May 22, 2025 • 28 mins
A comedy series featuring a spirited young woman navigating life's challenges with wit and charm, often finding herself in humorous situations. Her adventures are both entertaining and endearing.
Mark as Played
Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:09):
I have, babe, say how about out?
Speaker 2 (00:12):
Does that answer your question? Buddy?
Speaker 1 (00:18):
The Adventures of Mazie starring and Southern. You all remember
Metro Golden Mayer's famous Mazie picture. Now just a moment,
you'll hear Mazie in radio, starring the same glamorous star
you all went to see and loved on the screen.
Speaker 3 (00:39):
And Southern.
Speaker 1 (00:41):
But first you're announcer, and now here's Anne Southern as Mazy.
Speaker 2 (01:29):
Yep, I'm maze like the man said mazy Vere. I
was born in Brooklyn in nineteen hundred and well, I
was born in Brooklyn. You know there's an old saying
that clothes make the man. That I got a little
story that proves it. Clothes also make the woman, if
you know what I mean. It all started back in London, England.
I'd gone over there with a musical review called Humpty Dumpty. Well,
(01:51):
if you think Humpty Dumpty fell off a wall, you
should have seen our flop. So there I was stranded
in London and broke as usual. Luckily I managed to
get a job as a model at one of them
hoity toidy dressed alone I mean slant that catered strictly
to women born with silver spoons in their mouths. Well,
one day a couple of US mannequins were model and
(02:13):
gowns for one of them Stuffy title Days.
Speaker 4 (02:16):
And this Lady's five is a creation of which Turnbull
and Company is especially proud. I should like to call
your ladyship's attention to the plunging necklies.
Speaker 1 (02:26):
I shouldn't think it.
Speaker 5 (02:27):
Would be necessary to call anyone's attention to the neckline,
mister Turnbull. Plunge indeed looks to me as if we
were torpedoed removed from.
Speaker 2 (02:36):
My sighted one.
Speaker 4 (02:37):
Oh but your ladyship, this is an exact replica of
what has been born in America.
Speaker 2 (02:41):
Mister Turnbull.
Speaker 5 (02:43):
What is considered quite the thing in the colonies does
not interest me in the least. Remember, I am an
english woman, not an engine. And if you have nothing
more suitable to show me, I just.
Speaker 4 (02:55):
Will we do, your ladyship. We've just scats and skirts
and scats of the very latest, the very vivid, very long,
next beeeze, next BEEAs, come on, come on, come on now.
Speaker 2 (03:03):
While the next model paraded in front of her royal hastiness,
I picked through the curtains to get a closer, love.
Speaker 4 (03:09):
This God, your ladyship, we consider poetry.
Speaker 5 (03:14):
Sure, I consider it waste, chill waste. Kindly remove it
from my side.
Speaker 4 (03:19):
Yes, leadership at once.
Speaker 2 (03:21):
Doesn't seem to please. It's warmed over Yorkshire pudding. Her
reaction to each gown model was the same. One Master
went up like she was trying to smell something, and
the other one looked like she had just smelled it.
Too bad too, because she was young and beautiful.
Speaker 4 (03:37):
Next beeast, miss Ravera, Her ladyship is.
Speaker 2 (03:42):
Waiting, coming, mister Tangle coming, Ah, you're liish.
Speaker 4 (03:47):
Here we have the very ultimate gowns for a dance.
She revealing, and yet the exercises a certain restraint.
Speaker 2 (03:55):
I should love to examine it a bit closer. Come here.
Speaker 5 (04:00):
Oh sure, lady Smith, if you don't mind, Girl, my
name is not Smith, it is lady Smith.
Speaker 2 (04:07):
Oh, sorry forguive me, I mean forgive.
Speaker 4 (04:09):
Me, Lady Smith, Mister Bella, if you don't mind, I
believe her ladyship would like to see the best. There
you are, Lady Smie, Ah, I see you are.
Speaker 2 (04:23):
Impressed, nauseate. It is more descriptive of my reaction. That
gown leaves hardly anything. The imagination.
Speaker 4 (04:30):
That's your ladyship after all, and evening gone isla.
Speaker 2 (04:33):
Like a picket fence, it's supposed to protect the property
and not obstruct the view.
Speaker 4 (04:41):
Very well, but miss revel very well, don't you think so,
your ladyship.
Speaker 5 (04:45):
If you rarely want to know, the vulgarity of this
person has helped.
Speaker 4 (04:50):
A little f also comes with it.
Speaker 2 (04:52):
Yes, your Ladyship, and it's just your type too, skunk.
Speaker 4 (04:58):
I've never been so insulted all my life.
Speaker 2 (05:00):
Well maybe you should be, dearie, so you know how
it feels to take it instead of just dishing it out.
Speaker 4 (05:06):
The Ladyship is a customer.
Speaker 2 (05:08):
Yes, I demand this uncouth person because tal said what
you do not have to demand the kiddo. I know
I'm getting the gate and I needed this job too,
but I also need my self.
Speaker 5 (05:20):
Respect too, respect indeed, and what would your Americans know
about respect?
Speaker 2 (05:27):
Well? That cuts it. Now sit back and listen this maddae.
Mister Dunbo, are you going to stand by and hear
me insult it?
Speaker 4 (05:35):
Frankly, I hadn't planned on it, your leadership, but now
that you've mentioned it, I do believe I'd rather enjoyed.
Speaker 2 (05:42):
Carry on a jump.
Speaker 5 (05:44):
Mister Dunbu, I will never purchase another thing in the shop.
Speaker 4 (05:48):
You never have, your ladyship.
Speaker 2 (05:50):
I've never been talked to in this way in my life,
you know. So that's just the trouble with your circle.
Ever since you were born, you've been traveling in one.
You never gave anything, just get what your thought was
come to you. In other words, you and your kind are.
Speaker 4 (06:02):
Just just parasite.
Speaker 2 (06:04):
Yes, thank you, mister Turnbull.
Speaker 4 (06:07):
Keep at it, miss Revere, you're doing quite well, or
as you say in America, you're cooking with petrol.
Speaker 2 (06:13):
Lady smythe I've been around quite a bit. I've seen
a lot of this world, and when you really get
down to it, the only difference between rich people and
poor people is that rich people are only poor people
with money. Are you quite finished, miss Levera? Quite thank you?
Speaker 4 (06:31):
Good day.
Speaker 2 (06:35):
Oh well, I guess I might as well get off
my soapbox. Mister Turnbull. I'm sorry.
Speaker 4 (06:42):
I willned the sale for you, not at all, mister Revere.
I enjoyed the ruining immensely well.
Speaker 2 (06:49):
I didn't mean to lay it down so thick.
Speaker 4 (06:51):
But if I may be permitted to make it comment,
some of those things that you implied were quite true?
But why you were haranguing ladies? SMI, Miss Revere, I
had an idea which I would like very much to
discuss with you later later.
Speaker 2 (07:07):
Why not now come?
Speaker 4 (07:09):
We can't possibly discuss it now. It's it's five o'clock.
It's it's time for tea.
Speaker 2 (07:14):
Oh yes, one mustn't miss tea? Must one?
Speaker 4 (07:30):
Would this table do monsieur turnbull idea? Laurie idea? Don't
you think so? Well?
