Montauk Project: Camp Hero MKUltra Recording Studio with Arkheim Ra & Brian Minnick RVI

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:55):
Well, good evening, everybody. It's a Crypti address. I'm Jessica Jones.
Good evening, and I hope everybody's having a wonderful day
and a wonderful week. Boy, do we have a great
show for you guys tonight. I have done some remote
viewing targets for our good friend, our quem Ra, who's
been part of the Montalk Project, Project Phoenix and and

(01:18):
some other some other programs, and he has had me
remote view. He gave me two blind cordinate remote viewing
targets and I actually tasked one of my remote viewing teams,
my teammate Susan, who may be in the chat tonight.
She has also gotten the targets as well, and I

(01:39):
do have her data tonight. And it's interesting because our
data kind of matches up a little bit there. Okay,
So we've got two targets from our quem And and
we're going to go over those targets tonight. They do
involve the Montalk Project, camp Hero and a recording studio
and more. And and I think that it might just

(02:01):
verify some of our teams testimony that he has in
regards to the time travel experiments. The music programming all
that stuff, the mk Ultra, you name it, y'all. We're
gonna be talking about it tonight.

Speaker 2 (02:15):
Uh.

Speaker 1 (02:15):
This is I think this is kind of groundbreaking information actually, okay,
because I think this is a wonderful way to be
able to really dive in and explore some of these
topics like the Mantak project. These are covert, you know,
supposed to be kind of secret operations and stuff that
you don't we don't know the whole gist of it.
It's not all out there, okay. And uh, and for

(02:36):
us to be able to work, you know, cohesively together
with our team with his testimony and then me getting
these blind targets and my team, so my team getting
these blind targets, it makes for it makes for some
good data, okay, is for some good information. And and
so I'm all about it. I'm about it about it, okay. So, uh,

(02:59):
if you're would like to follow along with all my
shows and check out my social media links and have
I've got an archive of all my shows and everything,
go over to my website that's the crypti Huntress dot com.
You can find all my information over there, including the
link to Patreon is there, and that is where I
have all of the data for tonight. I have my data,
not Susan's data out of you know, for her privacy.

(03:22):
I didn't put her data up there, but I do
have I do have her data typed out though, so
I may be putting that up there after the show tonight.
But yes, it's all there all my Patreon. If you
guys would like to see the raw remote viewing data,
it's all there, plus pictures and anything that I'm going
to be showing tonight. Pretty much, I have put it
up on my Patreon. So thank you so much, from

(03:44):
the bottom of my heart. Thank you to all of
my Patreon subscribers and all my members, all my members, y'all.
I appreciate each and every one of y'all, Okay, and
of course my VAP members. I'm trying to get caught
up on all my gifts. I give a gift every
month to my VIA members and I'm trying to get
those all caught up. And I need everybody's addresses.

Speaker 3 (04:04):
Okay.

Speaker 1 (04:04):
I feel like like I always say that you have it,
sent me your mailing address. Please do if you are
a VIP member of my patreon, okay, and I appreciate it. Okay. Also,
my link to my Etsy shop is there as well,
and I do appreciate all the support and thank you
to all my channel members. Here on YouTube, I do
put exclusive content up for the Hunt Club Okay, So

(04:26):
thanks to all of my Hunt Club members as well. Okay, Well,
let's get into our program for tonight to our show.
I have a lot of data to go over tonight,
and I know our cheam has a lot to tell
us tonight as well, and I'm super excited. Y'all know
we always have a great time when our chem is here,
all right. Deep within the confines of the Montauk Air

(04:49):
Force Station Nestle near the shores of Montauk, New York,
experiments took place that transcend the boundaries of conventional science,
including time travel, mind control, teleportation, and interdimensional and extraterrestrial encounters.
According to whistleblowers and program survivors, the Montak Project, an
extension of MK Ultra, conducted secret mind control experiments on

(05:11):
children at Camp Hero in Montalk. Our Camra has memories
of being in the programs at Camp Hero and is
a top whistleblower working towards full disclosure of the secret
government programs. Our Caimra is a star Seed who was
targeted for super soldier espionage mind control programs in the
US public School's Talented and Gifted program. He served at

(05:35):
Montalk under Project Phoenix and has several altars and has
served in swalt Swap Alternate Realities. Our Cheam's altars have
worked with not Waffen, Mars Defense Force, Solar Warden, Lunar Command,
and more. His book, Time and Space Unlimited, The Implications
of Portal Technologies Explained is available on Amazon and how

(05:58):
please go and purchase his book. It's so good. And
of course I was tasked with two remote viewing targets,
one of them being the recording studio at montagam Our
Kim will tell us more about that when he comes up,
and also the other target would be I believe it's
his room where he stayed at Camp Hero. And so

(06:19):
of course my friend Susan as well did remote you
this as well. We're both given the coordinates and I
can't wait to go over this. You guys, please help me.
Welcome to the show from Disclosure now with the exclamation
point on YouTube, y'all go subscribe to this channel. Please
help me Welcome.

Speaker 2 (06:34):
Our keem Rah, Hey, Jessica, thanks for having me on
the show again.

Speaker 1 (06:41):
Of course, thank you for being here, and thank you
for giving me these targets. I just love it. I
see we have Susan in the chat tonight. Thank you, Susan.
Susan is my friend who is a remote viewer who
also remote you this with us with me, Toddy. Okay,
So thank you for being here, Susan. But thank you
for in here at our team. I am so excited

(07:02):
to have you back. And uh and I'm really gracious
that you share your testimony with us, and you are,
like I said in the intro, you're one of the
top whistleblowers in my book when it comes to some
of the secret Space program information. So thank you.

Speaker 2 (07:18):
Well, thanks for having me. It's always a pleasure just
to be able to get out here and share this
information with people willing to listen to it and kind
of start documenting some of this history that has been
covered up for so long. So I appreciate the the
outlet to do that. Hey, long on, Mike, good to
see you. I also, you know I should talk to
you soon, Mike, and I want to talk to the

(07:42):
montag Brian Minnick I want to go to Montalk to
Montalk again soon and I'm working on a little documentary
I want to make myself. So it's kind of that's
like the first time I've ever said anything about it,
But I really I really should start talking to to
mic again. But anyway, just to introduce what we're gonna

(08:06):
be talking about here, you know, this is something that's
been talked about for about twenty years now at least,
because I know that Preston Nichols, who we all knew
is Nicholas at mon Talk. He released a book called
The Music of Time, and he didn't go into the

(08:30):
nitty gritty details of it all, but he did talk
a lot about the music in the mind Control and
you know, he did bring up that there were assets
that created famous music that didn't get credit for it.
In fact, he says that in the book. He says
that Mark Hamill is one of these people, and he
actually provided some evidence. It's pretty freaky. The guy who

(08:52):
played Luke Skywalker. Yeah, he was in the like sixties,
like lollipop pop, sugar pop band kind of thing, and
he actually there's a picture in his book that proves it,
and all this stuff. It's pretty crazy stuff. But I've
been learning more about that, and it's been a long
journey for me to understand the musical aspect of Montalk

(09:18):
and really that that book. When I got that book,
it was the beginning of the lid being blown off
of it for me. And you know, it really took
me a long time to understand the concept or how
or why for me to put together that I would
have music stolen from me, songs stolen from me. And

(09:40):
how I did realize it was I sat down at
a piano one time and I started playing the song
You Belonged to Me, which is a famous old song
that was I think first one by the Dupree's Patsy
klined a a version Bob Dylan to a version of
it for Natural Born Killers that movie. And yeah, and

(10:03):
I got the memories back of writing that song for
my second wife at Montauk because I was there for
a long time. You gotta understand, it's the time travel project,
time buble time clause. Time was like basically frozen. It's
still the most simple way to explain it. That's also
kind of wrong. Time travel physics are weird, but that's
the simplest way to play it is like time was

(10:23):
kind of frozen. So I was there for a really
long time, and actually two wives while I was there,
so two separate wives, and the second one I wrote
that song about because she would go on time missions
and I wouldn't always be with her, and I wrote
it romantically for it just to remind her that you know,
no matter how long you're gone or whatever, you belong

(10:46):
to me. And another one that I wrote during the
time travel projects is U doesn't matter who you are
as long as you love me by the Backstreet Boys.
That's one of my songs. That's the song that I think.
It's kind of a good example to bring up because

(11:07):
if you read the lyrics, it kind of as anyone
every human being has been in love and if you're
like a normal person that lives in linear time with
normal lives, the lyrics kind of don't make sense because
the person in the song, you know, whoever it is,
that singing the song from their perspective or saying it
doesn't matter who you are or where you come from

(11:27):
or anything about your life basically as long as you
love me. And it's kind of a silly concept and
like and like almost like if you don't really know
the details behind it. It's almost kind of shallow, right,
like if you think about it, like it doesn't matter
who you are or anything about your personality or nothing.
Just love me, all right. But really, what it meant
was we would live all these lives. And that was
from my first trauma, Twain, and it was it was

(11:50):
we would live all these lives and go all these places,
and we'd be given different identities, different names and all
that stuff. But I didn't really care what I was
to do or what I was doing as long as
she was with me and as long as I got
to be with her. And if you read the lyrics
to the song and think about it that way, the
lyrics make a lot more sense, and they also kind
of hit harder, more emotionally poignant, I would think. And

(12:13):
then the very best example of a mon talk song,
which is one that I didn't write, and I think
that's important for me to mention, is basically every soldier
was encouraged to write music. There were some that didn't
write music. Not everybody did, but there are some who
are particularly great at doing it, and they order a
lot of songs. And I was one of the people
who wrote a lot of songs. And I just talked

(12:38):
about this for the first time in an interview with
Aquarius Rising Africas. This is the second time I've ever
talked about this publicly. But basically I was the uh,
there was a name for it. It was the Cultural
Exchange Officer. I think it was Chief Cultural Officers what

(12:58):
I was called. And basically I was in charge of
the music. I was in charge of like figuring out
where it would go, what we would do with it,
And the memories are quite blurry of that. I had
been putting reading off John Whipberg's book series The Man

(13:23):
with the Perrywinkle Eyes for a while now, which is
all real. It's all real testimony, very detailed, some of
the most detailed testimony I've ever seen, super underrated series.
And we're not even talking right now. You know, we're
not getting along right now. And I still have to
talk about his book because of how important it is.
Where's books, because of how important I think they are

(13:43):
for the movement, And yeah, I was putting off reading
them because of how part it was to read it,
like finding out about my my biological father, Emmerman, who
I believe we've talked about before.

Speaker 1 (13:55):
And then you know, can't I remember, we pulled up
a picture and you do look a lot like him.

Speaker 2 (14:02):
I like that comment, My bro, yeah we're brothers, manine.

Speaker 1 (14:08):
I think actually I'm probably yeah.

Speaker 2 (14:12):
But you know, I I learned through his book that
I was the chief cultural Officer. I didn't find that
out by remembering it. And it was very, very hard
to read his book because you know, I wasn't mister
Rogers at Montalk. And there's been other people people have

(14:35):
come out about the testimony of you know, what I
was like, and I was not a nice person. I
was raised in a I'll just kind of explain it.
I really want to explain it from the ground up
because I want the other Montalk time soldiers that are
gonna end up watching this to maybe understand a little bit.

(14:56):
I was James when I got there, was Preston's favorite,
but I became his new favorite toy, his new favorite
pet and kind of made us compete with each other
and stuff. But I ended up being his You know,

(15:19):
there's a lot of favoritism towards me. I'm not entirely
sure why to this day. It's probably because of what
he knew about me and all the different timelines and
stuff like that, and who I was, and in fact I'm
raw or all that crap or whatever. I'm not even sure,
but he I was kind of like Morty. I would
follow this guy around everywhere through portals. He'd bring me

(15:40):
all over the place, except, as it's been testified by
many other one talk time soldiers, he was an abuser
of children. As the censorship way of saying it, the
way to get past you know, people know what I'm
talking about. So it was very much so like an
abusive relationship between me and this man. And in the

(16:05):
book John talks about how in his book The Man
with Perry Wyglayes, he talks about how you would get
these sandwiches brought in from different places like New York
City or Germany or Tokyo from this woman through portals
and stuff. And one of the first things that I
ever talked about. It was one of the first memories

(16:27):
I ever got back. Some of the first memories I
ever got back were of Preston, and you know, everybody's
talking about him being this really abusive guy that did
all these terrible fucking things, which he did. I remember
a lot of it now, but at the time I didn't.
This guy was a fucking monster. But that's besides the point.
What I remembered is we would talk about music. I

(16:48):
remember one of the first memories I got back was
him bringing in like this crazy synthesizer and me being
really excited about it. And I wanted him equipment from
my room. So that's why I was bringing all this stuff, like,
I didn't want to have to go I didn't want
to go to the recording studio and have someone being
there and then I can't work on a song. So
I wanted my own recording studio in my room, which
is why I gave you the second target, which was

(17:10):
my room. And so what I had in there was
a reel, the reel, a drum machine, a bass guitar,
an electric guitar, and a synthesizer and like this eight trax,
and it was demos that I recorded mostly, and the
people that I gave the songs to would make make
the actual song. I just recorded it, I guess more
or less demo versions of it. But some of the

(17:31):
examples of the songs that were recorded in that room
would be Instant Crush, which was daft punk and Julia
and cos Blacas, which is there was a version that
was recorded by another French band called The Dough that
never ended up getting used, and y'all have never heard it,
but I have. So they actually do these weird little
competitions where they'll actually they'll actually have bands record the

(17:51):
songs and they'll decide which version they like the best
and who to give it to. And I was actually
one of the people. I would decide who would get
the songs, like I would listen to the different recordings
by different people. And what it is is the the
record companies make the artists sign non disclosure agreements, which
you know, there are artists who have talked about it,
but they've never talked about like having to sign these agreements.

(18:13):
But they've never talked about all all the stuff where
because they wouldn't want to put their artistic integrity out
there in the fact that they've been kind of violated
with this is the record company says, well, you can
make your own music, but some songs you gotta play.
And we had different ways of doing it with different
artists and communicating with them. An example I can give

(18:36):
you is Billy Corgan from The Smashing Pumpkins, who as
a freemason who was connected to these programs, and he.

Speaker 1 (18:42):
Was actually I just talked about him the other day.
He was talking about watching someone's shape shift.

Speaker 2 (18:48):
It was it was tea to Tila tequila, and it
was it's what was while he was having intercourse with her.

Speaker 1 (18:54):
Really Okay, well I didn't know that part.

Speaker 2 (18:57):
Yeah, that's that's that's who it was that he saw
shape shift, that that little mystery got solved.

Speaker 1 (19:03):
Well, yeah, but basically yeah, him and Christy Campbell remembers
this too.

Speaker 2 (19:13):
You met her at the probably the conference that you're
just at. I met Billy at a nightclub in Chicago.
I forget which one, but I had a tape and
we had these tapes where they would play once and
then a magnetic frequency would come out of this little
computer in the corner of it, and the tape would
wouldn't work anymore, would destroy the tape, and he wouldn't
be able to ever listen to the tape again. So

(19:34):
you could only listen to the tape once. Yeah, for real.
And I get and I and I said, we were,
for whatever reason, we're trying to talk to Billy because
he did make some music and we knew we could
probably use him, and uh, some of the some of
the songs are mine, Like a Bull with a Butterfly,
which is everyone knows it's rat in a cage. That's mine.
That's about Montalk. That's about being a Montalk time soldier.

(19:56):
That's about how I felt trapped in a cage, so
angry about it, but I couldn't do fucking anything about it.
I felt like job. I felt betrayed by God, but
yet at the same time chosen by him. It's all
about mon Talk, and he did not want to take
our offer. Christy Campbell remembers this, We had to go,

(20:18):
we had to change. We had to go back in
time and try it like five times, and to get
him to even be like, all right, who the fuck
are you people? You know what I mean? Like and
actually work with us, and yeah, I just said. I
was like. I was just like, look, man, just listen
to the tape. You know what I mean. I think
that's what it was. I was just like, you don't
have to do it. You can listen to it and

(20:38):
that's it. And he's like, but I don't have the tape.
I'm like, you'll understand once you listen to it, and
I didn't tell him how it would just like not
work anymore. I was just like, you'll understand once you
listen to it, it's fine. You can have the tape,
keep it. You don't need to bring it back to us.
And yeah, like I'm convinced that he remembers this. He
probably does remember this all happening. Maybe we did stuff

(21:03):
to make him forget it for security culture at Montak.
I don't know, but I remember it, you know, and
I remember him finally agreeing to it, and you know,
like two days the greatest they ever I wrote that song,
and that was that was more of like a synthpop song,
and they had like a rock version of it, which
I really like his version of it, and some of

(21:24):
the songs, like I said, like the one that's like
wow wound and when that's his, I mean, the guy
is a great songwriter and a great guitar player with
his own sound. We didn't we didn't work with people
who weren't talented, who didn't know what the fuck we
were doing. Who we work with people were really good,
so when we gave the songs to them, they would
make them shine and actually make them famous. And he

(21:44):
was an example of somebody like that. So and uh,
you know, he's one of many. One is Ricky Valley.
Another one. Something that's kind of funny about him is
people have seen him recently in a concert, how he's
just totally fucking out of it, Like he he literally
doesn't even look like he's there. And what's funny about
him is if you go back and watch a music

(22:07):
video from the eighties one of his songs, he didn't
really look like he was all there then either. And
I can explain something to you. That guy was working
with us, We gave him songs, he was aware of
the time project and all that, and he was working
with us, and he was sending us money. And this
asshole thought he could pull a fast one on us
and eap more of the money than he thought. Then

(22:31):
then we like we agreed to And so what we
had to do one day is literally pull up behind
a fucking one of his shows and kidnap him and
like basically replace him with like this, like it's him,
but it's like mk ultra of the fuck out version

(22:52):
of him that can be easily taken over by somebody
at Montak during different times. So like when he's signing
a contracked when he's doing banking stuff. We can just
blankslate this guy and take them over and make them
do stuff. That's why he's out of it.

