July 17, 2025 • 28 mins
A comedy series featuring a spirited young woman navigating life's challenges with wit and charm, often finding herself in humorous situations. Her adventures are both entertaining and endearing.
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:05):
I say, how about out?
Speaker 2 (00:08):
Does that answer your question? Buddy?
Speaker 3 (00:13):
The Adventures of Mazie starring and Southern. You all remember
Metro Goldwen Mayor's famous Mazie patures. Just a moment, you'll
hear Mazie in radio, starring the same glamorous star you
all went to see and loved on the screen. And Southern,
(00:37):
but first you're an ouncer, and now here's hand. Southern
(01:16):
has mazy.
Speaker 2 (01:20):
Yes, I'm mazy, like the man said, Mazy Revere from Brooklyn.
I've been around a lot, and believe me, I face
more of life than portious. But I'm just one of
the forgotten people in this world, like Whistler's father. My profession,
I'm in chow business, but right now I'm not working
very much at it. Funny, though, when you're broke, there's
(01:41):
only three times when you're really minded. Breakfast is lunch
and dinner, Oh yes, and when your hotel bill is due,
which incidentally is today. I owe a month's bill and
a tiny little room. I took room looks more like
a tea bag with walls, but I do owe the
rant in the hotel manager, mister Walter is getting just
(02:01):
a little limitationent with me. I can tell that by
the way he keeps changing the lock on my door. Also,
I'm getting tired of climbing into my room through the transit.
So well, there's only one way out of this mess,
and I'm taking it. Oh, good evening, mister Walters. I
was just going for a little walk.
Speaker 4 (02:24):
Do you always walk down the fire escape, miss Revere?
Speaker 2 (02:27):
Oh? Is this the fire escape?
Speaker 4 (02:30):
Oh didn't you know?
Speaker 2 (02:32):
No? No, I thought this was the staircase the lobby.
You see. I know the janitor always washes the staircase
at night, and I figured this is where he puts
it out to dry.
Speaker 4 (02:45):
Well, that's a natural mistake.
Speaker 2 (02:47):
Miss Revere, is it I mean, yes, yes, it is.
Speaker 4 (02:50):
Yes. So you were just going for a casual stroke.
Speaker 2 (02:54):
Yeah, it's such a nice night, and.
Speaker 5 (02:56):
You decided to take your suitcase with him, And.
Speaker 2 (03:00):
Yes, in cases suddenly gets cold, I might want to
change into something warmer. Well, you know how it is,
mister Walter.
Speaker 4 (03:10):
Yes, I know exactly how it is, Miss Revere.
Speaker 5 (03:13):
I hate to bring this up at two o'clock in
the morning out here on the fire escape, but you've
been a guest at our little hostelry for four weeks now,
and you always a matter of ninety six dollars? Well
that you must agree there's a lot of money.
Speaker 2 (03:25):
But on the contrary, mister Waters, I think for four
weeks it is very reasonable.
Speaker 4 (03:30):
Do you do? I'm now, Miss Revere.
Speaker 5 (03:35):
I feel silly about asking this, But when do you
intend paying your bill?
Speaker 2 (03:39):
It will? Mister Waller's the reason I haven't.
Speaker 4 (03:41):
I don't believe that lie.
Speaker 2 (03:43):
Do you know you don't believe it? You haven't even
heard the lie yet.
Speaker 4 (03:46):
I mean, they come with me, Miss Revere.
Speaker 2 (03:49):
Where you're taking me, mister Waller.
Speaker 4 (03:51):
Back into the hotel to work out your bill?
Speaker 6 (03:54):
Oh? Oh?
Speaker 2 (03:55):
Not as an elevator operator. I hope. I can't stand
hight I even get dizzy when I look at it.
Nail stamps. I'll get the money for you, mister Walder's
my agent is looking around.
Speaker 5 (04:04):
Like crazy, Miss Revere. You're going to work out your
debt to our hotel? Is room clerk, night room cler?
Speaker 2 (04:10):
Oh but I can't. I like to sleep night. I
can't sleep days it's too light.
Speaker 4 (04:14):
Close your eyes and it'll be dark.
Speaker 5 (04:16):
Night room clerk you are, and night room clerk you'll
be until you wipe out your debt.
Speaker 2 (04:22):
I have no experience is a room clerk.
Speaker 5 (04:24):
Well, it's quite simple, Miss Revere. All you have to
do is say no to everything. You certainly know how
to do that.
Speaker 2 (04:30):
I should. I've been doing that since the first time
I put on high heels.
Speaker 5 (04:34):
Oh, pardon me, Miss Revere. Hello, Hotel Mercury. Mister Walter
is the night manager speaking. Oh oh, Heavenster Betsy. Oh yes, yes,
your hidings. Oh, of course, your majesty, the very best
your hidays. The Royal Highness Baron Krabotsnik of Georgia.
Speaker 4 (04:55):
He bel boy front stay postage.
Speaker 2 (04:57):
Postage latch that don't sound like no seven name in.
Speaker 4 (05:01):
Miss Revere.
Speaker 5 (05:01):
The Baron comes from Georgia, one of the countries in
the Balkans.
Speaker 7 (05:05):
It's part of Russia, naturally, Yes, mister Wallace, you rang,
Oh howly, Miss Revere.
Speaker 2 (05:10):
Hi, Jimmy, how's Tipspin lately?
Speaker 8 (05:13):
Eh?
Speaker 5 (05:13):
Noel, There'll be much more Jimmy when Baron Krabotchnik gets here.
Oh just to think that soon we'll have honest to
goodness royalty staying in our humble little inn.
Speaker 4 (05:22):
I'm so thrill like a just swoon.
Speaker 7 (05:23):
Oh, Baron Krobotchnik, say I've been reading about that guy.
He's got more money than Jack than he says he hasn't.
Speaker 2 (05:30):
Yeah, I recall reading the name of the newspapers. He's
the fellow that just married that American child girl.
Speaker 4 (05:35):
Yeah, Jay, please, this is no time for idle chat. Jimmy.
Speaker 5 (05:38):
I want you to see that the housekeeper has the
Royal Bridal sweet ready for the baron.
Speaker 2 (05:41):
And baron is the Royal Bridal suite, Yeah, the one
with the window.
Speaker 6 (05:46):
I wonder why he wants to stay.
Speaker 7 (05:48):
Oh say, maybe the baron's one of those jerks but
don't like no publicity exactly.
Speaker 5 (05:54):
He expressly mentioned that that's the reason for staying here.
Speaker 4 (05:57):
He just can't stand newspapers.
Speaker 2 (05:59):
Then it's a good thing he ain't going to be
in my room. That's what the walls are papered with.
Speaker 5 (06:03):
Well, Miss Revere, I must rush downtown and tell mister Cooby,
the owner of the hotel, the glad Tidings, that we're
having a royal bride and groom here, and Miss Revere,
if the royal honeymooners arrive while I'm gone, just show
them right up to the bridal suite. They're traveling incognito
and probably won't give the right mate.
Speaker 6 (06:20):
Oh yeah, say miss Revere. Did I hear right? You
the wom clerk.
Speaker 2 (06:23):
Now, yeah, Jimmy, I'm working my way through a hotel bill.
Oh well, you better go tell the housekeeper to air
out the Royal Bridal suite for the Baron and missus Baron.
Speaker 7 (06:33):
Oh sure, miss Reaver, I'll do it. See a man
and a woman just come in. They look awfully happy.
