May 1, 2025 • 52 mins
We are heading off to Kearney, Nebraska and Hutchinson, Kansas for a couple of trio shows. You'll hear about "The Cocaine Drain Album" release date and future product discussion. Enjoy. Next week a member of the Famous King Family will be our guest so jump on things and Google "The King Family"...what a history!!!
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:04):
I saw him sitting in the ram.
Speaker 2 (00:07):
Hi.
Speaker 1 (00:08):
We're the Cantles.
Speaker 3 (00:09):
I'm Paul, I'm Bob, and I'm Susan Cowcill.
Speaker 1 (00:13):
And welcome, welcome, one and all to the.
Speaker 4 (00:16):
Calcil Podcast, where we have fun, fun, fun, even when
we're being serious every.
Speaker 2 (00:22):
Single week with our music stories and weekly special guests
from all walks of life.
Speaker 3 (00:27):
All of us can use a break sometimes, take a breezer.
Speaker 2 (00:30):
Right right right, Well, if that's true for you, then
you have a ride at the right place at the
right time.
Speaker 3 (00:37):
So we want you to sit back, reading back and escape.
Speaker 2 (00:41):
With us and to our world of harmony, laughter and
tom foolery.
Speaker 1 (00:46):
So let's get to it.
Speaker 2 (00:47):
Here's today's episode of the Castle Past.
Speaker 1 (00:51):
Yeah all right, hey everybody, how's it going? Today is Wednesday?
Speaker 3 (00:58):
Wednesday?
Speaker 4 (00:59):
Hello, Hello, it is almost.
Speaker 3 (01:03):
Almost So are we doing the podcast the day of
it sending it out?
Speaker 4 (01:08):
We're late again. We're late again, folks, and uh you know,
I will I will say. We got a lot of
responses on info atcoscile dot com, where you can communicate
with us about being late, and pretty much everyone of
them has said, hey, don't worry about it. We're glad
you do it. We know you can be late. Sometimes
(01:29):
we're not upset. Just keep doing what you're doing.
Speaker 3 (01:33):
That makes me feel good.
Speaker 4 (01:35):
It is very good, It is very But you guys,
I know everyone's got something to say. I got to
get something quick. Some caught my attention in info at
council dot com. Okay, and the headline said talk more.
And I looked at that talk more, well that that
must be a mistake. That can't be to us. And
(01:56):
this guy goes, hello, We've seen you guys in Qui Town, Pennsylvania,
and I thought you're explaining all about the Parkers family
and stuff was great. And then we saw you in
Atlantic City, New Jersey, and you didn't explain anything. I
thought maybe you should you should have. He goes, I thought,
(02:17):
maybe you should have. Your story is just as good
as anyone else is in the show. And also when
now this is the Happy Together to we must have
shipped up so I can tell it's happy together, and
I should tell this guy this is Brian. Brian. Listen
to me, Brian. Now we have tenure now, so we're
loosening up some restrictions and you can tell like you
(02:39):
got something there on the Parkers family. But you know,
when we first got on that door, they said, zip
it all right, singing, let him read your book. If
you wrote a book, we don't want comedians, right, you're
not comedians, And then every wants to be a comedian
except us. Were the only one that obeyed that law. Okay,
that's okay.
Speaker 2 (02:58):
And we've also been told that, you know, when we
talk a lot, you're acting like you're still famous, and
you're not famous, is what we're told.
Speaker 4 (03:08):
Then, and when you and we've been told that when
you talk a lot, some people think that you just
don't know enough songs, or if you talk a lot,
you're nervous. And so to see a headline that says
talk more was such a shock to me.
Speaker 1 (03:25):
Yeah, we'll give that to you out.
Speaker 2 (03:27):
So we'll give that to our production manager and let
him read that, and then he'll say, okay, why don't
you do three minutes?
Speaker 3 (03:34):
Hey, you guys, look, look, look, let's get you know
who on the phone right now and see if we
can't ask for a little more talking time to this summer.
We're heading out at the end of May.
Speaker 4 (03:45):
Talk more this summer, Hey, listen. But for Briant and
people who wonder about that, what you want to do
is you want to get to one of our trio
shows or you want to get to one of our bands.
So believe me, you get history, you get stories, you
got Q and a's sometimes you.
Speaker 1 (04:02):
Know the best we can anyway the best we can.
Speaker 4 (04:06):
Yeah, they're a un summer camp rules. And the reason
we're at every summer camp is we obey them. And
so yes and and uh, you can say no, you're
back because you're good enough, I said, I would say, people,
you are measured and you are judged by the twenty
three hours and twenty minutes you're not on stage on
(04:27):
that tour. And if you can hold that together and
be cool and agreeable and not moody and all the
other stuff that goes, yeah, they love you. And because
you've got to be good on stage, that's a given.
But you can't be a wise guy.
Speaker 3 (04:41):
Yeah, you really can't bode well.
Speaker 2 (04:45):
We've seen people's mouths get them off the tour.
Speaker 4 (04:50):
So himself, after one of the principles left in the conversation,
looked at me and said, doesn't that guy know he's
not famous anymore? And so that's the walk we all walk,
because in the summer, in that venue for that sellout night.
You kind of are famous, so it can get to
(05:10):
some people's heads. I think, oh I'm famous again, you know.
Speaker 1 (05:14):
But yes I got a standing ovation.
Speaker 4 (05:16):
I got a standing ovation. Now your legacy got a
standing ovation, not you.
Speaker 1 (05:21):
Yeah that's right, yeah, exactly.
Speaker 4 (05:24):
That's a funny thing. Happy together to her, you know
where we're happy to do it. Yes, it's the same songs.
But think about the Beach Boys, bigger bands, Fleetwood Mac,
think about our brother John. He's saying help me Ronda
for twenty years. Okay, so everyone does it. It's just yeah.
Speaker 2 (05:41):
Well, and the other thing is is that when people
ask me that question, hey, wow, don't you get tired
of the same songs over and over?
Speaker 1 (05:49):
And I go, well do you?
Speaker 2 (05:51):
And they go, well, no, we love them, and so
then I go, well, then we love doing them.
Speaker 5 (05:56):
You know.
Speaker 3 (05:56):
But that makes me wonder, is there someone out there
who does not want to be singing those songs? Do
we know any of our comrades and arms who are
part of our tribe that go like I've never heard
the Bucks say geez, I wish we didn't have to
do you know, like all we.
Speaker 2 (06:14):
Hear normally is how grateful we all are to have
it at least four big hits, you know, and five
is even better.
Speaker 4 (06:23):
But the age relevant, it could be age relevant because
some of these bands, when you are in your thirties
and forties and you've had it in the past, like
you can't project like, oh, this is it for the
rest of my whole life. But at seventy five, they
ain't much of the rest of my whole life.
Speaker 3 (06:38):
It's a little projecting at seventy five. Now you project,
you can project a seventy sixty five. Frankly, I'm afraid
to tell you.
Speaker 4 (06:46):
Yeah, but most of us are kind of where we're at,
and we make our new albums and we're even gonna
we can talk about the a cappella projects, the cocaine.
But anyway, I just wanted to get in in this info.
Speaker 3 (07:00):
Stuff, just chat.
Speaker 2 (07:02):
So I got something cool. So we all know a
door right here, I'll show you the door. So there's
the door, and it has a threshold. Right. The threshold
is the thing that's at the bottom of the door. Right,
you heard the term threshold. Show the door I found
yesterday that like back in the you know, well seventeen
(07:24):
and even into the eighteen hundreds. When people built their houses,
they didn't put floors in, you know, And so what
they started doing was taking hay or grass or you know,
and thrown it all over the floor to keep the
dust down and the dirt down and all that. But
then what would happen is wind would come and all
(07:44):
that hay. But it's called thresh. Okay, that's what the
scientific term for hey is thresh is that would all
blow out of the room. So what they did was
they took a board and they put it down at
the bottom of the door and raised it just a
little bit, which kept all the hay in the room.
Now the threas and so it's a threshold, and so
(08:06):
it holds the hay in the room.
Speaker 1 (08:08):
And that's how come we know about thresholds.
Speaker 3 (08:11):
I love that one is a good one.
Speaker 1 (08:15):
I do have one.
Speaker 2 (08:15):
I have one other one, and I don't know where
I'm getting them. I keep forgetting where I see them
because I love these little things. So back in the
day again, you know, a lot of people for roofs,
they would they would use thatched roofs, you know, which
is a multitude of soil and moss, and you just
build your roofs.
Speaker 3 (08:33):
Up with all the stuff.
Speaker 2 (08:35):
Okay, they do it in Ireland. So and so that's
what they were doing, okay, and then all of a
sudden it would rain, and so then those roofs, if
they had any weight in any area, that cat or
dog would come into the room. Now and that's where
they got bats and dogs. It's raining cats and dogs.
Speaker 4 (08:54):
Hey, Paul, this is this is something you could do.
I have what you do. You've got two great factories.
You just added them into a book, you know, Paul
Costle's Bathroom. Yes, you know that. You can read it
a minute and get off the toilet and get out
to you.
Speaker 3 (09:11):
When I just learned, can I put one bus?
Speaker 1 (09:14):
Yeah?
Speaker 3 (09:14):
For the ladies don't like this And it's a it's
a phrase you're all aware of. Back in the sixteen, seventeen,
eighteen hundreds, when the Lakers were wearing the Victorian clothes
and the there was an item that was it was
a triangular item that was placed here, and then they
would have those crisscross laces, you know, to hold it together. Okay,
(09:34):
you've seen them on the medieval dresses. Well, there was
two ways to lace that. One way was crisscross all
the way down. The other way was straight across lacing.
The younger ladies wore crisscross but the older ladies wore
straight laced. Therefore, this term when one is straight laced,
(09:57):
they're an adult, mature road a woman straight laced.
Speaker 1 (10:02):
That's one of those things. Nice.
Speaker 3 (10:04):
I know. I'm so excited when you started talking.
Speaker 4 (10:07):
Okay, the Susan Brusson and Paul Castle back toward bathroom book.
Speaker 3 (10:11):
Well I can just be his reporter like Lois Lane.
Speaker 4 (10:15):
Yeah.
Speaker 3 (10:17):
Yeah, I got really excited that.
Speaker 4 (10:21):
The women back then must have had that that year,
that birthday where they were given their first straight across dress,
and we're not wearing that one anymore.
Speaker 3 (10:30):
Absolutely, Bob probably married, this one may be married. I
didn't you know. It just said that the younger set
were cross crossed, the older set were late straight.
Speaker 1 (10:39):
I have another one. I have another one.
Speaker 2 (10:42):
So you know how you know when you're getting married,
you know, we've all been there, and the and the
girl they're all trying to say decide on like what's
their bouquet, What is their bouquet going to look like?
And then what is it centerpieces and all this other stuff. Well,
back in the day, you know people, they might have
taken a bath or a shower, and this includes women
(11:03):
like maybe once a month. Okay, So when these gals
would get married, they would put a bunch of flowers
together and carry them down the aisle and then be
married and still not smell like boh.
Speaker 1 (11:18):
And so that's where it.
Speaker 3 (11:22):
All in the old timey things.
Speaker 2 (11:23):
And I read that Paul, this is great, Bob makes sense.
Speaker 4 (11:29):
If I come up with one that it's Bob Paul
and Susan Coussel's factory bathroom.
Speaker 3 (11:33):
Well, I have a feeling that this is the way
this is going to roll out.
Speaker 4 (11:37):
I actually did have an idea long time ago, and
I started, but you know, you never followed through with
great ideas.
Speaker 3 (11:43):
Sometimes no, everybody else doesn't get the money.
Speaker 4 (11:45):
Go. It was just a little fact toy book. But
it's going to be called the History of Doubt Doubt
dot And you could open the tanning page, the history
of this, the history of the tooth books, the history of.
Speaker 1 (11:54):
Yeah, I like it.
Speaker 3 (11:56):
That's a book. I want a little bit.
Speaker 4 (12:00):
Why did that?
Speaker 2 (12:01):
Maybe and maybe we get the history of sayings and
the history of words, and maybe that's where these interesting
things come up.
Speaker 3 (12:08):
Here's what's funny though, there's probably hundreds of books.
Speaker 4 (12:12):
Like, oh yeah, I never thought of that, Oh there are.
Speaker 2 (12:17):
There's a ton of them, and they're all online somewhere.
Speaker 4 (12:23):
Anymore because everywhere I forget that idea. Never mind, Yeah, yeah,
who cares everyone?
Speaker 3 (12:32):
And I, Vicky and I came up with Bathroom on
the Right. There's a book called There's a Bathroom on
the Right because there's a bad moon on the right.
As a little kid, I told Vicky once I thought
they were saying, there's a bathroom on the right, And
there's so many songs like that, let's make a book.