Speaker 2 (07:37):
Frankly, I feel less conspicuous in a corner someplace, mister Turnbull.
Everybody seems to be staring at us right here in
the center of the joint, I mean restaurant.
Speaker 4 (07:46):
It's exactly why I asked, don't need to see this here?
You are constructed to a track.
Speaker 6 (07:52):
Yeah, this fery, they said, the more miss you gracious monsieur.
Speaker 4 (08:01):
Well, now that we are seated, mister Vera, shall we
order first? First?
Speaker 2 (08:09):
Mister Turnbull, I think I should set you straight before
we go any first?
Speaker 4 (08:13):
Let me straight right, I don't believe I understand my
dear well, I would monsieur, and ma'mselle order now.
Speaker 2 (08:21):
Ma'm finished yet, mister Turnbull about these clothes I'm wearing.
Speaker 4 (08:27):
You beautiful, mister Travera, positively beautiful, the very finest. They
were created by Turnbull and Company, and on you, my dear,
are positively stunning.
Speaker 2 (08:38):
Miss Thank you, Miss Turndll. I agree to wear this
out with your chop because you insisted on it, and well,
I'm grateful for a chance to wear nice things. I'm
very grateful.
Speaker 4 (08:54):
Come, come, come, my dear, you really owe me nothing good.
Speaker 2 (08:59):
Now that that's clear that, let's see.
Speaker 4 (09:03):
I believe we shall order now, Ori, who do care
for a spot of tea?
Speaker 2 (09:07):
Missrever Oh no, if it's all the same to you,
I think I prefer a drip of coffee.
Speaker 4 (09:11):
Really, well, one rip coffee. I'll just have tea. I'll
we miss you.
Speaker 2 (09:19):
Miss Tamber. An outfit like this is one of the
weaknesses of the weaker sex. I wish I could always
wear clothes.
Speaker 4 (09:27):
Like this, you can, Miss Revere. That is what I
want to talk.
Speaker 5 (09:31):
To you about.
Speaker 2 (09:33):
Well, so long, mister Turner.
Speaker 4 (09:35):
Oh no, no, please, mister revel No, don't be foolish.
Speaker 2 (09:38):
This may be a surprise to you, Sonny, but there
are certain items that are not included in lend Leaf.
Speaker 4 (09:44):
Miss Reverale look at me. Do I seem like the
kind of man that your your insinuation suggests.
Speaker 2 (09:50):
No, just because the tea tail don't whistle, don't mean
that there ain't something cooking inside.
Speaker 4 (09:55):
Oh, mister repair, you are the very attractive woman. You
wear clothes divinely my clothes.
Speaker 2 (10:04):
Uh huh.
Speaker 4 (10:04):
Now, when you entered this restaurant, you caused quite the
effect that I had anticipated. The ladies here he thought
you were something other than a professional mannequin.
Speaker 2 (10:13):
The ladies weren't the only ones who thought that.
Speaker 4 (10:15):
The first thing that came into all those women's minds
was where did she get those clothes?
Speaker 2 (10:21):
That was the second thing that came into their minds?
Speaker 4 (10:24):
Miss Revere, How would you like to wear clothes like that?
Always go to the most exclusive hotels and resorts and
have more than enough money not to have to worry
about tomorrow?
Speaker 2 (10:36):
Hmm? No strings?
Speaker 4 (10:39):
No strings?
Speaker 2 (10:41):
What's the gimmick?
Speaker 4 (10:42):
See gimmick?
Speaker 2 (10:43):
What do I have to do to win this British
quiz program?
Speaker 4 (10:48):
Call, Miss Revere? Since the war, barely enough customers have
patronized my salon to pay the overhead. At one time,
the rich came to my salon from all over England.
Speaker 2 (10:58):
Well you can't expect that anymore, Turnbull. Now the gasoline,
I mean Petrol's ration. Even the rich can't afford to
travel to Turnbull and Contry exactly.
Speaker 4 (11:07):
But there is no reason why Turnbull and Company can't
travel to the rich.
Speaker 2 (11:11):
Oh you mean sort of a traveling salesman.
Speaker 4 (11:14):
No, a traveling saleswoman, Miss Revere.
Speaker 2 (11:17):
In other words, me, I never stole clothes in my life.
Speaker 4 (11:23):
You wouldn't have to sell. You just travel around at
my expense to wear the rich congregated.
Speaker 2 (11:28):
Oh and all I have to do is casually mention
where each German I'm wearing is come and the price exactly.
Speaker 4 (11:34):
And when the ladies notice how the eyes of their
attentive swains and husbands wander from their drab cells to.
Speaker 3 (11:40):
Your to your.
Speaker 2 (11:42):
Go, I think I see what you mean.
Speaker 4 (11:45):
Well, Vanity will find a way to get to my
shop in London and to purchase replicas of the clothes
that you have literally being modeling.
Speaker 2 (11:52):
Oh and for this I'll have all the things I
ever wanted to wear.
Speaker 4 (11:56):
Yes, however, there's a one slagh.
Speaker 2 (12:01):
Well this is where I came in, I.
Speaker 4 (12:03):
Mean, Miss prefer Franklin. Many of the best families England.
They don't quite understand Americans. You're an actress. I know,
I saw you. I saw the show you were in. Ah,
so you were the one, and well if you would
sort of act as if you were British?
Speaker 2 (12:24):
Oh, well what do you think of this?
Speaker 4 (12:27):
Oh?
Speaker 2 (12:27):
How did you flu told Veno rocknast just to see
words from harmed Peter and native run down and killed
by a chan.
Speaker 4 (12:38):
Very good, well, miss Prevera, what do you say? Do
you accept?
Speaker 2 (12:44):
Well?
Speaker 4 (12:47):
And you're coffee, ma'mselle.
Speaker 2 (12:49):
I'm so sorry to inconvenience your chap, but I should
for thirty.
Speaker 4 (12:55):
Is ma'mselle changing her order?
Speaker 2 (12:57):
No, just my nationality.
Speaker 1 (13:16):
Adventures of Macie Starring and Southern will continue in just a.
Speaker 3 (13:20):
Moment, And now back to Mazie.
Speaker 4 (14:03):
Clark.
Speaker 3 (14:04):
Clark.
Speaker 7 (14:05):
Oh, yes, Lord Devich, I was just in a process
assault in the morning post. There's the usual letter for you,
your lordship.
Speaker 6 (14:11):
From lad a smile, I presume, yes, sir, tear it
up it destroyeds eh.
Speaker 4 (14:16):
Oh but it's scented, oh, the most exotic perfume.
Speaker 6 (14:21):
Very well, Clark, you may smell it a few more
times and then tear it up, Yes, sir, thank you sir, Yeah,
my only purpose in coming to this dow resort is
to escape the obvious marital net that untiring woman seems
determined to draw.
Speaker 3 (14:33):
Me into it.
Speaker 6 (14:34):
However, I really didn't come here to burden you with
Lafair's smile. Would you be kind enough to telephone the
groom at the stables and ask him to saddle up
that gray's Italian fireline?
Speaker 4 (14:43):
My good fellow, I fly your lordship. Isn't he a
bit of spirited? Quite?
Speaker 6 (14:49):
Certainly your social star can conjure up some activities more
blood tingling than whist or pin the tail on the donkey.
