August 28, 2025 • 29 mins
A spin-off from a popular series, this show centers on a well-meaning but bumbling character whose everyday misadventures provide wholesome entertainment.
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:01):
Craft presents the Great Gilder Sleeves each week at this time,
the Craft Cheese Company presents for your enjoyment, Harold Perry
(00:22):
is the Great Gilder Sleeve, written by Leonard l Levins.
We'll hear from the Great Gilder Sleeve in just a moment,
But right now, here's a message of very great importance
for today's menu makers. I don't know how much you
housewives actually know about modern margarine, but there's probably been
(00:44):
no time in the history of America when it was
so important for you to have the true facts about nourishing,
wholesome foods for your family. So I want to tell
you about Park. Park is the new quality margarine made
by Craft, a delicious bread for bread, hot rolls, and toast. Now,
of course, the fact that Park does taste so good
probably a consper its popularity as a spread in millions
(01:05):
of homes. But this is even more important. Park margarine
is a protective food with exceptionally high nutritional value. It
is one of the best energy foods you can serve
and a reliable year round source of vitamin A. There
are nine thousand units of this vitamin in every pound
of Park, so tomorrow, ask your food dealer for a
pound of Park margarine made by Craft. The whole family
(01:28):
will like it because it tastes so good, and you'll
know that you're giving them an economical, highly nutritious food
made to the Craft standards of quality. Just say Park
par kay. And now for the adventures of the great guildersleeves.
Speaker 2 (02:07):
Coming into a smolvest Say this is all wistful, mister,
We'll give him agee and mon lieu.
Speaker 3 (02:13):
Yes, madam, Oh my, do.
Speaker 4 (02:16):
You think I'll be able to see them from the
train window.
Speaker 5 (02:18):
No, ladies, the mcgeez are on their vacation. Oh let's
say there's an ext door neighbor of there's rock Morton
p Guilders leave.
Speaker 6 (02:25):
Yeah.
Speaker 5 (02:25):
Great, that portlely gent with the mustache on the platform,
the one making a speech to his employees.
Speaker 4 (02:30):
How do you know they are his employees.
Speaker 5 (02:32):
Because every time he goes away he gives him an
hour off to come down to the station and wave goodbye.
Speaker 4 (02:37):
So that's mister Gilder.
Speaker 3 (02:42):
I can't tell you how touched I am to see
all the employees of the Guilders Leave Girdle works down
here at the station to bid me goodbye. It's indeed.
By the way, is there anyone left at the plant?
Speaker 6 (02:53):
Well?
Speaker 3 (02:53):
Uh no, A lot of some orders come in. Who
take the phone calls? Uh mert oh murday. As I
was saying, while I'm away, I expect every one of
you to uphold gildless leave girdles to the best of
your ability, and don't forget our motto if you want
the best of coursets. Of course, it's guildless leader. Very good, TV,
(03:15):
very good, thank you, thank you. You'll get a raise.
And though it's necessary for me to go away and
attend to other enterprises, the one thing closest to my
heart is the guildless leave girdle.
Speaker 4 (03:25):
How long will you be gone?
Speaker 7 (03:26):
TP?
Speaker 3 (03:27):
At least three days and maybe the the end of
the week.
Speaker 8 (03:30):
Before you go TP, the guildless leave girdle workers, GIL
wish you to present you with this handsome leather briefcase
has a token of our esteem for you.
Speaker 3 (03:41):
For me, I don't know what to say except yes,
all aboard, who know? Oh my goodness, on my way,
everybody wear my bags on the train T. Thanks, I
forgot to buy a ticket. Where do I buy a
ticket on the train?
Speaker 6 (03:53):
TP?
Speaker 3 (03:53):
Oh, yes, let go me. Boys, where are you pushing me.
Speaker 9 (03:58):
To my children?
Speaker 3 (04:20):
Here's your ticket, mister Gil to leave. Sorry, I haven't
any berths left. Couldn't you squeeze me in somewhere.
Speaker 5 (04:26):
I'll try, though it'll probably be a tight squeeze.