And then like ten years later, somebody came out with
this book. It was the best seller called There's a Fix, Like,
(12:55):
there's our idea right over the seller list.
Speaker 4 (12:59):
Ye to go. Hey everyone, we're leaving, well not, I'm
not gonna say tomorrow because this might not get up
tonight New York's three hours later than us, but it's
gonna go up tomorrow. So we we have arrived in Karney, Nebraska. Hello, yes,
please come out to where are we playing in Carney?
Speaker 2 (13:18):
The state theaters we're playing at We're playing at the
merry Men Theater.
Speaker 1 (13:22):
And I will have to.
Speaker 2 (13:22):
And I want people to know the night the Nighttime
only has a few seats and those are those are singular. Oh,
this is Kansas here, let's take it.
Speaker 4 (13:36):
Carney's two shows two o'clock and seven o'clock. We're opening
for the Association of Paul And here's a call from
one of our listeners. Excellent.
Speaker 2 (13:50):
Let's see what Yeah, how you doing? Larry doing good?
I'm on a podcast with my brother and sister.
Speaker 4 (13:57):
Hey, Larry, what's up?
Speaker 5 (13:58):
Hey?
Speaker 3 (13:59):
What's up? Larry?
Speaker 2 (14:00):
I do We're going over some stuffing Carney guys. Carry on,
Me and Larry.
Speaker 4 (14:05):
Look, we're talking to our carnate people. We love Carney.
We can't wait to do that show.
Speaker 3 (14:11):
I know what I would like.
Speaker 4 (14:12):
Can I go ahead?
Speaker 3 (14:13):
Think about because Paul and I lived in Carney for
a minute. Okays are good and I want.
Speaker 2 (14:18):
To do a shouting thing is is that we're going
to be up first and the Association now after. If
we're going to share amps with those guys, I would
say just to let the guitars.
Speaker 4 (14:27):
Go direct to if we try and talk over them
something about.
Speaker 2 (14:33):
Let's okay, that'd be great. Fenders are great fender amps, right, kids? Oh?
Speaker 4 (14:38):
Yeah, or direct or direct two guitars. It's whatever's easiest,
whatever is easiest, just.
Speaker 1 (14:46):
Read easiest for you guys.
Speaker 2 (14:48):
If we're going to use two amps, we're going to
use fenders, all right?
Speaker 3 (14:52):
What about reader?
Speaker 4 (14:55):
Yep?
Speaker 1 (14:55):
In a music stand, I'd like one, why not?
Speaker 2 (15:00):
And guitarist, Yeah, that's not so important. We don't do
much uh percussion with the show.
Speaker 1 (15:07):
Right, okay? Yeah, money and bring them along. Who knows.
Speaker 2 (15:12):
I get crazy sometimes to start banging them.
Speaker 4 (15:16):
You're hearing workout for the advances, the gigs, percussion, These
are the kind of phone calls he has to handle.
I get other things.
Speaker 2 (15:26):
So no, no, not at all at all. Tambourine, you
know what? And just the tambourine, really, Larry, because I
bring moroccos anyway.
Speaker 3 (15:35):
He does what.
Speaker 4 (15:38):
I deal with this? No, you can't have any money.
Speaker 1 (15:40):
To music stands.
Speaker 2 (15:47):
The three mics and the three monitors and then yeah,
and then we got the guitars and they're gonna hook
us up to some sound. I think we're good.
Speaker 3 (15:55):
I love it. This is hilarious, y'all.
Speaker 4 (16:00):
Okay, this is sometimes the Empire imposes itself on what
you think you have.
Speaker 2 (16:06):
Begu Larry say goodbye to Larry. Everybody there, all right,
all right, all right, so that's Carne books. So so
while we're doing this, guys, listen up.
Speaker 1 (16:19):
So when I need, oh ship, shoot, I have I have.
Speaker 3 (16:23):
A soap oroper lighting, Paul, look you have to look.
Speaker 1 (16:26):
Oh I like it?
Speaker 3 (16:29):
Okay.
Speaker 1 (16:29):
Anyway, Hey, so I need to have you guys. So, Bob,
you're not.
Speaker 2 (16:33):
Going to be happy about this, but anyway, So the food,
So we're going to get a dinner at.
Speaker 1 (16:39):
The Merriment, okay.
Speaker 2 (16:41):
And and that's you know what they supply, and so
they have they need us to pick from this list
of four things that we can order for our dinner.
Speaker 4 (16:52):
Weight loss, weight loss, go ahead.
Speaker 2 (16:54):
And they are Asparaga's risotto, okay, Spinach spinach and ricotta
ravioli or beef ravioli.
Speaker 1 (17:07):
That's not bad.
Speaker 2 (17:09):
Jambalayah susan jambalaya, which is made up of penny pasta, chicken,
shrimp and do sausage, roasted bread, Pepper's Cajun cream sauce,
and scallions.
Speaker 1 (17:22):
Okay. So, and and then Bob, there is I'm only
going to say there is chicken.
Speaker 2 (17:30):
They're calling it, yeah, they're calling it chicken katchatory, though,
which is grilled chicken with risotto, carrots, palamada, olives, peppers, onions,
and parmesan cheese.
Speaker 4 (17:45):
No, here's the problem. Everything he just said I know,
and he didn't say it is stuffed inside that chicken
and that's where they air. Okay, this isn't on the side.
Speaker 2 (17:57):
No, chicken catchatory just means that there's cheese and sauce
on it.
Speaker 3 (18:02):
Tomato sauce, chicken and cheese.
Speaker 2 (18:08):
Hey, do you want me to order that for you?
Speaker 4 (18:11):
Two words for you, Uber eats.
Speaker 2 (18:15):
Okay, we're going to have to try that someday.
Speaker 3 (18:23):
Let's get a patchatory for the table.
Speaker 1 (18:26):
Okay, okay, is there a guy there?
Speaker 4 (18:29):
I'll bring my can of progresso chicken noodle soup in
the blue.
Speaker 1 (18:34):
Oh yeah, and asparagus.
Speaker 5 (18:36):
Yes, Susan, we're going to be sucking up that progressive soup.
We're going to be having to stock the bus we're
going to be on for.
Speaker 4 (18:49):
Three months in a month jumped summer tour.
Speaker 3 (18:52):
I just thought you said the chicken noodle, that's a
staple of your bus food buddy.
Speaker 2 (18:57):
I'm going to ask for the asparagus dish and the
chicken catgatory for the table.
Speaker 4 (19:03):
You know that man screams over eating to me, you know, but.
Speaker 3 (19:07):
That's like being totally drowsy for the show and just
be like, oh, I'll eat mine afterward, of course, because.
Speaker 4 (19:14):
Food food kitchen. But you know what, I'm the outlier. Okay, guys,
you all have the great taste buds. I miss out
on the lot. All you can say about me is
that I don't leave a restaurant disappointed because I don't
try anything, all right. So that's that's where we differ.
You guys are adventures some eaters. Hey, Susan froze, look
(19:35):
at her. I love it.
Speaker 2 (19:40):
Hey, Susan, I got okay, So I'm just gonna I'm
gonna get the asparagus in the chicken catgatory and we're
just gonna get two of these and we'll bring something
in with us or something.
Speaker 4 (19:50):
I'm not worried about food, man. I can get the
hotel and you know, if the menu doesn't I can
skip a meal so easily. Are you kidding? Oh god, yes,
he dial dial back in again if you hear us.
Oh yes, he's doing just that. That's very good. Oh,
now she's changed position in the square that's cool, Kate.
Speaker 1 (20:09):
So yeah, so Merryman Theater. Hey, Susan, good job.
Speaker 3 (20:18):
I went away.
Speaker 1 (20:19):
You saw that go ahead, So the Merryman.
Speaker 2 (20:23):
I just want to let our people out there know
that there are some tickets left for the matinee.
Speaker 1 (20:30):
And they're up in the balcony.
Speaker 2 (20:32):
But the and the first show, I think there's some
seats in the balcony, and then there's some seats, but boy,
it looked ugly down below in that there's just like
one seat, you know, and if you're going with somebody,
that always sucks, so so so, so I would say,
if you're going to come, go to the two o'clock
because that has the most seats. But otherwise we're all
sold out. And I want to let you know Merryman
(20:54):
called seven and sixty people.
Speaker 1 (20:58):
Wow, you're kidding, I am.
Speaker 3 (21:00):
The sounds like a little kind of dinner subject did.
Speaker 2 (21:03):
And it is a pack it's a performing arts center,
but it has seven hundred and sixty seats in.
Speaker 3 (21:08):
It, so it's going to be so much.
Speaker 4 (21:11):
I would like to personally thank ahead of time the
Association for being on the bill with us, because I
know between the two of us were pulling this off.
And that's pretty.
Speaker 1 (21:19):
Cool, yep.
Speaker 2 (21:20):
And I wanted to let the association know also that
they're going to be doing sound check after us. So, guys,
what we've decided to do instead of sharing your amps
and turning your knobs the way we liked the knobs
and then you guys having to go back out there
and maybe have to turn your knobs back to what
you had, but you don't remember what you had, we
(21:42):
are going to go direct and so uh wow, was.
Speaker 3 (21:45):
That decided on that cool call you just had?
Speaker 2 (21:48):
No, that was decided a bit of go when Josh
from Hutchinson called me and said, hey, you guys can
share gear, right, and I went, well, yeah, we can
share gear. And then I called them back and went,
you know what, put us with our guitars. We don't
want to be messaged with our friends.
Speaker 4 (22:05):
But Paul, why would we be sound checking last? We're
sound checking last, right right?
Speaker 1 (22:13):
I said, associations sound checking first, and they're going.
Speaker 2 (22:15):
To get all their levels and then we then we
go up there and go, well, should we tell our
guy we just told Fender amps just direct us. Now
he has four amps, he's got he's got amps for us,
separate from those guys.
Speaker 3 (22:31):
If we want.
Speaker 2 (22:32):
These guys are loving us. Man, We're coming in with
three people, two guitars. All we need is to you know,
a stand, and then we need three mics, and then
we need three monitors.
Speaker 3 (22:41):
We're easy.
Speaker 4 (22:44):
Turn the volumes on seven seven seven and tell the
soundman go have a go, have a break. Yeah, we'll
take the lower seat in the audience because yeah, Yeahlly.
Speaker 3 (22:58):
You don't remember where we lived. You don't remember the
name of our street.
Speaker 2 (23:03):
No, it was like a letter. It was like G
Street because I was like a man. All these people
in Carney are very excited about us coming there because
we lived there.
Speaker 3 (23:12):
Well, I know, and I want to say to the
kids that lived behind our house, Randy Jarvis, and then
there were like three other kids that I used to
sneak out at night with. Well, they sneak out, I
walk out my front door because I lived with Paul.
But they were cute and it was so like like
sneak out and walk around in cornfields. I'm like, this
is cool. I enjoyed it. We just left La where
(23:34):
sneaking out at night.
Speaker 1 (23:35):
Was knowing that last name, knowing that last name you
made very well.
Speaker 2 (23:41):
We might be able to find our house by their
house because they were there, they had lived there their
whole life forever, his grandma.
Speaker 1 (23:49):
Here's my here's my day in Carney.
Speaker 4 (23:51):
No no, no, that wasn't me. No, that wasn't no
no I I.
Speaker 3 (24:01):
Yeah we saw no no.
Speaker 4 (24:04):
Now, Hutchinson is one one show and it's longer seventy five?
Is that we are in fifteen minutes in uh in
Carney fifty minutes show and Carney's seventy five in Hutchinson
because uh, that's what the venues ordered up.
Speaker 3 (24:20):
So easy and easy, yeah.
Speaker 4 (24:23):
Easy piece. We're going to have such a nice weekend.
Speaker 3 (24:27):
I've been playing a lot too, Bob. I'm going to
be strong, calm.
Speaker 4 (24:30):
You have been playing a lot.
Speaker 3 (24:32):
I mean really been Like I did a solo.
Speaker 4 (24:34):
Thing, you know, Monopoly, That's what I'm talking about.
Speaker 3 (24:37):
Yeah, so I'll be really like. I'm pretty tuned up
in the guitar land, so it's going to be fair.
Speaker 2 (24:42):
Hey. You know what would be a good exercise for you,
Susan is to do Katrina and do Bob's party.
Speaker 1 (24:53):
The thing.
Speaker 3 (24:55):
It's not a bad idea and I did it enough so.
Speaker 4 (24:58):
With Katrina, I'll never forgetting the studio with Katrina. I'm
trying to do this intro with multiple accous you know, yes,
I'm going like anybody and anybody. And then Russ comes in.
