And it begins😈

We unpack shenanigans in life…and that most are caused by DRAKE AND KANYE SPECIFICALLY 😩😈💀

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Episode Transcript

Speaker 1 (00:13):
Who are confident you in my lack of guitars.

Speaker 2 (00:15):
The fight and the taken go through one bling.

Speaker 3 (00:17):
And try and to press the pickle the back of
the man.

Speaker 2 (00:20):
If they don't really give a damn back to driving
your pass.

Speaker 1 (00:23):
You try, I try to get the burn. I put
in the dog basic that the leaves a potat the
pro decided any.

Speaker 4 (00:31):
The best of picking on you do this pausing happy
my pride and talk about that and you don't have
any striking.

Speaker 1 (00:38):
I'm tricking particious snap, you're just playing that num perticipquintment.

Speaker 5 (00:41):
That's not me, that's the.

Speaker 1 (00:42):
Favorite that s the want to fight trains any of
the fame become a name and not look at that
anybody came, but the fucker main don't that you can attained.

Speaker 6 (00:51):
He speaks of success and even if you will get
the proved and there the best, even if you will
find joy and end up.

Speaker 1 (00:56):
Music and you going perfect, get you the dream.

Speaker 3 (00:59):
Of life that that person so.

Speaker 1 (01:00):
Pure a probable to say the time, but no keep
to say no time to be because you stop the
whole and make the shame fucking thing on you.

Speaker 4 (01:08):
If they laugh at you'sping brining, don't catch your nature,
So keep throwing.

Speaker 1 (01:14):
Don't let the pati Let's just spring it sounds, heizes,
don't turn if they laugh at you, because spring women
don't catch your nature. So keep throwing, don't let the
platt to. Let's just sprug yourself.

Speaker 3 (01:27):
Gazing God, it's a god.

Speaker 1 (01:30):
Give it's a big feelings changeably. It's a shame to me.

Speaker 5 (01:32):
I can't even believe in me without being considered the
self as break some self a ship, Dad, if you
believe in yourself, you clearly warm about the ship.

Speaker 1 (01:39):
It's so clearly like it. Turn petatious up perpensis uncle
braiding he read into celebrating being. I can't get with
dated cost paper straighted being like God get destrated well
more time. He's making a statement, i'self, Well we not cobated.
I'm more debating. It's being old.

Speaker 2 (01:53):
Pay to play.

Speaker 1 (01:54):
If I don't kind of tomorrow, I'll be here on
out the game. It's all the purpose of silence. And
my tivers got the thing. It didn't.

Speaker 5 (02:00):
If you don't get brad, you can know when you
shay because I'm born in the dark, so Brus might
be fading tim the shadows just get a couping dome
light and it go matter then because no coun the
dark knight. I played the building up until a couple times.

Speaker 1 (02:12):
Like until turn if they're.

Speaker 4 (02:14):
Nap a chair, because when you're wedding, don't catch your natatude,
so keep going.

Speaker 1 (02:19):
Don't love compratitude. Let's just strum yourself, gize it. No
fall if they're not a.

Speaker 4 (02:26):
Chill because when you're wedding, don't catch your natitude, so
keep going.

Speaker 1 (02:30):
They don't look a platiture. Let's just struing yourself. You
get guys, go fall, don't hurry if they's not at you.

Speaker 4 (02:37):
Just when you're wedding, don't catch your nattitude, so keep going.
Don't look for pratitude.

Speaker 1 (02:42):
And let's just string your sun. You can't rise it.

Speaker 4 (02:45):
You don't burning if they're napture because when you're winning, don't.

Speaker 1 (02:50):
Catch your nattitude. So keep going. Don't look compratitude. Let's
just spring yourself. You can't rise. And some play by
your policies, but robotically they don't so much to try
to tell what you know.

Speaker 3 (03:01):
When the perspective design.

Speaker 1 (03:03):
Poster picture depred that not before second to typing capture
the gather they to feel as the credit some waterc
the ether they even doing, but when they hear it
they money go on that for the leading from the
fine and the line. So I simply can't apply because
my mind is attack applies.

Speaker 2 (03:18):
More than this.

Speaker 1 (03:19):
If they leave a child like we don't get your
n child, keep telling don't love a fat let's the
scuttish sounds that.

Speaker 4 (03:30):
If the child, okay, you that can't do it, don't
love pat let's the scrity sound.

Speaker 3 (04:23):
So I am going to find some people lying of
mind in the business and disregarding with.

Speaker 6 (04:27):
Go we have to say about my life to try
between the second.

Speaker 3 (04:30):
Tell them to find the things.

Speaker 6 (04:31):
When the others say it appears the living now type
of ps, I mean, thank your business, because it's.

Speaker 3 (04:36):
Not the guy in the spinish what you so pas
did not live the best.

Speaker 2 (04:40):
My first way into the being.

Speaker 3 (04:42):
The don't suckbody in the end, let me digress.

Speaker 6 (04:45):
I'm not saying I'm a play for fertil this because
that's ridiculous, spending playing so much.

Speaker 3 (04:50):
I'll be just a yip. I can abode to be
your live and lavish and toss a little cabbage so
I can feel above damage.

Speaker 2 (04:55):
I'm gonna do it why.

Speaker 3 (04:56):
Not come to ship if you don't shame, just remember
the I too.

Speaker 1 (05:01):
I wanted to Joli. I can't join the school because
I was going by.

Speaker 3 (05:06):
My side, my own eyes. Like you know, you need
to be your own baby.

Speaker 1 (05:13):
The whole time.

Speaker 3 (05:14):
If you ain't talking money, ain't get about my side.

Speaker 1 (05:17):
It's I like it like keep.

Speaker 3 (05:19):
Calling it cutting in.

Speaker 2 (05:21):
It's polly.

Speaker 1 (05:23):
I don't wanted to. I don't want to tell you
if I can't do it.

Speaker 3 (05:25):
The school because I go something. It is an apple pop.
If you're stricken and I don't find any pleasure and
have no food in the kitchen, you kids in my closset,
no kin, Yeah wanna be like I'm knowing your buffer.

Speaker 6 (05:37):
No my bowling a bunchet, so with my gun in
the Florida. No need to be humble because I bought
my apple breech.

Speaker 2 (05:42):
Because my prop and stay hungry.

Speaker 3 (05:43):
You call eagle stroking man. You want to be talking,
you hate I want to stand my money.

Speaker 1 (05:48):
What do you smoke? Gotta have a nice car.

Speaker 4 (05:51):
Life's gotta have a nice halfline.

Speaker 7 (05:55):
God like you don't care how just up there.

Speaker 3 (06:00):
I don't worry about making I'm stay here for telling
the people's so no, I'm.

Speaker 1 (06:04):
Telling you that I wanted to the man. I want
to do it. I came doing the school. I'm going
my guys high life. I'm all right. You know you
need to mind your dad. It's high life, no hall time.

Speaker 3 (06:18):
If you ain't talking money, day, get about the side.

Speaker 1 (06:22):
In high life, it's stay right.

Speaker 3 (06:24):
Keep on your puddings.

Speaker 1 (06:25):
Don't be cost I don't want to toll a man.
I wanted to it. If I came to winter school
because I'm going my last my life. I'm all right.

Speaker 3 (06:35):
You know you need to mind your own being in
it's my life, no hall time. You ain't talking money,
then get about myself. It's highlight. It's stay right, keep
on your buddy ins.

Speaker 2 (06:47):
Call me because you know why.

Speaker 1 (06:49):
I don't want to do a man. I wanted to
do it. If I came doing the school because I'm going.

Speaker 4 (06:53):
My last my life, I'm all right because I don't know, man,
I'll change it.

Speaker 1 (06:59):
It's my life.

Speaker 3 (07:01):
Your home time is yourself.

Speaker 1 (07:02):
You need to be like my life in stay I
don't think some I don't want to do a man.
I don't want to do it if I can't do
it the school because I'm going in my life. My life,
my homeline.

Speaker 3 (07:18):
You know, you need to get your own babies.

Speaker 1 (07:21):
Is my life your home time.

Speaker 3 (07:23):
If you ain't talking about it, they get about the side.

Speaker 2 (07:26):
Is my life in stay, keep.

Speaker 1 (07:29):
On your goodions.

Speaker 2 (07:30):
Don't be a god tell me I.

Speaker 1 (07:32):
Don't want to do the man. I want to do it.
If I can't do it the school because I'm going
in my life.

Speaker 6 (08:15):
I thank you.

Speaker 7 (08:17):
We as something that don't I'm paying about.

Speaker 8 (08:22):
I've been Bryan nanty for a minute. I thought I
should have got four in a row. But New York
Times Voulture magazine named Domino Effect three the number one
common specialist. That was dope, congratulations, and it's weird. I've
been number two. I've been mentioned honorable mention on it.

(08:46):
But it's something different, you know, it is different. Last
y'all said, I don't care what they say. They honorable
mentioned me out of nowhere. I mean whatever, I don't
need it. And then number one came.

Speaker 7 (08:59):
I woke up in one. Oh, they finally, but it
was it was a cool.

