August 25, 2025 • 28 mins
Today's Mystery: A notorious collector comes to Mike alleging that he's been framed for murder.
Original Radio Broadcast Date: Sometime in 1953 or 1954
Originating from New York
Starring: George Petrie as The Falcon
Support the show monthly at patreon.greatdetectives.net
Patreon Supporter of the Day: Yigal, Patreon supporter since March 2023
Support the show on a one-time basis at http://support.greatdetectives.net
Mail a donation to: Adam Graham, PO Box 15913, Boise, Idaho 83715
Take the listener survey at http://survey.greatdetectives.net
Give us a call at 208-991-4783
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Follow us on Twitter @radiodetectives
Original Radio Broadcast Date: Sometime in 1953 or 1954
Originating from New York
Starring: George Petrie as The Falcon
Support the show monthly at patreon.greatdetectives.net
Patreon Supporter of the Day: Yigal, Patreon supporter since March 2023
Support the show on a one-time basis at http://support.greatdetectives.net
Mail a donation to: Adam Graham, PO Box 15913, Boise, Idaho 83715
Take the listener survey at http://survey.greatdetectives.net
Give us a call at 208-991-4783
Follow us on Instagram at http://instagram.com/greatdetectives
Follow us on Twitter @radiodetectives
Mark as Played
Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:28):
Welcome to the Great Detectives of Old Time Radio from Boise, Idaho.
This is your host, Adam Graham. In a moment, we're
going to bring you this week's Adventure with a Falcon.
But first I do want to encourage you, if you
are enjoying the podcast, to follow us using your favorite
(00:50):
podcast software. And today's program is brought you by the
financial support of our listeners. You can support the show
on a one time basis at support do Great Detectives
dot net. You can also become one of our ongoing
Patreon supporters for his little last two dollars per month
by going to Patreon dot Great Detectives dot net. Well,
(01:15):
in terms of an original air date, today's episode is
a bit of an odd ball. We can't determine when
exactly it aired, other than it aired during George Petrie's
time as the Falcon, but we have some episodes that
were certain aired in nineteen fifty four, so we're playing
this in between the nineteen fifty three and nineteen fifty
(01:38):
four episodes. And the fan title is the Case of
the Disguised Murderer.
Speaker 2 (02:04):
There's one thing your land working as a private detector
is three poles. They have a dind this thing.
Speaker 3 (02:10):
Okay, it's in fight.
Speaker 2 (02:11):
I'll give you Alan Crane. He's a young man hiding
in the underbrush. I mean he was Jersey Ti days
for an hour. He stands there nationally. Remember when he
hears a pride or if he makes his presnant us
that's your choice.
Speaker 3 (02:27):
Because it step down Lade the diver. I wish you
wouldn't ask that way. Didn't you wouldn't you stop acting
like a child.
Speaker 2 (02:36):
I'm sorry.
Speaker 3 (02:37):
Sometimes I wonder if they have a stone a man
like you?
Speaker 2 (02:39):
You like crazy about you?
Speaker 3 (02:41):
Listen to I want to tell to you about that.
Let's we talk about your husband. Now, what do you
think I asked you the motley last year? That couldn't
have the w of it. A realist, I didn't take
a tat Alan. Listen, I think I saund the sound
around us? Have you a san demnco the man of
(03:02):
was the thirty? Yeah that's the boy. Then thank got
the twenty six thousand dollars last week first done at.
Speaker 2 (03:08):
Bea which I got to do with us may.
Speaker 3 (03:11):
Do everything and instead of wouldn't pay off bank got excited,
made a couple of threats. Now if anything would have
happened to mister DeMarco. Can you see the position that
would play Franking?
Speaker 2 (03:23):
But what's going to happen to Marco?
Speaker 3 (03:24):
I they can do, might even have a fatal accident.
I don't callow you, and there's nothing very difficult about it.
But if I've got to put it in words of them,
so they'll ride. If the night that was murdered, Frank
would be the number one suspect, and after the cops
got through with them.
Speaker 2 (03:42):
That would leave us for we rated. You don't know
what you're saying.
Speaker 3 (03:46):
Oh, it's the only way you'd never have to wear again.
Now the marker got an apartment at the Chelsea out
they'll do with a man night, and so will lose
on the wilby Ton thirty or Police Day.
Speaker 2 (03:58):
I won't do it you cleanly, love me, No I do.
You don't do what I asked.
Speaker 3 (04:04):
You're never singing again. And look up your mind, honey,
gonna let a little nurse down in your worms before
(04:24):
the eighteen nineteen.
Speaker 2 (04:26):
Yeah, I just you right.
Speaker 3 (04:31):
Don't stand there with your mouth. I'n't go ahead knock.
Speaker 2 (04:33):
It's no use, toys. I can't do it.
Speaker 3 (04:36):
Yes, everything's going to like talk work so fast.
Speaker 2 (04:39):
I'm proud of you.
Speaker 3 (04:40):
The way you talked to the dust cook, so cut
like a real man. That's sun must stance and I
could will be sure and remember you. I'm scared. Oh listen,
this fine, this silly fish gonna let it. I'll work
it down the drone. I've gotta drop on yourself, not
on the door, I say, right, I'll do it. Spoils right, good,
(05:00):
say turn out like a man? Yes?
Speaker 2 (05:05):
How among the minchao?
Speaker 3 (05:06):
I look, my Ashlan, what are you doing here? I
told you.
Speaker 4 (05:09):
Write a minute?
Speaker 2 (05:10):
Yeah?
Speaker 3 (05:10):
Not riding my shoe is?
Speaker 2 (05:13):
Yeah? Missus?
Speaker 3 (05:14):
Oh yes, I wonder if I can have a two
words for this? Okay, come in, thanks, tell.
Speaker 2 (05:22):
Me a.
Speaker 3 (05:23):
Sure? Sure, all right? You tell about I understand you
are my husband's a minute the Franks times you're around
the collectors working your time. Don't come to concluding, mister Tomnco,
I thought, no more love the friends and you had so,
I thought you're not being interested in husbands. Pull a
fast one on him. What do you mean there's mister
(05:44):
cram here? I can it tell you something to go solve?
Oh that's a problem I didn't get all right on
show it Tom huh, Well, what are your wording for?
Put him with a gun.
Speaker 2 (05:56):
What do you think you're.
Speaker 3 (06:00):
Mh Demacca DeMarco.
Speaker 5 (06:05):
Yeah, these are children, my children, persons journey.
Speaker 3 (06:11):
I'll put yourself together a chance, and I didn't go
this sad. I have your last things up the last
minute that the prince. Okay, not tear up the buttons
and thanks coach, because I want the police to found
the clips in the Marco's head. Now put it off.