He looks at me, he goes, you know, you're doing
a rhythm there, and I go, I am, and and
he sits and he plays and he points out the
(25:19):
rhythm I'm doing. But my hand just feels like it's
chaos cast cast cast, but it is settling in this
specific rhythm that he picked up on because it doesn't
sound like it felt doing It felt like, God, I
hope this all jobs. But I was accenting in and
out without knowing it, you know.
Speaker 3 (25:39):
So that's how that intro became.
Speaker 4 (25:41):
A drummer percussionist point that out, you know.
Speaker 3 (25:44):
Wow.
Speaker 4 (25:45):
It was always that, It's just what's the beat of it?
What what do you do? I was channeling Tommy for
a lot of Katrina when I'm on an acoustics and
no one's going to pick up on that. But I
mean a pinball wizard is what I meant. But the thing, yeah, wizard,
(26:09):
I'm kind of playing pinball Wizard.
Speaker 2 (26:11):
And I thought I thought when Rush brought that to
your attention, that he was going to say, so listen,
just play you know, four bars of it, and because
you're in such a groove, we can just loop it
and not have you do it.
Speaker 4 (26:24):
I got in the groove and I handled Katrina. There's
a part in Every Little Secret that a percussive part.
He wanted me to play on the guitar and it's
very important and it's a trill. But I hear, yeah,
I couldn't do it, and he said do it once.
I did it once. It's it's in that song about
(26:45):
twenty five times.
Speaker 1 (26:47):
Totally. I hear it.
Speaker 3 (26:48):
I know exactly.
Speaker 4 (26:51):
Did Yeah, my hands got on you know, my hand
feels like a crowbar by the third one.
Speaker 2 (27:01):
You know, I can't do this right right, it's still attached.
Speaker 4 (27:07):
That was Russ technology during that little.
Speaker 3 (27:11):
Kids, you know, they know the new stuff they do.
Speaker 4 (27:15):
It was an interesting part. And listen and that's the
other half of it.
Speaker 1 (27:19):
With Russ.
Speaker 4 (27:21):
You have to wait till you understand what he's telling you, okay,
before you can do it. And sometimes it takes me
a while, like because he's so off on the red
he does. He puts places things where places aren't and
he put things where places aren't expected, and places I
couldn't even think of.
Speaker 3 (27:37):
And then you go, oh, right, so.
Speaker 4 (27:39):
To tell me to go to that place, I feel
like I don't know how to open the store. I
don't know, and I'll take it from there, you know.
Speaker 1 (27:48):
Yeah, yeah, take care of it.
Speaker 3 (27:50):
Yeah.
Speaker 2 (27:51):
Well, you know it was funny because put Yeah, after
I put the acoustic piano on, oh goodbye, it's not forever,
Russ came out to me. He goes, He goes, wow,
you know, that's interesting. You've got a whole separate, different
beat going on with the piano. I go oh, and
he goes, no, it works, it works, it's great, but
it's like a whole separate thing. I'm okay, let you go.
Speaker 4 (28:17):
What do you mean, what do you mean? We'll do
it this way? Don't do that to me?
Speaker 1 (28:22):
Yeah, yeah, yeah.
Speaker 3 (28:23):
What's interesting that we're finding out is while these songs
are unfolding, Russ is just being a drummer receiving information,
and he's hearing music in rhythm and imfying it. Where
we're not. We're just in the music world where we live. Yeah,
very interesting, guys.
Speaker 1 (28:41):
Yeah, I like it.
Speaker 2 (28:43):
So, yeah, I got I got a oh, I got
like tootin.
Speaker 1 (28:50):
Anyway, yeah, it's very cool. I got mine now, Oh cool?
Speaker 4 (28:55):
How does it work?
Speaker 2 (28:56):
Are you getting? Are you going to get?
Speaker 1 (28:58):
Eight weeks?
Speaker 3 (28:59):
He will to do and then we'll discuss it. But
if I do, it's it's only eight thousand dollars, So
why wouldn't I Well, I can give you a thousand reasons.
Speaker 4 (29:08):
Yeah, yeah, hey no, but does it too food and no,
there's a big hold does yeah?
Speaker 2 (29:15):
Yeah, yeah, it's changed everything out, changed everything.
Speaker 1 (29:19):
Great.
Speaker 2 (29:20):
I got two more to do, and at the end
of July, I get these other two put in. All
the implants are done.
Speaker 1 (29:26):
Now I'm just waiting.
Speaker 3 (29:27):
For the twenty thousand dollars mouths.
Speaker 2 (29:29):
No, no, no, no, I get it's a four tooth. Yeah,
thirty five of your book factoid for your book.
Speaker 4 (29:39):
Maybe you told me this, But the tooth is the
only the only part of the body that cannot heal itself.
Everything else can heal itself.
Speaker 3 (29:46):
I've never heard that you can only part this.
Speaker 2 (29:52):
This mouth right here on all of us is the
gateway to disease. Not in our mouths, in our hearts,
in our livers, everything goes through there.
Speaker 3 (30:04):
Yeah, it is crazy mine.
Speaker 4 (30:07):
Watch when I opened it?
Speaker 3 (30:09):
Then careful, may I share a little. Yes, jazz fest
wonderment that happened here, as everyone probably knows, and if
you don't you live in other parts of the world.
There's a jazz, jazz and Heritage festival in New Orleans, Louisiana.
It's been going on for thirty five years or something.
(30:29):
And year we had Gladys Knight from Gladys Knight and
the Pips, and you guys, man, she killed it. Now
she had four young ladies pipping with her. Okay, the
Pips are no longer. Everybody's gone. She's eighty two, she's
t ninety. She's about this big and about that wide,
(30:51):
and she is like a like or you see her,
but it's like a like a caricature. She's the precious
little lady. And she comes out and goes like because
thousands of people right, yeah, and she is not. She
is sparingly singing everything. But when she's singing it, it's
(31:15):
it in her timber midnight ty didjel it's so good
and she lets the girls take long notes for you know.
But and man, she she was so moved, as were we.
She cried the whole she had to sit down and
she was like she couldn't look. You know, it was
(31:36):
heavy because what we all knew and what she knew.
When she came out and saw this and looked at
her watch, she went, I'm never coming back here. She's
been there a few times. And it really was like
this is her goodbye and it was unreal. And you know,
that's what friends are for.
Speaker 6 (31:56):
People are just sobbing, hugging, swaying on sea of humans
with Gladys leading. It was everything you could want. And
the fact that she can nail, you know, gotta gotta
make the.
Speaker 3 (32:10):
Best the best sit you way he shunned. She just
is like you know, and when it would come out,
you go, how is that in this tiny little mouse? Yeah,
that was beautiful, very phenomenal. And I think I wonder.
Speaker 4 (32:27):
If you pick pip Pets over pips.
Speaker 3 (32:29):
You know, no, I know the boys are choice good point.
And look the ladies there.
Speaker 4 (32:34):
Were guys didn't have the thing. They were cool.
Speaker 1 (32:41):
Oh I hear what you're saying.
Speaker 2 (32:45):
Of the male background singers was a big part of
her sound.
Speaker 3 (32:48):
For real, it was. And you didn't three the ladies
and you're they're like like.
Speaker 1 (32:54):
Hell, but I hear that.
Speaker 2 (33:00):
I know.
Speaker 4 (33:01):
We find out that there's three guys in their eighties
out there touring as the Pips, and it's the Pips.
Speaker 3 (33:10):
Somebody google it. Hey really was business else somebody else
was big?
Speaker 1 (33:19):
Who else?
Speaker 3 (33:19):
Oh? Dave Matthews because he was up first?
Speaker 2 (33:23):
How was that?
Speaker 3 (33:24):
It was good? Paulie. You know if you either like
him or you don't. David zim Brust doesn't, but he
loves him because his best friend loves him. They're about
I don't know, two hundred people said it was okay
or whatever.
Speaker 4 (33:37):
That Yeah, his hit records were His hit records were
amazing to me. I did watch a full concert at
that rock in Colorado. Got a little bored, okay, But
but in general, you know, he's a little beyond artistically
where John Mayer I can directly relate to great guitarists.
(33:57):
I see your underrating guitars, Dave Man. It's like, how
do you write that stuff?
Speaker 3 (34:01):
Litte little more?
Speaker 2 (34:04):
Genie?
Speaker 3 (34:05):
Yeah, what's there? Very sincere? And I mean when he
was telling one of them that he was crying and
I don't know it, so I was like I couldn't
go there with him, you know, but I you know,
but like he was giving those people his very best.
Speaker 4 (34:19):
I got a funny Dave Matthews story and I'm only
going to remember the line. I don't remember the hit record. Okay,
back in the back in the early two thousands, I
had the carpool for the girls with my daughters going
to Notre Dame High School okay now at the time,
(34:40):
so they're all tenth, eleven, eleven, twelfth, you know, there's
sixty seven year old girls, fifteen, sa whatever they were.
And I got one, two, three, four of them in
my car every morning. And Dave Matthews song is a hit.
I can't remember what record, but every time he had
a line in it, and I'm a dad with daughters
in a car, and one of the lines in his
(35:01):
hit was in the middle bars he said, you know, hey,
lift up that skirt of yours and show me your world.
And I couldn't leave. I turned it down on the
red and they knew what I was doing. That they
thought it was. They laughed at it advents and said,
when you turn that down. I wouldn't let him hear it.
I knew it was coming out. Turn it down, let
(35:21):
him say that line that would bring it back up.
Speaker 1 (35:24):
Yeah, I'd be right there with you. On that.
Speaker 4 (35:27):
Yeah, brother, I mean, look acknowledging, I've never heard such truth.
I can't let them have it. That's sixteen and seventeen
year old girls. That's not your world. That's not your world.
And the guym it is your right.
Speaker 3 (35:44):
You know.
Speaker 4 (35:44):
It's a fight right to the end. But that's what
happened in that and it was a big hit. It
played every morning and it would start to go, oh
my god, the Dave Matthews song. Ye, dad, you know
you heard it. Probably anyway, we do have the Cocaine
Drain album coming out. I do know that they are
(36:05):
targeting September eighth. I do know that we are working
on the cover. And it's kind of fun because of
Brad's response of like, well, what's it going to do
for the cover? I love the challenge, you know, it's
like shot them the cone the what after.
Speaker 3 (36:24):
We got through the part about not changing the title,
and I'm proud of the title that.
Speaker 1 (36:32):
You can have a coca bush. You can have a
coca bush as the cover.
Speaker 3 (36:36):
Uh huh, a coca bush and then a DrAk. It
could be a coca bush drawing growing in a big
city next to a dream, like you know.
Speaker 1 (36:46):
Like an urban Yeah, we're grown in the sink.
Speaker 4 (36:50):
If you could, I mean, we lived in white lettering,
a little puffy big by the costles, a little umbrella
and then a bowl. And maybe if we could infer
drain a drain, a real you know, just somehow artistically
I see the drain.
Speaker 3 (37:06):
I don't know in the drain though, coming up out
of the drain, you know, the actual plant growing, or.
Speaker 4 (37:13):
Just or just be bold and just have a black
and just seven cocaine lines going down the table, the
black table.
Speaker 3 (37:23):
Look but in all like artistic possibility reality. I would
like you to to them and all black with white
words that says cocaine drain. I think that's powerful. It
also says.
Speaker 4 (37:35):
Exactly, have things to look at soon. And then we
do have the a Cappella album coming out, and we'll
give you a development about the Acappella album that we
thought was pretty cool. Is that unless we talked about
rad I can't remember.
Speaker 3 (37:51):
I think we might have hit on it about.
Speaker 4 (37:53):
Songs for Acappella done and we want three more. And
so we're going to go back into the studio with
this coming winter sometime I'm sure we can work it
out or early spring. Uh, and we're gonna a cappella
one from the Cocaine Green album, one from Rhythm of
the World, and one from Global and that'll top off
our a cappella project. I laugh, like a seller of
(38:15):
them all, but because it's so unique and different. Uh,
but we're gonna have a lot of fun with that.
And there's other stuff that's probably coming out because you know,
we shoot for volume, you know, we we don't shoot,
we shoot, we're volume.
Speaker 1 (38:32):
Oh my gosh, well.
Speaker 4 (38:34):
Thought out plan of ours waiting for you know, once
we're out a volume though, well by that time, you
know we're gonna be out of life.
Speaker 2 (38:41):
So we still before yes, and God bless Ominibor, because
we still haven't gotten a zero in Rhythm of the World.
Speaker 1 (38:48):
Okay, well not a zero, not.
Speaker 2 (38:51):
Three zero zero zero zero that has not happened. I
love that.
Speaker 4 (38:56):
Let me tell you people, what Paul's talking about is
we get a weekly statistic report of data from Omnivor
regarding sales. And Paula has just said, we have not
gone even one week without selling something now.
Speaker 3 (39:09):
And if I'm not mistaken, didn't last week. We are
a week or two ago there was some thirteen in
one day for no gosh darn reason.