Speaker 3 (04:30):
Tight squeeze, side splitting. Isn't it going to be in Summerfield?
Speaker 7 (04:36):
Long?
Speaker 3 (04:37):
Just three or four days? I'm taking over the administration
of my brother in law's of state. You're gonna run
it from my niece and nephew. But that's quite involved.
And I'm hungry. Which way is the diner?
Speaker 10 (04:45):
Why an old experienced traveler like you should know where
the diner is?
Speaker 3 (04:49):
Of course, no matter where you are, the diners always
at the other end of the train.
Speaker 11 (04:53):
See you later.
Speaker 3 (05:11):
Oh excuse me, madam? Eh? What he crowded this dinner
by George? I'm so hungry I could eat the waiter. Yes?
Is it all right if I sit at this table? Yes,
it'd ride down. If this gentleman doesn't mind reading his
(05:32):
paper on his own side, I said, if this gentleman
doesn't mind reading his paper on his own side, excuse me?
The does you mind?
Speaker 6 (05:41):
Yes?
Speaker 3 (05:41):
I do.
Speaker 2 (05:42):
I'm particular whom I.
Speaker 3 (05:43):
Eat with you, are well? I'm not. I'm hungry, waiter,
Bring me a steak, a nice juicy double ten line rare.
Speaker 2 (05:52):
Wait there, where's my milk chosed? I ordered it fifteen
minutes ago. I'm sorry, but milk toze takes time.
Speaker 7 (05:58):
You know.
Speaker 3 (05:58):
And waiter, I want a big heaping played the French fry.
French fry and a cup of strong coffee with lots
of crete. I'll get it right away.
Speaker 2 (06:05):
And bring me my milk toast made with gluten bread.
Speaker 3 (06:08):
Remember bread, Oh that reminds me some hot biscuits and
a little Apolo jam.
Speaker 2 (06:12):
Gluten bread toasted, and a cup of hot water and.
Speaker 3 (06:16):
An apple pie ala mode with cheese with tea.
Speaker 2 (06:18):
I can't stand this. Listening to you is giving me heartburn.
Speaker 3 (06:24):
It ish all waiter, don't forget the steak, sauce, ketchup
picciliy and relish.
Speaker 2 (06:29):
Bring me a glass of icarbon anisoda quick, yes, right away.
Speaker 3 (06:36):
Of course, it's none of my business, mister, And don't
stick your nose in it. All right, that's the way
you feel about it. I was just gonna tell you
you're getting your newspaper in the mustard.
Speaker 2 (06:46):
I don't use mustard.
Speaker 3 (06:47):
No, I guess you don't need any Well, I was
going to say it was okay, I won't say it.
Then that mustard from your newspaper is all over your sleeve.
Speaker 2 (06:56):
Now I don't care what all the messes.
Speaker 3 (07:01):
Water only spreads it. You see what they tell you?
Speaker 2 (07:04):
How thank you to mind your own business.
Speaker 3 (07:06):
What's the big idea jumping down my throat?
Speaker 2 (07:08):
What do you expect dressing a perfect stranger?
Speaker 3 (07:11):
You're far from perfect stranger, And from now on I'm
gonna make a career out of ignoring you. Here comes
my food. That's pretty snappy, service waiter.
Speaker 2 (07:25):
Yes, well, where's my milk toast?
Speaker 3 (07:27):
I'm sorry, sir, But the chef he's all out of
gut and bread. He wants to know what pumper nickel
do just as well.
Speaker 2 (07:34):
No, purple nickel wouldn't do just as well. Why keep
me waiting all the time? Why you serve this big
buffalo the minute he sits down.
Speaker 3 (07:42):
No look here, mister, I don't want to look here.
Speaker 6 (07:45):
I'm sticking aside of you.
Speaker 2 (07:47):
The idea an over stuffed ox like you, guppling and
gumbling and gorging yourself like an ostrich. I've got a
bad case of indigestion already, just from looking at you.
