August 10, 2025 • 58 mins
This week we review the Zombie movie that changed the way you look at zombies! 28 Days Later from 2002! #28dayslater #zombies #zombiefilms #horrormoviepodcast #horrorfans #stayevil #horror Intro and outro music "Night Terror" composed by: Omni Slim http://www.youtube.com/@omnislim5381 http://theevilneverdiespodcast.com http://carltodd.com Merch: http://tee.pub/lic/evilneverdiespodcast Support the show! https://www.buymeacoffee.com/evilneverdP Podcast: https://www.spreaker.com/user/the-evil-never-dies-podcast--17712253 YouTube:www.youtube.com/@theevilneverdiespodcast https://www.teepublic.com/user/countcorabi Check us out soon on Screamify! https://www.screamify.com/
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Episode Transcript
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Speaker 1 (00:00):
This is the Evil Never Dies Podcast with Breton Carl.
This podcast may contain adult themes, violence, and strong language.
Listener discretion is advised.
Speaker 2 (00:49):
What's up, Welcome back to the Evil Never Dies Podcast.
I'm Brett here with Carl and what's going on?
Speaker 3 (00:55):
Carl, I've had a weird week. Electricity kept going out
in the living room and find out it probably was
a surge protector went bad. I say, probably because it
hadn't went back out since So. Yeah, I didn't even
know if I was going to be doing the show
from the studio here. I had to do it out
in the museum. But we're back.
Speaker 2 (01:17):
Yeah that. I went down and checked the VOLCA. Well,
Carl's got Carl's house was built like in nineteen forty
seven or something, eight forty eight, and part of his
original fuse box they're still using and it's got actual
the screw in type fuses.
Speaker 3 (01:39):
So and it might have saved the house apparently maybe.
Speaker 2 (01:43):
Yeah.
Speaker 3 (01:44):
So, but we got a big announcement this week, Yes
we do make it for us. Well, I want to
hear it.
Speaker 2 (01:53):
I don't know if everybody on Facebook that like is
into horror and stuff has been getting inundata with ads
by a streaming site by the name of Screamify.
Speaker 3 (02:07):
I haven't seen one at all. You haven't, really, no,
I really haven't.
Speaker 2 (02:12):
Well, it's two ninety nine a month, and they say
they're never going to raise their price, no matter whatever.
Speaker 3 (02:20):
Cool, so it's.
Speaker 2 (02:22):
Always going to be two ninety nine. It's just starting out,
so there's not very many movies on there, ground level.
Ground level. They seem to cater to the independent horror film.
Speaker 3 (02:39):
Which needs somebody to cater honestly, that that's who needs
a good service.
Speaker 2 (02:44):
Exactly exactly. And uh well, anyway, I message this guy
asking him if it was two ninety nine a month
or was it that for if you paid for like
a year in advance. You know how they give you
a deal if you pay for a year in advance
on stuff. Uh yeah, Well he messaged me and said, uh,
(03:04):
gave me his email and told me to message him.
So I emailed him and messaged him, and he says,
can you do a zoom call? What's going on here?
You know, zoom call? So I says, well, I'm at work.
I can do it this evening when I get home.
You know, how's seven o'clock sounds like? Sure? Sure. So,
(03:25):
UH got on the zoom call with him and he
explained the situation what he's doing. He used to be
a producer in uh TV and uh, what do you
call it? The the uh we were talking about it,
(03:46):
like the House, the House and all that reality TV. Yeah,
he was in that for a long time and he
got sick of uh sick of it, so he decided
to do his own thing and this is the route.
He went.
Speaker 3 (04:02):
Well, very cool.
Speaker 2 (04:03):
So and he's not even he admitted to me, he's
not even that big a horror fan.
Speaker 3 (04:10):
Yeah, so what does this mean for us?
Speaker 2 (04:13):
Well, this means for us. He asked me if I
would be interested in putting the podcast on their streaming service.
Speaker 3 (04:21):
Yay, So I'm excited about this.
Speaker 2 (04:25):
That that'll be happening in the next I'd say, probably
before it all gets finalized and said and done.
Speaker 3 (04:31):
Now, no, we're not leaving where we're at. This will
just be an additional place to watch us.
Speaker 2 (04:36):
Yes, and you get us.
Speaker 3 (04:37):
To a different audience that may not be on a
lot of social medias or youtubes or podcasts exactly.
Speaker 2 (04:43):
And he said he's got like fifty thousand subscribers already.
Speaker 3 (04:47):
Yeah, that's a big deal for us. Man, so opens
the door to a new path.
Speaker 2 (04:51):
And he's, like I said, he's still working on it.
He's on all the on all the streaming platforms.
Speaker 3 (04:57):
Yeah, I've actually got it on Apple TV. I found
and I got it loaded and ready.
Speaker 2 (05:02):
He's working on Uh, what's the one having a brain
fart tonight?
Speaker 3 (05:10):
I don't know what you're talking about. But it's on
Apple TV and it's on the App Store because it's
on my phone as well.
Speaker 2 (05:17):
So and right now you'll only be able to watch
listen on the app itself on your phone. So, but
it's probably gonna be a month before it all gets
said and done. And we started getting episodes out there.
Like I said, the guy just started this like a
couple of months ago.
Speaker 3 (05:35):
So do you have Darth Vader on your disk?
Speaker 2 (05:38):
Darth Vader?
Speaker 3 (05:39):
Yeah, that little black thing there looks like Darth Vader
helmet Brett has any setup if you haven't noticed, Oh
that's my is that Darth Vader? That's Bubba mask?
Speaker 2 (05:51):
Man?
Speaker 3 (05:51):
Oh, it looks like a Darth Vader mask. You see
the teeth, No too dark on that got to light
it up. Well that's good news. So we are now
going to be a part of a new.
Speaker 2 (06:03):
Service, Scream of FY two ninety nine a month.
Speaker 3 (06:07):
Can't beat it, can't beat it.
Speaker 2 (06:09):
And he's putting new movies on there like every day,
every other day. So yeah, check it out.
Speaker 3 (06:19):
Yay, So tonight. I guess we've had this movie or
this on the list for a long time and we
decided to do it. This movie's been sort of unavailable
for the last what she's ten years. Maybe it lost it,
I guess with Fox. It was originally a Fox movie,
(06:40):
and then when Fox sold the Disney it reverted back
to the original I guess producer or director, and it disappeared.
And it is twenty eight weeks later or twenty eight
days later, twenty eight days later. Weeks is the number two? Yeah,
I get those mixed up. Those are confus using titles.
(07:01):
We got twenty eight weeks later, twenty eight days later,
and now there's twenty eight years later, I think. And
there's a trilogy of movies, and this is the first
one of the trilogy. We're doing things in order for
a change, Yeah, we are. So this movie you can
now watch. It's on Fandango for purchaser rent. There's a
Blu ray coming up, So sort of a lost film
(07:23):
has resurfaced, back to the Living.
Speaker 2 (07:26):
You can buy they got a on Amazon, they got
a double. It's twenty eight days and twenty eight weeks.
It's like twenty eight bucks or something.
Speaker 3 (07:36):
Yeah, so this is a movie from early two thousands
that sort of inspired a whole new generation of the
zombie genres, sort of what I would call it.
Speaker 2 (07:48):
It did, for sure, But twenty eight.
Speaker 3 (07:52):
Days, not weeks later, and we will now start our review.
Speaker 2 (07:58):
All right. Twenty eight days later. Directed by Danny Boyle,
written by Alex Garland, produced by Andrew McDonald, cinematography by
Anthony Dodd Mantle.
Speaker 3 (08:14):
I'm not a fan of the cinematography.
Speaker 2 (08:16):
On this really fast moving cinema, and it's very grainy.
Speaker 3 (08:22):
That's how they made it. They made it to look grainy.
That's what a lot of people are saying when this
thing comes out on four K. They're like, why would
we want a four K of it? It's not gonna
look significantly better. So I don't know that I care
for that, But then again, maybe it fits the movie
pretty well.
Speaker 2 (08:38):
So and it's always cloudy.
Speaker 3 (08:41):
Yeah, but maybe that's the way it should be. So
I'm not gonna dog it for that sort of questionable
cinematography that may or may not work for some people.
Speaker 1 (08:51):
All right.
Speaker 2 (08:52):
Edited by Chris Gill, Music by John Murphy. What'd you
think of the score?
Speaker 3 (09:01):
It's sort of like you were saying about Our Living
last week we had a eighty score. This is definitely
a two thousand score.
Speaker 2 (09:09):
Yeah, for sure. It's that good though. Yeah, a lot
of guitar and stuff in it.
Speaker 3 (09:15):
Yeah, it's a very early two thousands feel to it,
which is when the movie was made. So no issues
with it.
Speaker 2 (09:23):
Production companies DNA Films and the Film Council, distributed by
Fox search Light Pictures, which is now just search Light Pictures.
Speaker 3 (09:35):
Yeah, which Fox no longer owns. It's twentieth Century which
is now part of our good friends the Disney Corporation,
which apparently sold the rights back to the owner, and
it's now a Sony film, so go figure.
Speaker 2 (09:50):
Yeah, I know that's funny, ain't it. Release dates first
of November of two thousand and two in the UK,
and they waited until the twenty seventh of June of
two thousand and three to release it in the United States.
As a running time of one hundred and thirteen minutes.
(10:12):
Countries are United Kingdom in the United States English language
had a budget of eight million dollars. Guess how much
it brought back at the box office.
Speaker 3 (10:24):
I'm not sure about that at number at all, So
you'll have to school me on.
Speaker 2 (10:28):
Eighty two point eight million dollars it made.
Speaker 3 (10:31):
I dang, I didn't know it was that big of
a hit.
Speaker 2 (10:34):
Wow, it was the highest grossing horror film of two
thousand and two.
Speaker 3 (10:38):
I believe that was sort of in the dead age
of horror as well. So yeah, it was sort of
on a downswing during that.
Speaker 2 (10:47):
But after this came out, man, everything started coming out
the year it.
Speaker 3 (10:50):
Did this sort of, like I said, energized a lot
of stuff.
Speaker 2 (10:55):
What was the video game that they turned into? Yeah,
Resident Evil came out right after this, and then the
remake of Dawn of the Dead. We're all right, like
one alf boom boom boom right after another.
Speaker 3 (11:11):
Now, I don't think they consider this a zombie movie,
the producers and directors, But to me, it is different story.
Speaker 2 (11:19):
Different story, different way.
Speaker 3 (11:21):
Of Maybe I should infected. You want me to go
over the storyline? Now, yes, go ahead, car, Okay. So
it starts out these animal whatever it writes people, I
guess we'd call them or in this lab, it's full
of chimpanzees, or chimpanzees if you're British. And these chimps
(11:42):
are pissed. So the scientist comes out and says, leave
these chimps alone. They're infected. They need to stay where
they're at. This is not good, y'all need to leave
them alone. Well, they don't listen. So one of these
chimps gets out, and I think he does. He throw
up blood on this girl he biers. I can't remember
the actual neck man. Yeah, and she's almost immediately infected.
Speaker 2 (12:08):
Yeah.
Speaker 3 (12:08):
So the movie then, guess what happens. It goes to
twenty eight days later and naked dude wakes up in
the hospital, don't know what's going on.
Speaker 2 (12:22):
Got hit by he's a bicycle delivery guy.
Speaker 3 (12:25):
Yeah, he got run over, but he didn't know what
was He was just in a hospital. There wasn't a
soul there. So he gets dressed and starts walking around
a very deserted London, which I thought that was some
really cool filming for that, because they had to film
this thing and very stealthily to get that effect. So
he starts rambling around London, can't find a soul, no nothing.
(12:51):
So I think he finally comes across one of these
infected people and he meets two other people who help
him out and they start their adventures in it the church,
remember it was the church. Yeah, and the priest was infected,
and I think that's where he first encountered and infected,
(13:12):
which is what we're gonna call these zombies. They're not zombies,
they're the infected. So one of these COVID like spreading diseases,
I guess it turns into zombies. It was rage, actually,
but it's more of a rage. Yeah, that's a good
That's exactly what it is.
Speaker 2 (13:30):
When the doctor they said what they said, what's it?
What's what were they infected with? And the doctors like rage?
Speaker 3 (13:37):
Yeah. So anyway, they just these three people will go
on in an adventure and then one will pass, another one
will too, will join, and it just follows these people
around London as they deal with the new world, which
is infected.
Speaker 2 (13:57):
Fact. So is that all you got for the plot, Carl?
Speaker 3 (14:03):
Yeah, anything else is gonna spoil the whole movie. We
don't want to do that.
Speaker 2 (14:08):
Yeah, all right, I guess I'll go for the cast.
First off, we got Killian Murphy as Jim.