Speaker 7 (14:54):
Oh but your lordship, Kensington Lodge has always been a
vacation resort for well have more advanced years.
Speaker 6 (15:01):
Perhaps, But if some of your aged guests don't do
something besides us sitting around under trees, they're liable.
Speaker 4 (15:07):
To take root.
Speaker 6 (15:09):
I give ten pounds right now if I could piece
my eyes on an exciting beautiful.
Speaker 8 (15:13):
Woman again the pasa You be careful with my luggage
consisting of thirty four complete ensampled from Turber and Company
three twenty six Glory Lane London Operations made three.
Speaker 2 (15:25):
Isn't they are cluck?
Speaker 4 (15:27):
I owe you ten pounds. Oh, she does seem quite attractive,
your lordship.
Speaker 6 (15:33):
Quite The American gree eyes had an expression that have
to describe that particular type of attractiveness. I believe the
phrase was them.
Speaker 2 (15:43):
Words chaps coming into pass at my luggage at the
desk and scamper out of my limousine and help my chaucer.
And I mean I have two, you know, do help
him in you?
Speaker 4 (15:56):
Yes, it wants medium. Oh thank you, maidium, not.
Speaker 2 (16:00):
At all, my good chair. Surely you've been given five
pound tips.
Speaker 7 (16:04):
Before I found hip, Your lordship, she must be very
wealthy or American hard to tell her what she is?
Speaker 4 (16:13):
Excellent?
Speaker 2 (16:13):
Yes it sit down my head box here, boy, and
be careful. It's just put in my new chateau and.
Speaker 7 (16:20):
The chateau pardon me, lordship, Yes madam, what may we
do for you?
Speaker 2 (16:25):
Oh, good afternoon, clerk, My good friend, mister Turnbull of
Turnbuline Company, creators of the very utterly art and feminine apparel,
established in nineteen twenty five. Why ahead, I do believe
for accommodations they didn't you know?
Speaker 4 (16:38):
Oh but of course, your grace.
Speaker 2 (16:41):
Oh no, no, I'm easy city needy vivere.
Speaker 4 (16:45):
I mean, yes, Lady Revere, if he failed to send.
Speaker 2 (16:49):
The wire, I should be livid, but absolutely live it is,
Lady Levere.
Speaker 7 (16:54):
Oh, I do hope there's been no mistake that he
is mister Turnbull's wire. Kindly, book a sweet for a
lady Mazy Revere.
Speaker 2 (17:04):
Oh gee, telegraph come and left you out of comma.
I was supposed to say, book a sweet for a
lady Camma, Lazy Revere.
Speaker 4 (17:11):
I believe you dropped your glove, Lady.
Speaker 2 (17:13):
Revia, thank you, well, thank you very much.
Speaker 7 (17:19):
You were saying, Lady Rivera, something about a comma, I believe.
Speaker 2 (17:22):
Oh yes, yes, I was saying that should I like
it here, I should be very glad to come again,
didn't you know? Oh?
Speaker 6 (17:30):
I see quite certain that you'll enjoy your stay here,
Lady Rivia. And would you think of two presumptuous of
me if I were to ask you to join me for.
Speaker 2 (17:37):
Tea where Oh she was a pushy one. I am
not in the habit of partaking of tea with exchangers,
my good fellow.
Speaker 4 (17:45):
Oh well, I I'm Lord Anthony deverish.
Speaker 3 (17:48):
Lady Rivia.
Speaker 2 (17:49):
Oh well, now that we've been introduced, I suppose it's
all right, well.
Speaker 6 (17:54):
That's very charming of you. Shall we say on the terrace,
I'm about four thirty ish.
Speaker 2 (17:59):
Oh well, i've practically parted, Lord Deverage. It could be
perchance to make that three death ish delighted.
Speaker 4 (18:06):
My delighted. I merely suggested a later are to give
you ample.
Speaker 2 (18:09):
Time to shower or oh well, I've much do do
parts to shower tub. I believe this time I shall
just basina.
Speaker 6 (18:20):
You have a delightful sense of your my letter. I'm
frightfully glad with net right.
Speaker 2 (18:25):
Oh right, don't you know.
Speaker 7 (18:28):
I just check the housekeeper, and I believe your sweet
is all ready for occupancy.
Speaker 4 (18:32):
I shall have your luggage brought up immediately.
Speaker 2 (18:34):
Oh, thank you, my good man.
Speaker 4 (18:36):
Here this is for you, thank you, thank you.
Speaker 6 (18:40):
I was just going upstairs, my sweet, to change later rivilla.
Speaker 4 (18:43):
Perhaps we can ride up together in the same look.
Speaker 2 (18:46):
Oh well, don't you think it might be safer?
Speaker 4 (18:48):
And the elevator elevator? But oh, isn't that the term?
He was in America for a lift?
Speaker 2 (18:54):
Oh yes, now that you mention it, I'm afraid I've
been going to too many of those cinemas. It out
there and the colonies, you know where a girl meets
a man one minute.
Speaker 6 (19:04):
Yes, and then then the next minute he invites her
to die.
Speaker 2 (19:07):
Yeah, things just don't happen that way in real life.
Sometimes he doesn't even know what she rarely is.
Speaker 4 (19:14):
How true?
Speaker 6 (19:16):
And then scarcely two minutes after they've met, the boy
and the girl always subconsciously find themselves calling each other
by their first names.
Speaker 2 (19:23):
Yes, so untrue to real life?
Speaker 4 (19:25):
What quite untrue?
Speaker 2 (19:27):
Yes, well, I'll meet with three thirty for tea.
Speaker 6 (19:30):
And I'll be waiting impatiently amazing.
Speaker 2 (19:47):
Well, from the first moment Tony and me sifted our
tea together, I knew I was a real gone girl.
I forgot that I was just a clothes horse for
Turnbull Company, because in the week that followed, Tony treats
me like a thoroughbreath. Maybe it was the tender way
he lifted me under my horse every time we went riding,
and the gentle way he arranged the cushions on my
(20:07):
chair after I came back. Maybe it was because for
the first time in my life, I was feted like
a lady, not like just a day.
Speaker 6 (20:16):
Oh.
Speaker 2 (20:17):
I tried to tell him the truth about me several times,
but somehow the subject always got changed, or maybe I
didn't try hard enough. Anyway. I remember one afternoon out
in the terrace, I was having tea with Tony again.
He didn't know it, but I was leaving the hotel
that night I'd wired mister Turnbull. I was coming home
and calling the whole arrangement off. Now. While I was
(20:38):
sitting there at the table with Tony, I tried to
think out the words to tell him that I was
in All American Phony and hope that maybe he would understand.
Speaker 4 (20:47):
Gee maybe, hmm. Oh, you've been miles away. Ever, you
think it's time to come down to Earth.
Speaker 2 (20:54):
Yes, down to Tony. Yes, my dear Tony, I I
I Yes.
Speaker 4 (21:03):
I think I have a cup of tea.
Speaker 6 (21:07):
You know you you seem a bit pale this evening.
This chea will blace you up and make you feel
like another person.
Speaker 2 (21:11):
That's exactly my trouble, Tony. Since I've met you, I
actually do feel like another person.
Speaker 6 (21:17):
Amazing, my darling. I was hoping that you thought that way, because, well,
since I've met.