Speaker 2 (06:40):
Probably never stopped at this hotel before. Well, i'd better
get my sneer ready, got to look real hotel clerky,
you know, see, lady Jimmy, Ah, that's.
Speaker 4 (06:49):
Fanciful for their leaves. Come on, do not be afraid.
Speaker 9 (06:54):
Oh I'm just tired, darling. We've been all over town
looking for a room. Guys, this is a norful way
to spend your honeymoon night wandering around.
Speaker 4 (07:05):
I'm not doing no, try my local wife. I have
a feeling that at this hotel room they will have
god like.
Speaker 9 (07:14):
They've just got to give us a room here. I
just got to I just couldn't spend my honeymoon night
alone in my room.
Speaker 1 (07:23):
Why no, no lives, You'll never be alone anymore.
Speaker 4 (07:28):
Remember now you are, missus Johann Schmidt.
Speaker 2 (07:32):
It's now John Smith, honey, not your Hunt Schmidt.
Speaker 8 (07:36):
Yeah.
Speaker 4 (07:37):
Yeah, keep forgetting I'm now a real American. It's a
real American name. You are very wise insistings that I
change it legally.
Speaker 2 (07:46):
My dad, I don't make it easier for you to
get a job.
Speaker 6 (07:51):
Now that we were married. Who can tell?
Speaker 2 (07:54):
Pretty soon we may.
Speaker 4 (07:55):
Have to support Yeah, yeah, yeah, we must get their
room and we will.
Speaker 10 (08:02):
We owe it to our little one.
Speaker 8 (08:05):
Clark Clark.
Speaker 2 (08:07):
Okay, okay, san, you don't have to yell. Just ducked
under the desk for a moment to fix my guard.
Speaker 10 (08:12):
Oh I didn't see you.
Speaker 2 (08:13):
You're not supposed to. Now what can I do for you?
We would like a room, you see we.
Speaker 5 (08:21):
Ah, honeymoon is yeah, yeah, and we would like a
place to stay for the night.
Speaker 10 (08:28):
It's very important.
Speaker 2 (08:29):
Well I'm sorry, folks, but the hotel is filled up
and failed. Well I'm sorry, folks, but you know how
it is.
Speaker 10 (08:37):
No, we do not know how it is.
Speaker 4 (08:39):
We've just been married. I mean, miss, I demand that
you accommodate us.
Speaker 5 (08:45):
You demand, yes, yeah, we demand.
Speaker 2 (08:48):
The bridal suite.
Speaker 6 (08:52):
That's so expensive.
Speaker 1 (08:53):
Money?
Speaker 10 (08:54):
What is money?
Speaker 2 (08:55):
Frankly, I wouldn't know I ain't come across any in
a long time. Say you must be him.
Speaker 4 (09:02):
I'm not him, I must I mean me.
Speaker 1 (09:06):
Now do we get to bye?
Speaker 2 (09:08):
Oh yes, your highness, highness, you're making some mistake.
Speaker 4 (09:13):
My name is John Smith.
Speaker 10 (09:16):
Yeah, John Smith.
Speaker 2 (09:18):
Oh, mister and missus John Smith, naturally sign here your
royal Oh yeah, your royal smithness.
Speaker 4 (09:27):
Miss. What I wanted to say is that John Smith
is not my real name.
Speaker 2 (09:32):
Of course not it never is.
Speaker 4 (09:35):
Miss. I don't know who it is that you think
we are.
Speaker 8 (09:39):
But whoever you think we are.
Speaker 6 (09:42):
I'm so sleepy.
Speaker 2 (09:45):
We are sure, sure, I don't worry. Nobody will ever
know your highness. If you say you're mister and missus
John Smith, well then you're mister and missus John Smith,
right right, right, Well he's a parent. Here's the register.
Speaker 10 (10:00):
But what do I do now?
Speaker 2 (10:01):
Right?
Speaker 8 (10:01):
Oh?
Speaker 2 (10:02):
Yeah, n yes, they're here, Jimmy, the couple mister Walders
was expected.
Speaker 7 (10:10):
Yeah, Jimmy, yeah, yes.
Speaker 2 (10:15):
Showed John Smith and minnehaha here.
Speaker 7 (10:17):
To the bridal free Oh yes, sure this way, folks,
I mean you're a royal folks.
Speaker 4 (10:23):
Thank you, come down, good night, miss thank you.
Speaker 3 (10:27):
And we would not like to be disturbed.
Speaker 2 (10:31):
Oh, don't worry. In case there's a fire, we'll put
it out nice and quietly with soft water. Good evening,
I mean good morning, Hotel Mercury.
Speaker 8 (10:53):
Oh let me talk to.
Speaker 2 (10:56):
With whom have I got the pleasure?
Speaker 8 (10:58):
This is time and your agent?
Speaker 2 (11:00):
Well, well, so it's nothing doing today. Don't call us,
we'll call you. Herman.
Speaker 8 (11:04):
Well, I'm calling you now, honey. You open tomorrow night
at the Rialit Toldeta Brookn are.
Speaker 2 (11:10):
Real as to good as Brooken?
Speaker 8 (11:11):
You mean it, Herman, Mazie, you ever't know me to
tell a lie.
Speaker 2 (11:15):
Answer the question, Herman, Yeah, it's all set if you
click on this one.
Speaker 8 (11:19):
Baby. Well, I ain't promising nothing you mind you, but
uh it might mean.
Speaker 2 (11:23):
The palace, the palace in New York.
Speaker 8 (11:26):
No boise idol.
Speaker 2 (11:28):
Ah, say Herman. How much am I getting?
Speaker 5 (11:32):
Well?
Speaker 8 (11:32):
Baby, things are pretty tough. You know. You'll have to
take a little lesson you usually get.
Speaker 2 (11:36):
I didn't think there was anything less than that. Well, okay,
herma'll be there. I still got my costume in my suitcase,
all clean and ready for justin cake.
Speaker 8 (11:44):
Okay, baby, I'm not I'm dead.
Speaker 5 (11:47):
Well, mister beer, I told the boss the good news,
or you should have seen his face when he found
out that Baron and baron is Krabotsnik.
Speaker 4 (11:53):
Are going to honeymoon at his hotel.
Speaker 2 (11:55):
Not a going to mister Walfa. Ah, oh, they've just
gone up to the bridle Fleet. See they're a cute.
Speaker 4 (12:04):
Cute is hardly the word for it.
Speaker 5 (12:06):
The baroness is supposed to be the most striking blonde
in this country.
Speaker 2 (12:09):
Yeah, the way she giggles every time she is blonde, Yeah.
Speaker 4 (12:14):
It's practically platnut. Yeah, we're there, didn't.
Speaker 2 (12:18):
True the one I send up with a brunette.
Speaker 4 (12:20):
A brunette when this morning's beer she was a decided blonde.
Speaker 2 (12:24):
Well, I guess in the evening she decided out another color.
Speaker 4 (12:28):
Perhaps women are that way sometimes.
Speaker 2 (12:30):
Yeah, because I couldn't understand what she ever saw on
a little shrimp like the bearon.
Speaker 4 (12:35):
Well, you never can't take shrimp. The baron is sixty five.
Speaker 2 (12:41):
Well, some shrimpers are taller than others.
Speaker 5 (12:44):
No, no, you didn't. It can't be.
