I Hate Crime: Episode 25

Today's Mystery:

Larry is hired to solve a murder by a voice over the phone before it happened.

Original Radio Broadcast Date: 1950:

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Episode Transcript

(00:28):
Welcome to the Great Detectives of OldTime Radio from Boise, Idaho. This
is your host, Adam Grant.If you have a comment, email it
to me Box thirteen at Great Detectivesdot net. Follow us on Twitter at
Radio Detectives, and check us outon Instagram, Instagram dot com, slash

(00:51):
Great Detectives. If you're not subscribedto our podcast, I do encourage you
to subscribe with your favorite podcast software, whether it's Spotify, Apple pod Cast,
Overcast, or the Amazon Music app. At Amazon dot com. Slash
Otr Detectives can subscribe and receive everyepisode as soon as it's available. I

(01:11):
also encourage you to check out ourother podcast and in particular, I want
to go ahead and highlight the amazingworld of radio over at Amazing dot Great
Detectives dot net. It's a lotof really fun radio programs. We've got
summer series that are chosen by ourPatreon supporters. We just did our Men
of a Thousand Voices series, welltime radio episodes featuring recently departed actors including

(01:38):
Larry Storch, Holiday specials in aspring series that I do including Whistler Lost
episodes. Can check it out atAmazing dot Great Detectives dot Net. Well,
now it is time for this week'sepisode of I Hate Crime. Skip
a few episodes to episode twenty five, original airdate nineteen forty nine or nineteen

(02:00):
fifty. Let's go ahead and takea lesson. It had been a slow
day. I was sitting at mydesk going through my little black book.
Edna Carlisle, Warden Road, BellevueHill. Beautiful girl adn't auburn hair,

(02:28):
green gray eyes, and I putacross through her name. She married a
grazier a few days before. WilmaMarshall. Now there was a dame the
terry go was a little too farto travel. Sally Bishoper. Huh,
blonde with brown eyes, beauty markon her cheek, not too many brains.

(02:52):
But who wants an intellectual conversation whenit's cold outside? I reached for
the phone. It happens every time, like lighting a cigarette when you're fishing.
Harry Kent, Private Investigations, MisterKent, this is this is an
admirer of yours. Hell, ifyou're trying to sell me something, oh

(03:15):
no, In fact, I havea very interesting case for you. Couldn't
you come to my office? I'msorry, no, what's your name?
Sorry, I can't tell you that. I well, what can you tell
me? How would you like toearn five hundred parts? What do I

(03:38):
have to do? Find the murder, who's he killed? How the murder
hasn't taken place yet? Look,buster, I've had eight hilarious gags pulled
on me during the past week.I'm getting a little tired of it.
So go and tell a character whoputs you onder this that he can hold.

(04:00):
Please, mister Kent, I don'tblame you for being dubious, but
you'll see very soon. And I'mserious, if you'll just hear me,
act or make it first, Aperson will be murdered soon with a twenty
eight caliber bullet. Twenty eight caliber, yes, there is only one gun
made for that size bullet. It'san Italian pistol, a Marcenetti. So

(04:24):
when you discover that a murder hasbeen committed with a twenty eight caliber bullet,
you'll know, joke, you're areal card. Please go on.
Five hundred pounds will be yours whenand if you solve the murder. Here
are some clues. Even if youknew my name, you would not find

(04:45):
it in the telephone directory, thoughI'm using my own phone. Second clue,
I'm not as I said good daysto Kenny character. I figured it
was a run with a queer senseof humor, or a gag pulled by
my actor or newspaper friends. Iforgot about it, but next morning I

(05:09):
saw the two articles had been pushedbeneath my apartment door. One was an
envelope, a stack of ten poundnotes and a typewritten message that went,
this is to show I am notjoking. One hundred pounds to cover expenses,
five hundred more when and if youname the murderer your admirer. I

(05:34):
had a good look at the tenors. They were real. Then I unfollowed
the newspaper. The headline had beencircled with a heavy black pencil. It
went sp bookmaker murdered. There wasn'tmuch to the story. The sp man
was George Dunn. He'd been shotduring the night. There was no mention

(05:54):
of the caliber bullet. Inspector WalterDermott was in charge of inquiries, so
the trip to headquarters Larry can't.Oh, no, what do you want?
Dermott was his usual sweet silk.I said, what do you want?
Just a little courtesy. Oh wouldyou recognize it if you got it

(06:18):
from a cup? I don't know. Smile, look, inspector. Why
don't we get along? Huh?Well we could, can't You know?
Why? If you got yourself aplane ticket to the States, I'd be
right there at mascot Yeah, tomake sure that I went. Yeah.