Speaker 4 (39:16):
At all, thirteen CDs sold and one day for the
cow Sills. You you can relate that to like, let's
say Taylor Swift. That's probably thirteen million in one day. Okay,
but the excitement is still the same. Okay, people thirteen
people find out about Global and go online and get it.
Speaker 3 (39:38):
I don't know, but then it happens, you know, it doesn't.
Speaker 4 (39:41):
Take much to impress us. Kind of blew our mind. Actually,
we hadn't hit double figures in a while. Yeah, it
was great, but like Paul says, our measuring yardstick is
a zero, so we haven't hit a zero.
Speaker 3 (40:00):
There's no place but up from zero. Guys. From here,
I do want to now say, guys, because we're at
that part of the podcast, the time level, we must
start preparing for the summer. It's going to be here
and what do I mean leavings.
Speaker 4 (40:20):
Here's the big decision. We can spend the spring doing
enough podcasts so we don't have to work during the summer.
We did that once and it was fun. But we
also did it once and we said that was too hard,
that's too much work, and we didn't do whatever.
Speaker 3 (40:34):
The month before you leave town when you're trying to
hang out with the people you're hanging out. I'm sorry,
I can't. I gotta do a podcast.
Speaker 4 (40:41):
We did it out there in the summer. We really
had no problem with it.
Speaker 2 (40:44):
I like that I didn't do it and do it
out there.
Speaker 4 (40:48):
It's a different medium for them as well, and it's
easier to venue episodes episode springtime.
Speaker 1 (40:57):
All right, we're out of that, right.
Speaker 4 (40:59):
You're in on it, meaning we are not pre producing
any summer podcast. We've got to tell with us and
we're going to time while we're on the road.
Speaker 3 (41:08):
Listen this through a little bit more. We could even
do little sequences with some of our regulars on the
road who we have already interviewed, and it.
Speaker 4 (41:20):
Then froze again with a good idea.
Speaker 3 (41:22):
And whoever's out and we're gonna say, tell us about
your favorite Christmas. Each person, each band gives their favorite Christmas?
What did what was your favorite pet? Did you ever
get a dog? We could fine tune important moments with
some of our major players who love to chat with
us about important parts. Hey did you graduate? Did you
(41:43):
go to prom? What was prom night?
Speaker 6 (41:45):
Like?
Speaker 3 (41:45):
I have thought this through because I don't want to
do it before we go.
Speaker 1 (41:50):
Oh yeah, we came up with ideas.
Speaker 4 (41:54):
We'll have a lot. Look, it's always fun out there
in the summer. We don't know what we're going to
come up up against, and I already know. Our extra
night off is August August twenty ninth in New Buffalo, Michigan.
We have a night off when the tour's performing.
Speaker 3 (42:09):
Yes, is that the only night we're having off?
Speaker 4 (42:12):
No, that's the extra night off we get New Buffalo.
The casino wins O.
Speaker 3 (42:19):
I'm not really sure where you're going with this.
Speaker 4 (42:21):
And if anyone in the Four Winds casino is listening,
to make sure that somebody listened to that podcast by
that family band, just to make sure they're not planning anything.
So if anyone Wins is listening, we're not playing anything.
But we think it's kind of hypocritical that you keep
a signed guitar in a case on the wall and
(42:43):
your casino signed by the Cosciles.
Speaker 3 (42:45):
So yeah, that gives us, agree with my brother, what.
Speaker 4 (42:49):
Gives a little folk. Maybe they're not that mad at us.
Speaker 3 (42:52):
Really, Hey guess what, maybe how about we get to
four Wins and this time Ron comes on the bus
goes you've got and I'll believe those guys they want
you back.
Speaker 4 (43:04):
It'd be great because for us, no, but you know what,
most bands will saying, screw you, you don't want we
don't want you, But not us. If you've learned the
error of your ways approach, we meet.
Speaker 3 (43:21):
You back here with a handy shake, and.
Speaker 4 (43:23):
We'll even still keep the war hoops out just to
not annoy you, and we'll even not do the song
if we were so accommodating to that. Yes, yes, I'm
still shocked they turned us down. I'm still shocked they
turned us down. But that's okay. It's a It became
a badge honor for me personally that I was rebellious
(43:45):
like that because I've always been in a family sweet
tooth band and that was kind of rebel. That was
rebel nugget. So we got that coming too. And then
we're we got gigs coming. We're going to be in
Atlantic City September third at the Walk for the end of.
Speaker 3 (44:03):
Summer teams reeling out there, Me and.
Speaker 4 (44:07):
Jack, Tomball May tenth, Tomball Texas May tenth at the
Main Street crossing, Yepy Street Crossing. It's our third time
back in December fifteenth. We're there also, Oh boy, Abby
rode on the river May twenty secondary and said, look,
falling out of my head. You know why because we
don't get many gigs.
Speaker 5 (44:28):
There.
Speaker 4 (44:28):
You go, yeah, ye, fifty eight cities for summer. I
tell you that.
Speaker 3 (44:34):
But it's going to say that what that schedule says.
Speaker 1 (44:37):
Anybody coming to our shows?
Speaker 4 (44:38):
Let us know, ship Shawana and one other city on
that itinerary we are there for two nights. Unless it's
an error, a printing error, but there are two cities
on the happy together to the summer where we're performing
for two nights, and ship Shawana Birchmere. Birchmere has one
night and then a day off and then the second night.
(45:01):
I mean that we could golf. Who knows what we
could do with that?
Speaker 3 (45:05):
I love golf again, have.
Speaker 4 (45:07):
So much time to do something valuable. But anyway, and
and having said that, that gives you people an inkling
that listen to them talking about one free day like
it's gold it is you go, oh, what could they do?
And a lot of the day off it's not doing.
That is the doing, okay, because that's the beauty of it.
(45:31):
Real tired, Maybe I want golf.
Speaker 3 (45:35):
Well, yeah, maybe listen, we got to go to more
movies this summer because we're.
Speaker 1 (45:40):
Going to do that, and we've got to Uber eats
more and.
Speaker 3 (45:43):
Play more croquete.
Speaker 4 (45:45):
Come on, man, Yes, I remember the long once that
was perfect. I think it was the weather though that
ruined it. I think we would have.
Speaker 3 (45:54):
There's that lawn across from the Great Venue that has
the Great Eats, Like, where are we Indiana or somewhere?
Speaker 4 (46:00):
Oh no, that's part. With all of the principals who
are driving this summer, it's going to be quiet camp
and that's gonna be kind of nice.
Speaker 3 (46:08):
You know. I am looking forward to.
Speaker 4 (46:12):
It, and we love the drivers, you guys. You guys
are adventures. The very first summer when they asked us
to go on the tour, you're presented with that you
can drive or you can busy. And the very first
time we did have a discussion, we said, well let's
trot the bus. Then we liked it. But you got
to go through, you know, because your first inclination is no, no,
(46:33):
I'm not giving up control. We're going to drive.
Speaker 3 (46:35):
And I can't imagine though, you guys adding driving to
the already ruling schedule. It's insane. I don't insane what
that means, but our buddies do it. Yeah, No, it's okay.
Speaker 4 (46:50):
I mean, here's there. I heard it from Gary Pucket
and I heard it from Carl too from the Buckinghams. Yes,
here it is quote I want to pull over when
I want to pull over. I want to get to
the hotel when I want to get to the hotel,
and leave when I want to leave. Ultimate the show.
(47:12):
Everyone's professional. I'm going to make the show so they
don't want to be trapped to the bus drivers.
Speaker 3 (47:18):
A personal priority of what.
Speaker 4 (47:21):
To produce, arguments to support. No, no, we like this better,
you know, and not every not everyone's community oriented, right,
you know, I don't want to use that bathroom on
the bus adver.
Speaker 3 (47:34):
You know those people like really hardcore and we're tribal.
We've been stuck together forever. You help, you know, sharing,
So that's okay. We can hang with that.
Speaker 4 (47:44):
You get into the Anthony he's road Warrior's he's the
guy says yeah, let me try the bus and then
next summer. You know, I tried that bus. I don't
think I like that bus.
Speaker 2 (47:54):
I think.
Speaker 4 (47:56):
Respect a lot because he went through it.
Speaker 3 (48:00):
Yeah, yeah he did, he really did.
Speaker 1 (48:02):
Yeah.
Speaker 2 (48:03):
Hey, so we're standing at the Best Western Plus, but
we're getting picked up at the airport.
Speaker 1 (48:08):
So we but that's where we're staying.
Speaker 4 (48:10):
You asked, huh I did, I did?
Speaker 1 (48:13):
Yep, that's Western and there and then the next day
at the airport.
Speaker 2 (48:18):
The next day yeah, so oh well, and so that's
so they pick us up, gonna jump us at the airport,
and then eight fifty pickup lobby call eight fifty got
it to go to the PBS show we have, Yeah.
Speaker 3 (48:35):
Morning Morning Show. Yes, it's gonna be great.
Speaker 1 (48:39):
We're gonna be get picked up.
Speaker 2 (48:40):
We're going to sing a song and maybe answer a question.
Speaker 1 (48:42):
Or two and that's it.
Speaker 4 (48:44):
Then we're gonna go.
Speaker 2 (48:46):
Then we're gonna go right to the Merryman after that, okay,
because remember they're doing soundcheck, probably at ten. Yeah, we're
gonna be doing our show. I think it starts at ten.
We'll be on for ten minutes or fifteen.
Speaker 4 (49:00):
Then we rent the car.
Speaker 2 (49:03):
Then they're going to take us to the Enterprise. We'll
get the car after that and we'll make our own decision.
Do we go to the hotel and then go to
the show or is it just best to go right
back to the show.
Speaker 4 (49:14):
Got it? These are the things we work through people. Okay, yeah,
nothing about when do we eat? You've heard nothing about
anything other than these driving logistics, car logistics, sound chest check, logistics,
lobby called logistics.
Speaker 1 (49:33):
It fills your trip.
Speaker 4 (49:35):
All right.
Speaker 3 (49:36):
We don't want to talk too much about it because
it tires this old woman.
Speaker 2 (49:40):
Yes, tires me out. Bob, don't forget the zip drive.
What telling Bob, don't forget the c D and the
zip drive, the d v D and the zip drive.
Speaker 3 (49:50):
Okay, I got it.
Speaker 1 (49:52):
We're gonna be able to play that at both places.
Speaker 3 (49:55):
Three shows right outfits wise for me. I know you
a the same thing yet, but okay, thank you.
Speaker 4 (50:03):
Knocked either more shirts than one?
Speaker 3 (50:08):
Okay, Okay, well I'm gonna wear one twice. Okay, that's
what's gonna be me so I can.
Speaker 2 (50:17):
Yeah, I don't get to farming you guys, Yeah, get.
Speaker 3 (50:21):
Out of here, man, I gotta get to Nina.
Speaker 4 (50:24):
We get to talk and and you know what happened.
By the way, Paul and Susan don't know this yet,
but next week we're gonna have a guest and we're
gonna have a member. I don't know if you remember
the King family. The King family. Oh yeah, it's a
big giant family.
Speaker 3 (50:39):
Who's coming.
Speaker 4 (50:40):
It's not one of the original it's one of the kids.
But i'll set that all up. One of the King
family who has written a book as.
Speaker 3 (50:47):
Can we ask about Nicole.
Speaker 4 (50:49):
Google the King family.
Speaker 2 (50:52):
And you know what, you guys, you'll remember this name.
And he was one of the dads or something, Alvino
Ray and he was the pedal steel guitar player.
Speaker 3 (51:01):
Yes, you know Ray, And now it's time for all
be no Ray.
Speaker 1 (51:06):
Yeah, he was a King family person. Oh oh he was.
Speaker 4 (51:09):
Okay, good, well, we'll get to hear all about.
Speaker 3 (51:11):
That, right ma'am. Yes, farm, you know that sun gonna
go down with or without you.
Speaker 4 (51:17):
Hey, get out the farm and follow that. Hey, Paul,
turn that soil now, you don't want to abuse your soil.
Speaker 2 (51:22):
Oh man, we're growing, We're we've got the garden going.
Everything is rocking around.
Speaker 4 (51:28):
See Nebraska and we will see you in Kansas.
Speaker 5 (51:32):
Hi.
Speaker 1 (51:34):
Okay, everybody. We hope you enjoyed visiting with us today.
Speaker 2 (51:37):
We definitely had a blast visiting with you.
Speaker 1 (51:40):
Don't forget.
Speaker 2 (51:41):
Each episode of the Castle Podcast is available to download
on demand.
Speaker 3 (51:47):
So please subscribe and give us a rating thumbs up.
Speaker 2 (51:52):
You can also follow the Costles on Facebook at at
coucil dot com and of course.