Speaker 2 (12:47):
Well, I'm afraid it can. But but gosh, they asked
a little like they were a real baron and missus
Baron his accent is the man in manner. Yeah, I'm sorry,
mister Walter, you'll be quite.
Speaker 4 (12:59):
A whole lot.
Speaker 5 (13:00):
Sorry, Miss Revere, that bridal sweet is reserved for the
real Baron and Baron. Get those two impostors out of
that suite, or instead of letting you work off your bill,
I'll attach all your lucky But you.
Speaker 2 (13:11):
Can't do that, mister is My costume is in that suitcase.
Now I've got to open tomorrow.
Speaker 4 (13:14):
Night with my ass, Miss Revere.
Speaker 5 (13:16):
I'm afraid you'll have to go on without that costume,
but I can't.
Speaker 2 (13:19):
It ain't that kind of an ass.
Speaker 4 (13:21):
That is my final decision. Miss Revere.
Speaker 2 (13:26):
Throwing a pair of honeymooners out its dirty trick?
Speaker 4 (13:30):
Well are you going to do it?
Speaker 2 (13:32):
Yeah, cham as soon as I can think of a
trick that's dirty enough.
Speaker 3 (13:46):
The Adventures of Masie is starring and Southern will continue
in just a moment.
Speaker 4 (14:26):
And now back to Mazie.
Speaker 6 (14:34):
Here we are, Miss Revere. Twelfth floor bridal.
Speaker 7 (14:36):
Suite is just down the hall. Thanks, Jimmy, Well what's
the matter, Miss Revere? Elevator right a little too fast
for you?
Speaker 2 (14:43):
Yeah, you better give me time to fasten my safety
belt when we were up here.
Speaker 6 (14:47):
Oh, I'm sorry, anything else I can do for you.
Speaker 2 (14:50):
Yeah, next time you come up, bring my shoes.
Speaker 7 (14:52):
I mean about getting that fake baron and baroness out
of the bridal suite. You ain't got long before the
real royal krobachniks get here.
Speaker 8 (14:59):
You know.
Speaker 2 (15:00):
That's why I gotta work fast and nasty.
Speaker 7 (15:02):
See that that's singing job at the theater tomorrow night
means an awful lot to you. Don't let miss Revere and.
Speaker 2 (15:07):
I just have to get those honeymoon's out of that
sweeter mister Wallers won't let me have my costume.
Speaker 7 (15:11):
Well, lots a lot, Miss re Bear. If you need
any help evicting that.
Speaker 6 (15:15):
Couple, just holler.
Speaker 2 (15:17):
If you hear any hollering, Jimmy, it'll be those honeymooners.
Speaker 4 (15:28):
Well, my own little wife here we are alone.
Speaker 1 (15:34):
In our own little brider, sweet that lone.
Speaker 2 (15:40):
Yes, don't you want to kiss your bride?
Speaker 5 (15:45):
Honey?
Speaker 10 (15:46):
That's your question.
Speaker 1 (15:48):
Calm leaves snugger closer to your husband. How is this,
darling wonder shore, Oh, my little flaw do I love?
Speaker 4 (16:07):
What is it?
Speaker 2 (16:09):
The room clerk, it's a very important question I must
ask you.
Speaker 4 (16:13):
Oh fine, just a minute.
Speaker 2 (16:19):
Hello, Fox's comfortable.
Speaker 10 (16:22):
We will.
Speaker 4 (16:24):
But that's important question.
Speaker 1 (16:26):
You wanted to ask.
Speaker 2 (16:27):
What would you kids like for tomorrow's breakfast? It's a
nice three minute eggs pertn No, we just want to
be left alone.
Speaker 1 (16:35):
Yeah, good night, miss, please, good night.
Speaker 6 (16:41):
Such a question at the time, like this food we want, Darling?
Speaker 2 (16:49):
I know, thank you?
Speaker 8 (16:58):
What is not?
Speaker 2 (17:01):
How about a nice steak?
Speaker 6 (17:03):
All right? All right?
Speaker 1 (17:04):
Anything to be left alone, honeymoon.
Speaker 8 (17:09):
We have fool steaks for bankfast, but.
Speaker 2 (17:12):
Tomorrow without potatoes.
Speaker 1 (17:14):
Good night, good night, She's gone for good?
Speaker 11 (17:21):
Yes alone last, my husband, we don't have any potatoes.
Speaker 2 (17:33):
You have to take those steaks without something else. Okay, okay, gosh,
you don't have a guest story just because we haven't
to run out of potatoes. Good night night, Well, such temper,
good night.
Speaker 5 (17:54):
I think for.
Speaker 4 (17:55):
Good she's gone now, thank goodness.
Speaker 1 (18:00):
No, what did you say, Darling?
Speaker 2 (18:09):
He said, kiss me. Oh, this is a terrible Yeah.
I don't see how anybody can stand staying here, can I?
Speaker 4 (18:17):
Miss?
Speaker 1 (18:17):
You're going to get out of here tomorrow?
Speaker 6 (18:23):
Well, yeah, I know.
Speaker 7 (18:38):
I said I'd like to help you get them Smith's
out of their mystery. But this idea sounds sort of risky.
Speaker 2 (18:44):
I know, Jimmy, but gosh, this is an emergency, it is.
Speaker 6 (18:48):
Yes, well, okay, mystery veral Okay. If you're sure mister
Wallace won't get.
Speaker 2 (18:52):
White, well how can he? He's down at the desk
waiting for the real Baron and Baroness. You have the
key to mister Waller's room, don't you know.
Speaker 6 (18:58):
But I can get it from there down on the basement. Good.
Speaker 2 (19:01):
Mister Waller's room is right next to the bridal suite,
you know. And as soon as we get into mister Waller's.
Speaker 7 (19:06):
Room, we start making the racket that drives them phonies
out of the bridle seat.
Speaker 4 (19:09):
Yeah.
Speaker 2 (19:10):
Yeah, And we've got just a few minutes before the
real baron and his bride get here. And Jimmy, I
know you're taking a big risk that I'll help you
out when you get in trouble.
Speaker 6 (19:19):
Oh but I never get into trouble.
Speaker 2 (19:21):
That's silly. Anybody that has anything to do with me
always has trouble. Come on, let's get that key, Jimmy.
Speaker 5 (19:38):
I'm terribly sorry, Baron and Baroness Krabotsniki, it was a terrible, terrible.
Speaker 4 (19:42):
Mistake about the bridal suite. I don't know what to say.
Speaker 1 (19:45):
Say in my country. You would say nothing. You're in
the shot.
Speaker 2 (19:50):
The whole thing is ridiculous. This is a honeymoon. We
can't just walk the streets all night.
Speaker 1 (19:54):
You do not cry out your beautiful eyes, my little believings.
Speaker 5 (19:57):
We shall have a place to stay tonight. Who are
your highness? You can always sleep in the lobby.
Speaker 1 (20:02):
We want a role. My demand that we be giving
the Royal Bridle sweet throw those peasants out.
Speaker 4 (20:08):
But I can't do that, your highness.
Speaker 1 (20:10):
This is a democracy, and throw those democrats out.
Speaker 2 (20:13):
Surely you can give the couple occupying our suite some
other room to stay.
Speaker 5 (20:17):
But your highness, every room in the hotel is occupied
just the moment, Your Highness, a nasty little thought, just
game the bye, by nastish mess.
Speaker 1 (20:27):
They all they want? Is that sweet for me?
Speaker 4 (20:31):
My little bubblets?
