July 3, 2025 • 29 mins
A spin-off from a popular series, this show centers on a well-meaning but bumbling character whose everyday misadventures provide wholesome entertainment.
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Episode Transcript
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Speaker 1 (00:00):
Craft presents the Great Guilder Sleeve each week.
Speaker 2 (00:17):
At this time, Craft presents from Hollywood, California. Harold Perry
is the Great Guilder Sleeve written by Leonard L.
Speaker 1 (00:23):
Levinson. We'll hear from the Great Guilder Sleeve in.
Speaker 2 (00:33):
Just a moment, but first, here's what a prominent government
officials said about nutrition not long ago. This official said
that in times like these, proper nutrition is as important
as fighting planes. Yes, we all need the right foods,
and plenty of them to keep up the pace our
great defense effort demands. So you'll be glad to know
that Park margarine made by Craft, is one of the
(00:55):
right foods, and that it's so economical you can use
all you need. You see, Parking margarine not only has
delicious flavor that makes it grand for table use, baking,
and pan frying, park contains lots of valuable food elements too. Yes,
wholesome Parque margarine is a highly nutritious food, in fact,
one of the best energy foods you can serve. And
what's more, every pound of parque contains nine thousand units
(01:19):
of important vitamin A. But just because park margarine is
good for you, don't think it isn't good tasting. Why,
Park's delicate, appetizing flavor has made it a favorite with
families all over the country, both for table use and
for cooking. So try it by a pound or two
of delicious parquet, Margarine Tomorrow. Yes, ask your dealer for
(01:39):
Park par Kay.
Speaker 1 (01:55):
And now let's visit.
Speaker 2 (01:56):
Our friend, the Great Guildersleeve and his niece and nephew,
Margarine Leraw. They're trying to entertain a friend of March raised,
Oliver Honeywell, a chap who's taking so many pills that
he's beginning to look like one.
Speaker 1 (02:08):
Today.
Speaker 2 (02:08):
Oliver is the man who came to lunch and stayed
through tea and dinner. It's after nine. I want to
quiz Gamers in progress.
Speaker 3 (02:25):
That's very good. Now the next question is for you,
Uncle Morriton.
Speaker 4 (02:29):
Okay, I love quizzes.
Speaker 5 (02:31):
Let's hear it, Leroy, Well, what's the difference between Niagara
Falls and your friend, Judge Hooker.
Speaker 4 (02:36):
There's no difference. They're both big drips.
Speaker 3 (02:40):
No, No, that's wrong.
Speaker 6 (02:41):
Oh.
Speaker 5 (02:42):
The difference between them is that Niagara is a mountain
fountain and the.
Speaker 3 (02:46):
Judge is a legal legal Oh.
Speaker 4 (02:49):
I see, now, whose turn is it?
Speaker 3 (02:51):
It's your turn next, Oliver. Oh, this one's a sick.
Speaker 5 (02:55):
Can you tell us who was the third Assistant Secretary
of Agriculture and President McKinley's administration.
Speaker 3 (03:00):
Oh that wasn't fairly.
Speaker 4 (03:02):
Oh that's too hardly.
Speaker 1 (03:04):
Oh no, no, no, it.
Speaker 7 (03:05):
Isn't a thirty sison secretary, a coach of mechanics administration.
Speaker 1 (03:07):
Uh, Lucius and Fallen's me.
Speaker 4 (03:09):
That's right if I remember it is?
Speaker 3 (03:12):
I asked, great Oliver. Oliver, that's wonderful.
Speaker 1 (03:15):
Really, it's nothing.
Speaker 2 (03:16):
A fellow shouldn't get any credit for remembering his own
grandfather's name.
Speaker 3 (03:23):
Oh you had me full for a minute. I thought
you were smart. Next is Marjorie's turn.
Speaker 5 (03:32):
This doesn't mean if you say throw up the sponge, Um.
Speaker 3 (03:36):
I give up. Absolutely correct.
Speaker 5 (03:41):
Now the score is so far or Oliver twenty seven,
Marjorie nineteen, and i'll go more.
Speaker 4 (03:47):
Minus two, young man, What do you mean minus two?
Speaker 3 (03:51):
You answered one question wrong twice?
Speaker 4 (03:54):
It's twice.
Speaker 3 (03:56):
Now here's your chance to make up.
Speaker 5 (03:58):
It's an arithmetic does buys fifty bails of hay and
one hundred bushels of barlei for three hundred dollars. Yes,
and the barley costs four times as much as the hay.
How much did each bail cost?
Speaker 4 (04:09):
Ooh, let me get paper and pencils? Fifty baiales one
hundred bushels three hundred dollars. Mister Jones should have bought
defense bonds to the idea. Oh what's that hat? Past nine? Leroy?
I've got a question for you this time. If nine
to thirty equals your bedtime and you haven't done your
homework yet, how do you expect to know your lessons
(04:31):
tomorrow if you have to go to sleep? Now?
Speaker 3 (04:32):
Gee, that's an easy one, Uncle Moore. All those questions
I've been asking you people are my homework. Oh it's
all done.
Speaker 4 (04:38):
It is a bride boy, Leroy.
Speaker 3 (04:44):
Say can we just finish this game? Uncle More?
Speaker 4 (04:47):
I sort of lost interest in this year.
Speaker 1 (04:49):
I thought it was fun.
Speaker 4 (04:50):
You would I'll scamper off to bed, Leroy.
Speaker 3 (04:52):
Gee, words, I'm not a bit sleepy. Why can't I
stay up?
Speaker 4 (04:55):
It's the same thing every Sunday night, first Jack Benny,
then Charlie McCarthy and after that trying to get lee.
You're right to go to bed, but Uncle.
Speaker 3 (05:01):
Moore, you stay up a lot later. And that's why can't.
Speaker 4 (05:03):
I because you're growing, Leroy, and I'm not.
Speaker 8 (05:06):
No, maybe not in the same direction as I am.
Let's leave uncle's waistline all of this, you leave it?
Speaker 3 (05:17):
Are you brought it in?
Speaker 4 (05:18):
Yep? Children, children, let's drop my waistline.
Speaker 3 (05:23):
It's drop too hot already.
Speaker 4 (05:27):
Good night, young man.
Speaker 3 (05:28):
Oh are you going to bed?
Speaker 2 (05:29):
Uclamore?
Speaker 3 (05:30):
Sweet Brea.
Speaker 4 (05:31):
No, you're the one that's going to bed.
Speaker 3 (05:32):
Yes, and that's not discuss it anymore. That's all, brother.
Speaker 5 (05:38):
But it isn't fair. It's not democratical. I'd like to
stay up as late as everybody else.
Speaker 4 (05:42):
Well, let me see, can I Uncle Moore, promise go
to bed the minute we do?
Speaker 3 (05:46):
Yee, of course, I promise.
Speaker 4 (05:48):
Then you can remain up as late as Marjorie and I.
Speaker 3 (05:50):
Oh that's keen.
Speaker 4 (05:51):
Well, I'm pretty sleepy right now, how about you, Marjorie?
Speaker 3 (05:54):
What?
Speaker 9 (05:55):
Oh?
Speaker 3 (05:56):
Yes, yes, Oh, I can hardly keep my eyes open. Oh,
I catch on. It's a trick to make me go
to bed now.
Speaker 4 (06:03):
You made your bed, Leroy, and I'll get into it.
Speaker 1 (06:07):
In that case, maybe I should.
Speaker 3 (06:09):
I'll get it.
Speaker 1 (06:10):
If that's my mama, you're telling not to worry.
Speaker 10 (06:12):
Yell hello, Oh, hi, a pig it's for me.
Speaker 3 (06:17):
It's Piggybank.
Speaker 4 (06:18):
Piggy Banks, what is that, tigg What?
Speaker 5 (06:23):
Oh no, no, Uncle mort wouldn't no, aunt wouldn't even
ask him. Oh, it's too bad, pig But that's the
breaks of the game.
Speaker 3 (06:31):
Good bye.
Speaker 4 (06:33):
I don't want to intrude in your private affairs, Leroy.
But what is it Piggy Banks wanted to do?
Speaker 5 (06:38):
Oh he wanted to come over here tonight to carve
out his pumpkins for Halloween.
Speaker 4 (06:41):
Well, I'd have no objection to that.
Speaker 3 (06:43):
Yeah, but he wanted to use you for the model.
Speaker 4 (06:47):
You go straight to bed, young man. We're all going
to bed now, all right?
Speaker 1 (06:50):
In that case, maybe I should.
Speaker 4 (06:52):
Yes, you should, Oliver. Good night, MARDs me. Don't let
Oliver forget his overca tonight. It's awfully chilly and he
might catch something he hasn't got already.
Speaker 1 (07:01):
Mister Gilsleeve, I didn't bring any overcoat.
Speaker 11 (07:03):
I didn't expect to be invited for tea.
