November 28, 2023 • 44 mins
"The Eddie Cantor Show," a prominent fixture in the old-time radio era, was an American radio program featuring the talented Eddie Cantor. Known for his unique blend of humor, music, and storytelling, Cantor's show was a hit with audiences during its run. The format typically included a mix of comedic monologues, musical numbers, and skits, showcasing Cantor's versatility as an entertainer. He often interacted with various guests and supporting cast members, adding a dynamic and engaging element to the show.Eddie Cantor, a celebrated vaudeville performer, brought his distinctive voice and charismatic personality to the radio waves. His style was lively and often incorporated elements of his Jewish heritage, which resonated with a wide audience. The show also featured popular music of the time, with Cantor sometimes performing songs himself or featuring guest musicians.The program was known for its family-friendly content and was part of the golden age of radio, a period when radio was a primary source of entertainment for American households. The Eddie Cantor Show's mix of humor, music, and occasional commentary on current events made it a beloved program and a significant part of radio history.
Mark as Played
Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
(00:49):
Oh that was swell. Rub up. Don't faint, don't faint. Listen.
I never mind about that. Wehear lots of music, but I'm
what I'm ministered in is Hollywood.You know, I can't hear enough about
it. I guess everybody feels thatway too. Let's just tell us something
of the intimate doings of the picturecolony. You know, the things that
are, oh you want dirt.Oh, well, listen. Some of
those people in Hollywood have places whereeight rooms and eleven swimming pools, and
(01:12):
do they throat parties? You know, at the end of each party,
the furniture swimming in a different pool. And are they wild? Say Eddie,
I noticed those couple of blue marksthere on the back of your neck
if someone bite you. Well,not exactly, but I gave Claudette Callbert
a bungalow, and those are theblueprints. Well, Eddie, you know
I didn't know that you were carryingon that way. Hiat quiet Winshell might
(01:33):
be listening and get a load ofthis. You know. The first day
I arrived in Hollywood, a sitanforeign star, a blonde Venus with million
dollar legs called me up and askedme to come over to her house.
I ran quickly and told my boss, Samuel Goldwyn, and he called her
on the phone and said, listenhere, I'm paying this guy can of
two thousand dollars a day and he'sout here to make pictures. I can't
have him running around night so hecan't work days. Two thousand dollars is
(01:56):
a lot of money. Please leavehim alone. Well did she? Well,
Jimmy. The next day the SatanStar send my boss a letter saying
and close fine check for fourteen thousanddollars. Send Eddy over for a week.
Well, sir, when I gotback, you know, Goldman wouldn't
talk to me for a couple ofdays. Yeah, but you finished your
picture the Kid from Spain for him. Oh, yes, yes, I
(02:16):
did that. I did that allright. You know I understand there's a
great bullfight in that picture. Readytell me did you really go in and
fight the bull or did you havea double? Oh, Jimmy, the
work was too dangerous for a double. Oh did you play the part of
the Torio door? Any shows youhow much you know about bullfights? Jimmy.
It takes five people to throw thebull the Torreo door. The Picca
door and the matador that's only threeor the other two open the door and
(02:38):
close the door. Well, whatelse happened to you? Well, this
is a funny experience. You know. I put my hand in the bull's
mouth to see how many teeth hehad, and the bull closed his mouth
to see how many fingers I had. But kidding aside, Jimmy, you
know I actually went into the ringwith an eight thousand dollars bull. Yeah,
dumb bull. Quiet, quiet,I'll get the laft. And when
you say that's smart, you know, the second time I went in with
(03:00):
bull, I had an accident.Did he gore you? No? No,
no, he bit me. Thisis on the level, you know,
when they get mad, they're likedogs, bulldogs, you know.
I was rushed to the hospital.It looked pretty serious for a while,
and I asked the doctor for apencil and paper. The doctor said,
don't worry, mister candor, it'snot that bad. Even if you have
hydrophobia, we'll cure you. Youdon't have to make out a wheel.
I told him. I said,I don't want to make out a wheel.
(03:20):
I want to make a list ofthe people i'd like to bite.
That's pretty good. Eddie, Yeah, don't laugh. You were the second
one on the list? Oh yeah, who was the first ruben Us?
He opened? They listened, Eddie. From what I've been reading in the
papers about the kid who's paid,it must be a great production. Great,
great, Jimmy, you don't know. It's colossal. It's stupendous,
it's gigantic. Well, it's prettygood. I understand. There a lot
(03:42):
of good throngs in the picture,Eddie. Why don't you think it's the
best one? Oh no, no, I won't do that, but I'll
sing you the worst one? Whynot the best? Huh? For the
best one? People should go andsee the picture of Canda's No Food.
I just fell book line of thingsbefore the sweetest scale in town. I'm
(04:05):
all bound up where the brand newlove of it. I can tell which
way I'm going across the world isupside down. I know that I'm gone.
The panic is off. She haslifts the taste like wine. I
(04:26):
like her. She likes wine.What a perfect combination the uster we're in
love When she says, upon myknees, I take this, and so
does she. What a perfect combinationthe wonder we're in line? She puts
(04:46):
me wating. Love is only whatyou'll make it. And I know one
thing. She conditioned out and Ican't taste it. We both want a
family. I want twins and sonashe What a perfect combination, The wonder
we're in loud? I like red, She like damp. I like eggs.
(05:11):
She likes damp. What a perfectcombination. The water were in loud?
Can she cook? Can she sew? She can sew and sew and
sew. What a perfect combination.The wonder we're in love? Once she
like cru used to go for Rudy'sSally we started booming. Now her radio
(05:39):
is in seat. Kelly fragrans ablushing rose, wishy hands around his nose.
What a perfect combination. The wonderWe're in love? Robs is cope
of your weakness. Then science haswonderful news for you. If you're a
normal, healthy adult, you don'thave to say no thanks when you're offered
(05:59):
to the second cups. But sciencesays that coffee must be fresh. Coffee
that is fresh is good for you. The rantid oils that develop in stale
coffee often cause headaches, indigestion,and sleeplessness. While coffee that's fresh is
healthfully stimulating to the digestion. Sobe sensible, you coffee lovers, use
Chasing Sandborne's dated coffee if you wantto linger over that marvelous second cup.
(06:23):
This coffee can't be stale because it'sdelivered fresh to your grocer, and he
tells it fresh to you. Trya pot of Chasing Sandborns dated coffee tomorrow.
The date on every can is yourprotection. Rubot Off and his violin
(06:53):
is solow some of these days.And y you know what I mean.
(10:35):
I've been thinking about all that scandal, if it's all about Hollywood, were
you telling me the truth? No, Jimmy, the truth is much worse.
You know, next to the picturebusiness, Hollywood's finest local output of
scandal. A scandal out there issacred. You know. I confided a
secret. The three people all told, and they all told. Here here's
how it spread. Tell me aboutit. I confide it to my chauffeur
(10:56):
that I saw enormous Shearer pay avisit to a Bible Studios five o'clock.