Speaker 2 (20:33):
Yes, chorus, So tired, quick.
Speaker 1 (20:37):
Passion, before my bride falls asleep.
Speaker 4 (20:41):
I'm buzzing the Bridle suitet.
Speaker 5 (20:42):
Now, your highness old there we are now, Oh, good morning,
mister Smith.
Speaker 4 (20:46):
This is the night manager. Oh please hear such language.
Mister Smith.
Speaker 5 (20:52):
It seems by some mistake you were putting the Bridle
suite reserved for the Baron and baroness krabatchni or not.
Speaker 1 (20:58):
Being gentle with the past. Kindness does not work with
the lower classes. Hang them out and shoot them.
Speaker 2 (21:05):
You can't take people out in this country and just
shoot them because they're poor.
Speaker 5 (21:08):
Boris you come, Yes, I know, mister Smith, But would
you mind if I moved you to another room, A
room fourteen twelve.
Speaker 4 (21:16):
Yes, it's vacant. Oh, thank you very much.
Speaker 5 (21:19):
Yes, you can go right there and I'll meet you
at fourteen twelve with the key.
Speaker 1 (21:23):
It is fixed.
Speaker 5 (21:24):
Yes, the bridal sweet is yours, Your highness, you can
go right up.
Speaker 2 (21:28):
Oh, Boris, I'm so glad. Come kiss me quickly.
Speaker 4 (21:31):
I'll show you the.
Speaker 1 (21:32):
Way I know, the way I have kissed women before.
Speaker 2 (21:50):
We're in luxury. The room's empty, mister Wallace must still
be down at the death Oh.
Speaker 6 (21:54):
Please, miss or not so loud will disturb the people
next door.
Speaker 2 (21:58):
That's the idea, Jimmy, don't you remember?
Speaker 6 (22:00):
Yeah, but I keep trying to forget.
Speaker 2 (22:02):
Okay, now, Jimmy, start the yelling.
Speaker 7 (22:04):
Okay, this is a fine thing. I come home from
a hard day's.
Speaker 2 (22:09):
No, no louder, Jimmy, Okay, come on.
Speaker 6 (22:13):
This is a fine thing. I come home from a
hard day's work at the poor room.
Speaker 8 (22:16):
Man, what do I get?
Speaker 6 (22:18):
No supper?
Speaker 12 (22:18):
Well, stupper, he wants supper? Now, wait a minute, one morning,
what supper? Go and get a job, A job, a job.
I've been working on a job for three years.
Speaker 2 (22:29):
You've a kind of a job.
Speaker 6 (22:31):
I don't know. I'm still working on it.
Speaker 9 (22:36):
Over the head with me again, use a chat.
Speaker 8 (22:43):
Come back, I'm low, sir.
Speaker 2 (22:44):
We got him raled up, Jimmy, keep going.
Speaker 6 (22:46):
Okay, a fine wife? You are?
Speaker 8 (22:48):
Why you ain't never washed my shirt?
Speaker 2 (22:51):
How could I always wearing it?
Speaker 8 (22:53):
That's no excuse.
Speaker 12 (22:56):
Stop that shouting, shouting woman carry on an ordinary conversation
with her own husband.
Speaker 6 (23:06):
Shut up, Junior, be quiet and drink your beer.
Speaker 2 (23:10):
Yeah you too, Junior, okay, with a knife, pick of.
Speaker 1 (23:14):
Dynamite, mama, but you dynam a fine thing.
Speaker 7 (23:18):
We ain't got food in the joint, and you spend
good money on toys.
Speaker 2 (23:22):
But at least it keeps him off the street, don't daughter?
I annoyed?
Speaker 4 (23:30):
You know?
Speaker 1 (23:31):
Can't you be quiet? Low lifers?
Speaker 2 (23:33):
No lifers?
Speaker 12 (23:35):
Sam totus bomb?
Speaker 1 (23:37):
Do you know who I am? I am the barn.
Speaker 2 (23:41):
I don't care the barn. You know who I am no,
Thank goodness.
Speaker 6 (23:48):
Look, your baroness, I can explain.
Speaker 1 (23:50):
I think the manager you'll have to explain why you
are keeping awake by bride and me next door.
Speaker 4 (23:55):
I am just fresh married on my honeymoon.
Speaker 1 (23:59):
Must have fired two o'clock in the morning.
Speaker 2 (24:01):
Oh but your highness, I thought, I mean, we thought, well, Jimmy,
say something to the baron.
Speaker 6 (24:07):
Oh sure, Baron. I hope you and your wife will
be very happy.
Speaker 1 (24:11):
Happy I will be if you two get.
Speaker 2 (24:13):
Out of you Oh glad, your highness, But you're block
in the way. You wouldn't want us to jump out
of the window, would you say?
Speaker 4 (24:19):
What's all this rumpers about? Miss Revere? What are you
doing here?
Speaker 1 (24:23):
Me?
Speaker 2 (24:24):
Oh well, I thought well I wanted to get rid
of the smith.
Speaker 6 (24:29):
Yes, you see, mister Wallace.
Speaker 2 (24:31):
We yes, any.
Speaker 5 (24:35):
Questions, Miss Revere, I'll talk to you alone. If please
go back to your room, your highness, and I promise
you you won't be disturbed anymore.
Speaker 4 (24:44):
And tell your bride I'm awfully sorry.
Speaker 1 (24:46):
Tell her you're sorry. You expect me to wake her
up just for that? Good night? You? You a lot
of nuskins?
Speaker 6 (24:55):
A lot of nuskins? What does that mean?
Speaker 2 (24:57):
I don't know, but we probably are. Mister Walls All,
this wasn't Jimmy's thought. He he just came in here
to try to stop me.
Speaker 5 (25:05):
Miss never mind, Jimmy, Miss Revere, if you had bothered
to check with me, you would have found out that
I transferred the smith to another room.
Speaker 2 (25:12):
Oh it's all right, Oh like a girl sleep on
a pod bench.
Speaker 4 (25:18):
I'm glad you said that, mister Reveral.
Speaker 1 (25:20):
You may have to, may have to.
Speaker 4 (25:23):
Yes, you see, I gave your room to the smith.
Speaker 13 (25:26):
Oh no, just the moment, we shall return to the
adventures of Macie.
Speaker 3 (26:20):
Oh once again, here's bazy.
Speaker 1 (26:25):
Well.
Speaker 2 (26:25):
Here I am at three in the morning, walk in
the streets in search of a nice, quiet hotel where
they don't ask embarrassing questions like can you pay for
a room? Anyway? I got my suitcase in my costume back.
But if I don't get some sleep, I ain't saying
what kind of an act I'm gonna put on tomorrow
at the theater. I'm so sleepy that my act will
be a novelty. It will probably be the first time
(26:48):
an audience has ever heard take me out to the ballgame, yawned. Oh, oh, exactly, broke.
I feel bad enough to go to an all night movie. Well,
here goes head to the Apollo, tails the Gem. It's
right down the steward with my luck. When you just
(27:10):
know something like that would happen with my last.
Speaker 6 (27:13):
Quarterer, you have just heard.
Speaker 3 (27:23):
The Adventures of Mazie, starring and Southern Mazie, was written
by Arthur Phillips. Original music was composed and conducted by
Harry Zimmerman. Supporting cast included Loreen Tuttle, Hans Conried, Frank Nelson,
(27:45):
Sidney Miller, Mary Stewart, Harry Bartel, and Alan Reid.
