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August 18, 2025 • 29 mins
https://www.solgoodmedia.com - Listen to hundreds of audiobooks, thousands of short stories, and ambient sounds all ad free! "The Adventures of Sam Spade" captures the thrilling exploits of the wisecracking detective as he solves complex cases with cunning and humor.
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Speaker 1 (00:01):
The Adventures of Sam Spy Detective, brought to you by
Wild Group Cream Oil Aratonic, the non alcoholic airtonic that
contains Lennoline and you Wild Root Liquid Cream Shampoo. Sam

(00:22):
Say Detative. N See it's plea sweetheart. You've heard of
pulling a rabbit out of the hat? Yes, I pulled
one out of a pickle?

Speaker 2 (00:30):
What shopping story?

Speaker 1 (00:31):
What happens?

Speaker 3 (00:32):
She is?

Speaker 2 (00:33):
Welcome?

Speaker 1 (00:33):
Hi Sam, since if you like talking about it. Frankly,
now that it's expected of me sharping a carrot, call
me some rabbit punch. Get the hutch ready for I'm
about the hippity hot through the door with the load
on on the flopsy mopsie and cotton tail Caper. Nashel Hammett,

(00:56):
America's leading detective fiction writer and creator of Sam Spay,
the High Oil Private Eye, and William Spear, Radio's hout
standing producer director of mystery and crime drama join their
talents to make your hair stand on in with the
Adventures of Sam Spade, prevented by the makers of Wild
Root Cream Oil for the Hair. Say mother, if you

(01:18):
got a special thrill out of buying things the whole
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Dad Junior Sis, Yes, and you yourself. Mom will find
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and naturally, for relieving dryness and removing loose standrub. So Mom,

(01:41):
ask for it tonight or tomorrow, for sure. Wild Root
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men and women and children too. And now with power
Doffs starring Is Spade, Wild Root brings to the air
the greatest private detective of them all in the Adventures
of Sam Spade. Effie, what's some aning of this? My

(02:18):
desk and my chair shoved over on the one side
of the office to make.

Speaker 3 (02:21):
Rooms of the other desk in the bookcase.

Speaker 1 (02:23):
There'll be no other desk and no bookcase. I know
anything else? I thought you, I don't say it. Don't
even think about that. Man. You understand that's deliciously silent
in here. Don't you? Thank you? Damn?

Speaker 3 (02:37):
What'd you?

Speaker 4 (02:38):
And she's supposed.

Speaker 1 (02:40):
To go off? Effie? Would you like to have your
mouth dry clean? I'm sorry I spoke harshly. Forgive me
with the past hours of taken that hole in my nerves.
Perhaps I should unburden myself. We'd all feel better. Unbourbon yourself.
I'm still in command here two. This is Wellington van Cleave, Montague,

(03:05):
not Hill where else city from Samuel Spade Rice number one, three, seven, five,
nine six, What else saject the flopsy Moxie and cottontail
gaper or our fretz Crockett saved the day, my dear
dear missus Montague. It on again Thursday afternoon when I
entered my office and discovered a tall, wiry young man

(03:25):
sitting in my chair with his feet up on my
desk and sampling my office bottle.

Speaker 2 (03:31):
Hi.

Speaker 1 (03:31):
The pose was so familiar. For a minute I thought
it was me. Po Sam, I'll be with you in
a minute. Have us nice, I think I will the
one you're sitting in. You see the detective sets in
that seat and the clients sit over there. All that
qualifies me for this seat? Then I'm a detective. I see. Well.
The detective we like in this office is Sam Spade.

(03:52):
See he pays the rent, he hires the secretary, he
earns the money, and he sits behind his desk now
on your feet. Okay, but with two detectives around here
and only one detective's chair, it's gonna get a little crowded.
May have I had a drink out of my glass here?
You know we better make a note to get another

(04:14):
glass too, and some scotch. I don't care much for
that bourbon. No self respecting detective. Drink scotch and put
this down. We'll need another desk, and you paint job
on these walls? I think something bright, robins blue, maybe
lose the nervous clients. And a bookshelf. You got that

(04:34):
epy deer?