He told the garage man that anew star, Norman Sheriffer, was signed
up by the Riverley Studios for fiveyears. The garage man told the barber
that an enormous sheriff was over atthe Riverley Studios to collect five months rent.
The next day, the barber toldme the story illustrated with cuts.
(11:16):
What did he said? Horses withsheriffs just cleaned the Ravioli studios and found
five hundred chorus girls dressed without clothes, and that he knew it personally from
Eddie Cantel came to his house.How do you like that? Why?
That's certainly a ah. But Jimmy, you know, the people in Hollywood
aren't really bad. They were allgood once. They just like to play
(11:37):
follow the leader. Only if theleader is going downhill, they're ahead of
him. Fans in Hollywood are ascatching as the measles. You know,
if Barbara Stanwick gets a new necklacefrom a husband, every star in study
Lloyd City gets a new necklace ora new husband. And you know,
and since BB Daniels had a baby, the stalk is on the verge of
a nervous breakdown supplying Hollywood. That'scandler. In Hollywood, they reach scandal
(11:58):
in to everything. If a ladystar complains of chapped lips, they ask
her who is the chap. Andif a director is out shooting a picture
and wants three more days of grace, they say he wants three more days
of greta. And the way theyblacken a man's reput gimme, it's awful.
Do you know? They go aroundsaying the Clark Gable is really a
hentack at home, that his wifebeats him and makes them wash the dishes
wild she goes out to see hislatest pictures. That's a lie. They've
(12:22):
got him mixed up with me.Why you ever do housework, Eddie?
Why do housework? It's one ofthose Hollywood lies. Of course. I
well, are men's stockings once ina while, and make the beds and
do a little dusting and buy groceries. But when my wife wants me to
wear pink Chameses with all kinds ofcolored ribbons in order to pool the baby
at night, ah, that's toomuch. Well, Annie, all that
(12:43):
reminds me. I almost forgot toask you about your kids. How are
those lovely girls kill me? You'vetouched the soft spot in my heart?
You know that's well. Well,But the little one that's Janet, you
know, she dives. Since wewent to Hollywood. She's fresher than ever.
He must be pretty bad. Well, one day, about two weeks
ago, she did some terribly naughtywhich exasperated my wife. And you've never
seen an exasperated Cantor, have you? No? I never did. But
(13:05):
what happened to little Janet? Well, my wife wanted to give her an
old fashioned spanking, but couldn't catchher. The child hid under the bed,
and when I got home from thestudio, Missus Cantor told me what
happened and asked me to bring Janetout from underneath the bed. As I
started to crawl under, what doyou think? Janet said, I don't
know. Go on tell me,She said, hello, Pop, is
mama after you too. Ala hasa lot of trouble bringing up five girls,
(13:28):
just to say Eddie, Oh,yes, my wife has a lot
of trouble bringing up the kids.But she's done a swell job so far.
You know, Jimmy, I've workedpretty hard in pictures and on the
stage, but I share my afflaudswith her when I get home. You
have a regular fifty to fifty arrans. Oh more than that. You know.
I'm not a sentimentalist, but shecan have everything I've got, and
(13:48):
it's been that way ever since Iproposed Either. That reminds me again,
Eddie, I'm anxious to know justhow old comedian would propose. Well,
I'll tell you. I said,I love you Either, I haven't got
a sense. She said, Ilove you too, Eddie, I haven't
got a sense. Okay, Isaid, we'll start married life two cents
short. Either, I said,I'm not so much on education. I
(14:13):
haven't read a lot of books.You know, I have no reputation,
and say, let's not talk aboutmy looks. Without a single thing to
give you. How can I showmy lover is real? Right now?
There's no way I can prove itexcept to tell you how. I see.
(14:35):
If I only had a five centpiece enough to buy a Coper coffee,
I drink water instead, and herbagging for bread? What I give
a nickel to you? If Ionly had a breef sent stamp on the
(15:00):
note that's going to with THO,wear a song and a smile, I
would tramp every miles and give thosethree pennies to you. And when my
ship comes in with its fortune,go all over its st I start banking
(15:24):
my fortune. But you will signall the checks. If I only had
sixty seconds to live to fill thispart of mine with sunshine, I say,
close to your side and be sosatisfied to give my last minute to
(15:46):
you. If I only had hanover coat, and though the wintry winds
were blowing, I would we aloss so that newt keep warm. I'd
give my one call to you.If I only had one pair of shoes,
(16:11):
and you know I wear size eleven, I would give you the pair,
and we'd have leather to spare tocut out a pocket book. To
give me a chance, and I'llgladly prove it. Ask for the come
(16:32):
from the star, I'll fly upand remove it. And you know how
I hate to fly. If Ionly had a my sentie enough to get
a paper coffee, I'd drink waterinstead, and I'm go begging for bread.
(16:56):
But I'd give a nickel to you. You are listening to k f
I, Los Angeles. This isthe Chasing Sanborn Coffee Hour, directed by
(17:18):
Rubenov and starring Eddie Canner, whotonight returned for his winter series of broadcasts.
In Eddie's honor, Rubenov and hisorchestra present a novelty written especially for
this occasion by Ernie Watson, oneof the members of the band. Welcome
home Eddie, Hello everybody, Hello, Hello, Cannis. Thanksuppose you know,
(18:22):
how do you like hearing him oncemore? Not daddy, We're not
sorry. Rubinoff and the rest ofthe van asked me to give him a
welcoming hands. So anyway, allhere, fifty hellos in a song are
welcome. Ready, here goes welcomeany from rubenof and all the boys as
well. Welcome Eddie. Say how'sthe coast? We hear your pictures.
Swell, there's been class as youwent off. We missed that master touch
(18:47):
and all those cracks by Rubenov wedidn't miss them, not much, missen't
Eddie. The boys themselves are goingto wish you well, but they'll say
the music see in section should soundswell. That's the tuninal play. Welcome
Eddy. Each says it a differentway. The fiddles are first in Sweden.
(19:10):
Low you think they were welcoming GretaGarboles the woodwind planing. That old
one clue there that takes in everyonejust as weird planned. How less you
(19:32):
want to figure Rubenov hey, afterall, it is his man. Well
that he there's the musical phrases.There's only one guy more welcome. That's
Rubenov, He pases, why,hello, George. I've been fine,
(20:04):
Say Eddie. I want you toknow my good friend George Hudson. I'm
very glad to meet you, misterKennack. I've been wanting to meet you
for a long time. You've beendoing very well, haven't you? Oh?
Very well? How do you sayvery well? Last year Goldwen paid
me a quarter of a million dollarsfor piction. I got fifty thousand dollars
for my literary efforts and about onehundred thousand dollars for Bordaville. And with
(20:25):
my work on the year, verywell, say, I must have made
a total of seven hundred and fiftythousand dollars. Well, I'm glad to
hear it. You know who Iam. I'm the income tax collector for
the theatrical District. You know whoI am. I'm the biggest liar on
the air. Good Bye, misterHudson. I'll sue you later. I'll
sue you to talk that nice boy, fine friends you bring to Jimmy.