Speaker 8 (09:07):
It was a cool thing because you know, being in Houston,
a lot of times Houston's South we get looked over
in a lot of things.

Speaker 7 (09:16):
Well, I'm gonna get you in cat together, have a conversation.
I'm gonna be there. I don't trust you. I agree
with you, and I shouldn't be trusted.

Speaker 8 (09:25):
Yeah, because I know if you want some unmanly with me,
I'm gonna sock your all my life, grinding all.

Speaker 6 (09:34):
My life, sacrifices, trust price.

Speaker 1 (09:38):
One slice got the brother swap all my life.

Speaker 6 (09:42):
I've been grinding all my life, all my life, and
grinning all.

Speaker 9 (09:45):
My life and sacrifics tussele patr one slice got the
brother swap all my life.

Speaker 3 (09:52):
I'll be grinding all my life.

Speaker 10 (09:57):
Hello, welcome to another episode of Club. I am your
host shot in Shark. I'm also the propriud of Club
Sha Shake.

Speaker 7 (10:02):
Today we're a helica say.

Speaker 6 (10:04):
Club shache Ala call the cattle like that. Why shen
Shopper's ridiculous.

Speaker 2 (10:15):
To be enduring this.

Speaker 6 (10:19):
Fuck humanity sick? And also cause I respect you, DC,
Why I'm enduring this cluncher talk to like gess.

Speaker 2 (10:32):
I am somewhat cut ups.

Speaker 5 (10:35):
So that's it.

Speaker 2 (10:38):
All the shameless promotion is gonna be nothing with me.
I started.

Speaker 6 (10:45):
I'm guarding any motherfucker who does this after it's a lot.
Nobody did this if they had the bringing idea actually
turn it podcasts through radio stuff so.

Speaker 2 (11:01):
That if you know it's my original music, I'm gonna
be actually.

Speaker 6 (11:05):
Positive and I'm doing this from the main of my
existence a regular ass Apple device. So but that's it
as it started of For all that the city said star,
I'm by saying I hate I hate every one of y'all.

Speaker 2 (11:28):
Gonna popular claim you did it. It's because I'm not
passionate it yet, gonna.

Speaker 6 (11:36):
Be acting like somebody famous started. So I don't wanna
see any of these ball heded old.

Speaker 2 (11:43):
For any of these raglely.

Speaker 6 (11:45):
Cemit celebrities who got millions of dollars that have had
an I phone for the last five thousand years and
decided not to do it because they're uninteresting. I don't
want them to pretend to be interesting now they're not.
They're all boring, rich, therefore no personality. That is why
their entire lifestyle is built on a lie, literally lied.

Speaker 2 (12:09):
For a living pretending to be other people.

Speaker 6 (12:11):
That's how you know they have no personality now and
that see and be endured the Jennie Sharp interview for
how long is the days He's probably gonna be broken up.
His clear very long winded, your whole bunch of clutch
in vernacular white.

Speaker 2 (12:29):
Struggles, why have subtips? God help us? Stob he.

Speaker 10 (12:35):
Please go underground at Resources World, Las Vegas, stopping buying
for conversation on the drink today is one of the
Internet's most popular comedians.

Speaker 2 (12:43):
Already reading off a path, I'm already exhausted.

Speaker 10 (12:47):
He has one of the most watched comedy special ever
on YouTube. He was once named Comedy Central's number one
comed to watch. The New York Times called him the
comedy's best storyteller. A highly acclaimed veteran of stand up
plfic writer, successful entrepreneur, a confident artist, a comedic genius,
a great orator, commentator, producer, hosts, author, public speaker that

(13:08):
tours nationwide, coming all the way from age time. Let's
give it up for a comics comic. That's the olid.
I appreciate you talking about.

Speaker 7 (13:17):
How was that? That was great that you put a
lot in there. Yeah, yeah, yeah, you know, we like to.

Speaker 10 (13:23):
Make sure we give our guess when they come, they
take time out of their business schedule to grace us
with their presence. We want to make sure we give
them what they've earned, not what you deserve, but what
you've earned. And everything that I read off this car,
you've earned it.

Speaker 7 (13:35):
Bro sosolute, I know you. You got off that brown
a little while ago. So we go, we go. Man, yeah,
I man, that brown is different. Man's different.

Speaker 10 (13:45):
See I thought it was a gim because see when
I was growing up, people tried this.

Speaker 7 (13:48):
The people they got anger when they was on that Seagrum,
that Tanga Ray. Then they turned into.

Speaker 10 (13:54):
Bombay, that Beefeeders, that that Gordon's.

Speaker 7 (13:57):
But now it's the brown.

Speaker 8 (13:58):
Man, it's that hen Is said, all all that brown
is is difficult. It was saying, Yet look at you.

Speaker 7 (14:08):
I'm telling you that brown is different. Man, It's different.
It's different. It gives you a little give, give you
extra boot. You like you just want to fight hard. Hey,
I don't want you on that brown.

Speaker 10 (14:19):
When you were with in Memphis Grizzs, you gotta If
I was on that brown, it went down.

Speaker 7 (14:25):
Let me tell you something I don't know.

Speaker 8 (14:27):
You had on an oversized sweat and your back muscles
was still showing on the TV.

Speaker 7 (14:34):
I said, man, this is what they don't want. I mean,
I we're dark. I mean you haven't been in a
situation when you go dark, like, I don't remember a
whole lot. I just remember getting back.

Speaker 10 (14:42):
The security took me back and it's like, oh you okay,
you okay, You're okay. And I remember thinking to myself,
why y'all keep asking me about okay?

Speaker 7 (14:52):
Hey man? Because when I don't know if you did
you go back and watch it. Yeah, I really haven't
paid attention. I had to watch out. You got you
got up up, and I'm this game is live. I'm like, yeah,
what what is Shaw doing? Yeah? Man, And I don't
know what what's said to you, but you didn't agree
with I forgot. I forgot that.

Speaker 10 (15:10):
You know, sometimes you forget you in public that you
say something like damn, I should I should say I
said that.

Speaker 8 (15:15):
I've done them several times. You know, my whole team
is here because they know I generally get into it
with athletes.

Speaker 7 (15:22):
Really, could y'all be tripping? Man? Man? You know y'all aggressive?

Speaker 8 (15:26):
No, man, I didn't got into it with so many
athletes that I'm getting ready to do a special called
Conflict Athletes. I didn't got into it just because y'all,
like somebody asked.

Speaker 7 (15:36):
You for a picture. Are you? Are you a picture taker?
It all depends on what time much time I got
on where you at right?

Speaker 8 (15:43):
And I'm like that as well. So the thing I
don't like taking pictures when I'm with my kids. If
I'm not with my family, man going on you see,
I'm not with my family, and I understand that.

Speaker 7 (15:53):
But if you in the luggage store, yeah, and I see.

Speaker 8 (15:56):
You man, me and Patrick Ewing, I see Pat. I'm
I'm a big fan. I had the Ewins and the
big the big yeah, with the thirty three on the mere.
I said, excuse me, miss you you think I can
get a picture? And man looked at me like I
was small, even though I'm small, Yeah, yeah, And I
walked out the luggage store felt even smaller and I couldn't.
I couldn't take it.

Speaker 7 (16:15):
I came right back. You doing too much? What you
doing too much? I had to come back in there
and let him know how I felt. I had them
big shoes, Man, you're gonna take this with me? I
had that part you Georgetown man.

Speaker 8 (16:27):
I went off on Pat and he was looking at
me like, hey, what is wrong with look daddy, cause
you ain't wanna take no picture.

Speaker 7 (16:33):
They need to take a picture now, no security for me.
You getting escorted out of the gallery, bro How you
get how you get escorted out of a luggage store?
Messing with pat? Messing with now?

Speaker 10 (16:49):
But sometimes fans do do too much. I was in
the I was at uh We're that JFK last week
and a dude just walked up to me, put his
arm around me, said let's get this selfie.

Speaker 7 (16:59):
Oh yeah, he.

Speaker 10 (17:00):
Didn't ask excuse me? Can we take a picture together?
Or sometimes they just get rude with it. We're gonna
take this picture.

Speaker 5 (17:06):
Man.

Speaker 8 (17:07):
We are this Nigerian brother in the Adidas store. I'm
in the Diddas store. That man hugged me. I said, brother,
let me go before I bite you in your face.
You just have to bite me too much? Fa man,
I say, Brodie, But and.

Speaker 7 (17:22):
I couldn't do nothing because he was he was hed.
I don't even know what My arm was down was down.

Speaker 10 (17:29):
So you say you get on that brown things happened
when you were younger. You just can you say that's
all you Drake was a double shot.

Speaker 8 (17:34):
Of that double shots of Hennis that I never had
a single shot I was. I started with doubles. You
ain't have it on the rocks now straight. Yes, you're
trying to do something. You're trying to test something for the.

Speaker 7 (17:47):
Ball is do it come?

Speaker 10 (17:50):
That's why you gotta get put it on the rock.
You gotta take some of that bite out of it.