Speaker 1 (51:57):
We will see you in concert and on road. Until then,
let's stay.
Speaker 2 (52:02):
In touch by tuning in each week for another episode
of the podcast m HM
I saw him sitting in the ram.
Speaker 2 (00:07):
Hi.
Speaker 1 (00:08):
We're the Cantles.
Speaker 3 (00:09):
I'm Paul, I'm Bob, and I'm Susan Cowcill.
Speaker 1 (00:13):
And welcome, welcome, one and all to the.
Speaker 4 (00:16):
Calcil Podcast, where we have fun, fun, fun, even when
we're being serious every.
Speaker 2 (00:22):
Single week with our music stories and weekly special guests
from all walks of life.
Speaker 3 (00:27):
All of us can use a break sometimes, take a breezer.
Speaker 2 (00:30):
Right right right, Well, if that's true for you, then
you have a ride at the right place at the
right time.
Speaker 3 (00:37):
So we want you to sit back, reading back and escape.
Speaker 2 (00:41):
With us and to our world of harmony, laughter and
tom foolery.
Speaker 1 (00:46):
So let's get to it.
Speaker 2 (00:47):
Here's today's episode of the Castle Past.
Speaker 1 (00:51):
Yeah all right, hey everybody, how's it going? Today is Wednesday?
Speaker 3 (00:58):
Wednesday?
Speaker 4 (00:59):
Hello, Hello, it is almost.
Speaker 3 (01:03):
Almost So are we doing the podcast the day of
it sending it out?
Speaker 4 (01:08):
We're late again. We're late again, folks, and uh you know,
I will I will say. We got a lot of
responses on info atcoscile dot com, where you can communicate
with us about being late, and pretty much everyone of
them has said, hey, don't worry about it. We're glad
you do it. We know you can be late. Sometimes
(01:29):
we're not upset. Just keep doing what you're doing.
Speaker 3 (01:33):
That makes me feel good.
Speaker 4 (01:35):
It is very good, It is very But you guys,
I know everyone's got something to say. I got to
get something quick. Some caught my attention in info at
council dot com. Okay, and the headline said talk more.
And I looked at that talk more, well that that
must be a mistake. That can't be to us. And
(01:56):
this guy goes, hello, We've seen you guys in Qui Town, Pennsylvania,
and I thought you're explaining all about the Parkers family
and stuff was great. And then we saw you in
Atlantic City, New Jersey, and you didn't explain anything. I
thought maybe you should you should have. He goes, I thought,
(02:17):
maybe you should have. Your story is just as good
as anyone else is in the show. And also when
now this is the Happy Together to we must have
shipped up so I can tell it's happy together, and
I should tell this guy this is Brian. Brian. Listen
to me, Brian. Now we have tenure now, so we're
loosening up some restrictions and you can tell like you
(02:39):
got something there on the Parkers family. But you know,
when we first got on that door, they said, zip
it all right, singing, let him read your book. If
you wrote a book, we don't want comedians, right, you're
not comedians, And then every wants to be a comedian
except us. Were the only one that obeyed that law. Okay,
that's okay.
Speaker 2 (02:58):
And we've also been told that, you know, when we
talk a lot, you're acting like you're still famous, and
you're not famous, is what we're told.
Speaker 4 (03:08):
Then, and when you and we've been told that when
you talk a lot, some people think that you just
don't know enough songs, or if you talk a lot,
you're nervous. And so to see a headline that says
talk more was such a shock to me.
Speaker 1 (03:25):
Yeah, we'll give that to you out.
Speaker 2 (03:27):
So we'll give that to our production manager and let
him read that, and then he'll say, okay, why don't
you do three minutes?
Speaker 3 (03:34):
Hey, you guys, look, look, look, let's get you know
who on the phone right now and see if we
can't ask for a little more talking time to this summer.
We're heading out at the end of May.
Speaker 4 (03:45):
Talk more this summer, Hey, listen. But for Briant and
people who wonder about that, what you want to do
is you want to get to one of our trio
shows or you want to get to one of our bands.
So believe me, you get history, you get stories, you
got Q and a's sometimes you.
Speaker 1 (04:02):
Know the best we can anyway the best we can.
Speaker 4 (04:06):
Yeah, they're a un summer camp rules. And the reason
we're at every summer camp is we obey them. And
so yes and and uh, you can say no, you're
back because you're good enough, I said, I would say, people,
you are measured and you are judged by the twenty
three hours and twenty minutes you're not on stage on
(04:27):
that tour. And if you can hold that together and
be cool and agreeable and not moody and all the
other stuff that goes, yeah, they love you. And because
you've got to be good on stage, that's a given.
But you can't be a wise guy.
Speaker 3 (04:41):
Yeah, you really can't bode well.
Speaker 2 (04:45):
We've seen people's mouths get them off the tour.
Speaker 4 (04:50):
So himself, after one of the principles left in the conversation,
looked at me and said, doesn't that guy know he's
not famous anymore? And so that's the walk we all walk,
because in the summer, in that venue for that sellout night.
You kind of are famous, so it can get to
(05:10):
some people's heads. I think, oh I'm famous again, you know.
Speaker 1 (05:14):
But yes I got a standing ovation.
Speaker 4 (05:16):
I got a standing ovation. Now your legacy got a
standing ovation, not you.
Speaker 1 (05:21):
Yeah that's right, yeah, exactly.
Speaker 4 (05:24):
That's a funny thing. Happy together to her, you know
where we're happy to do it. Yes, it's the same songs.
But think about the Beach Boys, bigger bands, Fleetwood Mac,
think about our brother John. He's saying help me Ronda
for twenty years. Okay, so everyone does it. It's just yeah.
Speaker 2 (05:41):
Well, and the other thing is is that when people
ask me that question, hey, wow, don't you get tired
of the same songs over and over?
Speaker 1 (05:49):
And I go, well do you?
Speaker 2 (05:51):
And they go, well, no, we love them, and so
then I go, well, then we love doing them.
Speaker 5 (05:56):
You know.
Speaker 3 (05:56):
But that makes me wonder, is there someone out there
who does not want to be singing those songs? Do
we know any of our comrades and arms who are
part of our tribe that go like I've never heard
the Bucks say geez, I wish we didn't have to
do you know, like all we.
Speaker 2 (06:14):
Hear normally is how grateful we all are to have
it at least four big hits, you know, and five
is even better.
Speaker 4 (06:23):
But the age relevant, it could be age relevant because
some of these bands, when you are in your thirties
and forties and you've had it in the past, like
you can't project like, oh, this is it for the
rest of my whole life. But at seventy five, they
ain't much of the rest of my whole life.
Speaker 3 (06:38):
It's a little projecting at seventy five. Now you project,
you can project a seventy sixty five. Frankly, I'm afraid
to tell you.
Speaker 4 (06:46):
Yeah, but most of us are kind of where we're at,
and we make our new albums and we're even gonna
we can talk about the a cappella projects, the cocaine.
But anyway, I just wanted to get in in this info.
Speaker 3 (07:00):
Stuff, just chat.
Speaker 2 (07:02):
So I got something cool. So we all know a
door right here, I'll show you the door. So there's
the door, and it has a threshold. Right. The threshold
is the thing that's at the bottom of the door. Right,
you heard the term threshold. Show the door I found
yesterday that like back in the you know, well seventeen
(07:24):
and even into the eighteen hundreds. When people built their houses,
they didn't put floors in, you know, And so what
they started doing was taking hay or grass or you know,
and thrown it all over the floor to keep the
dust down and the dirt down and all that. But
then what would happen is wind would come and all
(07:44):
that hay. But it's called thresh. Okay, that's what the
scientific term for hey is thresh is that would all
blow out of the room. So what they did was
they took a board and they put it down at
the bottom of the door and raised it just a
little bit, which kept all the hay in the room.
Now the threas and so it's a threshold, and so
(08:06):
it holds the hay in the room.
Speaker 1 (08:08):
And that's how come we know about thresholds.
Speaker 3 (08:11):
I love that one is a good one.
Speaker 1 (08:15):
I do have one.
Speaker 2 (08:15):
I have one other one, and I don't know where
I'm getting them. I keep forgetting where I see them
because I love these little things. So back in the
day again, you know, a lot of people for roofs,
they would they would use thatched roofs, you know, which
is a multitude of soil and moss, and you just
build your roofs.
Speaker 3 (08:33):
Up with all the stuff.
Speaker 2 (08:35):
Okay, they do it in Ireland. So and so that's
what they were doing, okay, and then all of a
sudden it would rain, and so then those roofs, if
they had any weight in any area, that cat or
dog would come into the room. Now and that's where
they got bats and dogs. It's raining cats and dogs.
Speaker 4 (08:54):
Hey, Paul, this is this is something you could do.
I have what you do. You've got two great factories.
You just added them into a book, you know, Paul
Costle's Bathroom. Yes, you know that. You can read it
a minute and get off the toilet and get out
to you.
Speaker 3 (09:11):
When I just learned, can I put one bus?
Speaker 1 (09:14):
Yeah?
Speaker 3 (09:14):
For the ladies don't like this And it's a it's
a phrase you're all aware of. Back in the sixteen, seventeen,
eighteen hundreds, when the Lakers were wearing the Victorian clothes
and the there was an item that was it was
a triangular item that was placed here, and then they
would have those crisscross laces, you know, to hold it together. Okay,
(09:34):
you've seen them on the medieval dresses. Well, there was
two ways to lace that. One way was crisscross all
the way down. The other way was straight across lacing.
The younger ladies wore crisscross but the older ladies wore
straight laced. Therefore, this term when one is straight laced,
(09:57):
they're an adult, mature road a woman straight laced.
Speaker 1 (10:02):
That's one of those things. Nice.
Speaker 3 (10:04):
I know. I'm so excited when you started talking.
Speaker 4 (10:07):
Okay, the Susan Brusson and Paul Castle back toward bathroom book.
Speaker 3 (10:11):
Well I can just be his reporter like Lois Lane.
Speaker 4 (10:15):
Yeah.
Speaker 3 (10:17):
Yeah, I got really excited that.
Speaker 4 (10:21):
The women back then must have had that that year,
that birthday where they were given their first straight across dress,
and we're not wearing that one anymore.
Speaker 3 (10:30):
Absolutely, Bob probably married, this one may be married. I
didn't you know. It just said that the younger set
were cross crossed, the older set were late straight.
Speaker 1 (10:39):
I have another one. I have another one.
Speaker 2 (10:42):
So you know how you know when you're getting married,
you know, we've all been there, and the and the
girl they're all trying to say decide on like what's
their bouquet, What is their bouquet going to look like?
And then what is it centerpieces and all this other stuff. Well,
back in the day, you know people, they might have
taken a bath or a shower, and this includes women
(11:03):
like maybe once a month. Okay, So when these gals
would get married, they would put a bunch of flowers
together and carry them down the aisle and then be
married and still not smell like boh.
Speaker 1 (11:18):
And so that's where it.
Speaker 3 (11:22):
All in the old timey things.
Speaker 2 (11:23):
And I read that Paul, this is great, Bob makes sense.
Speaker 4 (11:29):
If I come up with one that it's Bob Paul
and Susan Coussel's factory bathroom.
Speaker 3 (11:33):
Well, I have a feeling that this is the way
this is going to roll out.
Speaker 4 (11:37):
I actually did have an idea long time ago, and
I started, but you know, you never followed through with
great ideas.
Speaker 3 (11:43):
Sometimes no, everybody else doesn't get the money.
Speaker 4 (11:45):
Go. It was just a little fact toy book. But
it's going to be called the History of Doubt Doubt
dot And you could open the tanning page, the history
of this, the history of the tooth books, the history of.
Speaker 1 (11:54):
Yeah, I like it.
Speaker 3 (11:56):
That's a book. I want a little bit.
Speaker 4 (12:00):
Why did that?
Speaker 2 (12:01):
Maybe and maybe we get the history of sayings and
the history of words, and maybe that's where these interesting
things come up.
Speaker 3 (12:08):
Here's what's funny though, there's probably hundreds of books.
Speaker 4 (12:12):
Like, oh yeah, I never thought of that, Oh there are.
Speaker 2 (12:17):
There's a ton of them, and they're all online somewhere.
Speaker 4 (12:23):
Anymore because everywhere I forget that idea. Never mind, Yeah, yeah,
who cares everyone?
Speaker 3 (12:32):
And I, Vicky and I came up with Bathroom on
the Right. There's a book called There's a Bathroom on
the Right because there's a bad moon on the right.
As a little kid, I told Vicky once I thought
they were saying, there's a bathroom on the right, And
there's so many songs like that, let's make a book.
And then like ten years later, somebody came out with
this book. It was the best seller called There's a Fix, Like,
(12:55):
there's our idea right over the seller list.