(20:48):
You know, if I had myway, I keep the tax and let
the government keep the income. Youknow, Oh, the government, Eddie.
I'd almost forgotten. You know.When you left, I thought that
you would be nominated for president byeither of the republic can go to the
Democrat. What happened, I'll tellyou, Jimmy. I had my name
in ready to be nominated by theRepublicans, and they crossed it off.
Then I had my name up readyto be nominated by the Democrats, and
(21:10):
they crossed it off. You werecrossed off, right, yes, sir,
double crossed. Well, you know, maybe it's a good thing.
I'm not going to be president,you know, after all, you know,
the president of today is just atwo cent stamp of tomorrow. But
listen, you know I'd rather beright than president than Hoover knows it.
If you don't think so, listento this letter I got from them a
week ago. Look, yeah,ready to me, you're ready. The
(21:32):
Republican Party did not nominate the bestman. I know how capable you are,
and if I am re elected,I will appoint you to a position
second only to that of president.Maybe he means vice No, no,
I talk too much for that.But what if Roosevelt was elected? Ah,
Hoober doesn't know that. I gota telegram from Roosevelt saying that if
he gets into the White House I'llbe right beside him in the position that
he's going to make for me.I wonder what job he has in mind.
(21:55):
Well, maybe my next week,Jimmy, I'll be able to tell
you, and I know it'll besomething good. It's got to be.
Both Hoover and Roosevelt know that Iunderstand children. And if you've got the
children of this country, and youknow I've got most of them right in
my own family, and you've gotpower. The first thing I'd advise the
President when I get into my newposition is to make a hit with the
children by simplifying the spelling of theEnglish language. That's one of the reasons
(22:18):
why Teddy Roosevelt became so famous.Before Roosevelt, you know how they spelled
potato, no, and how didthey spell potatoes like this? P O
E T poet e I g HT eight owe oh potato. But today,
thanks to Teddy Roosevelt, you justfell it. Well, just potato.
Now take the word trousers. Hesimplifies the spelling in a second.
So how did they spell trousers,T A N T S. That helped
(22:40):
the kitties in school, you see. But let's tell me how are you
going to help the kitties. I'mgoing to simplify grandmar prinstance, what is
the plural of ox oxes? That'sright, So I'll make the plural of
box boxing simple enough. Now what'sthe purl of mouse? Right? That's
right? So the plural of houseis high? And what is the pool
of man? Man of God?Right? Then the plural of fans fans?
(23:03):
You know the plural of foot,But hell like guarding to you,
it must be foot. No,no, no, no no, it's
foots is one feet is a foot, and two foots this is a feat.
So if I speak of a footand you show me your feet,
and I give you a boot,would a pair be called beat? If
one is a tooth and the wholeset are teeth, then more than one
(23:23):
telephone boot makes two beefs. Ifthe singular is this and the plurals these,
then the plural of kids should alwaysbe teased. Then one may be
that and three may be those.So hatt in the plural must surely be
hose. When a cat beats anothercat, there are two cos. The
masculine pronouns are he, his andhim. Imagine the feminine she, she
(23:45):
is and shim. I go,I am going, you go, and
he went? I row, Iam rowing, you row, and he
rent. We speak of a brotherand also a brethren. So when you
say mother, be sure to saymotherin man's Womans and childs must follow these
rulings invented by cancer and taught inall schooling. And finally, the plural
(24:06):
of goose must be geath and theplural of duck must be Why should anybody
hate to go to school? Howcan anybody stay away? There's a lot
(24:32):
of things you learned to do atschool. If you felt like me,
you'd be glad to say. Ilove to go to school because I love
my teacher. I love my teacherI do. There may be other schools,
but there's no no teacher like mysweet teacher. That's you. I'm
(24:53):
jealous of a doctor who's these teacher. Every day. I'm gonna bring her
apple to to keep the dock away. I love to go to school,
but I love my teacher. Youlove my teacher. If you new teacher
too, Oh, I love togo to school because I love my teacher.
I love my teacher I do.There may be are the school,
(25:18):
but there's no no teacher like mysweet teacher. That's true. I started
in that public school when I wasonly ten. If it wasn't for the
public, I go back to schoolagain. I love to go to school
because I love my teacher. You'dlove my teacher if you new teacher to
(25:40):
Oh. I love to go toschool because I love my teacher. I
love my teacher I do. Theremay be are the school, but there's
no no teacher like my sweet teacher. That's true. She went on her
vacation, and the pupils yell hooray. She missed and came running back next
(26:02):
day. I luck to go toschool because I love my teacher. You'd
love my teacher if you now teachertoo. The man who has directed our
scientific research work on coffee really needsno introductions. He has consented to give
a theories of one minute talks inwhich he will give you, in plain
language, the result of these investigations. I take pleasure in presenting doctor R.
(26:26):
E. Lee. Thank you,mister Wallington. In addition to our
extensive research work on Fleischmann's yeast.We have for the past three years been
supporting research work in several large universitylaboratories to determine the real facts about coffee.
We've learned some very remarkable things aboutthe value and importance of this delicious
(26:51):
beverage, and in this series ofone minute talks I have been asked to
pass on to you some of theinteresting scientific facts have been found by our
investigators. I want to tell youhow fresh coffee increases your muscular your metal
efficiency, how it delays the onsetof fatigue, and how it helps you
(27:11):
get more enjoyment out of life.And particularly I wish to explain the real
importance of freshness in coffee, andwhat happens when coffee becomes old and stale,
and why we were led to putthe date on every pound of Chasen
sandpan dated coffee. The facts aboutcoffee revealed with the magic hand of science
(27:33):
are as fascinating as a mystery story. I hope you will enjoy these talks,
which tonight I have only been ableto outline. Thank you. Here
(29:45):
he is jacing out. He's gota breath of air. MA mind,
is that hen? Miss sense?Well, all I've got is a ten
dollar bill, Jimmy, have yougot two cents? Jimmy? Can you
imagine he disappeared? Boy? Haveyou got change for ten dollars? No?
But if you oh my papers,an't go and get it? All
right? If you'll trust me withthe papers, be right back. Why
(30:07):
aren't you Eddie Cantor, the famouscomedian, I'm Merry Cander. See you're
here selling papers? No, no, no, no no, I'm just
holding them for a ball. Youneedn't apologize, mister Cantor. I know
how times are. I'll buy apaper and you can keep No. No,
look, look, look, Itell you I'm not selling papers.
I sing songs, I blacken up, I sell coffee. I write artic
because I make pictures. I playin border By Investment real estate. I
(30:30):
raised daughters. I run for presents. But I don't sell papers. Not.