Speaker 7 (17:54):
Okay, if it's on the rocks, what's the difference gonna make.
It's a little cooler. No, it's a little cooler, I know,
even a little cool.

Speaker 8 (18:00):
I've been drinking hend this fish I used to drink.
I'm talking about since I was I think I started.
That was my first, now Saint Ies, I know, I
drank a lot of things that that that Thunderbird with
kool Aid in it.

Speaker 10 (18:16):
My first I think it was we really have no
money back there because you drinking a thunderbird.

Speaker 7 (18:20):
Green dollar, green green bottle was the price of dollars
twice mad Dog twenty twenty, Yes, and whatever Winos were
drinking or but that what else? I didn't know nobody.
I didn't know no other drinks. You get that that Jubilee, okay,
that Julie, that that goal line. Then you started drinking.

Speaker 8 (18:40):
I remember they came out with the sixty four bills.
At first, I was just drinking a forty. You know,
I'm saying, then my partner would drink affdy then put
J with J. W. Weller's and there J. B. Weller,
He'll put that. It's a boiler Makerkay. Now we're drinking
beer and look at the same time. So that's what
really saint eyes were. Man, I used to be I
used to be told up, but I used to be
taught and I had to apologize.

Speaker 7 (19:01):
But you drink it. You a man that's small and stature,
You drink it like you six eight? Hold on what
you mean, smalls? But I was saying, I'm a big dude.

Speaker 5 (19:11):
I mean.

Speaker 4 (19:13):
I give you.

Speaker 7 (19:14):
I would be generous. I would give you five six,
five seven, don't you I need that. I need that,
I need that extra like five seven.

Speaker 8 (19:22):
But I was what, nah, I wasn't. I wasn't that
when I went to prison. I buy one fifteen, one twenty. Yeah,
and you out there trying to boss up man, and
I was out.

Speaker 7 (19:37):
I was little.

Speaker 8 (19:38):
But see that that's the thing when you box. You
Oh so you're a boxer. Yeah, okay, so I'm really
never been.

Speaker 7 (19:46):
Nice with them. And my feet.

Speaker 8 (19:48):
See boxing is in the feet. But see the thing
is that when you know that you ain't scared of nobody.
I had a grandmother that wouldn't let you run from nothing.
So you add that you ain't no running, right, So
you got the box. So it don't mean out of
the numbers because my grandmother. Man, I remember, these guys
was trying to jump on me.

Speaker 7 (20:04):
And I went home. My sister like, what's wrong with you?
I said, some boys out they're trying to jump on me.
My sister said, you gotta go back out there. I said,
I said, did you hear what I said?

Speaker 8 (20:14):
Some boys is trying to jump on right? She called
my grandma. My grandma, I get on the phone and
put him on the phone. I said, what's going on?
And you tell me what's going on? I said, some
boys that they're trying to jump on.

Speaker 7 (20:25):
You say, how many is it? I said by eight?
They scared because it's that many. I said, what they scared?
How many? How many do you ask?

Speaker 8 (20:33):
I said, just me? He said they scared. Now you
go out there and you showed them mother fuck obuy.
They shouldn't be fucking with you, and she gased you
up with her. My sister walked out there with me
and said, I ain't gonna let nobody get behind you.

Speaker 7 (20:47):
And she was right. They were scared.

Speaker 8 (20:49):
Say, if you once you off from one of them,
oh no, don't even run because I'm chasing you down now.
My thing is, if you got a bunch of people
with you, you only talk cause you got a bunch
of peoplerect just like with dudes with all these crews.
If I show up, I got a problem to you.
I'm sure about myself and we're gonna that. We're gonna dance.
I don't care how many people you got with you,

(21:10):
because you're scared, not me.

Speaker 7 (21:12):
You know what I'm saying.

Speaker 8 (21:12):
I done lost before, and I didn't won before, so
it's I don't have no no rules of that. It's
no person that's ever got in a fight with me
they want to fight.

Speaker 7 (21:20):
Me again, even if they even if they want, they
don't want to fight me again.

Speaker 8 (21:24):
They were like, nah, I'm cold. I'm cold at that
because that's a hard way to go.

Speaker 7 (21:29):
So that's a hard heart. When I went to when
I went to President.

Speaker 8 (21:32):
Oh man, I'm in your mouth so fast, they like, yo,
looked at it right there, got them hands bro, and
I'm and I'm like, I'm fifty one now and I'm
still and.

Speaker 7 (21:47):
That you're still in the gym getting it in.

Speaker 10 (21:48):
So what so what was the craziest night? Okay, you
normally be on that to that hand. So what's the
craziest thing that happened to you one night?

Speaker 7 (21:54):
Oh man, I gotta apologize to call Thomas man hold
on Martin.

Speaker 8 (22:01):
No, that's called paint, okay, Carl Thomas the single, I
didn't beat up Carl Thomas. I didn't beat up Carl Thomas.
Carl Thomas. I am this how crazy it was? I'm
host I'm at this club called the Rock Syd and
they give me the hostess concert. Carl Thomas is in concert,
and they in the thing in the rules, Ali, you

(22:23):
cannot have a drink until after twelve o'clock.

Speaker 7 (22:27):
Because they knew I used to be on them double
shots here.

Speaker 8 (22:29):
Oh man, Oh my partner Steve Nicest DJ and and
Carl is supposed to be on at eleven o'clock. So
I ain't drink nothing twelve o'clock. Come, I ain't drinking nothing.
Cars show up late twelve fifteen. I started drinking. Carl

(22:51):
get there, twelve forty five.

Speaker 1 (22:53):
I am.

Speaker 7 (22:56):
Three four doubles down. Oh, lord, I'm in the DJ
booth and I'm in there. I'm lit too. I'm in there,
lit fast, I'm lit fast.

Speaker 8 (23:07):
And I had just performed with Carl Thomas the night
before in Dallas. I ain't say nothing, man, They say, hey, Carl,
ready to perform.

Speaker 7 (23:16):
I go right on stage. Hey, y'all, listen here, Carl
is finally here. Mister summer rang. You don't bust a
man out like that. I say, I'm just saying, he
finally here. Hey, y'all getting ready for the concert. Y'all
give it up for recording artists. Carl Thomas and he
walking on stage, I said, Damn, Car, you got the
same Gucia pants on last night. Just sae it. Give

(23:40):
me this guy, damn.

Speaker 8 (23:44):
And I and I know Frankie Beverley were the same
stuff that White's so blessed.

Speaker 7 (23:50):
So I performed with him a lot of heat. But man,
I didn't have to say that. You did call time
call see me.

Speaker 8 (23:56):
Two years later in Harlem, in this in this club,
my boy, in this club, he wanted, hey, man, let
me induce one of my Poppas we walk in.

Speaker 7 (24:04):
It's Carl Thomas, and Carl look at me.

Speaker 5 (24:07):
I don't.

Speaker 1 (24:07):
I don't like this.

Speaker 7 (24:11):
We've made him saying because he live in Houston.

Speaker 8 (24:14):
Man, that's my partner now, but he remember that night
I said that about them Gucci Pan, Now somebody.

Speaker 10 (24:19):
Can say that about me. Now, I would Guca all
the time, but not not, not back to back, saying,
ask you this what makes people? What makes people get
more violent? The double shot of Hen or the Mexican Margarita's.

Speaker 8 (24:34):
Double shots of Hen double shots a Hen? That that
that Mexican Margarito. I don't know what's in it, but
it's a spine in Houston that they won't even serve
you more than two of them.

Speaker 7 (24:48):
That's it.

Speaker 8 (24:48):
They you can't even trick nobody into getting you another one. Oh,
it's it's it's crazy. And I have drank two of
them right and thought I had left. I thought I
had left steal in that park a lot son beaming
through that and this is when I'm man, I'm told down,

(25:10):
I don't know what's in it. Everything is in it, poppening,
but it's it's crazy.

Speaker 10 (25:14):
Ask you this, were you when you tried to holler
at Little Kim? Were you on that double I was
on that Hen pull love it had a Hennessy I
V and you just walked so how you so?

Speaker 7 (25:23):
How you approached little Kim?

Speaker 8 (25:24):
Man, I'm with I'm with bad boy dd.

Speaker 7 (25:29):
Ain't there party. We're in amnesia in Miami. I've been,
I've been. I'd been drinking all day. Me Sean prayers GT,
I've been drinking all day.

Speaker 8 (25:41):
I knew I was tripping because I had came out
of Glorious Sea Fhon's restaurant, walking out and running the
Quincy Jones grabbed Quincy Jones because he with he with
too bad foreign white herbs, and I grabbed that.

Speaker 7 (25:59):
I said, you the coldest hang over man, and I'm
I'm drinking all day.

Speaker 8 (26:09):
Get to the spot shine is performed because this is
right before shining about to go to jail. Right he
has a show in Houston coming up the next week,
won't lead up? I see love Kim, and I had
just read in an article that Kim says she liked
regular dudes. And at this time, I'm a regular dude.

Speaker 7 (26:28):
That's you. And man, I see Kim.

Speaker 8 (26:32):
I tell my father and say, I'm finna go out
of that Little Kim. He said for what I said,
cause she like regular dudes. Everybody bigger than you.