Speaker 3 (14:17):
I think that's his first movie role, was it?
Speaker 2 (14:20):
Oh maybe? Yeah, he's been all kinds of stuff man. Yeah,
played Oppenheimer for fuck's sake.
Speaker 3 (14:26):
Yeah, he's he's done everything. He was. My favorite row
was Scarecrow from the Batman Begins movie.
Speaker 2 (14:33):
You know what movie he was really a freak in.
Was that movie Red Eye?
Speaker 3 (14:37):
Yes? I like, I love that movie.
Speaker 2 (14:39):
That movie was fucked up, dude.
Speaker 3 (14:40):
Yeah, so this was his beginnings right here.
Speaker 2 (14:43):
We might have to review that movie.
Speaker 3 (14:45):
It's fun he could, but he was a young man
when he made this movie. And yep, does a great
job in it.
Speaker 2 (14:53):
Yeah. Next off, we've gotten Naomi Harris as Selena. Brendan
Gleeson is Frank. That's uh, he's been in all kinds
of ship too, and uh mel Gibson, Uh, I can't
(15:13):
think tonight, dude.
Speaker 3 (15:15):
I don't even know what you're talking about, so I
can't help you out.
Speaker 2 (15:18):
He was the dad with the with the daughter.
Speaker 3 (15:22):
Yeah, but I don't know what you're talking about, Mel Gibson,
I don't know. Just move on all right, Grey can't think,
so I'm sorry, think, I don't know what he's.
Speaker 2 (15:32):
I'm actually drinking tonight for the first time in like
three months.
Speaker 3 (15:35):
Well, there's the problem. I can't translate Bubba talk right now.
I can't help him out, all right.
Speaker 2 (15:43):
Megan Burns is Hannah. That's Frank's daughter. Christopher eccleston as
Major Henry West, Noah Huntley as Mark. Stuart mcquarie has
Sergeant Farrell.
Speaker 3 (16:01):
I thought he's gonna say Stuart Little. I think he's
a rat.
Speaker 2 (16:08):
Ricky Harnett as Corporal Mitchell, Leo Bill as Private Jones,
Luke Mabley as Private Clifton, Junior Lannion as Private Bell,
Ray Penthacki as Private Bedford.
Speaker 3 (16:30):
Lots of military in this movie.
Speaker 2 (16:32):
Yeah, lots of military, probably the last part half of
it is so yeah. Son Jay ram Bruth as Private
Davis and Marvin Campbell as Private Mailer. And that is
the cast for twenty eight days later.
Speaker 3 (16:51):
Days later, not weeks or not years.
Speaker 2 (16:56):
All right. Well, you don't have a DV or DV
or a Blu Ray to go over.
Speaker 3 (17:01):
But I had the DVD. But this movie as it
went out of print, the DVD become pretty sought after,
and my my ass sold it and made some money
off of it. I did. I sold the DVD to
a movie trading company. I think they gave me like
twenty dollars store credit or something. I don't no shit, yeah,
damn yeah, I actually made profit off of one of
(17:24):
these things. So no, I just I bought it off
of the fandango and I've been meaning to do that anyway.
So it was on ceale last week and I picked
it on up. I don't know if I'll get the
four K of it or not. I'm sort of am
I don't know. There's like four movies right now I
want to buy, so it might have to wait for
a while, all right, But it looked the picture quality
(17:53):
is very grainy, but that's how it was filmed. It's
not the master or anything. It's just a very full,
sort of grainy movie. But I think that's how they
wanted it to be. They think it fit the movie well,
and it could. Like I said, the cinematography with depends
on your taste. You may or may not like it.
Speaker 2 (18:11):
Do you remember the three alternative endings on the DVD?
Speaker 3 (18:15):
I do, actually I do. Old Dude died in all
three of them. Yeah he did, Yeah, for sure, I
do remember that.
Speaker 2 (18:26):
I'm almost for sure. I got this on a burn seed.
Speaker 3 (18:28):
Ooh yeah, I should have kept that. But now that
it's coming back out, I might end up getting the
Blu Ray or the four K of this thing.
Speaker 2 (18:34):
Well, the only one I seen it is the two
pack that you could buy.
Speaker 3 (18:39):
Now there's a it's not out yet. It comes out
in September.
Speaker 2 (18:42):
Oh yeah, four K.
Speaker 3 (18:43):
Yeah, there may be a Blu Ray only copy too.
I don't know about weeks if it's coming or not.
I'm sure it will because they're promoting twenty eight Years,
which is the third of the trilogy. And I guess
the I don't know if it's the director of the
producer do on the rights of it, which they immediately
sold to Sony, so that, like I said, it went
from Fox to Disney to Sony, and Sony is promoting
(19:08):
the hell out of it, and I guess they're the
ones that commissioned the third movie.
Speaker 2 (19:15):
Cool, but it is.
Speaker 3 (19:16):
A very grainy movie, very kind of a dismal movie,
which fits the mood of the movie. It's a this
is a very dark and just sad movie. There's not
any happy in.
Speaker 2 (19:28):
It, no, none at all. Not a bit of happy.
Now Oh shit, I guess I'll move on to some
trivia here.
Speaker 3 (19:43):
Yeah, I don't have any bit. I have none, so
I'm kind of gonna learn with you on this one.
Speaker 2 (19:50):
For the scenes on the motorway, the production company got
permission to shoot on the m one on Sunday morning
between seven am and nine am. The police actually slowed
traffic in both directions. Using ten cameras, The film managed
to capture a total of one minute of usable footage.
Speaker 3 (20:09):
Oh wow.
Speaker 2 (20:13):
Athletes were cast as the infected because of how important
physically it is to them. Yeah. Danny Boyle felt that
since athletes can do other things people things other people can't,
they would be interesting when translated into the movements of
the infected. Yeah. They were fucking fast and ran and
(20:34):
fucking could catch your ass.
Speaker 3 (20:36):
Yeah, these are fast zombies, sort of like that. What
was that movie that there was a couple of them,
that they had some fast zombies over the years. I
am legend is I think those were vampires. I don't
know what they were.
Speaker 2 (20:51):
Yeah, I don't know what.
Speaker 3 (20:52):
Whenever they were, they were fast too.
Speaker 2 (20:54):
Wasn't that supposed to be like a remake of the
Omega Man or something.
Speaker 3 (21:00):
Which was a remake of another movie That's that was
the third make of the movie.
Speaker 2 (21:07):
The film was shot almost entirely in sequence. Only pickups
and a few reshots were shot out of sequence.
Speaker 3 (21:16):
If I ever made a movie, that's how I would
try to do it. Yeah, yeah, that's just me.
Speaker 2 (21:20):
Why go back?
Speaker 3 (21:21):
And now I know some people actually filmed the ending
to start the movie. I guess it depends on your
budget and the availability of actors and sets and shit,
So I don't know.
Speaker 2 (21:32):
Yeah, that's true. Well, it sounds like they were only
able to do some scenes like on Sundays and.
Speaker 3 (21:39):
Yeah, so early in the Yeah, because they're in London
with it totally abandoned, So you know, I mean, you
do what you gotta do in that situation.
Speaker 2 (21:51):
The scene where Jim and Selena celebrate with Frank and
Hannah was shot on September eleventh, two thousand and one.
Now shoot Danny Boyle said it felt extremely strange to
shoot a celibratory scene on that particular day. Yeah, that
was weird fucking day.
Speaker 3 (22:10):
One of these days I'm have to tell you about
the day. The two days after that, I was actually
at a Sabotage concert And you talk about weird. That
was weird, Okay, all right, it was two days after
nine to eleven, so I can sort of get the
gist of what they're saying.
Speaker 2 (22:30):
Alex Garland and Danny Boyle did a great deal of
research into social unrest, drawing ideas from things that had
happened in Rwanda and Sierra Leone, such as piling of
bodies inside churches, but drew the line at using any
actual footage from such incidents. In the opening montage, all
(22:52):
footage featuring dead bodies desecration of bodies was faked. I
would hope, so.
Speaker 3 (23:00):
Right, Well, I mean, this isn't Faces of Death. I
guess no. Shit, I don't even know what this movie
is rated. Honestly, I think are it happened because of
the nudity in it? Yeah, he's like totally.
Speaker 2 (23:13):
Old boys, big Harry Wiener.
Speaker 3 (23:15):
Yeah.
Speaker 1 (23:19):
Uh.
Speaker 2 (23:19):
The extras who played the dead bodies of the church
were college students who volunteered to appear in the film.
That'd have been an easy, easy IMDb credit.
Speaker 3 (23:31):
Huh, zombie number two are infected. Number two.
Speaker 2 (23:38):
Hospital in the film is a real day hospital open
only during the week. The trust manager of the hospitals
would hire out the building to filmmakers for the weekend,
and the productions pay the hospital directly, meaning money from
filming goes directly to the hospital's trust fund. That's sort
(23:58):
of cool. Cool.
Speaker 3 (23:59):
Yeah, he's pretty nifty.
Speaker 2 (24:02):
On top of the London Tower Block when Frank is
explaining to Jim about the water situation and tells him
about using the method he saw on TV using a
plastic sheet to capture dew and condensation, but he can't
make it work. That's because he was using that method
of an asphalt roof. It only works if you use
(24:23):
it over soil, as a plastic sheet tended to capture
collect the moisture and condensation rising up from the ground.
Speaker 3 (24:33):
Interesting.
Speaker 2 (24:34):
So yeah, and he was using very thin plastic too.
Speaker 3 (24:39):
Yeah. It seemed like this movie was very well researched
to be the word I would use exactly.
Speaker 2 (24:47):
The design for the symptoms of the rage was based
on the ebola, which is communical in all primates, including humans,
and is transmitted through the bloodl is I'm gonna fuck
this up hemorogthic fever, which leads to a rash, red eyes,
(25:08):
and both internal and external bleeding. Indeed, in in twenty
eight days later. The Aftermath, a graphic novel set between
twenty eight days later and twenty eight weeks later. It
has explained that the eubola was being used by the
scientist as a carrier for the inhibitor, which mutated into rage.
(25:32):
So it was a bola all the time.
Speaker 3 (25:34):
I got a bull of stories to tell, if I haven't.
Speaker 2 (25:36):
Told them already, bowl of stories.
Speaker 3 (25:39):
So remember back a few years ago, I guess about
ten years ago, there was in a bola loose in Dallas.
Speaker 2 (25:46):
Yeah.
Speaker 3 (25:47):
Yeah, and of all places that bola has to hit, Dallas,
of course. So me and Video Bob are over there
off of Laura Greenville and a Hamburger, and he's like,
you realize that the that nurses apart. It's right down
the street. I'm like what. He's like, yeah, it's right
down there. I'm like, dude, why did you take me
to the abol of scene. He's like, well, I don't know.
(26:08):
And then The Dark Hour was opened, like a few
weeks later, and they had an abola scene in the
Dark Hour, and I remember asking Alan, I'm like, boy,
you're sort of pushing the pushing that one. He's like, yeah,
I don't care, he said, just wanting to gross people out.
That's my ebola stories. We had an outbreak in the
Metroplex and it was crazy. I thought we were all
(26:30):
gonna die.
Speaker 2 (26:34):
What Only like three people ended up having it, didn't they.
Speaker 3 (26:37):
Well, they gave it to that pretty nurse and then
all of a sudden they found a cure for it. Yeah,
they didn't. I felt bad for the poor guy that
had originally contracted. They just let him die. And then
this nurse gets it and they're like, oh we better,
we found the magic blood that's going to cure. So
she recovered, but the poor guy that had it passed away.
Speaker 2 (27:00):
Yeah, then didn't somebody else get it to and die too?
Speaker 3 (27:04):
I think no, it was just the one guy that
originally had brought it from wherever it came from. The
nurse survived, and there was some doctor that they had
survived from it, and that's where they were getting this
magic blood to cure it. So they needed to bring
that twenty eight days later to Dallas and they probably
would have cured this thing immediately exactly because that's what
(27:26):
we do in the Metroplex. We cure zombie ism.
Speaker 2 (27:32):
Stephen King, Yeah, bought out an entire showing of the
film in New York City. He must have liked it.
Speaker 3 (27:42):
I was gonna say, Stephen King is very opinionated about stuff,
So either he liked it or he didn't like it
didn't want nobody else to see it because it was
so bad in his opinion. I think that the first
he probably loved it.
Speaker 2 (27:57):
Ewan McGregor was originally choice to play Jim Him. Yeah.
I think he probably would have did a good.
Speaker 3 (28:02):
Job as great in it.
Speaker 2 (28:04):
Yeah, but he and director Danny Boyle had a falling
out over the time over the movie The Beach from
two thousand, in which McGregor was supposed to play the
lead until he was replaced by Leonardo DiCaprio.