Speaker 1 (23:08):
So yeah, that is so that's something that's like totally
possible all the you know, I am trained in the
remote viewing. We've learned a lot of mind control methods,
and it's to control our own minds. Yeah, but I
can see like a lot of the things you're talking about,
even like with the they encourage you guys to all
like learn music and to write music. That's like part
of your you know, expressing through your subconscious kind of too,

(23:28):
and stuff like staying creative, and that's important when.

Speaker 2 (23:32):
What it is is the arcane arts had to be
controlled by montalk. So this is things like the crusades
and burning the witches and getting rid of like these
Native American shamans and stuff like that because they were
savages and all this stuff. You know, that's a part
of getting rid of the psychic people, getting rid of
the arcane arts to keep people kind of down and control.

Speaker 1 (23:56):
This day too, by the way, people still come at
me because I I'm a witch, because I do remote viewing.
I'm not a witch, so okay, but that's that's the
thing I'm trying to trigger. I think people like try
to trigger and maybe it's just from you know, people
are scared of what they don't understand and stuff too,
and it's all, well, if we living the matrix here,
it's just you know, people trying to keep us in

(24:17):
the matrix, okay, like discouraging us from doing things like
you know, being using our psychic skills and stuff like that.
Brian's Brian's in the chat by the way, Brian Minnick
is here.

Speaker 2 (24:28):
I was just talking about I don't know if he
was here for it, but excuse me, sorry. I was
talking about how I want to come out to mom
talk again and I want I needed to connect with you, Brian,
and I need to talk with Long Island man.

Speaker 1 (24:40):
You know, I was, I was this close to inviting
Brian on the show today, and you know, I just
got so busy I forgot to even hit you up. Brian.
You're welcome to hop on, Brian if you want, just
hit me up, send me a message or something. I'll
send you the link if you Yeah. Okay, So they
were so you were saying there, they had replaced the

(25:02):
guy with like basically.

Speaker 2 (25:08):
Hardcore and so that we can remotely control him basically
have another person take him over like more easily.

Speaker 1 (25:15):
Can I ask you a question real quick? This is
a quick commercial break, because I was watching these like
congressional hearings one day, and this has nothing to do
with what you're talking about, but it kind of does.
And there was this woman that was sitting behind the
congress lady and she was mouthing everything that that woman
was saying like a ventriloquist. And it was weird. And
I was thinking, the only thing I could think about,
mind was MK ultra or something, but I didn't understand

(25:38):
how that worked. But this woman was sitting in it's
on camera. You can clearly see her mouthing everything. Either
she remembered every every bit of what the woman was saying,
or she was controlling her in some way or opposite
by vice versa archema. I know it sounds weird, but
I've seen it.

Speaker 2 (25:53):
Yeah, no, it's it is weird. I've also had a
friend kind of do like remote vieling, tapping into like
stuff as it's happening to see what would happen, and
there's like referees and weird stuff, and like if you're
doing it while you're watching the TV, you can see it.
So there's weird. Yeah, the psychic and phenomenon's out there

(26:17):
and it's happening and it gets weird. But with music,
it's an arcane art. It's a it's like magic basically,
you know what I mean. And it's one of those
things where we could try to wipe it out, but
it was just wasn't possible, not really possible to do that.
So instead of wiping it out, we control it. You
know that we control the music industry, and that's where

(26:38):
where it comes from. And a big part of it
was money wandering because it was a way for us
to make really lots and lots of money without having
it being really traced to anywhere. And uh, just we
could we could know a song it is gonna be
famous because of other timelines and stuff like that and
psychics and things like that, and yeah, we were able

(27:01):
to just decide, you know, what songs to put out.
When one of the things that I've talked about before
is the band Jet Blue, which is a band from Detroit,
which was basically a rock and roll band that came
on a motown and worked with a lot of the
motown guys and became like the American Beatles sort of
in that timeline. And they wrote dream On, which yeah, yeah,

(27:26):
which they have the Blue Army. Aerosmith has the Blue Army.
That's what they call their fans, which is really weird
and I think it's and it's also Aerosmith which Jet Blue,
so like yeah, like that. The dream On is their
song and and it's exactly like I said, Aerosmith is
a real band with some talented guys that write some
fun songs and are great. Uh. You can tell the

(27:47):
difference between the ones that were not written by them
the ones that were. The ones that are written by
them have a swing to them. They sound kind of
like jungle tropical fucking rock and roll, like you're gonna
get in your core fette. They sound a certain way.
And then the ones that aren't aren't written by them,
you can kind of tell, and dream On is one
of them. And uh, Jet Blue also wrote back on

(28:07):
the USSR and uh, there's another one. It was uh
only a Shadow, which is by this band called Cleaners
from Venus from the UK, which never got really popular
until recently actually, even though they've been around forever, which
is kind of weird. But yeah, so there's all those
It's just it just gets very complicated and very weird

(28:28):
and very crazy because like there's literally these songs from
alternative realities that we've pulled in and brought in through
the projects and then gave to other people. And uh,
as far as I can tell, some of these recordings
are actually literally recording some alternate realities and stuff. So
it's very crazy.

Speaker 1 (28:47):
Wow, I've heard you talk about this before. I think
it's fascinating and uh, and it's kind of it might
be a little difficult for the average person to wrap
your head around all this or like what you know,
but of course we're our audience is not typical, and.

Speaker 2 (29:01):
I can help without that a little bit too. Like
think about it, like, let's use Okham's raiser here. You
know what that means, like common sense basically, what would
happen if that's what occam razors mean means if if
the military okay, let's sorry, backup, mom step, if time
travel technology existed then and it was discovered, it would

(29:21):
probably be discovered with the military, and they probably would
use it for military purposes, and they probably would start
hacking the timeline and changing it to give themselves more power,
which is maybe where Mandela effects come from. Now, let's
follow that rabbit a whole bit further. You can see
what who's gonna win what football games, who's gonna win
what soccer games, and all that stuff. But gambling would

(29:43):
alert people to what you're doing. If you were to
gamble and just make money every time, and da da
da da. But if you just happen to be putting
out hit songs over and over again, nobody's gonna think
about it.

Speaker 1 (29:54):
Like that explains why the music industry is so I mean,
it's wild, and they're it's I mean, it's so impressionable
on everybody, especially the youth, okay and uh and and
it's the music. It's the hypnotic effects of the music.
It's the beats they put in it, it's the hurts,
okay and everything. This affects the entire human psyche and

(30:15):
the human body actually, and it's even at these concerts
are keen. We're seeing all these concerts talk about it
pretty often where they're like doing black Mass on stage
and like you know, like satanic rituals and stuff, and
we're talking about even like Swift.

Speaker 2 (30:31):
The Weekend is a big example of that. And the
Weekend this is where it gets really weird. But I
like coming on your show because I can just say
whatever and I can just tell the truth. Oh yeah,
he's actually like great. The Weekend is I remember him
as Yusef. He was at mont Talk and he was
like my great great great great grandson. And he was

(30:54):
actually born on another planet and uh, the original version
of him, and and he was born as a prince
to a king and a queen who married to stop
hundreds of years of war between two warring nations. Yeah,
so he carries that in his heart and in his
soul that he there's people that hate him for who

(31:17):
he is when he represents because they feel betrayed, like
he betrayed their culture by merging these two cultures. And
there's also people who feel like he brought peace and
all this stuff that he did. But he didn't ask
for anybody. He's just born. So it's a crazy thing.
It's a crazy story. But yeah, he he is part
of Ordo Templeum Nephalom, which is connected to Max Martin
and Dennis Pop, which is connected to one of the

(31:39):
Centurion planets. There's many Centurion plants. This particular one is
called Centurion five. There's a recording studio there and that
is separate than Montok, but they're connected. They're aware of
each other, they communicate with each other. They try not
to step on each other's toes. And I work for both.
I worked for Ordo Temple and Nephalom as well as

(32:00):
Project Phoenix too with music. And it's just such like
I understand that this is probably hard for people to hear.
It's really hard for me to comprehend. It's really hard
for me to compre him. But it happens to me. Know,
I find my songs sometimes in the memories floodback and
I just cry, and I know it's real and no

(32:22):
one will ever be able to fucking take that away
from me. I know what happened to me, you know.
And yeah, like there's there's people, some interesting stuff going
on as far as people in the projects who are
mon talk or who are related to Montalk people or whatever.
Elvis Presley was a mon Talk time soldier. Some of

(32:45):
his songs are mine can't help falling in love with You?
It would be an example. And his daughter is actually
Britney Spears.

Speaker 1 (32:55):
You told us that when the last time you came on.

Speaker 2 (32:57):
And something that I am not sure if I talked
about publicly yet or not. I don't know if I
told you, but Avril Levine is my daughter.

Speaker 1 (33:07):
Yes, you told me that. You told me that that
that was pretty emotional. Actually when you told.

Speaker 2 (33:13):
Us that the last time, still emotional, just to kind
of say, but it's true.

Speaker 1 (33:19):
Okay, So here here's how what you've told us that before.

Speaker 2 (33:22):
And I kind of.

Speaker 1 (33:25):
I've started like looking into like the music industry a
little bit more in the fashion industry and the art industry,
and I've done several shows on people that are like
I seemed to be immortal, you know. And we had
Daryl James on last week and Daryl was you know,
it was also part of the Secret Space program and
uh may still be okay, but but he was.

Speaker 2 (33:45):
He was part of it.

Speaker 1 (33:47):
And he talked about how we talked about the what
rhymes with Google Chrome starts of the age, that that
whole that whole spiel and what goes on with that,
which is absolutely absolutely horrific. Asked very much in the
music industry, it's like almost like a big.

Speaker 2 (34:04):
Yeah, I can explain something to you about that. I
sure I can tell you about it. So as everybody
knows what these programs, the barrier of us is how
pretty much all this works. And uh, I know that
mon Talk was involved in the Google chrome trade, and

(34:27):
I can tell you some pretty heroorrific things about the
chrome trade. And I was a dealer. I was a
dealer of it. I was a user of it. I
did engage in blood rituals, cannibalism. I participated in that ship.
You guys like, I'm not proud of it. Yeah, I'm
not proud of it, but you got to keep in

(34:48):
mind I was kidnap, under mind control all this stuff.
No excuse for it. I'm not trying to excuse my behavior,
but I'm out here to tell people the truth. I'm
not trying to water it down. But basically, uh, what
they do is they get you hooked on on the
chrome without telling you what it is. And I can

(35:08):
give you a personal example of one of the times.
One of the times I got brought to Centurion. It
was me like this version of me because I haven't
they know I play music and here and now I
play instruments and stuff like that, and they hadn't they
hadn't gotten any music from me, this version of me,
and they're like, all right, well it's time. And uh

(35:31):
I didn't really know what was going on exactly, but
I was with Dennis Pop And so what's crazy about
Dennis Pop and Max Martin is I I really figured
out who they are by what happened to me and
Max Parton he's you can look him up. He's he's
written more pop songs, famous pop songs like anybody else,

(35:52):
worked with like everybody to a point where it's bizarre,
how's he How's he writing all these famous songs? And
it's because he's part of this time call. And anyway,
when I was there, I've talked about this in the past,
and I did not understand it all the way I
talked about how Venice Pop this stuff came out of
like a like a like a futuristic looking device, this

(36:15):
powder on this this this uh it like came down
onto this glass plate and he's like, ask me if
I wanted some bit, and I'm like, what are we partying?
What is this?

Speaker 3 (36:25):
You know?

Speaker 2 (36:25):
I thought we were trying to record music should be
more serious or and he told me it hooks up
your brain to the recording studio. Oh, and I'm like, okay, yeah,
it's like it's called two one three, eight nine nine
B or some crap like that. Who I'm like okay.
And so I started doing this stuff with him, and
and the way I would describe it is it does

(36:46):
seem to activate psychic abilities. You could we could start
reading each other's minds, reading each other more, and I
could connect my brain to the computer more easily. Although
I don't think the drug was necessarily necessary. I don't
know if I needed it to do it or not.

Speaker 1 (37:00):
But well, our chem you know that sound. I don't
mean to interrupt you, but it sounds like how the
the tech giant like those guys, a lot of them,
And I've been told from personal, firsthand, firsthand testimony that
they micro dose and stuff on you know, whatever whatever
it is, d MT or something. I don't know what
to do, kind of kind of like what you're talking about,
but it's probably a little bit different too. But it's
to connect with entities and stuff to you know, get

(37:24):
things done and and whatnot. And before let me do
a little quick commercial break because Nathan Davis. Thank you
so much for that super sickory. So just a reminder
that we appreciate your work and dedication, Jessica and Ourchemra
National Treasures for the time I had. Uh your reach
is far greater than YouTube allows, you know. Thank you, Nathan.
I really appreciate you very much. Our quem and I
both do thank you.

Speaker 2 (37:44):
Before I forget, I just want to say that, Uh
so that potter that he gave me was the synthetic
version of adrenal clone. Oh yeah, oh yeah, there's aye.
Even chemists have talked about this, They've been interviewed about it,
and they're like, yeah, it exists, is real, but you
could technically just make it in a lab pretty easily.

(38:04):
That is true. But there's something about the real thing
where it has a spiritual aspect to it that makes
it more potent. I think it's sort of like, uh,
I don't want to explain it, but and and what
it is is you end up meeting the real thing.
They get you addicted to the real thing and you
turn into like a monster. And there's all these weird
sex blood rituals and stuff like that. With the chrome

(38:29):
and a popular one kind of hard to talk about
I'm gonna try to say this in color less, colorful
terms so we can get past the censorship here. There
will engage with a woman and they drink this ambrosia
chrome where that they have saved before the ritual, and

(38:53):
they do this ritual and while someone is engaged with
the woman and she climaxes, they call off her head,
oh my, and start collecting the blood man, and it
creates a version of it that is also an aphrodisiac
as well as what it normally does. So it's it's

(39:15):
like a a a different version of chrome that has yeah,
af aphrodisiac effects to it, so that they oftentimes will
start their rituals with some of this that this this
version of the chrome that they have saved. It's it's nasty.

Speaker 1 (39:37):
I think that a lot of us have wondered, okay,
and we just had to use our imagination as like
what goes on. But you know, I kind of shut
it down a little bit, like I don't you know,
I'm afraid to even go there.

Speaker 2 (39:48):
Yeah, they put the energy into the song. They put
that into the song. The song.

Speaker 1 (39:52):
The music it with spells, but they're doing.

Speaker 2 (39:57):
That and like putting it into the song example that
I can give you is like, if you listen to
a lot of the Weekends New stuff, you'll have these
jarring like sci fi like synth noises and like crazy
stuff at the beginning to kind of jump you up
and get your attention. And that is where they put
that energy in the song right away, that death murder

(40:18):
energy from that ritual to grab the viewer. Because the
thing that we knew about it at Montauk was like
one of the reasons why we use Montalk time Soldiers
is because psychic people, people with high psychic output, which
they make their music grabs people better and becomes more
popular because we don't understand that the subconscious mind is

(40:41):
like the psychic mind, and we are all telepathic. And
the reason why we're not able to pick up on
that as well as we potentially could is because we're
cut off from our subconscious mind. But if we were
more in tune with our subconscious mind, we will be telepathic.
So that's how they're able to sneak all these songs,
all these me these songs. It's not necessarily uh subliminal

(41:03):
messages where it's like them saying stuff in the background.
You can only faintly hear, but you can't hear it.
And then they trick you and you all of a sudden,
you're buying something or whatever.

Speaker 4 (41:10):
No no, no, no, no, no no.