Speaker 7 (26:43):
I'm coming through. Excuse me, let me slid through. They
made me.

Speaker 8 (26:46):
Get to this big the biggest. But he got his
hand in my check. Say look that when you're going,
he said.

Speaker 7 (26:52):
I'm goin out to look. Kim. She like regular dudes.
He started laughing.

Speaker 8 (26:56):
He saying on that, and then I get right over
there and say they have staved in my life. I
get writing, Kim Fair, I said, biggie dead, what we're
doing and then didn't sling me out of that club?

Speaker 7 (27:08):
Lost all the things you could have fit head. Hey,
my name is Ally. I just want to holler at you.

Speaker 6 (27:14):
How you doing?

Speaker 7 (27:15):
I heard you like regular dudes. I'm your regular. I'm
your guy that you're looking for. That's what you came
up with. That that's all I had. It was the Hennessy.
It wasn't me. I apologize.

Speaker 8 (27:24):
Kim wasn't if you saw again on the time join
the cruise and Upmounse was like, Ali, don't you start that.

Speaker 7 (27:31):
I said, I don't even drink no more. I don't
even drink that. I don't even drink that. It is
in't the moment. I'm good man, But she would man.
I was I was wild on that Hennessy. I'm a
wild man. You drink anything now, or you don't drink
at all, or you get away from the brown. It's
just the brown that you stay away from. I stayed
away from the brown. I like water.

Speaker 8 (27:48):
But I will partake in the margarita here and there,
and don't nobody get in trouble on the margarita's.

Speaker 6 (27:53):
But it's not.

Speaker 10 (27:57):
When you had one, but your problems. Your problem wasn't
the double shot is the problem. You just couldn't have
one double shot. It was two folk.

Speaker 7 (28:04):
It was the Hennessy. Hennessy is a problem.

Speaker 8 (28:09):
It's no okay, I'll say you name all the pleasant
stories you ever heard on Hennessy, all Henderson stories always, man,
I almost died last night, all of them.

Speaker 7 (28:18):
Yeah you hey, you want to come up your clothes
and fight now for sure? Why you gotta take your clothes?
You know how we do. We gotta come up out
the shirt cause you sweating.

Speaker 2 (28:28):
Man.

Speaker 7 (28:28):
See that's the problem, you sweating the liquors in your pores.
Now now you're now you're extra violet. Can't nobody talk
to you being from age town?

Speaker 10 (28:37):
Yes, sir, man, look at Bonce Travis Cott, I mean
all the guys. I mean, is there anybody from like
Houston that that you haven't met that you liked to
meet or you done met everybody because that's that's what
you do.

Speaker 7 (28:48):
That's your dog.

Speaker 8 (28:50):
Anybody from Houston that I would like to meet that's
from the.

Speaker 7 (28:54):
Age, you probably don't made everybody. I don't think nobody
from the Hi would.

Speaker 8 (29:00):
I would I need to meet, But everybody from my age,
everybody that I want to meet.

Speaker 7 (29:07):
Yeah, Man, Andre Johnson, why you.

Speaker 10 (29:11):
Always want to you like athletes, but want to fight him.

Speaker 7 (29:14):
I don't want to fight all the athletes.

Speaker 10 (29:15):
The ones who be tripping just kind of don't want
to take no picture with you.

Speaker 7 (29:19):
They ain't about the picture. It's about Sometimes people mouth
get them in trouble. You know what I'm saying.

Speaker 10 (29:25):
They're uncessary because they look at you and look at
you as small.

Speaker 8 (29:28):
They're like, man, get out of here a little bit,
come on, bro, And that's that's a mistake. That's a
mistake because the uppercut come from up under.

Speaker 7 (29:35):
That's the way you can't see that.

Speaker 8 (29:36):
I'm gonna put my whole thing into it. I don't
really get into it with the I don't get into
it with the colds. Like one of one of my
my cool paper is somebody who most people get into it,
Vernon Maxwell.

Speaker 7 (29:49):
I ain't ever got to do it. Vern I don't
even know what they talking about it. I was like
Max sometimes, but that's my man.

Speaker 10 (30:00):
I can see y'all get along cause y'all got a
very similar personality.

Speaker 7 (30:03):
Yeah, I can see how y'all rock me me.

Speaker 8 (30:05):
I rock with Max Posy, Nick Van Next Shack, anybody
that live in you shack on me one thousand dollars.

Speaker 7 (30:16):
What do you are you for? Man Shack first album? Yeah.

Speaker 8 (30:21):
He getting his haircut at Robert Young Salon on Richmond.
I started this club called Just Joking right across street.
So I'm at I'm in Robert Young Salon all the time,
Shaq coming down. A Deeze is coming there, and he
talking about his album, and I said, your album ain't
gonna be good.

Speaker 7 (30:37):
He I bet you you get my album. You gonna
like every song on there. So I get the album. Okay,
how many songs you like? Two? Two? How many songs
on the album.

Speaker 8 (30:51):
Probably faulty, I don't know, but I know two of
them was good? Okay, And I said, I come right back,
and I'm waiting on him. I said, shut two songs?
You lying two songs?

Speaker 7 (31:04):
I like, that's it. Where's my money? Still, to this day,
every time I run into him, I said, I just
look at him.

Speaker 10 (31:10):
You just said you like you might have liked more
than you might have liked bout six or seven or song.

Speaker 7 (31:13):
No, I did not like sixty seven of them songs.
You go back and listen to that first album. You
didn't like it. You ain't even hear it.

Speaker 10 (31:19):
That's that's the crazy thing you're asking.

Speaker 7 (31:21):
You ain't even support it. Yeah, see that you ain't.
You ain't listen to it. I didn't. And you know
the song with the food snickings and you heard him freestyle,
that's not it? Yeah? Are he good at free styling?
You don't think You don't think you good when you
don't know rappers? Yeah, if you don't know rappers, yeah,
so he good at freestyling. So what is.

Speaker 10 (31:45):
You're asking me this? Why are so many people moving
to Houston? I think Drake is moved. Didn't Drake just
by place in Houston? Or he's moving to us not
like us?

Speaker 7 (31:55):
Damn you. I'm just saying that he's not like us.
Why did you do why? First of all, as you
brought that up, why they turn on drink like that?

Speaker 1 (32:02):
Man?

Speaker 8 (32:03):
I was this is me, and people who know me
know this. I really wasn't a Drake fan like that
because it always it was. It was always selling something
that I already heard. So I'm a real hip hop person.
I've been around as long as hip hop, So you
can't give me a rendition of somebody else's style and

(32:26):
think I'm rocking with it.

Speaker 7 (32:28):
I'm just not. He sounded like short on this one.
He sounded like this person. And then when you when you.

Speaker 8 (32:36):
Being from the age, I don't honor you stealing anything
from us, like chopped and screwed any of that, any
any thing that we created.

Speaker 2 (32:49):
That's right. He was pushed by friends. I forgot. Oh god,
you really did steal a little bit.

Speaker 1 (32:57):
I forgot.

Speaker 2 (32:59):
He just a man, DJ. I know they got to
why would you do that? He used to pick up better?
Oh yeah, you fu you really?

Speaker 8 (33:13):
And you don't pay homage to us from from getting it.
I got a problem with that. I've always had a
problem with that.

Speaker 10 (33:21):
But what about all the people that he put on,
all the people that he helped about the mud who.

Speaker 7 (33:27):
Man, come on, come on, don't do that now, don't
do it.

Speaker 8 (33:30):
I don't know who helped you do though, No, I
really don't, because he was it from UK who did that.

Speaker 7 (33:36):
He didn't help okay, UJK was ugk Yeah, face his face.

Speaker 10 (33:40):
I'm talking about all the guys that went at him
this summer. I ain't talking about the Old Guard. No,
he didn't help the Old Guard, but I'm talking about
a lot of the guys that he helped that went on.

Speaker 2 (33:49):
That's the problem. He didn't.

Speaker 6 (33:53):
Help, will collaborate with anybody he stole from. I can
say a lot of things about Lupe. Yeah, I can
say a lot of things about Lupe Fiasco. He absolulutely
when you're paying homage to Useton and then he had
them on the songs. He had fun being them on

(34:16):
the songs.

Speaker 2 (34:17):
So he's actually paying homage and he did the influence
to say that, and he's from Chicago.

Speaker 6 (34:23):
He at least went there, used the producers and said
I got my influence.

Speaker 2 (34:32):
On how to do this from them. This is something
I know I'd lack.

Speaker 6 (34:37):
I wish I had this type of Houston swag, Houston
whatever he said he wishes that that's why he loved
that culture, so he would at least not at least
but you know, because he's actually a.

Speaker 11 (34:50):
Fami of legitimate Southern hip hop, went there and said, Hey,
I'm gonna go to the mecca of it, Chapter Screw
and whatnot, and I'm going to work with the people.

Speaker 2 (35:01):
Because and I'm going to have a mama music when
I'm at the presidents of my career.

Speaker 6 (35:06):
Frank Is not once has scarface on any of his
album stop.