(06:39):
Now, why do you want tomake it quick? What's going on on
this book maker case? I amnow giving an imitation of the space.
Why do you want to know?Kim murders always interest me? I know
one that would delight me. Yeah, I think you'll get the killer.

(07:00):
We usually do. Well, youshouldn't have much trouble finning this one.
What makes you say that? Well, it's not everybody who owns a twenty
eight caliper pistol who told you itwas at twenty eight Kent? Or have
him directing traffic and Market Street ourbanks, inspector? Well, there,

(07:23):
it was just like my screwboy friendhad told me over the phone. I
went to the office thought about theso called clues he'd given me. Neither
was worth a done Larry Kent,Private Investigation, Good day, mister Kent.

(07:43):
You recognize my voice, don't you? Yeah, using a payphone now,
huh, yes, not very farfrom your office. Well are you
satisfied that I wasn't joking? Yeah, but tell me so badly? Did
you kill George Dunn? What doyou well? I figured you must have,

(08:07):
after all, you gave me theadvanced information. You could be very,
very wrong. Here's another clue,watch out for a dark woman.
I assume you're getting to fun inthe case. Yeah, good, by
the way, thanks for the hundredpounds. Will I be hearing from you
again, You never know, Goodbye, mister Kent. I did some checking

(08:35):
all that day. Here's what Ifound out. The dead guy had no
relatives, no close male friends whocould tell me anything about him, but
there were rumors that had cleaned upa fortune as an sp man. George
Dunn had been on his fifties,fat and ball. One piece of information
was that he had been friendly witha pretty brunette, which made me think
of my screwball friend's third clue,watch out for a dark woman. I

(09:00):
got Dun's address, waited till afterthe funeral, when I went to his
apartment in Rose Bay armed with skeletonkeys, but just for the heck of
it, I pressed the door buzzer. I heard soft steps inside the apartment,
and then yes, the dame inthe doorway was curvacious, pretty and

(09:26):
a very dark brunette. What isit? I didn't expect to find anybody
here. This apartment was George Dunn's, wasn't it. I'm Carlor Dunn,
his cousin. Oh. Can Ihave a talk with you? Who are

(09:46):
you on? What do you want? My name's Larry Kent. I'm a
private investigator. I've been hired tolook into your cousin's murder. Who hired
you? Well, I'm not supposedto give away information like that, you
see, I'm a very p Ihave an investigator. Are you going to
let me come in? Why not? I have nothing to hide. Thanks,

(10:09):
I'm afraid there's not much I cantell you A litt'll help, mister
Kent, Well, I think thereis. First off, you can tell
me why you caught yourself is cutting, because I thought it would save a
lot of unnecessary explaining. It surprisedme. It was a nice quick answer.
What are you doing here in theapartment? If you'll come into the

(10:33):
living room, I'll tell you.Okay, You see, I was in
Melbourne when I heard keep him covered, Roger where he walked right in the
room. Why when a mess you'vemade of the living room looking for something?
Roger, this is Larry Kent,a private detective. Charm. Just
don't make any kind of movement.Roger was tall and slim. He had

(10:58):
a good tailor. His hair wasblack and wavy. His face was narrow,
the skin as smooth and hairless asthe baby's. His eyes were big
and clear. He was, allin all a very cute boy. But
he was shaking a little, andhe didn't seem at home with a gun
in his hand. You'll not tellus why you've come here, mister Kent.
Well, I figured I might findsomething that would help me with my

(11:20):
investigation. And how did you expectto get in skeleton keys? So you
were George Dunn's girlfriend? Huh?And now you and a pretty boy here
are looking for George's dough. Heknows too much, Carter. He was
just guessing. I see it wasa pretty good guess. What are we
going to do with them? Youcould use that gun? Rger? Why

(11:43):
don't you, pretty boy? MaybeI will? I don't think so,
you know what I really think?I figured that if I turned my back
and walk out of here. Youtwo will let me go. Don't be
too sure of that. You wouldn'tkill me. The shot would be heard.
Murders are tough raps. They solong, Oh, Roger, don't.