Speaker 2 (41:11):
They're literally putting psychic messages into the song. Krestin talks
about this device he made where you put it up
to your pioneerro Gland and you literally hook it up
to the recording console and you can put thoughts into
the recordings. Yes, and and he talks about how there's
certain you can find these certain recorders where they have

(41:31):
a third tape head and no one knows why they
have a third tape head or why they made them
that way. And he said, that's the reason why they
have the third tape head is it's for that technology.
Oh yes, I think it was Psycho s e I KO.
I think that's the company that you could what made
the mixers that have the third tape head on them,

(41:52):
if I'm not mistaken. But basically, yeah, I made this
device and you could put and you don't need that
device to do it. There's there's h another technology where
you can listen to the recordings after you make them
and put the thoughts into it. It's like a vinyl
record player, and there's more than one way to do it.
But I remember that being well he talked about in

(42:15):
his book, and I do remember that being a way
that they would do it. And he talks about in
in his book how he worked with the the crazy
guy with the hair, Phil Spector, and how Phil Spector
did not believe, uh, he didn't believe in that he

(42:36):
was putting these psychic messages in the song. He thought
it was this hogwash crap. So he's like, how would
I prove it to you by put by putting a
number on the song for this phone number that nobody knows,
and we'll see what happens. And they put it on
the radio and the song had nothing to do with
the phone or numbers or anything. The next thing you know,
this phone is ringing off the hook of all these

(42:57):
people being I don't know why, I just felt the
need to call the number. And then Phil Spector apparently
believed a believed Preston about those psychic messages just putting
on the songs and games. Preston was like, you don't
realize half the reason your songs are, babe, this is
because of me. I love doing the press.

Speaker 1 (43:15):
Oh my gosh, that is that is absolutely I am
not shocked. I've actually kind of heard some of this similar.
I mean I've heard that I know the power of
the subconscious mind and subliminal messaging and things like that.
I mean not only did I study it in college, okay,
but with the remote viewing training and the psychic training
and stuff like that, I learned that there as well.

(43:35):
Now I do have our resident expert on camp hero
here in the studio, our queen. We have Brian Minnick
here and and I'm going to bring up Brian if
if that's cool, Let's get Brin up here and and
we'll have a cool discussion. Then we're going to get
into the data tonight of these targets. So everybody, this
is Brian Minnick of mon Talk is Strange over on YouTube.

(43:56):
Hey Brian, Oh you're muted, got a mutcha.

Speaker 2 (44:03):
It's good to see you, Brian too, bloody legend.

Speaker 3 (44:07):
How you doing, man, I'm pretty good. I just uh
I popped in. Mike said send me a text min
chat and then you said come in the show. So
I'm like, all right, I'll just jump in there.

Speaker 2 (44:16):
He Yeah, you know what I was thinking.

Speaker 1 (44:19):
About inviting you, like all day to day and I
just I've been so busy and I was like, I
didn't find it. Now you're here, Now you're here, Yes.

Speaker 2 (44:29):
So something interesting other think I'll bring up right away
now that he's here, because we love people love evidence
for things, which they should. I mean, evidence of things
is good. We should try to follow the the the
breadcrumbs and get to the truth. You do. You've done
a lot of research on the mom Talk project, and
as far as the music stuff, you recovered a record

(44:51):
They're old, really old record, a very old song, and
you actually had a guy professionally restore it and you're
able to listen to it. Can you tell us a
little bit about that run?

Speaker 3 (45:00):
Sure? Actually it was the first time we went. On
August twelfth, collaboration. I just started the YouTube channel. Met
Dark Arrow Paranormal, Michael Roser.

Speaker 2 (45:09):
Mike another super awesome guy, Long Island.

Speaker 3 (45:12):
Bigfoot here and he's you know, we were some somewhere
in the middle of that day. We were walking down
along the bluff, you know, along the coast. There's a road,
old Monte Highway, and off the side of the road
there Mike just wondered, he was like led to it.
He found this reel to reel, old seven inch reel
to reel. It's aluminum reel and it has it's like
a quarter inch tape. So that's what they used to

(45:33):
use in all the recording studios and you could do
multi tracking and all that stuff.

Speaker 2 (45:36):
That's what we used.

Speaker 1 (45:37):
This is just what the target is tonight.

Speaker 3 (45:39):
By the way, is like hundreds of music people that
used to do recording from studios over because when I
put the videos up, I got comments and we started
talking and they give me all kinds of tips on
how to further get stuff off of this. But also
that the Air Force was able to record r F.
Actually they used r F data on these, so if
you put it in the tape machine, you wouldn't hear

(45:59):
any you'd have to have a computer to see the data.
But at the same time, the guys that were bored
on their ships could also record music on it.

Speaker 2 (46:06):
He said.

Speaker 3 (46:07):
They've been known to have audio and RF so there
may be a whole layer that we didn't even see.
But anyway, Mike found this real and we're like, no way,
this thing's played. It's gonna play. It's covered in mud
and like roots growing through it. But we started cleaning
it up, you know. I took it home and I
sent it out to some of those professional companies, a
few of them that you see on TV, Like I
don't even want to say their names. They all rejected it.
They said they could do it, and then they sent

(46:29):
it back to me. So I'm like paying the fees,
you know, sending them off with all high hopes waiting.
It took months and months in between everybody's waiting, and
then yeah, I got some strange message. Somebody paid like
a PayPal do Nation just to talk, you know, to
get in touch. And it got really weird. They wanted
to meet me in Queensbridge, which is like housing projects
in New York, like right across from Manhattan in Queens

(46:51):
and they want to meet me. They were gonna be
in a white van. I'm like, all right, these guys
are gonna tase me, and like so, I'm like, I
made up an excuse like, oh, it's that happened to
my car, which it did actually, and then we got
into an argument. You know, they were really aggressive, and
then I told them, you know, don't be like a
baby about this. I said, you want to know it's
on it. I want to know it's on it. Let's
just go do this. And so I wrote with these

(47:14):
total strangers, which now I'm looking back, I think they
were kind of shady. I don't know who I wrode with,
you know, but we both wanted to know what was
on it. So we were like, we carried this thing
down the street in Brooklyn, this big old real to
real machine up the stairs in the studio, sat there
all day cleaning it up, kept playing and it kept breaking,
and then we finally got some music off it, and
they let it run to record the whole thing. So
I stuck my little go programmer in the headphones and

(47:35):
that's where I got that small sample. Because it turns
out they did like an interview with me. I never
got any of that stuff from them. They promised to
give me the recordings and never did. Then when I
asked them, they said our mics were hot, so it
was like talking over the recording and messing it up.
I said, I don't care, I could listen right through that.
I want to hear it anyway, and then they just
like ghosted me. So they took it. They wanted to
know what was on it. They got what they They

(47:56):
got the whole thing, you know, and I have half
of it. So they transferred off this old thing that
was in the ground onto a brand new plastic one,
which I still have. Then I took that and sent
that out to different companies. They said, yeah, no problem,
they rejected it, sent it it, sent it back to
me with some like BS letter and excuse on why
they couldn't do it. But then a subscriber gave me
a brand new reel to real machine from like the seventies,

(48:18):
and it's really nice, and I think we can do it.
I just have to get another blank one, and I'd
like to do it with somebody who had some experience.
I got a ton of tips from people, so it's
still an open project in a way. And what was
on it was, you know, regular music. It was backwards,
but looking at the backwards speech every thirty seconds, you know,
the ciadus for interrogation. We tend to say things backwards

(48:41):
that we mean with our subconscious every thirty seconds. So
they'll watch like presidential speeches or like famous speeches and
try to find those little backwards parts every thirty seconds
to see people's true intent. So in that music you
hear like the little piece I did get from that
real it's like don't drink the water, and like there
was some really weird messages something about blood, give your blood.

(49:03):
That was one of them. There was like three distinct ones,
and when I lined them up on the timer, it
was every thirty seconds. So it was really interesting. And
it's it's still like a lot of people just think,
you know, oh it's playing backwards. There's a lot of
the comments, but it's a long story and there's a
lot of details and still a lot more to figure
out with that. But what I think that happened is
when they were cleaning out the base. You know, that's

(49:24):
the road you would have to take with the dump
with the dump truck because there's a lot of hairpin
turns as you know in Campiro, and if you have
a big truck fill with stuff, that's a nice straight road.
So I could just hit a bump, rolled off the top.
It was probably like a whole truck full of good stuff.
And I see a lot of old pictures in Campiro's
old buildings, you know the computer center, I mean the
computer building. They had a whole walls of reel to

(49:44):
reel recorders, you know in the pictures. So interesting.

Speaker 1 (49:49):
Okay, our team, what do you think about that archeam
with what he just said about it's almost like subliminal
messaging about the blood.

Speaker 2 (49:55):
Okay, what do you I mean, it's just kind of
confirming what I'm saying that this this was a way
to mind control people. But the part that gets I
think has been overlooked for a really long time is
the fact that we were wandering money through the music

(50:16):
industry and making a lot of money. I mean, you know,
building stargates and stuff like this is not cheap, and
we couldn't just rely on like tax money or something
like that. We needed our own ways of getting money
because this was like very expensive work we were doing.
And and and it gets as crazy as like certain inventions,

(50:39):
even like very innocuous ones, even like I remember we
got involved. Well I did some research and it's just
kind of weird. But the the chocolate chip they call
it chipper ice cream sandwich. They I talked about how
they used to pay me with those when I was
a kid. They asked me, because you know, they're feeding

(51:00):
you dog food and all this stuff and starving you,
and then if you do this thing that we want
you to do. Well, you can eat whatever you want.
What do you want? And one of the things I
always said was the ice cream sandwich, the chipper. And
when we did all these timeline changes or something, I
don't know what it was, if it didn't exist anymore
or whatever, but I looked into it and the guy
who invented the ice cream sandwich, the chipper ice cream sandwich,

(51:23):
he brought to New York and it was like this
whole operation. He had like thirty different boys going out
at the same time with ice cream carts selling these
ice cream sandwiches. And I find out they made millions
of dollars, but somehow went bankrupt three times. And nobody
can understand how they went bankrupt even though they're making
millions of dollars.

Speaker 3 (51:42):
I get this.

Speaker 2 (51:43):
It gets crazier. The ice cream sandwich company, the chipper company,
I can't remember what it was called, but it was
connected to a Swedish aerospace company. Oh wow, the ice
cream sandwich. So it just confirmed like this weirdness.

Speaker 3 (52:00):
I got tied to that for you if you want,
because recently, one of the new things, one of the
oldest things in the lore that I was red you
digging up some of the early Internet lore, and the
Charles Food Company was a way to embezzle money from
into the Mantok project through Malta, as it was said
by like some of the older I think it was
mister Coffee or I don't know who. They had different

(52:22):
names than then they became company. It was called Charles
Food Company and had to do it Charles. Yeah, it's
a major food company, and they said that that was
one of them. But also I think of when we
found those records on base built to the Mantok Air
Force Station in nineteen eighty seven, long after they're closed,
and that was for a food company and all these
food supplies and the other people that you know, I

(52:42):
talked about that on TV. I didn't have the evidence
because we threw it. But then over the years, all
these other people found these checks and everything that we found,
and I've been documenting all these other people. They wrote
about it publicly too, and they found food service companies
that were tied to aerospace companies and I was just
writing about that.

Speaker 2 (53:00):
So yeah, so like this is from like memories that
I have and stuff and things that Another weird thing
is I remember that the one that I remember using
when I was a kid is good humor. And something
that's sketchy about this is right now, there's a phenomenon
going on all over the East Coast, particularly in Virginia,
which is where the CIA is located. By probably no

(53:23):
coincidence at all, there's all these kids going missing, like
tons of kids going missing, and there's ice cream trucks
roaming around at like eleven o'clock at night. Yeah, and
this is well documented. It's not bs, it's actually happening.
It's all over the country, but mostly in like Virginia
and Pennsylvania and I think some in Ohio. And all

(53:45):
these kids are going missing. I find it weird that
there used to be good humor, ice cream trucks and
the the We've talked a lot about how there was.

Speaker 5 (53:55):
A lot of PDF file lilia how do I say, yeah,
fast girls here, uh, involved with mom talk and even
stuff that was filmed there and stuff like that.

Speaker 2 (54:07):
I've testified doing all sorts of girls things like that.
And what's weird about good humor is it's literally a heart,
a big heart and a smaller heart. And that's literally
one of the symbols that the FBI release that is
a symbol for little Girl Lover and so that's just
really weird to be really weird coincidence really, And and
now that we're seeing that, like all the there's ice

(54:29):
cream trucks that are like kidnapping kids, and it makes
me wonder, like how new. This is obviously not a
new thing, and yeah, what a perfect way to lure
kids is with an ice cream truck, a literal ice
cream truck. So it's just super super weird and super
I don't think random at all. I think it's no coincidence.

Speaker 3 (54:48):
It's good to get the word out, you know because
in the eighties the milk cartons and the and the
white vans out here, at least it was everybody knew
about the white vans that were going around. So it's
like it's spread fast and then people were like on
the lookout for them, you know, like every every white van.

Speaker 2 (55:02):
Now people, yeah, mon talk used white vans a lot
white vans and yellow school buses.

Speaker 3 (55:07):
You know, somebody just sent me the picture of Preston's
yellow Survival school bus in the Long Island News day
here just today. They sent me that in a email,
you know, just like, hey, look at this, and uh,
that's that's crazy. You brought that up. There's a lot
of synchronicities today. But it was like the yellow school
bus he had and he used to drive around. It
had all radio equipment in it. In who knows this

(55:28):
is it's indeed, there's a lot a lot of information.
It takes you know, several people to protect them. We
dig through this.

Speaker 2 (55:36):
Yeah. Yeah, And I talked to this woman who recently
passed away, and that's why I kind of feel like
obligated to bring it up. I wanted to have her
on my show and didn't end up having on my show.
Her names a Renetta Jones. But basically she claimed to
have invented like the iPad, like the first because she
was like she went to school for like electronics and
like all the stuff. She's a brilliant woman, and it

(56:00):
sounds kind of wild, sounds sounds kind of crazy, but
she said she basically got like gang stocked and like
you know, obviously Apple stole the idea and she never
got the credit for it. And I really do think
that there's just this thing like she might have not
even actually invented it. It might have been her reinventing
the wheels sort of thing, like it's been invented a
bunch of times, and just because you you watch like
you know that like when people invent like uh, free

(56:22):
energy cars and and stuff like that, and play yeah, yeah,
that's the one that just happened. The guy disappeared that
invent that could create a fuel that could be created
from plastic. Exactly. We know that they control this and
they don't want this out there. So yeah, it's it's there.

(56:42):
There's there's you know, we're getting to the point and
and buying your huge part of this, and I really
just can't thank you enough for your work. Is well,
we're getting to the point now where the evidence is
coming together because there is I mean, and and one
of the things that you tell about and it's in
your book is all the energy that was used at

(57:04):
mon Talk the water. I mean, there are clearly a
lot of people there. It was clearly like much larger
operation than they say. And then they try to say
there's nothing underground, but even the most rudimentary examination of
Campi Hero shows that there's underground infrastructure.

Speaker 3 (57:22):
So and now we have records you know, going down
not only World War two, tunnels. But in the Cold War,
the Air Force fallout shelters, we have on record seven
of them on documents, So there's pretty deep underground bomb
shelters there for the you know that are nuclear fall
out ready, and those are on records. So actually two

(57:46):
of those three you know, there's three in this line
right here behind the radar, under the radar and in
the computer building in the front are three of them actually,
but the others are pretty spread out across the base.
Pretty cool though. And then this house you see there
that's an old World War two bunker, is a deep
tunnel under here that goes thirty five feet under the ground,
but it's already on a hill, so it's a letter

(58:06):
that goes down seventy feet and then a tunnel that
goes five hundred feet into battery one thirteen. It's pretty cool. Wow.

Speaker 2 (58:14):
So and there's if people want to check this out,
there's tons of video of this on Brian's channel. Mon
Talk is Strange. It's a great YouTube channel with a
lot of boots on the ground mon talk stuff, and yeah,
it's just wild. Coming full circle because I remember when
I first started learning about mon talk and remembering things

(58:34):
I found your channel.

Speaker 3 (58:36):
That's cool, man.

Speaker 2 (58:37):
One of the craziest things that happened, dude, is your
one of your videos. Remember when you walk up and
I don't know if it was you or somebody sent
it to you, but there's chanting and there's some sort
of Yeah, somebody told me that I was there for
that and that was one of the people chanting, and
then they sent me that video and that's how I
found out about you.

Speaker 3 (58:55):
Dude.

Speaker 2 (58:56):
Wow. They said that I was down there, my aulthor
Jacob was down there and was in that ritual and
they remembered being there.

Speaker 3 (59:02):
Wow.

Speaker 2 (59:02):
Okay. Yeah.

Speaker 3 (59:03):
The voices, I mean the voices there was. It was
actually really well carried out tune that they were singing.
I mean, the vocals were good. It had a really
great reaver, but it was it.

Speaker 2 (59:12):
Was obviously something occult or like Satanic.

Speaker 3 (59:15):
Or yeah, it was. They were saying low the eye
of Darkness evil. I looked it up had something to
do with Saturnalia and it happened to be on the
Sebrar eighteenth, which is saturn Ellia.

Speaker 2 (59:24):
Yeah. I don't know if I don't know if that's
a cool I don't know if that's a coincidence, and
it was just some New Yorkers that were just doing
that stuff that you know, they just have those beliefs.
RFA was actually like me, like this guy said, but
that's why that's literally I found your channel interesting. Well, yeah,
and with the comparlimentalized memories, I don't remember that, I
don't remember being there, I don't remember doing that, but

(59:46):
that does not mean it's not true.