Speaker 4 (04:35):
Or am I going too fast?

Speaker 1 (04:36):
Wall? Paint bookshelf? At two?

Speaker 2 (04:41):
Effing?

Speaker 1 (04:42):
She's a doll. Wait, that's my line. If I work
with you a while, Sam, you'll appreciate me. So on,
I'm great by you need me? Why? Because we'd be
an unbeatable team with high talent, and you are lucky.
We couldn't miss luck ever. Hear of Fritz Crockett, Chicago,
French Crockett never heard of Moss. But being a mark
in your hometown? Now, why do you want to work

(05:02):
for me in San Francisco? I lost my license in Chicago,
got caught on the hot side of a political battle,
worked for the losers and the winners flamed me for
my license. Jee, I can't get a license in any
state until I clear that and mess up, and so
I have to work under somebody else's figures. But why
am me? Because I've kept my eye on you, Sam.
I like the way you're developing. I think you could

(05:23):
work well with me. Say thanks, Well, your applications were saved.
Now give me a couple of years to think it
all that. It doesn't matter, Sam, afraid I might cut
your reputation in town you find me out. But anyway,
by Chacon, huh. Look, you want to compare a scrap
book Sometime A really good detective's got to be an actor.
I play any style. Listen. We're following the Russian countess

(05:44):
to recover Gorky's original manuscript of the Lower Depths. I
meet her in the lobby of the Saint Mark disguised
as an itinerant caviar salesman.

Speaker 4 (05:53):
Shooting some Francisco.

Speaker 1 (05:55):
How long has it been? Eight years? Twelve years?

Speaker 4 (05:58):
Have you forgotten the leg there?

Speaker 1 (06:00):
And I'm very sorry? Sorry no casting today? Well, look,
you gotta be an actor, Sam, Look we're dealing a
mortal blood of a gun running career of done whose
Hey or Tega Sanchez the notorious bandit? Can you have
got your lost peace loving border countries. I am powerless
to prevent your execution. Die like the proud banyard you
are see, Hey, the first I haven't say I help you, Sam.

(06:23):
Look you can catch it by a mutinous crew off
an English tramp steamer and I burst through the door.
Don't come bluing bloody hands off that man. That's one
I can go myself off on my tiger. I don't
know exactly why I sat there listening with a guy,
but I did. He was a sort of a one
man fair girl. He ran through twenty eight dialasts players saying,

(06:44):
in which James, Mason and Montgomery Flat were flapped by
an Armenian rug merchant and was saved by the voice
of Gabriel Heater on the radio. Then he played all
four of the March Brothers arguing with the Andrews says.
Then after the intermission, he told me a little bit
about himself. Regain me was spines Dingle accounts of his
Frank Marriwell type achievements on the football field, in professional

(07:05):
boxing and hockey. It was pretty throwing stuff, but nonetheless
I was about to usher him out when he came
up with a particularly good bit of biologue, I have
a job for us. Yeah, also, John, Well, yesterday Sam
I met an old friend from Chicago. She remembered me
from an important cocktail party. Saved it for her. The party,
everyone was absolutely greary until I became dory girl with

(07:29):
a brace of amusing. Any the job, fret's the job?
Oh yeah, well, anyway, she wants us to guard a
valuable hunker jewelry at a party tonight on nod Hill.
That's the money, one hundred apiece plus mingling with notch
dancers and all the caviare we can eat. Well, that's
better than an expectative fact that that's what I want
you to do, right, a man? What's this? Here's what
I want you to do. This is the Sam Spade
Detective Agency name so because Sam Spade is the man

(07:52):
who gives the orders around here. What do you want
me to do? Well, this is a costume party and
we have to wear costumes. It's in the deal. Good,
I'll break your leg and even go as a man
of fame of Dennis, Sam, I already have the costumes
right here, Crockett. What was your done? If I didn't
go with you? That? What never entered my head? Sam?
Part of the costume? Sam? One hundred clams A piece

(08:12):
is a lot of dough? Isn't it a grid? You
are about to confront the reason we are being paid
so much? What is that you are costume?

Speaker 4 (08:21):
You are to go as a rabbit.