Speaker 10 (27:49):
Jack mccoysby A.
Speaker 4 (28:14):
D MA
I say, how about out?
Speaker 2 (00:08):
Does that answer your question? Buddy?
Speaker 3 (00:13):
The Adventures of Mazie starring and Southern. You all remember
Metro Goldwen Mayor's famous Mazie patures. Just a moment, you'll
hear Mazie in radio, starring the same glamorous star you
all went to see and loved on the screen. And Southern,
(00:37):
but first you're an ouncer, and now here's hand. Southern
(01:16):
has mazy.
Speaker 2 (01:20):
Yes, I'm mazy, like the man said, Mazy Revere from Brooklyn.
I've been around a lot, and believe me, I face
more of life than portious. But I'm just one of
the forgotten people in this world, like Whistler's father. My profession,
I'm in chow business, but right now I'm not working
very much at it. Funny, though, when you're broke, there's
(01:41):
only three times when you're really minded. Breakfast is lunch
and dinner, Oh yes, and when your hotel bill is due,
which incidentally is today. I owe a month's bill and
a tiny little room. I took room looks more like
a tea bag with walls, but I do owe the
rant in the hotel manager, mister Walter is getting just
(02:01):
a little limitationent with me. I can tell that by
the way he keeps changing the lock on my door. Also,
I'm getting tired of climbing into my room through the transit.
So well, there's only one way out of this mess,
and I'm taking it. Oh, good evening, mister Walters. I
was just going for a little walk.
Speaker 4 (02:24):
Do you always walk down the fire escape, miss Revere?
Speaker 2 (02:27):
Oh? Is this the fire escape?
Speaker 4 (02:30):
Oh didn't you know?
Speaker 2 (02:32):
No? No, I thought this was the staircase the lobby.
You see. I know the janitor always washes the staircase
at night, and I figured this is where he puts
it out to dry.
Speaker 4 (02:45):
Well, that's a natural mistake.
Speaker 2 (02:47):
Miss Revere, is it I mean, yes, yes, it is.
Speaker 4 (02:50):
Yes. So you were just going for a casual stroke.
Speaker 2 (02:54):
Yeah, it's such a nice night, and.
Speaker 5 (02:56):
You decided to take your suitcase with him, And.
Speaker 2 (03:00):
Yes, in cases suddenly gets cold, I might want to
change into something warmer. Well, you know how it is,
mister Walter.
Speaker 4 (03:10):
Yes, I know exactly how it is, Miss Revere.
Speaker 5 (03:13):
I hate to bring this up at two o'clock in
the morning out here on the fire escape, but you've
been a guest at our little hostelry for four weeks now,
and you always a matter of ninety six dollars? Well
that you must agree there's a lot of money.
Speaker 2 (03:25):
But on the contrary, mister Waters, I think for four
weeks it is very reasonable.
Speaker 4 (03:30):
Do you do? I'm now, Miss Revere.
Speaker 5 (03:35):
I feel silly about asking this, But when do you
intend paying your bill?
Speaker 2 (03:39):
It will? Mister Waller's the reason I haven't.
Speaker 4 (03:41):
I don't believe that lie.
Speaker 2 (03:43):
Do you know you don't believe it? You haven't even
heard the lie yet.
Speaker 4 (03:46):
I mean, they come with me, Miss Revere.
Speaker 2 (03:49):
Where you're taking me, mister Waller.
Speaker 4 (03:51):
Back into the hotel to work out your bill?
Speaker 6 (03:54):
Oh? Oh?
Speaker 2 (03:55):
Not as an elevator operator. I hope. I can't stand
hight I even get dizzy when I look at it.
Nail stamps. I'll get the money for you, mister Walder's
my agent is looking around.
Speaker 5 (04:04):
Like crazy, Miss Revere. You're going to work out your
debt to our hotel? Is room clerk, night room cler?
Speaker 2 (04:10):
Oh but I can't. I like to sleep night. I
can't sleep days it's too light.
Speaker 4 (04:14):
Close your eyes and it'll be dark.
Speaker 5 (04:16):
Night room clerk you are, and night room clerk you'll
be until you wipe out your debt.
Speaker 2 (04:22):
I have no experience is a room clerk.
Speaker 5 (04:24):
Well, it's quite simple, Miss Revere. All you have to
do is say no to everything. You certainly know how
to do that.
Speaker 2 (04:30):
I should. I've been doing that since the first time
I put on high heels.
Speaker 5 (04:34):
Oh, pardon me, Miss Revere. Hello, Hotel Mercury. Mister Walter
is the night manager speaking. Oh oh, Heavenster Betsy. Oh yes, yes,
your hidings. Oh, of course, your majesty, the very best
your hidays. The Royal Highness Baron Krabotsnik of Georgia.
Speaker 4 (04:55):
He bel boy front stay postage.
Speaker 2 (04:57):
Postage latch that don't sound like no seven name in.
Speaker 4 (05:01):
Miss Revere.
Speaker 5 (05:01):
The Baron comes from Georgia, one of the countries in
the Balkans.
Speaker 7 (05:05):
It's part of Russia, naturally, Yes, mister Wallace, you rang,
Oh howly, Miss Revere.
Speaker 2 (05:10):
Hi, Jimmy, how's Tipspin lately?
Speaker 8 (05:13):
Eh?
Speaker 5 (05:13):
Noel, There'll be much more Jimmy when Baron Krabotchnik gets here.
Oh just to think that soon we'll have honest to
goodness royalty staying in our humble little inn.
Speaker 4 (05:22):
I'm so thrill like a just swoon.
Speaker 7 (05:23):
Oh, Baron Krobotchnik, say I've been reading about that guy.
He's got more money than Jack than he says he hasn't.
Speaker 2 (05:30):
Yeah, I recall reading the name of the newspapers. He's
the fellow that just married that American child girl.
Speaker 4 (05:35):
Yeah, Jay, please, this is no time for idle chat. Jimmy.
Speaker 5 (05:38):
I want you to see that the housekeeper has the
Royal Bridal sweet ready for the baron.
Speaker 2 (05:41):
And baron is the Royal Bridal suite, Yeah, the one
with the window.
Speaker 6 (05:46):
I wonder why he wants to stay.
Speaker 7 (05:48):
Oh say, maybe the baron's one of those jerks but
don't like no publicity exactly.
Speaker 5 (05:54):
He expressly mentioned that that's the reason for staying here.
Speaker 4 (05:57):
He just can't stand newspapers.
Speaker 2 (05:59):
Then it's a good thing he ain't going to be
in my room. That's what the walls are papered with.
Speaker 5 (06:03):
Well, Miss Revere, I must rush downtown and tell mister Cooby,
the owner of the hotel, the glad Tidings, that we're
having a royal bride and groom here, and Miss Revere,
if the royal honeymooners arrive while I'm gone, just show
them right up to the bridal suite. They're traveling incognito
and probably won't give the right mate.
Speaker 6 (06:20):
Oh yeah, say miss Revere. Did I hear right? You
the wom clerk.
Speaker 2 (06:23):
Now, yeah, Jimmy, I'm working my way through a hotel bill.
Oh well, you better go tell the housekeeper to air
out the Royal Bridal suite for the Baron and missus Baron.
Speaker 7 (06:33):
Oh sure, miss Reaver, I'll do it. See a man
and a woman just come in. They look awfully happy.