(12:05):
I walked out of there on thesidewalk. I wiped my forehead.
Roger had been holding a thirty two. George Dunn had been killed with a
twenty eighth from a Mansonetti pistol.I had a pretty clear picture, with
some pieces left out of what wasgoing on. Carler had been playing games
with George Dunn that had been holdingon to Roger on the side. Carler

(12:28):
had told Roger not to shoot whywhile there were two answers. One,
she didn't want murder, which suggestedthat she hadn't knocked off done. Two,
she wanted to learn more about me. So I was expecting a visit,
and I was right. It wasten fifteen pm in my apartment.

(12:50):
Hello, Hi, Aloane, comein. Thank you want me to take
your code? Please? M WhenI'd met Carler a Dunn's apartment, she

(13:11):
had said she had nothing to hidehow wrong she was. Her skin was
tan, her dress was white,slim waist, long, legs, curves,
and slopes, A lovely package oftan and white, with tan predominating.

(13:35):
Wondering why I'm here. Maybe I'llstart wondering in a minute, but
right now the view has my attention. I was hoping you to prove her.
Why makes it so much easier forus to do business? Business?
Yeah, I'm listening. Who hiredyou to investigate George's murder? Why it's

(14:01):
important that I do? Is itgoing to do me any good? If
I tell you? It's going todo you a lot of harm if you
don't. She moved fast, apurse open the right hand, pulled a
gun out. There was a silencerat the end of it. This time,
mister Kent, I won't be afraidof attracting attention. I thought you

(14:41):
were a little on my side,Carlo. And what made you think that?
Well, you told Roger not toshoot me only because his gun wasn't
equipped with a silencer. This oneis. It's but you're not the murdering
type. There's so much in thisthat even murder is worthwhile. I go
that far when you don't have to, I don't want to, but if

(15:03):
I must, what's the gun away? In the first place. It doesn't
scare me. In the second place, there are better ways to do business.
For instance, Well, don't beenfor the gun, honey, or
I'll give you a real hard spankingrisk. I'll kiss it for you.
Oh, you know, nasty words. I'll take the gun. That's a

(15:31):
nice little toy. But look,you have the safety catch on, all
right, So I didn't mean touse the gun. You look further,
you'll see it isn't even loaded.It isn't. You took an awful chance,
you know. I didn't think you'dshoot it out with a lady.

(15:52):
Yeah, but there was a chanceI might have figured you weren't a lady.
How much dough is it? Thiscount plenty enough for me to get
a cut? You talking, Well, I've got some information that, added
to information you might have, couldprove to be important. All right,
what is it? Ah, I'min the driver's seat. I wonder how

(16:18):
much you'd do now, Well,you'll find out by answering some questions about
George Dunn's past. You could beafter the money too. How don't I
know I can trust you? Oh? Look how far apart my eyes are.
You didn't go to the apartment justfor the fun of it. I
told you I was looking for cluesthat had helped me find Dunn's murderer.
You're client, Well, that's privatefor the time being. You talk,

(16:41):
I talk. I'm not sure Ican trust you. How about me?
For instance, there's Roger. Wheredoes he come into it? Roger means
nothing. He who was ready toprotect you with a gun. I doubt
if it applied on him not tofire. That was just insurance. He

(17:03):
was shaking so much it was possiblehe would have pulled the trigger. He's
crazy about you, isn't he?Yes, he is. Yeah, I
don't blame him, but it's nota two way affair. Oh yeah.
He was just a change from GeorgeDunn. Is that it? It's a
crude way of putting it. Yes, you're a very naughty girl, Carla.

(17:25):
A girl has to look after herself. Rogers a handsome man, dance
as well, and in some wayshe's fun. George was fat and ugly,
but he had. As I said, a girl has to look after
herself, and a girl could doa lot worse than you. It won't
work, honey, we could makeit work, Mary, Roger's not my

(17:51):
I would just knocking time with theamusing it, and you'd be willing to
dump him. Yes, you knowwhat I mean, don't you? You
and me, Yeah, we couldget along. I'll show you. I'd

(18:19):
say that was a very satisfactory sentwouldn't you. Yeah, then let's go
into it together. Tell me whatyou were doing in this thing, and
then I'll tell you all I know. Put it around the other way.
But I'm not sure of you andvice versa. You could take my information

(18:42):
and then spill a spin a tallyoung so you first, huh, I'll
have to think about it. Okay, go to it. Not here,
I'll meet you at the Angel Club, say one, am I I want
to walk around and think it out. Okay, col what I am?