Speaker 1 (08:22):
I'll fight rabbit. Here's the suit. Oh and here's the head.
Notice the shocking pink ear. The bills are arvespon Swell,
wait a minute, I am also going as a rabbit. See,
you will go with Flopsy and I will go as
I will not go anywhere dress on that ridiculous output
one hundred dollars Sam, I will whoa Sam. Let's talk

(08:42):
this over now. Look, I will talk to you as
a businessman might talk to you. Now, mister Speed, you
take your ordinary type detictive, and you've got it pretty Sully.
We talked and talked, and around eight o'clock that night
I found myself still talking and walking up the steps

(09:03):
of your knop. He'll mention, missus Montague cleverly disguise the
Flapsyver rabbit pau in par with Moxie Crockett. My head
past got at everything with my eyes and nose and knock,
and I was grateful for that. When I passed the
door man, I was temple to say what's up? Doc?
But the first said it ahead of me. He walked
in as if miss was his personal hutch. And you're

(09:23):
Missus Montague, cruised.

Speaker 3 (09:25):
All to us here, my little buddy treams. Aren't you
for just darling?

Speaker 1 (09:30):
Which one of you is?

Speaker 4 (09:32):
Mister Spain?

Speaker 1 (09:33):
Well, I'm mister Crockett, Missus Montague. Moxie you remember me
from the nesbit Suire Ronnie and Benita or mean People's
Gypsy introduced us Miss.

Speaker 3 (09:41):
Paul oh oh, and plops must be mister Sdaine.

Speaker 4 (09:46):
I've always wanted to meet him.

Speaker 1 (09:48):
Thank you, Missus Montague. I am the straight man.

Speaker 3 (09:50):
How do you like my cocktail? There's not another lugging
in town. I'm the only wooden in San Francisco.

Speaker 1 (09:57):
The trains will swown, they will? Are you, Missus Moody,
you be proposed to outline our job?

Speaker 3 (10:02):
Well, of course, mister Crockett. Myself Missus Darlington cook at
McGill and the famous Spanish artist Hunlodego. I'm going to
kick the woman with the most fascinating costa person.

Speaker 1 (10:12):
No father, it could be no one but.

Speaker 2 (10:14):
You not her.

Speaker 4 (10:15):
I'm not eligible.

Speaker 3 (10:17):
Then at ten o'clock we will have the grand parade.
The winner will leave the parade wearing a small jewel
studded crown, old darling, diamonds and all.

Speaker 1 (10:27):
Sorts of musing things. Well, this crown.

Speaker 3 (10:30):
Once belonged to Josephine of Flans Imagine.

Speaker 1 (10:33):
Missus Monaghue, I hate to be an old kill joy,
but are we here to guard the crown.

Speaker 3 (10:37):
The right flossy I mean, mister Spain.

Speaker 4 (10:40):
Sir, of course, I don't take any.

Speaker 1 (10:42):
Trouble, but he's so valuable.

Speaker 3 (10:44):
I can't take any chances.

Speaker 1 (10:46):
My husband, get you doctor when I am who's in Pickens?
You know? Well, you know best. Where is the crown now,
Missus Montague.

Speaker 3 (10:53):
Oh, in a wall, So it's in the master bedroom
on the second clock. Seriously, condination to the safe written down,
rather not.

Speaker 1 (11:00):
Have the combination of you don't mind until it's time
to get the crown.

Speaker 3 (11:03):
Oh dorogers would be still in this to stage. Except
for the crowd, there's only fifty sixty thousand dollars.

Speaker 2 (11:08):
In the safe.

Speaker 1 (11:08):
Oh well, if that's all.

Speaker 3 (11:10):
I was safe behind the gigg agaty. Now until I
need Jim, go on the jar la sou.

Speaker 1 (11:17):
We'll go. May y'all. Even lets who dance with little
need press and I have synchronized our watches and decided
it until we were needed, we would lose ourselves in
the crowd and keep boy big Rabbit airs over. Everybody
was masked and loaded, and it was all very gay.
I brushed all those with pirates. Northwest mounted police unmanded

(11:39):
a gorilla, an Arabian princess for Pocahonta Sea, and a
sort of historical characters from Junior Caesar to Mike Romanov.
And I was snipping a carrot into the punch bowl.
A girl made her way over to me. I know
it was a girl. Immediately you could tell my tiger
is a burlesque queen. But she didn't talk much.