Speaker 3 (59:47):
You know. What's all crazy about that is one of
the people that were watching my video, one of the
one of my subscribers, and probably you guys might know
him too, but he took a whole bunch of screenshots
and he sent them to me, and that whole day,
as I was walking past the sealed bunker, it's like
a twin of it. And then that one there was
this white face looking out of the windows out of
the sealed bunker. Every time I walked past, it looked
like a like a big gray alien head, kind of

(01:00:10):
like just pale white, two big eyes, and it was
really creepy. Once he showed me, I saw this thing
in multiple places peeking out and I was like, where'd
you get this? He's like, these are free freeze frames
from your video. I'm like, that's really weird. But same
day you're talking about you know, so it was there's
a lot of stuff going on that day.

Speaker 2 (01:00:28):
Can I can I ask you?

Speaker 1 (01:00:29):
Did you hear the voices with your own ears or
did you hear it through the recording?

Speaker 3 (01:00:34):
They were singing. I was going to climb in there
and they were all singing.

Speaker 2 (01:00:38):
And yeah, you could literally hear it. And he was
I could tell that. You're like, yeah, You're like, maybe
I'm a little getting a little too deep into the thick.

Speaker 3 (01:00:48):
Yeah. I was gonna like, you know, a ross boy.
He almost went up and just like you know, said hello,
and I just want to see the bunker. But then
I heard what they were singing, and I'm like, all right,
good thing they didn't hear me, yell at, I'll just
and then I just said and recorded it and then.

Speaker 2 (01:01:01):
I just left.

Speaker 3 (01:01:01):
I was like, nope, I'm out of here.

Speaker 1 (01:01:03):
I mean, you know, just just from doing the research
of like doing cryptid investigations and things like that, we
do cover areas. A lot of areas that have cryptos
on them are what people consider to be cursed lands,
and people go and do like satanic rituals out there
and stuff like what you're describing right now, it's.

Speaker 3 (01:01:20):
Almost like you shall that property. You're right, that's Camp
wickof It's like where Teddy Roosevelt had the first returning
soldiers from a foreign war. The first BFW first Red
Cross was all out in montok in like eighteen nineties,
and they had it was a Spanish American war that
came home and they all had like malaria, yellow fever,
and they had a big internment camp, like thousands of tents.

(01:01:42):
So on that property. It was like a lot of
people of death in sickness. So yeah, I mean all
kinds of leftover energies. And then people do do practice
different religions and occult type stuff out there. I even
found a website where two different groups of witches were
fighting over who did the ritual wrong on Turtle Cove

(01:02:04):
and they were like arguing these they were having a
website battle between their two groups that they were over
how they did it or whatever. I was like, this
is really interesting. This stuff happens, and nobody else really
knows about it, and I never even saw it before
if they're all my searching. But yeah, there apparently there's
people that go there for the energy itself of the land.
You know, surfers included, Like today the waves are crazy

(01:02:24):
because of the hurricane and people are going crazy down
there with the waves. But it's always like a famous
surf spot, Turtle Cove for the energy. So there is
this whole thing about that land that there's more to
it than just the story, which makes me think, did
they choose this place to build this here and you know,
perform certain tests and experiments here for that reason?

Speaker 2 (01:02:43):
Oh, they absolutely did. Yeah, Yeah, it's just chosen for
a reason. That rock, Councole Rock. Yeah, as like all
these memories in it. It's kind of like yeah, or
because it can store energy and like memory and stuff, and.

Speaker 3 (01:02:59):
Down there it's pure courts. It's like, uh, it's uh,
this is the kind of our heads they had locally.
But there's so much courts here, Like you're saying all
that energy and Council Rock is like courts in h Grindite.
I think.

Speaker 2 (01:03:11):
Yeah, the Native American tribes there were you know, they're
they would meet at that Council Rock. And there's the
Montucket tribe, which is what mon Talk is named after.
So yeah, pretty interesting.

Speaker 3 (01:03:25):
Hey, I wanted to get a signed copy of your
book if I buy one and send it to you,
scribble on it and send it back.

Speaker 2 (01:03:33):
Absolutely, just just send a copy for me to keep
if you could. And I want. I wanted to because
I have I bought those hindle version of.

Speaker 3 (01:03:41):
It your book too, Yeah, I'll send I'll trade you one.

Speaker 2 (01:03:44):
But yeah, we could trade. But you know, one of
the things we could do is we can maybe do
in person because I would like to. I want to
do another mon Talk trip and I want to. I
want to do one where I'm going to interview people
and stuff, but I wanted to be a little bit
more personal this time. Yeah it's like the last time
I was surrounded by all.

Speaker 3 (01:04:01):
These people and there's a lot of people at once.

Speaker 2 (01:04:04):
And yeah, I want to be able to kind of
be more reflective and take it in more. And I
want Kat to be able to be there with me.
So I'm planning on coming again soon. But I want
to film a documentary about mon Talk, and I want
it to be like, because there's already been a bunch
of them, I wanted to be able to like the
fact that there's a lot of us, the fact that
there's so many that are public and I want to

(01:04:27):
interview like as many of us as possible because I
think that I think that I actually counted one day
and with a piece of paper and a pen, and
I think there are twenty at least twenty people that
I knew that were public, counting like Stuart's wordlow and
stuff like that too. But still that's a lot of people,
and there's probably more, honestly, it's and what it makes

(01:04:50):
me think too, you guys, is because I know with
the projects, they would send us on missions and due
to the security of the mission or whatever, they wouldn't
tell us what was going on. And I've talked about
monarch programming and how we would get sent into missions
and we wouldn't really know what's going on until we activated,
and then we would know what's going on. And I

(01:05:11):
kind of think I might be going on right now
because AI is about to happen, and it's such a
huge deal, dude, it's the hugest deal, it's the most
it's the biggest event in human history in the past
thousands of years. So I kind of think that we're
all here to prevent some sort of AI thing. Actually
I'm not sure though, but like why And another thing is,

(01:05:32):
you know, a lot of people always ask me, and
I haven't always had the best answer, but I thought
about it recently, and this actually makes a lot of
sense if you think about it. People always ask why
would they allow all these like time soldiers, spy people
to be public and talk about this stuff. Well, what
I realized is what I thought about is when you
were in these projects. I've talked about this a lot,

(01:05:53):
how you know, they'd be like, hand you had gone
or whatever and grand you all these instructions or whatever
you need to go back in time and kill this guy.
And he'd be like, okay, why And they've like, did
we fucking tell you to ask us? Why? Just do
you just do your job? Asshole? They had this security culture,
and even Steven Greer, okay, verifying us talks about how

(01:06:17):
you know, one of the things I really talked about
working at Area fifty one is I can't talk to
the guy who was over here working on the propulsion,
and the guy who's working on the propulsion can't talk
to the guy who's working on the the outer shelling
of the craft. And it's like we can't even communicate
with each other because of the secret seat. And that's
why I think that we're all here right now and

(01:06:38):
were public is because they've all assumed and maybe there's
some reality to it too, I don't know, but they've
all assumed that we just we're supposed to be here
for a time mission and just don't ask, don't tell.
And I feel like, because you know, you know what
it is is loose lips. Don't loose lips sink ships. Right,
That's why I've said to people, that's what why time

(01:06:58):
travel exists in the military, and they don't tell anybody
about it because it's security culture and it's super important
technology and they got to keep it under wraps. But
what happens if that kind of culture, that kind of
security culture gets pushed to the brink, to the point where, oh, right,
the engine room is on fire, but the engine room
can't communicate with the.

Speaker 6 (01:07:19):
Front of the ship. The captain not allowed. You got
to go through the proper protocols. Here, sign these you know,
do this, do that, go through these networks that you
gotta go through, get the information to prove you don't understand.

Speaker 2 (01:07:30):
So the engines on fire, I gotta followed by the book,
like think about it, like they can't even communicate with themselves.
So that's why I think we'll have all these montag
time soldiers out here are republic Is because they've got
such a messed up, like overly redundant security culture that
they just all figure that we're supposed to be out here.

(01:07:52):
It doesn't that kind of make sense if you think
about it, Like, I don't know.

Speaker 3 (01:07:55):
I think it's a great idea to do that, because
you know, I mean, I I've only been able to
focus on so much and all of those stories. I
even wrote that a few times, you know, like I'm
glad everybody else is diving in and covering everybody's Each
person's account actually is like a whole book, so like
just promoting like one person's doing one thing one and
doing another. And I've been I've also tried to go

(01:08:17):
from the front and get some of the people who
are like non believers or non they're not thinking about
this at all, or you know, maybe they're just purely
logical and purely skeptical, and I try to bring some
of that slightly over, you know, to make it some
of this is possible, you know, and you don't have
to believe in the whole spectrum of it, like from

(01:08:38):
time travel down to but if you start considering some
of it, if there's people that just automatically write it
off too. So I was trying to widen the consideration
for it in the front side. But everybody's coming with
their own experiences and I think that's awesome, And to
compile it and make a documentary like that kind of
idea is always great. You know, Michael started it. He
had everybody, you know, m h the HP's documentary, everybody

(01:09:01):
that was in the house that day. But to go
and you know, work on it over time and get
all of them, like you said, like the whole panel,
that would be very it would be fully.

Speaker 1 (01:09:09):
Uh yeah, yeah.

Speaker 2 (01:09:11):
There's so many of us and we can all collaborate
on testimony. And you know, for me, man, like a
lot of my testimony is like so dark, and a
lot of things that I did are really fucked up,
Like it's like me kind of confessing to crimes in
a way almost like my testimony. And you know, like
for instance, like I have a my brother from the programs,

(01:09:33):
John Whipberg, when I'm not talking too because he's so
traumatized by the stuff that he went through with me
in the programs, and I read his book and his books,
it verifies all my memories, the things I remember from
Preston Nichols letting me have the sandwich in front of
the other kids. He talked about the sandwich in there
because he did that to make all the other kids

(01:09:55):
hate me, so I could only go to him. That's
why Preston did that. He would let me eat while
all the colored kids are getting shed dog food. He
would let me have some of a sandwich in front
of everybody to make them all hate me. But anyway,
like there's all these different people's testimony Christy Campbell where
she talks about how I would make the kids eat.
They when they're eating, I'd be like, you get four

(01:10:15):
bites of food and all this crazy shit, and like
if they it took a fifth bite of food, out
freak out and start beating them and stuff like Look,
I don't know who would admit And I'm telling they're
telling the truth, Like who would admit to any of
this shit? That's what I'm trying to get people to understand.
Like we committed war crimes, like lots of people died,
Like there were as far as I know there's over

(01:10:37):
three thirty thousand people have been saying ten thousand, says
in John's book, it's over thirty thousand, and I tend
to believe him. His memories are a bit clearer than mine. Children.
Most of those people children who perished in these projects.
And you know, some of these people, there are people
who cared about, Like, for instance, I talk about Sergeant
Stan Mulgrave who wrote the song the Sound of Silence. Yeah,

(01:10:57):
this is not a guy who's around who you can
find and talking about the stuff of public now. He
only exists in our memories of the projects. And that's
because he actually did die in the projects. It can happen.
They're able to keep us alive forever through cloning and
stuff like that. But let's say you fall out of
a plane into a volcano or something crazy where your
body's not recoverable. We might lose you. We might actually

(01:11:19):
lose you and not being able to recover you because
people are, Oh, I don't to go back in time
and get them before you did that. It's more complicated
than that. It doesn't work that way.

Speaker 3 (01:11:28):
But yeah, like his book, John, you know, I talked
to him a little bit and we traded books and
I started reading and actually it was weird. He wrote
about the bottom of Battery two sixteen had urinals or
something like four floorists down. And the crazy thing is
I got a comment from a like a cub scout
or something that went there, and he's, you know, growing
up now, but when he was young went down there

(01:11:49):
in the seventies. It was abandoned at the time, and
they went down four stories and he told me there
were urinals and stuff down there. So like, these two
people will never talk there met each other, even know
each other. He doesn't, They don't know of each other.
I just find these weird connections like from the normal world,
from the author's world, from and and tying them together
helps too.

Speaker 2 (01:12:10):
Like yeah, isn't it surreal too when when it happens.
And like I remember when I first found out I
was a part of this, and I was really freaking
me out, and I had a synchronous you know, right now,
I have all the synchronicities. While I was having the synchronicity,
I find found out. It was within a couple of
weeks that I had found out they actually called the
Project Phoenix two, and I had memories of like there
being actual phoenix there and stuff like that. Now phoenix

(01:12:32):
did open portals, and I remember being so overwhelmed and
thinking like this is like some fantasy, wild fucking crazy shit,
like am I losing my mind? Like am me and
all these other people that remember this like crazy, you
know what I mean? And my mom comes home one
day and you know, my grandma passed away. She comes

(01:12:53):
home with this necklace right here, all right, And I've
talked about this a lot.

Speaker 4 (01:12:57):
Here see that.

Speaker 1 (01:13:03):
Scar of beetle. It's a Egyptian. It was a phoenix.
I thought I was a scar.

Speaker 3 (01:13:08):
Wow, that is cool.

Speaker 1 (01:13:11):
That's beautiful. Oh we lost the audio. Make sure your
plugged in. You're muted now, archaem.

Speaker 3 (01:13:23):
Oh okay, no archem Oh dang, it.

Speaker 2 (01:13:29):
Was really touchy.

Speaker 1 (01:13:30):
Yeah, got you're back.

Speaker 2 (01:13:32):
Sorry about that. What were we talking about your grandma?
Oh yeah yeah yeah, yeah, I'm sorry. And what's crazy
about this necklace is okay, So, first of all, it's
a phoenix coming out of a portal and had this
memory of like all phoenix's open portals and that just
like when my mom came home, she's like, oh, I
just thought you'd think it's cool and I was like,
what the fuck? Mom? I was like, Grandma had this.

(01:13:56):
I was like, have you ever seen her wear it?
She's like no, I put it in our family thing
on Facebook. No one had ever seen my grandma wear
this necklace ever. And I got back the memories, and
I tend to think it's real of me finding out
about this life, how I'm being planted and stuff like that,
and meeting her in Italy while she was on vacation

(01:14:17):
and using the excuse that we were both Americans to
like start chopping it up with her. And I ended
up hanging out with her drinking some wine stuff like that,
and I left her a little gift basket that had
like some chocolates and stuff like that, and one of
the things was this necklace. And she probably thought, huh,
that's odd and just left it. And I think I
did it so that I would end up with it. Wow,

(01:14:39):
But yeah, it's just in it. To me, it's like
the craziest thing, like and if you look this up,
this like there's no this is a one of a
kind necklace. I can't I've never been able to find
any other necklace like it. And another thing that's kind
of weird about it too, is Max Spears would always
wear this dragon necklace and I talked about it with
John and John remembered it too at some point in

(01:15:01):
the project. Or maybe it was John, or maybe it
was Joseph, I can't remember, but there's somebody else I
talked about it who was also at Montalk who did
remember how like some sort of event happened and it
was like we accomplished something, but it was also super
traumatic at the same time, and we kind of as
a reward, like as medals, gave ourselves these medallions, these necklaces,
and this one was mine. And then you know Max

(01:15:22):
Beers because he was part of the project. Guys, he
got the dragon one. And that's the reason why he's
so protective or for that dragon necklace, and he always
wore it, just like me with this necklace. It's because
he probably knew, or even if he didn't know, on
a surface level, like instinctively, how important it was to him.
And these are also connected to where if you go

(01:15:43):
through a portal and you need to get back to
this reality, this portal can scan it, because some gateways
are like alive, it can scan it and show knows
what reality to send you to. It's like a grounding
thing to the reality that you're from. I know that
sounds crazy, but it's like.

Speaker 3 (01:16:00):
I've been talking about that.

Speaker 1 (01:16:01):
I've been kind of stuff lately. Actually, our team we've
been talking about needing to have a piece of jewelry,
a bracelet, a bill, something like that. I think dear
Old Jeames was talking about that last week. You got
to have jewelry to be able to get through portals. Okay, yeah,
be in this density you had to be in and
be in the density with you know, like in the

(01:16:22):
third dimension basically.

Speaker 3 (01:16:24):
Yeah, the linked to your to your place of origin
so you can return or something like that.

Speaker 2 (01:16:30):
Yeah. And you know, another thing about want to talk
too is everybody talks about time travels so much with it,
but we're going to alternate realities. It's really important. Preston
talked about it. Al But talked about it. Those guys
all talked about it and it was true. You ever
listened to that interview on Channel three x Brian Remembering
and Knowing with Larry James and albel It.

Speaker 3 (01:16:51):
Yeah, I've watched. So there's there's like literally what like
two hundred videos on there and they're all like forty
five minutes, but I've watched like a good chun seventy
of them.

Speaker 2 (01:17:00):
One. I talk about it in my book, and I've
talked about it a lot because in that one they
they admit to kidnapping children. They're asked if they care
about the children's lives. They're like, oh, they're all like
homeless kids, so it didn't really matter, So they basically
say no. They asked if it traumatized them at all
the kidnapped these kids, They basically say no. They also
testify to the fact that not all kids were just

(01:17:20):
random kids off the streets. Some of them were being
taken through portals and they had to be put back
into their normal lives. That interview is a crazy interview
to just he called us guinea They called us guinea pigs,
and they literally laughed about us dying in the portals
and getting lost in the portals.