Speaker 1 (07:05):
And dinner too.
Speaker 9 (07:09):
I hate to think you for going clear across town
on the street car, Midgie.
Speaker 1 (07:12):
The street car doesn't bother me.
Speaker 11 (07:14):
It's the waiting and the walking.
Speaker 4 (07:16):
Yes, and in the dark too, say it? Why don't
you stay here for the night, Oliver? It.
Speaker 3 (07:22):
Oh, that's a splendid idea. Where can we put.
Speaker 4 (07:25):
Him uncamore on the sofie in the study. It's the
kind that collapses into a bed.
Speaker 7 (07:30):
Oh no, thanks, Really, I don't think I should.
Speaker 4 (07:33):
Why not? I'll fix you up with a pair of
my pajamas.
Speaker 7 (07:35):
Oh, I don't think I could sleep in a strange
pair of pajamas. Besides, besides, I don't you think there'd
be a trifle lar?
Speaker 4 (07:47):
Oh, come, come, Oliver. It'll be fun like sleeping in
a tent.
Speaker 3 (07:52):
But I'll bring out a couple of stare blankets and
a pillows.
Speaker 1 (07:54):
Never mind the pillow, Midgie. I'm allergic to feathers.
Speaker 4 (07:57):
Feathers? Is that's all? Oh?
Speaker 1 (07:58):
Yes, you know I have it so bad.
Speaker 11 (08:00):
I even break up with spots when I eat chicken.
Speaker 4 (08:02):
Bra Well, you better telephone your parents and tell them
you won't be home tonight, Oiver.
Speaker 1 (08:08):
Oh, yes, I better. Otherwise mama'd have to send pap
out to look for me.
Speaker 11 (08:12):
Then she'd have to go out to look for Papa.
Speaker 4 (08:15):
I got the blanket.
Speaker 7 (08:20):
He Hello, Mama, Mama, this is Oliver. What's that Papa's
been out? Looking for me already. Well, it isn't ten yet, mama. Oh,
we wanted to get an early star. You better go
find him, Mama.
Speaker 11 (08:33):
Try the place on the corner, or not the drug store,
the place in.
Speaker 4 (08:36):
The other corner.
Speaker 1 (08:38):
I don't know why he always goes there. I never do. Well.
Speaker 7 (08:42):
You just push open the doors and call in, I said, what, Oh,
I'm still at Midgie's house. Yeah, mama, they invited me
to spend the night here on account I didn't bring an.
Speaker 1 (08:50):
Overco I did. I must have left in a street car.
Speaker 3 (08:55):
Well, I got my pills.
Speaker 4 (08:57):
Don't worry.
Speaker 11 (08:58):
I'll keep pot of drafts.
Speaker 7 (09:00):
My mama, poor mama, But.
Speaker 1 (09:03):
She doesn't seem to realize that I'm a big boy.
Speaker 3 (09:06):
Now.
Speaker 4 (09:09):
Oh, it's very hard to believe, Oliver.
Speaker 1 (09:12):
Oh, I almost forgot here.
Speaker 4 (09:14):
What's the nickel for it?
Speaker 1 (09:15):
For the phone call?
Speaker 11 (09:16):
I'd never like to be on the obligations to peep.
Speaker 4 (09:18):
Yes, I can see that. Go right in and make
yourself comfortable, Oliver. I'm going to lock up.
Speaker 9 (09:24):
Oh you sure all the downstairs windows are fast and
Uncle Moore there's been some burglars in the neighborhood lately.
Speaker 4 (09:30):
Don't worry, Oliver. Go right in and get ready for bed.
If a burglar ever saw you in my pajamas, he'd
put back everything he took. I wonder who built these windows?
The Pullman company? O my bunion. Oh almost forgot to
(10:03):
whine in the kitchen clock somebody already wound it. Oh oh,
excuse me, esop, I didn't mean to step on your tail.
I'll scap cat scram go, I'll side eh. Yes, burglar
(10:24):
would need three policemen to help him get in here.
Excuse me, I guess it was the company we had
for dinner.
Speaker 3 (10:31):
Well, see you in the morning. Good night, Uncle.
Speaker 4 (10:33):
Moore, good night, my dear. What you're still up? Good night? Leroy?
Good night? What's that?
Speaker 3 (10:43):
Oh?
Speaker 4 (10:43):
Good night Oliver?
Speaker 3 (11:24):
Okay on you hear us? Yes, it woke me up.
There must be a fire somewhere near here. How about
this going? And see?
Speaker 5 (11:30):
You better ask an uncle more for okay, moment, Can
I go fire?
Speaker 4 (11:40):
WA's that?
Speaker 3 (11:40):
There's a fire somewhere as close? Can I go?
Speaker 4 (11:42):
See it's a fire? Oh boy, I haven't won for years,
and I just love to go to blazers.
Speaker 3 (11:52):
Hurry up, welcome on, hurry No. I love that door.
Speaker 4 (11:55):
That's the bathroom excuse me. I should have known. Yeah, thanks,
that's hurry up. Side of the fire will be out
before we are here.
Speaker 3 (12:02):
This is fun for heme on, let's go.
Speaker 4 (12:04):
Here's not let's get Oliver.
Speaker 3 (12:06):
You think he'd be interested.
Speaker 4 (12:07):
Sure, it'll be a tonic for his nerves. Oh, Oliver.
Speaker 3 (12:11):
Yes, MoMA, I'm getting off.
Speaker 4 (12:14):
I'm not your mama. Come on outside with us. Hurry up.
Speaker 1 (12:17):
What's wrong?
Speaker 4 (12:17):
There's a fire, Oliver fire? Oh, let's go wait wait
for us, Oliver, leroy, bring Oliver's shoes. Hey, come on, Marjorie, Hey, Oliver,
come back here.
Speaker 3 (12:28):
Where's far It's somewhere around the corner. Oliver is coming
this way.
Speaker 4 (12:32):
No, we're going that way.
Speaker 5 (12:33):
Come on, Hey, his shoes, Oliver, you better put it
on before.
Speaker 4 (12:37):
You wear out your shock growing All right, let's not
spend all night here. The fire won't wait for us,
you know, Oliver, you can tie your shoe laces afterwards.
Speaker 3 (12:46):
Are you saying?
Speaker 4 (12:48):
On? Second thought, Oliver, you a better time now?
Speaker 3 (12:51):
I'm right as well, now that I'm done. See this
is the latest time announced tonight. I want walking in
my sleep.
Speaker 4 (12:57):
Yes, well, let's take a quick look at the fire
and scoop back to bed.
Speaker 3 (13:00):
I wonder who the house it is.
Speaker 4 (13:02):
Well, we'll soon see.
Speaker 1 (13:03):
I think the engines right around the corner.
Speaker 4 (13:05):
Oh, I see a lot.
Speaker 2 (13:05):
Of people, say they are.
Speaker 3 (13:07):
Look at all the neighbors. There's nothing like a good
fire to bring out all the best people. Everybody must
have gotten up. Oh look there's Edie Quinn. Were in
the same common as you wanted that fire last year?
Speaker 4 (13:20):
Well here we are.
Speaker 3 (13:22):
I don't see any fire.
Speaker 4 (13:24):
I better find out what this is all about. Let
me through here. Please excuse me, lady, Oh pardon me, cheap,
but could you direct me to the fire?
Speaker 1 (13:32):
Mister?
Speaker 11 (13:32):
I wish you could direct me. We can't find it.
Speaker 4 (13:34):
Oh well, it may be a little unprofessional, but if
you asked, anybody.
Speaker 11 (13:38):
Say, that's an idea.
Speaker 4 (13:39):
Thanks?
Speaker 11 (13:41):
Quiet, please, that's that quiet?
Speaker 4 (13:43):
Everybody? Yes? Quiet?
Speaker 11 (13:45):
How did anyone here turning a fire?
Speaker 3 (13:47):
Alarm me? I was the one.
Speaker 11 (13:51):
Who called, Oh hold on, missus Beasley, who where's the fire?
Speaker 3 (13:53):
Oh there isn't any fire.
Speaker 10 (13:55):
My poor little cat is standing on top of that
telephone pole up there.
Speaker 4 (14:00):
Good grief, madam? Do you mean you've got us all
out of bed? And drag the fireman away from their
gin rummy game?
Speaker 5 (14:04):
Just to look at a cat now disappointed because someone's
home isn't burning down.
Speaker 3 (14:10):
I know who you are. You're the man who does
want to set the world on fire.
Speaker 4 (14:19):
No, see here, missus, Oh.
Speaker 3 (14:22):
This is easily, Uncle mar this is Daisily, This is
my uncle. Mister be honestly, how.
Speaker 4 (14:27):
Do you do it's charmed? I'm sure? No, see here,
missus Beasley, what do you mean by waking up the
whole neighborhood?
Speaker 11 (14:33):
I'll take it easy, mister.
