Tyler appears
(42:13):
on a balcony above her, and she's like, oh shit, it's.
Speaker 1 (42:16):
Not Tyler, Ava says Roun Tyler, and so Tyler takes
off and takes a dumb waiter up to like the
attic or something.
Speaker 2 (42:25):
Meanwhile, cage falls onto Ava, trapping her like she's in
at the tail end of mouse Trap the board game.
Speaker 1 (42:33):
So uh, I couldn't. Oh no, it's raised bar that
has all the crazy crap on the walls. Yeah, so
sound Sport seems to really lean into we don't know
how to interior decorate, so instead we just have detritus everywhere.
You have nautical themes, yeah, which is like, well, you're
out of shore town. I guess tourists would come in
(42:53):
and be like, oh cool, there's like a crab trap
or whatever.
Speaker 2 (42:58):
But it's like not c Yeah, like we're not talking,
like do.
Speaker 1 (43:03):
You know what I think that is? I think it's
a shark cage.
Speaker 2 (43:05):
Well that's what I'm I was about to say, Like,
it's not even like the fancy one from Jaws, where
like you know that bearded dude had a lot of
room to maneuver around it. It's literally like you have
enough room to like maybe turn around if you're moving
in place and that's it. Like, yeah, so Ava has
the only way to get is Ava has to unscrew
(43:25):
the things, the hinges in the door. Toyler gets killed
and then her body is hung outside. It sucks. Yeah.
Oh but this is why I started thinking with Stevie,
because like, all of a sudden, Stevie's just there.
Speaker 1 (43:38):
Yeah, like I'm just like because Eva had sent a
text to the group.
Speaker 2 (43:41):
Text like.
Speaker 1 (43:45):
Audio to text, which was like a weird choice.
Speaker 2 (43:50):
I need to hide from this killer better loudly text.
Speaker 1 (43:53):
Yeah, and Ava says, come to see Southport house. Uh,
Tyler seems sketchy.
Speaker 2 (44:02):
Yeah. Also, I was reading, just reading the Wikipedia. Do
you know who was originally up for Ava's role? Camilla Mendez? Okay,
but I mean Chase. I think her name is Cheese
Stude wonders. She kills it as they were, so once
again they reconvene. Tyler had brought up there's a professor
(44:25):
at the local college who knows what's up. You better
believe we know who that is. They're gonna go see
her tomorrow. So we have another night of everybody hanging out.
Danica and Teddy cuddle, and Milo and Ava start making out.
Speaker 1 (44:44):
It gets so many questions when Stevie says, I gotta
go back to the bar.
Speaker 2 (44:50):
What Ava? And uh, excuse me. Eva and Milo started
getting amorous, but then like Mile becomes comfortable and leaves
and he's outside stugging himself out. Killer shows up kills him.
I don't want to get into how he dies. It's
also not great. And then like Able leaves him, like
(45:12):
he says, car leaving and she's like, well, I guess
he left me at least in a voicemail. It goes
to yeah, the killers whatever, he doesn't real.
Speaker 1 (45:21):
Killer text back and says, I'm sorry, I just need space.
I'll contact you when I'm ready.
Speaker 2 (45:27):
Yeah. So next day, Ava goes to see well we
see the back of a woman's head as she screams,
because says, you were left the theater at this point, Yeah,
I went to.
Speaker 1 (45:41):
I went to like go use the bathroom.
Speaker 2 (45:44):
I was like, I'm jump with this movie. Julie, Like,
we see a woman's scream and it turns around it's
Jennifer Love Hewett as Julie Jones, and she's talking about
PTSD and the effects it has on the body. She
leaves and Able catches her, and she's like, like, I
(46:04):
need to talk to you about the murders. She's like, oh, well,
here we go, and she's like somebody's pursuing us, like
I have a hook hand and she's just like uh huh.
Then she says, oh, I's left a note that said
I know what you did last summer. And well, like
she's like he left me a note and did all
these things, and Julie like she's like, okay, but I
(46:26):
need you to tell me. This is like the big
movie trailer. I gotta wish they had kept this a secret.
Speaker 1 (46:30):
Yeah.