Yes there there, that's all right, mister Canada. I don't tell
anybody I saw you selling papers.Looking, I'll prophie that I'm not selling
papers. Here I saw them inthe gutter. Yes here, young,
forever I pick up the papers.You can't put junk in the gutters.
That's not junk. Officers, thatthe morning is att Look. Look it
mentions you in the paper. Ohthat's true. Weirdy It says New York
(30:51):
has seven million, two hundred thousandhabitings. You're one of them. That's
not a good paper, it's nota Listen. The Morning is set this
first and everything. Look what itsays. Yesterday we were the first newspaper
to publish the death of Jimmy Wallington. Today we are the first newspaper to
deny the report. The Morning Gazetteis always in the league. Well,
how's our country coming along? Isthere any improvement? Well, there's an
(31:12):
editorial here that says our country isgoing to the dogs. But it's not
true. The dogs had a conferenceand they don't own us. Oh say,
there's a picture of a pretty womanon the witness stead. What was
she doing there? Well that's thewoman that stabbed the husband in Brooklyn a
couple of months ago, remember,Oh, but she has a great defense.
The judge asked her why she stabbedthe husband and she said, ah,
(31:33):
hi, the police coming, andI had to hide the knife somewhere.
Well what's the latest in football?Oh? Here the Sporting page.
The Yale half back is tackling theDean's daughter. She is the goal of
his affections. He's been making steadygains torture. Yesterday he was near the
fifteen yard line and in the scrimmage, her father kicked him half back to
the campus. And he wants tenyards for interference. Well, you've wrote
(31:56):
me all the news. I don'thave to buy the paper, and after
throwing a wheel, I'll pull yourears. Well, Eddy, what are
you doing with those papers? I'mholding them for a newsboy. He went
away to change my ten dollar bills. Boy, that's a good one.
He went away to change a tendollar billy. Why he'll never come back.
You won't say that, Jimmy Dawn. These New York newsboys are as
honest as the day is long.Yeah, but the days are getting shorter
(32:21):
and shorter. Why that's quiet.You're in firing that the kid won't come
back. Don't fool yourself, sayI trust any newsboys. Some of the
biggest men in New York sold paperswhen they were kids. That's right,
Eddie, you're right. I tellyou the truth. I told papers myself
when I was a boy. Yeah, yes, sir, you know I'm
a self made man. You're notoff white too soon. Change much of
Blake's for homemy. I told youcome back and wait a minute. He's
(32:43):
fifty cents for you, my lad. Gee, that's swell, yeah,
I should say it is. Well, say, buddy, you know who
this man is. It just gaveyou the half dollar. Sure everybody knows.
I see him in pictures. Geez, swell, well, why don't
you thank him? Then? Allright, thank you very much, Busty
Keaton, give me back that halfa dollar. Rubenof fiolin solo, he
(33:08):
plays a colorful composition chat on blameme who ha m h eddy. I
(35:59):
want to say something right from theheart. It's certainly good to have your
fact. You're living up the town, you know, it seems to be
enough life on broadways, you know, yes, you bet they're all rushing
to save a minute. Yeah,and what are they going to do with
this? You know? You knowthe fellow who proposed to a girl in
the automobile and she accepted him inthe hospital, this phenomenon said sixty miles
an hour. The motorcycle cop saidit was ninety. The pedestrians said it
(36:21):
was a shame. He said itwas a life, and his friends said
it with flowers. What is allof us for anyway? Eddie? People
fall all over each other trying toget the money. Not that money is
bad, Jimmy, you know Ispecialists say that green quiets the nerves,
especially greenbacks. But the dollar cannever fall as low as the means some
people adopt to get it. Well, how can you avoid the mad hunt
(36:42):
for money? You must just avoidthe colorless life. Keep in the pink
of condition. Do things up brown, threat people white, be well read.
Get out onto the green under theblue so things won't look so black.
Know one to stop and when togo. Stop being afraid, stop
worrying, stop hoarding, stop whining, stop grasping, stop looking back,
stop looking down, stop stopping,and let's go. The green light is
(37:04):
on a tenth of your business.Leave the other fellows alone, and more
important, get a little fun outof life. Everybody likes to gives good
invite on how to live. Theymean well, but they are often long.
Live your life as you be fit, give yourself the best of it.
(37:25):
Here's the only way to get along. If you want loving, go
out and make love. Get alittle fun out of line. You all
the nice things that you're thinking ofget a little far out of life.
(37:45):
Why does it get you to struggleand play? What do you gain by
the things that you say? Whatcan you do with one foot in the
grave. So get a little funout a lie. If you like coffee,
drink all that you wish. Geta little fun out of life.
(38:08):
If you like fishing, that's plentyof fish, get a little fun out
of lie. I have an unclewho's one of those flanks. He kept
his money in twelve different things.They close one morning with our same things.
(38:28):
So you fun out of life.If you like things, stand rider
fencings, get a little fun outof lie. Don't go around with your
faith and a sling. Get alittle far out of life. Get all
the joys that are coming to you. If you like children, and most
(38:52):
people do. If you meet someonewho likes children, to say, gettlet
a line. Fresh coffee is goodfor you, science says, but what
is fresh coffee. Well, freshcoffee is coffee that hasn't had time to
grow sale after it's roasted. That'swhy Chasing Sandborne's dated coffee is always fresh,
(39:16):
because it's rushed to grocers all overthe United States and Canada by the
same marvelous fleet of service cars thatdeliver Feischman's fresh yeast. Other coffee producers
have tried to keep freshness in theircoffee by packing it in elaborate containers,
but freshness is a matter of time, not of packing, and Chasing Sandborns
(39:37):
is still the only coffee delivered thisway. Chasing Sandborn's dated coffee is delivered
fresh to your grocer with a deliverydate stamped on every can, and no
cannadate is allowed to remain on agrocer's shelf more than ten days. So
if you want to drink good coffee, and if you're anxious to enjoy that
extra cup, use Chasing Sandborne's datedcoffee. The coffee that's can't be sale.
(40:00):
Coffee that's fresh is good for you. Fire pound of Chasing Sandborns dated
coffee tomorrow. We just got onemore minute before the hour's up. Is
(42:19):
there anything else you'd like to sayto your listeners? Just this, I
love to spend This is how withyou ask friend to friend. I'm furious.
I'm telling you just how I feel. I hope you that way to
(42:50):
Let's make a date for next Sundaynight. I'm here to stay twill be
my delight to bring again, singagain the things you want me to.
I love to spend this nine.Next week, ladies and gentlemen, we'll
(43:45):
have another Chasing Sanborn Coffee Hours starringEddie Catter. The Chasing Sandborn Orchestra plays
an overture of Italianaires and Rubenoffel playis one of his violin solos, The
Immortal Souvenir. Eddie Catter will revealnew position to which he will be appointed
after elections. James Wallington seeking goodNight m This is the national broadcasting Company
(44:43):
m kay up I, Los Angeles,
Oh that was swell. Rub up. Don't faint, don't faint. Listen.