Speaker 2 (21:23):
You, Before you say anything, I'd like to ask you something.
Speaker 4 (21:29):
Anything you have desire anything, Tony? Yes?
Speaker 2 (21:34):
Would you would you?
Speaker 3 (21:37):
Yes?
Speaker 2 (21:39):
Would you pass the lemon.
Speaker 4 (21:41):
Oh certain name my dad?
Speaker 2 (21:42):
Yeah, the trumpet, no, just squeeze it.
Speaker 4 (21:47):
Yeah, the mazy darling. Are you sure that you're all right?
Speaker 2 (21:50):
Yes, Tony, I've got to tell you something that's been
on my mind since since that that day.
Speaker 6 (21:56):
That I have to tell you something too amazing. I've
trained my mind about those boy and girl films that
they make in Hollywood. Lazy please, Tony, me fish naturally.
Speaker 4 (22:08):
My dear ladies, first time, Well that's the.
Speaker 2 (22:10):
Trouble, Tony.
Speaker 5 (22:12):
I'm not any I do hope.
Speaker 4 (22:15):
I'm not in fruiting, Pamela. Where did you come from?
Speaker 2 (22:18):
London?
Speaker 5 (22:19):
My dear Chap just thought I drop by and claim
my letters that you obviously haven't read.
Speaker 4 (22:25):
Crazy darling, what's happened? Well? Are you doing with that
napkin over your face?
Speaker 2 (22:30):
It stopped me in the air when i'd drink my cube.
Speaker 4 (22:33):
Oh, my darling, look, perhaps I can help.
Speaker 5 (22:35):
Help me see, Yes, my dear, I should like to
see Tony's darling too. Perhaps that will explain why you
haven't replied to my letters.
Speaker 2 (22:43):
Drink your friend away from patient. Help Tony, and don't
go about me. This boon isn't stuck in their baby.
Speaker 6 (22:49):
You know, but I'm ridiculous, my darling. I wouldn't want
any infection to set in then, and attorney removed the napkin.
Speaker 1 (22:55):
That's a very good.
Speaker 5 (22:58):
I do hope it's nothing to the you.
Speaker 4 (23:03):
Hello, Pamela, Have you and Lady.
Speaker 2 (23:05):
Revere met Lady Rivera? Tony?
Speaker 6 (23:08):
This girl is an impossa, Pamela. I know you're just
a jealous cat, but I will not have you talk
in that manner.
Speaker 4 (23:13):
To my fiance.
Speaker 2 (23:15):
Tony. Are you insane, No, kiddo, I'm the cookie that's insane.
Speaker 4 (23:19):
Mazie, you're accent. Is this some sort of a game.
Speaker 2 (23:23):
Obviously, Darling, a game of blind man's bluff? You're obviously
the blind? Yeah, and you just call my blood? Shall
I do the honors, lady spies? Or would you like
to tell Lord Debritch the sad story of Maize Revere
girl Schmo that I believe it is American for stinker. Well,
that's pretty close, honey, but if you don't mind, I'll
(23:43):
take it from here very well, my dear Tony.
Speaker 5 (23:47):
If you want me and after this this shop girl
finish is a sordid tail, I imagine you will.
Speaker 2 (23:54):
I'll be at the airport I'm.
Speaker 5 (23:56):
Flying back to London this afternoon.
Speaker 2 (23:58):
Good Bye bye, darling. Have a pleasant ship, and be
careful that you don't fall off your brooom.
Speaker 4 (24:05):
Mazy, Mazy, I just can't understand any of it.
Speaker 2 (24:08):
No, No, when you're born with everything, I guess it
ain't easy. Well, I've been trying to tell you all along,
Lord dead Icious that I'm just a sort of traveling
clothes horse for Turnbull and Company.
Speaker 6 (24:20):
Oh so that's the reason for the continual three six
jerday in London alteration.
Speaker 2 (24:25):
May boy, wait me, Yeah, it was stickly business that
I met you, and then well, I guess the moon
got in my eyes.
Speaker 3 (24:34):
Mazy.
Speaker 4 (24:36):
You remember those American films we've been talking about.
Speaker 2 (24:39):
Yeah, boy meets girl, boy loses girl, boy finds her. Well,
you find me, believe me, brother, right now, I'd like
to get lost.
Speaker 6 (24:47):
Well, I don't want you to get lost, Mazy. There
are other films too. Remember which man meets shop girl,
Which man falls the shop girl.
Speaker 2 (24:57):
Shop girl goes back to shop, but.
Speaker 6 (25:00):
Man follows her and they live happily ever after.
Speaker 2 (25:03):
Yeah, oh, honey, you'd never sell that to an American producer.
It's too commercial, are you amazing?
Speaker 4 (25:12):
I mean it wasn't only money in my case.
Speaker 2 (25:16):
Oh no, it wasn't.
Speaker 4 (25:18):
Well, then, it.
Speaker 6 (25:19):
Wasn't only your rather extensive wardrobe, nor your physical beauty
with me.
Speaker 2 (25:23):
Oh, I know what you're trying to say, Tony and saying,
but it won't work.
Speaker 6 (25:28):
Why not?
Speaker 2 (25:30):
Well, your cavier and me, I'm pickles.
Speaker 4 (25:35):
Pickles and caveat go rather well together when they even.
Speaker 2 (25:37):
Yeah, but after a while it can make your awful sick.
Speaker 4 (25:40):
I wouldn't mind. You will mind.
Speaker 2 (25:44):
Well from different worlds, and I just don't fit into yours.
You're a lord, remembers, and I'm not a lady.
Speaker 6 (25:51):
No, you're wrong, amazing. You may not have that so
called blue blood in your veins, but you certainly are
a lady.
Speaker 1 (26:14):
Just the moment, we shall return to the Adventures of Mazie.
Speaker 4 (26:50):
Now once again, here's Mazie.
Speaker 2 (26:54):
Well, that's the story of Cinderella and or Prince Johnny.
Maybe some of you are saying that I should have
to see what happened? Did Marriage is a wonderful institution. Well,
maybe marriage is a wonderful institution. That's Tony and me.
We just didn't talk to Sam Rymon. There's one thing
I did learn though, It's always better to tell the
(27:15):
truth and lies. At least when you tell the truth,
you don't have to remember what you said. Well, get
along their feet, London is miles away.
Speaker 3 (27:34):
You have just heard.
Speaker 1 (27:35):
The Adventures of Mazie, starring and Southern Mazie, was written
by Arthur Phillips. Original music was composed and conducted by
Harry Zemmermann. Supporting cast included Loreen Tunnell, Ramsey Hill, Ben Wright,
(27:55):
Marvin Miller and Alec Harper.
Speaker 3 (27:57):
Jack McCoy speaking
Speaker 6 (28:03):
The
I have, babe, say how about out?
Speaker 2 (00:12):
Does that answer your question? Buddy?
Speaker 1 (00:18):
The Adventures of Mazie starring and Southern. You all remember
Metro Golden Mayer's famous Mazie picture. Now just a moment,
you'll hear Mazie in radio, starring the same glamorous star
you all went to see and loved on the screen.
Speaker 3 (00:39):
And Southern.
Speaker 1 (00:41):
But first you're announcer, and now here's Anne Southern as Mazy.