Speaker 2 (46:31):
Like, it's just like when I hate one movies these days,
we're just like, hey, so and so is gonna be
in this movie. I'm like, like, whole plot in the trailer. Yeah.
Speaker 1 (46:42):
I felt that way about Bride Hard and I think
that's why, like it was in and out of theaters.
Speaker 2 (46:47):
In like a week.
Speaker 1 (46:48):
Yeah, So don't show me all the big banner moments
in the three minute trailer because I'm not gonna go
see the movie.
Speaker 2 (46:56):
Yeah. It's like that episode of The Simpsons where Homer's
watching a movie at the local video store and he's like, oh, sir,
do you want to read that it's like, why, I
just saw the best part of the movie.
Speaker 1 (47:05):
Yeah.
Speaker 2 (47:06):
So Julie takes her back to her house and she's like, look,
you're gonna, like you can't run from the guy. You're
gonna have to fight him.
Speaker 1 (47:15):
Basically, what terrible advice, terrible irresponsible advice. I'm no lawyer,
despite what I said earlier, but I don't think she
should be giving this advice to an impressionable person.
Speaker 2 (47:27):
Yeah. So she's just like, this is what happened with us.
And meanwhile, Danica and Teddy are at a graveyard because
they're trying to figure out.
Speaker 1 (47:40):
What the reasoning about why they're at the graveyard is, Like,
so thing.
Speaker 2 (47:44):
They got, They want to find the truck, which apparently
is still owned. It hasn't been smashed in the like
years since like it happened. They get the information who
owned the truck, they go and try to find his grave. Yeah,
and then like the gravekeepers just like I know, to
(48:05):
give you information and then like just tell us who
left these flowers. He was like, Okay, I guess I'll
go watch the videotapes. He's killed and I was just like, killer,
come on, you could have just knocked him out like
he was just a man doing his job. Yeah.
Speaker 1 (48:19):
This is where I'm like, look, I know this might
be a hot take. I think these killers are bad,
bad people.
Speaker 2 (48:27):
Yeah. So, but here's the thing about this scene, Like
when we're at the graveyard, it is like Frank lost
his mind. We're like we're waxing towards evening, like it's
like late afternoon. Teddy and Dank had just sat in
this graveyard until the dead of night. Like they're like, hey, guys,
(48:49):
do you mind getting out of here, because there's just
two random teens sitting in the cemetery drinking. And we
hold on these kids getting their beers and leaving, and
this is where I did lose my mind.
Speaker 1 (48:59):
No one asks them to leave. Teddy sees them, abandons
Stanica in the spooky graveyard to go track down the
guy checking the video. He stops by these two extras
that were not given lines and says, hey, can I
have a beard? They don't respond. He goes, yeah, no,
it's okay, walks away.
Speaker 2 (49:19):
Danica turns her back for a second.
Speaker 1 (49:21):
And the second herd back is turned, they pick up
their beers and leave and then she turns around. It's
like I'm alone. It's confounding, Like, so obviously she needs
to get attacked now.
Speaker 2 (49:34):
Yeah, so she gets attacked. She goes running and apparently
the cemetery is right next to where we store floats,
like that we've kept for twenty seven years because we see.
Speaker 1 (49:44):
Well no, because she's also the Croaker Queen.
Speaker 2 (49:46):
Oh yeah, like they don't update the float. I don't
think so Okay, I guess who cares?
Speaker 1 (49:53):
I mean, like, how much?
Speaker 2 (49:54):
How much are you going to update the Croker Queen float? Frank? Yeah, eventually.
Speaker 1 (49:58):
Do you think Southport's made of money?
Speaker 2 (50:00):
Yes, but that's a whole plot one in this film
is this guy turned. It arounds me this big like
instead of being like the guy being Teddy sad, yeah,
and so being a murdered town, it became what.
Speaker 1 (50:12):
They say, the Hampton's of the South God's sakes.
Speaker 2 (50:16):
So yes, they do have money for a new float.
Speaker 1 (50:20):
It's like this is where I really want to drill down.
Speaker 2 (50:23):
Yeah, so like they like, Danica does get away.
Speaker 1 (50:30):
Fortunately she hides in the float. See now they're gonna
have to get a new float because the killer destroys
the float and Teddy comes in to rescue her. They
killer runs away and Teddy's like, yeah, you better run.