I never mind about that. Wehear lots of music, but I'm
what I'm ministered in is Hollywood.You know, I can't hear enough about
it. I guess everybody feels thatway too. Let's just tell us something
of the intimate doings of the picturecolony. You know, the things that
are, oh you want dirt.Oh, well, listen. Some of
those people in Hollywood have places whereeight rooms and eleven swimming pools, and
(01:12):
do they throat parties? You know, at the end of each party,
the furniture swimming in a different pool. And are they wild? Say Eddie,
I noticed those couple of blue marksthere on the back of your neck
if someone bite you. Well,not exactly, but I gave Claudette Callbert
a bungalow, and those are theblueprints. Well, Eddie, you know
I didn't know that you were carryingon that way. Hiat quiet Winshell might
(01:33):
be listening and get a load ofthis. You know. The first day
I arrived in Hollywood, a sitanforeign star, a blonde Venus with million
dollar legs called me up and askedme to come over to her house.
I ran quickly and told my boss, Samuel Goldwyn, and he called her
on the phone and said, listenhere, I'm paying this guy can of
two thousand dollars a day and he'sout here to make pictures. I can't
have him running around night so hecan't work days. Two thousand dollars is
(01:56):
a lot of money. Please leavehim alone. Well did she? Well,
Jimmy. The next day the SatanStar send my boss a letter saying
and close fine check for fourteen thousanddollars. Send Eddy over for a week.
Well, sir, when I gotback, you know, Goldman wouldn't
talk to me for a couple ofdays. Yeah, but you finished your
picture the Kid from Spain for him. Oh, yes, yes, I
(02:16):
did that. I did that allright. You know I understand there's a
great bullfight in that picture. Readytell me did you really go in and
fight the bull or did you havea double? Oh, Jimmy, the
work was too dangerous for a double. Oh did you play the part of
the Torio door? Any shows youhow much you know about bullfights? Jimmy.
It takes five people to throw thebull the Torreo door. The Picca
door and the matador that's only threeor the other two open the door and
(02:38):
close the door. Well, whatelse happened to you? Well, this
is a funny experience. You know. I put my hand in the bull's
mouth to see how many teeth hehad, and the bull closed his mouth
to see how many fingers I had. But kidding aside, Jimmy, you
know I actually went into the ringwith an eight thousand dollars bull. Yeah,
dumb bull. Quiet, quiet,I'll get the laft. And when
you say that's smart, you know, the second time I went in with
(03:00):
bull, I had an accident.Did he gore you? No? No,
no, he bit me. Thisis on the level, you know,
when they get mad, they're likedogs, bulldogs, you know.
I was rushed to the hospital.It looked pretty serious for a while,
and I asked the doctor for apencil and paper. The doctor said,
don't worry, mister candor, it'snot that bad. Even if you have
hydrophobia, we'll cure you. Youdon't have to make out a wheel.
I told him. I said,I don't want to make out a wheel.
(03:20):
I want to make a list ofthe people i'd like to bite.
That's pretty good. Eddie, Yeah, don't laugh. You were the second
one on the list? Oh yeah, who was the first ruben Us?
He opened? They listened, Eddie. From what I've been reading in the
papers about the kid who's paid,it must be a great production. Great,
great, Jimmy, you don't know. It's colossal. It's stupendous,
it's gigantic. Well, it's prettygood. I understand. There a lot
(03:42):
of good throngs in the picture,Eddie. Why don't you think it's the
best one? Oh no, no, I won't do that, but I'll
sing you the worst one? Whynot the best? Huh? For the
best one? People should go andsee the picture of Canda's No Food.
I just fell book line of thingsbefore the sweetest scale in town. I'm
(04:05):
all bound up where the brand newlove of it. I can tell which
way I'm going across the world isupside down. I know that I'm gone.
The panic is off. She haslifts the taste like wine. I
(04:26):
like her. She likes wine.What a perfect combination the uster we're in
love When she says, upon myknees, I take this, and so
does she. What a perfect combinationthe wonder we're in line? She puts
(04:46):
me wating. Love is only whatyou'll make it. And I know one
thing. She conditioned out and Ican't taste it. We both want a
family. I want twins and sonashe What a perfect combination, The wonder
we're in loud? I like red, She like damp. I like eggs.
(05:11):
She likes damp. What a perfectcombination. The water were in loud?
Can she cook? Can she sew? She can sew and sew and
sew. What a perfect combination.The wonder we're in love? Once she
like cru used to go for Rudy'sSally we started booming. Now her radio
(05:39):
is in seat. Kelly fragrans ablushing rose, wishy hands around his nose.
What a perfect combination. The wonderWe're in love? Robs is cope
of your weakness. Then science haswonderful news for you. If you're a
normal, healthy adult, you don'thave to say no thanks when you're offered
(05:59):
to the second cups. But sciencesays that coffee must be fresh. Coffee
that is fresh is good for you. The rantid oils that develop in stale
coffee often cause headaches, indigestion,and sleeplessness. While coffee that's fresh is
healthfully stimulating to the digestion. Sobe sensible, you coffee lovers, use
Chasing Sandborne's dated coffee if you wantto linger over that marvelous second cup.
(06:23):
This coffee can't be stale because it'sdelivered fresh to your grocer, and he
tells it fresh to you. Trya pot of Chasing Sandborns dated coffee tomorrow.
The date on every can is yourprotection. Rubot Off and his violin
(06:53):
is solow some of these days.And y you know what I mean.
(10:35):
I've been thinking about all that scandal, if it's all about Hollywood, were
you telling me the truth? No, Jimmy, the truth is much worse.
You know, next to the picturebusiness, Hollywood's finest local output of
scandal. A scandal out there issacred. You know. I confided a
secret. The three people all told, and they all told. Here here's
how it spread. Tell me aboutit. I confide it to my chauffeur
(10:56):
that I saw enormous Shearer pay avisit to a Bible Studios five o'clock.
He told the garage man that anew star, Norman Sheriffer, was signed
up by the Riverley Studios for fiveyears. The garage man told the barber
that an enormous sheriff was over atthe Riverley Studios to collect five months rent.
The next day, the barber toldme the story illustrated with cuts.
(11:16):
What did he said? Horses withsheriffs just cleaned the Ravioli studios and found
five hundred chorus girls dressed without clothes, and that he knew it personally from
Eddie Cantel came to his house.How do you like that? Why?
That's certainly a ah. But Jimmy, you know, the people in Hollywood
aren't really bad. They were allgood once. They just like to play
(11:37):
follow the leader. Only if theleader is going downhill, they're ahead of
him. Fans in Hollywood are ascatching as the measles. You know,
if Barbara Stanwick gets a new necklacefrom a husband, every star in study
Lloyd City gets a new necklace ora new husband. And you know,
and since BB Daniels had a baby, the stalk is on the verge of
a nervous breakdown supplying Hollywood. That'scandler. In Hollywood, they reach scandal
(11:58):
in to everything. If a ladystar complains of chapped lips, they ask
her who is the chap. Andif a director is out shooting a picture
and wants three more days of grace, they say he wants three more days
of greta. And the way theyblacken a man's reput gimme, it's awful.