Speaker 2 (11:57):
Light are you in? Even has she?

Speaker 1 (12:01):
I'm a he bunny.

Speaker 4 (12:02):
Would you like your dunce?

Speaker 1 (12:04):
I'd be gladed? You?

Speaker 2 (12:05):
Are you?

Speaker 1 (12:06):
I'm not supposed to tell until the mask come up,
but now I just call me flopsony. You Americans. I did, yes,
speaking of it is, what are you representing?

Speaker 3 (12:18):
So you guys are done?

Speaker 1 (12:19):
Said?

Speaker 3 (12:20):
Can you like me?

Speaker 1 (12:21):
From where I stand up? I mean, that's so impossible
that besike you, that you way it was easy? Yeahead,
tell me if you have done in this country long.

Speaker 3 (12:30):
My family, I couldn't eat on a tour of American
I see, and he has adjusted this someone that you
Now tell me do you want to.

Speaker 1 (12:37):
Just take too?

Speaker 3 (12:37):
Don't you know.

Speaker 1 (12:43):
As much as I regret it's doing it. I hasted
away to patch myself from missus Philly's vigire of nineteen
forty nine. How know I was a detective. Possibly I
saw Crockett talking with a paunchy, rubbed devil in the
middle aged crest of the Columbus and stopped by. They
were a big businessmen, obviously, and so so well, now
you take your ordinary host take with grecify douggles, do

(13:04):
your It was impossible they interacting, So I moved on.
Finally I sat down to rest in a dim corner
of the library. And I know so that death in
a large green puckle with two bandy legs stinging out
of its sat down beside me. Want to bite a pickle.
No thanks, so go ahead the free. I only eat carrots.

(13:27):
Thank you, just the same. I suppose you know who
I am. As a matter of fact, I don't know.
Well I shouldn't tell you, but I'm lonesome for somebody
to talk to your wife dancing with another man. Sometimes
I think he only likes me for my money. I
find that hard. The boy I have millions, you know,
just millions. I'm horse money. He was a pickle king.
I told more pickles than any living man. Congratulations, you
like my costume, never smiled anything like it. I came

(13:49):
this time. It's just an ordinary new pickle. Sometimes there
comes a deal. Sometimes there comes a break in on jolly.
Once I came as a sweet sorrow mixture, and I
got very confused. Well that's up to you. I guess
all I really have is my money, which can't get
tired of me, and she'll reach It was one the
early days they have a fioneer you know, started as
the closed with just a ward, very very funny, very funny. Yes, well,

(14:14):
I keep laughing, Horace. I have to be running along.
Thank you for talking to me. I was beginning this
rail like an extra in Alice in Wonderland and headed
back for the solace of the Tounch bowl. I saw
a Mopsie Crocket standing with the photos Boget Dancer and
went on with him, but he suddenly turned and hopped
away faster than I could hop after him by the coiners.

(14:36):
I couldn't understand. When I finally caught up with him
ten minutes later, he was waltzing with Anne of Austria,
who was hanging. And his other word, and that was
a lot of hanging.

Speaker 4 (14:45):
He sing, until you feasted.

Speaker 1 (14:47):
My leave Coupan who heads of the spirit of the girth,
the shula Haena all beach run a mind if I could,
and you know I mean of the other rabbit. They
come along, Mopsie Hart who excuse me?

Speaker 2 (15:01):
Dying?

Speaker 1 (15:02):
I come lead her back? Tell us Sam, what do
you hear from the mind? It avoiding me? Avoid you?

Speaker 2 (15:07):
I don't know what you buy it?

Speaker 1 (15:08):
Don't you remember just ten minutes ago, my chasing you
all over the floor, So help me? I don't.

Speaker 3 (15:12):
Oh there you are, my little bunny.

Speaker 2 (15:15):
Yeah, here we are.