Speaker 2 (01:29):
Yep, I'm maze like the man said mazy Vere. I
was born in Brooklyn in nineteen hundred and well, I
was born in Brooklyn. You know there's an old saying
that clothes make the man. That I got a little
story that proves it. Clothes also make the woman, if
you know what I mean. It all started back in London, England.
I'd gone over there with a musical review called Humpty Dumpty. Well,
(01:51):
if you think Humpty Dumpty fell off a wall, you
should have seen our flop. So there I was stranded
in London and broke as usual. Luckily I managed to
get a job as a model at one of them
hoity toidy dressed alone I mean slant that catered strictly
to women born with silver spoons in their mouths. Well,
one day a couple of US mannequins were model and
(02:13):
gowns for one of them Stuffy title Days.
Speaker 4 (02:16):
And this Lady's five is a creation of which Turnbull
and Company is especially proud. I should like to call
your ladyship's attention to the plunging necklies.
Speaker 1 (02:26):
I shouldn't think it.
Speaker 5 (02:27):
Would be necessary to call anyone's attention to the neckline,
mister Turnbull. Plunge indeed looks to me as if we
were torpedoed removed from.
Speaker 2 (02:36):
My sighted one.
Speaker 4 (02:37):
Oh but your ladyship, this is an exact replica of
what has been born in America.
Speaker 2 (02:41):
Mister Turnbull.
Speaker 5 (02:43):
What is considered quite the thing in the colonies does
not interest me in the least. Remember, I am an
english woman, not an engine. And if you have nothing
more suitable to show me, I just.
Speaker 4 (02:55):
Will we do, your ladyship. We've just scats and skirts
and scats of the very latest, the very vivid, very long,
next beeeze, next BEEAs, come on, come on, come on now.
Speaker 2 (03:03):
While the next model paraded in front of her royal hastiness,
I picked through the curtains to get a closer, love.
Speaker 4 (03:09):
This God, your ladyship, we consider poetry.
Speaker 5 (03:14):
Sure, I consider it waste, chill waste. Kindly remove it
from my side.
Speaker 4 (03:19):
Yes, leadership at once.
Speaker 2 (03:21):
Doesn't seem to please. It's warmed over Yorkshire pudding. Her
reaction to each gown model was the same. One Master
went up like she was trying to smell something, and
the other one looked like she had just smelled it.
Too bad too, because she was young and beautiful.
Speaker 4 (03:37):
Next beeast, miss Ravera, Her ladyship is.
Speaker 2 (03:42):
Waiting, coming, mister Tangle coming, Ah, you're liish.
Speaker 4 (03:47):
Here we have the very ultimate gowns for a dance.
She revealing, and yet the exercises a certain restraint.
Speaker 2 (03:55):
I should love to examine it a bit closer. Come here.
Speaker 5 (04:00):
Oh sure, lady Smith, if you don't mind, Girl, my
name is not Smith, it is lady Smith.
Speaker 2 (04:07):
Oh, sorry forguive me, I mean forgive.
Speaker 4 (04:09):
Me, Lady Smith, Mister Bella, if you don't mind, I
believe her ladyship would like to see the best. There
you are, Lady Smie, Ah, I see you are.
Speaker 2 (04:23):
Impressed, nauseate. It is more descriptive of my reaction. That
gown leaves hardly anything. The imagination.
Speaker 4 (04:30):
That's your ladyship after all, and evening gone isla.
Speaker 2 (04:33):
Like a picket fence, it's supposed to protect the property
and not obstruct the view.
Speaker 4 (04:41):
Very well, but miss revel very well, don't you think so,
your ladyship.
Speaker 5 (04:45):
If you rarely want to know, the vulgarity of this
person has helped.
Speaker 4 (04:50):
A little f also comes with it.
Speaker 2 (04:52):
Yes, your Ladyship, and it's just your type too, skunk.
Speaker 4 (04:58):
I've never been so insulted all my life.
Speaker 2 (05:00):
Well maybe you should be, dearie, so you know how
it feels to take it instead of just dishing it out.
Speaker 4 (05:06):
The Ladyship is a customer.
Speaker 2 (05:08):
Yes, I demand this uncouth person because tal said what
you do not have to demand the kiddo. I know
I'm getting the gate and I needed this job too,
but I also need my self.
Speaker 5 (05:20):
Respect too, respect indeed, and what would your Americans know
about respect?
Speaker 2 (05:27):
Well? That cuts it. Now sit back and listen this maddae.
Mister Dunbo, are you going to stand by and hear
me insult it?
Speaker 4 (05:35):
Frankly, I hadn't planned on it, your leadership, but now
that you've mentioned it, I do believe I'd rather enjoyed.
Speaker 2 (05:42):
Carry on a jump.
Speaker 5 (05:44):
Mister Dunbu, I will never purchase another thing in the shop.
Speaker 4 (05:48):
You never have, your ladyship.
Speaker 2 (05:50):
I've never been talked to in this way in my life,
you know. So that's just the trouble with your circle.
Ever since you were born, you've been traveling in one.
You never gave anything, just get what your thought was
come to you. In other words, you and your kind are.
Speaker 4 (06:02):
Just just parasite.
Speaker 2 (06:04):
Yes, thank you, mister Turnbull.
Speaker 4 (06:07):
Keep at it, miss Revere, you're doing quite well, or
as you say in America, you're cooking with petrol.
Speaker 2 (06:13):
Lady smythe I've been around quite a bit. I've seen
a lot of this world, and when you really get
down to it, the only difference between rich people and
poor people is that rich people are only poor people
with money. Are you quite finished, miss Levera? Quite thank you?
Speaker 4 (06:31):
Good day.
Speaker 2 (06:35):
Oh well, I guess I might as well get off
my soapbox. Mister Turnbull. I'm sorry.
Speaker 4 (06:42):
I willned the sale for you, not at all, mister Revere.
I enjoyed the ruining immensely well.
Speaker 2 (06:49):
I didn't mean to lay it down so thick.
Speaker 4 (06:51):
But if I may be permitted to make it comment,
some of those things that you implied were quite true?
But why you were haranguing ladies? SMI, Miss Revere, I
had an idea which I would like very much to
discuss with you later later.
Speaker 2 (07:07):
Why not now come?
Speaker 4 (07:09):
We can't possibly discuss it now. It's it's five o'clock.
It's it's time for tea.
Speaker 2 (07:14):
Oh yes, one mustn't miss tea? Must one?
Speaker 4 (07:30):
Would this table do monsieur turnbull idea? Laurie idea? Don't
you think so? Well?
Speaker 2 (07:37):
Frankly, I feel less conspicuous in a corner someplace, mister Turnbull.
Everybody seems to be staring at us right here in
the center of the joint, I mean restaurant.
Speaker 4 (07:46):
It's exactly why I asked, don't need to see this here?
You are constructed to a track.
Speaker 6 (07:52):
Yeah, this fery, they said, the more miss you gracious monsieur.
Speaker 4 (08:01):
Well, now that we are seated, mister Vera, shall we
order first? First?
Speaker 2 (08:09):
Mister Turnbull, I think I should set you straight before
we go any first?
Speaker 4 (08:13):
Let me straight right, I don't believe I understand my
dear well, I would monsieur, and ma'mselle order now.
Speaker 2 (08:21):
Ma'm finished yet, mister Turnbull about these clothes I'm wearing.