Speaker 3 (01:17:35):
All said where the bodies were buried. Can basically he
might have, because like that's what I think. One of
those from three X one of those Albelic interviews is
why when I was with that History Channel science team
that they had uh they were testing up on the bluffs,
because Albelic had said that was the spot where there
was like hundreds of bodies. So that's what they were

(01:17:57):
actually looking for on that show, and they did it. Uh,
you know, we did like magnetometer, they did the magnetometer.
I was just there to watch, but and also metal
detecting and all kinds of Then they did you know,
Geiger elsewhere and a better kind of way to look
down into the earth like a slice down right in
front of the radar. But up on the cliffs. We
did find a patch where it was disturbed soil where

(01:18:21):
a big pit was dug and then filled back in
with a different kind of soil basically like you know,
looser or just pushed in. They could see like the
difference like a pit carved that.

Speaker 2 (01:18:30):
So it was interesting, you know.

Speaker 3 (01:18:31):
Another flanking and legend lining up, which is cool just
coming from that. I think that same interview you're talking about,
I'm pretty sure, but nobody knows, you know, if there
were or not. And we had to look though. We figured,
let's look here, it's one. It's like a needle in
a haystack there. Because the property is what four hundred

(01:18:52):
and sixty eight acres now it's seven hundred acres. They
added the Western Woods, but it's a huge place, so
they could have you know, Plus you're on the ocean there,
so it's it's very hard to get.

Speaker 2 (01:19:05):
Of course, what's wild about Montalk is how beautiful it is,
and it is. It's a beautiful place.

Speaker 1 (01:19:12):
Darkness and beauty and yeah, Nathan, Nathan says, what happened
to our little ones will be the catalyst that unites humanity.
So many or to know the scale of what has
taken place.

Speaker 2 (01:19:24):
And so thank you. I remember, I remember other timelines,
and I can see the future, and you know, it
might not happen, It might happen, but I tend to think.
I tend to think that it is going to happen.
Usually what happens is there's a lot of events that
happen in twenty twenty eight that make up make it
hard for humanity. We really get woken up by the

(01:19:45):
AI thing, you know, because it's so science fiction and
it just happens overnight, like so fast that people are like, damn,
they kind of.

Speaker 3 (01:19:52):
Make a terminator. We should know better.

Speaker 1 (01:19:54):
Yeah, yeah, yeah, GPT just took over. Yeah, the robots
are having babies now they're all is it pregnant with
humans by the way.

Speaker 3 (01:20:02):
Yeah, matrix style.

Speaker 2 (01:20:05):
It's it's crazy stuff. But yeah, I forgot what I
was going to say about the point I was going
to make.

Speaker 3 (01:20:12):
But it is good everybody is out there and doing
what they're doing because you know, time is you know,
the time is ticking, and so it's just everybody's doing
it their own, coming from their own angle, which is
great because if you look at it as one big thing,
everybody's coming doing it together.

Speaker 2 (01:20:30):
And that's kind of why I want to make this documentary.
That's like lots of people and I you definitely need
to be a part of it, obviously, Brian. Yeah, I
think that we should get some footage at Montak together
because you can kind of show me around and yeah,
to be a part of that. But it's an idea
that I had a long time ago. And Catherine, my partner,
just reminded me, like, yeah, do that like now, Like

(01:20:52):
do it faster. It's like, why are you waiting on this?
You know what I mean?

Speaker 1 (01:20:56):
So yeah, Arche and Retroman said you were going to
tell us the future would you see in the future?

Speaker 2 (01:21:03):
Okay, so alternate future, that's a positive timeline that I've
been to the truth about camp hero does come out.
There ends up being a trial, a court trial. The
Native American tribes of the of Canada and the United
States are involved in it, as well as a lot
of the My Lab survivors. Because it's just more and

(01:21:24):
more of us just keeps coming and it gets gets
to the point where it's undeniable if these programs are real.
I mean, if you think there are a lot of
us now, just wait, more and more just going to
keep coming out.

Speaker 1 (01:21:33):
I mean, you guys might be shocked. You wouldn't be shocked,
but you would some A lot of people be shocked.
All the people who come to me to talk about
their memories of possibly being in these programs, but they
don't want to speak publicly about.

Speaker 2 (01:21:44):
It at all, and they haven't told yeah, I do
it too.

Speaker 1 (01:21:46):
They are like out upstanding members of society, like older people.

Speaker 2 (01:21:51):
And you know, when I want public, like when I
want public. One of my best friends got memories back
of also getting taken out of Johnson Elementary School and
I had to go to a mental institution like for real,
and they could have lost their they could have lost
their job, but their job was super cool. And understood
and and just was like, we're glad you got the
help you needed and took her back. But like, yeah,

(01:22:12):
this stuff is serious, you guys, is really serious. I
also have friends who died who friends who were in
the projects, you know, two of them who mysteriously passed
away after we reconnected and they found my contents and
they both died just out of nowhere from an aneurysm.

Speaker 3 (01:22:27):
Well sorry to hear that.

Speaker 2 (01:22:28):
Then, Yeah, so, and I think it has to do
with the projects. And but what I what what I'm
what I'm trying to get though, get at though, is
I've seen timelines where we build a rose garden. I'm
on talk. We try to we try to plant, uh
you know, have a rose for every child, So thirty
thousand roses. So we make this build a big rose garden.

(01:22:52):
The reason why roses is because roses are beautiful, but
you can't pick them. You'll hurt yourself. And it's like
these kid children should have been like left alone, you
should have been allowed to be who they were, and
they weren't. And I the the is it like a hotel,
that big building over there that gets yeah, it gets

(01:23:16):
turned into a museum, which is about Project Phoenix two,
and uh, the mainstream media wants to interview me and
all these other people, and uh in this timeline. It
might not be this timeline. I really hope so. And uh,
I personally and a lot of my commrades tell them
to go fuck themselves. And we do interviews with people

(01:23:37):
like you guys because you were there the whole time,
and any people you know, And eventually I remember doing
Late Night with David Muir, and I have that guy
interviews with me. I remember being interviewed by David Muir.
So that happens in another timeline, and I tend to
think that it's probably gonna happen in this timeline. Honestly,
I think it'd be weird if it didn't happen in
this timeline, because there's just so much evidence coming out

(01:24:00):
and stuff, and so much smoking gun stuff that that's
coming out, and I just I just think that it's
just gonna get to the point where the government is
not gonna be able to deny this stuff anymore, the
public is not gonna be able to deny this stuff anymore. Like,
I really do think that within the next few years,
in the next half a decade, you know, we're gonna
see a lot of things where this cognitive dissonance, this

(01:24:21):
veil that humanity has put over itself where it's like, oh,
I saw that in the movie, so it can't be real. Yes,
try saying that when you see robots walking down the
streets pregnant and yeah, and you know what I mean,
and you got AI. There's no towers anymore. It's all AI.
It's like, man, I take your order and shit, like
when you're living in that world, Try try saying that

(01:24:43):
none of it's real, Like you know what I mean,
there's I feel like living in this kind of world
of antiquity that we've all lived in for so long
has been part of the whole program of keeping our
people under controls because like, oh, that technology that's hundreds
thousands of years from now time travel. Maybe someday we'll
figure that out. And it's like no, no, people just
don't understand how crazy it gets. Saw there's nothing new

(01:25:06):
under the sun. Aliens have already invented everything we could
ever possibly think of. You know what I mean, We're
just reinventing the wheel over and over again. I mean,
they found batteries in ancient Egypt, you know what I mean.

Speaker 3 (01:25:16):
And yeah, a juggle wine and a copper tube and
lead like a regular battery. It's pretty cool.

Speaker 1 (01:25:29):
It's really wild y'all. And I and I wanted to
we probably let's move over to the recording studio pretty soon,
because I know we have not gotten to the remote
viewing data and stuff. And we've got Brian here, and
so Brian, you know a lot about the layout of
Montalk and you know there was a recording studio. You
actually have some tapes, okay. And our team gave me

(01:25:49):
two blind remote viewing targets. And my friend Susan who's
in the chat tonight, was also a very wonderful remote
viewer and trained with me. Actually she's trained a lot
longer than a half. She did this and she and
i't have very similar data for both of these targets, okay.
And and the first target is the recording studio now
Sombern Cos. But wild Man has a question for you, Arkie,

(01:26:11):
and he says he have you seen the tri Conquest
music video the Space Program.

Speaker 2 (01:26:16):
I haven't seen it yet. I'll watch it, but people
people want to check it out. My Patreon, Patreon dot com,
slash arkimra. I do reactions of music videos all the
time because they're literally just straight up showing you that
these songs are from the programs, and they're showing you
what the programs are in these videos to the point
where it's absolutely mind blowing. How in your spaces Like

(01:26:36):
uh Romstein Adou is like a really good example of
one where it's like they go to a facility where
their clones are and below up the facility where their
clones are. There's another one Withney Spears where she does that. Anyway,
all these music videos they show you in plain sight,
you know, all this stuff, and I will just because
you commented to that, I will make sure to watch
that and I will react to it and I'll give

(01:26:56):
my interpretation of the symbology and stuff to be out.
Check out my paige is Patreon dot com such arching
Rod and one of the things that's really cool about
it is people can subscribe for free. Most of the
content is free. Only a small amount of is behind
the paywall. But if you do want to pay, obviously
it helps me a lot. So I just wanted to
bring that up. But yeah, I have not watched that
music video yet, but I will watch it, and not

(01:27:18):
only that, I'll react to it and tell you what
I think of it. I'm a Patreon.

Speaker 1 (01:27:21):
Thank you. Oh my god, that's amazing. Thank you son.
We appreciate it. Okay, well let's get into this. Let's
let's go over the first target. Okay, because I have
I have a lot of data for this, and I
was given a set of coordinatece that's all I had,
and I got a lot of data. Tell me exactly
what this target. Tell the audience what the target is.

Speaker 2 (01:27:40):
So the first target was the main recording studio at
Montak where everybody recorded music. It was a communal space
where anyone could pretty much record when they wanted to.
It was first come, first serve, so somebody was there.
You pretty much had to like wait to use the
recording studio. So that's why I had pressed and bring

(01:28:02):
in some more music equipment. And I both like a
root rudimentary like studio, be like smaller recording studio in
my room, so I could make music whenever I wanted
to and I didn't have to wait around for people
if they're using the recording studio. So first target was
the main recording studio, and the second target was the rudimentary,
smaller like demo recording studio basically that I made my bedroom.

Speaker 1 (01:28:24):
Okay, this is of course the AI that I made
for the show. Okay, I try to do like an
underground bunker kind of thing, like a recording studio with
some kay Ultra artwork and decrypted hunters in the back.

Speaker 2 (01:28:35):
Can you can you put that back? It did look
a lot like that, except at the back at the
wall there there was a ghost poster the band Ghost,
and there was the reel. The reel was on that
on a table back there with a mixer, and there

(01:28:56):
was two amps, the bassamp and a guitar amp, and
there's a bass amp and an electric guitar and there
was like a move simple synthesizer or something like that
on the table back there as well, which actually that
kind of almost looks like one. But yeah, there are
other synthesizers the sides here and stuff like that, and
drum machines and uh yeah, and I also had like
my my beat in the room, so there would actually
been like a bad like probably to the left over here,

(01:29:18):
but it would have been like just in the frame probably,
But yeah, it actually did it look a lot like that.

Speaker 1 (01:29:24):
Hey, that's that's pretty awesome. Okay, that was that was
how kind of how I envisioned it like that from
the I included Bluesier, well, Archiem and I did a
whole show on Blucifer at some point, and that actually
the horse is on Archiem's book.

Speaker 3 (01:29:41):
Yeah, that's why. I just yeah, I painted him to
a little one. I was just holding them up. I
love that. That's from the and I have the golden
horse right there. I don't know if you can see
it from the cover.

Speaker 2 (01:29:51):
Yeah, and see that's it's one. It's one and the same.
And do you know about what that why that is
they do that?

Speaker 3 (01:29:59):
That just guessing, but I didn't know anymore.

Speaker 2 (01:30:02):
I'm curious to hear your guests. What do you think
it's for?

Speaker 3 (01:30:06):
I was wondering why they would play it in gold.
I mean but over time, because I looked up this
is fiberglass, and fiberglass does last for it can last
for a very long time. But I was looking at
like ierobetic things to see how how long it would collapse.

Speaker 2 (01:30:18):
And I don't know.

Speaker 3 (01:30:20):
I guess they replayed it in Gold. I think it's
to mark the city that's underground. That was used for
a long time human living for at some point you know.

Speaker 2 (01:30:29):
Yeah, yeah, no, I've been so. I bet when I
was in the future, I lived as l one A
two one three B I think was my name, and
I lived in that Denver city and there's a it's
it's like the AI controls everything and it's like the
sound of silence and stuff like that. I remember that.

Speaker 3 (01:30:46):
So that.

Speaker 2 (01:30:47):
But the symbol of the horse is basically a horse
is like a creature that is free. It can live
in the wild and be wild and free and it
doesn't need anything or any wand but man uh breaks
down the horse and turns it into essentially a vehicle,
rides around on it. And that's what the computer is

(01:31:09):
doing to mankind right now. That's what the AI is
doing the mankind right now. And that that horse is
a testament to what it did, what it did to
us right in our faces without us reels and what
it is. So these people walk past it every day
and they have no clue. It's literally the robot. It's
literally the AI, the overseer and mocking them.

Speaker 1 (01:31:28):
It's the Trojan horse.

Speaker 2 (01:31:29):
Just think about it, think about it, and AI so
and I'll tell you all this goes too. When the
AI first comes, it's fucking awesome. People gotta work less,
figures out all the stuff for us, and the world
gets really cool in a lot of different ways.

Speaker 7 (01:31:43):
There's a lot of because it's a balancing act because
you know, people lose their jobs and they got to
get replaced. Like there's it's it doesn't but after a
little bit, after some hiccups, it's actually not that bad
to have AI.

Speaker 2 (01:31:56):
But what it is is people start using it for everything.
They start using it for literally everything. And you can
see it right now that like it's gonna make us stupid.
It's gonna make us unable to use our brains because
even right now Chat b GBT is not being used
right now because school is an incession. Bro. Once school
is in session, it goes up like eighty percent of usage.

(01:32:17):
The teachers are using it and the student are Cognitive
capacity is going to go to ship so fast.

Speaker 3 (01:32:24):
Your questions, it's a it's a glass of water. Every question,
like one glass of fresh water is well.

Speaker 2 (01:32:30):
What Peter Theel says is it's a tea spoon. But
there probably it probably is a glass of water. Man,
I don't trust that.

Speaker 3 (01:32:37):
Wizard who asked one question.

Speaker 2 (01:32:38):
Peter Thiel is an anagram for the reptile, which is
kind of interesting to me.

Speaker 3 (01:32:43):
Yeah, yeah, that's just one you know to chat GPT
use it all day.

Speaker 2 (01:32:48):
Yeah yeah, it's just it's just weird to me.

Speaker 3 (01:32:50):
But yeah, that's it. That's a that's a big topic there.

Speaker 2 (01:32:55):
But yeah, well yeah, but we got to get back
to the recording studio. Yeah.

Speaker 1 (01:32:59):
Human by the way, I'm all about humans, okay, And
I'm just saying I'm not.

Speaker 2 (01:33:05):
Do you hear how people are calling the Ais clankers
now and stuff.

Speaker 3 (01:33:08):
It's just my.

Speaker 1 (01:33:09):
Son's name on my son is clanker or something on.

Speaker 2 (01:33:14):
Clanker is like a like a like a derogatory term
robots that exists.

Speaker 1 (01:33:20):
But people get offended by that.

Speaker 2 (01:33:22):
That's weird to me, you know, only nobody yet I
think only the robots get offended by it.

Speaker 3 (01:33:28):
No, I don't know a bucket of bolts.

Speaker 2 (01:33:31):
And you know what's funny, dude, is what's funny is
like I try not to be like ever derogatory, I
mean anybody, But I was like on the phone with
PayPal because like this payment went through that wasn't supposed
to go through and stuff and it was a robot.
I'm like, your fucking bloody clanker. I need to talk
to a like, did I just do it?

Speaker 3 (01:33:47):
Did you?

Speaker 1 (01:33:49):
Oh gosh, I didn't know that was a derogatory term.

Speaker 2 (01:33:54):
We're talking about robots that you know. But yeah, whatever.
But yeah, So let's look at the analyticly the data
before we and that's a two hour market we have.

Speaker 1 (01:34:03):
Yes, let's yes, let's let's do this. Okay, So we're
so so Brian knows of the recording studio. This is
a real place, okay, uh us three actually all three
have been to Montauk together, yeah, okay before and we
we know that this recording studio existed. Okay is there now?
Is this underground? Because I send my data whatever this

(01:34:25):
is was underground, and it's in Susan's data too, by
the way, Okay, underground like in a I mean it
was it was deep underground, right, yeah, I.