Speaker 1 (15:15):
This is Montague.

Speaker 3 (15:16):
All right. You can give to the crown now I've
almost let you.

Speaker 4 (15:18):
Went out to the winner of the costume car.

Speaker 1 (15:20):
So we haven't taken that out yet. Missus Montague, you
have it, but you just said you were going to
get it. I didn't, did you, Fritz not eye flopsing.

Speaker 2 (15:28):
Now by me?

Speaker 3 (15:29):
Stop playing Joe when you came up to me a
couple of minutes ago and said you lost the comminations.

Speaker 4 (15:35):
Of the stage.

Speaker 3 (15:35):
So I gave it to you a gift. You said
you're going to get the ground. Now where is it?

Speaker 1 (15:40):
I don't know, but let's find it. You rise in
a massive bedroom. The worst that happened the big guy
Resil was down off the wall. The safe had been opened.
Believe it or not, the fifty or sixty thousand dollars
eventually kept in. It wasn't leaving fetched. But you, missus Montague,
weren't worried about the cash not there.

Speaker 3 (16:02):
But Josephine Crown is um all the Susprisle love horrors
Thal we're signs he was supposed to God and it's
your partner and stole to yours, the hoss moncule. We
did nothing at the time of Stinger remembers say we're
gonna get it. A nice sensi of the combination about
my stole.

Speaker 1 (16:24):
Hors horace. What happened? How the year I was walking
down the hall and the bunny came running out, drabbed
me into a room, made me take off my pickle.
Oh hit me on the head was something, and he
took off his bunny shue jumped right into my pickles,
ran off, said old hey bracket, and I dashed down

(16:46):
the hall of the room.

Speaker 4 (16:47):
The pickles came and advigated on the.

Speaker 1 (16:49):
Floor was the limp unfilled costume of a rabbit the
Monigul's party, and not only had a flatzi and a Nazi,
but it also had a feeding cotton bed makers the
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(17:27):
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(18:37):
Motzi and Cotton's ail paper. Tonight's adventure with zam Spade,
I want fresh Crockett and you know, missus Sam attending
a horse in your massive bedroom and found it down
the stairs, through the guests and out the front door.
I was standing there wondering how to pick up the

(18:58):
tracks of a rabbit turned pickle when I saw the
pollis Bragier Dancer. I'm running out of the Montague mansions
from the side entels and out of a taxi, I
jumped into another. Gavin followed it. The best thing myself
of my foxy costume ill lose. She went almost to
the west end of a fire, straight out of the
shabby gray apartment hostel. I followed. I knocked on every
door until I found hers. Yes, it's me, the he

(19:22):
bunny Foxy. Remember why did you fall him? In here?
Quite along? Because you're so beautiful. I can no thanks,
I said, did you not hear me? Yes? But I
have no affairs and I'm bonded. Now, how did you
know there was a detective detective's hot beating under my
rabbit suit.

Speaker 3 (19:38):
I am not going to answer. You had no right
to come in here. Come on, huh, I think I
overwhelmed some of the seas. Now you doddies all you
wanted to know go?

Speaker 1 (19:48):
Why did you leave the party early?

Speaker 4 (19:50):
He crazy dogged me. I thought America was nothing for
he stayed.

Speaker 3 (19:54):
Why am I Christian?

Speaker 1 (19:55):
Because somebody saw the Josephine crown that belonged to missus Montague.

Speaker 3 (19:59):
You say, a dead person, and then I am delighted
that I did not steal for sure man charge?

Speaker 1 (20:05):
And what is yours? Sam Spade? Why ang you is
so happy that the crown was stolen because.

Speaker 3 (20:10):
He does not belong in the home of a rich
American party, the childish women who thinks only of her
social position and her money. Where does it in France,
where it was made and where it was appreciated?

Speaker 1 (20:22):
I see how much is it worth?

Speaker 3 (20:23):
Money?

Speaker 4 (20:24):
Fifty mine and the sentiments more than one time?

Speaker 1 (20:28):
Stage? Now will you that the crown man's model of
frenchman and money?