Speaker 4 (08:27):
You beautiful, mister Travera, positively beautiful, the very finest. They
were created by Turnbull and Company, and on you, my dear,
are positively stunning.
Speaker 2 (08:38):
Miss Thank you, Miss Turndll. I agree to wear this
out with your chop because you insisted on it, and well,
I'm grateful for a chance to wear nice things. I'm
very grateful.
Speaker 4 (08:54):
Come, come, come, my dear, you really owe me nothing good.
Speaker 2 (08:59):
Now that that's clear that, let's see.
Speaker 4 (09:03):
I believe we shall order now, Ori, who do care
for a spot of tea?
Speaker 2 (09:07):
Missrever Oh no, if it's all the same to you,
I think I prefer a drip of coffee.
Speaker 4 (09:11):
Really, well, one rip coffee. I'll just have tea. I'll
we miss you.
Speaker 2 (09:19):
Miss Tamber. An outfit like this is one of the
weaknesses of the weaker sex. I wish I could always
wear clothes.
Speaker 4 (09:27):
Like this, you can, Miss Revere. That is what I
want to talk.
Speaker 5 (09:31):
To you about.
Speaker 2 (09:33):
Well, so long, mister Turner.
Speaker 4 (09:35):
Oh no, no, please, mister revel No, don't be foolish.
Speaker 2 (09:38):
This may be a surprise to you, Sonny, but there
are certain items that are not included in lend Leaf.
Speaker 4 (09:44):
Miss Reverale look at me. Do I seem like the
kind of man that your your insinuation suggests.
Speaker 2 (09:50):
No, just because the tea tail don't whistle, don't mean
that there ain't something cooking inside.
Speaker 4 (09:55):
Oh, mister repair, you are the very attractive woman. You
wear clothes divinely my clothes.
Speaker 2 (10:04):
Uh huh.
Speaker 4 (10:04):
Now, when you entered this restaurant, you caused quite the
effect that I had anticipated. The ladies here he thought
you were something other than a professional mannequin.
Speaker 2 (10:13):
The ladies weren't the only ones who thought that.
Speaker 4 (10:15):
The first thing that came into all those women's minds
was where did she get those clothes?
Speaker 2 (10:21):
That was the second thing that came into their minds?
Speaker 4 (10:24):
Miss Revere, How would you like to wear clothes like that?
Always go to the most exclusive hotels and resorts and
have more than enough money not to have to worry
about tomorrow?
Speaker 2 (10:36):
Hmm? No strings?
Speaker 4 (10:39):
No strings?
Speaker 2 (10:41):
What's the gimmick?
Speaker 4 (10:42):
See gimmick?
Speaker 2 (10:43):
What do I have to do to win this British
quiz program?
Speaker 4 (10:48):
Call, Miss Revere? Since the war, barely enough customers have
patronized my salon to pay the overhead. At one time,
the rich came to my salon from all over England.
Speaker 2 (10:58):
Well you can't expect that anymore, Turnbull. Now the gasoline,
I mean Petrol's ration. Even the rich can't afford to
travel to Turnbull and Contry exactly.
Speaker 4 (11:07):
But there is no reason why Turnbull and Company can't
travel to the rich.
Speaker 2 (11:11):
Oh you mean sort of a traveling salesman.
Speaker 4 (11:14):
No, a traveling saleswoman, Miss Revere.
Speaker 2 (11:17):
In other words, me, I never stole clothes in my life.
Speaker 4 (11:23):
You wouldn't have to sell. You just travel around at
my expense to wear the rich congregated.
Speaker 2 (11:28):
Oh and all I have to do is casually mention
where each German I'm wearing is come and the price exactly.
Speaker 4 (11:34):
And when the ladies notice how the eyes of their
attentive swains and husbands wander from their drab cells to.
Speaker 3 (11:40):
Your to your.
Speaker 2 (11:42):
Go, I think I see what you mean.
Speaker 4 (11:45):
Well, Vanity will find a way to get to my
shop in London and to purchase replicas of the clothes
that you have literally being modeling.
Speaker 2 (11:52):
Oh and for this I'll have all the things I
ever wanted to wear.
Speaker 4 (11:56):
Yes, however, there's a one slagh.
Speaker 2 (12:01):
Well this is where I came in, I.
Speaker 4 (12:03):
Mean, Miss prefer Franklin. Many of the best families England.
They don't quite understand Americans. You're an actress. I know,
I saw you. I saw the show you were in. Ah,
so you were the one, and well if you would
sort of act as if you were British?
Speaker 2 (12:24):
Oh, well what do you think of this?
Speaker 4 (12:27):
Oh?
Speaker 2 (12:27):
How did you flu told Veno rocknast just to see
words from harmed Peter and native run down and killed
by a chan.
Speaker 4 (12:38):
Very good, well, miss Prevera, what do you say? Do
you accept?
Speaker 2 (12:44):
Well?
Speaker 4 (12:47):
And you're coffee, ma'mselle.
Speaker 2 (12:49):
I'm so sorry to inconvenience your chap, but I should
for thirty.
Speaker 4 (12:55):
Is ma'mselle changing her order?
Speaker 2 (12:57):
No, just my nationality.
Speaker 1 (13:16):
Adventures of Macie Starring and Southern will continue in just a.
Speaker 3 (13:20):
Moment, And now back to Mazie.
Speaker 4 (14:03):
Clark.
Speaker 3 (14:04):
Clark.
Speaker 7 (14:05):
Oh, yes, Lord Devich, I was just in a process
assault in the morning post. There's the usual letter for you,
your lordship.
Speaker 6 (14:11):
From lad a smile, I presume, yes, sir, tear it
up it destroyeds eh.
Speaker 4 (14:16):
Oh but it's scented, oh, the most exotic perfume.
Speaker 6 (14:21):
Very well, Clark, you may smell it a few more
times and then tear it up, Yes, sir, thank you sir, Yeah,
my only purpose in coming to this dow resort is
to escape the obvious marital net that untiring woman seems
determined to draw.
Speaker 3 (14:33):
Me into it.
Speaker 6 (14:34):
However, I really didn't come here to burden you with
Lafair's smile. Would you be kind enough to telephone the
groom at the stables and ask him to saddle up
that gray's Italian fireline?
Speaker 4 (14:43):
My good fellow, I fly your lordship. Isn't he a
bit of spirited? Quite?
Speaker 6 (14:49):
Certainly your social star can conjure up some activities more
blood tingling than whist or pin the tail on the donkey.
Speaker 7 (14:54):
Oh but your lordship, Kensington Lodge has always been a
vacation resort for well have more advanced years.
Speaker 6 (15:01):
Perhaps, But if some of your aged guests don't do
something besides us sitting around under trees, they're liable.
Speaker 4 (15:07):
To take root.
Speaker 6 (15:09):
I give ten pounds right now if I could piece
my eyes on an exciting beautiful.
Speaker 8 (15:13):
Woman again the pasa You be careful with my luggage
consisting of thirty four complete ensampled from Turber and Company
three twenty six Glory Lane London Operations made three.
Speaker 2 (15:25):
Isn't they are cluck?
Speaker 4 (15:27):
I owe you ten pounds. Oh, she does seem quite attractive,
your lordship.