I can almost I do everything around here, okay, I
(06:34):
open his hands. No, come on, he said, all right,
the pot, that's the way and around I'll make a
man of you.
Speaker 5 (06:45):
Yes, at the moment, will return to the adventures of
the Falcon.
Speaker 2 (07:01):
But first and not where missus Waring's little boy. And
Michael got himself involved. About three hours after the murder
(07:23):
of San Demco, my door buzzer sounded off, and when
I answered it, there stood trouble with a capital to Hello, Mike,
Well of it isn't Frank Marshall that awful, Come in, thank.
Speaker 4 (07:37):
You.
Speaker 2 (07:38):
He will never drink sny the bottle of Bredon to
lists in the bar of yourself a little brig It easy, Michael,
you don't know how I needed that. I got a
small idea. I've been listening to the radio. Then you
know I'm hot. Well, you got the thermometer, hold and
jew Jean Portfoyo. I gotta try state alarm out. I
(07:59):
didn't care, Sanda man, he were sent a big bet
to you. I don't know a racket. Letting a man get.
Speaker 3 (08:03):
Away without get ruin your business. I does mean a thing.
Speaker 2 (08:05):
It does when they find your gun next to his
body and a button off your coat in his hand.
Not about the bill boy.
Speaker 6 (08:10):
What boy?
Speaker 2 (08:10):
Said Michelsea Arms, who identified you from one of the
pictures of the man who ask him for DeMarco's room number.
I'll tell you to frame. How did you come here?
They can nail me for ivoring a fugitive and that
means my license.
Speaker 3 (08:22):
Okay, Mike, sorry I brought it.
Speaker 2 (08:26):
He said, this is a frame. I swear it. If
you're lying to me, I'll give you my word. Wouldn't
I be a captain let anybody see me going into
the Marco's room. That's what I was thinking. Sounded like
the killer went out of his way to be started.
And while I might buy that button they found in
the Marco's hand when he added to the other things
like the ground. It's too much. And you believe me,
(08:47):
you're saying you Archie, thanks.
Speaker 3 (08:50):
Call, I won't forget to give it. He got me
an idea.
Speaker 2 (08:53):
Who might be behind this routine? Nope, not obviously had
to be somebody who was attached for you. Now, who
do you know about your size?
Speaker 3 (09:01):
Oh? One hundred guys? Name one?
Speaker 2 (09:04):
Wow, dude Burns. They're gonna find him. He's out on
the coach. That's the big help the news proger nomination.
I'll tell you a million guys. I'm still waiting for
number two. Well, Alan Crane, they see a guy.
Speaker 3 (09:16):
You used to work for me.
Speaker 2 (09:17):
Did you find him?
Speaker 3 (09:17):
Yes, you didn't have nerve enough of the business. Well then,
miss Crane sounds like a likely suster. Now you're out
of your mind.
Speaker 2 (09:23):
Alan's yellow.
Speaker 3 (09:24):
He never have enough guts to fuller day like this.
Speaker 2 (09:26):
You never heard the story of the worm. The turn
there's is Alan Crane lives at the Kenyon. Okay, set
tight to your hair for me. With a little luck,
it will be real soon. All right, Fuster, I was
(09:49):
talking Li, you're talking to me Friday and the sad
you wanted to say, Alan Crane, oh.
Speaker 3 (09:54):
The fellow order, Well it was Alan. I wanted to see.
Speaker 2 (09:57):
Any idea I can find him at you a Mike
Waring privately that I tried you out with Alex. I
want to talk to him about what the personal matter?
Speaker 4 (10:07):
Quo?
Speaker 2 (10:08):
You know? I told you all. You have to know
that where I asked you something I answered you. I
suppose you answer me, Benny ideas where I can locate him?
Speaker 3 (10:15):
Now, But let me give you a little trip. Don't
say too hard. No, you might find something you're not
looking for.
Speaker 2 (10:31):
What's that? It's me Walder, open up, Hi, that's doing.
I ran into Harold Plant he said you wanted to see.
But even up to these past two days nothing.
Speaker 3 (10:45):
Why was Mike Flaring asking you about you?
Speaker 2 (10:47):
Who?
Speaker 3 (10:48):
Mike Waring is a private ticket? I call a fark
and don't ask me?
Speaker 2 (10:51):
Am I going to ask? It's the thing Mike Marshall's wife.
Now better not if you want to say a month
king of swear, I'm telling you the truth. Yeah, I
get you to think of it. I saw a couple
of times last week at the worm Broom with God's Montaine.
Speaker 3 (11:06):
Who God's Montaine? I went to Carl the Latest and
Frank here.
Speaker 2 (11:10):
You're lying, okay, I'll tell you the car I mean
about Joyce in this Montaigne. Why would I want to
do that, because you know why? You just tell me
patron Is.
Speaker 3 (11:20):
But if she's going with this mon on you, I'm
gonna get a fight answer.
Speaker 2 (11:22):
I have to tell you the party. You're still freaking
up day Let me alarm she's been using you for
any dirty work, calling me Walter.
Speaker 3 (11:28):
I'm old enough to take care of myself and missus
Marshall tool.
Speaker 2 (11:46):
Hello, Joyce, Alan, what are you doing here?
Speaker 3 (11:49):
I heard a sup that was smart with a cap
hanging around up. I couldn't help myself. I got worried.
Speaker 2 (11:54):
I'm gonna worry about people.
Speaker 3 (11:56):
Don't understand it.
Speaker 2 (11:57):
I killed a man up. I'll get it to you.
Speaker 3 (11:59):
June up right, blame me. I didn't mean it like that.
You know there's nothing in the world that wouldn't do
for you money to stop talking so much.
Speaker 4 (12:06):
So it's just something I've got to ask you.
Speaker 3 (12:07):
What do you know a man named Montane Montage Charles Montagne?
Speaker 5 (12:12):
Now are you sure?
Speaker 3 (12:13):
What is this a third degree? I just said that
you've been seeing places with him. Well, that tells you
that as a liar that comes to.
Speaker 2 (12:18):
An awfully good solis to my brother Walvice who plays
each other too? Here the wor rumber room.
Speaker 3 (12:23):
Are you going to take that sneak's word against mine?
Because he's seen you several times? Well maybe he has?
Why you mbling?
Speaker 4 (12:30):
School?
Speaker 3 (12:31):
Here's your head? What should any woman's with blood in
his ain seeing a man like you?
Speaker 4 (12:36):
You were only you?
Speaker 3 (12:37):
What are you going to do about it? You're a murderer, Alan.
Speaker 2 (12:40):
Don't say that. That's what's your idea? Is a deep
a zion if I went at a boy.
Speaker 3 (12:47):
And you'll get out of here before I really lose
my temper?
Speaker 4 (12:59):
Got it?