Speaker 2 (35:12):
At Bubby on any of his album doc Corner or whatever.
People not once DJ threw Mike Jones, none of 'em
and could have and did it that old bunch the

(35:32):
movie Niggas Going from the South for real. Not any albums,
any question. But he be on other people's album when
he's on his album jay Z from New York.

Speaker 3 (35:44):
Because we all know Canada and New York.

Speaker 2 (35:46):
In the same place. But and jay Z, I guess
it's the MESMT in the United States. Question Mark.

Speaker 12 (35:57):
I'm just I'm just saying, if if he's Canadian, if
if the argument is he's a foreign artist, which people
keep disregarding, but he should be treated like they treat dance,
whole artists.

Speaker 2 (36:15):
How they treat.

Speaker 6 (36:18):
Because it afropunk, How they treat Tata, how they true afrobe?

Speaker 2 (36:25):
How did she with Tata? How did she all? How
did she all foreign artists?

Speaker 6 (36:29):
Technically Drake should be treated as a foreign entity rega thon.

Speaker 2 (36:34):
Hey, they were saying Nori was crazy.

Speaker 1 (36:38):
For that's half.

Speaker 6 (36:42):
He's like, why would I not jump on a wave
when most of the population.

Speaker 5 (36:49):
Is a.

Speaker 1 (36:51):
Sorry pile?

Speaker 6 (36:53):
Is the best pivot on the fence? No, people don't understand.
I remember Pitbull, mister college. I remember Pipple when.

Speaker 2 (36:58):
He out here was called niggas. Now he out here
to change.

Speaker 6 (37:02):
His whole image, and he missed a universal down because
he got some sens and said, boy, you know you
are Hispanic and actually speaks Spanish. Why the hell are
you catering to the hood only he.

Speaker 13 (37:14):
Said why when he was you old and always wanted
to be a differs for whatever reason.

Speaker 6 (37:21):
But he was with tricked at him them so twist
so he had he was there. He was there, but
his management said, sir, do remember you are Cuban like
with all setting down, were standing with tree pushing away
and all the other stuff.

Speaker 2 (37:36):
But at the end of the day boy, you're cubid.
Oh no, he just had a good management, that's what
it says management. No management, But.

Speaker 13 (37:44):
Not because of that, because they got ahead of that
sex schedule. When black folks don't drop, you needs go
ahead and mark.

Speaker 6 (37:52):
What do you do now?

Speaker 2 (37:52):
I mean I'll know he probably did like a thirteen
year old ship boy. I mean he's Spanish.

Speaker 1 (37:58):
Exactly, so he had to.

Speaker 2 (38:00):
I mean.

Speaker 6 (38:06):
True, But then if we would have to fight the
hypocripsy of no, no, no no, but real quick, we
could progress. You know, the whole Florida culture that's abundantly clear,
So he coulda he coulda dodged that one.

Speaker 2 (38:23):
Now it's easier culturally.

Speaker 6 (38:24):
I agree, that's an easier on culture because I mean
girls are literally looked.

Speaker 2 (38:29):
At as women wants they take good household and so
and our I mean the girls now we're pretty like
way just how it isn't expanding.

Speaker 6 (38:39):
But if we're talking about Florida culture, especially in Miami,
was it not doing that through crazy outside of.

Speaker 14 (38:48):
Major cities in urban areas. We all know this to
be true that it is an actual norm for whatever
whatever to deal with whatever, whatever age, if you have
a certain pigmentation and it just be going blinded in Texas.

Speaker 2 (39:07):
Oh now I just now I didn't know that, Now
I did.

Speaker 6 (39:13):
Okay, so he was actually see me before he okay,
so before he went internationally thing.

Speaker 2 (39:20):
Okay, got So he's saying you had to go international? Yes,
oh no, no, no no no, not actually makes sense
because a.

Speaker 6 (39:27):
It's better to go international when when we're talking about
Spanish anyway, because literally your market is just going down
and money goes up.

Speaker 2 (39:34):
Like that's no brainer.

Speaker 6 (39:36):
Like that's why most Spanish rappers, when they're smart, they
go down. They're not gonna cater to the American market,
but like, let the American market come down because we're
in America too, south so and they know that market
if you can communicate with it. All this is just
a little version of Spanish, the Spanish quack. So that's

(39:59):
a smart way to go. Aubrey, on the other hand,
he also went down. He want you gave it up
to America like a virus. He sucked everything up and
just spread down because again, Canadian culture is ass backwards

(40:22):
and everybody knows it, and literally the meme of America.
For some reason, now we're acting like Canadian motherfummas ain't
fucking weird. So when Aubrey is being fucking weird and
being the most socially awkward butterfly.

Speaker 2 (40:36):
That we have ever seen, and we're thinking, like, that's cool,
it's not. It's weird.

Speaker 6 (40:42):
And we've always said people like him were weird, and
now you're weird for saying he looks weird. Like the
Bad has cool rolled with breads with fingernail paid persons's lips,
has glittering temblings on how has a Greek has green
funk li pads, had a tupac shirt and a silver chain.

Speaker 1 (41:08):
Where are you?

Speaker 2 (41:09):
No way? Where you are a thirty und here old
man with children? Where are you going? Nobody even asked
me this question. They're like, do you know how stop?
It's not due?

Speaker 6 (41:25):
We know how expensive it is. Because he's not part
of that culture. He's not part of the blank culture,
never was, so you can't ask him that because he's
not about that life. So that's out the window. He's
not a little way now jeezy, not a bus around,
He's none of that. He's never been part of that,
and that what he's doing is a mockery of what

(41:46):
they do because they coordinate. He looks ridiculous. Everybody go
buy the car of Kupac got shot in the man
is in saye if people just think this is cute, noh.
He's literally buying hip hop American relics and pinning it

(42:06):
up like a fucking museum, like where's zoo animals Americans?

Speaker 5 (42:12):
Now?

Speaker 1 (42:12):
Mind you?

Speaker 6 (42:13):
And if you want to get even more offensive American flags.
So I'm like, if you enjoy being a zoo animal?
Because again, if you're looking at his purchases, he's buying
a mic from Pharrell, So to be clear, a man
who can just reach out to Pharrell, He's like, no,
I'm gonna buy the mic for Farrell because I'm paid

(42:33):
you because I lost a rat battle to push the team,
because he can rap better than me. M there's a
thirty nine year old man with children. Again, in context,
this is a man. This is a man who is
suffering from he is He is a sick he needs help,
and he's being enabled by the youth.

Speaker 2 (42:56):
He's being enabled by the media. He's being enable by
goofy niggas who just think it's fine for everything that
you say, evanems is him him.

Speaker 15 (43:14):
Everything they've been saying Evanema culture for culture for when
you see it in the soth'ing like dear, we're like
talking about, don't you like they don't see a plant when.

Speaker 2 (43:25):
They see one, we're looking at it. Look at Drake
Faith literally.

Speaker 6 (43:29):
Don't see a culture far like he's saying, is he's
saying he doesn't, He's saying it. He's like Kirkerbar's like
he's doing He's like right, and you won't buy the album. Still,
I'm like, that's impossible. But then again, we had that conversation.
Is it possible for you to notice cognitive dissonance if

(43:50):
you're having cognitive dissonance while talking about cognitive dissonance?

Speaker 2 (43:55):
Is that actually possible? The question I answer, I it's no,
no to what.

Speaker 6 (44:02):
I have no idea because honestly, it logically makes no sense,
Like aliens are the outside, I'm pretty sure. And it's
a worldwide thing. So I can't even just say America
because he is the snoucleus.

Speaker 2 (44:18):
Of a lot of the issues in the world.

Speaker 6 (44:20):
Unfortunate him and everybody like him and all his supporters internationally,
because they think he is American culture as a Canadian
and Americans. Let this happen how the fuck that is insane.
I can pick on all the rappers all day, I

(44:42):
can pick on all black cultures out negativity all day.

Speaker 2 (44:47):
But at the end of the day, if Aubrey Graham
is the.

Speaker 6 (44:52):
Pinnacle of what black and mmm, that is the pinnacle
of black culture all programs.

Speaker 2 (45:02):
So you know what National Drea Graphic said, the future
is going to look like that looks like they right,
because wow, a culture built on pride and bregadocia.

Speaker 14 (45:25):
Can you feel proud about a Canadian half green.

Speaker 2 (45:34):
As if he is not American at oh, represent.

Speaker 6 (45:44):
Whatever you wanna call him? The Whitewashington he barnafide him power.

Speaker 10 (45:55):
He made it.

Speaker 6 (45:56):
Cute, he made ineccessible. He made it a commodity capitalist
right rap? No okay, Bob, and hey this it doesn't
work to see, Oh that's the thing. Follow it doesn't
It's bl h.

Speaker 2 (46:16):
I feel so you said what sagon? Beyonce did that
before him, So learned what No bayonce did what said
and made it.

Speaker 1 (46:28):
Commodified and made it cute.

Speaker 13 (46:30):
Baby whitewashing, And Beyonce did back to hip hop before him.

Speaker 1 (46:37):
He did it a rap.