Speaker 4 (12:59):
Ye to go. Hey everyone, we're leaving, well not, I'm
not gonna say tomorrow because this might not get up
tonight New York's three hours later than us, but it's
gonna go up tomorrow. So we we have arrived in Karney, Nebraska. Hello, yes,
please come out to where are we playing in Carney?
Speaker 2 (13:18):
The state theaters we're playing at We're playing at the
merry Men Theater.
Speaker 1 (13:22):
And I will have to.
Speaker 2 (13:22):
And I want people to know the night the Nighttime
only has a few seats and those are those are singular. Oh,
this is Kansas here, let's take it.
Speaker 4 (13:36):
Carney's two shows two o'clock and seven o'clock. We're opening
for the Association of Paul And here's a call from
one of our listeners. Excellent.
Speaker 2 (13:50):
Let's see what Yeah, how you doing? Larry doing good?
I'm on a podcast with my brother and sister.
Speaker 4 (13:57):
Hey, Larry, what's up?
Speaker 5 (13:58):
Hey?
Speaker 3 (13:59):
What's up? Larry?
Speaker 2 (14:00):
I do We're going over some stuffing Carney guys. Carry on,
Me and Larry.
Speaker 4 (14:05):
Look, we're talking to our carnate people. We love Carney.
We can't wait to do that show.
Speaker 3 (14:11):
I know what I would like.
Speaker 4 (14:12):
Can I go ahead?
Speaker 3 (14:13):
Think about because Paul and I lived in Carney for
a minute. Okays are good and I want.
Speaker 2 (14:18):
To do a shouting thing is is that we're going
to be up first and the Association now after. If
we're going to share amps with those guys, I would
say just to let the guitars.
Speaker 4 (14:27):
Go direct to if we try and talk over them
something about.
Speaker 2 (14:33):
Let's okay, that'd be great. Fenders are great fender amps, right, kids? Oh?
Speaker 4 (14:38):
Yeah, or direct or direct two guitars. It's whatever's easiest,
whatever is easiest, just.
Speaker 1 (14:46):
Read easiest for you guys.
Speaker 2 (14:48):
If we're going to use two amps, we're going to
use fenders, all right?
Speaker 3 (14:52):
What about reader?
Speaker 4 (14:55):
Yep?
Speaker 1 (14:55):
In a music stand, I'd like one, why not?
Speaker 2 (15:00):
And guitarist, Yeah, that's not so important. We don't do
much uh percussion with the show.
Speaker 1 (15:07):
Right, okay? Yeah, money and bring them along. Who knows.
Speaker 2 (15:12):
I get crazy sometimes to start banging them.
Speaker 4 (15:16):
You're hearing workout for the advances, the gigs, percussion, These
are the kind of phone calls he has to handle.
I get other things.
Speaker 2 (15:26):
So no, no, not at all at all. Tambourine, you
know what? And just the tambourine, really, Larry, because I
bring moroccos anyway.
Speaker 3 (15:35):
He does what.
Speaker 4 (15:38):
I deal with this? No, you can't have any money.
Speaker 1 (15:40):
To music stands.
Speaker 2 (15:47):
The three mics and the three monitors and then yeah,
and then we got the guitars and they're gonna hook
us up to some sound. I think we're good.
Speaker 3 (15:55):
I love it. This is hilarious, y'all.
Speaker 4 (16:00):
Okay, this is sometimes the Empire imposes itself on what
you think you have.
Speaker 2 (16:06):
Begu Larry say goodbye to Larry. Everybody there, all right,
all right, all right, so that's Carne books. So so
while we're doing this, guys, listen up.
Speaker 1 (16:19):
So when I need, oh ship, shoot, I have I have.
Speaker 3 (16:23):
A soap oroper lighting, Paul, look you have to look.
Speaker 1 (16:26):
Oh I like it?
Speaker 3 (16:29):
Okay.
Speaker 1 (16:29):
Anyway, Hey, so I need to have you guys. So, Bob,
you're not.
Speaker 2 (16:33):
Going to be happy about this, but anyway, So the food,
So we're going to get a dinner at.
Speaker 1 (16:39):
The Merriment, okay.
Speaker 2 (16:41):
And and that's you know what they supply, and so
they have they need us to pick from this list
of four things that we can order for our dinner.
Speaker 4 (16:52):
Weight loss, weight loss, go ahead.
Speaker 2 (16:54):
And they are Asparaga's risotto, okay, Spinach spinach and ricotta
ravioli or beef ravioli.
Speaker 1 (17:07):
That's not bad.
Speaker 2 (17:09):
Jambalayah susan jambalaya, which is made up of penny pasta, chicken,
shrimp and do sausage, roasted bread, Pepper's Cajun cream sauce,
and scallions.
Speaker 1 (17:22):
Okay. So, and and then Bob, there is I'm only
going to say there is chicken.
Speaker 2 (17:30):
They're calling it, yeah, they're calling it chicken katchatory, though,
which is grilled chicken with risotto, carrots, palamada, olives, peppers, onions,
and parmesan cheese.
Speaker 4 (17:45):
No, here's the problem. Everything he just said I know,
and he didn't say it is stuffed inside that chicken
and that's where they air. Okay, this isn't on the side.
Speaker 2 (17:57):
No, chicken catchatory just means that there's cheese and sauce
on it.
Speaker 3 (18:02):
Tomato sauce, chicken and cheese.
Speaker 2 (18:08):
Hey, do you want me to order that for you?
Speaker 4 (18:11):
Two words for you, Uber eats.
Speaker 2 (18:15):
Okay, we're going to have to try that someday.
Speaker 3 (18:23):
Let's get a patchatory for the table.
Speaker 1 (18:26):
Okay, okay, is there a guy there?
Speaker 4 (18:29):
I'll bring my can of progresso chicken noodle soup in
the blue.
Speaker 1 (18:34):
Oh yeah, and asparagus.
Speaker 5 (18:36):
Yes, Susan, we're going to be sucking up that progressive soup.
We're going to be having to stock the bus we're
going to be on for.
Speaker 4 (18:49):
Three months in a month jumped summer tour.
Speaker 3 (18:52):
I just thought you said the chicken noodle, that's a
staple of your bus food buddy.
Speaker 2 (18:57):
I'm going to ask for the asparagus dish and the
chicken catgatory for the table.
Speaker 4 (19:03):
You know that man screams over eating to me, you know, but.
Speaker 3 (19:07):
That's like being totally drowsy for the show and just
be like, oh, I'll eat mine afterward, of course, because.
Speaker 4 (19:14):
Food food kitchen. But you know what, I'm the outlier. Okay, guys,
you all have the great taste buds. I miss out
on the lot. All you can say about me is
that I don't leave a restaurant disappointed because I don't
try anything, all right. So that's that's where we differ.
You guys are adventures some eaters. Hey, Susan froze, look
(19:35):
at her. I love it.
Speaker 2 (19:40):
Hey, Susan, I got okay, So I'm just gonna I'm
gonna get the asparagus in the chicken catgatory and we're
just gonna get two of these and we'll bring something
in with us or something.
Speaker 4 (19:50):
I'm not worried about food, man. I can get the
hotel and you know, if the menu doesn't I can
skip a meal so easily. Are you kidding? Oh god, yes,
he dial dial back in again if you hear us.
Oh yes, he's doing just that. That's very good. Oh,
now she's changed position in the square that's cool, Kate.
Speaker 1 (20:09):
So yeah, so Merryman Theater. Hey, Susan, good job.
Speaker 3 (20:18):
I went away.
Speaker 1 (20:19):
You saw that go ahead, So the Merryman.
Speaker 2 (20:23):
I just want to let our people out there know
that there are some tickets left for the matinee.
Speaker 1 (20:30):
And they're up in the balcony.
Speaker 2 (20:32):
But the and the first show, I think there's some
seats in the balcony, and then there's some seats, but boy,
it looked ugly down below in that there's just like
one seat, you know, and if you're going with somebody,
that always sucks, so so so, so I would say,
if you're going to come, go to the two o'clock
because that has the most seats. But otherwise we're all
sold out. And I want to let you know Merryman
(20:54):
called seven and sixty people.
Speaker 1 (20:58):
Wow, you're kidding, I am.
Speaker 3 (21:00):
The sounds like a little kind of dinner subject did.
Speaker 2 (21:03):
And it is a pack it's a performing arts center,
but it has seven hundred and sixty seats in.
Speaker 3 (21:08):
It, so it's going to be so much.
Speaker 4 (21:11):
I would like to personally thank ahead of time the
Association for being on the bill with us, because I
know between the two of us were pulling this off.
And that's pretty.
Speaker 1 (21:19):
Cool, yep.
Speaker 2 (21:20):
And I wanted to let the association know also that
they're going to be doing sound check after us. So, guys,
what we've decided to do instead of sharing your amps
and turning your knobs the way we liked the knobs
and then you guys having to go back out there
and maybe have to turn your knobs back to what
you had, but you don't remember what you had, we
(21:42):
are going to go direct and so uh wow, was.
Speaker 3 (21:45):
That decided on that cool call you just had?
Speaker 2 (21:48):
No, that was decided a bit of go when Josh
from Hutchinson called me and said, hey, you guys can
share gear, right, and I went, well, yeah, we can
share gear. And then I called them back and went,
you know what, put us with our guitars. We don't
want to be messaged with our friends.
Speaker 4 (22:05):
But Paul, why would we be sound checking last? We're
sound checking last, right right?
Speaker 1 (22:13):
I said, associations sound checking first, and they're going.
Speaker 2 (22:15):
To get all their levels and then we then we
go up there and go, well, should we tell our
guy we just told Fender amps just direct us. Now
he has four amps, he's got he's got amps for us,
separate from those guys.
Speaker 3 (22:31):
If we want.
Speaker 2 (22:32):
These guys are loving us. Man, We're coming in with
three people, two guitars. All we need is to you know,
a stand, and then we need three mics, and then
we need three monitors.
Speaker 3 (22:41):
We're easy.
Speaker 4 (22:44):
Turn the volumes on seven seven seven and tell the
soundman go have a go, have a break. Yeah, we'll
take the lower seat in the audience because yeah, Yeahlly.
Speaker 3 (22:58):
You don't remember where we lived. You don't remember the
name of our street.
Speaker 2 (23:03):
No, it was like a letter. It was like G
Street because I was like a man. All these people
in Carney are very excited about us coming there because
we lived there.
Speaker 3 (23:12):
Well, I know, and I want to say to the
kids that lived behind our house, Randy Jarvis, and then
there were like three other kids that I used to
sneak out at night with. Well, they sneak out, I
walk out my front door because I lived with Paul.
But they were cute and it was so like like
sneak out and walk around in cornfields. I'm like, this
is cool. I enjoyed it. We just left La where
(23:34):
sneaking out at night.
Speaker 1 (23:35):
Was knowing that last name, knowing that last name you
made very well.
Speaker 2 (23:41):
We might be able to find our house by their
house because they were there, they had lived there their
whole life forever, his grandma.
Speaker 1 (23:49):
Here's my here's my day in Carney.
Speaker 4 (23:51):
No no, no, that wasn't me. No, that wasn't no
no I I.
Speaker 3 (24:01):
Yeah we saw no no.
Speaker 4 (24:04):
Now, Hutchinson is one one show and it's longer seventy five?
Is that we are in fifteen minutes in uh in
Carney fifty minutes show and Carney's seventy five in Hutchinson
because uh, that's what the venues ordered up.
Speaker 3 (24:20):
So easy and easy, yeah.
Speaker 4 (24:23):
Easy piece. We're going to have such a nice weekend.
Speaker 3 (24:27):
I've been playing a lot too, Bob. I'm going to
be strong, calm.
Speaker 4 (24:30):
You have been playing a lot.
Speaker 3 (24:32):
I mean really been Like I did a solo.
Speaker 4 (24:34):
Thing, you know, Monopoly, That's what I'm talking about.
Speaker 3 (24:37):
Yeah, so I'll be really like. I'm pretty tuned up
in the guitar land, so it's going to be fair.
Speaker 2 (24:42):
Hey. You know what would be a good exercise for you,
Susan is to do Katrina and do Bob's party.
Speaker 1 (24:53):
The thing.
Speaker 3 (24:55):
It's not a bad idea and I did it enough so.
Speaker 4 (24:58):
With Katrina, I'll never forgetting the studio with Katrina. I'm
trying to do this intro with multiple accous you know, yes,
I'm going like anybody and anybody. And then Russ comes in.
He looks at me, he goes, you know, you're doing
a rhythm there, and I go, I am, and and
he sits and he plays and he points out the
(25:19):
rhythm I'm doing. But my hand just feels like it's
chaos cast cast cast, but it is settling in this
specific rhythm that he picked up on because it doesn't
sound like it felt doing It felt like, God, I
hope this all jobs. But I was accenting in and
out without knowing it, you know.