(19:07):
At the Angel Club? I'll bethere. I was there at ten minutes
to one. The Angel Club issmall and pricing. The clientele is mixed
lot, but the guys who gothey have one thing in common. They've
got dough. The dames have onething in common too. Each has a

(19:30):
lot of curves and an angle.The head waiter took my two notes,
led me to a table just bigenough for a lamp, a bottle of
scotch, and a glass. Isat there for quite a while. Ten

(19:51):
after one, still no color,and she'd been putting on an actress to
get out of my pardon. Hello. She was a blonde, and she
was dressed for a kiln ice creamcomplexion, blue eyes, a silhouette like
an elegant bass fiddle. Your Larrycan't, aren't you? That's right?

(20:14):
Carla gave a good description of you. She wasn't exaggerating either. Carla,
who's color? Careful sort of fellow? Aren't you just as well? I
suppose Carla sent me here to getyou. Why didn't she come to someone.
It's up to her to tell youthere. My job is to take

(20:36):
you to her. Where is sheEpping? Do you have a car?
Yeah, then let's go Shelby.We went. The blonde's name was Sylvia.
She sat very close all the wayto Epping. It's the house on

(20:56):
the corner right. You know.I'm sorry we're here. You should have
driven slower. You should have givenme a cueue next time, maybe,
unless Carla has ideas of a monopoly. We got out, walk across the

(21:23):
street. There's a big house,two stories. A few lights were burning
on the ground floor. Carla's nothere yet. Her car isn't on the
driveway, which means if we canhave a drink together, that'll be cozy.
I've got the key in my purse. Here it is, I'll take

(21:45):
it, hunt up of everything else. You're a gentleman, after you,
Thank you. She brushed past me. I followed a wind scott yeah twice
in the same glas coming up,I lit a cigarette. It was a

(22:11):
big, expensively furnished room with fivedoors leaving off. I sat on the
arm of the chair and looked atSylvia as she finished making the drinks.
She came back, negotiating the distancewith a sort of slow saber. Here
we are, yes too. Youmake the toast, honey. Okay,

(22:34):
here's two the knockout drops. Youslipped into this Scotch. You're gonna have
a sweetheart. I'll have you kidme go. The door in front of
was open. I pulled Sylvia Toomeywith my left hand and held out of
a tight and my other hand wasmy thirty eighth The guy on the doorway
he held a thin barrel gun attwenty eight caliber Mansonetti. It appears I'm

(22:57):
late. Yeah, you shoot youhit her? How do you kick?
Honey? The tighter. I squeeze, Noie, don't you please? Lois?
You needn't worry, my dear,I won't. Mister Kent, I
underestimated you. You mean you overestimatedyourself. Drop the gun, I think

(23:18):
not. If you don't, I'lllet you have it. You wouldn't want
to have to shoot Sylvia, wouldyou? You've appealed my bitterna chat?
Okay, sweetheart, sit down andkeep your mouth shut. Why you dirty
use, he says Sylvia. MisterKent and I used to talk. I'll

(23:41):
say, we do. You're theguy who sent me the hundred pounds,
aren't you bet? I didn't soundlike him, Daddy. How stupid of
me? Yes, I had yourservices, mister Kenton. Listen as my
voice changes. I hired your servicesand the most dumb orthodox manner, mister

(24:02):
King. Rather a good trick,isn't it. You see? I was
once act the very lang is myname? Where's Carla? The most interesting
story that you see? I amencountered color as she left your flat earlier
this evening. I rented a furnishedflat directly across from you, by the

(24:23):
way, so that I could watchyour I took Carla into my flat at
gunpoint. I was dead. Youwould living kiss who was also in my
flat. I'll buy the very handsomeboy, Roger. You never know,
do you? How come? Hewas there? Very simple? He followed