Speaker 2 (50:46):
Yeah, So the next day they go. They all meet
up again the next day, but with no Milo and
less Stevie. Nobody seems to give a ship that Stevie's
not there. Nobody says like, hey, we see Steve. We
should be sure she hasn't been murdered, which that that
should have been a plotline because she should have like
(51:07):
I got a note too, you know. Yeah, So we
got to the next day, there's a big town hall
meeting about the about the the at this point three murders,
and but there it's basically the scene from Jaws, like
(51:28):
we're not closing the beaches, yes, And then somebody comes
storming in. It's a man with salt and pepper hair.
He's looking good. That's right. It's Ferry Prince Junior as
right from the first movie, and he is now the
ex husband of Julie Jones, but he's also Stevie's boss.
But it's all connected, it's all a whip. He's just
(51:49):
like like, this is what's happening. And it was like
and they're like, oh, we're blaming we're blaming Tyler's death
that she was suicidal, because like just look at her.
It's like fucking small time. Yeah. And so Ray talks
to the kids, He's just like, you guys need to
be on your card. He goes and talk to Julie
(52:09):
and he's like, Julie, why did you tell these kids
to fight in the Killer? Yeah, Julie also has all
this security system. She doesn't own a gun. I'm just like,
come on, Julie, Like even I think Julie Bowen's character
in Totally Killer owned a gun, like I think you
owned several guns. Yeah, like and also the knife with
(52:30):
the blood on it, Yeah, I'm seemingly missing.
Speaker 1 (52:35):
So uh oh. I think it goes without saying, but
we will say it anyway. Obviously, the cops in this
town are corrupt and in the pocket of the mayor.
Speaker 2 (52:45):
Yeah, who is just like boyaboy, I can't wait to
use my career cops to not save my son, which
is coming up. I have a quick trip to the
bake sale. Okay, So they figure out that it's sometimes.
Speaker 1 (52:59):
Just one more note about the cops. The mayor has
been telling like paying the cops to make stuff disappear
for years and then is mad when the police are bad.
Speaker 2 (53:08):
At doing police work.
Speaker 1 (53:09):
And it's like, sorry, you have been paying them to
not do police work.
Speaker 2 (53:14):
He basically hired like Chief Wigham.
Speaker 1 (53:17):
Yes, and then was like, why are you so bad
at this?
Speaker 2 (53:20):
Do you know they wreckcon Chief Wiggam's wife. No, like
they made her into like a jewel thief who fell
in love with him. God. Yeah, well he's supposed to
be a patsy and she's like, oh no, I'm into
this and so, uh they somehow figure out I forget
that they don't have figure out it's he's attached to
(53:40):
the local church.
Speaker 1 (53:42):
Oh, because the truck belonged to the pastor. Okay, So
then it kept being said that he was driving a
stolen truck.
Speaker 2 (53:50):
But they.
Speaker 1 (53:53):
Conjecture, what if the truck was not stolen? Yeah, so
they goes the truck was never reported as stolen.
Speaker 2 (53:58):
Okay, thank you, I missed that far. So they go
to Danica and Eva go to the church. It is
like something out of Midsommar the Weir. The vibes are
all wrong. Uh. Danica goes to sneak into the the
pastor's thing. She finds a murder notebook, Like there's no
(54:19):
other way to but it's just like all these pictures
of this dude and Halo's and all these things. Eva
and Danica goes, I don't think it's a murder note book.
Speaker 1 (54:27):
I definitely thought they were trying to lead us to
believe that he was in love with the person driving
the truck, because he put a picture of the two
of them in that I think had been printed in
the newspaper and drew angel wings around it. Frank's like
deaf murderer behavior.
Speaker 2 (54:45):
Okay, but I mean like revenge fa y. Yeah. So
they go to the AVA and Danna go to the polization.
They're like, it's totally this person, and they're like, don't worry,
we're gonna lock you in here for the night. They
don't say that's just what they do. They just lock
them in at a interrogation room.
Speaker 1 (55:01):
And then they call Teddy's shitty dad and they're like,
these women are being hysterical. He's like, yeah, lock him up.