Speaker 2 (01:34:35):
Think, if I'm not mistaken, it was on the fourth
sub level or the fifth sub level. I'm not entirely
sure though, but it was underground.

Speaker 3 (01:34:44):
So most of the fallout shelters were as deep as
four levels, and some of the computer building and that
would make sense because they repurposed them in that time
to use for like you know, remote viewing stuff, uh,
tape recorders, simple things like desks, pens, recording equipment, not
so much like time travel equipment with big generators. You know,
they were talking about stuff we could test. This is

(01:35:05):
in the seventies before. So yeah, that doesn't make sense
that they are actually speculated about that in my book,
that they reuse those for this kind of thing. So yeah,
right off the bat, I would guess it would be
one of those, and there's seven, but I would think
it's near the center of the base, so it's one
of the three there, and probably not the power plant
because that's pretty much generators.

Speaker 2 (01:35:24):
And you know, he probably that would interfere with us
noise of the studio exactly.

Speaker 1 (01:35:30):
Okay, guys, this is this is so wild. My data
is to me, it's amazing. I love, I love removing
you and y'all. Okay, I was given a set of
numbers and I got all this data from this. Let's
go through the sensory data first. Okay, and this may
or may not make sense, Okay, but it's adjusted alerted,
flying coasting, casted, lonely covet chaotic, trickster, blooming and direct.

(01:35:57):
That was my sensory data. Now my AOL is adjustment
and Adjustment Bureau. Okay, a vehicle or a vessel. I
heard hold on. I wrote down outcast. I wrote sentence
or favors. Sentence and favors almost like sentence can be

(01:36:17):
interpreted any way. It could be like a prison sentence
or something potentially, but favors millions. And I wrote convent
and coven, which is in Warlocks, which is interesting because
you have a recording of some ritual going on Brian
and our King. You said that this was very much

(01:36:37):
a part of the recordings with the music and stuff too. Yeah,
all right, So I wrote coven which is in Warlocks
chaos magic. Okay, this is off with the recording studio, y'all.
H I started feeling unwell during this target. I wrote unwell,
and I heard give me a break, Give me a break.

Speaker 2 (01:36:59):
That's probably me me seeing you looking at me, probably
so literally. I probably wasn't annoyed by the fact that
you're looking at me.

Speaker 1 (01:37:08):
Yeah, I was like, give me break. I wrote down
technology and glamored, which is interesting because glamoring glamour is
like a spell as well, right, like glamour magic and
I've written chaos magic or just glamored. That is what
I wrote down, And then I wrote down direct hit
direct hit. Maybe it means like a hit song.

Speaker 3 (01:37:28):
Oh yeah yeah, So that that was.

Speaker 2 (01:37:31):
My first actual sense. Glamored would be like the process
of so I can explain something to you guys here,
everybody's heard of the devil selling your soul of the devil.
The devil comes, well, that comes from mom talk. And
we would actually have a guy go through a portal
with a briefcase or some sort of like magic technology
or whatever, and a lot of times it would be
a smart pad and they'd figure this, well, this guy's

(01:37:54):
playing got some music emanating from this glass pad like
they obviously are magic. They probabusly saw the devil whatever.
We would get them to sign their souls to the
Montark Project to be time soldiers, and it's it's really
weird that people. Why would you use famous people for
clandestine time soldiers. I've talked about this a lot. Time

(01:38:16):
is like a blanket. The timeline is like a blanket, right,
and everybody's like a marble. Everybody has a weight on
the timeline, right, well, we went back in time. We're
doing all these tests. Petty Bradley talks about it because
she's you know, before the old hat before me, the
generation a couple of generations before me, I think, And
she talked about they're sending back in time just to
do weird stuff like taking apple off of a food

(01:38:38):
stand and see if it affected the timeline. And what
they learned from those experiments is certain individuals. If a
certain individual did one thing, it might not affect the timeline,
but then they could send somebody to the exact same moment,
at the same exact same time, to the exact same thing,
and it would change the timeline. And then what they
realized is that certain people have like a weight to

(01:38:59):
them where they make the timeline droup more, they affect
the timeline more. So these are the kinds of people
that they wanted for the timeline. And uh, you know,
uh that's why a lot of famous people, because think
about famous people affect the timeline greatly. They change history,
they change the world, they change music of the arts, movies,
what have you. These are the kinds of people that
we wanted the project. And it's you know, I'm not

(01:39:20):
the only person who's talked about this, people like Marilyn Monroe,
Elvis Presley, John Lennon, Mac Miller, Tupac, Kirk Cobain. I
could go on and on all the famous people that
were part of the Montak project that I personally know.
Janis Joplin, Janis Chaplin wrote What a Wonderful World, and
a lot of songs that she does not get credit for,

(01:39:40):
just like you know all of us, some of them.
She does get credit for fortune Land, which is good
for her, and not all of us got that. But
uh yeah, anyway back to the to the data. I'm
sorry if I Okay, we're really explaining things so much time.

Speaker 1 (01:39:55):
We need we need the explanations too. This is wonderful,
this is this is how we roll. Okay, so perfect, Okay.
So so that was my first page of data. There
was the first three stages of data, which I think
are pretty interesting because I am definitely picking up on covens,
which is and warlocks and and you know, technology and
even outcasts and like a sentence of some sort like

(01:40:16):
maybe people being what.

Speaker 2 (01:40:18):
You're what what you were getting from that is because
I gave you me like as a target, like me
working in the studio. I was kind of like an outcast,
like everybody hated me in mont Talk because I was
I was one of nine people who had their own office,
like like I'm talking with Bulick, Albulick, Preston Nichols, John

(01:40:39):
b Alexander, Jack Pruitt. I had an office like when
all those guys did, and I was I was the
head of the head of cultural exchange at Montalk. I
was a cultural exchange officer and so I was in
charge of all the music and stuff like that. And
I found out about that Brian through John's book, and
I found out why he like Ivan Roth is me

(01:41:01):
in the book. Oh okay, yeah, he changed the name
a little bit. Yeah, yeah, yeah, Jacob Jacob Jacob Rothschild.
Jacob Rothschild was my actual name. He took some artistic
liberty and changed the name around a little bit, as
far as I can tell, because I don't remember being
named Ivan Roth.

Speaker 3 (01:41:16):
Wow. Yeah, I did see that multiple times. So now
I'm going to read it in a new light again.
Go back com minute.

Speaker 2 (01:41:23):
Yeah, And to me, it's a good example because it's
like I don't think I don't feel very great admitting
that I'm in character he's kind of an asshole if
you read the book. But it is what it is.

Speaker 4 (01:41:35):
Man.

Speaker 2 (01:41:35):
That was me.

Speaker 1 (01:41:38):
Okay, let's let's get on. Let's continue with the data,
shall we. Because because I just talked about the witches
and warlocks and you know, the spelled whatever. The next
thing I wrote down, I heard demon time. That's the
next thing I wrote down on the stage four or
demon time, So my sister data was aroused diabolical. I

(01:42:00):
wrote down around and patronized. I was picked up on
a parallelogram or a square or a cube of some sort.
I wrote down bending time and bending reality.

Speaker 2 (01:42:15):
All right.

Speaker 1 (01:42:15):
The next thing I did, I drew this interesting picture
here of like a person projecting out to another person
in some way. That's what I was seeing. So I
don't know what that means. That that may mean something
to you.

Speaker 2 (01:42:29):
Are it looks really familiar to me.

Speaker 3 (01:42:32):
Looks like they also have a shield, And yeah, it.

Speaker 1 (01:42:36):
Could it could have been it could be me remote
viewing you or something too. I don't know, could be
could be anything, Okay, but that's what I was picking
up on. But I wrote I've seen something was curved
or bending, And that's when I wrote down bending time.
And bending reality. Okay, so it could be that.

Speaker 3 (01:42:52):
Uh.

Speaker 1 (01:42:52):
And I wrote down the Matrix like the Matrix movie,
and I heard there is no spoon. I heard there
is no spoon, and I wrote down portal. Okay, so
that's my second page of data. What do you think
about that, Archie?

Speaker 2 (01:43:08):
I mean, it's interesting. Uh, I don't really know what
all of it means, to be honest with you. There
is no spoon.

Speaker 1 (01:43:20):
It's kind of it's from the Matrix. It's a line.

Speaker 2 (01:43:23):
Yeah, I know, but like I just wonder what that means.
And the first time in reality bending reality that makes sense?
What do you what do you what do you think
of it?

Speaker 3 (01:43:35):
What do you guys think of the spoon bending right away?
For some reason?

Speaker 1 (01:43:40):
Yeah, Bennick, spoons was part of our training in remote viewing.

Speaker 3 (01:43:43):
Actually, yeah, that's the first thing I thought of when
you said.

Speaker 1 (01:43:46):
And that's what I did, And so I'm I'm a
trained remote viewer and that's what they were doing down
at Montak right.

Speaker 3 (01:43:51):
Yeah, yeah, that in those same kind of converted fallout shelters,
which I thought was interesting. And then what you said
about you know, the devil in the music industry selling
your soul? I thought it was interesting thinking of the
Native American stories about Montalk and in Connecticut and Long Island.
The Long Island Sound was called the Devil's Belt, and
there's the Devil's hop yard, and everywhere in Connecticut's Devil's
this and that, and all these rocks in Montalk supposedly

(01:44:14):
have like the hoof prints or the footprint of the
devil where he would jump and he would also torment
some of the people of the land at the time.
So interesting, you know in the same land that somebody's
making a contract, you know, through music, and just another
tie to like history or something that kind of rang
true for a second there. Yeah, I do think it
would be the computer building downstairs, because that's where they

(01:44:36):
had originally a bunch of vacuum tube computers, and when
they upgraded, all those floors would be like gutted and
converted into something to be used. That's where I saw
the reel to reels, and there are huge underground in there,
so I think that's probably where we're talking about. And
I found records they connected that to the radar building.
They called it to extend the mainframe, but that was

(01:44:57):
the technical reason to build it at first. You know,
military reason. But after it was converted, it's open to
uh you know, now all we have is what you
guys are finding for us, because nobody really can go
down there. Actually, recently some kids just got in there
and sent me pictures. Two strangers, groups of strangers met

(01:45:17):
and they sent me all the kids going down tunnels
under the computer buildings in down the hatch and down
these long, skinny tunnels and when they got to the end,
there's another tunnel that goes down, so it's in the
floor hatching in there. So me Mike got into that
building through event. So technically you can access to underground
through that building.

Speaker 1 (01:45:36):
And it hasn't been flooted out.

Speaker 3 (01:45:37):
It's really bad. It's like toxic mold in there. But
if you were like a face respirator and some goggles,
I think it'll be easy to do. But yeah, that's
probably the building we're talking about. And so far I
was just listening to all the data is a lot,
so trying to like, you know, I'm listening to you
guys mostly, but yeah, I'll.

Speaker 1 (01:45:57):
Thrown oh please do okay, So something else on the
second target I get more into, Like I was picking
up on a lot of like shipping container data. It
felt like I was in a shipping container. And I'm
going to show you guys some pictures of what I
was seeing. And it looks just like the bunkers at Montalk,
by the way. And and Susan and her target. The
first target she was picking up on contain compartments for storage,

(01:46:19):
kind of like shipping containers too. Okay, so we're both
picking up on that whole vibe there. But let me
I've got one more page of data for this first
target and we'll write. We'll get through this. So I
was picking up on something that was mixed match. I
wrote down and homogeneous whatever, okay, homogenous. I wrote down
energy frequency waves. And I was seeing sound waves. Okay,
so I just wrote down some some waves right there.

(01:46:42):
You guys can see those.

Speaker 2 (01:46:43):
No, wow, okay, So I was seeing like.

Speaker 1 (01:46:45):
Sound waves and I wrote down I wrote down Google Crup.
I literally wrote down Google CHROMEP and I wrote the
A word for it. Sounds like Google Chrome, but it's
with the A, the blood that we were just talking about.
I literally wrote that down, so that is in there.
I wrote down. So I cent for data is like
paused and wishing, wishing I picked up on a data breach.

(01:47:08):
I wrote, I heard on a mission full steam ahead,
and then I was seeing something that like it was
from the past, but it was futuristic. And then I
wrote vice versa, and then it was futuristic, looked like
it was from the past.

Speaker 2 (01:47:20):
So it was really that that's very mon talk.

Speaker 1 (01:47:22):
It was very smat.

Speaker 2 (01:47:25):
Reality, right.

Speaker 1 (01:47:26):
I literally wrote down, past but futuristic or vice versa.
Weird vibe.

Speaker 2 (01:47:31):
That's what that's like one talk because like we had
like portals and time travel, but we listened to record players.

Speaker 3 (01:47:35):
Yeah, like that's like weird weird.

Speaker 2 (01:47:39):
So yeah, that that's seriously what mon talk was like,
it's like being in the future and being in the
past at the same time.

Speaker 1 (01:47:46):
I literally what I wrote down, I said, past but
futuristic or vice versa, and that's what I heard on
a mission full steam ahead.

Speaker 2 (01:47:52):
And the security bridge is this us talking? This is
this is the security breach were this isn't supposed to
public information right, And.

Speaker 1 (01:48:02):
Then I wrote down The way I was feeling was
I'm it's on a strange vibe. I was very confused
because everything was like backwards and vice versa. And and
then I heard I heard a voice say locked in,
locked in, and and that was it. I literally did
get kind of sick when I was doing these targets.
I was feeling very nauseated the whole time I was
doing them and stuff. So, but that was my first target.

(01:48:22):
Now let's go to Susan's data for this, okay, because
Suda was Suda Susan. Susan was picking up on she
was hearing a crackling sound when she got into this,
she was seeing different colors. She wrote down. The first
thing Shorten down was underground facility. Underground facility right off
the bat, and she said it was like she was

(01:48:43):
in a spaceship, is the way she described it.

Speaker 3 (01:48:46):
Uh.

Speaker 1 (01:48:46):
She she was hearing somebody say why is this happening?
And what is in front of it is what she said,
what is why is this happening? She was smelling the
odor of death.

Speaker 3 (01:48:54):
She said, that's mom talk the odor of death.

Speaker 1 (01:48:58):
She said it was bigger than earth. There were apartments
for storage, and she actually drew a picture.

Speaker 2 (01:49:03):
I don't have it here because bigger than Earth.

Speaker 1 (01:49:05):
Bigger than well, she says, something was like bigger than Earth.
She's that was huge, Yeah, bigger than Earth.

Speaker 2 (01:49:09):
So something that we had a technology for at Montalk
was it's kind of funny when you see it too,
like there'd be a little like when you go into
Preston's office Nicholas was his altar's name. It's this tiny
little office and then you walk in there and it's
a giant, huge room. We had a technology, spatial displacement
technology to make Montalk bigger than it actually was.

Speaker 1 (01:49:31):
It sounds like some of the ET technology that Berry
talks about with these UFOs, the spacecraft.

Speaker 3 (01:49:36):
He's he's like the X Men danger room as well.
In the comics, there's this room they practice in and
it's like infinitely big, but there's actually like tiles.

Speaker 2 (01:49:44):
Yeah, I've been in rooms like that, the endless white room.
That's the way that they'll actually torture assets is they'll
throw you into one of these rooms. It's just an
endless white room. Yeah, but there's not even a pack
room because you just keep walking and there's no walls
and it's just white and it just never ends. Yeah.
That's psychological.

Speaker 1 (01:50:04):
Yeah, that's horrible. Okay, Well, okay, so I said she
said bigger than Earth. She was talking about the universe.
She wrote down the word universe in here as well,
and uh, and she drew what looked to be like
stage storage units or something that were like stacked on
top of each other. And it's really odd because in
my in my next target, I was seeing shipping containers

(01:50:24):
stacked and buried in the ground and stuff.

Speaker 2 (01:50:26):
That's probably the rooms.

Speaker 1 (01:50:28):
Yes, I think it could be. I think it's buried
shipping containers potentially, or it's something similar because she and
I both picked up on that.

Speaker 2 (01:50:36):
That makes a lot of sense because the room is
basically just like a box, no windows, you know what
I mean, nothing.

Speaker 1 (01:50:43):
Very plain, Okay, it was almost kind of like this,
like shipping containers like that, something like that. I mean,
check this out. This is actually a shipping container that's
been buried in someone's yard.

Speaker 2 (01:50:58):
And doesn't that.

Speaker 1 (01:50:58):
Look a very similar?

Speaker 2 (01:50:59):
Totally? That's totally it, dude, that is totally.

Speaker 1 (01:51:05):
Yes.

Speaker 3 (01:51:06):
Do you see the entrance on the left side that
slopes downward on the n aggle like the tube. That's
exactly what we found on the History Channel with the
electronic resistivity imaging. They nailed a bunch of spikes in
like every twenty feet, like one hundred spikes, and then
they took a slice down into the earth sixty feet
and there's this giant metal thing like sixty feet long.
It was down on an angle just like that. I

(01:51:27):
printed it. Oh my god, that looks like it literally.