Speaker 3 (28:20):
Uh oh, when you get replaced by Leonardo, it tends
to pissed people off. I would guess.
Speaker 2 (28:26):
They have since reconciled. After that didn't work out, the
role was offered to Ryan Gosling.
Speaker 3 (28:32):
I remember that that actually remembered.
Speaker 2 (28:35):
He had a scheduling conflict and couldn't do it. So, yeah,
I don't think he would have been did a very
good job in it.
Speaker 3 (28:44):
You don't think so, Look I got good stuff. Well,
you just bought the little bottle all they make it
of vanilla.
Speaker 2 (28:52):
Really the spectioned by the big bottles of vanilla.
Speaker 3 (28:56):
Now I was at Stecks. They didn't have it really,
just the line, oh in that orange we face too strong?
It actually is. It's higher proof than the others.
Speaker 2 (29:04):
Oh it is?
Speaker 3 (29:05):
It is. Well, damn, may smoke your cigarette. I thought
you quit smoking.
Speaker 2 (29:11):
Maybe maybe I should start drinking that for the higher
proof and just mixing it with some more lemonade.
Speaker 3 (29:18):
I thought you quit smoking again. Jimbo, you out there,
he's gonna have his liner clicking.
Speaker 2 (29:25):
There you go, Jimbo, this for you, baby. Uh. The
crew filed all the necessary papers to destroy the cannery
War Patrol station, but the police were unintentionally not notified.
(29:45):
When the explosives were detonated, police sent fire brigades, although
one was already present. Danny Boyle resolved the matter after
several hours. The exposed explosion costs two hundred and fifty
thousand pounds total.
Speaker 3 (29:59):
God dang, yeah, that was a big explosion.
Speaker 2 (30:04):
All the mansion scenes that involved upstairs rooms were filmed
downstairs because the mansion's owner lived upstairs. Oh wow, when
Jim jumps through the window in the roof, he's actually
jumping through a hole in the corridor upstairs down to
the ground floor. Let's see here. One of the first
(30:28):
mainstream films to be shot entirely digital.
Speaker 3 (30:35):
Yeah, that was the beginning of the digital age. And
you're not talking breath.
Speaker 2 (30:45):
Talk lost a spot Killian Murphy's nude scenes were done
on a closed set at Murphy's insistence, because he didn't
want everybody seeing his junk.
Speaker 3 (30:58):
Well everybody saw in the movie.
Speaker 2 (31:00):
Yeah, what's what's the big deal?
Speaker 3 (31:04):
You don't want nobody looking at your junk, do you?
Speaker 2 (31:07):
I don't give a fuck. There ain't much to look at. Okay,
that's more information. The news footage which begins the film
was based on footage shot by the journalists Sorrius Samura
and Sarah Leone.
Speaker 3 (31:24):
That's interesting to know.
Speaker 2 (31:28):
The film's famous climatic score, in the House in a
Heartbeat by John Murphy, was used in the sequel twenty
eight weeks later, I Like that.
Speaker 3 (31:37):
That's that's a good song.
Speaker 2 (31:39):
And later in various films and trailers, for example, for
the films I Know Who Killed Me, kick Ass, and
the trailer of the video game Metro twenty thirty three,
and Louis Vatan commercial in twenty twelve.
Speaker 3 (31:57):
Who's Louis Vatan.
Speaker 2 (31:59):
Thinking fucking purses or some shit?
Speaker 3 (32:02):
Hey, that's why I don't know.
Speaker 2 (32:03):
I guess some designer ah that makes stuff that I
will never be able to afford.
Speaker 3 (32:14):
Poor broke Bubba.
Speaker 2 (32:17):
Scene where Jim, Selina and Mark shelter from the explosion
by hiding between the windows was based upon a photo
Danny Boyle had seen of a bomb blast in Northern Ireland.
Speaker 3 (32:29):
Wow, a lot of research into this movie. They just
didn't blindly make this.
Speaker 2 (32:35):
Thing exactly well. Filming the mansion scenes, the crew spent
a lot of time at the Wooden Spoon downtown Wiltshire.
They liked it so much that they gave the pub
one of the dead bodies from the execution pile. The
pub now has new owners and got rid of it.
No what, nassholes, no shit, that would have been awesome.
(33:00):
I'd have that back there instead of where fucking Skinny
is sitting there.
Speaker 3 (33:04):
Skinny's all messed up. He's having a sign around his
neck and he looks like he's got guts hanging out
of him or something.
Speaker 2 (33:13):
That's the beaver.
Speaker 3 (33:15):
Oh, he's sitting there. It looks like guts that's the
famous Moxley man or beaver.
Speaker 2 (33:20):
It's because he's a bloody beaver.
Speaker 3 (33:22):
Yeah, that thing is famous. I'm surprised we got that
thing out.
Speaker 2 (33:26):
I know, I don't know how we got it out
of him. I didn't think i'd ever see the beaver again.
Speaker 3 (33:32):
I know, you have to take pictures of the beaver
and put it in the group.
Speaker 2 (33:40):
The shot of the noticeboard at Piccadilly's Circus with the
missing person flyers caused some controversy when the film was
first released. Some said it was insensitive to what happened
in New York after the nine to eleven attack. Film
was shot prior to nine to eleven, although it was
released afterward. Danny Boyle said he based the shot on
(34:00):
a photograph he saw from an earthquake in China. He
also said that if he made the movie after nine
to eleven attacks, he wouldn't have had the shot in
that scene.
Speaker 3 (34:10):
So well, Danny did a lot of research on this movie.
Speaker 2 (34:14):
He had it off ready figured out before then.
Speaker 3 (34:17):
So well, yeah, I mean, you know, nobody knew that,
not alll they And once we go into conspiracy theories,
which we're not going to, nobody knew that was gonna happen,
so you know exactly.
Speaker 2 (34:29):
The symbol used for this film is the international symbol
for blood born biohazard, Yes, triple B. On the commentary,
director Danny Boyle revealed he was amazed at how they
achieved a sense of ruin by blocking traffic for a
(34:51):
few seconds at a time.
Speaker 3 (34:53):
Yeah, I know.
Speaker 2 (34:54):
That was so awesome the way they did that. Man,
It's like it looked like deserted and then putting all
the turned over cars and all that kind of shit
in there too.
Speaker 3 (35:04):
And god, they did good with that.
Speaker 2 (35:06):
Man.
Speaker 3 (35:07):
I think this scene's getting an extra point out of
me just for all the work they put into the movie.
Speaker 2 (35:14):
The flashback scene. The flashback scenes of Jim's parents were
shot on super eight millimeter film.
Speaker 3 (35:22):
Yeah, that was a creepy scene.
Speaker 2 (35:24):
Did you ever have the old, an old eight millimeter
camera back?
Speaker 3 (35:27):
Never did?
Speaker 2 (35:28):
Never? Did.
Speaker 3 (35:29):
I think, Well, my dad didn't give a crap about
that stuff. You think he would have since he was
a musician, But no, never saw anything.
Speaker 2 (35:41):
The film includes heavy product placement for Britain's National Lottery.
Speaker 3 (35:46):
I did notice that. I noticed that when I was
watching it.
Speaker 2 (35:50):
Yeah, it funds the British Film council.
Speaker 3 (35:53):
Interesting learned something new there. But I did notice that, yes.
Speaker 2 (35:59):
See, a lottery should do that because they don't give
shit to the schools.
Speaker 3 (36:02):
Here they say they was supposed to be for the schools.
When he got approved, we were.
Speaker 2 (36:07):
Lied to time too. The tunnel scene was filmed in
a new tunnel extension which the filmmakers had special permission
to use. That was a fucking cool scene too, it
was indeed, let's see here, and that scene took two
(36:28):
days to shoot. Let's see here. Megan Burns retired from
acting after appearing in this film, not wishing to pursue
a full time career as an actress, and instead focused
on her passion for music and singing.
Speaker 3 (36:45):
She was in a band.
Speaker 2 (36:46):
Yep. She would not do another film for sixteen years
until she was cast in the short Intruders in twenty eighteen,
and then nothing after that. As of March of twenty
twenty four.
Speaker 3 (36:59):
She was so good too, I'm sort of I'm sort
of surprised she gave up on it.
Speaker 2 (37:06):
The Tower Block Press. The Tower Block, where Hannah and
her father lived is a bow from tower which has
been converted into luxury flats. The apartment and condos and
shit over there are weird the way they got them
set up. Yeah, like twenty thirty stories of them. They're
(37:32):
just everywhere.
Speaker 3 (37:34):
We're starting to go that way in downtown Fort Worth though,
a lot of that old all those old buildings that
were offices are getting converted over to condos. Now you're
not talking again, Britton. I was having a drink. I'm sorry,
you're off your shit tonight.
Speaker 2 (37:54):
The final week of filming was dedicated towards the opening
lab Suky Winch, which was shot in Dougart, where only
one of two troops of chimps suitable for filming were
based chimps. That was just a weird scene.
Speaker 3 (38:13):
How did they get those chimps to do that? I
wonder that was That was a really weird scene.
Speaker 2 (38:21):
It's like you can train chimps. Stephen King is a
huge fan of the movie and paraphras is one of
Selena's lions in his novel Doctor Sleep. He needs us
more than we need him.
Speaker 3 (38:38):
Yeah, he was asking about the shining and that Doctor
Sleep reminds.
Speaker 2 (38:41):
Me of that. Did you see Doctor Sleep?
Speaker 3 (38:44):
Yes?
Speaker 2 (38:45):
I like Doctor Sleep the first time. It's like three
hours long.
Speaker 3 (38:49):
I love that movie. I like it better than the Shining.
Speaker 2 (38:52):
The first time I seen it, I fell asleep probably
halfway through, and then just like a couple of months ago,
I watched the whole thing.
Speaker 3 (39:00):
It's a good movie.
Speaker 2 (39:01):
Yep.
Speaker 3 (39:02):
It is long and it is slow in places, but
it's got Ian McGregor in it. He's been brought up
twice tonight now.
Speaker 2 (39:13):
Luke Madley's part as a soldier was written especially for
him after he pleaded for an audition after the casting
deadline had passed. So who lucked out? Jim spends thirty
percent of the film shirtless or nude.
Speaker 3 (39:32):
Yeah, that's true.
Speaker 2 (39:35):
Yep.
Speaker 3 (39:37):
No female nudity in this, just male nudity. That's sort
of a change of pace.
Speaker 2 (39:43):
Jim, Sleen, Mark, and Frank and Hannah's surnames are never
revealed during the film or in the end credits. Likewise,
Jim's parents' names are never revealed. Yep. They all had
just one name in the credit.
Speaker 3 (39:58):
One name in the credit, and that's it.
Speaker 2 (40:02):
Although unconfirmed, the title may refer to the fact the
peak community from a virus is widely considered to be
twenty eight days after an infection is contracted, so you
don't really know, but you would think it would probably
take about twenty eight days for the world to go
to shit like that, you know.
Speaker 3 (40:24):
Yeah, well, I mean when COVID hit, it was a
slow build, but it moved slow. This moved quick, Yeah,
this move quick.
Speaker 2 (40:35):
For sure.
Speaker 3 (40:36):
They kind of knew COVID was coming, you know, from
the time it was first unleashed or whatever the hell
it was.
Speaker 2 (40:43):
Unleashed. A scene that was shot and later abandon involved
a taxi cab full of people singing the white Strips
White Stripe song Hotel YORBA.
Speaker 3 (40:55):
Don't know what that song is.
Speaker 2 (40:57):
I don't either, man not a big white.
Speaker 3 (40:58):
Stripes either, except for the one song. I don't know
what it's called, but it's a catchy song.
Speaker 2 (41:06):
Let's see, if you actually traveled twenty seven miles northeast
of Manchester, you would end up in Huddingsfield, West Yorkshire.
I forget where they were trying to go to.
Speaker 3 (41:20):
They had an agenda, but they never really well, they
kept changing their agenda as they went along. Then they
went to the army people, and then that went They
just kept going different places.
Speaker 2 (41:37):
Word fuck is used sixty one times in this movie.
Speaker 3 (41:40):
I didn't even notice. I guess I used that word
so much it don't even surprise me.
Speaker 2 (41:44):
That's probably been said sixty one times already in this episode.
Speaker 3 (41:48):
I try not to cuss as much anymore. Try I
can control it, because when I do the shows with
the other guys, I was always good at controlling my cussing.
Speaker 2 (42:03):
The cast includes one Oscar winner, Killian Murphy, and two
Oscar nominees, Naomi Harris and Brendan Gleeson.
Speaker 3 (42:12):
True, that's very true. I didn't think of that. You're
bringing out some good trivia to not. I'm giving you
extra credit for that.