Speaker 4 (14:34):
I won't take it easy cheap. Are you going to
waste the taxpayers money climbing telephone polls for Tom Kats?
Speaker 1 (14:39):
Well, what's wrong with that?
Speaker 4 (14:41):
Give me a reason why you should go to all
that trouble. Sure, I'll give you a reason. This lady
happens to be the mayor assist in law, just as
I thought politics.
Speaker 6 (14:49):
Hey, boys, get out the forty four and bring down
that cat.
Speaker 3 (14:53):
Thank you, chief. I'll see that my brother in law
hears about this.
Speaker 4 (14:56):
Yes, and I'll see that the newspapers here about it too.
I'll write letters to the and I write a nasty letter, madam.
And that's for you, cheap. You're paid the pipe fires
not to go sky hooting around town all night.
Speaker 6 (15:08):
Now I've heard enough out of you fat so if
you don't pipe down, I'll turn you over to the
police ship. Take the fosl arm.
Speaker 4 (15:14):
I'm a false alarm, you little brass. Pull polisher. Take
off that fireman's uniform and say that nah.
Speaker 6 (15:20):
Don't get so hot unto the collar. Beat dressed, or
I'll have the boys cool up with a hose.
Speaker 4 (15:25):
I'm not a pray of you and all your little squirts.
You switch the thumb at meee and I'll push that
tin head of your so far down you'll have to
breathe through a straw.
Speaker 1 (15:38):
Well, now you have gone too far.
Speaker 11 (15:40):
Go good hair, Hold my coat that suits.
Speaker 4 (15:43):
Me, Oliver, Yes, mister, keep off the grass. You'll get
your feet wet.
Speaker 3 (15:49):
Hey, look, look I got the cat down on them more.
Speaker 11 (15:52):
I don't thank goodness, we're the lady that owns the cat.
Speaker 4 (15:54):
Right here, Kelsey, No, I've seen everything, the idea using
thousands of dollars worth of fire equipments, waking up hundred
people in the middle of the night, just to snag
a mangy cat off a telephone pole.
Speaker 1 (16:03):
Here it is lady saving song.
Speaker 3 (16:05):
Thank you very oh dear me. This isn't my cat
at all?
Speaker 4 (16:11):
Now it isn't even her cat, lady. If you aren't
what's wrong, I'll.
Speaker 3 (16:16):
Tell you what's wrong. Mister Gildersleeve. This is your cat, yes.
Speaker 4 (16:21):
Our cat? Is that a hop? Oh my goodness, let's
get home. Come on, children here, come on, esop, goodbye, cheap,
thank you boys for doing a noble and human indeed, go.
Speaker 11 (16:32):
Back to bed, your big mattress.
Speaker 6 (16:34):
Come on.
Speaker 4 (16:36):
I don't like the way he said that. Too bad.
Speaker 7 (16:43):
There wasn't a fire.
Speaker 4 (16:44):
We couldn't been police. Cotton warm.
Speaker 3 (16:48):
Don't you dare catch a chill.
Speaker 1 (16:49):
I'll try my best not to minchi.
Speaker 4 (16:52):
I wish i'd brought along my cold. Let's hurry into
the househoppers. We'll fix you up a nice hot cup
of well, what can you drink? A nice hot cup
of water? If it's steals, well, it'll be nice to
get back into a nice warm bed. Open the door, leroy, okay,
oh it's locked.
Speaker 3 (17:13):
Lock?
Speaker 4 (17:14):
Why didn't I go home on the stream job. I
don't get excited, don't be nervous, take it easy, everybody.
I have the key right here, right here in my
pants pocket. Oh no, no, what, no pants, I'm just
wearing pajamas here. Let me try that door. Oh, no
(17:36):
shoes either.
Speaker 1 (17:42):
Maybe it's stuck.
Speaker 4 (17:43):
No, we're stuck, Oliver. The wind must have blown it shut. Well.
I guess the joke's on us.
Speaker 1 (17:49):
I'm sorry, mister Gillisleeve.
Speaker 4 (17:50):
I don't care it. You keep asking questions like that, Oliver,
and you will get it all right.
Speaker 3 (17:56):
There must be a.
Speaker 5 (17:57):
Window around the side of them back that I could
climb into it.
Speaker 4 (18:00):
Before we went to bed, I made sure that everything
was locked as tight as a drum and a bagpipe band.
Speaker 3 (18:05):
Oh wait a minute, we forgot them. I know how we
can get in.
Speaker 4 (18:07):
You do well? What is it?
Speaker 3 (18:09):
Bertie?
Speaker 4 (18:10):
Clever girl? Mindrow? Bertie? Yeah, come on everybody where.
Speaker 11 (18:13):
We're going on.
Speaker 3 (18:14):
We're gonna see if we can wait Bernie on me?
Speaker 4 (18:16):
Yes, Oh Bertie, Oh Bertie.
Speaker 11 (18:21):
Oh.
Speaker 4 (18:23):
Too many Berties. Let me do it, oh Bertie. Bertie,
will you please come downstairs and open the front door.
Speaker 11 (18:34):
Come downstairs, open the front door.
Speaker 4 (18:36):
Yes, I'm locked out, and so is Marjorie and Leroy
and Oliver.
Speaker 3 (18:41):
Unfortunate co incident.
Speaker 4 (18:43):
Bertie, quit stalling and hurry down here.
Speaker 3 (18:45):
I would have GC, but I just can't.
Speaker 4 (18:47):
Why can't you cause I'm locked down to what Bertie,
aren't you upstairs? Oh this is a pretty pickle of fish.
How did you get locked out?
Speaker 6 (18:59):
Well, I just got home from a large meeting, you know,
the Midsterics and bewildering orders of the Daughters of Clear Patriots.
Speaker 3 (19:10):
They had spink.
Speaker 4 (19:15):
The sphinx. You are, yes, And I found the back
door bolted.
Speaker 3 (19:19):
You know that's contrast to the customer procedure.
Speaker 4 (19:22):
Yes, well, I wonder if the people next door have
got a pass key.
Speaker 11 (19:25):
Oh, they went away on their weekend.
Speaker 4 (19:28):
I'm getting terribly cold. Maybe I'd better go home after all. No,
we'll get inside, and who takes it a jippany? The
only trouble is all the downstairs windows are locked. If
you can only reach the second floor, I can.
Speaker 5 (19:39):
If you boost me up, I can climb this tree
and then crawl out on that branch and drop down
the roof of the porch there.
Speaker 3 (19:44):
Who do you think you Isney Roy? A supermanman?
Speaker 4 (19:48):
Yes? No, I won't let you risk your neck. My boy,
you're too young. I do it myself. Only why ruin
a tree that never did me any harm? Oh?
Speaker 5 (19:58):
Dear, isn't it.
Speaker 9 (19:59):
Too bad that we don't have anyone big enough and
thin enough to come to our rescue.
Speaker 4 (20:04):
It's getting colder, you know.
Speaker 3 (20:09):
I can't help thinking what King Arthur, one of his knights,
would do in a case like this.
Speaker 4 (20:13):
Yes, I believe it is getting colder.
Speaker 9 (20:17):
Why he'd leap off his horse, spring to the tree
and just just swarm up to his lady Love's windows.
Speaker 11 (20:24):
Why only brought along some of my vitality tables?
Speaker 3 (20:32):
Oh what's the use, Oliver? Why don't you go climb
a tree?
Speaker 7 (20:36):
Me, mij You know I get dizzy spells from high places.
Speaker 4 (20:41):
Oliver is really very easy. You can do it with
your eyes. Shine. Don't line the bostuff.
Speaker 6 (20:46):
Can't you see he's rare on the go home.
Speaker 4 (20:49):
Come, Oliver, you've got to be brave. Pull up my pajamas, No,
I mean the ones you're wearing. Now, tighten your belt.
I didn't say yes, you shook your head.
Speaker 3 (20:59):
Can I help it?
Speaker 1 (20:59):
I shiver in the affirmative?
Speaker 4 (21:03):
Are you taking other legley?
Speaker 6 (21:05):
Roy?
Speaker 4 (21:06):
Careful? Now there we go? Yeah, Iram, hold of the branch,
Oliver right above. You don't drop me, I prove even, Yeah,
it's all right, I'm right below. You Just put yourself up.
Do know, Oliver, go the other way. You're getting out
on the wrong limb.
Speaker 3 (21:22):
See if I only had my sling shout here, I've
had him in the right direction.
Speaker 4 (21:25):
Freaking up, Keep going, Oliver, you're doing fine. Oh what
are you stopping for now?
Speaker 3 (21:32):
Sling jobs? I don't know. I made it the road.
Speaker 4 (21:45):
Well, congratulations, Oliver. I never thought you'd make it.
Speaker 11 (21:49):
Oh it why as good as any night?