Speaker 3 (25:39):
So that's how that intro became.
Speaker 4 (25:41):
A drummer percussionist point that out, you know.
Speaker 3 (25:44):
Wow.
Speaker 4 (25:45):
It was always that, It's just what's the beat of it?
What what do you do? I was channeling Tommy for
a lot of Katrina when I'm on an acoustics and
no one's going to pick up on that. But I
mean a pinball wizard is what I meant. But the thing, yeah, wizard,
(26:09):
I'm kind of playing pinball Wizard.
Speaker 2 (26:11):
And I thought I thought when Rush brought that to
your attention, that he was going to say, so listen,
just play you know, four bars of it, and because
you're in such a groove, we can just loop it
and not have you do it.
Speaker 4 (26:24):
I got in the groove and I handled Katrina. There's
a part in Every Little Secret that a percussive part.
He wanted me to play on the guitar and it's
very important and it's a trill. But I hear, yeah,
I couldn't do it, and he said do it once.
I did it once. It's it's in that song about
(26:45):
twenty five times.
Speaker 1 (26:47):
Totally. I hear it.
Speaker 3 (26:48):
I know exactly.
Speaker 4 (26:51):
Did Yeah, my hands got on you know, my hand
feels like a crowbar by the third one.
Speaker 2 (27:01):
You know, I can't do this right right, it's still attached.
Speaker 4 (27:07):
That was Russ technology during that little.
Speaker 3 (27:11):
Kids, you know, they know the new stuff they do.
Speaker 4 (27:15):
It was an interesting part. And listen and that's the
other half of it.
Speaker 1 (27:19):
With Russ.
Speaker 4 (27:21):
You have to wait till you understand what he's telling you, okay,
before you can do it. And sometimes it takes me
a while, like because he's so off on the red
he does. He puts places things where places aren't and
he put things where places aren't expected, and places I
couldn't even think of.
Speaker 3 (27:37):
And then you go, oh, right, so.
Speaker 4 (27:39):
To tell me to go to that place, I feel
like I don't know how to open the store. I
don't know, and I'll take it from there, you know.
Speaker 1 (27:48):
Yeah, yeah, take care of it.
Speaker 3 (27:50):
Yeah.
Speaker 2 (27:51):
Well, you know it was funny because put Yeah, after
I put the acoustic piano on, oh goodbye, it's not forever,
Russ came out to me. He goes, He goes, wow,
you know, that's interesting. You've got a whole separate, different
beat going on with the piano. I go oh, and
he goes, no, it works, it works, it's great, but
it's like a whole separate thing. I'm okay, let you go.
Speaker 4 (28:17):
What do you mean, what do you mean? We'll do
it this way? Don't do that to me?
Speaker 1 (28:22):
Yeah, yeah, yeah.
Speaker 3 (28:23):
What's interesting that we're finding out is while these songs
are unfolding, Russ is just being a drummer receiving information,
and he's hearing music in rhythm and imfying it. Where
we're not. We're just in the music world where we live. Yeah,
very interesting, guys.
Speaker 1 (28:41):
Yeah, I like it.
Speaker 2 (28:43):
So, yeah, I got I got a oh, I got
like tootin.
Speaker 1 (28:50):
Anyway, yeah, it's very cool. I got mine now, Oh cool?
Speaker 4 (28:55):
How does it work?
Speaker 2 (28:56):
Are you getting? Are you going to get?
Speaker 1 (28:58):
Eight weeks?
Speaker 3 (28:59):
He will to do and then we'll discuss it. But
if I do, it's it's only eight thousand dollars, So
why wouldn't I Well, I can give you a thousand reasons.
Speaker 4 (29:08):
Yeah, yeah, hey no, but does it too food and no,
there's a big hold does yeah?
Speaker 2 (29:15):
Yeah, yeah, it's changed everything out, changed everything.
Speaker 1 (29:19):
Great.
Speaker 2 (29:20):
I got two more to do, and at the end
of July, I get these other two put in. All
the implants are done.
Speaker 1 (29:26):
Now I'm just waiting.
Speaker 3 (29:27):
For the twenty thousand dollars mouths.
Speaker 2 (29:29):
No, no, no, no, I get it's a four tooth. Yeah,
thirty five of your book factoid for your book.
Speaker 4 (29:39):
Maybe you told me this, But the tooth is the
only the only part of the body that cannot heal itself.
Everything else can heal itself.
Speaker 3 (29:46):
I've never heard that you can only part this.
Speaker 2 (29:52):
This mouth right here on all of us is the
gateway to disease. Not in our mouths, in our hearts,
in our livers, everything goes through there.
Speaker 3 (30:04):
Yeah, it is crazy mine.
Speaker 4 (30:07):
Watch when I opened it?
Speaker 3 (30:09):
Then careful, may I share a little. Yes, jazz fest
wonderment that happened here, as everyone probably knows, and if
you don't you live in other parts of the world.
There's a jazz, jazz and Heritage festival in New Orleans, Louisiana.
It's been going on for thirty five years or something.
(30:29):
And year we had Gladys Knight from Gladys Knight and
the Pips, and you guys, man, she killed it. Now
she had four young ladies pipping with her. Okay, the
Pips are no longer. Everybody's gone. She's eighty two, she's
t ninety. She's about this big and about that wide,
(30:51):
and she is like a like or you see her,
but it's like a like a caricature. She's the precious
little lady. And she comes out and goes like because
thousands of people right, yeah, and she is not. She
is sparingly singing everything. But when she's singing it, it's
(31:15):
it in her timber midnight ty didjel it's so good
and she lets the girls take long notes for you know.
But and man, she she was so moved, as were we.
She cried the whole she had to sit down and
she was like she couldn't look. You know, it was
(31:36):
heavy because what we all knew and what she knew.
When she came out and saw this and looked at
her watch, she went, I'm never coming back here. She's
been there a few times. And it really was like
this is her goodbye and it was unreal. And you know,
that's what friends are for.
Speaker 6 (31:56):
People are just sobbing, hugging, swaying on sea of humans
with Gladys leading. It was everything you could want. And
the fact that she can nail, you know, gotta gotta
make the.
Speaker 3 (32:10):
Best the best sit you way he shunned. She just
is like you know, and when it would come out,
you go, how is that in this tiny little mouse? Yeah,
that was beautiful, very phenomenal. And I think I wonder.
Speaker 4 (32:27):
If you pick pip Pets over pips.
Speaker 3 (32:29):
You know, no, I know the boys are choice good point.
And look the ladies there.
Speaker 4 (32:34):
Were guys didn't have the thing. They were cool.
Speaker 1 (32:41):
Oh I hear what you're saying.
Speaker 2 (32:45):
Of the male background singers was a big part of
her sound.
Speaker 3 (32:48):
For real, it was. And you didn't three the ladies
and you're they're like like.
Speaker 1 (32:54):
Hell, but I hear that.
Speaker 2 (33:00):
I know.
Speaker 4 (33:01):
We find out that there's three guys in their eighties
out there touring as the Pips, and it's the Pips.
Speaker 3 (33:10):
Somebody google it. Hey really was business else somebody else
was big?
Speaker 1 (33:19):
Who else?
Speaker 3 (33:19):
Oh? Dave Matthews because he was up first?
Speaker 2 (33:23):
How was that?
Speaker 3 (33:24):
It was good? Paulie. You know if you either like
him or you don't. David zim Brust doesn't, but he
loves him because his best friend loves him. They're about
I don't know, two hundred people said it was okay
or whatever.
Speaker 4 (33:37):
That Yeah, his hit records were His hit records were
amazing to me. I did watch a full concert at
that rock in Colorado. Got a little bored, okay, But
but in general, you know, he's a little beyond artistically
where John Mayer I can directly relate to great guitarists.
(33:57):
I see your underrating guitars, Dave Man. It's like, how
do you write that stuff?
Speaker 3 (34:01):
Litte little more?
Speaker 2 (34:04):
Genie?
Speaker 3 (34:05):
Yeah, what's there? Very sincere? And I mean when he
was telling one of them that he was crying and
I don't know it, so I was like I couldn't
go there with him, you know, but I you know,
but like he was giving those people his very best.
Speaker 4 (34:19):
I got a funny Dave Matthews story and I'm only
going to remember the line. I don't remember the hit record. Okay,
back in the back in the early two thousands, I
had the carpool for the girls with my daughters going
to Notre Dame High School okay now at the time,
(34:40):
so they're all tenth, eleven, eleven, twelfth, you know, there's
sixty seven year old girls, fifteen, sa whatever they were.
And I got one, two, three, four of them in
my car every morning. And Dave Matthews song is a hit.
I can't remember what record, but every time he had
a line in it, and I'm a dad with daughters
in a car, and one of the lines in his
(35:01):
hit was in the middle bars he said, you know, hey,
lift up that skirt of yours and show me your world.
And I couldn't leave. I turned it down on the
red and they knew what I was doing. That they
thought it was. They laughed at it advents and said,
when you turn that down. I wouldn't let him hear it.
I knew it was coming out. Turn it down, let
(35:21):
him say that line that would bring it back up.
Speaker 1 (35:24):
Yeah, I'd be right there with you. On that.
Speaker 4 (35:27):
Yeah, brother, I mean, look acknowledging, I've never heard such truth.
I can't let them have it. That's sixteen and seventeen
year old girls. That's not your world. That's not your world.
And the guym it is your right.
Speaker 3 (35:44):
You know.
Speaker 4 (35:44):
It's a fight right to the end. But that's what
happened in that and it was a big hit. It
played every morning and it would start to go, oh
my god, the Dave Matthews song. Ye, dad, you know
you heard it. Probably anyway, we do have the Cocaine
Drain album coming out. I do know that they are
(36:05):
targeting September eighth. I do know that we are working
on the cover. And it's kind of fun because of
Brad's response of like, well, what's it going to do
for the cover? I love the challenge, you know, it's
like shot them the cone the what after.
Speaker 3 (36:24):
We got through the part about not changing the title,
and I'm proud of the title that.
Speaker 1 (36:32):
You can have a coca bush. You can have a
coca bush as the cover.
Speaker 3 (36:36):
Uh huh, a coca bush and then a DrAk. It
could be a coca bush drawing growing in a big
city next to a dream, like you know.
Speaker 1 (36:46):
Like an urban Yeah, we're grown in the sink.
Speaker 4 (36:50):
If you could, I mean, we lived in white lettering,
a little puffy big by the costles, a little umbrella
and then a bowl. And maybe if we could infer
drain a drain, a real you know, just somehow artistically
I see the drain.
Speaker 3 (37:06):
I don't know in the drain though, coming up out
of the drain, you know, the actual plant growing, or.
Speaker 4 (37:13):
Just or just be bold and just have a black
and just seven cocaine lines going down the table, the
black table.
Speaker 3 (37:23):
Look but in all like artistic possibility reality. I would
like you to to them and all black with white
words that says cocaine drain. I think that's powerful. It
also says.
Speaker 4 (37:35):
Exactly, have things to look at soon. And then we
do have the a Cappella album coming out, and we'll
give you a development about the Acappella album that we
thought was pretty cool. Is that unless we talked about
rad I can't remember.
Speaker 3 (37:51):
I think we might have hit on it about.
Speaker 4 (37:53):
Songs for Acappella done and we want three more. And
so we're going to go back into the studio with
this coming winter sometime I'm sure we can work it
out or early spring. Uh, and we're gonna a cappella
one from the Cocaine Green album, one from Rhythm of
the World, and one from Global and that'll top off
our a cappella project. I laugh, like a seller of
(38:15):
them all, but because it's so unique and different. Uh,
but we're gonna have a lot of fun with that.
And there's other stuff that's probably coming out because you know,
we shoot for volume, you know, we we don't shoot,
we shoot, we're volume.
Speaker 1 (38:32):
Oh my gosh, well.
Speaker 4 (38:34):
Thought out plan of ours waiting for you know, once
we're out a volume though, well by that time, you
know we're gonna be out of life.
Speaker 2 (38:41):
So we still before yes, and God bless Ominibor, because
we still haven't gotten a zero in Rhythm of the World.
Speaker 1 (38:48):
Okay, well not a zero, not.
Speaker 2 (38:51):
Three zero zero zero zero that has not happened. I
love that.
Speaker 4 (38:56):
Let me tell you people, what Paul's talking about is
we get a weekly statistic report of data from Omnivor
regarding sales. And Paula has just said, we have not
gone even one week without selling something now.
Speaker 3 (39:09):
And if I'm not mistaken, didn't last week. We are
a week or two ago there was some thirteen in
one day for no gosh darn reason.