Speaker 2 (42:21):
Killian Murphy would go on to star in the sci
fi thriller Sunshine alongside Rose Byrne, who had started twenty
eight weeks later the sequel to this movie.
Speaker 3 (42:33):
I'm gonna give him another a lot of credit. He
was freaking phenomenal, said, I didn't say the other F word.
He was phenomenal in this movie. I know other people
up for the road, but he was great. Much credit
to him. I love that guy anyway. He's a great actor.
Speaker 2 (42:51):
The movie is spoofed in the music video to laugh
my fucking ass off party rock Anthem.
Speaker 3 (42:58):
What dude, I have no idea way the hell you're
talking about who just who's laughed?
Speaker 2 (43:04):
My fucking ass off.
Speaker 3 (43:05):
You just sunk the trivia with that one?
Speaker 2 (43:07):
Sunk it? Did?
Speaker 3 (43:08):
I just sunk it with that one. Man, that just
sunk that sunk the trivia. Now, I don't think you
can come back from that.
Speaker 2 (43:19):
This was director Danny Boyle's fifth film, and sometimes during
principal photography, production would be interrupted by tourists who had
better cameras.
Speaker 3 (43:33):
Yeah, yeah, I could see that. Oh shit, I can
see that for sure.
Speaker 2 (43:42):
That's funny. All right, Well that's all I got for trivia.
Speaker 3 (43:48):
Okay, good job on trivia.
Speaker 2 (43:51):
Well, thank you, except for the one fuck up?
Speaker 3 (43:53):
Yeah, except for the to the very end.
Speaker 2 (43:58):
All right.
Speaker 3 (43:58):
So we've covered the score a bit, we've covered the
non Blu ray release, So I guess it's time to
review this movie. Who goes first? Tonight?
Speaker 2 (44:09):
You go first?
Speaker 3 (44:11):
Good, I'll go first. So when I first saw this movie,
I really probably wasn't in the mood to watch it
back then. You know, I'm kind of done with the
zombie genre that I remember. This is when there really
weren't any zombie movies coming out, and I thought it
was a good movie. I didn't think it was bad,
but it didn't impress me a lot back then. Like
(44:34):
I said, I had the the now legendary DVD which
went out of which went out of print, and I
just sold it because I was like, you know, a
good movie, but I don't. That's I wasn't doing a
freaking horror movie podcast in those days. So I sold it. Yes,
I've decided I'm going to pick up the Blu ray.
Don't know about the four K because I really want
(44:56):
to see all the special features and stuff. And I
went on this thing again. I have my issues with
the movie, but damn, the director did such work and
research and put such heart into this thing. It gives
me a new view of it completely. Acting is brilliant.
The story is pretty brilliant too. What would happen if
(45:20):
this really were to occur? Probably exactly what happened in
the movie, and no spoilers, but the way the soldiers
were doing that seems very realistic to me, very realistic.
Probably a little controversial to some, but it's probably what
would happen. So I really enjoyed watching this thing again
(45:42):
and I want to watch it. This is a movie
you gotta watch several times to catch every damn thing
that's going on. And I don't think when it first
got released, I really was is into horror movies for
that moment. I think I was sort of taking, you know,
a little bit of a break. Now I think I
want to watch this thing again. So I'm going to
give this movie a solid four. And that's all I
(46:04):
can say. I mean, I think it went from a
two before I watched it again to a four now.
So this movie has won me back over completely. All Right.
Speaker 2 (46:15):
I thought you hated it.
Speaker 3 (46:16):
I did when you said it. I'm like, I don't
really want to watch this, but it's on the list.
The freaking thing won me over. Man, it went from
a two to a four just from in two days.
Maybe when I get this four K or Blu Ray,
it'll go to a five. I don't know.
Speaker 2 (46:33):
I'm curious about the special features.
Speaker 3 (46:36):
Me too, But I do remember the endings, Okay I don't,
so yeah, So yeah, this movie won me back over.
Speaker 2 (46:45):
I hope totally. I hope totally want me back over.
I hope they include them in it.
Speaker 3 (46:50):
They will, they will, So I don't know who's putting
this out, if it's Sony or one of the third
parties people, But I'll have to look into that a
little more detailed. I think Sony is might be Sony
does a good job of their stuff because remember, Sony
is one of the few movie companies that don't have
their own streaming exactly.
Speaker 2 (47:12):
Maybe they'll do a good job restoring it too.
Speaker 3 (47:15):
So I don't think they're gonna make it look great
because it was film grainy on purpose, or maybe it's
because his cameras were bad. I don't know. I know
it was intentionally or willingly or whatever filmed is a
granny film. So I'll just rhymed. Uh, go ahead, it's
your turn, It's.
Speaker 2 (47:33):
My turn, Okay, yeah, all right. This movie I think
brought the zombie genre back, like we talked about.
Speaker 3 (47:41):
Definitely, and the Walking Dead will eventually come from it.
Speaker 2 (47:45):
Yeah, and there had there was no zombie movies really no,
That's what I said when it came out, except like
them remakes of of a Return of the Living Dead.
Speaker 3 (47:56):
You know that you were silly, that's about all you got.
But well when they did have the when did the
remake of A Night of the Living Dead come out?
Speaker 2 (48:08):
Ninety I think ninety nine.
Speaker 3 (48:10):
That's coming out on four K and it's a whole
restored fucking edition of that thing too.
Speaker 2 (48:15):
I'm gonna have to get that then, yeah, get it.
Speaker 3 (48:19):
And get our buddy to sign it at the convention.
Speaker 2 (48:26):
But anyway, Uh, I like this movie, man. I actually
think I remember we went to see this at the theater.
Speaker 3 (48:35):
I might have too, Honestly, I just know it back then.
I just really wasn't in the mood for it, I
don't think.
Speaker 2 (48:42):
I just remember it being very dark, you know, gloomy dark.
Speaker 3 (48:47):
And gloom gloomy as as shit, you know, you know.
Speaker 2 (48:50):
Typical London, you know, yeah, gloom or whatever. But uh,
just like you said, the acting in it and every
great acting, great acting.
Speaker 3 (49:03):
Great directing, cinematography. I'm still a little not too sure about.
Speaker 2 (49:09):
The special effects were top notch. They were cool.
Speaker 3 (49:12):
They were.
Speaker 2 (49:13):
They were some cool looking zombies, man, they were. They
were for sure, few and fucking guts everywhere, you know, and.
Speaker 3 (49:19):
Throwing up blood. That's what unique.
Speaker 2 (49:22):
Yeah, That's that's one thing like I like about it too,
is because the dead wouldn't rise. It's just you. You
had to be infected to become one of these things,
you know. Yes, it wasn't just all of a sudden
like you know, like the ship was seeping into the
ground and you know, people's walking around shit like that.
(49:43):
It's like you got you had to get either bit
by the thing or the thing's blood, like if they
spit blood at you, if you got in your mouth
or in your fucking eyes, you were done.
Speaker 3 (49:55):
Yeah, it wasn't a romero zombie movie. That's what was
unique about it.
Speaker 2 (49:59):
So I love this movie. Man. I'm giving it a
four and.
Speaker 3 (50:04):
A half good deal. Yeah, Like I said, I just
went from and I'm caring about the movie to totally
into it.
Speaker 2 (50:11):
Now. I don't do that very much. I don't rate
stuff really high.
Speaker 3 (50:15):
But well, there's very few movies that I'm not real
fond of that we review and I become a big
fan of. But I think I've really become a big
fan of this thing. Now I'm gonna get the four K.
I'm decided on it. It's set, even though there's like
three other movies I want to get right now too,
(50:36):
dropping stuff.
Speaker 2 (50:37):
I think I'm gonna get the Double Blu Ray.
Speaker 3 (50:40):
The Double Blu Ray, Yeah.
Speaker 2 (50:41):
I can have both of them. So I'll have the
fucking next one to when we review it, and I
can watch it there you go search for it.
Speaker 3 (50:47):
So I think the fact it's become a lost movie
lost movie for a bit actually added to the appeal
of it too.
Speaker 2 (50:54):
Exactly.
Speaker 3 (50:55):
Everybody's wanting to see it and they couldn't because of
whenever that. I guess it's when Fox sold their ship
to Disney. It got lost.
Speaker 2 (51:02):
I don't know, well, I watched it on Pluto. I
don't know who the fuck owns Pluto. Maybe it's Disney too.
Speaker 3 (51:08):
I don't I think it's got something to do with
Paramount because you know Para the merger. Paramount merger is
official now too. Sky Dance is now the new owners
of Paramount Pictures, so we'll see what on.
Speaker 2 (51:21):
There with with commercials, you know, it's.
Speaker 3 (51:25):
Like, yeah, I just bought it off of fandango. It
was it was ten bucks. It was worth it by far,
all right, So we both got new setups. I think
I'm finally happy with my set now, Brett. I think
I've got it all pretty good, especially like the I
(51:45):
like my marshmallow Man back here. He's like glowing. You
got your other light going, not yet, I don't even
know what I'm going to do with that light, don't
even know if I need it, honestly, But guess what.
Looking you can see him moving back their chatterboxes away,
see him right above my head. He woke up for August.
Speaker 2 (52:05):
Man, that thing's fucking old as shit, dude.
Speaker 3 (52:07):
It is old as shit. It's older than most of
the kids. I think he's going crazy now that I
got him woke up.
Speaker 2 (52:13):
Still fucking works, man.
Speaker 3 (52:14):
I don't think it's funny. The thing moved its head
to where it's on the camera. It was it never
shows up on the camera until he turns on. I
think chatterbox is haunted. He's going off again. He's haunted.
All right.
Speaker 2 (52:32):
Well, I guess that's all we got for twenty eight
days later.
Speaker 3 (52:36):
Not weeks, not years, not yet. Oh yeah, and shirts,
haunt shirts. I am by haunt shirts.
Speaker 2 (52:47):
We're waiting for it to cool down so we can
go back there.
Speaker 3 (52:49):
And I'm not way. I'm waiting for September to hit
and then I'm going full force.
Speaker 2 (52:57):
All right, you got any time off in September.
Speaker 3 (53:00):
I don't know if you're gonna get your cemetery fence
built or not.
Speaker 2 (53:04):
Well I'm gonna have to. I'm not putting that bent
up ship up in there that got hit by the tree.
I'm gonna have to do something something, I'll get her done.
Speaker 3 (53:18):
Check out our social media's The YouTube page is going strong,
and our brand new app.
Speaker 2 (53:26):
Yeah. Check out SCREAMI five a month forever.
Speaker 3 (53:32):
Yeah, and.
Speaker 2 (53:35):
Listen to us on there. And like I said, we're
gonna be eventually, we're gonna get video on there, and
eventually the video and the podcast and all that will
be on the streaming apps too, eventually.
Speaker 3 (53:51):
So Old Skinny's happy back there about it?
Speaker 2 (53:54):
He looks happy, don't he.
Speaker 3 (53:56):
Now. I just realize I got Ace Freley's face here.
I've got a fle face there. I've got Ace everywhere.
You know. I gotta have a kiss corner and if
anytime I do anything, And I got Ozzie right there.
Even though we don't review albums anymore, but I gotta
keep my heavy metal stuff going. I'm gonna review an
album again soon. Wait, any week, we're gonna have a
(54:18):
mystery Uh midweek, just pop up, are you. I'll do
a kiss album.
Speaker 2 (54:23):
Do a kiss album. Yeah, that's all you do is
kiss albums?
Speaker 3 (54:27):
No I do? And an Iron Maiden, Well that's all
the time. We got Brett's confused. So I'm gonna sign
this show off. I'm gonna sign the show off.
Speaker 2 (54:41):
My mouths ain't fucking working though.
Speaker 3 (54:43):
I think we're back to our other theme song now,
I'm not sure.
Speaker 2 (54:47):
Yeah, we're gonna go back to the old theme song.
Speaker 3 (54:50):
Well not the old old one, but the one before
the last one.
Speaker 2 (54:54):
We're switching it up.
Speaker 3 (54:56):
Yeah, we might switch it back again in a few months.
Speaker 2 (54:58):
You never know, you never no, might do it every
other week. Who knows?
Speaker 3 (55:03):
You won't do the Halloween theme anymore? That's old and
wildly copyright violated.
Speaker 2 (55:09):
Probably all right, everybody, thanks for watching and listening. We
love y'all, and stay evil stavil everybody, No, no.
Speaker 3 (56:00):
H.
Speaker 2 (56:05):
So who are you wake up today in hospital?
Speaker 3 (56:08):
Wake up and I'm loosening some bad news.
Speaker 2 (56:13):
They're infected in.
Speaker 3 (56:20):
Shouldn't have done that.
Speaker 2 (56:22):
The blood of something in the blood.