Do you know? They go aroundsaying the Clark Gable is really a
hentack at home, that his wifebeats him and makes them wash the dishes
wild she goes out to see hislatest pictures. That's a lie. They've
(12:22):
got him mixed up with me.Why you ever do housework, Eddie?
Why do housework? It's one ofthose Hollywood lies. Of course. I
well, are men's stockings once ina while, and make the beds and
do a little dusting and buy groceries. But when my wife wants me to
wear pink Chameses with all kinds ofcolored ribbons in order to pool the baby
at night, ah, that's toomuch. Well, Annie, all that
(12:43):
reminds me. I almost forgot toask you about your kids. How are
those lovely girls kill me? You'vetouched the soft spot in my heart?
You know that's well. Well,But the little one that's Janet, you
know, she dives. Since wewent to Hollywood. She's fresher than ever.
He must be pretty bad. Well, one day, about two weeks
ago, she did some terribly naughtywhich exasperated my wife. And you've never
seen an exasperated Cantor, have you? No? I never did. But
(13:05):
what happened to little Janet? Well, my wife wanted to give her an
old fashioned spanking, but couldn't catchher. The child hid under the bed,
and when I got home from thestudio, Missus Cantor told me what
happened and asked me to bring Janetout from underneath the bed. As I
started to crawl under, what doyou think? Janet said, I don't
know. Go on tell me,She said, hello, Pop, is
mama after you too. Ala hasa lot of trouble bringing up five girls,
(13:28):
just to say Eddie, Oh,yes, my wife has a lot
of trouble bringing up the kids.But she's done a swell job so far.
You know, Jimmy, I've workedpretty hard in pictures and on the
stage, but I share my afflaudswith her when I get home. You
have a regular fifty to fifty arrans. Oh more than that. You know.
I'm not a sentimentalist, but shecan have everything I've got, and
(13:48):
it's been that way ever since Iproposed Either. That reminds me again,
Eddie, I'm anxious to know justhow old comedian would propose. Well,
I'll tell you. I said,I love you Either, I haven't got
a sense. She said, Ilove you too, Eddie, I haven't
got a sense. Okay, Isaid, we'll start married life two cents
short. Either, I said,I'm not so much on education. I
(14:13):
haven't read a lot of books.You know, I have no reputation,
and say, let's not talk aboutmy looks. Without a single thing to
give you. How can I showmy lover is real? Right now?
There's no way I can prove itexcept to tell you how. I see.
(14:35):
If I only had a five centpiece enough to buy a Coper coffee,
I drink water instead, and herbagging for bread? What I give
a nickel to you? If Ionly had a breef sent stamp on the
(15:00):
note that's going to with THO,wear a song and a smile, I
would tramp every miles and give thosethree pennies to you. And when my
ship comes in with its fortune,go all over its st I start banking
(15:24):
my fortune. But you will signall the checks. If I only had
sixty seconds to live to fill thispart of mine with sunshine, I say,
close to your side and be sosatisfied to give my last minute to
(15:46):
you. If I only had hanover coat, and though the wintry winds
were blowing, I would we aloss so that newt keep warm. I'd
give my one call to you.If I only had one pair of shoes,
(16:11):
and you know I wear size eleven, I would give you the pair,
and we'd have leather to spare tocut out a pocket book. To
give me a chance, and I'llgladly prove it. Ask for the come
(16:32):
from the star, I'll fly upand remove it. And you know how
I hate to fly. If Ionly had a my sentie enough to get
a paper coffee, I'd drink waterinstead, and I'm go begging for bread.
(16:56):
But I'd give a nickel to you. You are listening to k f
I, Los Angeles. This isthe Chasing Sanborn Coffee Hour, directed by
(17:18):
Rubenov and starring Eddie Canner, whotonight returned for his winter series of broadcasts.
In Eddie's honor, Rubenov and hisorchestra present a novelty written especially for
this occasion by Ernie Watson, oneof the members of the band. Welcome
home Eddie, Hello everybody, Hello, Hello, Cannis. Thanksuppose you know,
(18:22):
how do you like hearing him oncemore? Not daddy, We're not
sorry. Rubinoff and the rest ofthe van asked me to give him a
welcoming hands. So anyway, allhere, fifty hellos in a song are
welcome. Ready, here goes welcomeany from rubenof and all the boys as
well. Welcome Eddie. Say how'sthe coast? We hear your pictures.
Swell, there's been class as youwent off. We missed that master touch
(18:47):
and all those cracks by Rubenov wedidn't miss them, not much, missen't
Eddie. The boys themselves are goingto wish you well, but they'll say
the music see in section should soundswell. That's the tuninal play. Welcome
Eddy. Each says it a differentway. The fiddles are first in Sweden.
(19:10):
Low you think they were welcoming GretaGarboles the woodwind planing. That old
one clue there that takes in everyonejust as weird planned. How less you
(19:32):
want to figure Rubenov hey, afterall, it is his man. Well
that he there's the musical phrases.There's only one guy more welcome. That's
Rubenov, He pases, why,hello, George. I've been fine,
(20:04):
Say Eddie. I want you toknow my good friend George Hudson. I'm
very glad to meet you, misterKennack. I've been wanting to meet you
for a long time. You've beendoing very well, haven't you? Oh?
Very well? How do you sayvery well? Last year Goldwen paid
me a quarter of a million dollarsfor piction. I got fifty thousand dollars
for my literary efforts and about onehundred thousand dollars for Bordaville. And with
(20:25):
my work on the year, verywell, say, I must have made
a total of seven hundred and fiftythousand dollars. Well, I'm glad to
hear it. You know who Iam. I'm the income tax collector for
the theatrical District. You know whoI am. I'm the biggest liar on
the air. Good Bye, misterHudson. I'll sue you later. I'll
sue you to talk that nice boy, fine friends you bring to Jimmy.
(20:48):
You know, if I had myway, I keep the tax and let
the government keep the income. Youknow, Oh, the government, Eddie.
I'd almost forgotten. You know.When you left, I thought that
you would be nominated for president byeither of the republic can go to the
Democrat. What happened, I'll tellyou, Jimmy. I had my name
in ready to be nominated by theRepublicans, and they crossed it off.
Then I had my name up readyto be nominated by the Democrats, and
(21:10):
they crossed it off. You werecrossed off, right, yes, sir,
double crossed. Well, you know, maybe it's a good thing.
I'm not going to be president,you know, after all, you know,
the president of today is just atwo cent stamp of tomorrow. But
listen, you know I'd rather beright than president than Hoover knows it.