Speaker 6 (15:33):
Quite The American gree eyes had an expression that have
to describe that particular type of attractiveness. I believe the
phrase was them.
Speaker 2 (15:43):
Words chaps coming into pass at my luggage at the
desk and scamper out of my limousine and help my chaucer.
And I mean I have two, you know, do help
him in you?
Speaker 4 (15:56):
Yes, it wants medium. Oh thank you, maidium, not.
Speaker 2 (16:00):
At all, my good chair. Surely you've been given five
pound tips.
Speaker 7 (16:04):
Before I found hip, Your lordship, she must be very
wealthy or American hard to tell her what she is?
Speaker 4 (16:13):
Excellent?
Speaker 2 (16:13):
Yes it sit down my head box here, boy, and
be careful. It's just put in my new chateau and.
Speaker 7 (16:20):
The chateau pardon me, lordship, Yes madam, what may we
do for you?
Speaker 2 (16:25):
Oh, good afternoon, clerk, My good friend, mister Turnbull of
Turnbuline Company, creators of the very utterly art and feminine apparel,
established in nineteen twenty five. Why ahead, I do believe
for accommodations they didn't you know?
Speaker 4 (16:38):
Oh but of course, your grace.
Speaker 2 (16:41):
Oh no, no, I'm easy city needy vivere.
Speaker 4 (16:45):
I mean, yes, Lady Revere, if he failed to send.
Speaker 2 (16:49):
The wire, I should be livid, but absolutely live it is,
Lady Levere.
Speaker 7 (16:54):
Oh, I do hope there's been no mistake that he
is mister Turnbull's wire. Kindly, book a sweet for a
lady Mazy Revere.
Speaker 2 (17:04):
Oh gee, telegraph come and left you out of comma.
I was supposed to say, book a sweet for a
lady Camma, Lazy Revere.
Speaker 4 (17:11):
I believe you dropped your glove, Lady.
Speaker 2 (17:13):
Revia, thank you, well, thank you very much.
Speaker 7 (17:19):
You were saying, Lady Rivera, something about a comma, I believe.
Speaker 2 (17:22):
Oh yes, yes, I was saying that should I like
it here, I should be very glad to come again,
didn't you know? Oh?
Speaker 6 (17:30):
I see quite certain that you'll enjoy your stay here,
Lady Rivia. And would you think of two presumptuous of
me if I were to ask you to join me for.
Speaker 2 (17:37):
Tea where Oh she was a pushy one. I am
not in the habit of partaking of tea with exchangers,
my good fellow.
Speaker 4 (17:45):
Oh well, I I'm Lord Anthony deverish.
Speaker 3 (17:48):
Lady Rivia.
Speaker 2 (17:49):
Oh well, now that we've been introduced, I suppose it's
all right, well.
Speaker 6 (17:54):
That's very charming of you. Shall we say on the terrace,
I'm about four thirty ish.
Speaker 2 (17:59):
Oh well, i've practically parted, Lord Deverage. It could be
perchance to make that three death ish delighted.
Speaker 4 (18:06):
My delighted. I merely suggested a later are to give
you ample.
Speaker 2 (18:09):
Time to shower or oh well, I've much do do
parts to shower tub. I believe this time I shall
just basina.
Speaker 6 (18:20):
You have a delightful sense of your my letter. I'm
frightfully glad with net right.
Speaker 2 (18:25):
Oh right, don't you know.
Speaker 7 (18:28):
I just check the housekeeper, and I believe your sweet
is all ready for occupancy.
Speaker 4 (18:32):
I shall have your luggage brought up immediately.
Speaker 2 (18:34):
Oh, thank you, my good man.
Speaker 4 (18:36):
Here this is for you, thank you, thank you.
Speaker 6 (18:40):
I was just going upstairs, my sweet, to change later rivilla.
Speaker 4 (18:43):
Perhaps we can ride up together in the same look.
Speaker 2 (18:46):
Oh well, don't you think it might be safer?
Speaker 4 (18:48):
And the elevator elevator? But oh, isn't that the term?
He was in America for a lift?
Speaker 2 (18:54):
Oh yes, now that you mention it, I'm afraid I've
been going to too many of those cinemas. It out
there and the colonies, you know where a girl meets
a man one minute.
Speaker 6 (19:04):
Yes, and then then the next minute he invites her
to die.
Speaker 2 (19:07):
Yeah, things just don't happen that way in real life.
Sometimes he doesn't even know what she rarely is.
Speaker 4 (19:14):
How true?
Speaker 6 (19:16):
And then scarcely two minutes after they've met, the boy
and the girl always subconsciously find themselves calling each other
by their first names.
Speaker 2 (19:23):
Yes, so untrue to real life?
Speaker 4 (19:25):
What quite untrue?
Speaker 2 (19:27):
Yes, well, I'll meet with three thirty for tea.
Speaker 6 (19:30):
And I'll be waiting impatiently amazing.
Speaker 2 (19:47):
Well, from the first moment Tony and me sifted our
tea together, I knew I was a real gone girl.
I forgot that I was just a clothes horse for
Turnbull Company, because in the week that followed, Tony treats
me like a thoroughbreath. Maybe it was the tender way
he lifted me under my horse every time we went riding,
and the gentle way he arranged the cushions on my
(20:07):
chair after I came back. Maybe it was because for
the first time in my life, I was feted like
a lady, not like just a day.
Speaker 6 (20:16):
Oh.
Speaker 2 (20:17):
I tried to tell him the truth about me several times,
but somehow the subject always got changed, or maybe I
didn't try hard enough. Anyway. I remember one afternoon out
in the terrace, I was having tea with Tony again.
He didn't know it, but I was leaving the hotel
that night I'd wired mister Turnbull. I was coming home
and calling the whole arrangement off. Now. While I was
(20:38):
sitting there at the table with Tony, I tried to
think out the words to tell him that I was
in All American Phony and hope that maybe he would understand.
Speaker 4 (20:47):
Gee maybe, hmm. Oh, you've been miles away. Ever, you
think it's time to come down to Earth.
Speaker 2 (20:54):
Yes, down to Tony. Yes, my dear Tony, I I
I Yes.
Speaker 4 (21:03):
I think I have a cup of tea.
Speaker 6 (21:07):
You know you you seem a bit pale this evening.
This chea will blace you up and make you feel
like another person.
Speaker 2 (21:11):
That's exactly my trouble, Tony. Since I've met you, I
actually do feel like another person.
Speaker 6 (21:17):
Amazing, my darling. I was hoping that you thought that way, because, well,
since I've met.
Speaker 2 (21:23):
You, Before you say anything, I'd like to ask you something.
Speaker 4 (21:29):
Anything you have desire anything, Tony? Yes?
Speaker 2 (21:34):
Would you would you?
Speaker 3 (21:37):
Yes?
Speaker 2 (21:39):
Would you pass the lemon.
Speaker 4 (21:41):
Oh certain name my dad?
Speaker 2 (21:42):
Yeah, the trumpet, no, just squeeze it.
Speaker 4 (21:47):
Yeah, the mazy darling. Are you sure that you're all right?
Speaker 2 (21:50):
Yes, Tony, I've got to tell you something that's been
on my mind since since that that day.
Speaker 6 (21:56):
That I have to tell you something too amazing. I've
trained my mind about those boy and girl films that
they make in Hollywood. Lazy please, Tony, me fish naturally.