Speaker 3 (56:35):
Unless someone. You never go anywhere alone unless you got
no choice. Hello, Lester too, only travel during daylight unless
he got no choice. This really is a bad idea,
you know why, there's obviously a bad idea.
Speaker 1 (56:53):
You have to leave now.
Speaker 2 (56:55):
What will become.
Speaker 1 (56:57):
They always do
Speaker 2 (57:12):
The dead and you're gonna be next
This is the Evil Never Dies Podcast with Breton Carl.
This podcast may contain adult themes, violence, and strong language.
Listener discretion is advised.
Speaker 2 (00:49):
What's up, Welcome back to the Evil Never Dies Podcast.
I'm Brett here with Carl and what's going on?
Speaker 3 (00:55):
Carl, I've had a weird week. Electricity kept going out
in the living room and find out it probably was
a surge protector went bad. I say, probably because it
hadn't went back out since So. Yeah, I didn't even
know if I was going to be doing the show
from the studio here. I had to do it out
in the museum. But we're back.
Speaker 2 (01:17):
Yeah that. I went down and checked the VOLCA. Well,
Carl's got Carl's house was built like in nineteen forty
seven or something, eight forty eight, and part of his
original fuse box they're still using and it's got actual
the screw in type fuses.
Speaker 3 (01:39):
So and it might have saved the house apparently maybe.
Speaker 2 (01:43):
Yeah.
Speaker 3 (01:44):
So, but we got a big announcement this week, Yes
we do make it for us. Well, I want to
hear it.
Speaker 2 (01:53):
I don't know if everybody on Facebook that like is
into horror and stuff has been getting inundata with ads
by a streaming site by the name of Screamify.
Speaker 3 (02:07):
I haven't seen one at all. You haven't, really, no,
I really haven't.
Speaker 2 (02:12):
Well, it's two ninety nine a month, and they say
they're never going to raise their price, no matter whatever.
Speaker 3 (02:20):
Cool, so it's.
Speaker 2 (02:22):
Always going to be two ninety nine. It's just starting out,
so there's not very many movies on there, ground level.
Ground level. They seem to cater to the independent horror film.
Speaker 3 (02:39):
Which needs somebody to cater honestly, that that's who needs
a good service.
Speaker 2 (02:44):
Exactly exactly. And uh well, anyway, I message this guy
asking him if it was two ninety nine a month
or was it that for if you paid for like
a year in advance. You know how they give you
a deal if you pay for a year in advance
on stuff. Uh yeah, Well he messaged me and said, uh,
(03:04):
gave me his email and told me to message him.
So I emailed him and messaged him, and he says,
can you do a zoom call? What's going on here?
You know, zoom call? So I says, well, I'm at work.
I can do it this evening when I get home.
You know, how's seven o'clock sounds like? Sure? Sure. So,
(03:25):
UH got on the zoom call with him and he
explained the situation what he's doing. He used to be
a producer in uh TV and uh, what do you
call it? The the uh we were talking about it,
(03:46):
like the House, the House and all that reality TV. Yeah,
he was in that for a long time and he
got sick of uh sick of it, so he decided
to do his own thing and this is the route.
He went.
Speaker 3 (04:02):
Well, very cool.
Speaker 2 (04:03):
So and he's not even he admitted to me, he's
not even that big a horror fan.
Speaker 3 (04:10):
Yeah, so what does this mean for us?
Speaker 2 (04:13):
Well, this means for us. He asked me if I
would be interested in putting the podcast on their streaming service.
Speaker 3 (04:21):
Yay, So I'm excited about this.
Speaker 2 (04:25):
That that'll be happening in the next I'd say, probably
before it all gets finalized and said and done.
Speaker 3 (04:31):
Now, no, we're not leaving where we're at. This will
just be an additional place to watch us.
Speaker 2 (04:36):
Yes, and you get us.
Speaker 3 (04:37):
To a different audience that may not be on a
lot of social medias or youtubes or podcasts exactly.
Speaker 2 (04:43):
And he said he's got like fifty thousand subscribers already.
Speaker 3 (04:47):
Yeah, that's a big deal for us. Man, so opens
the door to a new path.
Speaker 2 (04:51):
And he's, like I said, he's still working on it.
He's on all the on all the streaming platforms.
Speaker 3 (04:57):
Yeah, I've actually got it on Apple TV. I found
and I got it loaded and ready.
Speaker 2 (05:02):
He's working on Uh, what's the one having a brain
fart tonight?
Speaker 3 (05:10):
I don't know what you're talking about. But it's on
Apple TV and it's on the App Store because it's
on my phone as well.
Speaker 2 (05:17):
So and right now you'll only be able to watch
listen on the app itself on your phone. So, but
it's probably gonna be a month before it all gets
said and done. And we started getting episodes out there.
Like I said, the guy just started this like a
couple of months ago.
Speaker 3 (05:35):
So do you have Darth Vader on your disk?
Speaker 2 (05:38):
Darth Vader?
Speaker 3 (05:39):
Yeah, that little black thing there looks like Darth Vader
helmet Brett has any setup if you haven't noticed, Oh
that's my is that Darth Vader? That's Bubba mask?
Speaker 2 (05:51):
Man?
Speaker 3 (05:51):
Oh, it looks like a Darth Vader mask. You see
the teeth, No too dark on that got to light
it up. Well that's good news. So we are now
going to be a part of a new.
Speaker 2 (06:03):
Service, Scream of FY two ninety nine a month.
Speaker 3 (06:07):
Can't beat it, can't beat it.
Speaker 2 (06:09):
And he's putting new movies on there like every day,
every other day. So yeah, check it out.
Speaker 3 (06:19):
Yay, So tonight. I guess we've had this movie or
this on the list for a long time and we
decided to do it. This movie's been sort of unavailable
for the last what she's ten years. Maybe it lost it,
I guess with Fox. It was originally a Fox movie,
(06:40):
and then when Fox sold the Disney it reverted back
to the original I guess producer or director, and it disappeared.
And it is twenty eight weeks later or twenty eight
days later, twenty eight days later. Weeks is the number two? Yeah,
I get those mixed up. Those are confus using titles.
(07:01):
We got twenty eight weeks later, twenty eight days later,
and now there's twenty eight years later, I think. And
there's a trilogy of movies, and this is the first
one of the trilogy. We're doing things in order for
a change, Yeah, we are. So this movie you can
now watch. It's on Fandango for purchaser rent. There's a
Blu ray coming up, So sort of a lost film
(07:23):
has resurfaced, back to the Living.
Speaker 2 (07:26):
You can buy they got a on Amazon, they got
a double. It's twenty eight days and twenty eight weeks.
It's like twenty eight bucks or something.
Speaker 3 (07:36):
Yeah, so this is a movie from early two thousands
that sort of inspired a whole new generation of the
zombie genres, sort of what I would call it.
Speaker 2 (07:48):
It did, for sure, But twenty eight.
Speaker 3 (07:52):
Days, not weeks later, and we will now start our review.
Speaker 2 (07:58):
All right. Twenty eight days later. Directed by Danny Boyle,
written by Alex Garland, produced by Andrew McDonald, cinematography by
Anthony Dodd Mantle.
Speaker 3 (08:14):
I'm not a fan of the cinematography.
Speaker 2 (08:16):
On this really fast moving cinema, and it's very grainy.
Speaker 3 (08:22):
That's how they made it. They made it to look grainy.
That's what a lot of people are saying when this
thing comes out on four K. They're like, why would
we want a four K of it? It's not gonna
look significantly better. So I don't know that I care
for that, But then again, maybe it fits the movie
pretty well.
Speaker 2 (08:38):
So and it's always cloudy.
Speaker 3 (08:41):
Yeah, but maybe that's the way it should be. So
I'm not gonna dog it for that sort of questionable
cinematography that may or may not work for some people.
Speaker 1 (08:51):
All right.
Speaker 2 (08:52):
Edited by Chris Gill, Music by John Murphy. What'd you
think of the score?
Speaker 3 (09:01):
It's sort of like you were saying about Our Living
last week we had a eighty score. This is definitely
a two thousand score.
Speaker 2 (09:09):
Yeah, for sure. It's that good though. Yeah, a lot
of guitar and stuff in it.
Speaker 3 (09:15):
Yeah, it's a very early two thousands feel to it,
which is when the movie was made. So no issues
with it.
Speaker 2 (09:23):
Production companies DNA Films and the Film Council, distributed by
Fox search Light Pictures, which is now just search Light Pictures.
Speaker 3 (09:35):
Yeah, which Fox no longer owns. It's twentieth Century which
is now part of our good friends the Disney Corporation,
which apparently sold the rights back to the owner, and
it's now a Sony film, so go figure.
Speaker 2 (09:50):
Yeah, I know that's funny, ain't it. Release dates first
of November of two thousand and two in the UK,
and they waited until the twenty seventh of June of
two thousand and three to release it in the United States.
As a running time of one hundred and thirteen minutes.
(10:12):
Countries are United Kingdom in the United States English language
had a budget of eight million dollars. Guess how much
it brought back at the box office.
Speaker 3 (10:24):
I'm not sure about that at number at all, So
you'll have to school me on.
Speaker 2 (10:28):
Eighty two point eight million dollars it made.
Speaker 3 (10:31):
I dang, I didn't know it was that big of
a hit.
Speaker 2 (10:34):
Wow, it was the highest grossing horror film of two
thousand and two.
Speaker 3 (10:38):
I believe that was sort of in the dead age
of horror as well. So yeah, it was sort of
on a downswing during that.
Speaker 2 (10:47):
But after this came out, man, everything started coming out
the year it.
Speaker 3 (10:50):
Did this sort of, like I said, energized a lot
of stuff.
Speaker 2 (10:55):
What was the video game that they turned into? Yeah,
Resident Evil came out right after this, and then the
remake of Dawn of the Dead. We're all right, like
one alf boom boom boom right after another.
Speaker 3 (11:11):
Now, I don't think they consider this a zombie movie,
the producers and directors, But to me, it is different story.
Speaker 2 (11:19):
Different story, different way.
Speaker 3 (11:21):
Of Maybe I should infected. You want me to go
over the storyline? Now, yes, go ahead, car, Okay. So
it starts out these animal whatever it writes people, I
guess we'd call them or in this lab, it's full
of chimpanzees, or chimpanzees if you're British. And these chimps
(11:42):
are pissed. So the scientist comes out and says, leave
these chimps alone. They're infected. They need to stay where
they're at. This is not good, y'all need to leave
them alone. Well, they don't listen. So one of these
chimps gets out, and I think he does. He throw
up blood on this girl he biers. I can't remember
the actual neck man. Yeah, and she's almost immediately infected.
Speaker 2 (12:08):
Yeah.
Speaker 3 (12:08):
So the movie then, guess what happens. It goes to
twenty eight days later and naked dude wakes up in
the hospital, don't know what's going on.
Speaker 2 (12:22):
Got hit by he's a bicycle delivery guy.
Speaker 3 (12:25):
Yeah, he got run over, but he didn't know what
was He was just in a hospital. There wasn't a
soul there. So he gets dressed and starts walking around
a very deserted London, which I thought that was some
really cool filming for that, because they had to film
this thing and very stealthily to get that effect. So
he starts rambling around London, can't find a soul, no nothing.
(12:51):
So I think he finally comes across one of these
infected people and he meets two other people who help
him out and they start their adventures in it the church,
remember it was the church. Yeah, and the priest was infected,
and I think that's where he first encountered and infected,
(13:12):
which is what we're gonna call these zombies. They're not zombies,
they're the infected. So one of these COVID like spreading diseases,
I guess it turns into zombies. It was rage, actually,
but it's more of a rage. Yeah, that's a good
That's exactly what it is.
Speaker 2 (13:30):
When the doctor they said what they said, what's it?
What's what were they infected with? And the doctors like rage?
Speaker 3 (13:37):
Yeah. So anyway, they just these three people will go
on in an adventure and then one will pass, another one
will too, will join, and it just follows these people
around London as they deal with the new world, which
is infected.
Speaker 2 (13:57):
Fact. So is that all you got for the plot, Carl?
Speaker 3 (14:03):
Yeah, anything else is gonna spoil the whole movie. We
don't want to do that.
Speaker 2 (14:08):
Yeah, all right, I guess I'll go for the cast.
First off, we got Killian Murphy as Jim.
Speaker 3 (14:17):
I think that's his first movie role, was it?
Speaker 2 (14:20):
Oh maybe? Yeah, he's been all kinds of stuff man. Yeah,
played Oppenheimer for fuck's sake.
Speaker 3 (14:26):
Yeah, he's he's done everything. He was. My favorite row
was Scarecrow from the Batman Begins movie.
Speaker 2 (14:33):
You know what movie he was really a freak in.