(24:45):
Carla to your place. He thenstood near your door and heard enough to
make him very very angry. Istopped him outside at gunpoint, but after
a talk I put the gun away. You see, Roger and I decided
to business together very quickly. Welearned from Carla that you were to meet
her at the Angel Club. Isent Sylvia in her place. Roger was

(25:10):
so angry. It's strange what fortylove will do to a man. Poor
Carla. He killed her, yes, so can you? Yes the rest,
mister Kim, I can guess thismuch. You've got George Dunn's dough.
You kill him, yes, Butyou don't know anything else, do

(25:33):
you? Very well, I'll carryit up for you. George Dunn.
With my client, I'm a solicitor, I'm away. You know how solicitors
learned things about their client, StatuelWell, I learned he had a fortune
in cash. I intended to getit and leave the country, but then

(25:55):
income tax trouble. The authority saidit will take four or five days to
clear me. That was most upsetting. You see, Carla and George were
rather close, and I wanted todo the job while she was in Milbourne.
However, she was coming back thenext day, and there was a
chance that, you guess, Itook the money and did a way with

(26:18):
George. So I gave her youand now you're stuck with me. You're
forgetting something out Joostkin. There wasa smile on his thin lips, a
triumphant smile. There was also aflicker of his eyes, a flicker that
made me turn throw myself to theside. A bullet sang over my head.
Roger stood near a door, smokinggun in his hand. He wasn't

(26:41):
a pretty boy anymore. His facewas an ugly mask of hate. I
put up a bullet right through themask. Ye I rolled. Louis Lang
was on his hands and knees reachingfor the pistol. He wasn't nearly quick
enough. Sylvia. The next day, Sylvia was behind bars. Carla,

(27:10):
Roger and Lane were in the morgue. I was in my office, looking
through my little black book. Atough king so always makes me think of
a warm, cuddly, good natureddame. Come to think of it,
so does everything else. Good night, welcome back. Well, I thought

(27:49):
this episode had a really good hug. The idea of mysterious clients with unknown
motives hiring detectives is just such arich and intriguing vein for a detective story
to follow, because it really doesmake you wonder what's going on. I
also have to give kudos to Larryfor not being taken in by the mickey,

(28:11):
because we've seen him get tripped upby that one a couple of time.
Now. One thing I guess that'sworth talking about is the geography of
the episode, since it happens orinvokes a couple of locations outside of Sydney.
First is when he was going throughhis black book and he said that

(28:33):
all a Woman was quote unquote quitea name, but Taragal was too far
away. I checked in. Taragauis actually eighty eight kilometers or fifty five
miles from Sydney. Apparently that's toofar for Larry Kent to drive. It
doesn't seem like a big distance,but I don't know anything about what the

(28:56):
road conditions were like or how fastyou could make that trip. Back in
nineteen forty nine or fifty. Nowthe big showdown at the end happened at
Epping, and Epping is more ofa suburb from the center of the city.
It's about eleven miles to Epping,so it's very nearby. And I

(29:18):
find myself researching this just so Ican understand the geography of where everything is
located. Because listening to and watchingso much American media, you have a
really good idea about the layout ofNew York City and Los Angeles. You

(29:41):
know, Brooklyn and queensand Anna,Monica and Pasadena. You've seen enough programs
from these places that you've got anotion about how these cities and the different
boroughs and suburbs are set up.But with this we're a little bit less

(30:04):
certain. Sol I hope that's helpful, all right, listener comments and feedback
now and Eileen Rights regarding the firstepisode we shared of I Hate Crime over
on YouTube. This is so bad, it's good, it's so schlucky.
I can see why importing American radioshows were banned in Australia. If this

(30:26):
is what we sent them. Soundquality is awesome and I really hope you
have more. Well, Thanks somuch, Eileen and I should clarify that
this series was not imported from America. Played a lot of Australian episodes where
American scripts were sent over and fewedits made and they were essentially redone with

(30:49):
Australian actors. Examples of this includeThe Fat Man, It's a Crime,
Mister Collins, and even an episodeof La Queen and probably That Strong Guy
as well. However, this serieswas actually written and produced in Australia,
although initially with an American writer,so we didn't import the programs. They

(31:14):
did import the writer who was anAmerican expat, although they did switch to
another writer later on. And Ikind of wonder if we are to the
Australian writer, because I think thatthere has been a little bit of a
shifting quality, particularly with this episode. But thanks so much for the comment,