Speaker 3 (20:33):
How would you like it if your Abraham Lincoln's guest
was being used by some fresh businessman who served cutts.

Speaker 1 (20:41):
I got the point.

Speaker 4 (20:42):
I'll tell you again.

Speaker 3 (20:43):
I do not know what happened to the jersey didn't
come tonight, I.

Speaker 1 (20:51):
Dread, but only because he loved the party. She wore
only her cosser and that cost it wasn't a head man,
while she couldn't have had it on it. Yeah, went
a block up the street, picked up the cab and
sat at him so as he came out. Five minutes later.
She was now in street clothes and carrying all the nightcase.
She drove the Castle Street and I followed. She went
into a restaurant called La Parisian. I waited a discreet moment,

(21:14):
then went in. She was nowhere to be seen. But
a tall, lean, black haired individual approach me with a
menu in his hand. Good evening, monsieur, I regret to
see that bea just clue. I'm not Innison meeting you.
Where's the girl who just came in? Go? You don't
tell me on this. She walked right in here thirty
seconds ago, brown hair, red coat, Sean and Rose by name.
If you have made some mistake, you can see where

(21:36):
those no one he used. I have made no mistake,
and I'll come plain.

Speaker 4 (21:39):
Then sip come in, you said, please let me go.

Speaker 1 (21:42):
No girl came in, but if one did, there is
no place too hide but to keep you all right,
then show me the kitchen. But no cure. Oh man speed, Well,
I didn't take you long to get here, mister Montague.
Well I don't hold miss speak. I have a knife
at your neck, yes, but shall I take care of monsieur? No?
Well no, we're down your knife, thanks, I just played knives.

(22:05):
Sit down the table and talk quieter. You can go
as your saving you, but I will keep out an
odd let's keep an eye out. Sit down, cree, wait
while you're here. I have the personal matter to take
up with you about the Josephine crown. Yeah, well i'm
sided or report that as yet I haven't found it good.
I'd be happy if you never found it. Does missus

(22:27):
Montague know you fail as Why? No? And I'd be
equally happily if she didn't know. In otherwise, you want
me to stop looking for an anti idea, or you
could make a pretense of trying to find it. But
no more, that's interesting. I'll pay you a good fee
if you do this for me. Why don't you want
it found? Mister Montagall? He well, i'll talk to you man.
The man plays though a French showed up in town

(22:49):
sean rog. Do you see her quite a bit of
her at the party? Well, she's young and beautiful and
to the point I was indiscreet. I see. He turned
out to be more designing than I realized. And black
Man never saw it. She didn't want just money. She
wanted Josephine crown, and you let them steal it. And
I told him I did you get him into the
party in planting from the car and the rest is

(23:11):
up to them? Why didn't you just give them the crown? Well?
I couldn't. My wife bagues it too much at her
prize position.

Speaker 4 (23:16):
She even wears it around.

Speaker 1 (23:17):
The house when just the toolbers are there. That's cue.
Now will you forget about this straight? I'm afraid now
this to Montgue. I'm hired out to your wife who
asked me to guard it. I did a bad job,
so it's up to me to get it back. You
say no, straight, I can't afford to scandal with that girl.
Well you'll have to work that out for yourself very well.
I'm sorry. I must have met missus Montague. I underrest

(23:41):
him at his Johsmond for at that point he for
this a gun out of funny air and very professionally
relieved me of mine. He called the proprietor. But all
who appeared with Sham and Rose they held an I
media Tangero. Court sentence was about to be pronounced when
the pods off for Slbon and m swept the tall
character and black beret and cape, and spotting a handlebar

(24:01):
mustache prominently depended on his tape or a brace of
French war medals, including the Quada, Gair and so on.
The samples held everybody bug eye, including me. What they founding,
Danny have we here, oh dog glow, a warm friendship, kids,

(24:22):
the woman like a cottage fireplace in Alstas love him.
I know it cannot be. Can I believe this? Weird
eyes of man?

Speaker 4 (24:30):
Is it not truly? My auntie, my knee, miss your Montague.

Speaker 1 (24:36):
Like kids?

Speaker 4 (24:36):
You want both chicks in happiness?