Was that movie Red Eye?
Speaker 3 (14:37):
Yes? I like, I love that movie.
Speaker 2 (14:39):
That movie was fucked up, dude.
Speaker 3 (14:40):
Yeah, so this was his beginnings right here.
Speaker 2 (14:43):
We might have to review that movie.
Speaker 3 (14:45):
It's fun he could, but he was a young man
when he made this movie. And yep, does a great
job in it.
Speaker 2 (14:53):
Yeah. Next off, we've gotten Naomi Harris as Selena. Brendan
Gleeson is Frank. That's uh, he's been in all kinds
of ship too, and uh mel Gibson, Uh, I can't
(15:13):
think tonight, dude.
Speaker 3 (15:15):
I don't even know what you're talking about, so I
can't help you out.
Speaker 2 (15:18):
He was the dad with the with the daughter.
Speaker 3 (15:22):
Yeah, but I don't know what you're talking about, Mel Gibson,
I don't know. Just move on all right, Grey can't think,
so I'm sorry, think, I don't know what he's.
Speaker 2 (15:32):
I'm actually drinking tonight for the first time in like
three months.
Speaker 3 (15:35):
Well, there's the problem. I can't translate Bubba talk right now.
I can't help him out, all right.
Speaker 2 (15:43):
Megan Burns is Hannah. That's Frank's daughter. Christopher eccleston as
Major Henry West, Noah Huntley as Mark. Stuart mcquarie has
Sergeant Farrell.
Speaker 3 (16:01):
I thought he's gonna say Stuart Little. I think he's
a rat.
Speaker 2 (16:08):
Ricky Harnett as Corporal Mitchell, Leo Bill as Private Jones,
Luke Mabley as Private Clifton, Junior Lannion as Private Bell,
Ray Penthacki as Private Bedford.
Speaker 3 (16:30):
Lots of military in this movie.
Speaker 2 (16:32):
Yeah, lots of military, probably the last part half of
it is so yeah. Son Jay ram Bruth as Private
Davis and Marvin Campbell as Private Mailer. And that is
the cast for twenty eight days later.
Speaker 3 (16:51):
Days later, not weeks or not years.
Speaker 2 (16:56):
All right. Well, you don't have a DV or DV
or a Blu Ray to go over.
Speaker 3 (17:01):
But I had the DVD. But this movie as it
went out of print, the DVD become pretty sought after,
and my my ass sold it and made some money
off of it. I did. I sold the DVD to
a movie trading company. I think they gave me like
twenty dollars store credit or something. I don't no shit, yeah,
damn yeah, I actually made profit off of one of
(17:24):
these things. So no, I just I bought it off
of the fandango and I've been meaning to do that anyway.
So it was on ceale last week and I picked
it on up. I don't know if I'll get the
four K of it or not. I'm sort of am
I don't know. There's like four movies right now I
want to buy, so it might have to wait for
a while, all right, But it looked the picture quality
(17:53):
is very grainy, but that's how it was filmed. It's
not the master or anything. It's just a very full,
sort of grainy movie. But I think that's how they
wanted it to be. They think it fit the movie well,
and it could. Like I said, the cinematography with depends
on your taste. You may or may not like it.
Speaker 2 (18:11):
Do you remember the three alternative endings on the DVD?
Speaker 3 (18:15):
I do, actually I do. Old Dude died in all
three of them. Yeah he did, Yeah, for sure, I
do remember that.
Speaker 2 (18:26):
I'm almost for sure. I got this on a burn seed.
Speaker 3 (18:28):
Ooh yeah, I should have kept that. But now that
it's coming back out, I might end up getting the
Blu Ray or the four K of this thing.
Speaker 2 (18:34):
Well, the only one I seen it is the two
pack that you could buy.
Speaker 3 (18:39):
Now there's a it's not out yet. It comes out
in September.
Speaker 2 (18:42):
Oh yeah, four K.
Speaker 3 (18:43):
Yeah, there may be a Blu Ray only copy too.
I don't know about weeks if it's coming or not.
I'm sure it will because they're promoting twenty eight Years,
which is the third of the trilogy. And I guess
the I don't know if it's the director of the
producer do on the rights of it, which they immediately
sold to Sony, so that, like I said, it went
from Fox to Disney to Sony, and Sony is promoting
(19:08):
the hell out of it, and I guess they're the
ones that commissioned the third movie.
Speaker 2 (19:15):
Cool, but it is.
Speaker 3 (19:16):
A very grainy movie, very kind of a dismal movie,
which fits the mood of the movie. It's a this
is a very dark and just sad movie. There's not
any happy in.
Speaker 2 (19:28):
It, no, none at all. Not a bit of happy.
Now Oh shit, I guess I'll move on to some
trivia here.
Speaker 3 (19:43):
Yeah, I don't have any bit. I have none, so
I'm kind of gonna learn with you on this one.
Speaker 2 (19:50):
For the scenes on the motorway, the production company got
permission to shoot on the m one on Sunday morning
between seven am and nine am. The police actually slowed
traffic in both directions. Using ten cameras, The film managed
to capture a total of one minute of usable footage.
Speaker 3 (20:09):
Oh wow.
Speaker 2 (20:13):
Athletes were cast as the infected because of how important
physically it is to them. Yeah. Danny Boyle felt that
since athletes can do other things people things other people can't,
they would be interesting when translated into the movements of
the infected. Yeah. They were fucking fast and ran and
(20:34):
fucking could catch your ass.
Speaker 3 (20:36):
Yeah, these are fast zombies, sort of like that. What
was that movie that there was a couple of them,
that they had some fast zombies over the years. I
am legend is I think those were vampires. I don't
know what they were.
Speaker 2 (20:51):
Yeah, I don't know what.
Speaker 3 (20:52):
Whenever they were, they were fast too.
Speaker 2 (20:54):
Wasn't that supposed to be like a remake of the
Omega Man or something.
Speaker 3 (21:00):
Which was a remake of another movie That's that was
the third make of the movie.
Speaker 2 (21:07):
The film was shot almost entirely in sequence. Only pickups
and a few reshots were shot out of sequence.
Speaker 3 (21:16):
If I ever made a movie, that's how I would
try to do it. Yeah, yeah, that's just me.
Speaker 2 (21:20):
Why go back?
Speaker 3 (21:21):
And now I know some people actually filmed the ending
to start the movie. I guess it depends on your
budget and the availability of actors and sets and shit,
So I don't know.
Speaker 2 (21:32):
Yeah, that's true. Well, it sounds like they were only
able to do some scenes like on Sundays and.
Speaker 3 (21:39):
Yeah, so early in the Yeah, because they're in London
with it totally abandoned, So you know, I mean, you
do what you gotta do in that situation.
Speaker 2 (21:51):
The scene where Jim and Selena celebrate with Frank and
Hannah was shot on September eleventh, two thousand and one.
Now shoot Danny Boyle said it felt extremely strange to
shoot a celibratory scene on that particular day. Yeah, that
was weird fucking day.
Speaker 3 (22:10):
One of these days I'm have to tell you about
the day. The two days after that, I was actually
at a Sabotage concert And you talk about weird. That
was weird, Okay, all right, it was two days after
nine to eleven, so I can sort of get the
gist of what they're saying.
Speaker 2 (22:30):
Alex Garland and Danny Boyle did a great deal of
research into social unrest, drawing ideas from things that had
happened in Rwanda and Sierra Leone, such as piling of
bodies inside churches, but drew the line at using any
actual footage from such incidents. In the opening montage, all
(22:52):
footage featuring dead bodies desecration of bodies was faked. I
would hope, so.
Speaker 3 (23:00):
Right, Well, I mean, this isn't Faces of Death. I
guess no. Shit, I don't even know what this movie
is rated. Honestly, I think are it happened because of
the nudity in it? Yeah, he's like totally.
Speaker 2 (23:13):
Old boys, big Harry Wiener.
Speaker 3 (23:15):
Yeah.
Speaker 1 (23:19):
Uh.
Speaker 2 (23:19):
The extras who played the dead bodies of the church
were college students who volunteered to appear in the film.
That'd have been an easy, easy IMDb credit.
Speaker 3 (23:31):
Huh, zombie number two are infected. Number two.
Speaker 2 (23:38):
Hospital in the film is a real day hospital open
only during the week. The trust manager of the hospitals
would hire out the building to filmmakers for the weekend,
and the productions pay the hospital directly, meaning money from
filming goes directly to the hospital's trust fund. That's sort
(23:58):
of cool. Cool.
Speaker 3 (23:59):
Yeah, he's pretty nifty.
Speaker 2 (24:02):
On top of the London Tower Block when Frank is
explaining to Jim about the water situation and tells him
about using the method he saw on TV using a
plastic sheet to capture dew and condensation, but he can't
make it work. That's because he was using that method
of an asphalt roof. It only works if you use
(24:23):
it over soil, as a plastic sheet tended to capture
collect the moisture and condensation rising up from the ground.
Speaker 3 (24:33):
Interesting.
Speaker 2 (24:34):
So yeah, and he was using very thin plastic too.
Speaker 3 (24:39):
Yeah. It seemed like this movie was very well researched
to be the word I would use exactly.
Speaker 2 (24:47):
The design for the symptoms of the rage was based
on the ebola, which is communical in all primates, including humans,
and is transmitted through the bloodl is I'm gonna fuck
this up hemorogthic fever, which leads to a rash, red eyes,
(25:08):
and both internal and external bleeding. Indeed, in in twenty
eight days later. The Aftermath, a graphic novel set between
twenty eight days later and twenty eight weeks later. It
has explained that the eubola was being used by the
scientist as a carrier for the inhibitor, which mutated into rage.
(25:32):
So it was a bola all the time.
Speaker 3 (25:34):
I got a bull of stories to tell, if I haven't.
Speaker 2 (25:36):
Told them already, bowl of stories.
Speaker 3 (25:39):
So remember back a few years ago, I guess about
ten years ago, there was in a bola loose in Dallas.
Speaker 2 (25:46):
Yeah.
Speaker 3 (25:47):
Yeah, and of all places that bola has to hit, Dallas,
of course. So me and Video Bob are over there
off of Laura Greenville and a Hamburger, and he's like,
you realize that the that nurses apart. It's right down
the street. I'm like what. He's like, yeah, it's right
down there. I'm like, dude, why did you take me
to the abol of scene. He's like, well, I don't know.
(26:08):
And then The Dark Hour was opened, like a few
weeks later, and they had an abola scene in the
Dark Hour, and I remember asking Alan, I'm like, boy,
you're sort of pushing the pushing that one. He's like, yeah,
I don't care, he said, just wanting to gross people out.
That's my ebola stories. We had an outbreak in the
Metroplex and it was crazy. I thought we were all
(26:30):
gonna die.
Speaker 2 (26:34):
What Only like three people ended up having it, didn't they.
Speaker 3 (26:37):
Well, they gave it to that pretty nurse and then
all of a sudden they found a cure for it. Yeah,
they didn't. I felt bad for the poor guy that
had originally contracted. They just let him die. And then
this nurse gets it and they're like, oh we better,
we found the magic blood that's going to cure. So
she recovered, but the poor guy that had it passed away.
Speaker 2 (27:00):
Yeah, then didn't somebody else get it to and die too?
Speaker 3 (27:04):
I think no, it was just the one guy that
originally had brought it from wherever it came from. The
nurse survived, and there was some doctor that they had
survived from it, and that's where they were getting this
magic blood to cure it. So they needed to bring
that twenty eight days later to Dallas and they probably
would have cured this thing immediately exactly because that's what
(27:26):
we do in the Metroplex. We cure zombie ism.
Speaker 2 (27:32):
Stephen King, Yeah, bought out an entire showing of the
film in New York City. He must have liked it.
Speaker 3 (27:42):
I was gonna say, Stephen King is very opinionated about stuff,
So either he liked it or he didn't like it
didn't want nobody else to see it because it was
so bad in his opinion. I think that the first
he probably loved it.
Speaker 2 (27:57):
Ewan McGregor was originally choice to play Jim Him. Yeah.
I think he probably would have did a good.
Speaker 3 (28:02):
Job as great in it.
Speaker 2 (28:04):
Yeah, but he and director Danny Boyle had a falling
out over the time over the movie The Beach from
two thousand, in which McGregor was supposed to play the
lead until he was replaced by Leonardo DiCaprio.
Speaker 3 (28:20):
Uh oh, when you get replaced by Leonardo, it tends
to pissed people off. I would guess.
Speaker 2 (28:26):
They have since reconciled. After that didn't work out, the
role was offered to Ryan Gosling.
Speaker 3 (28:32):
I remember that that actually remembered.
Speaker 2 (28:35):
He had a scheduling conflict and couldn't do it. So, yeah,
I don't think he would have been did a very
good job in it.