Speaker 3 (12:59):
Asking Alan Craney?
Speaker 6 (13:03):
There?
Speaker 4 (13:03):
Who wants to know?
Speaker 3 (13:05):
Oh, hello, Sargeant, there's a little off your beat? Or
hire you Mike? You know the rest of the boys? Sure?
Speaker 2 (13:11):
Hi?
Speaker 4 (13:11):
Hi?
Speaker 2 (13:12):
Did what goes on here?
Speaker 3 (13:15):
What would be your guest?
Speaker 2 (13:17):
Look, Corbett, you don't have to be a brain to
figure out what plays when you find half a homicide
vision here he's crane.
Speaker 3 (13:23):
I took him down in the morgue about five minutes ago.
Speaker 2 (13:25):
What happened? What didn't Someone got store and took the
old blunt instrument to him. Would have seen his face
take your word for it, said as well, all right,
how's you guys?
Speaker 3 (13:36):
How about getting back to work?
Speaker 2 (13:39):
What'd you want with Crane?
Speaker 3 (13:40):
Anyway?
Speaker 2 (13:41):
I just wanted to talk to him there about what
various things like why he was afraid of Frank Marshall,
Sargeant Marshall, I had no part in this deal.
Speaker 3 (13:49):
How would you know? Because I know the man for years.
Speaker 2 (13:51):
Well, he's changed. He's killed Crazy Mike, he killed Sam
DeMarco and Alan Crane. Oh he should he the Marco
wels on a beat? What about Crane while he was
playing with missus? Marshall? Who says?
Speaker 4 (14:01):
I do?
Speaker 2 (14:03):
Frank kept the diary and.
Speaker 3 (14:04):
Then you can spare a week for some light reading.
Speaker 2 (14:06):
I'll let you get it. I'll tell you you're barking
up the wrong tree. I can prove that Marshall had
nothing to do with it, and I'd like to see
you all right. What time did Crane dies? About a
half an hour ago, give or take a couple of minutes. Okay,
Marshall's at my place. What I keep your shirt and
I can prove it the frame through your colling my
apartment if Marshall killed clean a half hour ago. He
(14:28):
wouldn't be at my place. He'd taken at least an
hour and a quarter to get there from here.
Speaker 3 (14:33):
And you think I'd told you what I think of the.
Speaker 2 (14:35):
Frame, But I don't care what your from. Marshall couldn't
have done this. Wow, there's no answer. Well there goes
the ball game. Yes, we're jokes, Marshall Aunt. You know
(15:10):
one of those cops, not exactly my name is Mike Wearing.
Speaker 3 (15:13):
Oh you're the one they called a falcon frank Off and.
Speaker 2 (15:17):
Spoke of him. Can I come in? Who? Dad? Thanks?
Speaker 3 (15:24):
Hey, Alfie Anderson.
Speaker 2 (15:26):
Set for a little information. You know, Frank's in a
bad fact. The police thinks that he kills sand To Marco,
you don't have to tell me.
Speaker 3 (15:35):
They always room Frank. That's crazy temper tis a got him.
Speaker 2 (15:38):
In the trouble. You want to be careful when you
make sapments like that. Lady, that's the kind of thing
you can put a roper on your husband's neck. Oh
did I say something Wrongkangel. Let's stop trying to kid
each other. As I told you that Alan Crane was dead.
Speaker 3 (15:53):
Is that a fact?
Speaker 5 (15:55):
So we killed him?
Speaker 2 (15:57):
Well, naturally, that's not safe. When a man's head face
bashed in with a ball back, Who did it?
Speaker 4 (16:03):
Say?
Speaker 2 (16:03):
Why should it? Oh?
Speaker 3 (16:04):
I spose I might have had a good agreement over businesses.
Speaker 2 (16:07):
You sure it wasn't over you.
Speaker 3 (16:10):
Really, mister Warren, that's the funniest thing I've heard.
Speaker 2 (16:13):
He is, but praps, I think you were in love
with Crane.
Speaker 3 (16:16):
Well then I look all broken up over his death.
Speaker 2 (16:19):
Yeah, I can see I made a mistake, a bad one.
Speaker 3 (16:23):
And now if you don't mind, would you please go.
I've had a very advesting day and you've done nothing
to improve it. And I told you you'd be wasting
(16:44):
your time at that. Marshall dang Mike.
Speaker 2 (16:46):
When I lay my hands on her, No, no more
than you do. Now, Rank Marshall didn't kill Sam to
Marco and Alan Krane.
Speaker 3 (16:52):
Now with Marshall Denner, think why didn't get himself up?
Speaker 2 (16:54):
Because he knew you'd never believe him just in charging
you proceeding in a wrong fear out. Now, I suppose
Joyce Marshall wanted to get rid of her husband.
Speaker 3 (17:01):
Didn't Why didn't she shoot him and be done with it?
Speaker 2 (17:03):
Because she would have been the most obvious suspect. She
would have grabbed her five minutes after to kill him.
Oh it was much safer. The frame frank into the chair.
You just think she and Crane killed the Marco right, Well,
then Riddle knew this after they get off through Why
did she kill her boyfriend? The thing's crazy enough about
the grass, he's going to knock them off later the
Wait a minute, maybe Alan Crane was just a stooge.
(17:24):
Of course there was another man in the background. You
mean they were using Crane as a pet. Yeah, well,
how are we going to find out who the third
part of you?
Speaker 3 (17:32):
Well, there's two ways to do thatself, didn't I answer?
Speaker 2 (17:34):
Serb the easy one? Hit her up and ask her. Okay, Mike,
is where we get off?
Speaker 3 (17:54):
Okay, you can go back to the headquarters lowest, I
won't be needing the car for a round. Hello, al Mike,
meet off as the Bert Bert not so as you're
going off to he like a relief?
Speaker 2 (18:07):
What relief?
Speaker 3 (18:08):
You know you're not supposed to go off your tour
until you replay with our satis cases in the back.
So he told you that too much?
Speaker 2 (18:13):
Why what you wan? He tied about sixteen minutes ago
you're bothering a energy co You say, Frank Marshall's in there.
You didn't stop him when he had to say conduct
first time with the commissioner with a pony. How should
I know that? Why did you check with your preacher?
Speaker 3 (18:25):
Mark Carpet. We're wasting time. I'll talk to you later.
Speaker 2 (18:27):
Bert for your keys.
Speaker 4 (18:30):
You think maybe this lady, Yeah, no, you didn't.
Speaker 2 (18:42):
One of the other rooms. That's about the living room
if I remember, okay, and I'll give you the word,
open the door and the thing. Now, all right, Marshall,
get him up, wouldn't you know it? Nobody there, I
(19:04):
mean missus Marshall.
Speaker 3 (19:04):
And she don't count, he said, let me bye. I
better call a corner.