Speaker 4 (21:52):
Oh yes, Oliver, you're a wonderful Bye George for a
week night he finished strong on Sunday. All right, Oliver,
I just climb in one of the windows and all
our troubles will be over.
Speaker 11 (22:06):
I've got bad news for you. Throw on any windows
over the port.
Speaker 4 (22:11):
What of porch without windows? I never heard of such
a thing. Let me look. Well that's one for Ripley.
You better come on down, Oliver.
Speaker 10 (22:19):
Oh, I can't reach spattle in my girl cheap as
we stranded?
Speaker 3 (22:23):
Oliver?
Speaker 4 (22:23):
Is that bad?
Speaker 3 (22:25):
Now? What are we gonna do?
Speaker 4 (22:26):
Unc Well, there's only one thing to do. I've got
to get a ladder someplace in the face of friend.
All right, Oliver, worry mister Jeb.
Speaker 5 (22:38):
Yeah, the people in the back got a nice big ladder.
Speaker 11 (22:43):
Why don't you just pussy foot oven though the bar.
Speaker 4 (22:46):
Thanks Bertie. I suppose that's all I can do. The children.
You just stay where you are and Oliver, don't go away.
Very funny. I'll be back who as I can, Oliver.
Fine state of affairs. When a man can't break into
his own home, Well that's what you get for chasing
fires in the middle of the room. Oh it's yesop
out of my way, you sign me snake in the grass.
(23:08):
Let me see there's a loose board somewhere along this fence.
There is tight squeeze rock Morton. You should really cut
off the starches. I wonder where that ladder is this
it's dark. Here's the back of a coal miner's neck.
Speaker 3 (23:22):
Who's there? Speak up or our shoes?
Speaker 4 (23:24):
Oh, don't shoot, missus Beasley. It's only me, mister Gildersleeve.
Speaker 11 (23:29):
What are you doing in night back yard of this
time of night?
Speaker 4 (23:31):
What am I doing here? Oh? Well, yes, we were
locked out of our house, Miss Beasley. You happen to
have a ladder I could borrow.
Speaker 3 (23:36):
It's in the sheds.
Speaker 4 (23:37):
Shed's lack. Well, then if you could find the key
and kind of throw it down to me.
Speaker 5 (23:40):
Eyes nerves waiting up, scarring me half head skip from
them having that called What.
Speaker 4 (23:44):
Did you say, missus Beasley?
Speaker 3 (23:46):
Wait where you are, mister Giles Leeves.
Speaker 4 (23:49):
I'll be right there, lovely well when it break at
last this time we're all set tepee.
Speaker 6 (23:55):
Where are you right underneath your window, Missus Beasley?
Speaker 3 (24:00):
Underneath?
Speaker 4 (24:01):
Yes, directly underneath?
Speaker 10 (24:02):
Well then cats, Oh, oh dear, there's dew on the grass.
Speaker 3 (24:18):
I hope Uncle Marre doesn't get his feet. Damn didn't know.
I'll right for that was a thrill. It's only a
matter of minutes now, Oliver. It's only a.
Speaker 4 (24:26):
Matter of minutes now, only minutes before I freeze. I
wish I brought a parasu. Who that dam it's me,
your uncle brock Morton. If I ever lay hands on
that with the feastly woman, I'll kill that old cow.
Speaker 3 (24:45):
Why, uncle, you're soul? What happened?
Speaker 4 (24:47):
She laded me underneath her window and then threw a
bucket of water on me. I'm gonna tell the mayor
about this.
Speaker 3 (24:52):
Oh that's a shame, But don't you worry. Have you
in the house and dry inside of five minutes?
Speaker 4 (24:56):
Oh? Got the door open?
Speaker 3 (24:58):
No, not yet, but soon before Oliver he's been freezing
on that roof.
Speaker 4 (25:01):
He's freezing.
Speaker 3 (25:02):
Yeah, so I simply right down to the corner to
ring the fire along.
Speaker 4 (25:06):
Oh fine, Oh my goodness, what'll the chief say when
he sees me this time? Can't you stop him le rolling?
Speaker 3 (25:11):
I don't think so. In fact, I'm sure I can't.
Speaker 4 (25:14):
Oh my, here we go again? Stop him?
Speaker 8 (25:19):
Man?
Speaker 11 (25:20):
Okay, okay, where is this?
Speaker 4 (25:22):
Oh?
Speaker 3 (25:22):
Chief? Well you're just in times.
Speaker 11 (25:24):
Look where Oh say, what is this person?
Speaker 6 (25:26):
That cat on a pole? And now a guy on
the roof? Who's responsible for this car? Well it was
like this chief, Well, if it isn't the taxpayers best
friend in the fire department sabist critic, Hi, mister gilder sleeve,
I've been writing any letters to the newspapers.
Speaker 9 (25:42):
No, now, stop teasing uncle more Chief, he's just soaked
to the skin.
Speaker 6 (25:45):
Yeah, and that takes an owl and awful lot of territory.
Speaker 4 (25:49):
How about saving those cracks for the fireman's missile show
and getting our front door open?
Speaker 11 (25:53):
Oh is that what you want? Well why didn't you
say so? Hey, Max, bring an axe, we's got a
door to chop down.
Speaker 4 (25:59):
No load, can't you just send up a man in
the ladder to one of the windows on the second floor.
Speaker 11 (26:02):
Oh, never mind the ax Max, bring a ladder.
Speaker 6 (26:04):
Okay, say geez, there's a cellar door open around on
the other side.
Speaker 4 (26:08):
The cellar door has been open all this time. I
could kick myself. We could help you with that too,
Thank you, just the same. No, say, boys, I'm awfully
sorry about this whole thing. Let me make some amens. Huh.
How about you all coming in for coffee and sandwiches? Huh?
Won't you come on just for a good hold gilders leave? Okay, sure, yeah,
come on, come on? Oh have another cup of coffee? Seven?
Speaker 1 (26:41):
No, no, thanks, I've had two already, you've.
Speaker 11 (26:43):
Had four, But have another?
Speaker 3 (26:45):
Can we christeren?
Speaker 4 (26:46):
No?
Speaker 1 (26:47):
No, no, I'm foote clear up to here.
Speaker 6 (26:48):
Incidentally, I made sure that cellar door was locked tight
this time.
Speaker 4 (26:51):
Thanks, mister Grougin.
Speaker 6 (26:52):
Well this has been swelled, mister Guilsley. But now we'd
better be getting back. Boys.
Speaker 11 (26:56):
Hey, hey, you guys in the kitchen, let's get wheeling.
Speaker 4 (27:00):
Well, goodbye boys. Thanks for everything. And if I ever
have a fire, you will be the first people I'll
call in. I like fireman.
Speaker 3 (27:10):
Can I go out latch and leave?
Speaker 4 (27:12):
Sure? We'll all go out and wave goodbye to come on, Marjorie,
Hey you two, Bernie, okay, come on, Yeah.
Speaker 6 (27:17):
Well thanks, that's hong boys.
Speaker 4 (27:20):
Don't take any wooden fire plugs. Yeah, nice fellas well.
Let's get back in there they go. It's colder. Catch
the door, Bernie. Oh my goodness, Hey, we're all locked
out again. Yes, this is where we didn't come in.
Speaker 10 (27:43):
N't anybody I forgot to get me all off.
Speaker 2 (27:46):
The rag yellows slave will be with us again in
a few minutes. But right now, let's me remind you
that next Friday is Halloween and a few mothers of
the kind that worry about the children being out and
getting into mischief, here's a worthwhile suggestion for you. Keep
(28:08):
the kids at home with a well stocked pantry. Yes,
if you have plenty of popcorn and cookies and cakes
on hand, you can be sure the kids won't go
very far away.
Speaker 1 (28:17):
Now.
Speaker 2 (28:18):
To make popcorn extra good, drench it with plenty of
melted parquet margarine made by Kraft. Yes, that delicate, tempting
flavor that makes parquet a favorite for table use makes
it delicious on popcorn too. And remember, use parquet margarine
in the.
Speaker 1 (28:32):
Cookies and cakeshew bake.
Speaker 2 (28:33):
It makes them tastier because it's a real flavor shortening,
not just a bland, tasteless fat. And not just as Halloween,
but the year round. Parkue margarine provides your family with wholesome,
nourishing food values. Yes, Parkue margarine is a highly nutritious
energy food that contains important vitamin A. So use Parquet
margarine made by Kraft all freeways at the table for
(28:58):
baking and for pan frying. It's delicious, it's nourishing, it's economical.
Tomorrow ask your dealer for a pound or two of
par k p A r Kay.
Speaker 4 (29:16):
Sorry, ladies and gentlemen, our time's up. Good night.
Speaker 2 (29:27):
Original music heard on this program was composed and conducted
by William Ramdolph. This is Jim Bannon speaking of the
Craft Cheese Company and inviting you to be with us
again next week at the same time for the further
adventures of.