Speaker 4 (22:08):
My dear ladies, first time, Well that's the.
Speaker 2 (22:10):
Trouble, Tony.
Speaker 5 (22:12):
I'm not any I do hope.
Speaker 4 (22:15):
I'm not in fruiting, Pamela. Where did you come from?
Speaker 2 (22:18):
London?
Speaker 5 (22:19):
My dear Chap just thought I drop by and claim
my letters that you obviously haven't read.
Speaker 4 (22:25):
Crazy darling, what's happened? Well? Are you doing with that
napkin over your face?
Speaker 2 (22:30):
It stopped me in the air when i'd drink my cube.
Speaker 4 (22:33):
Oh, my darling, look, perhaps I can help.
Speaker 5 (22:35):
Help me see, Yes, my dear, I should like to
see Tony's darling too. Perhaps that will explain why you
haven't replied to my letters.
Speaker 2 (22:43):
Drink your friend away from patient. Help Tony, and don't
go about me. This boon isn't stuck in their baby.
Speaker 6 (22:49):
You know, but I'm ridiculous, my darling. I wouldn't want
any infection to set in then, and attorney removed the napkin.
Speaker 1 (22:55):
That's a very good.
Speaker 5 (22:58):
I do hope it's nothing to the you.
Speaker 4 (23:03):
Hello, Pamela, Have you and Lady.
Speaker 2 (23:05):
Revere met Lady Rivera? Tony?
Speaker 6 (23:08):
This girl is an impossa, Pamela. I know you're just
a jealous cat, but I will not have you talk
in that manner.
Speaker 4 (23:13):
To my fiance.
Speaker 2 (23:15):
Tony. Are you insane, No, kiddo, I'm the cookie that's insane.
Speaker 4 (23:19):
Mazie, you're accent. Is this some sort of a game.
Speaker 2 (23:23):
Obviously, Darling, a game of blind man's bluff? You're obviously
the blind? Yeah, and you just call my blood? Shall
I do the honors, lady spies? Or would you like
to tell Lord Debritch the sad story of Maize Revere
girl Schmo that I believe it is American for stinker. Well,
that's pretty close, honey, but if you don't mind, I'll
(23:43):
take it from here very well, my dear Tony.
Speaker 5 (23:47):
If you want me and after this this shop girl
finish is a sordid tail, I imagine you will.
Speaker 2 (23:54):
I'll be at the airport I'm.
Speaker 5 (23:56):
Flying back to London this afternoon.
Speaker 2 (23:58):
Good Bye bye, darling. Have a pleasant ship, and be
careful that you don't fall off your brooom.
Speaker 4 (24:05):
Mazy, Mazy, I just can't understand any of it.
Speaker 2 (24:08):
No, No, when you're born with everything, I guess it
ain't easy. Well, I've been trying to tell you all along,
Lord dead Icious that I'm just a sort of traveling
clothes horse for Turnbull and Company.
Speaker 6 (24:20):
Oh so that's the reason for the continual three six
jerday in London alteration.
Speaker 2 (24:25):
May boy, wait me, Yeah, it was stickly business that
I met you, and then well, I guess the moon
got in my eyes.
Speaker 3 (24:34):
Mazy.
Speaker 4 (24:36):
You remember those American films we've been talking about.
Speaker 2 (24:39):
Yeah, boy meets girl, boy loses girl, boy finds her. Well,
you find me, believe me, brother, right now, I'd like
to get lost.
Speaker 6 (24:47):
Well, I don't want you to get lost, Mazy. There
are other films too. Remember which man meets shop girl,
Which man falls the shop girl.
Speaker 2 (24:57):
Shop girl goes back to shop, but.
Speaker 6 (25:00):
Man follows her and they live happily ever after.
Speaker 2 (25:03):
Yeah, oh, honey, you'd never sell that to an American producer.
It's too commercial, are you amazing?
Speaker 4 (25:12):
I mean it wasn't only money in my case.
Speaker 2 (25:16):
Oh no, it wasn't.
Speaker 4 (25:18):
Well, then, it.
Speaker 6 (25:19):
Wasn't only your rather extensive wardrobe, nor your physical beauty
with me.
Speaker 2 (25:23):
Oh, I know what you're trying to say, Tony and saying,
but it won't work.
Speaker 6 (25:28):
Why not?
Speaker 2 (25:30):
Well, your cavier and me, I'm pickles.
Speaker 4 (25:35):
Pickles and caveat go rather well together when they even.
Speaker 2 (25:37):
Yeah, but after a while it can make your awful sick.
Speaker 4 (25:40):
I wouldn't mind. You will mind.
Speaker 2 (25:44):
Well from different worlds, and I just don't fit into yours.
You're a lord, remembers, and I'm not a lady.
Speaker 6 (25:51):
No, you're wrong, amazing. You may not have that so
called blue blood in your veins, but you certainly are
a lady.
Speaker 1 (26:14):
Just the moment, we shall return to the Adventures of Mazie.
Speaker 4 (26:50):
Now once again, here's Mazie.
Speaker 2 (26:54):
Well, that's the story of Cinderella and or Prince Johnny.
Maybe some of you are saying that I should have
to see what happened? Did Marriage is a wonderful institution. Well,
maybe marriage is a wonderful institution. That's Tony and me.
We just didn't talk to Sam Rymon. There's one thing
I did learn though, It's always better to tell the
(27:15):
truth and lies. At least when you tell the truth,
you don't have to remember what you said. Well, get
along their feet, London is miles away.
Speaker 3 (27:34):
You have just heard.
Speaker 1 (27:35):
The Adventures of Mazie, starring and Southern Mazie, was written
by Arthur Phillips. Original music was composed and conducted by
Harry Zemmermann. Supporting cast included Loreen Tunnell, Ramsey Hill, Ben Wright,
(27:55):
Marvin Miller and Alec Harper.
Speaker 3 (27:57):
Jack McCoy speaking
Speaker 6 (28:03):
The
Popular Podcasts
Stuff You Should Know
If you've ever wanted to know about champagne, satanism, the Stonewall Uprising, chaos theory, LSD, El Nino, true crime and Rosa Parks, then look no further. Josh and Chuck have you covered.
Dateline NBC
Current and classic episodes, featuring compelling true-crime mysteries, powerful documentaries and in-depth investigations. Follow now to get the latest episodes of Dateline NBC completely free, or subscribe to Dateline Premium for ad-free listening and exclusive bonus content: DatelinePremium.com
New Heights with Jason & Travis Kelce
Football’s funniest family duo — Jason Kelce of the Philadelphia Eagles and Travis Kelce of the Kansas City Chiefs — team up to provide next-level access to life in the league as it unfolds. The two brothers and Super Bowl champions drop weekly insights about the weekly slate of games and share their INSIDE perspectives on trending NFL news and sports headlines. They also endlessly rag on each other as brothers do, chat the latest in pop culture and welcome some very popular and well-known friends to chat with them. Check out new episodes every Wednesday. Follow New Heights on the Wondery App, YouTube or wherever you get your podcasts. You can listen to new episodes early and ad-free, and get exclusive content on Wondery+. Join Wondery+ in the Wondery App, Apple Podcasts or Spotify. And join our new membership for a unique fan experience by going to the New Heights YouTube channel now!