Speaker 5 (19:26):
In a moment, we'll return to the adventures of the Falcon.
But first, Ah, back to the adventures of the Falcon.
Speaker 2 (19:55):
And so death came for Joyce Marshall, Wow, Satin Corvitt
with the telephone. I went on a safari through the apartment.
It didn't take long.
Speaker 3 (20:04):
I had to make out Mike.
Speaker 2 (20:06):
No one on the house.
Speaker 3 (20:08):
Well, it was the back entrance of his place.
Speaker 2 (20:09):
What it is that's the kitchen. Well, then that explains
how much I got done, I guess, so I can
find out about her with strangles. That's a switch. Yeah,
I'll say one thing for your friend, Mike. He's a
versatile boy, and he killed the Marco would have done?
Speaker 3 (20:22):
I still say it is all right, all right, I'll even.
Speaker 2 (20:24):
Grant her that supposed Joyce here and Alan Crane murdered
the Marco. That didn't Marshall a better motives? He found
out what his wife and a boy friend were up to,
so he kills them both. Where does Charles Montaigne fitting
Charles Montaigne? Who's he? I found these letters from him,
the Joyce and his entity. Ooh, hot stuff, hotter and hot. Okay,
(20:46):
I'll arrange to him. Picked up the questioning, But why
don't you come clean? Mike?
Speaker 4 (20:51):
What do you mean?
Speaker 3 (20:52):
I got an idea? You know where I can find
Frank Marshall?
Speaker 2 (20:56):
Who do I do? All right?
Speaker 3 (20:58):
Charge, get me a home?
Speaker 2 (20:59):
Bok? How much harder we gone? That's that's right? Another,
But you said you wanted to kill it? How do
I know everything in a rib? You'll have to take
my word for it. That makes you think we'll find
(21:20):
my Carty here? It's the only logical place from behind us. Yeah,
I look for apartment for so oh see y y yeah,
but let me take it there. We'll go ahead, but
I warn you if your friends start back to you
cut and prepared that you waller.
Speaker 3 (21:43):
Yeah, I'll take him in. Did you get you're not waller?
Speaker 2 (21:49):
No, you've got a gun.
Speaker 4 (21:51):
I'm worn your mark.
Speaker 3 (21:54):
Okay, friend, you.
Speaker 1 (21:54):
Out for it?
Speaker 4 (21:55):
Huh?
Speaker 3 (21:58):
You all right? Mike?
Speaker 2 (21:59):
I think let's take a look at that friend, Marshall. Marshall,
you're wasteing your clime, Sergeant. I can see that.
Speaker 3 (22:07):
No, No, I mean for another reason.
Speaker 2 (22:10):
He's not Frank Marshall. If you hold that phony mustache,
you'll see he's Alan Crane. I have another copt.
Speaker 3 (22:28):
No thanks, I got to be at home that the
pair I guy.
Speaker 2 (22:32):
I wish you would have into something for me. Okay,
you'll expect to find Crane in that apartment instead of
Frank Marshall. Naturally it was Crane's brother's apartment. And then
you said you know where to find Frank Marshall. I
meant the mark. Well, I asked Marshall who could double
for him. He named Crane. Well, while I went around
looking for him, Marshall must have gone right to his
apartment and the two of them had it us. No,
(22:54):
that's like you. Yeah, especially when you told me the
Crane's face had been battered in. I thought it might
have been done for a purpose to keep the police
looking for a man who was already dead. That left
Crane in the clear. And then there was that cop
you had staked in front of Marshall's home, he claimed
before Marshall.
Speaker 3 (23:11):
Go in but not out.
Speaker 2 (23:12):
Yeah, naturally you were at the back way. Now you
tell me why a man who's wanted by the police
take the chance on flashing a phony pass when he
could have avoided trouble by going in the backway. So
he wanted us to think that Marshall was still alive.
And then Crane was the one who killed Joyce. Marshall
to them, yep, must have found out that he was
using him for a fall. Guy goes to share, you
(23:32):
never can count on the word that turn. Yeah, that
happen reminds me I don't want to get killed. I
better be at home when a woman's waiting still in
my love call it now were coincidentally, Mike, you ever
give any sap to stumbling down? What do you mean?
You know? You know get married, gehrmit knight to a
(23:52):
loving wife. Oh that's not for me. Ran from what
I saw tonight, That marriage stuff is murdered night Godon.
Speaker 1 (24:19):
Welcome back. On the positive side, Mike was right and
his friend was innocent. But what we do get overall
is just a typical tale of a man twisted by
a fan fatwe with wearing servings just to survey the damage. Now,
I do want to go ahead and let you know
that we are actually running out of episodes of the
(24:43):
Adventures of the Falcon. We have three episodes left from
nineteen fifty four and we will be playing those and
in four weeks we'll be bringing you Danger with Granger,
So be sure and plan on listening to that now.
In terms of listener comments and feedback, we had a
(25:05):
couple of comments on the audio quality. Betsy said maybe
she could have gotten through the episode with better headphones.
Dehlia said it was a bit difficult to hear, but
I got through it. I love the Falcon. Well, thanks
so much, and I'm sorry that we don't have better
(25:26):
quality episodes for this era of the program and appreciate
your patience. Dahlia also writes, I think my devices are
communicating with each other. Well, I turned on my tablet
to watch a little something while doing dishes, and the
first suggested for me movie on Prime is Devil's Cargo,
(25:48):
a Falcon movie. I had no idea that would not
surprise me. These devices can be quite sneaky, although of
course it's always possible that something else in your watch
history or history on Amazon made them suggest that particular film.
But thanks so much, Deelia, and then Rick just writes
(26:10):
best podcast ever. Well, thank you so much, Rick, and
that will do it for today. If you are enjoying
the podcast, please follow us using your favorite podcast software,
and be sure to rate and review the podcast wherever
you download it from. We will be back next Monday
with another adventure with the Falcon, but join us back
(26:33):
here tomorrow for the conclusion of the Willoughby murder case, where.
Speaker 2 (26:39):
You see sageant.
Speaker 7 (26:40):
In this case, we are dealing with a very prominent
man and we must prove sufficient motive if we are
to even fasten arrest.
Speaker 6 (26:49):
But how in the world are you going to do that, Inspector.
You can't prove a motive when you haven't got a
single piece of writing, not a solitary witness. No, if
it was money that's easy or a woman that's easier.
Speaker 3 (27:02):
A woman or Reggie. Sir Reginald did say something about
both cousins being in love with the same woman, Jerald's wife.
That hardly fits the case.