If you don't think so, listento this letter I got from them a
week ago. Look, yeah,ready to me, you're ready. The
(21:32):
Republican Party did not nominate the bestman. I know how capable you are,
and if I am re elected,I will appoint you to a position
second only to that of president.Maybe he means vice No, no,
I talk too much for that.But what if Roosevelt was elected? Ah,
Hoober doesn't know that. I gota telegram from Roosevelt saying that if
he gets into the White House I'llbe right beside him in the position that
he's going to make for me.I wonder what job he has in mind.
(21:55):
Well, maybe my next week,Jimmy, I'll be able to tell
you, and I know it'll besomething good. It's got to be.
Both Hoover and Roosevelt know that Iunderstand children. And if you've got the
children of this country, and youknow I've got most of them right in
my own family, and you've gotpower. The first thing I'd advise the
President when I get into my newposition is to make a hit with the
children by simplifying the spelling of theEnglish language. That's one of the reasons
(22:18):
why Teddy Roosevelt became so famous.Before Roosevelt, you know how they spelled
potato, no, and how didthey spell potatoes like this? P O
E T poet e I g HT eight owe oh potato. But today,
thanks to Teddy Roosevelt, you justfell it. Well, just potato.
Now take the word trousers. Hesimplifies the spelling in a second.
So how did they spell trousers,T A N T S. That helped
(22:40):
the kitties in school, you see. But let's tell me how are you
going to help the kitties. I'mgoing to simplify grandmar prinstance, what is
the plural of ox oxes? That'sright, So I'll make the plural of
box boxing simple enough. Now what'sthe purl of mouse? Right? That's
right? So the plural of houseis high? And what is the pool
of man? Man of God?Right? Then the plural of fans fans?
(23:03):
You know the plural of foot,But hell like guarding to you,
it must be foot. No,no, no, no no, it's
foots is one feet is a foot, and two foots this is a feat.
So if I speak of a footand you show me your feet,
and I give you a boot,would a pair be called beat? If
one is a tooth and the wholeset are teeth, then more than one
(23:23):
telephone boot makes two beefs. Ifthe singular is this and the plurals these,
then the plural of kids should alwaysbe teased. Then one may be
that and three may be those.So hatt in the plural must surely be
hose. When a cat beats anothercat, there are two cos. The
masculine pronouns are he, his andhim. Imagine the feminine she, she
(23:45):
is and shim. I go,I am going, you go, and
he went? I row, Iam rowing, you row, and he
rent. We speak of a brotherand also a brethren. So when you
say mother, be sure to saymotherin man's Womans and childs must follow these
rulings invented by cancer and taught inall schooling. And finally, the plural
(24:06):
of goose must be geath and theplural of duck must be Why should anybody
hate to go to school? Howcan anybody stay away? There's a lot
(24:32):
of things you learned to do atschool. If you felt like me,
you'd be glad to say. Ilove to go to school because I love
my teacher. I love my teacherI do. There may be other schools,
but there's no no teacher like mysweet teacher. That's you. I'm
(24:53):
jealous of a doctor who's these teacher. Every day. I'm gonna bring her
apple to to keep the dock away. I love to go to school,
but I love my teacher. Youlove my teacher. If you new teacher
too, Oh, I love togo to school because I love my teacher.
I love my teacher I do.There may be are the school,
(25:18):
but there's no no teacher like mysweet teacher. That's true. I started
in that public school when I wasonly ten. If it wasn't for the
public, I go back to schoolagain. I love to go to school
because I love my teacher. You'dlove my teacher if you new teacher to
(25:40):
Oh. I love to go toschool because I love my teacher. I
love my teacher I do. Theremay be are the school, but there's
no no teacher like my sweet teacher. That's true. She went on her
vacation, and the pupils yell hooray. She missed and came running back next
(26:02):
day. I luck to go toschool because I love my teacher. You'd
love my teacher if you now teachertoo. The man who has directed our
scientific research work on coffee really needsno introductions. He has consented to give
a theories of one minute talks inwhich he will give you, in plain
language, the result of these investigations. I take pleasure in presenting doctor R.
(26:26):
E. Lee. Thank you,mister Wallington. In addition to our
extensive research work on Fleischmann's yeast.We have for the past three years been
supporting research work in several large universitylaboratories to determine the real facts about coffee.
We've learned some very remarkable things aboutthe value and importance of this delicious
(26:51):
beverage, and in this series ofone minute talks I have been asked to
pass on to you some of theinteresting scientific facts have been found by our
investigators. I want to tell youhow fresh coffee increases your muscular your metal
efficiency, how it delays the onsetof fatigue, and how it helps you
(27:11):
get more enjoyment out of life.And particularly I wish to explain the real
importance of freshness in coffee, andwhat happens when coffee becomes old and stale,
and why we were led to putthe date on every pound of Chasen
sandpan dated coffee. The facts aboutcoffee revealed with the magic hand of science
(27:33):
are as fascinating as a mystery story. I hope you will enjoy these talks,
which tonight I have only been ableto outline. Thank you. Here
(29:45):
he is jacing out. He's gota breath of air. MA mind,
is that hen? Miss sense?Well, all I've got is a ten
dollar bill, Jimmy, have yougot two cents? Jimmy? Can you
imagine he disappeared? Boy? Haveyou got change for ten dollars? No?
But if you oh my papers,an't go and get it? All
right? If you'll trust me withthe papers, be right back. Why
(30:07):
aren't you Eddie Cantor, the famouscomedian, I'm Merry Cander. See you're
here selling papers? No, no, no, no no, I'm just
holding them for a ball. Youneedn't apologize, mister Cantor. I know
how times are. I'll buy apaper and you can keep No. No,
look, look, look, Itell you I'm not selling papers.
I sing songs, I blacken up, I sell coffee. I write artic
because I make pictures. I playin border By Investment real estate. I
(30:30):
raised daughters. I run for presents. But I don't sell papers. Not.
Yes there there, that's all right, mister Canada. I don't tell
anybody I saw you selling papers.Looking, I'll prophie that I'm not selling
papers. Here I saw them inthe gutter. Yes here, young,
forever I pick up the papers.You can't put junk in the gutters.
That's not junk. Officers, thatthe morning is att Look. Look it
mentions you in the paper. Ohthat's true. Weirdy It says New York
(30:51):
has seven million, two hundred thousandhabitings. You're one of them. That's
not a good paper, it's nota Listen. The Morning is set this
first and everything. Look what itsays. Yesterday we were the first newspaper
to publish the death of Jimmy Wallington. Today we are the first newspaper to
deny the report. The Morning Gazetteis always in the league. Well,
how's our country coming along? Isthere any improvement? Well, there's an
(31:12):
editorial here that says our country isgoing to the dogs. But it's not
true. The dogs had a conferenceand they don't own us. Oh say,
there's a picture of a pretty womanon the witness stead. What was
she doing there? Well that's thewoman that stabbed the husband in Brooklyn a
couple of months ago, remember,Oh, but she has a great defense.