(31:34):
Eileen. Now we turned to ageneral comment that a lot of people
shared, and this was on Facebook. When I posted the video of the
podcast award comments I made over onFacebook, someone commented over there this was

(31:55):
the first post they had seen fromme on Facebook in a year, and
several others chimed in that they hadn'tbeen seen a post. One lady who
had hit follow hadn't seen any postin months. And this is despite the
fact that nearly every day we're postingsomething on Facebook. So if you're on

(32:22):
Facebook and you follow us, andyou wonder, why isn't the great Detectives
of Old Time radio posting the newstuff on Facebook while we are, and
I guess what we've seen is kindof an intensification of Facebook's efforts to spur

(32:42):
advertising revenue because for some time,Facebook has been under the impression that people
who run pages should have to payto boost their posts so that people who
have come and like their page andfollow their page can see the post.
So if you are a Facebook user, I encourage you check out just search

(33:08):
for Great Detectives of Old Time Radioand plays like any posts that are there.
Likes, you know, do drivepeople actually being able to see it
without us having to pay Facebook inorder to reach our own followers on Facebook.

(33:31):
So if you are a Facebook personand you have a minute or so
plays check out our page and likeposts. I will say that I'm probably
going to evaluate how much we utilizingthe Facebook page based on how things go.

(33:51):
I have mentioned before it's been severalmonths that my own personal Facebook account
is been disabled, and I wentthrough a not maarashed process trying to get
it re enabled that went nowhere andwas never able to reach anyone. And
the reason my account was suspended wasjust because of someone hacking into it.

(34:16):
Now my wife still has her account, and she was an administrator on the
Great Detectives Paid, so we're stillable to do some boasting through there.
But it's a bit of a rigmarole, and if people aren't seeing it,
enjoying it and engaging with it,and I'm not certain it's going to make
sense long term. I read acompelling article recently by a podcast expert who

(34:40):
made a case that social media isnot a particularly effective way to grow a
podcast. I guess that goes doubleif the social media company is making itself
obnoxious and there are new stories aboutthere being a decline in Facebook anyway.
On the other their hand, weactually, you know, a couple of

(35:02):
years back, we had some reallygood threads on Facebook where I would ask
questions, gather feedback, and getsome really interesting answers. But that's been
some years ago. It really isup to listeners who are over on Facebook.
If the Facebook page is interesting andvaluable to you then engage with it

(35:25):
or give us ideas on how wecan do things differently, again with out
a whole lot of labor. Butif it's just not doing a whole lot
for you, you liked it,but you can engage with the program in
other ways, it's fine and I'llspend less time worrying about Facebook and more
on things that actually seem to makean impact. Oh now we turn to

(35:49):
our Patreon supporter of the day.Thank you to jazzmina Patreon supporter since January
of twenty sixteen, currently supporting theprogram at the tactive Sergeant level a seven
dollars and fourteen cents or more permonth. Thanks so much for your support,
Jazmina. And that will do itfor today. If you want to
be sure that you don't miss anepisode, I encourage you to subscribe with

(36:13):
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channel, and mark the notification bellI'll be back next Tuesday with another episode

(36:37):
of I Hate Crime, But joinus back here for dangerous assignment? Where
here did you asking about the goonamed Sadi? What do you know about
it? A man in my positionhas eats and eyes open all the time
in place such as this. I'llskip the hocus focus and let's have it,
bust. I make my leading playingtunes. People wish to heat,

(36:57):
I get it. Okay, here'sten bucks, ten dollars American, ten
dollars American. Does that buy methe tune? Of course? Please to
tug the bill in my pocket.Okay, now let's have it. These
girls Suddy was in here. Ohgreat, look that I already know.
Give me back my ten bucks.But wait, wait, I can't talk

(37:21):
anymore now I am supposed to beplaying for customers. Meet me ten minutes
past midnight, nearest metro station?Metro? What's that? Metropolitan? The
underground electric railway. I will bewaiting for you under in Okay, and
I'll see you then, and yourtune better be good. I hope you'll
be with us then. In themeantime, do you send your comments to
Box thirteen at Great Detectives Dot andNAT Follow us on Twitter at Radio Detectives

(37:46):
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