Speaker 1 (24:38):
Who I don't seem to remember what you have?

Speaker 4 (24:41):
No susan focus to me. We met at delegation. He thought, yeah,
those years. Do you not record the ninety Mona and
the daisy Mopa?

Speaker 1 (24:49):
Oh my goodness, Barbleau when he burn over the cats
Monago again as mustache fell off as usual Crockett and all.

Speaker 4 (24:58):
The play I had before you go slating up.

Speaker 1 (25:01):
Buno hit him in the back of the head and
he fell flat on his face. Out of course, that
was my cue to go on to ash and I
turned over the picture wrestle with Horace and Bano while
Charmaine was striking at me with the heel of a shoe.
I got to the gun first and everything came to
a sudden glow. At that point, the Fritz Crockett came
to Ohnis and Nie. We did the sudden darkness control

(25:23):
where you can drop the dial like Crockett. I wish
they had a picture of you there on the floor
if your scrap book. Oh it was in the act, Sam,
All in the act. Yeah, well you think you're well
enough to hold this gun while I make the search.
Leave at the knee, Sam, Everything will be under control.
Now stand back, everybody, FIM in charge here. The US
government is not entirely without influence. In Washington. All was

(25:52):
those of being found hit him in the banking of
them and bowed the police. I was playing to into
the stuck a blow at flank to imagine my license
will a sert a charmaine, Jay and bano for the
two thicke. It's not the Paris of moist French, but
the rare de Gennaro. And you know the rest. Your
usband went home and you forgave him. He made a
superb gesture and completed to going a national harmony by

(26:13):
returning to Josephine Crown, the French, the Stargo Society, and
when you asked who might be the man to God
the clown safely back to Lavelle clans. I was overjoyed
to be in a position to recommend you, Fritz crogan
I hope he marries a si brette who stays over there.
They're it and a report. Isn't that six crocket? And

(26:34):
don't let's talk any more about him? Let him get
his own program. The first persons off is to mention
his name again is a rotin egg.

Speaker 4 (26:39):
I don't type that up.

Speaker 1 (26:48):
Don't buy a different brand of hairtonic for every member
of your family yet, the one kind they all like,
wild root cream oil hairtonic. Wild root cream oil grooms
your hair neatly and naturally, leaves annoying gryness, and removes loose,
ugly dandrus. Get a bottle or two of tonight and
ask your barber for a professional application of wild root
cream oil heirtonic again and again, the choice of men

(27:12):
and women and children too. Hello, it's me Sam fitz.
Oh no, I'm at the airport. I just wanted to

(27:34):
tell you I'll be out of town for a while.
We'll be using the office, so Josh, take the whole
thing over. Well, that's very generous of it, and you
can use that if you need her for anything. Well,
I'll never be able to repay. All right, you did
a pretty good job on the caper today. I was
just talking with Missus Montaute, and I do it? Did
I want to? I've heard enough. I am for one

(27:57):
day commit, so I shall have to be satisfied with
my one arm. The Adventures of Sam Spade, Dashal Hammett's

(28:22):
famous private detective, are produced and directed by William Spear.
Sam Spade is played by Howard Doubb. Loreen Tuttle is EPI.
The Adventures of Sam Spade are written for radio by
Bob Tolman and Gil Dowd, the musical direction by Lett Gruskin.
Let's score composed by Renee and Thierre Gelligank. Join us
again next Sunday, when author Dashel Hammond and producer William

(28:44):
Spear joined forces for another adventure with Sam Spade Brought
to you transcribed by Wild Root Cream Oil again and again.
The choice of men and women and children? Who this
is Dick Joy reminding you.

Speaker 2 (28:57):
Who yed Wild Route cream oil Choy. It keeps your
hair and shrim you see it's done alcoholic, Charlie. It's
made with so the land away you're betta get wild
free mile, Charlie.

Speaker 1 (29:14):
Star isn't answer the hay you'll find it.

Speaker 2 (29:18):
You will have a tough time, Charlie.

Speaker 1 (29:20):
If keep it our gals away, Hi you baldy, get
wild road right away. Where's the ceb AS lit. Columbia
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