Speaker 1 (29:39):
The Great Kilder Sleeve.
Speaker 2 (29:41):
This is the National Broadcasting Company
Craft presents the Great Guilder Sleeve each week.
Speaker 2 (00:17):
At this time, Craft presents from Hollywood, California. Harold Perry
is the Great Guilder Sleeve written by Leonard L.
Speaker 1 (00:23):
Levinson. We'll hear from the Great Guilder Sleeve in.
Speaker 2 (00:33):
Just a moment, but first, here's what a prominent government
officials said about nutrition not long ago. This official said
that in times like these, proper nutrition is as important
as fighting planes. Yes, we all need the right foods,
and plenty of them to keep up the pace our
great defense effort demands. So you'll be glad to know
that Park margarine made by Craft, is one of the
(00:55):
right foods, and that it's so economical you can use
all you need. You see, Parking margarine not only has
delicious flavor that makes it grand for table use, baking,
and pan frying, park contains lots of valuable food elements too. Yes,
wholesome Parque margarine is a highly nutritious food, in fact,
one of the best energy foods you can serve. And
what's more, every pound of parque contains nine thousand units
(01:19):
of important vitamin A. But just because park margarine is
good for you, don't think it isn't good tasting. Why,
Park's delicate, appetizing flavor has made it a favorite with
families all over the country, both for table use and
for cooking. So try it by a pound or two
of delicious parquet, Margarine Tomorrow. Yes, ask your dealer for
(01:39):
Park par Kay.
Speaker 1 (01:55):
And now let's visit.
Speaker 2 (01:56):
Our friend, the Great Guildersleeve and his niece and nephew,
Margarine Leraw. They're trying to entertain a friend of March raised,
Oliver Honeywell, a chap who's taking so many pills that
he's beginning to look like one.
Speaker 1 (02:08):
Today.
Speaker 2 (02:08):
Oliver is the man who came to lunch and stayed
through tea and dinner. It's after nine. I want to
quiz Gamers in progress.
Speaker 3 (02:25):
That's very good. Now the next question is for you,
Uncle Morriton.
Speaker 4 (02:29):
Okay, I love quizzes.
Speaker 5 (02:31):
Let's hear it, Leroy, Well, what's the difference between Niagara
Falls and your friend, Judge Hooker.
Speaker 4 (02:36):
There's no difference. They're both big drips.
Speaker 3 (02:40):
No, No, that's wrong.
Speaker 6 (02:41):
Oh.
Speaker 5 (02:42):
The difference between them is that Niagara is a mountain
fountain and the.
Speaker 3 (02:46):
Judge is a legal legal Oh.
Speaker 4 (02:49):
I see, now, whose turn is it?
Speaker 3 (02:51):
It's your turn next, Oliver. Oh, this one's a sick.
Speaker 5 (02:55):
Can you tell us who was the third Assistant Secretary
of Agriculture and President McKinley's administration.
Speaker 3 (03:00):
Oh that wasn't fairly.
Speaker 4 (03:02):
Oh that's too hardly.
Speaker 1 (03:04):
Oh no, no, no, it.
Speaker 7 (03:05):
Isn't a thirty sison secretary, a coach of mechanics administration.
Speaker 1 (03:07):
Uh, Lucius and Fallen's me.
Speaker 4 (03:09):
That's right if I remember it is?
Speaker 3 (03:12):
I asked, great Oliver. Oliver, that's wonderful.
Speaker 1 (03:15):
Really, it's nothing.
Speaker 2 (03:16):
A fellow shouldn't get any credit for remembering his own
grandfather's name.
Speaker 3 (03:23):
Oh you had me full for a minute. I thought
you were smart. Next is Marjorie's turn.
Speaker 5 (03:32):
This doesn't mean if you say throw up the sponge, Um.
Speaker 3 (03:36):
I give up. Absolutely correct.
Speaker 5 (03:41):
Now the score is so far or Oliver twenty seven,
Marjorie nineteen, and i'll go more.
Speaker 4 (03:47):
Minus two, young man, What do you mean minus two?
Speaker 3 (03:51):
You answered one question wrong twice?
Speaker 4 (03:54):
It's twice.
Speaker 3 (03:56):
Now here's your chance to make up.
Speaker 5 (03:58):
It's an arithmetic does buys fifty bails of hay and
one hundred bushels of barlei for three hundred dollars. Yes,
and the barley costs four times as much as the hay.
How much did each bail cost?
Speaker 4 (04:09):
Ooh, let me get paper and pencils? Fifty baiales one
hundred bushels three hundred dollars. Mister Jones should have bought
defense bonds to the idea. Oh what's that hat? Past nine? Leroy?
I've got a question for you this time. If nine
to thirty equals your bedtime and you haven't done your
homework yet, how do you expect to know your lessons
(04:31):
tomorrow if you have to go to sleep? Now?
Speaker 3 (04:32):
Gee, that's an easy one, Uncle Moore. All those questions
I've been asking you people are my homework. Oh it's
all done.
Speaker 4 (04:38):
It is a bride boy, Leroy.
Speaker 3 (04:44):
Say can we just finish this game? Uncle More?
Speaker 4 (04:47):
I sort of lost interest in this year.
Speaker 1 (04:49):
I thought it was fun.
Speaker 4 (04:50):
You would I'll scamper off to bed, Leroy.
Speaker 3 (04:52):
Gee, words, I'm not a bit sleepy. Why can't I
stay up?
Speaker 4 (04:55):
It's the same thing every Sunday night, first Jack Benny,
then Charlie McCarthy and after that trying to get lee.
You're right to go to bed, but Uncle.
Speaker 3 (05:01):
Moore, you stay up a lot later. And that's why can't.
Speaker 4 (05:03):
I because you're growing, Leroy, and I'm not.
Speaker 8 (05:06):
No, maybe not in the same direction as I am.
Let's leave uncle's waistline all of this, you leave it?
Speaker 3 (05:17):
Are you brought it in?
Speaker 4 (05:18):
Yep? Children, children, let's drop my waistline.
Speaker 3 (05:23):
It's drop too hot already.
Speaker 4 (05:27):
Good night, young man.
Speaker 3 (05:28):
Oh are you going to bed?
Speaker 2 (05:29):
Uclamore?
Speaker 3 (05:30):
Sweet Brea.
Speaker 4 (05:31):
No, you're the one that's going to bed.
Speaker 3 (05:32):
Yes, and that's not discuss it anymore. That's all, brother.
Speaker 5 (05:38):
But it isn't fair. It's not democratical. I'd like to
stay up as late as everybody else.
Speaker 4 (05:42):
Well, let me see, can I Uncle Moore, promise go
to bed the minute we do?
Speaker 3 (05:46):
Yee, of course, I promise.
Speaker 4 (05:48):
Then you can remain up as late as Marjorie and I.
Speaker 3 (05:50):
Oh that's keen.
Speaker 4 (05:51):
Well, I'm pretty sleepy right now, how about you, Marjorie?
Speaker 3 (05:54):
What?
Speaker 9 (05:55):
Oh?
Speaker 3 (05:56):
Yes, yes, Oh, I can hardly keep my eyes open. Oh,
I catch on. It's a trick to make me go
to bed now.
Speaker 4 (06:03):
You made your bed, Leroy, and I'll get into it.
Speaker 1 (06:07):
In that case, maybe I should.
Speaker 3 (06:09):
I'll get it.
Speaker 1 (06:10):
If that's my mama, you're telling not to worry.
Speaker 10 (06:12):
Yell hello, Oh, hi, a pig it's for me.
Speaker 3 (06:17):
It's Piggybank.
Speaker 4 (06:18):
Piggy Banks, what is that, tigg What?
Speaker 5 (06:23):
Oh no, no, Uncle mort wouldn't no, aunt wouldn't even
ask him. Oh, it's too bad, pig But that's the
breaks of the game.
Speaker 3 (06:31):
Good bye.
Speaker 4 (06:33):
I don't want to intrude in your private affairs, Leroy.
But what is it Piggy Banks wanted to do?
Speaker 5 (06:38):
Oh he wanted to come over here tonight to carve
out his pumpkins for Halloween.
Speaker 4 (06:41):
Well, I'd have no objection to that.
Speaker 3 (06:43):
Yeah, but he wanted to use you for the model.
Speaker 4 (06:47):
You go straight to bed, young man. We're all going
to bed now, all right?
Speaker 1 (06:50):
In that case, maybe I should.
Speaker 4 (06:52):
Yes, you should, Oliver. Good night, MARDs me. Don't let
Oliver forget his overca tonight. It's awfully chilly and he
might catch something he hasn't got already.
Speaker 1 (07:01):
Mister Gilsleeve, I didn't bring any overcoat.
Speaker 11 (07:03):
I didn't expect to be invited for tea.
Speaker 1 (07:05):
And dinner too.
Speaker 9 (07:09):
I hate to think you for going clear across town
on the street car, Midgie.