Speaker 2 (55:09):
Oh, by the way, Teddy goes to the same gym
that Barry did, and he gets a full workout in
and he goes to the steam room and somebody writes
your next in the steam and.
Speaker 1 (55:22):
And they weren't lying.
Speaker 2 (55:23):
He is next, Okay, Yeah, so Teddy is just drinking
by himself.
Speaker 1 (55:28):
Like this is after okay, this is like not funny funny,
but I thought it was kind of funny because I
feel like it was so indicative of the Teddy character.
Everyone else is phone calling, texting, I haven't heard from
you guys.
Speaker 2 (55:42):
Are you okay?
Speaker 1 (55:42):
What's going on? And Teddy no, no concerns, no thoughts
in his head, empty, like yeah.
Speaker 2 (55:51):
So he is like just drinking. Killer shows up. Him
and the killer get into a pretty serious fight, like
Teddy's holding his own but like he's on our man,
getting pretty hooked, like consistently he and like his death
actually made me kind of sad because he's like he
is outside, so he's crawling towards the window. He sees
(56:13):
his mom through the window, and he's like calling for
his mom and crawling towards her. I'm like, this is
not like how people should die in horror movies.
Speaker 1 (56:22):
It's really rough and like the thing is a couple different,
like sort of casual mentions. It seems like Teddy's mom
is pretty unhappy and cheating on his dad, and his
dad seems like a monster. So Teddy is a product
of like a not very great home. So to see
him kind of dispatched at the age of nineteen.
Speaker 2 (56:43):
Is it's like a little bit rough, but don't worry.
His trash dad is gonna get it too. Yeah. So
the killer knocks on the door that comes out gets
immediately killed.
Speaker 1 (56:54):
I mean he does seem sad about his son.
Speaker 2 (56:56):
Yeah, they are hung up like the sharks from Jahn
was like, oh boy, and Ava, Stevie and Danica are
just like, yo, what fuck this? And they all hop
on a boat and they leave at Ray's insistence. We
are just pelting towards the end of this movie, okay,
and this is where the plot hole opens up into
(57:16):
a castle. Yes, so Ray tells them get on this
boat with Stevie and get going. Stevie takes them in
the middle of the ocean and they're just.
Speaker 1 (57:24):
Like, this is after Ray had previously said you can't
run away and you know why, but we're not saying it.
And it was like, movie, you're not allowed to paper
over a plot hole by seeing you know why, we're
not saying it. That's not a solution.
Speaker 2 (57:38):
The forest doesn't work that way because we said so.
And then you know, okay, so Danica and Ava are
just like this sucks, like what are we gonna do?
All of a sudden, the engine cuts out and who
should have appear with Stevie in a rain slicker and
(57:59):
she's just like, guess what, I'm the killer. Haha, you
guys killed my person. I cared a lot about and
she ends up fighting the two of them.
Speaker 1 (58:08):
Here they do like, bring up, but you wanted to
leave too? Why did this? Like why has all this
gone on? And Stevie's like, first of all, didn't know
it was my friend. Second of all, you guys abandoned me.
Speaker 2 (58:24):
Okay, I'm so sorry. I know where only in the
midst of the finale, but we forgot one the most
important scenes. I forgot the most important scene. I don't
want to put this once. So while they're in the
police station, Danica has a dream. She's looking at the stage.
How do we forget that? Yeah, I mean she's looking
at somebody on stage for the Croaker pageant and she
(58:44):
turns around. It's Sarah Michelle Geller as Helen Shivers. I
was so excited. Yes, I do think they de aged her. Yeah,
it makes sense. Yeah, but I've seen Bigelo. She's still
looking great. Her favorite junior like of still killing it
and she's holding like the hook and she's threatening her
(59:05):
with it. And then I just that brought like that
didn't give me a Hali Chaps. That give me Puffy
Vampire Slayer. Yeah, I really not want to see if
Puffy ever killed somebody. Hook. He kills a lot of people.
And then like she's like taunting Danna cuts the guy
has cocher queen and now I'm like dad and her
face de kays and that's when Danica wakes up. Uh,
(59:29):
it is stellar. I thought it was great. I'm really
hoping that's how they bring Barry back in the next film.
I don't know what juice head bro he's gonna have.