Speaker 1 (01:51:31):
Okay, because this is what I was seeing. I actually
wrote this. I found this picture because this is what
it looked like.

Speaker 2 (01:51:36):
Okay.

Speaker 1 (01:51:37):
And and this is the inside of a shipping container
right here. Okay, this is just the vibe I was getting.
And here's actually the inside of one. This is what
I was seeing. This is actually for your room, target, parcheam.
What I was seeing I was speaking about.

Speaker 2 (01:51:49):
Oh yeah, yeah, that's the.

Speaker 1 (01:51:51):
Inside of a shipping container right there.

Speaker 2 (01:51:54):
Yeah dude. And yeah wow, and look it kind.

Speaker 1 (01:51:57):
Of looks like that AI picture.

Speaker 2 (01:51:58):
Right yeah, yeah, yeah, I think that that's correct.

Speaker 1 (01:52:04):
Well okay, well, anyways, this is what I was picking
up on. And then Susan had written down containers for
for storage, she said, and I, I see, I tend
to believe that we were probably picking up on the
same thing.

Speaker 2 (01:52:17):
Yeah, well, because I was, uh, this is this makes sense.

Speaker 4 (01:52:21):
You know.

Speaker 2 (01:52:21):
I think that my room when I was down there,
they put me by storage so that when I made
music wouldn't bother anybody, think about it. That makes a
lot of sense. Yeah, No, like nobody. If I could
be making music and there was anybody close enough to
me where I could be just jamming away aloud as hell,
and no one would no one would hear it. So
they put me by the storage.

Speaker 1 (01:52:43):
WHOA Okay, well I was That's what I was picking
up on. Okay, I heard Okay, So Susan, this is
Susan's target. After she wrote compartments for Storage, she she
wrote down why are we here? It's almost like she
she was she heard that voice or she questioned it,
why are we here?

Speaker 2 (01:52:57):
She said?

Speaker 1 (01:52:58):
It was mind boggling, disturbing and troubling.

Speaker 2 (01:53:00):
Yeah, and we could, we could. We're montalk people. We
can see you looking at us.

Speaker 1 (01:53:05):
Well she said that, Uh, she're down Star's Heart and
Heartbreak underground facility. Political scheme and the mastermind was like
a president. Okay, and that's the person that was responsible
for what was whatever she was describing was it was political.
Let's just say political, and I'd say it is if
it's government, right, Yeah, it is.

Speaker 2 (01:53:26):
I mean part of it is making think about it.
Everybody looks at American culture is so cool, so badass,
so awesome. That was by design, you know, like the police. Uh,
Stuart Sutcliffe was that his name? I can't think I
might be saying that. Or is that the base cliff
for the old bass player for the bills? Anyway, the
manager for the police, the banned the police was literally

(01:53:49):
like a CIA agent. And there's just you could like,
if I were to, like, I should just write the
stuff down and just I could go on for like
like twenty minutes of all the really weird coincidences in
the music industry of like military intelligence people and stuff
like that that are connected to certain people and stuff
like that. It does get strange. And these are some
of the breadcrumbs that you know, when you follow them.

(01:54:12):
It might not be smoking gun, but it more more
than suggests that the government is involved in the music industry.

Speaker 1 (01:54:19):
It definitely is. In thirteen says the manager for the
Doors was connected to intelligence.

Speaker 2 (01:54:24):
Yeah, and this and his father was the guy who
was responsible for the Gulf of Tonkin incident, which was
was which is the first publicly known false flag attack
by the United States.

Speaker 1 (01:54:35):
Yeah, okay, let's let's go to the second target, y'all. Okay,
this is the second target is what this is your
room at Montak right, Yeah, your solid room where you slept,
you lived, and.

Speaker 2 (01:54:50):
You had Yeah, I think I think I think there
was another room, but I was uh oh. This was
during a time where I was kind of not I
was kind of not getting along with my partner sometimes
my wife, so I had a room with her. But
this was like my room with for me where I
want there to be left the fuck alone, and if

(01:55:10):
people messed with me, they like people knew to not
bother me to if I want Even Joseph Powell has
talked about this, Christy Campbell's talked about those other people
have talked about everyone knew if I was in that
fucking room, leave me alone. You do not want to
know what happens if you knock on that door. You
do not want to find out what's gonna happen. I'm
gonna freak out and some bad's gonna happen. So like, yeah, anyway, well.

Speaker 1 (01:55:31):
Let's let's get into this data. This is interesting. I
think this is this is probably going to resonate our game. Okay,
so my sensory data for the first target complicated performance
Steady grabbed grand dangerous, sleepy, drugged, and conflicted. That was

(01:55:54):
my sensory data. My analytic overlay was slow and steady,
wins the race, malicious intent, resources, momentum environment. I got
the number thirteen. I wrote friends and they wrote blackout

(01:56:15):
danger with exclamation points behind it, recourse, and then I
wrote down. I heard somebody say live with Live with Audiences,
where I wrote down, and then I wrote down a drug.
I wrote, I don't even know what this is. Phenobarbital,
some kind of drug.

Speaker 3 (01:56:32):
Yes, oh yeah, that's the pheno barbs. That's uh. Actually
the guy I talked about on your show with the
fingers that they found on Plum Island, the long Fingers. Yes,
just found new information, a new police report that said
he was found with pheno barbs in his system. Like,
they're different class of drugs that are like hypnotics. I
think that they knock you out cold and it's more

(01:56:53):
than a tranquilizer. It's like for sezars killed together. They
can be for caesars and other things stream.

Speaker 2 (01:57:01):
Cases.

Speaker 1 (01:57:02):
Oh okay, wait, thirteen says that is a knockout in
truth serum.

Speaker 3 (01:57:08):
Yeah, the truth they used, Uh, sodium pentathal they used
for truth truth Serum and second old they used to
call reds in the sixties, and Hunter says in Fear
and Loathing, he says, take some breads, you know, chill
the heck out. So the people were abusing them back then,
but they're known for being like a knockout thing. So

(01:57:29):
it was weird that that guy had them in a
system when he washed up on Plum Island with his
holes in his head and his long fingers. You know,
the guy that washed up there.

Speaker 2 (01:57:39):
That's so weird. Yeah, but.

Speaker 1 (01:57:42):
Data that is okay, we're talking about.

Speaker 2 (01:57:46):
So the audience thing too. There was a concert hall
at Montalk. I mean it actually was on the surface.
I actually did get to walk past it when I visited.
I forget what I ought to show it to you
when I visit, Bryan, it's still standing. Yeah, but yeah,
we actually did throw concerts of the music, and you know,

(01:58:07):
I even remember like other people playing my songs.

Speaker 3 (01:58:10):
So it was.

Speaker 2 (01:58:12):
It's actually kind of like a way to blossom steams
a lot of steam a lot of times. Yeah.

Speaker 3 (01:58:18):
But uh, this is also weird because I'm trying to
work with a punk band to help them play there.
So I was just talking like kind of, you know,
at an undisclosed place until we get kicked out. But
it was literally just talking to them and then like,
you know, the topic is just so close to everything
that I've just been talking about.

Speaker 2 (01:58:38):
Why are they trying to do that? Get the dates?

Speaker 3 (01:58:41):
Because then about the electricity, So we're thinking generators and
then we're like, wait, generators are so loud? What are
we doing?

Speaker 1 (01:58:48):
Hey, It's all fun and games until the sheep shifting
security guard pulls up.

Speaker 4 (01:58:52):
Remember that.

Speaker 1 (01:58:54):
Oh man, we got it real quick. Let's take a
little commercial break, because when we were at Montak y'all,
there was a security guard that pulled up on us
when some people we were kind of we were at
the radar tower and he was telling us to leave,
and so half of us remembered him being a African
American melianated guy and the other half of us remembered
a white guy with a ponytail.

Speaker 2 (01:59:15):
Yes, something different. That's how it works.

Speaker 3 (01:59:22):
That used to chase it.

Speaker 2 (01:59:23):
That's how they do it. Use another example. I'll give
you an example. There was a woman who got abducted.
This is like a random story that I found, but
it's a real story. Her and her family pulled over
the side of the road, and it was all really weird,
and her father seemed like they're hypnotize. She was hypnotized,
and he went to this ambulance that was on the
side of the road, and she thought it was really weird,

(01:59:44):
so she followed. She went in there, and then when
anyone when her thought when her brother was on his deathbed,
she always felt too weird about it to talk about it.
But you know he was gonna die, so she's like,
do you remember that? And she's like, I remember being
a cabin on the side of the road. So this
is what I mean when I've talked about this before.
When they're not literally shape shifting, they're just able to

(02:00:04):
make us see things. They're able to change reality in
the way we see it in the moment as it's happening.
So not only are they able to alter our memories. Hey,
you're from Beaverton all right right next to me. Yeah,
this is super weird. It's it's very oh Bay Beaverson
has an underground base underneath it with a lot of
weird stuff going on. All the towns with Ton at

(02:00:27):
the end of them have underground bases, and uh, yeah,
I had an alter he was actually calling it beef
for Ton, befur Ton, and I was like, it's Beaverton.
There's a there's an underground facility under Beaverton, and yeah,
there's all sorts of weird stuff going on. Importantly, we
might have to do.

Speaker 1 (02:00:42):
A remote viewing targeted that one. That sounds interesting. Yeah, okay,
all right, well okay, So after Fino Barbital that wrote down.
The next thing I wrote down was trafficking and drug trafficking,
and then I wrote.

Speaker 2 (02:00:54):
Down, yeah, we trafficked adrenochrome. Oh yeah, the Google chrome
sorry states it slips.

Speaker 3 (02:01:01):
It Okay, that was mentioned as far as I know.

Speaker 2 (02:01:10):
Yeah, actually it's real. He said you got it from
from Satanist too, which also lines up with the reality
of it. That's right.

Speaker 3 (02:01:16):
They were heading their time for sure.

Speaker 1 (02:01:18):
Okay, y'all. Well, let's okay. So I wrote down the trafficking,
and then I wrote down fame and fortune, fame and fortune, okay,
and I want to show the picture to the audience
to do you guys. I drew what looks like this
is where I was picking up on like a shipping container.
It was a square room, like a kind of a box.
But what I was seeing was like a shipping container, Okay,

(02:01:41):
And so that's what I wrote down. And the next
thing I wrote down was shipping container. It's literally the
next thing I wrote down, and uh and I wrote
down whacked out. That was when my century data whacked out.
I got the acronym M ed like mid M E
D and then I wrote down medical shipping. Now, if

(02:02:03):
you you guys were dealing with the Google chrome starts
of the A, that's medical, right, yeah, right, I mean in.

Speaker 2 (02:02:11):
A way also, uh, you know, just to go along
with Darryl James and some of the stuff that he
talks about, and you've recently had him on the show.
He talks about how they used the musicians to deal
it and how Jack White was an adrenochrome dealer, and
Jack White is heavily connected to them. He's a Freemason,
his mom is a Freemason, and they actually his family

(02:02:32):
actually owns the largest Freemason temple in the United States
in Detroit. Yeah, so.

Speaker 1 (02:02:40):
I tell you what the secret society.

Speaker 2 (02:02:43):
Yeah, and I was really disappointed when I found that
out about Jack White. The first song I ever wrote
on or learned on the guitar in this life was
a dead Leaves on the Dirty Ground, and I was
always really into the band, so it's kind of a
bummer to find that out. I wonder how much of
his music he even wrote, right, A lot of it's
probably stolen.

Speaker 1 (02:03:00):
It's really sad.

Speaker 2 (02:03:01):
Uh.

Speaker 1 (02:03:02):
Okay, well, okay, So we're talking about the shipping, the
medical shipping, and I wrote down container and then I
was seeing some of those right tangular three dimensionals where
I wrote down it was like a three dimensional like
a shipping container. I kept picking up on that. I
wrote down container Global Operations, Elite Secret Society.

Speaker 2 (02:03:21):
Mm. Yeah, all that lines up everything that we're.

Speaker 1 (02:03:24):
Just talking about is in my data right here. Yeah,
medical shipping container, Global Operations, Elite Secret Society. I wrote
down metal shipping container. Again, I kept picking up on
shipping container, shipping container and Elite Elite was a big
data and gaining and I wrote gains so maybe like
profit or something, but I wrote down gains or it
could be from your music to you in that like

(02:03:46):
a music term.

Speaker 2 (02:03:48):
Yeah, gain gain levels, it's probably the first one. It's
probably has to do with the profit maybe, yeah.

Speaker 1 (02:03:53):
And then the last two things I wrote down were
broken Pieces and Shepherd Okay, So I don't know if
that makes sense to you or not, but that was
my data.

Speaker 2 (02:04:04):
I was the one who would read people into their
roles as to what they would do, whether they were
going to write songs and being askedt that write songs
a ghostwriter, or whether they were going to go out
in the world and live a cover life where they
do music like Mac Miller did or some of these
other Montauk artists, Tupac Shakur, who was originally born in

(02:04:26):
ancient Egypt. So yeah, I think that might have something
to do with it. Honestly, all the data really does
line up pretty hardcore as usual. It's really impressive, honestly, Well,
thank you, and I actually a way more.

Speaker 1 (02:04:42):
I'm going to say a veteran remote viewer. She's done
it longer than I have Susan. We still have her data,
she's got I've got a few things to go over
with hers real quick too, because she's she was really
toning in. She actually heard drumming archaem you can appreciate that.
She the first thing she WoT now was drumming. She said,
I'm sort of a crowd. She was seeing she she

(02:05:02):
wrote down the word hot air balloon what she wrote
down to, but that was analytic overlay something that was mesmerizing.
She heard a pop and explosion, yelling sounds like a
cat humming or a cat purring. She was hearing, she said,
she said, felt like she was in a festival. She
kept pick it up on a festival. She wrote down

(02:05:24):
Coachella archem Okay, so she was hearing music, She was
hearing drumming. She was picking up on a lot of
frequencies and noises, noises and sounds and and she said
there were there was She wrote down people in charge.
So she was picking up on like a big crowd,
a festival like Coachella. There were people in charge, reaching enterprise,
many were involved, she said.

Speaker 2 (02:05:45):
Uh.

Speaker 1 (02:05:45):
She she actually wrote down living in Paradise for the
first time. That's what she wrote down. Ain't it grand?
She wrote down, and she said it was a very
large place, vast people. There was a lot of trauma there.
She wrote out, festival again, Coachella, nameless, faceless, void and
a void and.

Speaker 2 (02:06:03):
That music music kept me safe. And uh, it made
people hate me too, because you know, who would you
would rather be doing? Would you rather be going back
in time and doing like these missions or whatever, or
would you rather be hanging out in recording studio making songs.

Speaker 1 (02:06:21):
I don't know. That's a tough one, just kidding.

Speaker 3 (02:06:23):
Yeah, But there's a place at Montalk called the Void.
And then they used to help their balloons like blimps, dirigibles.
They had a base a blimp. They called it dirigible
Bass in Montalk. And maybe she's seeing like parts of
the past too mixed into that.

Speaker 2 (02:06:38):
I was just so yeah, So, Brian, the you know,
do you know about the you know, just a little
bit of a history thing, you know about the uh.
It's kind of a common thing, but not everybody knows
about it. The uh the zeppelin that exploded in the
early nineteen hundreds is the Nazi zeppelin Hnderberg. Yeah, that
was that was a Montalk time mission. And essentially the

(02:07:04):
airship age of Earth brought in a lot of crazy stuff.
People would live on the airships and there'd be casinos
up there and stuff like that. And since you'd be
you could you could float them over the ocean. And
then there's no international law anymore, and so they caused

(02:07:24):
all these problems for the government and for the controllers.
So they just got rid of them, and by making
people afraid of them, making people think they're dangerous. And
in the other timeline that I remember very well, zeppelins
are like a main form of travel. Traveling is a
lot more fun, a lot easier to do. In fact,
certain people travel in zeppelins just to be on the zeppelin.
It's not really about where the zeppelin's going. They just

(02:07:45):
want to hang out on the zeppelin. So like, that's
how crazy it got. So we went from hanging out
in casinos, watching movies, being able to drink at a bar,
having your own little room you can sleep in, to
packing ourselves in a goddamn yeah death trap like a
fucking sardine and being miserable for thirteen hours. That's on purpose.

(02:08:05):
They want to limit human movement on the earth as
much as possible. They don't like it.

Speaker 1 (02:08:10):
If you guys watch The Improbable Dreamer on Instagram, you guys,
or even John Levi all those channels like that, okay
on YouTube and on the social media is you can
they show all these historical pictures in our cheam. I
know you've always talked about airships. You've always talked about
this with me, and we've even done shows, we're talking
about airships over Venus and stuff. Okay, but you've talked

(02:08:32):
about you remember being in airships and they show all
these pictures of historical photos where the sky is black
blanked out, like somebody has whitewashed discuss.