Speaker 7 (27:12):
As far as the murder of the colonel is concerned,
that it may who can tell there? If you please
peculiar situation. I am convinced that Gerald killed his uncle,
then kill Simmons. Yet, if you should ask me for
a motive, I can only give a suggestion. If you
say Gerald has alibi, he was in Chicago when first
(27:36):
murder was committed, and on playing flying to San Francisco
when second murder was committed, I can only say it
is for purpose of proving that said Gerald has motive
that we are here. It is to break said alibi
that we must bend on.
Speaker 1 (27:53):
I hope you'll be with us then in the meantime.
Send your comments to Box thirteen at Great Detectives dot com,
follow us on Twitter at Radio Detectives, and check us
out on Instagram, Instagram, dot com slash Great Detectives from Boise, Idaho.
This is your host, Adam Graham signing off
Welcome to the Great Detectives of Old Time Radio from Boise, Idaho.
This is your host, Adam Graham. In a moment, we're
going to bring you this week's Adventure with a Falcon.
But first I do want to encourage you, if you
are enjoying the podcast, to follow us using your favorite
(00:50):
podcast software. And today's program is brought you by the
financial support of our listeners. You can support the show
on a one time basis at support do Great Detectives
dot net. You can also become one of our ongoing
Patreon supporters for his little last two dollars per month
by going to Patreon dot Great Detectives dot net. Well,
(01:15):
in terms of an original air date, today's episode is
a bit of an odd ball. We can't determine when
exactly it aired, other than it aired during George Petrie's
time as the Falcon, but we have some episodes that
were certain aired in nineteen fifty four, so we're playing
this in between the nineteen fifty three and nineteen fifty
(01:38):
four episodes. And the fan title is the Case of
the Disguised Murderer.
Speaker 2 (02:04):
There's one thing your land working as a private detector
is three poles. They have a dind this thing.
Speaker 3 (02:10):
Okay, it's in fight.
Speaker 2 (02:11):
I'll give you Alan Crane. He's a young man hiding
in the underbrush. I mean he was Jersey Ti days
for an hour. He stands there nationally. Remember when he
hears a pride or if he makes his presnant us
that's your choice.
Speaker 3 (02:27):
Because it step down Lade the diver. I wish you
wouldn't ask that way. Didn't you wouldn't you stop acting
like a child.
Speaker 2 (02:36):
I'm sorry.
Speaker 3 (02:37):
Sometimes I wonder if they have a stone a man
like you?
Speaker 2 (02:39):
You like crazy about you?
Speaker 3 (02:41):
Listen to I want to tell to you about that.
Let's we talk about your husband. Now, what do you
think I asked you the motley last year? That couldn't
have the w of it. A realist, I didn't take
a tat Alan. Listen, I think I saund the sound
around us? Have you a san demnco the man of
(03:02):
was the thirty? Yeah that's the boy. Then thank got
the twenty six thousand dollars last week first done at.
Speaker 2 (03:08):
Bea which I got to do with us may.
Speaker 3 (03:11):
Do everything and instead of wouldn't pay off bank got excited,
made a couple of threats. Now if anything would have
happened to mister DeMarco. Can you see the position that
would play Franking?
Speaker 2 (03:23):
But what's going to happen to Marco?
Speaker 3 (03:24):
I they can do, might even have a fatal accident.
I don't callow you, and there's nothing very difficult about it.
But if I've got to put it in words of them,
so they'll ride. If the night that was murdered, Frank
would be the number one suspect, and after the cops
got through with them.
Speaker 2 (03:42):
That would leave us for we rated. You don't know
what you're saying.
Speaker 3 (03:46):
Oh, it's the only way you'd never have to wear again.
Now the marker got an apartment at the Chelsea out
they'll do with a man night, and so will lose
on the wilby Ton thirty or Police Day.
Speaker 2 (03:58):
I won't do it you cleanly, love me, No I do.
You don't do what I asked.
Speaker 3 (04:04):
You're never singing again. And look up your mind, honey,
gonna let a little nurse down in your worms before
(04:24):
the eighteen nineteen.
Speaker 2 (04:26):
Yeah, I just you right.
Speaker 3 (04:31):
Don't stand there with your mouth. I'n't go ahead knock.
Speaker 2 (04:33):
It's no use, toys. I can't do it.
Speaker 3 (04:36):
Yes, everything's going to like talk work so fast.
Speaker 2 (04:39):
I'm proud of you.
Speaker 3 (04:40):
The way you talked to the dust cook, so cut
like a real man. That's sun must stance and I
could will be sure and remember you. I'm scared. Oh listen,
this fine, this silly fish gonna let it. I'll work
it down the drone. I've gotta drop on yourself, not
on the door, I say, right, I'll do it. Spoils right, good,
(05:00):
say turn out like a man? Yes?
Speaker 2 (05:05):
How among the minchao?
Speaker 3 (05:06):
I look, my Ashlan, what are you doing here? I
told you.
Speaker 4 (05:09):
Write a minute?
Speaker 2 (05:10):
Yeah?
Speaker 3 (05:10):
Not riding my shoe is?
Speaker 2 (05:13):
Yeah? Missus?
Speaker 3 (05:14):
Oh yes, I wonder if I can have a two
words for this? Okay, come in, thanks, tell.
Speaker 2 (05:22):
Me a.
Speaker 3 (05:23):
Sure? Sure, all right? You tell about I understand you
are my husband's a minute the Franks times you're around
the collectors working your time. Don't come to concluding, mister Tomnco,
I thought, no more love the friends and you had so,
I thought you're not being interested in husbands. Pull a
fast one on him. What do you mean there's mister
(05:44):
cram here? I can it tell you something to go solve?
Oh that's a problem I didn't get all right on
show it Tom huh, Well, what are your wording for?
Put him with a gun.
Speaker 2 (05:56):
What do you think you're.
Speaker 3 (06:00):
Mh Demacca DeMarco.
Speaker 5 (06:05):
Yeah, these are children, my children, persons journey.
Speaker 3 (06:11):
I'll put yourself together a chance, and I didn't go
this sad. I have your last things up the last
minute that the prince. Okay, not tear up the buttons
and thanks coach, because I want the police to found
the clips in the Marco's head. Now put it off.
I can almost I do everything around here, okay, I
(06:34):
open his hands. No, come on, he said, all right,
the pot, that's the way and around I'll make a
man of you.
Speaker 5 (06:45):
Yes, at the moment, will return to the adventures of
the Falcon.
Speaker 2 (07:01):
But first and not where missus Waring's little boy. And
Michael got himself involved. About three hours after the murder
(07:23):
of San Demco, my door buzzer sounded off, and when
I answered it, there stood trouble with a capital to Hello, Mike,
Well of it isn't Frank Marshall that awful, Come in, thank.
Speaker 4 (07:37):
You.