Speaker 1 (07:12):
The street car doesn't bother me.
Speaker 11 (07:14):
It's the waiting and the walking.
Speaker 4 (07:16):
Yes, and in the dark too, say it? Why don't
you stay here for the night, Oliver? It.
Speaker 3 (07:22):
Oh, that's a splendid idea. Where can we put.
Speaker 4 (07:25):
Him uncamore on the sofie in the study. It's the
kind that collapses into a bed.
Speaker 7 (07:30):
Oh no, thanks, Really, I don't think I should.
Speaker 4 (07:33):
Why not? I'll fix you up with a pair of
my pajamas.
Speaker 7 (07:35):
Oh, I don't think I could sleep in a strange
pair of pajamas. Besides, besides, I don't you think there'd
be a trifle lar?
Speaker 4 (07:47):
Oh, come, come, Oliver. It'll be fun like sleeping in
a tent.
Speaker 3 (07:52):
But I'll bring out a couple of stare blankets and
a pillows.
Speaker 1 (07:54):
Never mind the pillow, Midgie. I'm allergic to feathers.
Speaker 4 (07:57):
Feathers? Is that's all? Oh?
Speaker 1 (07:58):
Yes, you know I have it so bad.
Speaker 11 (08:00):
I even break up with spots when I eat chicken.
Speaker 4 (08:02):
Bra Well, you better telephone your parents and tell them
you won't be home tonight, Oiver.
Speaker 1 (08:08):
Oh, yes, I better. Otherwise mama'd have to send pap
out to look for me.
Speaker 11 (08:12):
Then she'd have to go out to look for Papa.
Speaker 4 (08:15):
I got the blanket.
Speaker 7 (08:20):
He Hello, Mama, Mama, this is Oliver. What's that Papa's
been out? Looking for me already. Well, it isn't ten yet, mama. Oh,
we wanted to get an early star. You better go
find him, Mama.
Speaker 11 (08:33):
Try the place on the corner, or not the drug store,
the place in.
Speaker 4 (08:36):
The other corner.
Speaker 1 (08:38):
I don't know why he always goes there. I never do. Well.
Speaker 7 (08:42):
You just push open the doors and call in, I said, what, Oh,
I'm still at Midgie's house. Yeah, mama, they invited me
to spend the night here on account I didn't bring an.
Speaker 1 (08:50):
Overco I did. I must have left in a street car.
Speaker 3 (08:55):
Well, I got my pills.
Speaker 4 (08:57):
Don't worry.
Speaker 11 (08:58):
I'll keep pot of drafts.
Speaker 7 (09:00):
My mama, poor mama, But.
Speaker 1 (09:03):
She doesn't seem to realize that I'm a big boy.
Speaker 3 (09:06):
Now.
Speaker 4 (09:09):
Oh, it's very hard to believe, Oliver.
Speaker 1 (09:12):
Oh, I almost forgot here.
Speaker 4 (09:14):
What's the nickel for it?
Speaker 1 (09:15):
For the phone call?
Speaker 11 (09:16):
I'd never like to be on the obligations to peep.
Speaker 4 (09:18):
Yes, I can see that. Go right in and make
yourself comfortable, Oliver. I'm going to lock up.
Speaker 9 (09:24):
Oh you sure all the downstairs windows are fast and
Uncle Moore there's been some burglars in the neighborhood lately.
Speaker 4 (09:30):
Don't worry, Oliver. Go right in and get ready for bed.
If a burglar ever saw you in my pajamas, he'd
put back everything he took. I wonder who built these windows?
The Pullman company? O my bunion. Oh almost forgot to
(10:03):
whine in the kitchen clock somebody already wound it. Oh oh,
excuse me, esop, I didn't mean to step on your tail.
I'll scap cat scram go, I'll side eh. Yes, burglar
(10:24):
would need three policemen to help him get in here.
Excuse me, I guess it was the company we had
for dinner.
Speaker 3 (10:31):
Well, see you in the morning. Good night, Uncle.
Speaker 4 (10:33):
Moore, good night, my dear. What you're still up? Good night? Leroy?
Good night? What's that?
Speaker 3 (10:43):
Oh?
Speaker 4 (10:43):
Good night Oliver?
Speaker 3 (11:24):
Okay on you hear us? Yes, it woke me up.
There must be a fire somewhere near here. How about
this going? And see?
Speaker 5 (11:30):
You better ask an uncle more for okay, moment, Can
I go fire?
Speaker 4 (11:40):
WA's that?
Speaker 3 (11:40):
There's a fire somewhere as close? Can I go?
Speaker 4 (11:42):
See it's a fire? Oh boy, I haven't won for years,
and I just love to go to blazers.
Speaker 3 (11:52):
Hurry up, welcome on, hurry No. I love that door.
Speaker 4 (11:55):
That's the bathroom excuse me. I should have known. Yeah, thanks,
that's hurry up. Side of the fire will be out
before we are here.
Speaker 3 (12:02):
This is fun for heme on, let's go.
Speaker 4 (12:04):
Here's not let's get Oliver.
Speaker 3 (12:06):
You think he'd be interested.
Speaker 4 (12:07):
Sure, it'll be a tonic for his nerves. Oh, Oliver.
Speaker 3 (12:11):
Yes, MoMA, I'm getting off.
Speaker 4 (12:14):
I'm not your mama. Come on outside with us. Hurry up.
Speaker 1 (12:17):
What's wrong?
Speaker 4 (12:17):
There's a fire, Oliver fire? Oh, let's go wait wait
for us, Oliver, leroy, bring Oliver's shoes. Hey, come on, Marjorie, Hey, Oliver,
come back here.
Speaker 3 (12:28):
Where's far It's somewhere around the corner. Oliver is coming
this way.
Speaker 4 (12:32):
No, we're going that way.
Speaker 5 (12:33):
Come on, Hey, his shoes, Oliver, you better put it
on before.
Speaker 4 (12:37):
You wear out your shock growing All right, let's not
spend all night here. The fire won't wait for us,
you know, Oliver, you can tie your shoe laces afterwards.
Speaker 3 (12:46):
Are you saying?
Speaker 4 (12:48):
On? Second thought, Oliver, you a better time now?
Speaker 3 (12:51):
I'm right as well, now that I'm done. See this
is the latest time announced tonight. I want walking in
my sleep.
Speaker 4 (12:57):
Yes, well, let's take a quick look at the fire
and scoop back to bed.
Speaker 3 (13:00):
I wonder who the house it is.
Speaker 4 (13:02):
Well, we'll soon see.
Speaker 1 (13:03):
I think the engines right around the corner.
Speaker 4 (13:05):
Oh, I see a lot.
Speaker 2 (13:05):
Of people, say they are.
Speaker 3 (13:07):
Look at all the neighbors. There's nothing like a good
fire to bring out all the best people. Everybody must
have gotten up. Oh look there's Edie Quinn. Were in
the same common as you wanted that fire last year?
Speaker 4 (13:20):
Well here we are.
Speaker 3 (13:22):
I don't see any fire.
Speaker 4 (13:24):
I better find out what this is all about. Let
me through here. Please excuse me, lady, Oh pardon me, cheap,
but could you direct me to the fire?
Speaker 1 (13:32):
Mister?
Speaker 11 (13:32):
I wish you could direct me. We can't find it.
Speaker 4 (13:34):
Oh well, it may be a little unprofessional, but if
you asked, anybody.
Speaker 11 (13:38):
Say, that's an idea.
Speaker 4 (13:39):
Thanks?
Speaker 11 (13:41):
Quiet, please, that's that quiet?
Speaker 4 (13:43):
Everybody? Yes? Quiet?
Speaker 11 (13:45):
How did anyone here turning a fire?
Speaker 3 (13:47):
Alarm me? I was the one.
Speaker 11 (13:51):
Who called, Oh hold on, missus Beasley, who where's the fire?
Speaker 3 (13:53):
Oh there isn't any fire.
Speaker 10 (13:55):
My poor little cat is standing on top of that
telephone pole up there.
Speaker 4 (14:00):
Good grief, madam? Do you mean you've got us all
out of bed? And drag the fireman away from their
gin rummy game?
Speaker 5 (14:04):
Just to look at a cat now disappointed because someone's
home isn't burning down.
Speaker 3 (14:10):
I know who you are. You're the man who does
want to set the world on fire.
Speaker 4 (14:19):
No, see here, missus, Oh.
Speaker 3 (14:22):
This is easily, Uncle mar this is Daisily, This is
my uncle. Mister be honestly, how.
Speaker 4 (14:27):
Do you do it's charmed? I'm sure? No, see here,
missus Beasley, what do you mean by waking up the
whole neighborhood?
Speaker 11 (14:33):
I'll take it easy, mister.
Speaker 4 (14:34):
I won't take it easy cheap. Are you going to
waste the taxpayers money climbing telephone polls for Tom Kats?