It's gonna have a dream about him. I know r
Teddy So, Uh, Stevie like takes off the slicker though.
(59:50):
She's like god, these things are so fucking hot. I'm
like fair. So she hooks Danica in the stomach. Ray
here's the thing we see Ray be like, oh shit,
and he hops on his boat and gives chase and
like he shows up on the boat. Danik has been
(01:00:10):
thrown into the ocean. Ava has like or Stevie has
Ava's like Stevie has Ava by the throat of the hook.
Ray shoots Stevie off the boat. Okay, done, you know,
movie's over. It ends exactly how the last movie ended. Cool. Okay.
(01:00:30):
They go back to shore and Ray's talking to Stevie.
I was talking to Ava and He's just like yeah.
He takes off his coat. He has a big bandage
around his arm, roughly where Ava cut the killer. And
this is where I'm saying, this is where the chasm opens.
So Ray told them to go on the boat. Yeah.
(01:00:55):
He then made a big deal by himself being like
oh no, and chased after the boat.
Speaker 1 (01:01:01):
Yes.
Speaker 2 (01:01:02):
He then had Ava right where he wanted. Nobody knew
she was out there, so he shoots Stevie, his partner
in crime, off of the boat, and instead of just
killing her there with Stevie, he then brings her back
to the bar, back to the mainland where it's way
easier to get away from killers because you can just
(01:01:24):
run out of door, and fights her in his bar. Yes,
and Julie figures it out. Julie shows up, she fights Ray,
and that gives Ava time to stab him with a
hook or stab him with another harpoon gun. There's so
many goddamn harpoon guns. How often, like are people using
harpoon guns in this question? So Ray's dead, Julie, Oh,
(01:01:50):
and then who should happen to wash Ashore? It's Danica.
Speaker 1 (01:01:54):
Don't worry, she's alive.
Speaker 2 (01:01:56):
Yeah. Then Ava and Danica are in the hospital together,
like they're like, you want to get out of here, Like, yeah,
we don't have I guess we don't have parents to
come pick us up or anything.
Speaker 1 (01:02:05):
Yeah. They've both been through incredibly traumatic events but are
just released on their own cognizance.
Speaker 2 (01:02:12):
Yeah, still looking both pretty banged up. They're like, get
some real food, So they get some French fries and
they're just eating like all this shore food and that
they're playfully disgusting what happened. And they're like, yeah, I
guess Stevee's probably not dead. I guess we'll see her,
that bitch. So those are hurt their words.
Speaker 1 (01:02:29):
Like well, Ava tells Naniga, well Stevie's not dead, and
Danica's like.
Speaker 2 (01:02:34):
What, Yeah, how do they know that?
Speaker 1 (01:02:38):
Like the nurses were gossiping, I suppose.
Speaker 2 (01:02:41):
But like she was in the middle of the ocean,
she got shot.
Speaker 1 (01:02:47):
Well, Ray does say when Ava says, but you killed Stevie.
Speaker 2 (01:02:54):
He says, did I okay, she still was basically keel hauled. Well,
she got fell off the front of the boat, so.
Speaker 1 (01:03:03):
We don't know what happened to the boat.
Speaker 2 (01:03:05):
She could have just taken off.
Speaker 1 (01:03:06):
In the boat.
Speaker 2 (01:03:08):
So Ray and her just hopped in his little raft, yes,
and abandoned the boat. Okay, I don't know. I mean
it makes as much, says as anything else does in
this film, says it. Meanwhile, so credits roll. Then we
get Brandy and her very handsome husband are our Carla.
Speaker 1 (01:03:30):
You know, it's not just Brandy, Brandy as herself.
Speaker 2 (01:03:35):
Cal's just like watching the news. She's like, oh shit,
and like her husband's like, isn't that your old college roommate.
She's like, yeah, oh no. He's like like Teddy says,
let's go to the Bahamas, and Ray's like, you don't
want to go to Bahamas? Trust me on that one. Yeah,
referencing the absolute garbage film I still know what you
did last lewer?
Speaker 1 (01:03:54):
Oh okay, so here I was being like movie, what
do you mean? And it was a call back? Okay, Yeah,
did we watch that one?