Speaker 2 (07:38):
He will never drink sny the bottle of Bredon to
lists in the bar of yourself a little brig It easy, Michael,
you don't know how I needed that. I got a
small idea. I've been listening to the radio. Then you
know I'm hot. Well, you got the thermometer, hold and
jew Jean Portfoyo. I gotta try state alarm out. I
(07:59):
didn't care, Sanda man, he were sent a big bet
to you. I don't know a racket. Letting a man get.
Speaker 3 (08:03):
Away without get ruin your business. I does mean a thing.
Speaker 2 (08:05):
It does when they find your gun next to his
body and a button off your coat in his hand.
Not about the bill boy.
Speaker 6 (08:10):
What boy?
Speaker 2 (08:10):
Said Michelsea Arms, who identified you from one of the
pictures of the man who ask him for DeMarco's room number.
I'll tell you to frame. How did you come here?
They can nail me for ivoring a fugitive and that
means my license.
Speaker 3 (08:22):
Okay, Mike, sorry I brought it.
Speaker 2 (08:26):
He said, this is a frame. I swear it. If
you're lying to me, I'll give you my word. Wouldn't
I be a captain let anybody see me going into
the Marco's room. That's what I was thinking. Sounded like
the killer went out of his way to be started.
And while I might buy that button they found in
the Marco's hand when he added to the other things
like the ground. It's too much. And you believe me,
(08:47):
you're saying you Archie, thanks.
Speaker 3 (08:50):
Call, I won't forget to give it. He got me
an idea.
Speaker 2 (08:53):
Who might be behind this routine? Nope, not obviously had
to be somebody who was attached for you. Now, who
do you know about your size?
Speaker 3 (09:01):
Oh? One hundred guys? Name one?
Speaker 2 (09:04):
Wow, dude Burns. They're gonna find him. He's out on
the coach. That's the big help the news proger nomination.
I'll tell you a million guys. I'm still waiting for
number two. Well, Alan Crane, they see a guy.
Speaker 3 (09:16):
You used to work for me.
Speaker 2 (09:17):
Did you find him?
Speaker 3 (09:17):
Yes, you didn't have nerve enough of the business. Well then,
miss Crane sounds like a likely suster. Now you're out
of your mind.
Speaker 2 (09:23):
Alan's yellow.
Speaker 3 (09:24):
He never have enough guts to fuller day like this.
Speaker 2 (09:26):
You never heard the story of the worm. The turn
there's is Alan Crane lives at the Kenyon. Okay, set
tight to your hair for me. With a little luck,
it will be real soon. All right, Fuster, I was
(09:49):
talking Li, you're talking to me Friday and the sad
you wanted to say, Alan Crane, oh.
Speaker 3 (09:54):
The fellow order, Well it was Alan. I wanted to see.
Speaker 2 (09:57):
Any idea I can find him at you a Mike
Waring privately that I tried you out with Alex. I
want to talk to him about what the personal matter?
Speaker 4 (10:07):
Quo?
Speaker 2 (10:08):
You know? I told you all. You have to know
that where I asked you something I answered you. I
suppose you answer me, Benny ideas where I can locate him?
Speaker 3 (10:15):
Now, But let me give you a little trip. Don't
say too hard. No, you might find something you're not
looking for.
Speaker 2 (10:31):
What's that? It's me Walder, open up, Hi, that's doing.
I ran into Harold Plant he said you wanted to see.
But even up to these past two days nothing.
Speaker 3 (10:45):
Why was Mike Flaring asking you about you?
Speaker 2 (10:47):
Who?
Speaker 3 (10:48):
Mike Waring is a private ticket? I call a fark
and don't ask me?
Speaker 2 (10:51):
Am I going to ask? It's the thing Mike Marshall's wife.
Now better not if you want to say a month
king of swear, I'm telling you the truth. Yeah, I
get you to think of it. I saw a couple
of times last week at the worm Broom with God's Montaine.
Speaker 3 (11:06):
Who God's Montaine? I went to Carl the Latest and
Frank here.
Speaker 2 (11:10):
You're lying, okay, I'll tell you the car I mean
about Joyce in this Montaigne. Why would I want to
do that, because you know why? You just tell me
patron Is.
Speaker 3 (11:20):
But if she's going with this mon on you, I'm
gonna get a fight answer.
Speaker 2 (11:22):
I have to tell you the party. You're still freaking
up day Let me alarm she's been using you for
any dirty work, calling me Walter.
Speaker 3 (11:28):
I'm old enough to take care of myself and missus
Marshall tool.
Speaker 2 (11:46):
Hello, Joyce, Alan, what are you doing here?
Speaker 3 (11:49):
I heard a sup that was smart with a cap
hanging around up. I couldn't help myself. I got worried.
Speaker 2 (11:54):
I'm gonna worry about people.
Speaker 3 (11:56):
Don't understand it.
Speaker 2 (11:57):
I killed a man up. I'll get it to you.
Speaker 3 (11:59):
June up right, blame me. I didn't mean it like that.
You know there's nothing in the world that wouldn't do
for you money to stop talking so much.
Speaker 4 (12:06):
So it's just something I've got to ask you.
Speaker 3 (12:07):
What do you know a man named Montane Montage Charles Montagne?
Speaker 5 (12:12):
Now are you sure?
Speaker 3 (12:13):
What is this a third degree? I just said that
you've been seeing places with him. Well, that tells you
that as a liar that comes to.
Speaker 2 (12:18):
An awfully good solis to my brother Walvice who plays
each other too? Here the wor rumber room.
Speaker 3 (12:23):
Are you going to take that sneak's word against mine?
Because he's seen you several times? Well maybe he has?
Why you mbling?
Speaker 4 (12:30):
School?
Speaker 3 (12:31):
Here's your head? What should any woman's with blood in
his ain seeing a man like you?
Speaker 4 (12:36):
You were only you?
Speaker 3 (12:37):
What are you going to do about it? You're a murderer, Alan.
Speaker 2 (12:40):
Don't say that. That's what's your idea? Is a deep
a zion if I went at a boy.
Speaker 3 (12:47):
And you'll get out of here before I really lose
my temper?
Speaker 4 (12:59):
Got it?
Speaker 3 (12:59):
Asking Alan Craney?
Speaker 6 (13:03):
There?
Speaker 4 (13:03):
Who wants to know?
Speaker 3 (13:05):
Oh, hello, Sargeant, there's a little off your beat? Or
hire you Mike? You know the rest of the boys? Sure?
Speaker 2 (13:11):
Hi?
Speaker 4 (13:11):
Hi?
Speaker 2 (13:12):
Did what goes on here?
Speaker 3 (13:15):
What would be your guest?
Speaker 2 (13:17):
Look, Corbett, you don't have to be a brain to
figure out what plays when you find half a homicide
vision here he's crane.