Speaker 2 (06:40):
Probably never stopped at this hotel before. Well, i'd better
get my sneer ready, got to look real hotel clerky,
you know, see, lady Jimmy, Ah, that's.
Speaker 4 (06:49):
Fanciful for their leaves. Come on, do not be afraid.
Speaker 9 (06:54):
Oh I'm just tired, darling. We've been all over town
looking for a room. Guys, this is a norful way
to spend your honeymoon night wandering around.
Speaker 4 (07:05):
I'm not doing no, try my local wife. I have
a feeling that at this hotel room they will have
god like.
Speaker 9 (07:14):
They've just got to give us a room here. I
just got to I just couldn't spend my honeymoon night
alone in my room.
Speaker 1 (07:23):
Why no, no lives, You'll never be alone anymore.
Speaker 4 (07:28):
Remember now you are, missus Johann Schmidt.
Speaker 2 (07:32):
It's now John Smith, honey, not your Hunt Schmidt.
Speaker 8 (07:36):
Yeah.
Speaker 4 (07:37):
Yeah, keep forgetting I'm now a real American. It's a
real American name. You are very wise insistings that I
change it legally.
Speaker 2 (07:46):
My dad, I don't make it easier for you to
get a job.
Speaker 6 (07:51):
Now that we were married. Who can tell?
Speaker 2 (07:54):
Pretty soon we may.
Speaker 4 (07:55):
Have to support Yeah, yeah, yeah, we must get their
room and we will.
Speaker 10 (08:02):
We owe it to our little one.
Speaker 8 (08:05):
Clark Clark.
Speaker 2 (08:07):
Okay, okay, san, you don't have to yell. Just ducked
under the desk for a moment to fix my guard.
Speaker 10 (08:12):
Oh I didn't see you.
Speaker 2 (08:13):
You're not supposed to. Now what can I do for you?
We would like a room, you see we.
Speaker 5 (08:21):
Ah, honeymoon is yeah, yeah, and we would like a
place to stay for the night.
Speaker 10 (08:28):
It's very important.
Speaker 2 (08:29):
Well I'm sorry, folks, but the hotel is filled up
and failed. Well I'm sorry, folks, but you know how
it is.
Speaker 10 (08:37):
No, we do not know how it is.
Speaker 4 (08:39):
We've just been married. I mean, miss, I demand that
you accommodate us.
Speaker 5 (08:45):
You demand, yes, yeah, we demand.
Speaker 2 (08:48):
The bridal suite.
Speaker 6 (08:52):
That's so expensive.
Speaker 1 (08:53):
Money?
Speaker 10 (08:54):
What is money?
Speaker 2 (08:55):
Frankly, I wouldn't know I ain't come across any in
a long time. Say you must be him.
Speaker 4 (09:02):
I'm not him, I must I mean me.
Speaker 1 (09:06):
Now do we get to bye?
Speaker 2 (09:08):
Oh yes, your highness, highness, you're making some mistake.
Speaker 4 (09:13):
My name is John Smith.
Speaker 10 (09:16):
Yeah, John Smith.
Speaker 2 (09:18):
Oh, mister and missus John Smith, naturally sign here your
royal Oh yeah, your royal smithness.
Speaker 4 (09:27):
Miss. What I wanted to say is that John Smith
is not my real name.
Speaker 2 (09:32):
Of course not it never is.
Speaker 4 (09:35):
Miss. I don't know who it is that you think
we are.
Speaker 8 (09:39):
But whoever you think we are.
Speaker 6 (09:42):
I'm so sleepy.
Speaker 2 (09:45):
We are sure, sure, I don't worry. Nobody will ever
know your highness. If you say you're mister and missus
John Smith, well then you're mister and missus John Smith,
right right, right, Well he's a parent. Here's the register.
Speaker 10 (10:00):
But what do I do now?
Speaker 2 (10:01):
Right?
Speaker 8 (10:01):
Oh?
Speaker 2 (10:02):
Yeah, n yes, they're here, Jimmy, the couple mister Walders
was expected.
Speaker 7 (10:10):
Yeah, Jimmy, yeah, yes.
Speaker 2 (10:15):
Showed John Smith and minnehaha here.
Speaker 7 (10:17):
To the bridal free Oh yes, sure this way, folks,
I mean you're a royal folks.
Speaker 4 (10:23):
Thank you, come down, good night, miss thank you.
Speaker 3 (10:27):
And we would not like to be disturbed.
Speaker 2 (10:31):
Oh, don't worry. In case there's a fire, we'll put
it out nice and quietly with soft water. Good evening,
I mean good morning, Hotel Mercury.
Speaker 8 (10:53):
Oh let me talk to.
Speaker 2 (10:56):
With whom have I got the pleasure?
Speaker 8 (10:58):
This is time and your agent?
Speaker 2 (11:00):
Well, well, so it's nothing doing today. Don't call us,
we'll call you. Herman.
Speaker 8 (11:04):
Well, I'm calling you now, honey. You open tomorrow night
at the Rialit Toldeta Brookn are.
Speaker 2 (11:10):
Real as to good as Brooken?
Speaker 8 (11:11):
You mean it, Herman, Mazie, you ever't know me to
tell a lie.
Speaker 2 (11:15):
Answer the question, Herman, Yeah, it's all set if you
click on this one.
Speaker 8 (11:19):
Baby. Well, I ain't promising nothing you mind you, but
uh it might mean.
Speaker 2 (11:23):
The palace, the palace in New York.
Speaker 8 (11:26):
No boise idol.
Speaker 2 (11:28):
Ah, say Herman. How much am I getting?
Speaker 5 (11:32):
Well?
Speaker 8 (11:32):
Baby, things are pretty tough. You know. You'll have to
take a little lesson you usually get.
Speaker 2 (11:36):
I didn't think there was anything less than that. Well, okay,
herma'll be there. I still got my costume in my suitcase,
all clean and ready for justin cake.
Speaker 8 (11:44):
Okay, baby, I'm not I'm dead.
Speaker 5 (11:47):
Well, mister beer, I told the boss the good news,
or you should have seen his face when he found
out that Baron and baron is Krabotsnik.
Speaker 4 (11:53):
Are going to honeymoon at his hotel.
Speaker 2 (11:55):
Not a going to mister Walfa. Ah, oh, they've just
gone up to the bridle Fleet. See they're a cute.
Speaker 4 (12:04):
Cute is hardly the word for it.
Speaker 5 (12:06):
The baroness is supposed to be the most striking blonde
in this country.
Speaker 2 (12:09):
Yeah, the way she giggles every time she is blonde, Yeah.
Speaker 4 (12:14):
It's practically platnut. Yeah, we're there, didn't.
Speaker 2 (12:18):
True the one I send up with a brunette.
Speaker 4 (12:20):
A brunette when this morning's beer she was a decided blonde.
Speaker 2 (12:24):
Well, I guess in the evening she decided out another color.
Speaker 4 (12:28):
Perhaps women are that way sometimes.
Speaker 2 (12:30):
Yeah, because I couldn't understand what she ever saw on
a little shrimp like the bearon.
Speaker 4 (12:35):
Well, you never can't take shrimp. The baron is sixty five.
Speaker 2 (12:41):
Well, some shrimpers are taller than others.
Speaker 5 (12:44):
No, no, you didn't. It can't be.
Speaker 2 (12:47):
Well, I'm afraid it can. But but gosh, they asked
a little like they were a real baron and missus
Baron his accent is the man in manner. Yeah, I'm sorry,
mister Walter, you'll be quite.