Speaker 2 (01:04:02):
Yes? We did? And it was hot trash we were
struggling so hard, like there's nothing to this movie. There's
so many like karaoke sequences in it.
Speaker 4 (01:04:13):
Oh, true, true, And then I think they killed they
killed a bunch of people I actually liked, so anyway,
Like there's a knock at the door.
Speaker 2 (01:04:25):
And she was just like like, hey, I got this,
and she also got a note that said like you're
like you're next or whatever, and like Colors is like,
all right, who are we fucking up? Now? Credits again?
Speaker 1 (01:04:41):
Yeah, and Frank's like best movie I've ever seen.
Speaker 2 (01:04:47):
Yes, well, I really wanted to reference that song The
Boy's Mind, but I can't remember who the other singer
on it was. Monica. Yeah, just like it's I bet
you it's Monica. She's she's bummed Ice stole her philandering man,
I you know what it's a I would say it's
a fun like slasher film. I don't know, like the death.
Speaker 1 (01:05:11):
It's kind of the perfect summer film.
Speaker 2 (01:05:13):
Yeah, turn off your brain and just I just wish
the deaths were a little dis gory. Yeah, like hook
based deaths are not fun.
Speaker 1 (01:05:20):
This is why we had to stop watching the Fear
Streets series. Everything was just too much.
Speaker 2 (01:05:24):
They put somebody through her bred Slicer.
Speaker 1 (01:05:27):
Yeah.
Speaker 2 (01:05:27):
Fun, Like I know, like I still remember one fear
Street and one of the Stepsister fear Street books, like
the Stepsister gets her ear knocked off by a frying pan,
Like how much force does that take? Yeah? Like and
then she also puts glue in a toothpaste two but
I'm like, how would it stick? Like you would have
to then like brush your teeth and then like hold
your teeth together for a good like minute and a half.
Speaker 1 (01:05:51):
Anyway, So Susan ned Sprank's Fear Street review.
Speaker 2 (01:05:56):
I would like to keep us in this world of
I Know what you did last summer by covering I
will always know what you did last summer. What is that?
That is the sequel after I still Know what you
did last summer? It has none of the original. You
can tell it's gonna.
Speaker 1 (01:06:16):
Be called amazing. Yes, let's do it.
Speaker 2 (01:06:21):
So let's see if I can but yeah, so yeah,
so yeah, uh yeah, look, oh my god.
Speaker 1 (01:06:32):
I love that they use like like not even lookalikes
like loa kinda as Yeah. So we will be returning
to Southport. If you would like to write us, you
can write us at Realteengirl talk at gmail dot com.
We have an Instagram page that Frank moderates.
Speaker 2 (01:06:53):
I have my own website, Frank Arcota dot com, where
I publish my writings and other little things I write.
I also do another podcast with my buddy Donnie called
I Hope I Can Make It Through. It's about the
show Degrassi
Speaker 1 (01:07:06):
And until next week, I am Susie Cota, I'm Frova
Coda Zamkota
Popular Podcasts
Stuff You Should Know
If you've ever wanted to know about champagne, satanism, the Stonewall Uprising, chaos theory, LSD, El Nino, true crime and Rosa Parks, then look no further. Josh and Chuck have you covered.
Dateline NBC
Current and classic episodes, featuring compelling true-crime mysteries, powerful documentaries and in-depth investigations. Special Summer Offer: Exclusively on Apple Podcasts, try our Dateline Premium subscription completely free for one month! With Dateline Premium, you get every episode ad-free plus exclusive bonus content.
On Purpose with Jay Shetty
I’m Jay Shetty host of On Purpose the worlds #1 Mental Health podcast and I’m so grateful you found us. I started this podcast 5 years ago to invite you into conversations and workshops that are designed to help make you happier, healthier and more healed. I believe that when you (yes you) feel seen, heard and understood you’re able to deal with relationship struggles, work challenges and life’s ups and downs with more ease and grace. I interview experts, celebrities, thought leaders and athletes so that we can grow our mindset, build better habits and uncover a side of them we’ve never seen before. New episodes every Monday and Friday. Your support means the world to me and I don’t take it for granted — click the follow button and leave a review to help us spread the love with On Purpose. I can’t wait for you to listen to your first or 500th episode!