Speaker 3 (13:23):
I took him down in the morgue about five minutes ago.
Speaker 2 (13:25):
What happened? What didn't Someone got store and took the
old blunt instrument to him. Would have seen his face
take your word for it, said as well, all right,
how's you guys?
Speaker 3 (13:36):
How about getting back to work?
Speaker 2 (13:39):
What'd you want with Crane?
Speaker 3 (13:40):
Anyway?
Speaker 2 (13:41):
I just wanted to talk to him there about what
various things like why he was afraid of Frank Marshall,
Sargeant Marshall, I had no part in this deal.
Speaker 3 (13:49):
How would you know? Because I know the man for years.
Speaker 2 (13:51):
Well, he's changed. He's killed Crazy Mike, he killed Sam
DeMarco and Alan Crane. Oh he should he the Marco
wels on a beat? What about Crane while he was
playing with missus? Marshall? Who says?
Speaker 4 (14:01):
I do?
Speaker 2 (14:03):
Frank kept the diary and.
Speaker 3 (14:04):
Then you can spare a week for some light reading.
Speaker 2 (14:06):
I'll let you get it. I'll tell you you're barking
up the wrong tree. I can prove that Marshall had
nothing to do with it, and I'd like to see
you all right. What time did Crane dies? About a
half an hour ago, give or take a couple of minutes. Okay,
Marshall's at my place. What I keep your shirt and
I can prove it the frame through your colling my
apartment if Marshall killed clean a half hour ago. He
(14:28):
wouldn't be at my place. He'd taken at least an
hour and a quarter to get there from here.
Speaker 3 (14:33):
And you think I'd told you what I think of the.
Speaker 2 (14:35):
Frame, But I don't care what your from. Marshall couldn't
have done this. Wow, there's no answer. Well there goes
the ball game. Yes, we're jokes, Marshall Aunt. You know
(15:10):
one of those cops, not exactly my name is Mike Wearing.
Speaker 3 (15:13):
Oh you're the one they called a falcon frank Off and.
Speaker 2 (15:17):
Spoke of him. Can I come in? Who? Dad? Thanks?
Speaker 3 (15:24):
Hey, Alfie Anderson.
Speaker 2 (15:26):
Set for a little information. You know, Frank's in a
bad fact. The police thinks that he kills sand To Marco,
you don't have to tell me.
Speaker 3 (15:35):
They always room Frank. That's crazy temper tis a got him.
Speaker 2 (15:38):
In the trouble. You want to be careful when you
make sapments like that. Lady, that's the kind of thing
you can put a roper on your husband's neck. Oh
did I say something Wrongkangel. Let's stop trying to kid
each other. As I told you that Alan Crane was dead.
Speaker 3 (15:53):
Is that a fact?
Speaker 5 (15:55):
So we killed him?
Speaker 2 (15:57):
Well, naturally, that's not safe. When a man's head face
bashed in with a ball back, Who did it?
Speaker 4 (16:03):
Say?
Speaker 2 (16:03):
Why should it? Oh?
Speaker 3 (16:04):
I spose I might have had a good agreement over businesses.
Speaker 2 (16:07):
You sure it wasn't over you.
Speaker 3 (16:10):
Really, mister Warren, that's the funniest thing I've heard.
Speaker 2 (16:13):
He is, but praps, I think you were in love
with Crane.
Speaker 3 (16:16):
Well then I look all broken up over his death.
Speaker 2 (16:19):
Yeah, I can see I made a mistake, a bad one.
Speaker 3 (16:23):
And now if you don't mind, would you please go.
I've had a very advesting day and you've done nothing
to improve it. And I told you you'd be wasting
(16:44):
your time at that. Marshall dang Mike.
Speaker 2 (16:46):
When I lay my hands on her, No, no more
than you do. Now, Rank Marshall didn't kill Sam to
Marco and Alan Krane.
Speaker 3 (16:52):
Now with Marshall Denner, think why didn't get himself up?
Speaker 2 (16:54):
Because he knew you'd never believe him just in charging
you proceeding in a wrong fear out. Now, I suppose
Joyce Marshall wanted to get rid of her husband.
Speaker 3 (17:01):
Didn't Why didn't she shoot him and be done with it?
Speaker 2 (17:03):
Because she would have been the most obvious suspect. She
would have grabbed her five minutes after to kill him.
Oh it was much safer. The frame frank into the chair.
You just think she and Crane killed the Marco right, Well,
then Riddle knew this after they get off through Why
did she kill her boyfriend? The thing's crazy enough about
the grass, he's going to knock them off later the
Wait a minute, maybe Alan Crane was just a stooge.
(17:24):
Of course there was another man in the background. You
mean they were using Crane as a pet. Yeah, well,
how are we going to find out who the third
part of you?
Speaker 3 (17:32):
Well, there's two ways to do thatself, didn't I answer?
Speaker 2 (17:34):
Serb the easy one? Hit her up and ask her. Okay, Mike,
is where we get off?
Speaker 3 (17:54):
Okay, you can go back to the headquarters lowest, I
won't be needing the car for a round. Hello, al Mike,
meet off as the Bert Bert not so as you're
going off to he like a relief?
Speaker 2 (18:07):
What relief?
Speaker 3 (18:08):
You know you're not supposed to go off your tour
until you replay with our satis cases in the back.
So he told you that too much?
Speaker 2 (18:13):
Why what you wan? He tied about sixteen minutes ago
you're bothering a energy co You say, Frank Marshall's in there.
You didn't stop him when he had to say conduct
first time with the commissioner with a pony. How should
I know that? Why did you check with your preacher?
Speaker 3 (18:25):
Mark Carpet. We're wasting time. I'll talk to you later.
Speaker 2 (18:27):
Bert for your keys.
Speaker 4 (18:30):
You think maybe this lady, Yeah, no, you didn't.
Speaker 2 (18:42):
One of the other rooms. That's about the living room
if I remember, okay, and I'll give you the word,
open the door and the thing. Now, all right, Marshall,
get him up, wouldn't you know it? Nobody there, I
(19:04):
mean missus Marshall.
Speaker 3 (19:04):
And she don't count, he said, let me bye. I
better call a corner.
Speaker 5 (19:26):
In a moment, we'll return to the adventures of the Falcon.
But first, Ah, back to the adventures of the Falcon.
Speaker 2 (19:55):
And so death came for Joyce Marshall, Wow, Satin Corvitt
with the telephone. I went on a safari through the apartment.
It didn't take long.
Speaker 3 (20:04):
I had to make out Mike.
Speaker 2 (20:06):
No one on the house.
Speaker 3 (20:08):
Well, it was the back entrance of his place.