Speaker 4 (39:16):
At all, thirteen CDs sold and one day for the
cow Sills. You you can relate that to like, let's
say Taylor Swift. That's probably thirteen million in one day. Okay,
but the excitement is still the same. Okay, people thirteen
people find out about Global and go online and get it.
Speaker 3 (39:38):
I don't know, but then it happens, you know, it doesn't.
Speaker 4 (39:41):
Take much to impress us. Kind of blew our mind. Actually,
we hadn't hit double figures in a while. Yeah, it
was great, but like Paul says, our measuring yardstick is
a zero, so we haven't hit a zero.
Speaker 3 (40:00):
There's no place but up from zero. Guys. From here,
I do want to now say, guys, because we're at
that part of the podcast, the time level, we must
start preparing for the summer. It's going to be here
and what do I mean leavings.
Speaker 4 (40:20):
Here's the big decision. We can spend the spring doing
enough podcasts so we don't have to work during the summer.
We did that once and it was fun. But we
also did it once and we said that was too hard,
that's too much work, and we didn't do whatever.
Speaker 3 (40:34):
The month before you leave town when you're trying to
hang out with the people you're hanging out. I'm sorry,
I can't. I gotta do a podcast.
Speaker 4 (40:41):
We did it out there in the summer. We really
had no problem with it.
Speaker 2 (40:44):
I like that I didn't do it and do it
out there.
Speaker 4 (40:48):
It's a different medium for them as well, and it's
easier to venue episodes episode springtime.
Speaker 1 (40:57):
All right, we're out of that, right.
Speaker 4 (40:59):
You're in on it, meaning we are not pre producing
any summer podcast. We've got to tell with us and
we're going to time while we're on the road.
Speaker 3 (41:08):
Listen this through a little bit more. We could even
do little sequences with some of our regulars on the
road who we have already interviewed, and it.
Speaker 4 (41:20):
Then froze again with a good idea.
Speaker 3 (41:22):
And whoever's out and we're gonna say, tell us about
your favorite Christmas. Each person, each band gives their favorite Christmas?
What did what was your favorite pet? Did you ever
get a dog? We could fine tune important moments with
some of our major players who love to chat with
us about important parts. Hey did you graduate? Did you
(41:43):
go to prom? What was prom night?
Speaker 6 (41:45):
Like?
Speaker 3 (41:45):
I have thought this through because I don't want to
do it before we go.
Speaker 1 (41:50):
Oh yeah, we came up with ideas.
Speaker 4 (41:54):
We'll have a lot. Look, it's always fun out there
in the summer. We don't know what we're going to
come up up against, and I already know. Our extra
night off is August August twenty ninth in New Buffalo, Michigan.
We have a night off when the tour's performing.
Speaker 3 (42:09):
Yes, is that the only night we're having off?
Speaker 4 (42:12):
No, that's the extra night off we get New Buffalo.
The casino wins O.
Speaker 3 (42:19):
I'm not really sure where you're going with this.
Speaker 4 (42:21):
And if anyone in the Four Winds casino is listening,
to make sure that somebody listened to that podcast by
that family band, just to make sure they're not planning anything.
So if anyone Wins is listening, we're not playing anything.
But we think it's kind of hypocritical that you keep
a signed guitar in a case on the wall and
(42:43):
your casino signed by the Cosciles.
Speaker 3 (42:45):
So yeah, that gives us, agree with my brother, what.
Speaker 4 (42:49):
Gives a little folk. Maybe they're not that mad at us.
Speaker 3 (42:52):
Really, Hey guess what, maybe how about we get to
four Wins and this time Ron comes on the bus
goes you've got and I'll believe those guys they want
you back.
Speaker 4 (43:04):
It'd be great because for us, no, but you know what,
most bands will saying, screw you, you don't want we
don't want you, But not us. If you've learned the
error of your ways approach, we meet.
Speaker 3 (43:21):
You back here with a handy shake, and.
Speaker 4 (43:23):
We'll even still keep the war hoops out just to
not annoy you, and we'll even not do the song
if we were so accommodating to that. Yes, yes, I'm
still shocked they turned us down. I'm still shocked they
turned us down. But that's okay. It's a It became
a badge honor for me personally that I was rebellious
(43:45):
like that because I've always been in a family sweet
tooth band and that was kind of rebel. That was
rebel nugget. So we got that coming too. And then
we're we got gigs coming. We're going to be in
Atlantic City September third at the Walk for the end of.
Speaker 3 (44:03):
Summer teams reeling out there, Me and.
Speaker 4 (44:07):
Jack, Tomball May tenth, Tomball Texas May tenth at the
Main Street crossing, Yepy Street Crossing. It's our third time
back in December fifteenth. We're there also, Oh boy, Abby
rode on the river May twenty secondary and said, look,
falling out of my head. You know why because we
don't get many gigs.
Speaker 5 (44:28):
There.
Speaker 4 (44:28):
You go, yeah, ye, fifty eight cities for summer. I
tell you that.
Speaker 3 (44:34):
But it's going to say that what that schedule says.
Speaker 1 (44:37):
Anybody coming to our shows?
Speaker 4 (44:38):
Let us know, ship Shawana and one other city on
that itinerary we are there for two nights. Unless it's
an error, a printing error, but there are two cities
on the happy together to the summer where we're performing
for two nights, and ship Shawana Birchmere. Birchmere has one
night and then a day off and then the second night.
(45:01):
I mean that we could golf. Who knows what we
could do with that?
Speaker 3 (45:05):
I love golf again, have.
Speaker 4 (45:07):
So much time to do something valuable. But anyway, and
and having said that, that gives you people an inkling
that listen to them talking about one free day like
it's gold it is you go, oh, what could they do?
And a lot of the day off it's not doing.
That is the doing, okay, because that's the beauty of it.
(45:31):
Real tired, Maybe I want golf.
Speaker 3 (45:35):
Well, yeah, maybe listen, we got to go to more
movies this summer because we're.
Speaker 1 (45:40):
Going to do that, and we've got to Uber eats
more and.
Speaker 3 (45:43):
Play more croquete.
Speaker 4 (45:45):
Come on, man, Yes, I remember the long once that
was perfect. I think it was the weather though that
ruined it. I think we would have.
Speaker 3 (45:54):
There's that lawn across from the Great Venue that has
the Great Eats, Like, where are we Indiana or somewhere?
Speaker 4 (46:00):
Oh no, that's part. With all of the principals who
are driving this summer, it's going to be quiet camp
and that's gonna be kind of nice.
Speaker 3 (46:08):
You know. I am looking forward to.
Speaker 4 (46:12):
It, and we love the drivers, you guys. You guys
are adventures. The very first summer when they asked us
to go on the tour, you're presented with that you
can drive or you can busy. And the very first
time we did have a discussion, we said, well let's
trot the bus. Then we liked it. But you got
to go through, you know, because your first inclination is no, no,
(46:33):
I'm not giving up control. We're going to drive.
Speaker 3 (46:35):
And I can't imagine though, you guys adding driving to
the already ruling schedule. It's insane. I don't insane what
that means, but our buddies do it. Yeah, No, it's okay.
Speaker 4 (46:50):
I mean, here's there. I heard it from Gary Pucket
and I heard it from Carl too from the Buckinghams. Yes,
here it is quote I want to pull over when
I want to pull over. I want to get to
the hotel when I want to get to the hotel,
and leave when I want to leave. Ultimate the show.
(47:12):
Everyone's professional. I'm going to make the show so they
don't want to be trapped to the bus drivers.
Speaker 3 (47:18):
A personal priority of what.
Speaker 4 (47:21):
To produce, arguments to support. No, no, we like this better,
you know, and not every not everyone's community oriented, right,
you know, I don't want to use that bathroom on
the bus adver.
Speaker 3 (47:34):
You know those people like really hardcore and we're tribal.
We've been stuck together forever. You help, you know, sharing,
So that's okay. We can hang with that.
Speaker 4 (47:44):
You get into the Anthony he's road Warrior's he's the
guy says yeah, let me try the bus and then
next summer. You know, I tried that bus. I don't
think I like that bus.
Speaker 2 (47:54):
I think.
Speaker 4 (47:56):
Respect a lot because he went through it.
Speaker 3 (48:00):
Yeah, yeah he did, he really did.
Speaker 1 (48:02):
Yeah.
Speaker 2 (48:03):
Hey, so we're standing at the Best Western Plus, but
we're getting picked up at the airport.
Speaker 1 (48:08):
So we but that's where we're staying.
Speaker 4 (48:10):
You asked, huh I did, I did?
Speaker 1 (48:13):
Yep, that's Western and there and then the next day
at the airport.
Speaker 2 (48:18):
The next day yeah, so oh well, and so that's
so they pick us up, gonna jump us at the airport,
and then eight fifty pickup lobby call eight fifty got
it to go to the PBS show we have, Yeah.
Speaker 3 (48:35):
Morning Morning Show. Yes, it's gonna be great.
Speaker 1 (48:39):
We're gonna be get picked up.
Speaker 2 (48:40):
We're going to sing a song and maybe answer a question.
Speaker 1 (48:42):
Or two and that's it.
Speaker 4 (48:44):
Then we're gonna go.
Speaker 2 (48:46):
Then we're gonna go right to the Merryman after that, okay,
because remember they're doing soundcheck, probably at ten. Yeah, we're
gonna be doing our show. I think it starts at ten.
We'll be on for ten minutes or fifteen.
Speaker 4 (49:00):
Then we rent the car.
Speaker 2 (49:03):
Then they're going to take us to the Enterprise. We'll
get the car after that and we'll make our own decision.
Do we go to the hotel and then go to
the show or is it just best to go right
back to the show.
Speaker 4 (49:14):
Got it? These are the things we work through people. Okay, yeah,
nothing about when do we eat? You've heard nothing about
anything other than these driving logistics, car logistics, sound chest check, logistics,
lobby called logistics.
Speaker 1 (49:33):
It fills your trip.
Speaker 4 (49:35):
All right.
Speaker 3 (49:36):
We don't want to talk too much about it because
it tires this old woman.
Speaker 2 (49:40):
Yes, tires me out. Bob, don't forget the zip drive.
What telling Bob, don't forget the c D and the
zip drive, the d v D and the zip drive.
Speaker 3 (49:50):
Okay, I got it.
Speaker 1 (49:52):
We're gonna be able to play that at both places.
Speaker 3 (49:55):
Three shows right outfits wise for me. I know you
a the same thing yet, but okay, thank you.
Speaker 4 (50:03):
Knocked either more shirts than one?
Speaker 3 (50:08):
Okay, Okay, well I'm gonna wear one twice. Okay, that's
what's gonna be me so I can.
Speaker 2 (50:17):
Yeah, I don't get to farming you guys, Yeah, get.
Speaker 3 (50:21):
Out of here, man, I gotta get to Nina.
Speaker 4 (50:24):
We get to talk and and you know what happened.
By the way, Paul and Susan don't know this yet,
but next week we're gonna have a guest and we're
gonna have a member. I don't know if you remember
the King family. The King family. Oh yeah, it's a
big giant family.
Speaker 3 (50:39):
Who's coming.
Speaker 4 (50:40):
It's not one of the original it's one of the kids.
But i'll set that all up. One of the King
family who has written a book as.
Speaker 3 (50:47):
Can we ask about Nicole.
Speaker 4 (50:49):
Google the King family.
Speaker 2 (50:52):
And you know what, you guys, you'll remember this name.
And he was one of the dads or something, Alvino
Ray and he was the pedal steel guitar player.
Speaker 3 (51:01):
Yes, you know Ray, And now it's time for all
be no Ray.
Speaker 1 (51:06):
Yeah, he was a King family person. Oh oh he was.
Speaker 4 (51:09):
Okay, good, well, we'll get to hear all about.
Speaker 3 (51:11):
That, right ma'am. Yes, farm, you know that sun gonna
go down with or without you.
Speaker 4 (51:17):
Hey, get out the farm and follow that. Hey, Paul,
turn that soil now, you don't want to abuse your soil.
Speaker 2 (51:22):
Oh man, we're growing, We're we've got the garden going.
Everything is rocking around.
Speaker 4 (51:28):
See Nebraska and we will see you in Kansas.
Speaker 5 (51:32):
Hi.
Speaker 1 (51:34):
Okay, everybody. We hope you enjoyed visiting with us today.
Speaker 2 (51:37):
We definitely had a blast visiting with you.
Speaker 1 (51:40):
Don't forget.
Speaker 2 (51:41):
Each episode of the Castle Podcast is available to download
on demand.
Speaker 3 (51:47):
So please subscribe and give us a rating thumbs up.
Speaker 2 (51:52):
You can also follow the Costles on Facebook at at
coucil dot com and of course.
Speaker 1 (51:57):
We will see you in concert and on road. Until then,
let's stay.
Speaker 2 (52:02):
In touch by tuning in each week for another episode
of the podcast m HM
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