The judge asked her why she stabbedthe husband and she said, ah,
(31:33):
hi, the police coming, andI had to hide the knife somewhere.
Well what's the latest in football?Oh? Here the Sporting page.
The Yale half back is tackling theDean's daughter. She is the goal of
his affections. He's been making steadygains torture. Yesterday he was near the
fifteen yard line and in the scrimmage, her father kicked him half back to
the campus. And he wants tenyards for interference. Well, you've wrote
(31:56):
me all the news. I don'thave to buy the paper, and after
throwing a wheel, I'll pull yourears. Well, Eddy, what are
you doing with those papers? I'mholding them for a newsboy. He went
away to change my ten dollar bills. Boy, that's a good one.
He went away to change a tendollar billy. Why he'll never come back.
You won't say that, Jimmy Dawn. These New York newsboys are as
honest as the day is long.Yeah, but the days are getting shorter
(32:21):
and shorter. Why that's quiet.You're in firing that the kid won't come
back. Don't fool yourself, sayI trust any newsboys. Some of the
biggest men in New York sold paperswhen they were kids. That's right,
Eddie, you're right. I tellyou the truth. I told papers myself
when I was a boy. Yeah, yes, sir, you know I'm
a self made man. You're notoff white too soon. Change much of
Blake's for homemy. I told youcome back and wait a minute. He's
(32:43):
fifty cents for you, my lad. Gee, that's swell, yeah,
I should say it is. Well, say, buddy, you know who
this man is. It just gaveyou the half dollar. Sure everybody knows.
I see him in pictures. Geez, swell, well, why don't
you thank him? Then? Allright, thank you very much, Busty
Keaton, give me back that halfa dollar. Rubenof fiolin solo, he
(33:08):
plays a colorful composition chat on blameme who ha m h eddy. I
(35:59):
want to say something right from theheart. It's certainly good to have your
fact. You're living up the town, you know, it seems to be
enough life on broadways, you know, yes, you bet they're all rushing
to save a minute. Yeah,and what are they going to do with
this? You know? You knowthe fellow who proposed to a girl in
the automobile and she accepted him inthe hospital, this phenomenon said sixty miles
an hour. The motorcycle cop saidit was ninety. The pedestrians said it
(36:21):
was a shame. He said itwas a life, and his friends said
it with flowers. What is allof us for anyway? Eddie? People
fall all over each other trying toget the money. Not that money is
bad, Jimmy, you know Ispecialists say that green quiets the nerves,
especially greenbacks. But the dollar cannever fall as low as the means some
people adopt to get it. Well, how can you avoid the mad hunt
(36:42):
for money? You must just avoidthe colorless life. Keep in the pink
of condition. Do things up brown, threat people white, be well read.
Get out onto the green under theblue so things won't look so black.
Know one to stop and when togo. Stop being afraid, stop
worrying, stop hoarding, stop whining, stop grasping, stop looking back,
stop looking down, stop stopping,and let's go. The green light is
(37:04):
on a tenth of your business.Leave the other fellows alone, and more
important, get a little fun outof life. Everybody likes to gives good
invite on how to live. Theymean well, but they are often long.
Live your life as you be fit, give yourself the best of it.
(37:25):
Here's the only way to get along. If you want loving, go
out and make love. Get alittle fun out of line. You all
the nice things that you're thinking ofget a little far out of life.
(37:45):
Why does it get you to struggleand play? What do you gain by
the things that you say? Whatcan you do with one foot in the
grave. So get a little funout a lie. If you like coffee,
drink all that you wish. Geta little fun out of life.
(38:08):
If you like fishing, that's plentyof fish, get a little fun out
of lie. I have an unclewho's one of those flanks. He kept
his money in twelve different things.They close one morning with our same things.
(38:28):
So you fun out of life.If you like things, stand rider
fencings, get a little fun outof lie. Don't go around with your
faith and a sling. Get alittle far out of life. Get all
the joys that are coming to you. If you like children, and most
(38:52):
people do. If you meet someonewho likes children, to say, gettlet
a line. Fresh coffee is goodfor you, science says, but what
is fresh coffee. Well, freshcoffee is coffee that hasn't had time to
grow sale after it's roasted. That'swhy Chasing Sandborne's dated coffee is always fresh,
(39:16):
because it's rushed to grocers all overthe United States and Canada by the
same marvelous fleet of service cars thatdeliver Feischman's fresh yeast. Other coffee producers
have tried to keep freshness in theircoffee by packing it in elaborate containers,
but freshness is a matter of time, not of packing, and Chasing Sandborns
(39:37):
is still the only coffee delivered thisway. Chasing Sandborn's dated coffee is delivered
fresh to your grocer with a deliverydate stamped on every can, and no
cannadate is allowed to remain on agrocer's shelf more than ten days. So
if you want to drink good coffee, and if you're anxious to enjoy that
extra cup, use Chasing Sandborne's datedcoffee. The coffee that's can't be sale.
(40:00):
Coffee that's fresh is good for you. Fire pound of Chasing Sandborns dated
coffee tomorrow. We just got onemore minute before the hour's up. Is
(42:19):
there anything else you'd like to sayto your listeners? Just this, I
love to spend This is how withyou ask friend to friend. I'm furious.
I'm telling you just how I feel. I hope you that way to
(42:50):
Let's make a date for next Sundaynight. I'm here to stay twill be
my delight to bring again, singagain the things you want me to.
I love to spend this nine.Next week, ladies and gentlemen, we'll
(43:45):
have another Chasing Sanborn Coffee Hours starringEddie Catter. The Chasing Sandborn Orchestra plays
an overture of Italianaires and Rubenoffel playis one of his violin solos, The
Immortal Souvenir. Eddie Catter will revealnew position to which he will be appointed
after elections. James Wallington seeking goodNight m This is the national broadcasting Company
(44:43):
m kay up I, Los Angeles,
Popular Podcasts
Law & Order: Criminal Justice System - Season 1 & Season 2
Season Two Out Now! Law & Order: Criminal Justice System tells the real stories behind the landmark cases that have shaped how the most dangerous and influential criminals in America are prosecuted. In its second season, the series tackles the threat of terrorism in the United States. From the rise of extremist political groups in the 60s to domestic lone wolves in the modern day, we explore how organizations like the FBI and Joint Terrorism Take Force have evolved to fight back against a multitude of terrorist threats.
Dateline NBC
Current and classic episodes, featuring compelling true-crime mysteries, powerful documentaries and in-depth investigations. Follow now to get the latest episodes of Dateline NBC completely free, or subscribe to Dateline Premium for ad-free listening and exclusive bonus content: DatelinePremium.com
NFL Daily with Gregg Rosenthal
Gregg Rosenthal and a rotating crew of elite NFL Media co-hosts, including Patrick Claybon, Colleen Wolfe, Steve Wyche, Nick Shook and Jourdan Rodrigue of The Athletic get you caught up daily on all the NFL news and analysis you need to be smarter and funnier than your friends.