Speaker 2 (20:09):
What it is that's the kitchen. Well, then that explains
how much I got done, I guess, so I can
find out about her with strangles. That's a switch. Yeah,
I'll say one thing for your friend, Mike. He's a
versatile boy, and he killed the Marco would have done?
Speaker 3 (20:22):
I still say it is all right, all right, I'll even.
Speaker 2 (20:24):
Grant her that supposed Joyce here and Alan Crane murdered
the Marco. That didn't Marshall a better motives? He found
out what his wife and a boy friend were up to,
so he kills them both. Where does Charles Montaigne fitting
Charles Montaigne? Who's he? I found these letters from him,
the Joyce and his entity. Ooh, hot stuff, hotter and hot. Okay,
(20:46):
I'll arrange to him. Picked up the questioning, But why
don't you come clean? Mike?
Speaker 4 (20:51):
What do you mean?
Speaker 3 (20:52):
I got an idea? You know where I can find
Frank Marshall?
Speaker 2 (20:56):
Who do I do? All right?
Speaker 3 (20:58):
Charge, get me a home?
Speaker 2 (20:59):
Bok? How much harder we gone? That's that's right? Another,
But you said you wanted to kill it? How do
I know everything in a rib? You'll have to take
my word for it. That makes you think we'll find
(21:20):
my Carty here? It's the only logical place from behind us. Yeah,
I look for apartment for so oh see y y yeah,
but let me take it there. We'll go ahead, but
I warn you if your friends start back to you
cut and prepared that you waller.
Speaker 3 (21:43):
Yeah, I'll take him in. Did you get you're not waller?
Speaker 2 (21:49):
No, you've got a gun.
Speaker 4 (21:51):
I'm worn your mark.
Speaker 3 (21:54):
Okay, friend, you.
Speaker 1 (21:54):
Out for it?
Speaker 4 (21:55):
Huh?
Speaker 3 (21:58):
You all right? Mike?
Speaker 2 (21:59):
I think let's take a look at that friend, Marshall. Marshall,
you're wasteing your clime, Sergeant. I can see that.
Speaker 3 (22:07):
No, No, I mean for another reason.
Speaker 2 (22:10):
He's not Frank Marshall. If you hold that phony mustache,
you'll see he's Alan Crane. I have another copt.
Speaker 3 (22:28):
No thanks, I got to be at home that the
pair I guy.
Speaker 2 (22:32):
I wish you would have into something for me. Okay,
you'll expect to find Crane in that apartment instead of
Frank Marshall. Naturally it was Crane's brother's apartment. And then
you said you know where to find Frank Marshall. I
meant the mark. Well, I asked Marshall who could double
for him. He named Crane. Well, while I went around
looking for him, Marshall must have gone right to his
apartment and the two of them had it us. No,
(22:54):
that's like you. Yeah, especially when you told me the
Crane's face had been battered in. I thought it might
have been done for a purpose to keep the police
looking for a man who was already dead. That left
Crane in the clear. And then there was that cop
you had staked in front of Marshall's home, he claimed
before Marshall.
Speaker 3 (23:11):
Go in but not out.
Speaker 2 (23:12):
Yeah, naturally you were at the back way. Now you
tell me why a man who's wanted by the police
take the chance on flashing a phony pass when he
could have avoided trouble by going in the backway. So
he wanted us to think that Marshall was still alive.
And then Crane was the one who killed Joyce. Marshall
to them, yep, must have found out that he was
using him for a fall. Guy goes to share, you
(23:32):
never can count on the word that turn. Yeah, that
happen reminds me I don't want to get killed. I
better be at home when a woman's waiting still in
my love call it now were coincidentally, Mike, you ever
give any sap to stumbling down? What do you mean?
You know? You know get married, gehrmit knight to a
(23:52):
loving wife. Oh that's not for me. Ran from what
I saw tonight, That marriage stuff is murdered night Godon.
Speaker 1 (24:19):
Welcome back. On the positive side, Mike was right and
his friend was innocent. But what we do get overall
is just a typical tale of a man twisted by
a fan fatwe with wearing servings just to survey the damage. Now,
I do want to go ahead and let you know
that we are actually running out of episodes of the
(24:43):
Adventures of the Falcon. We have three episodes left from
nineteen fifty four and we will be playing those and
in four weeks we'll be bringing you Danger with Granger,
So be sure and plan on listening to that now.
In terms of listener comments and feedback, we had a
(25:05):
couple of comments on the audio quality. Betsy said maybe
she could have gotten through the episode with better headphones.
Dehlia said it was a bit difficult to hear, but
I got through it. I love the Falcon. Well, thanks
so much, and I'm sorry that we don't have better
(25:26):
quality episodes for this era of the program and appreciate
your patience. Dahlia also writes, I think my devices are
communicating with each other. Well, I turned on my tablet
to watch a little something while doing dishes, and the
first suggested for me movie on Prime is Devil's Cargo,
(25:48):
a Falcon movie. I had no idea that would not
surprise me. These devices can be quite sneaky, although of
course it's always possible that something else in your watch
history or history on Amazon made them suggest that particular film.
But thanks so much, Deelia, and then Rick just writes
(26:10):
best podcast ever. Well, thank you so much, Rick, and
that will do it for today. If you are enjoying
the podcast, please follow us using your favorite podcast software,
and be sure to rate and review the podcast wherever
you download it from. We will be back next Monday
with another adventure with the Falcon, but join us back
(26:33):
here tomorrow for the conclusion of the Willoughby murder case, where.
Speaker 2 (26:39):
You see sageant.
Speaker 7 (26:40):
In this case, we are dealing with a very prominent
man and we must prove sufficient motive if we are
to even fasten arrest.
Speaker 6 (26:49):
But how in the world are you going to do that, Inspector.
You can't prove a motive when you haven't got a
single piece of writing, not a solitary witness. No, if
it was money that's easy or a woman that's easier.
Speaker 3 (27:02):
A woman or Reggie. Sir Reginald did say something about
both cousins being in love with the same woman, Jerald's wife.
That hardly fits the case.
Speaker 7 (27:12):
As far as the murder of the colonel is concerned,
that it may who can tell there? If you please
peculiar situation. I am convinced that Gerald killed his uncle,
then kill Simmons. Yet, if you should ask me for
a motive, I can only give a suggestion. If you
say Gerald has alibi, he was in Chicago when first
(27:36):
murder was committed, and on playing flying to San Francisco
when second murder was committed, I can only say it
is for purpose of proving that said Gerald has motive
that we are here. It is to break said alibi
that we must bend on.
Speaker 1 (27:53):
I hope you'll be with us then in the meantime.
Send your comments to Box thirteen at Great Detectives dot com,
follow us on Twitter at Radio Detectives, and check us
out on Instagram, Instagram, dot com slash Great Detectives from Boise, Idaho.
This is your host, Adam Graham signing off
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