Speaker 3 (28:44):
You don't think so, Look I got good stuff. Well,
you just bought the little bottle all they make it
of vanilla.
Speaker 2 (28:52):
Really the spectioned by the big bottles of vanilla.
Speaker 3 (28:56):
Now I was at Stecks. They didn't have it really,
just the line, oh in that orange we face too strong?
It actually is. It's higher proof than the others.
Speaker 2 (29:04):
Oh it is?
Speaker 3 (29:05):
It is. Well, damn, may smoke your cigarette. I thought
you quit smoking.
Speaker 2 (29:11):
Maybe maybe I should start drinking that for the higher
proof and just mixing it with some more lemonade.
Speaker 3 (29:18):
I thought you quit smoking again. Jimbo, you out there,
he's gonna have his liner clicking.
Speaker 2 (29:25):
There you go, Jimbo, this for you, baby. Uh. The
crew filed all the necessary papers to destroy the cannery
War Patrol station, but the police were unintentionally not notified.
(29:45):
When the explosives were detonated, police sent fire brigades, although
one was already present. Danny Boyle resolved the matter after
several hours. The exposed explosion costs two hundred and fifty
thousand pounds total.
Speaker 3 (29:59):
God dang, yeah, that was a big explosion.
Speaker 2 (30:04):
All the mansion scenes that involved upstairs rooms were filmed
downstairs because the mansion's owner lived upstairs. Oh wow, when
Jim jumps through the window in the roof, he's actually
jumping through a hole in the corridor upstairs down to
the ground floor. Let's see here. One of the first
(30:28):
mainstream films to be shot entirely digital.
Speaker 3 (30:35):
Yeah, that was the beginning of the digital age. And
you're not talking breath.
Speaker 2 (30:45):
Talk lost a spot Killian Murphy's nude scenes were done
on a closed set at Murphy's insistence, because he didn't
want everybody seeing his junk.
Speaker 3 (30:58):
Well everybody saw in the movie.
Speaker 2 (31:00):
Yeah, what's what's the big deal?
Speaker 3 (31:04):
You don't want nobody looking at your junk, do you?
Speaker 2 (31:07):
I don't give a fuck. There ain't much to look at. Okay,
that's more information. The news footage which begins the film
was based on footage shot by the journalists Sorrius Samura
and Sarah Leone.
Speaker 3 (31:24):
That's interesting to know.
Speaker 2 (31:28):
The film's famous climatic score, in the House in a
Heartbeat by John Murphy, was used in the sequel twenty
eight weeks later, I Like that.
Speaker 3 (31:37):
That's that's a good song.
Speaker 2 (31:39):
And later in various films and trailers, for example, for
the films I Know Who Killed Me, kick Ass, and
the trailer of the video game Metro twenty thirty three,
and Louis Vatan commercial in twenty twelve.
Speaker 3 (31:57):
Who's Louis Vatan.
Speaker 2 (31:59):
Thinking fucking purses or some shit?
Speaker 3 (32:02):
Hey, that's why I don't know.
Speaker 2 (32:03):
I guess some designer ah that makes stuff that I
will never be able to afford.
Speaker 3 (32:14):
Poor broke Bubba.
Speaker 2 (32:17):
Scene where Jim, Selina and Mark shelter from the explosion
by hiding between the windows was based upon a photo
Danny Boyle had seen of a bomb blast in Northern Ireland.
Speaker 3 (32:29):
Wow, a lot of research into this movie. They just
didn't blindly make this.
Speaker 2 (32:35):
Thing exactly well. Filming the mansion scenes, the crew spent
a lot of time at the Wooden Spoon downtown Wiltshire.
They liked it so much that they gave the pub
one of the dead bodies from the execution pile. The
pub now has new owners and got rid of it.
No what, nassholes, no shit, that would have been awesome.
(33:00):
I'd have that back there instead of where fucking Skinny
is sitting there.
Speaker 3 (33:04):
Skinny's all messed up. He's having a sign around his
neck and he looks like he's got guts hanging out
of him or something.
Speaker 2 (33:13):
That's the beaver.
Speaker 3 (33:15):
Oh, he's sitting there. It looks like guts that's the
famous Moxley man or beaver.
Speaker 2 (33:20):
It's because he's a bloody beaver.
Speaker 3 (33:22):
Yeah, that thing is famous. I'm surprised we got that
thing out.
Speaker 2 (33:26):
I know, I don't know how we got it out
of him. I didn't think i'd ever see the beaver again.
Speaker 3 (33:32):
I know, you have to take pictures of the beaver
and put it in the group.
Speaker 2 (33:40):
The shot of the noticeboard at Piccadilly's Circus with the
missing person flyers caused some controversy when the film was
first released. Some said it was insensitive to what happened
in New York after the nine to eleven attack. Film
was shot prior to nine to eleven, although it was
released afterward. Danny Boyle said he based the shot on
(34:00):
a photograph he saw from an earthquake in China. He
also said that if he made the movie after nine
to eleven attacks, he wouldn't have had the shot in
that scene.
Speaker 3 (34:10):
So well, Danny did a lot of research on this movie.
Speaker 2 (34:14):
He had it off ready figured out before then.
Speaker 3 (34:17):
So well, yeah, I mean, you know, nobody knew that,
not alll they And once we go into conspiracy theories,
which we're not going to, nobody knew that was gonna happen,
so you know exactly.
Speaker 2 (34:29):
The symbol used for this film is the international symbol
for blood born biohazard, Yes, triple B. On the commentary,
director Danny Boyle revealed he was amazed at how they
achieved a sense of ruin by blocking traffic for a
(34:51):
few seconds at a time.
Speaker 3 (34:53):
Yeah, I know.
Speaker 2 (34:54):
That was so awesome the way they did that. Man,
It's like it looked like deserted and then putting all
the turned over cars and all that kind of shit
in there too.
Speaker 3 (35:04):
And god, they did good with that.
Speaker 2 (35:06):
Man.
Speaker 3 (35:07):
I think this scene's getting an extra point out of
me just for all the work they put into the movie.
Speaker 2 (35:14):
The flashback scene. The flashback scenes of Jim's parents were
shot on super eight millimeter film.
Speaker 3 (35:22):
Yeah, that was a creepy scene.
Speaker 2 (35:24):
Did you ever have the old, an old eight millimeter
camera back?
Speaker 3 (35:27):
Never did?
Speaker 2 (35:28):
Never? Did.
Speaker 3 (35:29):
I think, Well, my dad didn't give a crap about
that stuff. You think he would have since he was
a musician, But no, never saw anything.
Speaker 2 (35:41):
The film includes heavy product placement for Britain's National Lottery.
Speaker 3 (35:46):
I did notice that. I noticed that when I was
watching it.
Speaker 2 (35:50):
Yeah, it funds the British Film council.
Speaker 3 (35:53):
Interesting learned something new there. But I did notice that, yes.
Speaker 2 (35:59):
See, a lottery should do that because they don't give
shit to the schools.
Speaker 3 (36:02):
Here they say they was supposed to be for the schools.
When he got approved, we were.
Speaker 2 (36:07):
Lied to time too. The tunnel scene was filmed in
a new tunnel extension which the filmmakers had special permission
to use. That was a fucking cool scene too, it
was indeed, let's see here, and that scene took two
(36:28):
days to shoot. Let's see here. Megan Burns retired from
acting after appearing in this film, not wishing to pursue
a full time career as an actress, and instead focused
on her passion for music and singing.
Speaker 3 (36:45):
She was in a band.
Speaker 2 (36:46):
Yep. She would not do another film for sixteen years
until she was cast in the short Intruders in twenty eighteen,
and then nothing after that. As of March of twenty
twenty four.
Speaker 3 (36:59):
She was so good too, I'm sort of I'm sort
of surprised she gave up on it.
Speaker 2 (37:06):
The Tower Block Press. The Tower Block, where Hannah and
her father lived is a bow from tower which has
been converted into luxury flats. The apartment and condos and
shit over there are weird the way they got them
set up. Yeah, like twenty thirty stories of them. They're
(37:32):
just everywhere.
Speaker 3 (37:34):
We're starting to go that way in downtown Fort Worth though,
a lot of that old all those old buildings that
were offices are getting converted over to condos. Now you're
not talking again, Britton. I was having a drink. I'm sorry,
you're off your shit tonight.
Speaker 2 (37:54):
The final week of filming was dedicated towards the opening
lab Suky Winch, which was shot in Dougart, where only
one of two troops of chimps suitable for filming were
based chimps. That was just a weird scene.
Speaker 3 (38:13):
How did they get those chimps to do that? I
wonder that was That was a really weird scene.
Speaker 2 (38:21):
It's like you can train chimps. Stephen King is a
huge fan of the movie and paraphras is one of
Selena's lions in his novel Doctor Sleep. He needs us
more than we need him.
Speaker 3 (38:38):
Yeah, he was asking about the shining and that Doctor
Sleep reminds.
Speaker 2 (38:41):
Me of that. Did you see Doctor Sleep?
Speaker 3 (38:44):
Yes?
Speaker 2 (38:45):
I like Doctor Sleep the first time. It's like three
hours long.
Speaker 3 (38:49):
I love that movie. I like it better than the Shining.
Speaker 2 (38:52):
The first time I seen it, I fell asleep probably
halfway through, and then just like a couple of months ago,
I watched the whole thing.
Speaker 3 (39:00):
It's a good movie.
Speaker 2 (39:01):
Yep.
Speaker 3 (39:02):
It is long and it is slow in places, but
it's got Ian McGregor in it. He's been brought up
twice tonight now.
Speaker 2 (39:13):
Luke Madley's part as a soldier was written especially for
him after he pleaded for an audition after the casting
deadline had passed. So who lucked out? Jim spends thirty
percent of the film shirtless or nude.
Speaker 3 (39:32):
Yeah, that's true.
Speaker 2 (39:35):
Yep.
Speaker 3 (39:37):
No female nudity in this, just male nudity. That's sort
of a change of pace.
Speaker 2 (39:43):
Jim, Sleen, Mark, and Frank and Hannah's surnames are never
revealed during the film or in the end credits. Likewise,
Jim's parents' names are never revealed. Yep. They all had
just one name in the credit.
Speaker 3 (39:58):
One name in the credit, and that's it.
Speaker 2 (40:02):
Although unconfirmed, the title may refer to the fact the
peak community from a virus is widely considered to be
twenty eight days after an infection is contracted, so you
don't really know, but you would think it would probably
take about twenty eight days for the world to go
to shit like that, you know.
Speaker 3 (40:24):
Yeah, well, I mean when COVID hit, it was a
slow build, but it moved slow. This moved quick, Yeah,
this move quick.
Speaker 2 (40:35):
For sure.
Speaker 3 (40:36):
They kind of knew COVID was coming, you know, from
the time it was first unleashed or whatever the hell
it was.
Speaker 2 (40:43):
Unleashed. A scene that was shot and later abandon involved
a taxi cab full of people singing the white Strips
White Stripe song Hotel YORBA.
Speaker 3 (40:55):
Don't know what that song is.
Speaker 2 (40:57):
I don't either, man not a big white.
Speaker 3 (40:58):
Stripes either, except for the one song. I don't know
what it's called, but it's a catchy song.
Speaker 2 (41:06):
Let's see, if you actually traveled twenty seven miles northeast
of Manchester, you would end up in Huddingsfield, West Yorkshire.
I forget where they were trying to go to.
Speaker 3 (41:20):
They had an agenda, but they never really well, they
kept changing their agenda as they went along. Then they
went to the army people, and then that went They
just kept going different places.
Speaker 2 (41:37):
Word fuck is used sixty one times in this movie.
Speaker 3 (41:40):
I didn't even notice. I guess I used that word
so much it don't even surprise me.
Speaker 2 (41:44):
That's probably been said sixty one times already in this episode.
Speaker 3 (41:48):
I try not to cuss as much anymore. Try I
can control it, because when I do the shows with
the other guys, I was always good at controlling my cussing.
Speaker 2 (42:03):
The cast includes one Oscar winner, Killian Murphy, and two
Oscar nominees, Naomi Harris and Brendan Gleeson.
Speaker 3 (42:12):
True, that's very true. I didn't think of that. You're
bringing out some good trivia to not. I'm giving you
extra credit for that.
Speaker 2 (42:21):
Killian Murphy would go on to star in the sci
fi thriller Sunshine alongside Rose Byrne, who had started twenty
eight weeks later the sequel to this movie.
Speaker 3 (42:33):
I'm gonna give him another a lot of credit. He
was freaking phenomenal, said, I didn't say the other F word.
He was phenomenal in this movie. I know other people
up for the road, but he was great. Much credit
to him. I love that guy anyway. He's a great actor.