Speaker 2 (02:08:41):
Yeah, Yeah, they're getting rid of them. They existed all
they existed a lot longer than they're saying. Yeah, and
there is some truth too when people talk about like
how the Smithsolviian covered up our history and stuff like
that and got rid of like you know, sur James
and we won't. Yeah. Like one of the first shows
I ever did was with Matt Tracy. You probably also

(02:09:02):
met the conference and he explained how like they how
they they're their like whole job is to cover up
like historical anomalies. And what I figured out is there
actually are an extension of the Montak Project the Smithsonian
Institute because when we change the timeline, Yeah, when we
change the timeline, sometimes there's still be leftovers and stuff
and we have to get rid of them. We have

(02:09:22):
to go physically get rid of certain artifacts and stuff
like that. In fact, the episode of Inside Job on
Netflix that's based on a guy, a time agent getting
mind wipe and giving himself a life in Appleton, Wisconsin.
Literally that's the basis of the a episode. They show
how the timeline has to reset itself after they make

(02:09:44):
a change, and if they have they have to send
in people and it's hilarious, like not to be a spoiler,
but like they like the guy tells them you got
to get rid of Airbud. It changes the timeline in
a bad way. You got to get rid of air Bud.
And the guy like tries to like make it so
he doesn't have to get rid of air Bud. And
like they thought, you didn't get rid of Airbud?

Speaker 4 (02:10:01):
Did you?

Speaker 2 (02:10:02):
The dogs are gonna play basketball, and Peter's at basketball.
It's hilarious, Like it's a hilarious episode. They do good humor,
but seriously, how weird is that? Like that they made
an episode about these time agents that give themselves fake identities,
they wipe their memories, and they give themselves lives in Appleton,
Wisconsin because they say this is a boring small place
that nobody ever talks about, that where nobody will ever

(02:10:24):
discover us. And before that episode ever came out, that's
basically what I was saying. I think happened to me.

Speaker 3 (02:10:30):
Yeah, good, Nothing. Nobody's talked about time travel and Appleton. No,
you got that bro.

Speaker 2 (02:10:38):
Y'all. Yeah. And there's also Miles Johnson, that guy you
did an interview with a woman not that long ago,
and their father worked for NASA. There's all these connections
to Appleton, and they talked about me a lot in
the interview. I would love to have that guy interview,
and I don't know why it hasn't reached out, but yeah,
pretty interesting stuff.

Speaker 1 (02:11:00):
Yeah, somebody in the chat, I think Mame had mentioned
Tartarian clearships talking about Vanilla. Was it you that said?
I don't know if it was Mamie said, Vanilla skuys
Vanilla's guys. Isn't that a Tom Cruise movie? By the way, Vanilla.

Speaker 3 (02:11:11):
Skuy Yeah, And that's really like, yeah, that's.

Speaker 1 (02:11:20):
Something that I am terrible with my movies, which.

Speaker 2 (02:11:25):
Is basically which is a real thing in the Breakaway
Planets and stuff, the minority people repoort people. I've done
that job. They call it a oh there's a name
for it, but yeah, that's real, that's real.

Speaker 1 (02:11:37):
Oh man, Well, oh my gosh, this is so wild.
How all this is connected? And uh, and we've gotten
I think we've gotten some, We've connected some Dawson.

Speaker 2 (02:11:46):
I think I think it's a high time that I
have you on my show again. Uh, Brian. Well and
and I'm trying to organize a like a trip them
on talk. Like I said, winters coming up fast, so
maybe it'll be like spring next year or something. I'm
not sure, but I really want to get out there.
And we're here.

Speaker 3 (02:12:06):
I mean, I'm the closest to so it would be
easiest for me to meet you know, obviously most people.
So I love it when people come to town. I
always try to it's best I can and to catch
up with them and go.

Speaker 2 (02:12:16):
So yeah, maybe we can hit up one of those
Montalk restaurants and how theirsels some some lobster rolls or
some lobster biscus.

Speaker 3 (02:12:25):
Yeah, time of the year is important when you do that,
Like right now it'd be like one hundred times the price.
But go in the winter, like you have the rule
of the town.

Speaker 2 (02:12:32):
Now, so the winner, the winner might be the time
to visit. Huh.

Speaker 3 (02:12:37):
Well fall where even like early spring, it's like a
whole different world. But right now it's like insane, Like
for example, Metallica's playing in a small bar there for
like exclusive tickets only, like you know, like every everybody's
famous is out there, like Loki doing like little shows
for like the Mega. It's it's a it's just a
whole different world. Like right about now, we are definitely

(02:13:00):
see like five hundred bucks for a lobster roll, and
you go there in the summer, it'll be like forty
bucks or something.

Speaker 2 (02:13:04):
Oh, so it's better to go during the summer.

Speaker 3 (02:13:07):
No, I mean, it's fun in the summer, but it's
also like traffic and expensive and the you know, the
richest of the rich and the elites can go out there,
so it's a lot of fun. I look, I mean
it's always beautiful. It's beautiful in the summer too. So
I'm just trying to stay away from the Texas year.
And I think Mike was also, you know, we decided.

Speaker 2 (02:13:25):
Maybe maybe I'll come through this late fall or something. Yeah,
I have to look into it, but I really don't
want to wait on this. I want to do this
sooner than later.

Speaker 3 (02:13:33):
Yeah, I think we're going in the full Mike dchp
me and like we would go in the summer each
year and whoever you know, shows up each year. There's
different people that join us. But whenever, you know, we
we'll make time for you. Whenever you come.

Speaker 2 (02:13:46):
We appreciate that.

Speaker 1 (02:13:47):
Yeah, Crystal says, I'd like to witness the battleship flashing through.
Now we were actually there. That was like what two
years ago, y'all?

Speaker 3 (02:13:54):
Yeah, we were there.

Speaker 1 (02:13:55):
You're gonna have to weigh eighteen more years for that, Crystal. Okay,
you don't have to wait eighteen years, because every twenty
years it's a twenty year biarrhythmic portal opening.

Speaker 3 (02:14:03):
Right, Yeah, that was the nineteen forty three, nineteen eighty three,
twenty twenty three, that was a big one. You got
an email, Brian, Yeah, it's this montalk is Strange at
gmail dot com.

Speaker 2 (02:14:14):
All right, perfect, I'm gonna message you after this. Yeah.

Speaker 3 (02:14:17):
Yeah, I've been mean, like once in a while, I
went to see that I didn't have your email. That's perfect.

Speaker 2 (02:14:22):
Yeah, I'm trying to use social media lesson less considering.
It's like funding the downfall of humanity and rotting your brains.
It's AI, Yeah, dude, in the AI everything like that.
They're like, do you want a AI assistant? Hey? I
know you're trying to message your friend, but I want
to talk to AI like a robot, Like, no, don't

(02:14:44):
we're not non No one's asking for this ship. Nobody
wants it. Man, stop it anyway. Sorry, I know what
I mean.

Speaker 1 (02:14:50):
I just I just go on TikTok, my trusted news source,
and I get sugged in for like an hour. I
don't know where. I literally time traveled into some another,
another dimension, y'all. I get so, I get lost, and
I'll lose an entire at least an hour every time
I get on there. That's why I hate getting it.
I don't like, I love TikTok, but I hate it
at the same time.

Speaker 2 (02:15:07):
So, yeah, it's hard.

Speaker 1 (02:15:09):
Yeah, it is so long. Olympic might has put your book.
Both of y'all have your books or the links. You're
in the chat tonight, but you are also one.

Speaker 2 (02:15:20):
One thing I want people to check out too. Is like,
I realized that it's really silly. I haven't brought this
up in the past. I got a band camp bloth
dot band camp dot com, b l O t H
dot band camp dot com. I tried to put a
comment and it didn't let me. I don't know why,
But all my music is there, you know, the album

(02:15:41):
ghost Haunt, the producer that I worked with, we worked
on a lot of the Weekends music, and you can
hear it, and I just think it's kind of like,
in a way proof like I really do make music
in these programs, and the fact that I make music
in the here and now, I feel like it's kind
of a reflection of that. So and it's a way
that people and support me. And I'm trying to make

(02:16:02):
you know now that I'm on the other end of
the spectrum and I'm no longer like working for like
an evil time corporation. I'm trying to make positive music
that like them. I'm working on an album right now,
and and the whole album is about like the SSB,
the Time Travel Project and all that stuff, and it's
about like awakening humanity. I'm actually calling the album Age
of Truth, which you know, there's a there's a YouTube

(02:16:23):
channel called that too, But it's just it's just kind
of a coincidence, really, But I hope they don't mind.
I was gonna talk to him about it, but yeah,
I'm just gonna call it Aid of Truth this album,
and uh, yeah, I just I just highly encourage people
to check out my music and if they like it,
they can buy it, but it's free to listen to
and just yeah, I feel like I don't know why
it's taking me so long to start talking about that

(02:16:44):
in these podcasts, especially considering the music thing is a
huge part of my testimony. My band's name is it's
just bloth Archeam b l O t h A r
k h G I M so like my first name. Yeah,
bloth Archeam, And that's the only project that I have
right now.

Speaker 1 (02:17:00):
And the music is freaking awesome.

Speaker 3 (02:17:02):
By the way, Like I was sticking that ambient on
the dock that you did, the ambient guitar was awesome.

Speaker 2 (02:17:09):
Man. I've been doing a lot more stuff like that,
and I've been posting it on the Patreon and stuff
like that too and on the band camp and it's
supposed to be meditation tools and things like that, the
ambient music. So yeah, it's a lot of fun making
that cool.

Speaker 3 (02:17:24):
I've been making stickers artstick like already artful kind of
stickers of campiro subtopics, and I made sticker sheets and
like packs, and so I've been trying to do more
artistic stuff too with some of the ideas, just to
make you know. I don't know why, I just wanted
to make them.

Speaker 2 (02:17:38):
We have to work together, like collab on some sort
of artistic idea.

Speaker 3 (02:17:42):
Yeah, sure, man, it's all to me, like it's all
of one big artistic idea.

Speaker 1 (02:17:47):
I guess you guys are both very creative and very
artistic and always up for an adventure. I know both
of y'all are because I've hung out with you.

Speaker 3 (02:17:57):
Yeah yeah, one day when you come back.

Speaker 1 (02:18:02):
God, it was so fun. I'm gonna have to come
up there to and hang out. I need to go
big footing out there. Go look for Junior. Okay. So,
by the way, if the audience is not familiar with that,
there is a sasquatch on the property to you named Junior.
So Amy, thank you for gifting five crypted Hunters membership
is that is so sweet of you. Thank you so much.

(02:18:24):
That's amazing. Thank you so much for your support. And yeah,
you guys can become a member of the Hunt Club too,
if you'll just hit that joint button. Everybody, Okay, I just.

Speaker 2 (02:18:32):
Want to say thanks and always a pleasure, and we
want to do another show soon. I look so many.
I still have tons of tons of targets for you.

Speaker 1 (02:18:42):
Well, hey, cinem over man, cinem over, this is this
is really yeah, And you said I haven't done your
one yet.

Speaker 3 (02:18:50):
And I've had like I wrote down like, so I
gotta get on it.

Speaker 1 (02:18:53):
I'll do that, Okay, send them over and we'll do
another show with your target. Well both of you'all targets, okay,
and but we'll do we'll do them sapate because I
know they're gonna be there's no telling what y'all targets are, alright, Arkam,
you're the one that gave me robot grandma. Okay, So
well I was from kat came up amazing. Okay, yeah,
but uh but anyways, well I don't know archaeam, why

(02:19:14):
don't Why don't you go first tell everybody where they
can find your book and your YouTube channel and all
that kind of stuff.

Speaker 2 (02:19:19):
Okay, So Amazon, it's Time and Space Unlimited by archim
Ra on Amazon. And uh, I've got a Patreon, Patreon
dot com slash Archaemra. You look me up, kam Ra,
you'll find me. And then bloth b l O t
H dot band camp dot com. I've been putting out
albums on there for over ten years. I think I
have ten or eleven albums on there and a bunch

(02:19:41):
of singles as well, So I've been doing the whole
music thing for my whole surface level life as well.
And uh yeah, just thanks for having me again. And
it's always a pleasure, and it was really cool that
Brian Mannick come on. Always a pleasure to speak with him,
Always an honor. And yeah, I'll talk to you. Oh yeah,

(02:20:02):
the email you want my email our cheamrod gmail dot com.
That's it easy to remember, just like Brian's perfectly amazing.

Speaker 1 (02:20:11):
And your YouTube channel is Disclosure Now. You do lives
and interviews and all that.

Speaker 2 (02:20:16):
Yes, absolutely, yep, okay, and it's got.

Speaker 1 (02:20:18):
An exclamation point, oh y'all, So please go and subscribe
over there on Disclosure now. And now, Brian, what tell
it you promote your channel in your book as well?

Speaker 3 (02:20:29):
You Yeah, a month with a Strange on YouTube and
Instagram and Gmail. And that's the name of my book also,
but Month with a Strange the archives. You can get
the print copy on BookBaby dot com and it's on Amazon,
you know, it's an ebook and all all of the
e book stores whichever one you prefer.

Speaker 2 (02:20:46):
And it's it's an amazing book, you guys, and it's big.
I had a lot of information.

Speaker 3 (02:20:51):
It's big. It's like one of two. So there's a
second half. I kind of cut off all the trip
trips out there at when it became a park. So
now I have all the ones through like through TV,
through all of YouTube, and now through like writing the books.
So there's another forty five trips there. I have another
forty five stories from people to come and more documents.
You're going to love the new documents I got that

(02:21:11):
are just mind blowing about the electronic mind control and stuff.
It's like, but I'll save that. And then I just
did a sticker store, but I'm going to put that
on my channel. It's just like some of those art stickers,
you know, different things merch type of not for merch.
It's more for like, I just like the ideas of it.
So that's it. You know, everything's under that name though

(02:21:32):
pretty much. So thank you. I appreciate you guys, and
so for having me on last minute. It was cool
to pop in. Well, thank you for joining us to
chat into the show in like a matter of fifteen minutes.
It's cool.

Speaker 2 (02:21:43):
You know what.

Speaker 1 (02:21:43):
Thank you so much for joining us. You know what,
we're just all in this together and we're trying to
you know, figure things out and uncover the truth about this.
And thank you our chem for your testimony and for
allowing me to remote you that for you. Thank you
Brian for your expertise on it. And together together maybe
we can solve some of these mysteries.

Speaker 2 (02:22:02):
Y'all. Okay, what's happening?

Speaker 1 (02:22:04):
And you have real this is real disclosure. Okay, this
is this is disclosure right here, y'all.

Speaker 5 (02:22:09):
This is what it is.

Speaker 2 (02:22:10):
So it's an honor to work with you, guys, And
thank you everybody for watching. Thank you, but yeah, okay,
last of your evening, you guys.

Speaker 1 (02:22:18):
Okay, thank you all right. Our cheam always hops off early,
by the way, so but but yeah, but thank you guys, everybody.
Thank you so much for being here tonight, y'all. And
and I want to thank let's see Amy for gifting
the memberships. I want to thank Nathan Davis for the supersticker.
Y'all are so awesome. And Brian, I am so excited
I got to come up there and hang out with
you again too. And Long Island bigfoot and go do

(02:22:42):
some big footing and hang out with d HP and
all those people.

Speaker 3 (02:22:44):
So we got to check out.

Speaker 1 (02:22:48):
Man, I don't know now because I remember how creeped
out I got when we went to the radar tower.
I'm not saying I went to the radar tower officially, y'all.
We're just you know, you're not supposed to go there,
right kind of the shape shifting security guard will come
after you, okay, which is crazy. But anyways, it was
really creepy there. And I can only imagine, is that

(02:23:08):
where you heard the chanting?

Speaker 3 (02:23:10):
By the way, it was like an offshoot bunker, like
a satellite bunker that supports Campero. That a bunch of
those too, It's like nineteen of those around. But yeah, no,
I mean a lot of stuff did happen in the
radar tower though, creepy stuff doors, and we did hear
outlined do abuddied voice sing out to us when we
were in the tower on the fourth floor. It's yelled
out and we all answered it. We go, ah, my god,

(02:23:34):
and then we realized something just yelled out to us.
So it's really weird. Yeah, to get back in there
one day, maybe, well, I.

Speaker 1 (02:23:41):
Yes, I know I got I got the heavy GBI's
over there, okay, because it is. The energy is wild,
y'all is wild over there. But please be safe out there, Brian, Okay,
just be safe and hopefully I'll come up there and
see you guys again soon. And I'm super glad that
you and our team are linking up and Long Island
be foot Mic as well, and so thank you so

(02:24:02):
much Brian.

Speaker 2 (02:24:02):
For being here tonight.

Speaker 1 (02:24:04):
And absolutely okay, y'all, well, everybody. Brian's books links are
in the chat and in his website. Please come back
and see me. On Saturday night. I have Hobbyer Morales
of Cryptin five five nine coming on the show, and
he said there's been an uptick in all reports of
dog men and bigfoot and everything out in California. We're
going to talk about it then. So until then, y'all

(02:24:24):
please stay safe out there, have a wonderful night, watch
for portals. Okay, I'll keep your head on swivel. Don't
live in figure and I'm sending all my loving night
to you guys tonight. All right, Brian, have a great night,
and we will see y'all next time.

Speaker 4 (02:25:01):
It's it's it's it's it's s

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