Speaker 4 (12:59):
A whole lot.
Speaker 5 (13:00):
Sorry, Miss Revere, that bridal sweet is reserved for the
real Baron and Baron. Get those two impostors out of
that suite, or instead of letting you work off your bill,
I'll attach all your lucky But you.
Speaker 2 (13:11):
Can't do that, mister is My costume is in that suitcase.
Now I've got to open tomorrow.
Speaker 4 (13:14):
Night with my ass, Miss Revere.
Speaker 5 (13:16):
I'm afraid you'll have to go on without that costume,
but I can't.
Speaker 2 (13:19):
It ain't that kind of an ass.
Speaker 4 (13:21):
That is my final decision. Miss Revere.
Speaker 2 (13:26):
Throwing a pair of honeymooners out its dirty trick?
Speaker 4 (13:30):
Well are you going to do it?
Speaker 2 (13:32):
Yeah, cham as soon as I can think of a
trick that's dirty enough.
Speaker 3 (13:46):
The Adventures of Masie is starring and Southern will continue
in just a moment.
Speaker 4 (14:26):
And now back to Mazie.
Speaker 6 (14:34):
Here we are, Miss Revere. Twelfth floor bridal.
Speaker 7 (14:36):
Suite is just down the hall. Thanks, Jimmy, Well what's
the matter, Miss Revere? Elevator right a little too fast
for you?
Speaker 2 (14:43):
Yeah, you better give me time to fasten my safety
belt when we were up here.
Speaker 6 (14:47):
Oh, I'm sorry, anything else I can do for you.
Speaker 2 (14:50):
Yeah, next time you come up, bring my shoes.
Speaker 7 (14:52):
I mean about getting that fake baron and baroness out
of the bridal suite. You ain't got long before the
real royal krobachniks get here.
Speaker 8 (14:59):
You know.
Speaker 2 (15:00):
That's why I gotta work fast and nasty.
Speaker 7 (15:02):
See that that's singing job at the theater tomorrow night
means an awful lot to you. Don't let miss Revere and.
Speaker 2 (15:07):
I just have to get those honeymoon's out of that
sweeter mister Wallers won't let me have my costume.
Speaker 7 (15:11):
Well, lots a lot, Miss re Bear. If you need
any help evicting that.
Speaker 6 (15:15):
Couple, just holler.
Speaker 2 (15:17):
If you hear any hollering, Jimmy, it'll be those honeymooners.
Speaker 4 (15:28):
Well, my own little wife here we are alone.
Speaker 1 (15:34):
In our own little brider, sweet that lone.
Speaker 2 (15:40):
Yes, don't you want to kiss your bride?
Speaker 5 (15:45):
Honey?
Speaker 10 (15:46):
That's your question.
Speaker 1 (15:48):
Calm leaves snugger closer to your husband. How is this,
darling wonder shore, Oh, my little flaw do I love?
Speaker 4 (16:07):
What is it?
Speaker 2 (16:09):
The room clerk, it's a very important question I must
ask you.
Speaker 4 (16:13):
Oh fine, just a minute.
Speaker 2 (16:19):
Hello, Fox's comfortable.
Speaker 10 (16:22):
We will.
Speaker 4 (16:24):
But that's important question.
Speaker 1 (16:26):
You wanted to ask.
Speaker 2 (16:27):
What would you kids like for tomorrow's breakfast? It's a
nice three minute eggs pertn No, we just want to
be left alone.
Speaker 1 (16:35):
Yeah, good night, miss, please, good night.
Speaker 6 (16:41):
Such a question at the time, like this food we want, Darling?
Speaker 2 (16:49):
I know, thank you?
Speaker 8 (16:58):
What is not?
Speaker 2 (17:01):
How about a nice steak?
Speaker 6 (17:03):
All right? All right?
Speaker 1 (17:04):
Anything to be left alone, honeymoon.
Speaker 8 (17:09):
We have fool steaks for bankfast, but.
Speaker 2 (17:12):
Tomorrow without potatoes.
Speaker 1 (17:14):
Good night, good night, She's gone for good?
Speaker 11 (17:21):
Yes alone last, my husband, we don't have any potatoes.
Speaker 2 (17:33):
You have to take those steaks without something else. Okay, okay, gosh,
you don't have a guest story just because we haven't
to run out of potatoes. Good night night, Well, such temper,
good night.
Speaker 5 (17:54):
I think for.
Speaker 4 (17:55):
Good she's gone now, thank goodness.
Speaker 1 (18:00):
No, what did you say, Darling?
Speaker 2 (18:09):
He said, kiss me. Oh, this is a terrible Yeah.
I don't see how anybody can stand staying here, can I?
Speaker 4 (18:17):
Miss?
Speaker 1 (18:17):
You're going to get out of here tomorrow?
Speaker 6 (18:23):
Well, yeah, I know.
Speaker 7 (18:38):
I said I'd like to help you get them Smith's
out of their mystery. But this idea sounds sort of risky.
Speaker 2 (18:44):
I know, Jimmy, but gosh, this is an emergency, it is.
Speaker 6 (18:48):
Yes, well, okay, mystery veral Okay. If you're sure mister
Wallace won't get.
Speaker 2 (18:52):
White, well how can he? He's down at the desk
waiting for the real Baron and Baroness. You have the
key to mister Waller's room, don't you know.
Speaker 6 (18:58):
But I can get it from there down on the basement. Good.
Speaker 2 (19:01):
Mister Waller's room is right next to the bridal suite,
you know. And as soon as we get into mister Waller's.
Speaker 7 (19:06):
Room, we start making the racket that drives them phonies
out of the bridle seat.
Speaker 4 (19:09):
Yeah.
Speaker 2 (19:10):
Yeah, And we've got just a few minutes before the
real baron and his bride get here. And Jimmy, I
know you're taking a big risk that I'll help you
out when you get in trouble.
Speaker 6 (19:19):
Oh but I never get into trouble.
Speaker 2 (19:21):
That's silly. Anybody that has anything to do with me
always has trouble. Come on, let's get that key, Jimmy.
Speaker 5 (19:38):
I'm terribly sorry, Baron and Baroness Krabotsniki, it was a terrible, terrible.
Speaker 4 (19:42):
Mistake about the bridal suite. I don't know what to say.
Speaker 1 (19:45):
Say in my country. You would say nothing. You're in
the shot.
Speaker 2 (19:50):
The whole thing is ridiculous. This is a honeymoon. We
can't just walk the streets all night.
Speaker 1 (19:54):
You do not cry out your beautiful eyes, my little believings.
Speaker 5 (19:57):
We shall have a place to stay tonight. Who are
your highness? You can always sleep in the lobby.
Speaker 1 (20:02):
We want a role. My demand that we be giving
the Royal Bridle sweet throw those peasants out.
Speaker 4 (20:08):
But I can't do that, your highness.
Speaker 1 (20:10):
This is a democracy, and throw those democrats out.
Speaker 2 (20:13):
Surely you can give the couple occupying our suite some
other room to stay.
Speaker 5 (20:17):
But your highness, every room in the hotel is occupied
just the moment, Your Highness, a nasty little thought, just
game the bye, by nastish mess.
Speaker 1 (20:27):
They all they want? Is that sweet for me?
Speaker 4 (20:31):
My little bubblets?
Speaker 2 (20:33):
Yes, chorus, So tired, quick.
Speaker 1 (20:37):
Passion, before my bride falls asleep.