Speaker 2 (46:39):
Okay, how did beyoncea do it a hip hops.

Speaker 13 (46:44):
When her and Kim Kardashian showed up at the BMA
looking like twins, Zagon when her and Kim Kardashian showed
up at the BMAS together looking like twins in the
early two thousands, because BF for this, shortly before Kanye
hit the scene with jay Z.

Speaker 1 (47:06):
Before this, how many average.

Speaker 13 (47:10):
White women we're not talking about Justice South, how many
average white women were out there by hip hop albums?
We're talking about Beyonce talk. Let me let me rephrase
female led hip hop albums before we got to this

(47:30):
point where the okay.

Speaker 14 (47:32):
So how much?

Speaker 6 (47:33):
So?

Speaker 2 (47:33):
Okay, so question is how many?

Speaker 6 (47:35):
Because again I can we're gonna talk about white girls
because again, if I'm women suburban area and our dated
white girl, whatever the fuck? Female led hip hop albums
very few because old girls she bought, Ashanti, she bought,
she bought DMX by Nelly, she bought Ludacris. Yeah, and

(48:00):
white girls in school, yeah, I mean they were talking
about Gwen stefani Ah outside of Gwen stefani Yeah, and
I guess I guess she's like not rap, I mean
hip hop, she's like pop punk. So but again, lines

(48:21):
were like super lines were super super super super super
blurred back then because I mean, I could debate that
a lot of the pop artists were closer rhythmically speaking
and production wise, and we're talking about production closer to

(48:42):
hip hop production than R and B follow So I
know you can, but okay, So for example, we'll talk
about boy bands and girls solos because it's.

Speaker 2 (48:55):
Not really a girl band because girls can't get along.

Speaker 6 (48:57):
So pop band, pop boy bands and girl cellos. They
weren't banned because none they could play people playing music,
which again they were all like derivative not derivatives. But
we all go back down to like New Addition to
new Kids on the Block are like right there, like
basically like Boom, These are the archetypes right there of
how it's gonna go. We're gonna do one for the hook,

(49:17):
We're gonna do one for the generalized female teenage public.
That was the difference is that was the problem with
New Addition. They only went one direction. That went two
R and B.

Speaker 2 (49:31):
They do the generalized female public.

Speaker 6 (49:34):
That's how Booo won because Jamaine dupre do figure that out.

Speaker 2 (49:38):
To generalize female teenage public has.

Speaker 6 (49:41):
Some of the strongest buying power in the entire world
greater than anybody because they can get money, they just
can't like money will come from anywhere.

Speaker 2 (49:51):
They will attend concerts, they will be die hard as that.

Speaker 6 (49:55):
And third and from it is that it's not even
from a sick place, as in they want to fuck
the It's just they always want somebody that they can
just admire, that's like a great artist that just does
that entertaine them and is generally.

Speaker 2 (50:10):
Esthetically bleazing and can flow. They're just in flow. Jermaine
de Pree was good able to cultivate that because he
saw kid like that. But again he's phenomenally. We're gonna
go back to Boomomum before him.

Speaker 6 (50:27):
So when we're looking at actual rhythms and all types
of things like that New Addition, New Kids on the Block.
New Kids on the Block took that blueprintive that New
Addition did and stuck with that dance, upbeat type stuff.

Speaker 2 (50:45):
And just kept and kept the lyrics just just general.

Speaker 6 (50:52):
You can call a vanilla, but it's not really, it's
very strategic because huh.

Speaker 1 (51:00):
Break, Okay, you should be done.

Speaker 2 (51:03):
Left gotcha? Hmm, I gotcha? So love going back. I
say Greg is the best.

Speaker 7 (51:31):
Went at him this summer, not just.

Speaker 10 (51:34):
K Don because Kate he he brought k Don onto
it with him. But he helped a lot of other people.
I don't know who all this man helped. That's I'm
I'm I'm in my own world. I don't know who
all they here? Give me, give me somebody the face.

Speaker 7 (51:48):
You don't know who he helped, but you know what
he stole. You don't rock with him. I hear a
sty I can hit a style. It's on the radio.
They pumped him on the radio. And then when you
say certain, there.

Speaker 13 (52:00):
Was nothing about this man that I'm like, Okay, But
I just tried to ignore him and hope that his
accent didn't hit me in the face.

Speaker 1 (52:10):
Fine, we're not gonna act like the.

Speaker 13 (52:12):
White girl that he had to do a buyout too.

Speaker 7 (52:23):
And I just tried to leave it alone. Again.

Speaker 2 (52:28):
Is he literally over here dick riding drake?

Speaker 1 (52:30):
This is why drag?

Speaker 2 (52:32):
Why is he just help me out?

Speaker 7 (52:36):
Or?

Speaker 2 (52:36):
Penis management does not improve with money? You know this
to be true. We know proper Penis management does not
approve of money. If anything, it.

Speaker 6 (52:47):
Makes it worse because you feel and money can make
it go away. And one thing that will never go
away even though everybody in the world begs them to
go away. Are irritating white women or young I'm gonna
do nothing in life.

Speaker 1 (53:01):
Wit Who is that? Who was there talking about.

Speaker 2 (53:05):
There to go, there go?

Speaker 6 (53:07):
He's another one. They just saying words that just said.
The boy's name is Ocho Cinco. He can't speak like
a Spanish. I would like to reiterate the man does
not speak Spanish at all.

Speaker 2 (53:28):
He is insane, the ball headed antics. He's out here again.

Speaker 6 (53:36):
This man was talking to Jim Jones throughout trying to
have a First of all, he tried to have a
rational conversation with Jim Jones. The man's name is Jim Jones.
The jokes right themselves. Then he speaks that in itself

(53:59):
is a joke. Then you have fools defending him. You
could write a joke off of that. Here's one for
all you comedians to steal. His name is Jim Jones.
There's a place called Jonestown. So you could say he
has a cult like following that his followers that think

(54:20):
that Jim Jones and anything that he says has drunken
kool aid are insane.

Speaker 2 (54:25):
So basically, anybody who says Jim.

Speaker 16 (54:28):
Jones can rap at the capacity of nas and there
are no crazy Nons fanatics here, but the fact that
making articulated said, the man doesn't know what articulated me, Jim.

Speaker 2 (54:43):
I want Jim Jones to read the lyrics of ILL
the first, the first one, the first, the first song.
I want Jim Jos to read it. Just read it.

Speaker 7 (54:55):
No, I just want the man to read it.

Speaker 2 (54:58):
If you can get through it without talking.

Speaker 6 (55:02):
Heaven falling over, stumbling over his words, calling.

Speaker 2 (55:06):
Niggas niggas.

Speaker 6 (55:09):
Out of rage, but not being able to pronounce simple
words that Knives was using.

Speaker 2 (55:15):
And mind you, it won't be on beat Shon Shark
only a half beat away with say earlier, it won't.

Speaker 6 (55:22):
Oh, it was the intro he was he said predominant.
I was like, predominant. Okay, I'm like, all right, Shannon.
That's why I said, we're starting off with Shannon Sharp
reading off of paper.

Speaker 2 (55:36):
So already he's been defeated. No, he's been defeated. She's
been Shannon Sharp again. His name is she. The alliteration
is killing me.

Speaker 6 (55:47):
So Shannon Sharp and O Sho singer again. This sounds
like it sounds like if jays Jonah Jamis said, this
is a fucking comic book. Like, what the fuck am
I talking about? These are people online with millions of
followers and millions of dollars allowed to talk about things,

(56:07):
And my question is, huh, and why put the internet
allows anything to experience?

Speaker 13 (56:15):
In the six questions he can asked him about alcohol.

Speaker 6 (56:19):
This is as bad as the other one, asked Charleston
Joe Charleston White, So was it the black families all?

Speaker 2 (56:26):
He's like, oh, we're speaking pasty. He's like, because I
was looking at he like, oh, you're one of those people. Okay,
you're just like focused on that. Like I grew up
with a single mother too.

Speaker 1 (56:36):
Boy, you are alreadiant.

Speaker 2 (56:39):
He's like, I ain't been poor before. He's like, I
don't know what it's like. He's like, what are you
talking about? Stop talking about god impoverishment. I made these
bad decisions because I won't shit. What are you talking about? Zar,
I'm not veging to excuses. He's like, what are you
sure your dad know me?

Speaker 6 (56:54):
Like I didn't know this man. He's like, what is
wrong with you? And I ain't got she had his
sharp But Drake has helped so many people.

Speaker 2 (57:04):
He's a who.

Speaker 7 (57:07):
A lot?

Speaker 2 (57:08):
Who I'm not in the streets like that? Who is
he helped? People? Who them?

Speaker 1 (57:16):
Who is them?

Speaker 2 (57:18):
The people that Drake saved? Who has he saved? The children?
Children in the mansion.

Speaker 9 (57:26):
Okay, they call me because of some uticulous put the

(57:58):
character partica printing something always up the dead Christ terrible.
They call me ver because my sus maybe it wasn't
piculous thinking the vic the.

Speaker 6 (58:09):
Britis, the brats are always every dead twist a terrible
lig ameberic.