Speaker 1 (14:39):
Well, what's wrong with that?
Speaker 4 (14:41):
Give me a reason why you should go to all
that trouble. Sure, I'll give you a reason. This lady
happens to be the mayor assist in law, just as
I thought politics.
Speaker 6 (14:49):
Hey, boys, get out the forty four and bring down
that cat.
Speaker 3 (14:53):
Thank you, chief. I'll see that my brother in law
hears about this.
Speaker 4 (14:56):
Yes, and I'll see that the newspapers here about it too.
I'll write letters to the and I write a nasty letter, madam.
And that's for you, cheap. You're paid the pipe fires
not to go sky hooting around town all night.
Speaker 6 (15:08):
Now I've heard enough out of you fat so if
you don't pipe down, I'll turn you over to the
police ship. Take the fosl arm.
Speaker 4 (15:14):
I'm a false alarm, you little brass. Pull polisher. Take
off that fireman's uniform and say that nah.
Speaker 6 (15:20):
Don't get so hot unto the collar. Beat dressed, or
I'll have the boys cool up with a hose.
Speaker 4 (15:25):
I'm not a pray of you and all your little squirts.
You switch the thumb at meee and I'll push that
tin head of your so far down you'll have to
breathe through a straw.
Speaker 1 (15:38):
Well, now you have gone too far.
Speaker 11 (15:40):
Go good hair, Hold my coat that suits.
Speaker 4 (15:43):
Me, Oliver, Yes, mister, keep off the grass. You'll get
your feet wet.
Speaker 3 (15:49):
Hey, look, look I got the cat down on them more.
Speaker 11 (15:52):
I don't thank goodness, we're the lady that owns the cat.
Speaker 4 (15:54):
Right here, Kelsey, No, I've seen everything, the idea using
thousands of dollars worth of fire equipments, waking up hundred
people in the middle of the night, just to snag
a mangy cat off a telephone pole.
Speaker 1 (16:03):
Here it is lady saving song.
Speaker 3 (16:05):
Thank you very oh dear me. This isn't my cat
at all?
Speaker 4 (16:11):
Now it isn't even her cat, lady. If you aren't
what's wrong, I'll.
Speaker 3 (16:16):
Tell you what's wrong. Mister Gildersleeve. This is your cat, yes.
Speaker 4 (16:21):
Our cat? Is that a hop? Oh my goodness, let's
get home. Come on, children here, come on, esop, goodbye, cheap,
thank you boys for doing a noble and human indeed, go.
Speaker 11 (16:32):
Back to bed, your big mattress.
Speaker 6 (16:34):
Come on.
Speaker 4 (16:36):
I don't like the way he said that. Too bad.
Speaker 7 (16:43):
There wasn't a fire.
Speaker 4 (16:44):
We couldn't been police. Cotton warm.
Speaker 3 (16:48):
Don't you dare catch a chill.
Speaker 1 (16:49):
I'll try my best not to minchi.
Speaker 4 (16:52):
I wish i'd brought along my cold. Let's hurry into
the househoppers. We'll fix you up a nice hot cup
of well, what can you drink? A nice hot cup
of water? If it's steals, well, it'll be nice to
get back into a nice warm bed. Open the door, leroy, okay,
oh it's locked.
Speaker 3 (17:13):
Lock?
Speaker 4 (17:14):
Why didn't I go home on the stream job. I
don't get excited, don't be nervous, take it easy, everybody.
I have the key right here, right here in my
pants pocket. Oh no, no, what, no pants, I'm just
wearing pajamas here. Let me try that door. Oh, no
(17:36):
shoes either.
Speaker 1 (17:42):
Maybe it's stuck.
Speaker 4 (17:43):
No, we're stuck, Oliver. The wind must have blown it shut. Well.
I guess the joke's on us.
Speaker 1 (17:49):
I'm sorry, mister Gillisleeve.
Speaker 4 (17:50):
I don't care it. You keep asking questions like that, Oliver,
and you will get it all right.
Speaker 3 (17:56):
There must be a.
Speaker 5 (17:57):
Window around the side of them back that I could
climb into it.
Speaker 4 (18:00):
Before we went to bed, I made sure that everything
was locked as tight as a drum and a bagpipe band.
Speaker 3 (18:05):
Oh wait a minute, we forgot them. I know how we
can get in.
Speaker 4 (18:07):
You do well? What is it?
Speaker 3 (18:09):
Bertie?
Speaker 4 (18:10):
Clever girl? Mindrow? Bertie? Yeah, come on everybody where.
Speaker 11 (18:13):
We're going on.
Speaker 3 (18:14):
We're gonna see if we can wait Bernie on me?
Speaker 4 (18:16):
Yes, Oh Bertie, Oh Bertie.
Speaker 11 (18:21):
Oh.
Speaker 4 (18:23):
Too many Berties. Let me do it, oh Bertie. Bertie,
will you please come downstairs and open the front door.
Speaker 11 (18:34):
Come downstairs, open the front door.
Speaker 4 (18:36):
Yes, I'm locked out, and so is Marjorie and Leroy
and Oliver.
Speaker 3 (18:41):
Unfortunate co incident.
Speaker 4 (18:43):
Bertie, quit stalling and hurry down here.
Speaker 3 (18:45):
I would have GC, but I just can't.
Speaker 4 (18:47):
Why can't you cause I'm locked down to what Bertie,
aren't you upstairs? Oh this is a pretty pickle of fish.
How did you get locked out?
Speaker 6 (18:59):
Well, I just got home from a large meeting, you know,
the Midsterics and bewildering orders of the Daughters of Clear Patriots.
Speaker 3 (19:10):
They had spink.
Speaker 4 (19:15):
The sphinx. You are, yes, And I found the back
door bolted.
Speaker 3 (19:19):
You know that's contrast to the customer procedure.
Speaker 4 (19:22):
Yes, well, I wonder if the people next door have
got a pass key.
Speaker 11 (19:25):
Oh, they went away on their weekend.
Speaker 4 (19:28):
I'm getting terribly cold. Maybe I'd better go home after all. No,
we'll get inside, and who takes it a jippany? The
only trouble is all the downstairs windows are locked. If
you can only reach the second floor, I can.
Speaker 5 (19:39):
If you boost me up, I can climb this tree
and then crawl out on that branch and drop down
the roof of the porch there.
Speaker 3 (19:44):
Who do you think you Isney Roy? A supermanman?
Speaker 4 (19:48):
Yes? No, I won't let you risk your neck. My boy,
you're too young. I do it myself. Only why ruin
a tree that never did me any harm? Oh?
Speaker 5 (19:58):
Dear, isn't it.
Speaker 9 (19:59):
Too bad that we don't have anyone big enough and
thin enough to come to our rescue.
Speaker 4 (20:04):
It's getting colder, you know.
Speaker 3 (20:09):
I can't help thinking what King Arthur, one of his knights,
would do in a case like this.
Speaker 4 (20:13):
Yes, I believe it is getting colder.
Speaker 9 (20:17):
Why he'd leap off his horse, spring to the tree
and just just swarm up to his lady Love's windows.
Speaker 11 (20:24):
Why only brought along some of my vitality tables?
Speaker 3 (20:32):
Oh what's the use, Oliver? Why don't you go climb
a tree?
Speaker 7 (20:36):
Me, mij You know I get dizzy spells from high places.
Speaker 4 (20:41):
Oliver is really very easy. You can do it with
your eyes. Shine. Don't line the bostuff.
Speaker 6 (20:46):
Can't you see he's rare on the go home.
Speaker 4 (20:49):
Come, Oliver, you've got to be brave. Pull up my pajamas, No,
I mean the ones you're wearing. Now, tighten your belt.
I didn't say yes, you shook your head.
Speaker 3 (20:59):
Can I help it?
Speaker 1 (20:59):
I shiver in the affirmative?
Speaker 4 (21:03):
Are you taking other legley?
Speaker 6 (21:05):
Roy?
Speaker 4 (21:06):
Careful? Now there we go? Yeah, Iram, hold of the branch,
Oliver right above. You don't drop me, I prove even, Yeah,
it's all right, I'm right below. You Just put yourself up.
Do know, Oliver, go the other way. You're getting out
on the wrong limb.
Speaker 3 (21:22):
See if I only had my sling shout here, I've
had him in the right direction.
Speaker 4 (21:25):
Freaking up, Keep going, Oliver, you're doing fine. Oh what
are you stopping for now?
Speaker 3 (21:32):
Sling jobs? I don't know. I made it the road.
Speaker 4 (21:45):
Well, congratulations, Oliver. I never thought you'd make it.
Speaker 11 (21:49):
Oh it why as good as any night?
Speaker 4 (21:52):
Oh yes, Oliver, you're a wonderful Bye George for a
week night he finished strong on Sunday. All right, Oliver,
I just climb in one of the windows and all
our troubles will be over.