Speaker 4 (20:41):
I'm buzzing the Bridle suitet.
Speaker 5 (20:42):
Now, your highness old there we are now, Oh, good morning,
mister Smith.
Speaker 4 (20:46):
This is the night manager. Oh please hear such language.
Mister Smith.
Speaker 5 (20:52):
It seems by some mistake you were putting the Bridle
suite reserved for the Baron and baroness krabatchni or not.
Speaker 1 (20:58):
Being gentle with the past. Kindness does not work with
the lower classes. Hang them out and shoot them.
Speaker 2 (21:05):
You can't take people out in this country and just
shoot them because they're poor.
Speaker 5 (21:08):
Boris you come, Yes, I know, mister Smith, But would
you mind if I moved you to another room, A
room fourteen twelve.
Speaker 4 (21:16):
Yes, it's vacant. Oh, thank you very much.
Speaker 5 (21:19):
Yes, you can go right there and I'll meet you
at fourteen twelve with the key.
Speaker 1 (21:23):
It is fixed.
Speaker 5 (21:24):
Yes, the bridal sweet is yours, Your highness, you can
go right up.
Speaker 2 (21:28):
Oh, Boris, I'm so glad. Come kiss me quickly.
Speaker 4 (21:31):
I'll show you the.
Speaker 1 (21:32):
Way I know, the way I have kissed women before.
Speaker 2 (21:50):
We're in luxury. The room's empty, mister Wallace must still
be down at the death Oh.
Speaker 6 (21:54):
Please, miss or not so loud will disturb the people
next door.
Speaker 2 (21:58):
That's the idea, Jimmy, don't you remember?
Speaker 6 (22:00):
Yeah, but I keep trying to forget.
Speaker 2 (22:02):
Okay, now, Jimmy, start the yelling.
Speaker 7 (22:04):
Okay, this is a fine thing. I come home from
a hard day's.
Speaker 2 (22:09):
No, no louder, Jimmy, Okay, come on.
Speaker 6 (22:13):
This is a fine thing. I come home from a
hard day's work at the poor room.
Speaker 8 (22:16):
Man, what do I get?
Speaker 6 (22:18):
No supper?
Speaker 12 (22:18):
Well, stupper, he wants supper? Now, wait a minute, one morning,
what supper? Go and get a job, A job, a job.
I've been working on a job for three years.
Speaker 2 (22:29):
You've a kind of a job.
Speaker 6 (22:31):
I don't know. I'm still working on it.
Speaker 9 (22:36):
Over the head with me again, use a chat.
Speaker 8 (22:43):
Come back, I'm low, sir.
Speaker 2 (22:44):
We got him raled up, Jimmy, keep going.
Speaker 6 (22:46):
Okay, a fine wife? You are?
Speaker 8 (22:48):
Why you ain't never washed my shirt?
Speaker 2 (22:51):
How could I always wearing it?
Speaker 8 (22:53):
That's no excuse.
Speaker 12 (22:56):
Stop that shouting, shouting woman carry on an ordinary conversation
with her own husband.
Speaker 6 (23:06):
Shut up, Junior, be quiet and drink your beer.
Speaker 2 (23:10):
Yeah you too, Junior, okay, with a knife, pick of.
Speaker 1 (23:14):
Dynamite, mama, but you dynam a fine thing.
Speaker 7 (23:18):
We ain't got food in the joint, and you spend
good money on toys.
Speaker 2 (23:22):
But at least it keeps him off the street, don't daughter?
I annoyed?
Speaker 4 (23:30):
You know?
Speaker 1 (23:31):
Can't you be quiet? Low lifers?
Speaker 2 (23:33):
No lifers?
Speaker 12 (23:35):
Sam totus bomb?
Speaker 1 (23:37):
Do you know who I am? I am the barn.
Speaker 2 (23:41):
I don't care the barn. You know who I am no,
Thank goodness.
Speaker 6 (23:48):
Look, your baroness, I can explain.
Speaker 1 (23:50):
I think the manager you'll have to explain why you
are keeping awake by bride and me next door.
Speaker 4 (23:55):
I am just fresh married on my honeymoon.
Speaker 1 (23:59):
Must have fired two o'clock in the morning.
Speaker 2 (24:01):
Oh but your highness, I thought, I mean, we thought, well, Jimmy,
say something to the baron.
Speaker 6 (24:07):
Oh sure, Baron. I hope you and your wife will
be very happy.
Speaker 1 (24:11):
Happy I will be if you two get.
Speaker 2 (24:13):
Out of you Oh glad, your highness, But you're block
in the way. You wouldn't want us to jump out
of the window, would you say?
Speaker 4 (24:19):
What's all this rumpers about? Miss Revere? What are you
doing here?
Speaker 1 (24:23):
Me?
Speaker 2 (24:24):
Oh well, I thought well I wanted to get rid
of the smith.
Speaker 6 (24:29):
Yes, you see, mister Wallace.
Speaker 2 (24:31):
We yes, any.
Speaker 5 (24:35):
Questions, Miss Revere, I'll talk to you alone. If please
go back to your room, your highness, and I promise
you you won't be disturbed anymore.
Speaker 4 (24:44):
And tell your bride I'm awfully sorry.
Speaker 1 (24:46):
Tell her you're sorry. You expect me to wake her
up just for that? Good night? You? You a lot
of nuskins?
Speaker 6 (24:55):
A lot of nuskins? What does that mean?
Speaker 2 (24:57):
I don't know, but we probably are. Mister Walls All,
this wasn't Jimmy's thought. He he just came in here
to try to stop me.
Speaker 5 (25:05):
Miss never mind, Jimmy, Miss Revere, if you had bothered
to check with me, you would have found out that
I transferred the smith to another room.
Speaker 2 (25:12):
Oh it's all right, Oh like a girl sleep on
a pod bench.
Speaker 4 (25:18):
I'm glad you said that, mister Reveral.
Speaker 1 (25:20):
You may have to, may have to.
Speaker 4 (25:23):
Yes, you see, I gave your room to the smith.
Speaker 13 (25:26):
Oh no, just the moment, we shall return to the
adventures of Macie.
Speaker 3 (26:20):
Oh once again, here's bazy.
Speaker 1 (26:25):
Well.
Speaker 2 (26:25):
Here I am at three in the morning, walk in
the streets in search of a nice, quiet hotel where
they don't ask embarrassing questions like can you pay for
a room? Anyway? I got my suitcase in my costume back.
But if I don't get some sleep, I ain't saying
what kind of an act I'm gonna put on tomorrow
at the theater. I'm so sleepy that my act will
be a novelty. It will probably be the first time
(26:48):
an audience has ever heard take me out to the ballgame, yawned. Oh, oh, exactly, broke.
I feel bad enough to go to an all night movie. Well,
here goes head to the Apollo, tails the Gem. It's
right down the steward with my luck. When you just
(27:10):
know something like that would happen with my last.
Speaker 6 (27:13):
Quarterer, you have just heard.
Speaker 3 (27:23):
The Adventures of Mazie, starring and Southern Mazie, was written
by Arthur Phillips. Original music was composed and conducted by
Harry Zimmerman. Supporting cast included Loreen Tuttle, Hans Conried, Frank Nelson,
(27:45):
Sidney Miller, Mary Stewart, Harry Bartel, and Alan Reid.
Speaker 10 (27:49):
Jack mccoysby A.
Speaker 4 (28:14):
D MA
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