Speaker 2 (42:51):
The movie is spoofed in the music video to laugh
my fucking ass off party rock Anthem.
Speaker 3 (42:58):
What dude, I have no idea way the hell you're
talking about who just who's laughed?
Speaker 2 (43:04):
My fucking ass off.
Speaker 3 (43:05):
You just sunk the trivia with that one?
Speaker 2 (43:07):
Sunk it? Did?
Speaker 3 (43:08):
I just sunk it with that one. Man, that just
sunk that sunk the trivia. Now, I don't think you
can come back from that.
Speaker 2 (43:19):
This was director Danny Boyle's fifth film, and sometimes during
principal photography, production would be interrupted by tourists who had
better cameras.
Speaker 3 (43:33):
Yeah, yeah, I could see that. Oh shit, I can
see that for sure.
Speaker 2 (43:42):
That's funny. All right, Well that's all I got for trivia.
Speaker 3 (43:48):
Okay, good job on trivia.
Speaker 2 (43:51):
Well, thank you, except for the one fuck up?
Speaker 3 (43:53):
Yeah, except for the to the very end.
Speaker 2 (43:58):
All right.
Speaker 3 (43:58):
So we've covered the score a bit, we've covered the
non Blu ray release, So I guess it's time to
review this movie. Who goes first? Tonight?
Speaker 2 (44:09):
You go first?
Speaker 3 (44:11):
Good, I'll go first. So when I first saw this movie,
I really probably wasn't in the mood to watch it
back then. You know, I'm kind of done with the
zombie genre that I remember. This is when there really
weren't any zombie movies coming out, and I thought it
was a good movie. I didn't think it was bad,
but it didn't impress me a lot back then. Like
(44:34):
I said, I had the the now legendary DVD which
went out of which went out of print, and I
just sold it because I was like, you know, a
good movie, but I don't. That's I wasn't doing a
freaking horror movie podcast in those days. So I sold it. Yes,
I've decided I'm going to pick up the Blu ray.
Don't know about the four K because I really want
(44:56):
to see all the special features and stuff. And I
went on this thing again. I have my issues with
the movie, but damn, the director did such work and
research and put such heart into this thing. It gives
me a new view of it completely. Acting is brilliant.
The story is pretty brilliant too. What would happen if
(45:20):
this really were to occur? Probably exactly what happened in
the movie, and no spoilers, but the way the soldiers
were doing that seems very realistic to me, very realistic.
Probably a little controversial to some, but it's probably what
would happen. So I really enjoyed watching this thing again
(45:42):
and I want to watch it. This is a movie
you gotta watch several times to catch every damn thing
that's going on. And I don't think when it first
got released, I really was is into horror movies for
that moment. I think I was sort of taking, you know,
a little bit of a break. Now I think I
want to watch this thing again. So I'm going to
give this movie a solid four. And that's all I
(46:04):
can say. I mean, I think it went from a
two before I watched it again to a four now.
So this movie has won me back over completely. All Right.
Speaker 2 (46:15):
I thought you hated it.
Speaker 3 (46:16):
I did when you said it. I'm like, I don't
really want to watch this, but it's on the list.
The freaking thing won me over. Man, it went from
a two to a four just from in two days.
Maybe when I get this four K or Blu Ray,
it'll go to a five. I don't know.
Speaker 2 (46:33):
I'm curious about the special features.
Speaker 3 (46:36):
Me too, But I do remember the endings, Okay I don't,
so yeah, So yeah, this movie won me back over.
Speaker 2 (46:45):
I hope totally. I hope totally want me back over.
I hope they include them in it.
Speaker 3 (46:50):
They will, they will, So I don't know who's putting
this out, if it's Sony or one of the third
parties people, But I'll have to look into that a
little more detailed. I think Sony is might be Sony
does a good job of their stuff because remember, Sony
is one of the few movie companies that don't have
their own streaming exactly.
Speaker 2 (47:12):
Maybe they'll do a good job restoring it too.
Speaker 3 (47:15):
So I don't think they're gonna make it look great
because it was film grainy on purpose, or maybe it's
because his cameras were bad. I don't know. I know
it was intentionally or willingly or whatever filmed is a
granny film. So I'll just rhymed. Uh, go ahead, it's
your turn, It's.
Speaker 2 (47:33):
My turn, Okay, yeah, all right. This movie I think
brought the zombie genre back, like we talked about.
Speaker 3 (47:41):
Definitely, and the Walking Dead will eventually come from it.
Speaker 2 (47:45):
Yeah, and there had there was no zombie movies really no,
That's what I said when it came out, except like
them remakes of of a Return of the Living Dead.
Speaker 3 (47:56):
You know that you were silly, that's about all you got.
But well when they did have the when did the
remake of A Night of the Living Dead come out?
Speaker 2 (48:08):
Ninety I think ninety nine.
Speaker 3 (48:10):
That's coming out on four K and it's a whole
restored fucking edition of that thing too.
Speaker 2 (48:15):
I'm gonna have to get that then, yeah, get it.
Speaker 3 (48:19):
And get our buddy to sign it at the convention.
Speaker 2 (48:26):
But anyway, Uh, I like this movie, man. I actually
think I remember we went to see this at the theater.
Speaker 3 (48:35):
I might have too, Honestly, I just know it back then.
I just really wasn't in the mood for it, I
don't think.
Speaker 2 (48:42):
I just remember it being very dark, you know, gloomy dark.
Speaker 3 (48:47):
And gloom gloomy as as shit, you know, you know.
Speaker 2 (48:50):
Typical London, you know, yeah, gloom or whatever. But uh,
just like you said, the acting in it and every
great acting, great acting.
Speaker 3 (49:03):
Great directing, cinematography. I'm still a little not too sure about.
Speaker 2 (49:09):
The special effects were top notch. They were cool.
Speaker 3 (49:12):
They were.
Speaker 2 (49:13):
They were some cool looking zombies, man, they were. They
were for sure, few and fucking guts everywhere, you know, and.
Speaker 3 (49:19):
Throwing up blood. That's what unique.
Speaker 2 (49:22):
Yeah, That's that's one thing like I like about it too,
is because the dead wouldn't rise. It's just you. You
had to be infected to become one of these things,
you know. Yes, it wasn't just all of a sudden
like you know, like the ship was seeping into the
ground and you know, people's walking around shit like that.
(49:43):
It's like you got you had to get either bit
by the thing or the thing's blood, like if they
spit blood at you, if you got in your mouth
or in your fucking eyes, you were done.
Speaker 3 (49:55):
Yeah, it wasn't a romero zombie movie. That's what was
unique about it.
Speaker 2 (49:59):
So I love this movie. Man. I'm giving it a
four and.
Speaker 3 (50:04):
A half good deal. Yeah, Like I said, I just
went from and I'm caring about the movie to totally
into it.
Speaker 2 (50:11):
Now. I don't do that very much. I don't rate
stuff really high.
Speaker 3 (50:15):
But well, there's very few movies that I'm not real
fond of that we review and I become a big
fan of. But I think I've really become a big
fan of this thing. Now I'm gonna get the four K.
I'm decided on it. It's set, even though there's like
three other movies I want to get right now too,
(50:36):
dropping stuff.
Speaker 2 (50:37):
I think I'm gonna get the Double Blu Ray.
Speaker 3 (50:40):
The Double Blu Ray, Yeah.
Speaker 2 (50:41):
I can have both of them. So I'll have the
fucking next one to when we review it, and I
can watch it there you go search for it.
Speaker 3 (50:47):
So I think the fact it's become a lost movie
lost movie for a bit actually added to the appeal
of it too.
Speaker 2 (50:54):
Exactly.
Speaker 3 (50:55):
Everybody's wanting to see it and they couldn't because of
whenever that. I guess it's when Fox sold their ship
to Disney. It got lost.
Speaker 2 (51:02):
I don't know, well, I watched it on Pluto. I
don't know who the fuck owns Pluto. Maybe it's Disney too.
Speaker 3 (51:08):
I don't I think it's got something to do with
Paramount because you know Para the merger. Paramount merger is
official now too. Sky Dance is now the new owners
of Paramount Pictures, so we'll see what on.
Speaker 2 (51:21):
There with with commercials, you know, it's.
Speaker 3 (51:25):
Like, yeah, I just bought it off of fandango. It
was it was ten bucks. It was worth it by far,
all right, So we both got new setups. I think
I'm finally happy with my set now, Brett. I think
I've got it all pretty good, especially like the I
(51:45):
like my marshmallow Man back here. He's like glowing. You
got your other light going, not yet, I don't even
know what I'm going to do with that light, don't
even know if I need it, honestly, But guess what.
Looking you can see him moving back their chatterboxes away,
see him right above my head. He woke up for August.
Speaker 2 (52:05):
Man, that thing's fucking old as shit, dude.
Speaker 3 (52:07):
It is old as shit. It's older than most of
the kids. I think he's going crazy now that I
got him woke up.
Speaker 2 (52:13):
Still fucking works, man.
Speaker 3 (52:14):
I don't think it's funny. The thing moved its head
to where it's on the camera. It was it never
shows up on the camera until he turns on. I
think chatterbox is haunted. He's going off again. He's haunted.
All right.
Speaker 2 (52:32):
Well, I guess that's all we got for twenty eight
days later.
Speaker 3 (52:36):
Not weeks, not years, not yet. Oh yeah, and shirts,
haunt shirts. I am by haunt shirts.
Speaker 2 (52:47):
We're waiting for it to cool down so we can
go back there.
Speaker 3 (52:49):
And I'm not way. I'm waiting for September to hit
and then I'm going full force.
Speaker 2 (52:57):
All right, you got any time off in September.
Speaker 3 (53:00):
I don't know if you're gonna get your cemetery fence
built or not.
Speaker 2 (53:04):
Well I'm gonna have to. I'm not putting that bent
up ship up in there that got hit by the tree.
I'm gonna have to do something something, I'll get her done.
Speaker 3 (53:18):
Check out our social media's The YouTube page is going strong,
and our brand new app.
Speaker 2 (53:26):
Yeah. Check out SCREAMI five a month forever.
Speaker 3 (53:32):
Yeah, and.
Speaker 2 (53:35):
Listen to us on there. And like I said, we're
gonna be eventually, we're gonna get video on there, and
eventually the video and the podcast and all that will
be on the streaming apps too, eventually.
Speaker 3 (53:51):
So Old Skinny's happy back there about it?
Speaker 2 (53:54):
He looks happy, don't he.
Speaker 3 (53:56):
Now. I just realize I got Ace Freley's face here.
I've got a fle face there. I've got Ace everywhere.
You know. I gotta have a kiss corner and if
anytime I do anything, And I got Ozzie right there.
Even though we don't review albums anymore, but I gotta
keep my heavy metal stuff going. I'm gonna review an
album again soon. Wait, any week, we're gonna have a
(54:18):
mystery Uh midweek, just pop up, are you. I'll do
a kiss album.
Speaker 2 (54:23):
Do a kiss album. Yeah, that's all you do is
kiss albums?
Speaker 3 (54:27):
No I do? And an Iron Maiden, Well that's all
the time. We got Brett's confused. So I'm gonna sign
this show off. I'm gonna sign the show off.
Speaker 2 (54:41):
My mouths ain't fucking working though.
Speaker 3 (54:43):
I think we're back to our other theme song now,
I'm not sure.
Speaker 2 (54:47):
Yeah, we're gonna go back to the old theme song.
Speaker 3 (54:50):
Well not the old old one, but the one before
the last one.
Speaker 2 (54:54):
We're switching it up.
Speaker 3 (54:56):
Yeah, we might switch it back again in a few months.
Speaker 2 (54:58):
You never know, you never no, might do it every
other week. Who knows?
Speaker 3 (55:03):
You won't do the Halloween theme anymore? That's old and
wildly copyright violated.
Speaker 2 (55:09):
Probably all right, everybody, thanks for watching and listening. We
love y'all, and stay evil stavil everybody, No, no.
Speaker 3 (56:00):
H.
Speaker 2 (56:05):
So who are you wake up today in hospital?
Speaker 3 (56:08):
Wake up and I'm loosening some bad news.
Speaker 2 (56:13):
They're infected in.
Speaker 3 (56:20):
Shouldn't have done that.
Speaker 2 (56:22):
The blood of something in the blood.
Speaker 3 (56:35):
Unless someone. You never go anywhere alone unless you got
no choice. Hello, Lester too, only travel during daylight unless
he got no choice. This really is a bad idea,
you know why, there's obviously a bad idea.
Speaker 1 (56:53):
You have to leave now.
Speaker 2 (56:55):
What will become.
Speaker 1 (56:57):
They always do
Speaker 2 (57:12):
The dead and you're gonna be next
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