Speaker 3 (58:13):
You t have a risky timty be based he pours.

Speaker 6 (58:15):
Captain alpasbo, the grietics apocalyptic of maybe politically the technic.

Speaker 1 (58:20):
Its time, the britis in the moment, the busy cards
never what can tenth to be is not to happen.

Speaker 2 (58:24):
They can see the boo chaotic.

Speaker 6 (58:25):
Thous cost from the path when the test the fire
bread in the life the first thing the packages will
lead the Arminius week because of the day to reads results.

Speaker 3 (58:33):
I'm trying to consult those times of consults.

Speaker 6 (58:36):
They give them more than that because an assault during
the code of the redness they passive in ain't better
bring in the world to a thing one bntic, the
supplying its deed from both and the interface.

Speaker 3 (58:45):
And it's getting first straight and not getting respect.

Speaker 6 (58:48):
I guess I'll take fear he defended, be the quickest
and once in two and bot get the envy is
then never.

Speaker 9 (58:52):
The cot twist a terrible with the call me inherited
because my salfaturist. But is not the sys a peloty
this the liparticulous mom is pick you with but the
chfick to Richards to practice, I've always have pretend prince
are terribly to call me a heretic, because myself a
shrift make he does it's is a relative.

Speaker 1 (59:08):
What's the ly ridiculous my moor sipts pickure, what's but
the chefick to Brichard's to practice, I've always epretend.

Speaker 6 (59:14):
The sitting patient is in the picture that I'm a diagnosis.

Speaker 3 (59:16):
Had them to give at.

Speaker 1 (59:17):
A couplace and other compans for giving me where.

Speaker 6 (59:19):
You're rating this music is silent, the sener this get
why the voice his name hoping the silence the sound.

Speaker 2 (59:24):
Said of title reach expect them to give.

Speaker 1 (59:26):
Me your teeth.

Speaker 3 (59:26):
But he's riding demons inside of my head, the idle
till they end.

Speaker 6 (59:30):
Up my broth.

Speaker 3 (59:30):
The one that finding remo.

Speaker 6 (59:31):
Don't to send that methode eternal forces on the only
whale will talk, only whale will go to make them
come with toke course before ten, because then you come here,
don't pretty come back? You said, my better force the
siting in.

Speaker 3 (59:43):
The way that the rent is gonna leave to my demand. Baby,
but believe it is I can take a cause of pain.

Speaker 7 (59:48):
I'm a math kid.

Speaker 6 (59:49):
My matter kids are pre ready to follow through. So
gonna get to inside fruit to say. The ones that's
that to you, Prince are terribly.

Speaker 9 (59:56):
They call me your heretic because myself a shrift makeey
does us Sumvella bick pwis the leaf particulars my movements
sickness picture whis but the character Britchet's a practice.

Speaker 1 (01:00:05):
I'm always up a tend fris a terribly.

Speaker 9 (01:00:07):
They called me a habited because myself the sheriff Prickey
know this is a sumpllo bick what's the leaf particulous?

Speaker 1 (01:00:12):
My movement sickness picture, But the charcter Britchet's a practice.
I'm always up a tend Welcome to the drama.

Speaker 6 (01:00:17):
Fire where the strung that the fire in the week
and gets some lot of heat and over one by the.

Speaker 3 (01:00:21):
Notion that they can that's whiskey with.

Speaker 6 (01:00:23):
The best fit, with the best fifth at the rest
of the thing, or as I'm not the contempt they contempted,
poor attending stuff for a crime that's tear the out
of the lead. They call a week the wind cause
unnecessarily commotion because the primes are not respected.

Speaker 7 (01:00:36):
There and throw an emotion star devoting.

Speaker 1 (01:00:38):
More focused, so simply just doing. You don't worry about
what the other men man is saying.

Speaker 7 (01:00:42):
Dude, just see the dream alone.

Speaker 6 (01:00:44):
You know that hope close to me, that the jokes
I'm gonna really throw unlesson's bottle through a numb and
sif they bothering you tilly are about you without a doubt, Dude,
I just call it out and see it.

Speaker 3 (01:00:54):
Minto with the realers.

Speaker 1 (01:00:55):
Ain't no double meeting. If you're weak the week.

Speaker 3 (01:00:57):
Just accept just stand prison terribly.

Speaker 9 (01:00:59):
They called me a habit to because myself a churchis
these preli plicitly particulous, noting heverage to printic to brank
it's something always have pretended Christ and teffer what they
called me a herod to because myself the church this
a present plicitly particulous.

Speaker 1 (01:01:16):
Heat to brank. Some always have pretended.

Speaker 7 (01:01:40):
Certain things. You know it, man, Yo, what I got
you turnt? What got you to okay that aside?

Speaker 10 (01:01:46):
Okay, maybe it's because you say he's biting people style
and you've heard that style before.

Speaker 7 (01:01:50):
But what is it about Drake to rub you wrong with?
Because it's more than the style that was just a
start I didn't have. I didn't have no other problem
with the with the man I know in Houston. Man,
it's some things that didn't happen in the age that
other people had.

Speaker 1 (01:02:03):
Problems with him.

Speaker 7 (01:02:04):
Sauce Sauce Walker had problems with him.

Speaker 8 (01:02:06):
You know, I wasn't any But the thing is, when
you talk about our style, you know, our style is
very unique, and we get overlooked.

Speaker 7 (01:02:15):
And that's the other that's the other part of it.

Speaker 8 (01:02:17):
You can come and take something from a place that
gets overlooked anyway if you don't put no shine on.
That's why I never left Houston. I wasn't going to
LA or New York to do nothing. I'm age town
and I didn't think that La or New York had
the pattern on who was funnier?

Speaker 4 (01:02:36):
Now?

Speaker 7 (01:02:37):
So why go?

Speaker 8 (01:02:37):
Why go there and give them all this recognition. And
then the other thing is when I make it, Because
in my mind, I was gonna make it so La
and New York get all of the contrab everything I
put into it, so I spend my money there.

Speaker 7 (01:02:51):
I'm gonna do everything.

Speaker 8 (01:02:52):
What about the people from my city, It's not gonna
get a chance to see me because I had have
moved away.

Speaker 7 (01:02:56):
I'm from here, you know what I'm saying. So the
people that's from where I'm from got to see me
in the grocery store, at the bodega, you know what
I'm saying walking up the street, so they can benefit
from me.

Speaker 8 (01:03:07):
Hey, Ali, how did you do such and such? Oh man,
this is how I did it. I'm not going somewhere
else where. Everybody's trying to do that now. I'm Ashyn
all day, all day.

Speaker 10 (01:03:19):
It's funny that you say that that because we've seen
a lot of people, a lot of rappers try.

Speaker 8 (01:03:25):
To go back to their home and it doesn't end
up well. For why do you think that is? They
didn't cultivate. They didn't cultivate their area from the beginning.
I'm not in this space where I've helped everybody that
ever asked me for help, I've helped, and some people
who didn't ask me, I helped because sometimes might help

(01:03:47):
come when you don't know it. I'm in a room
and I'll bring you up. Hey, you can get this
person that. Don't tell them that I said it.

Speaker 7 (01:03:56):
Just get there.

Speaker 8 (01:03:58):
The thing is, if you don't cultivate your neighborhood now,
you can't go back. Man, I can go anywhere in Houston.
Who got a problem with me?

Speaker 7 (01:04:08):
Nobody? I live here, I love here. This is this
is my space.

Speaker 8 (01:04:14):
So if you didn't do that, then know you can't
come back now. You can't come back unless you coming
back with a with a purpose to love your city.

Speaker 7 (01:04:23):
I don't. I don't think none of them. This is
what's so unique about Houston. We see. That's why I
don't know a person that I did I would like
to meet because I see all. I see everybody, and
we we don't run around with no entourages in all
of this nonsense.

Speaker 8 (01:04:41):
I'm in a safe space in my city. I don't
have no problems in my city. If you and your
city you got problems, what did you do?

Speaker 10 (01:04:51):
But you know everybody's not happy for your successfully everybody's not.

Speaker 8 (01:04:56):
But when you when you have so many people that are,
it's probably people that it's probably people that hate me.

Speaker 7 (01:05:03):
But it's so. But you're gonna say something that somebody
else gonna say.

Speaker 8 (01:05:07):
But what right they gonna question your hate? If you
ain't got nobody questioning it your hate, there's something wrong.
I don't have to always defend myself. The city will
defend me, right, you know what I'm saying.

Speaker 1 (01:05:22):
The people that know me.

Speaker 8 (01:05:22):
It's people in the city when I I said something
about a situation. I don't even know him, and people
like you don't know him, Oh, you must be young,
you must be young. You gotta be And then the
young people that know me be like, wait a minute,
you do know that he did such and such and

(01:05:44):
such and such. I'm a charitable person and I don't
need to I don't need a camera.

Speaker 7 (01:05:51):
To record it. Right If I if I give some charity,
I don't need to post it. And none of that.

Speaker 8 (01:05:56):
And me and Marcus Marcus de Wiler is my partner
that we was together one time and he said, hey, man,
you know what you just did.