Speaker 11 (22:06):
I've got bad news for you. Throw on any windows
over the port.
Speaker 4 (22:11):
What of porch without windows? I never heard of such
a thing. Let me look. Well that's one for Ripley.
You better come on down, Oliver.
Speaker 10 (22:19):
Oh, I can't reach spattle in my girl cheap as
we stranded?
Speaker 3 (22:23):
Oliver?
Speaker 4 (22:23):
Is that bad?
Speaker 3 (22:25):
Now? What are we gonna do?
Speaker 4 (22:26):
Unc Well, there's only one thing to do. I've got
to get a ladder someplace in the face of friend.
All right, Oliver, worry mister Jeb.
Speaker 5 (22:38):
Yeah, the people in the back got a nice big ladder.
Speaker 11 (22:43):
Why don't you just pussy foot oven though the bar.
Speaker 4 (22:46):
Thanks Bertie. I suppose that's all I can do. The children.
You just stay where you are and Oliver, don't go away.
Very funny. I'll be back who as I can, Oliver.
Fine state of affairs. When a man can't break into
his own home, Well that's what you get for chasing
fires in the middle of the room. Oh it's yesop
out of my way, you sign me snake in the grass.
(23:08):
Let me see there's a loose board somewhere along this fence.
There is tight squeeze rock Morton. You should really cut
off the starches. I wonder where that ladder is this
it's dark. Here's the back of a coal miner's neck.
Speaker 3 (23:22):
Who's there? Speak up or our shoes?
Speaker 4 (23:24):
Oh, don't shoot, missus Beasley. It's only me, mister Gildersleeve.
Speaker 11 (23:29):
What are you doing in night back yard of this
time of night?
Speaker 4 (23:31):
What am I doing here? Oh? Well, yes, we were
locked out of our house, Miss Beasley. You happen to
have a ladder I could borrow.
Speaker 3 (23:36):
It's in the sheds.
Speaker 4 (23:37):
Shed's lack. Well, then if you could find the key
and kind of throw it down to me.
Speaker 5 (23:40):
Eyes nerves waiting up, scarring me half head skip from
them having that called What.
Speaker 4 (23:44):
Did you say, missus Beasley?
Speaker 3 (23:46):
Wait where you are, mister Giles Leeves.
Speaker 4 (23:49):
I'll be right there, lovely well when it break at
last this time we're all set tepee.
Speaker 6 (23:55):
Where are you right underneath your window, Missus Beasley?
Speaker 3 (24:00):
Underneath?
Speaker 4 (24:01):
Yes, directly underneath?
Speaker 10 (24:02):
Well then cats, Oh, oh dear, there's dew on the grass.
Speaker 3 (24:18):
I hope Uncle Marre doesn't get his feet. Damn didn't know.
I'll right for that was a thrill. It's only a
matter of minutes now, Oliver. It's only a.
Speaker 4 (24:26):
Matter of minutes now, only minutes before I freeze. I
wish I brought a parasu. Who that dam it's me,
your uncle brock Morton. If I ever lay hands on
that with the feastly woman, I'll kill that old cow.
Speaker 3 (24:45):
Why, uncle, you're soul? What happened?
Speaker 4 (24:47):
She laded me underneath her window and then threw a
bucket of water on me. I'm gonna tell the mayor
about this.
Speaker 3 (24:52):
Oh that's a shame, But don't you worry. Have you
in the house and dry inside of five minutes?
Speaker 4 (24:56):
Oh? Got the door open?
Speaker 3 (24:58):
No, not yet, but soon before Oliver he's been freezing
on that roof.
Speaker 4 (25:01):
He's freezing.
Speaker 3 (25:02):
Yeah, so I simply right down to the corner to
ring the fire along.
Speaker 4 (25:06):
Oh fine, Oh my goodness, what'll the chief say when
he sees me this time? Can't you stop him le rolling?
Speaker 3 (25:11):
I don't think so. In fact, I'm sure I can't.
Speaker 4 (25:14):
Oh my, here we go again? Stop him?
Speaker 8 (25:19):
Man?
Speaker 11 (25:20):
Okay, okay, where is this?
Speaker 4 (25:22):
Oh?
Speaker 3 (25:22):
Chief? Well you're just in times.
Speaker 11 (25:24):
Look where Oh say, what is this person?
Speaker 6 (25:26):
That cat on a pole? And now a guy on
the roof? Who's responsible for this car? Well it was
like this chief, Well, if it isn't the taxpayers best
friend in the fire department sabist critic, Hi, mister gilder sleeve,
I've been writing any letters to the newspapers.
Speaker 9 (25:42):
No, now, stop teasing uncle more Chief, he's just soaked
to the skin.
Speaker 6 (25:45):
Yeah, and that takes an owl and awful lot of territory.
Speaker 4 (25:49):
How about saving those cracks for the fireman's missile show
and getting our front door open?
Speaker 11 (25:53):
Oh is that what you want? Well why didn't you
say so? Hey, Max, bring an axe, we's got a
door to chop down.
Speaker 4 (25:59):
No load, can't you just send up a man in
the ladder to one of the windows on the second floor.
Speaker 11 (26:02):
Oh, never mind the ax Max, bring a ladder.
Speaker 6 (26:04):
Okay, say geez, there's a cellar door open around on
the other side.
Speaker 4 (26:08):
The cellar door has been open all this time. I
could kick myself. We could help you with that too,
Thank you, just the same. No, say, boys, I'm awfully
sorry about this whole thing. Let me make some amens. Huh.
How about you all coming in for coffee and sandwiches? Huh?
Won't you come on just for a good hold gilders leave? Okay, sure, yeah,
come on, come on? Oh have another cup of coffee? Seven?
Speaker 1 (26:41):
No, no, thanks, I've had two already, you've.
Speaker 11 (26:43):
Had four, But have another?
Speaker 3 (26:45):
Can we christeren?
Speaker 4 (26:46):
No?
Speaker 1 (26:47):
No, no, I'm foote clear up to here.
Speaker 6 (26:48):
Incidentally, I made sure that cellar door was locked tight
this time.
Speaker 4 (26:51):
Thanks, mister Grougin.
Speaker 6 (26:52):
Well this has been swelled, mister Guilsley. But now we'd
better be getting back. Boys.
Speaker 11 (26:56):
Hey, hey, you guys in the kitchen, let's get wheeling.
Speaker 4 (27:00):
Well, goodbye boys. Thanks for everything. And if I ever
have a fire, you will be the first people I'll
call in. I like fireman.
Speaker 3 (27:10):
Can I go out latch and leave?
Speaker 4 (27:12):
Sure? We'll all go out and wave goodbye to come on, Marjorie,
Hey you two, Bernie, okay, come on, Yeah.
Speaker 6 (27:17):
Well thanks, that's hong boys.
Speaker 4 (27:20):
Don't take any wooden fire plugs. Yeah, nice fellas well.
Let's get back in there they go. It's colder. Catch
the door, Bernie. Oh my goodness, Hey, we're all locked
out again. Yes, this is where we didn't come in.
Speaker 10 (27:43):
N't anybody I forgot to get me all off.
Speaker 2 (27:46):
The rag yellows slave will be with us again in
a few minutes. But right now, let's me remind you
that next Friday is Halloween and a few mothers of
the kind that worry about the children being out and
getting into mischief, here's a worthwhile suggestion for you. Keep
(28:08):
the kids at home with a well stocked pantry. Yes,
if you have plenty of popcorn and cookies and cakes
on hand, you can be sure the kids won't go
very far away.
Speaker 1 (28:17):
Now.
Speaker 2 (28:18):
To make popcorn extra good, drench it with plenty of
melted parquet margarine made by Kraft. Yes, that delicate, tempting
flavor that makes parquet a favorite for table use makes
it delicious on popcorn too. And remember, use parquet margarine
in the.
Speaker 1 (28:32):
Cookies and cakeshew bake.
Speaker 2 (28:33):
It makes them tastier because it's a real flavor shortening,
not just a bland, tasteless fat. And not just as Halloween,
but the year round. Parkue margarine provides your family with wholesome,
nourishing food values. Yes, Parkue margarine is a highly nutritious
energy food that contains important vitamin A. So use Parquet
margarine made by Kraft all freeways at the table for
(28:58):
baking and for pan frying. It's delicious, it's nourishing, it's economical.
Tomorrow ask your dealer for a pound or two of
par k p A r Kay.
Speaker 4 (29:16):
Sorry, ladies and gentlemen, our time's up. Good night.
Speaker 2 (29:27):
Original music heard on this program was composed and conducted
by William Ramdolph. This is Jim Bannon speaking of the
Craft Cheese Company and inviting you to be with us
again next week at the same time for the further
adventures of.
Speaker 1 (29:39):
The Great Kilder Sleeve.
Speaker 2 (29:41):
This is the National Broadcasting Company
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