Speaker 7 (01:06:04):
People have a camera and they need to part And
I said, God recorded it. Yes, I don't need That's
how I am. I like to I like to do
and not.

Speaker 10 (01:06:16):
Because the question that you have to ask yourself is this,
if you did something that was special and no one
told you it was special, which you still feel special?

Speaker 7 (01:06:27):
Yeah, there you go, that's your answer.

Speaker 8 (01:06:30):
Yeah, because just like this Domino Effect one, two, three,
and four, the first ever special, I'm the first comic
ever in the world to do a special that's all connected,
a four part series special.

Speaker 7 (01:06:46):
People don't recognize it, but it's still special, right, you
believe it's special. That's all that matters. And that's it,
and that's what matters to me. The Ghetto Boys came
out with a song Mind playing tricks On? Yeah? Why
why did you relate to that song? Man?

Speaker 1 (01:07:06):
This is just.

Speaker 8 (01:07:09):
I I was friends with Bushwick, I'm friends with will
A d Now so I just got really just got
the phone with him, friends with Brad So mind playing
tricks on you? First of all, the beat was crazy, yeah,
and that what he was rapped, what they were rapping about.

(01:07:32):
This is a lot of times people's life. You know
what I'm saying. You can think that you something and
you and you not. Your mind is actually playing tricks
on you.

Speaker 7 (01:07:46):
So to stay grounded in reality is what this song
was really about, you know what I'm saying. So and
that pulled it man.

Speaker 8 (01:07:58):
That man said I pulled in the pie Pie's and
belled out quick, if it's going down, let's get it
over me. And that's a that's a that's a slogan
for me. If it's going down, let's get it over with.

Speaker 7 (01:08:15):
I've never I wish I was scared of somebody shauning.
I really wish I would. So I can I can
understand that you always have that mentality. Yeah, yep. I've
been a small man in stature, like you said.

Speaker 8 (01:08:33):
So, but you know something I was first of all,
should I was big. I've been five seven since like
seven before.

Speaker 7 (01:08:43):
That, like about some let me see sick grad and
and I can't. I was a simer. I start off
playing center.

Speaker 6 (01:08:51):
I was the five.

Speaker 7 (01:08:52):
That's where they come to the basketball. Yeah, I was
the five and over one summer it's like everybody went
to sleep. And then I was a one. I know well.

Speaker 8 (01:09:03):
My first position playing football inside linebacker, right inside linebacker,
and I was vicious. I'm not head off because I
don't have no regard for my own self. So I'm
out there inside linebacker. Then I went from that to receiver,
then I went to cornerback. You know what I'm saying,
And it was all.

Speaker 7 (01:09:22):
You couldn't catch that way you were in the cornerback on. No,
I wanted to hit people. I can still catch now saying.

Speaker 8 (01:09:28):
The difference is between like now you talking about today's
supposed to be thug rappers and all that's supposed to
be in the streets.

Speaker 7 (01:09:36):
Right, they're not athletic, So I don't believe them because
you saw Drake be hoopy. I got who Drake let
him rain in the gym?

Speaker 2 (01:09:48):
You saw it.

Speaker 7 (01:09:49):
You saw it too, see it?

Speaker 2 (01:09:55):
Man?

Speaker 1 (01:09:56):
These words what.

Speaker 13 (01:10:00):
Frank freaking got followers and public is disgusting.

Speaker 1 (01:10:10):
It's just disgusting.

Speaker 2 (01:10:13):
Dick riding is a horrible form of transportation. Yo, I
didn't know it was still like this.

Speaker 7 (01:10:18):
No, I.

Speaker 2 (01:10:21):
Don't still do.

Speaker 13 (01:10:25):
Wrong.

Speaker 2 (01:10:26):
It was the cult the cult of the of the.

Speaker 6 (01:10:33):
Of the combined Caucasian and Ydolf Hitler is strong.

Speaker 2 (01:10:42):
They're influence.

Speaker 6 (01:10:43):
No, I can't, Frank, it's actually shick, like when you
shid it's gross, Like I understand when you hearybody like
nobody like that fan girl about it.

Speaker 2 (01:10:53):
I'm like, no, ma'am.

Speaker 6 (01:10:56):
They're grown ass man who are speaking about the ball
and he's just say, coming to christ Drake being athletic
is insane. Nobody has ever said That's what I'm saying.

Speaker 2 (01:11:15):
Nobody else ever said I think Drake could what professional?

Speaker 1 (01:11:20):
This is what I mean?

Speaker 2 (01:11:21):
Like yo, like I like, I can't, like I can't.

Speaker 6 (01:11:25):
Now comparing contrast Chris Brown, you see Chris Banny like,
he looks like it is a athletic b.

Speaker 2 (01:11:36):
Can whoop pass and see has had run ins with
the law, all of which are true based on that.

Speaker 6 (01:11:45):
The boy just got out of court for allegedly going
upside somebody here with a bottle allegedly stop.

Speaker 2 (01:11:53):
Why are you like this?

Speaker 6 (01:11:57):
I'm just saying Drake is thro a UFG for somebody
targets into his good name, and Chris Brown accord for
whoop of ass. I'm saying these two things are not
the same, but people are acting like it is.

Speaker 2 (01:12:12):
Even worse. The cruisifering Chris Brown, where CHRISTA.

Speaker 6 (01:12:16):
Brown does not plagiarize, whether there's a no plagiariss as
the pinnacle of okay. You were saying about Beyonce and
hijaba hip hop? Though, So how did this bitch.

Speaker 16 (01:12:27):
Do this.

Speaker 1 (01:12:31):
When she got some brand?

Speaker 2 (01:12:35):
I wanted to be rid from what? From from what
to what?

Speaker 6 (01:12:38):
Because I might have missed it that as a guy,
because I think she just annoying. So as a female
who was watching this ridiculous bitch, how did you perceive
her and this evolution? Because she looked like she was
just a fucking mom turned to a mummy, turned to
a puppet, turned to a stepford housewife, turned to a

(01:12:58):
sex symbol, turned to a fake horror, turned to a wife,
turned to the scorn, turned to I'm just this is
just from my perception, trying not to proceed to be
abundently clear, I'm steering clear. I'm trying to avoid all
of this, but I'm just getting all of this just
almost through osymosis. So as one who not only was

(01:13:22):
in a state that this bitch is from, but also
just being the female gender, please they explained.

Speaker 2 (01:13:27):
To me this thing, because I just saw I.

Speaker 6 (01:13:31):
Of a just a just somebody who did what the
industry told him to do, and what she's about to
do is about to piss me off because he's about
to talk about rock.

Speaker 2 (01:13:40):
But go ahead, you said that Drake.

Speaker 13 (01:13:46):
Made a hip hop accessible commodified it.

Speaker 1 (01:13:57):
Yes, yep, said Drake did that for rap rap.

Speaker 13 (01:14:04):
She did that for hip hop because before then you
didn't have other female lead hip hop albums that were
selling or people that care not.

Speaker 6 (01:14:18):
For the general public about Mariah Carrey's at hip hop.

Speaker 2 (01:14:27):
And Beyonce closer. You said, Beyonce close to hip hop,
the Mariah array.

Speaker 1 (01:14:32):
At the time.

Speaker 2 (01:14:33):
Oh about time. Okay, I must love ballance, man, what
what are we talking about? Like two thousands, I.

Speaker 13 (01:14:42):
Said, early two thousand, before the dumb stuff happened with
our your boy at whatever awards show that was, and
before before actually he like hit the scene, hit the scene,
before we knew that.

Speaker 1 (01:14:58):
He was Jay's.

Speaker 6 (01:14:59):
So when she just got out of the Destiny Child
with the whole jay Z crazy love crap.

Speaker 2 (01:15:04):
Yes, oh go gotcha.

Speaker 13 (01:15:07):
This is when she started to So that was.

Speaker 6 (01:15:10):
That's what.

Speaker 13 (01:15:11):
Yes, that's when she started touring internationally still in all
kinds of bit just sounds.

Speaker 1 (01:15:15):
Both to her in dance school for like literally across
the world, Eastern Europeans.

Speaker 13 (01:15:22):
She had English influence like it was crazy. And that
was at the same time you were asking me, when
did hip hop kind of hit mainstream. It was the
same time kept her nash and went over there to
that super conservative country and at least acting like she
was in the US, got ridiculed internationally, and America came

(01:15:44):
to her side like she had just dropped.

Speaker 2 (01:15:46):
The sex tape, those like she hadn't.

Speaker 13 (01:15:51):
Those two things intersected both of whoever.

Speaker 1 (01:15:55):
Was managing them.

Speaker 2 (01:15:57):
And you want to and you want to and you
want to know who is the central nucleus.

Speaker 6 (01:16:05):
You think, you think, you think, you think, you think
it's gonna be one person, because that would be the
easy one. It's her husband. Again, I'm saying husband, and
again you would assume it would be the most obvious one,
but it's not. It's not the most obvious one because
he's even worse. He's even worse than her husband.

Speaker 1 (01:16:29):
But go ahead, can get a story