Speaker 3 (07:58):
You despectic little dodo, just because you're mean to your
stomach and your stomach talks back to you, you belly ache.
Excuse the expression. You're not suffering from indigestion. You're just
green with that pecurian envy.
Speaker 6 (08:12):
I won't sit.
Speaker 2 (08:13):
Here, and here's your bicarbon minisodam is to.
Speaker 4 (08:15):
Take it away.
Speaker 6 (08:16):
Take it away. I need something stronger than that.
Speaker 2 (08:18):
Now, I've got some pills down here, my briefcase.
Speaker 3 (08:21):
Just a minute there, What are you doing with my briefcase?
Speaker 6 (08:23):
Your briefcase?
Speaker 3 (08:25):
This is mine. It is not my employees gave it
to me just this afternoon.
Speaker 2 (08:28):
Take your fat paws off of my briefcase before.
Speaker 3 (08:30):
I before you watch you dried up a little crab apple.
And I'll wait a minute. Gentlemen, please let go my briefcase.
Speaker 6 (08:37):
Well it's mine.
Speaker 3 (08:39):
The idea.
Speaker 4 (08:41):
Did you see anything of my briefcase?
Speaker 6 (08:43):
I left it?
Speaker 4 (08:44):
Oh you gentlemen, have it, Thank you so much.
Speaker 10 (08:47):
Well, Oh there you wished to go to sleep, I've
located a berth.
Speaker 3 (09:06):
For you would last. Oh that's fine, conductor. I was
getting tired of sitting around here in my pajamas. Where
is it? It's upper nine of the next car, upper
n iron. Oh my goodness. The last time I was
in an upper berth was it? Let me see, fifty
pounds ago. The porter is making it up for you now, Yeah, thanks.
I do hope that porter gives me a wide berth. Eh,
(09:36):
it's the dark here, oh, porter, a porter? Oh excuse me,
it must be sleeping, oh porter. Yeah, have you got
upper nine ready yet?
Speaker 6 (09:49):
Yes?
Speaker 5 (09:50):
But I didn't anticipate no gentlements or such ample proportions.
Speaker 3 (09:54):
Yeah, well maybe i'd better take a ladder.
Speaker 4 (09:57):
Yes, I've got a tea too.
Speaker 6 (09:59):
They're small.
Speaker 3 (10:02):
Well all right, come.
Speaker 6 (10:03):
On, yeah, you got right up there?
Speaker 3 (10:06):
Up there? Oh my goodness, the holy latter steady porter.
Remember if they tip, I won't.
Speaker 12 (10:13):
Yeah, now be careful, mister trains coming to a shop
play forty soon?
Speaker 2 (10:19):
When when.
Speaker 3 (10:22):
Miss the latdst night. I can't hold on. I'm coming
down with a blow.
Speaker 6 (10:28):
Watching me.
Speaker 3 (10:30):
Oh my sack? Really yeah, Miss Elen a half.
Speaker 6 (10:36):
Yeah, I don't want to get up.
Speaker 3 (10:38):
I want to sleep, not you.
Speaker 6 (10:39):
Missing the man and Dappa. He's now in the lore
and where am I?
Speaker 3 (10:44):
You're right here? Brother, Get off of my four stomach.
Who is it?
Speaker 6 (10:50):
Oh it's you.
Speaker 2 (10:52):
What are you doing sneaking into my birth?
Speaker 3 (10:53):
Are not sneaking into your I'm not sleep I'm fining
to climb into bed. I'm your upstairs neighbor.
Speaker 6 (11:07):
Isn't that nice?
Speaker 2 (11:09):
I hope that swinging shelfs necks.
Speaker 11 (11:11):
At on you.
Speaker 3 (11:12):
Yeah, it's gonna swing. I'll see that swings your way.
And if I land on you again, brother, you'll spend
the rest of the night sleeping in the road bed.
Speaker 6 (11:19):
Oh quiet, let me go to sleep.
Speaker 3 (11:20):
Okay, Grandpap, unpleasant dreams? All right? Porter, give me a
leg up again, will you? Thirty two, four hundred and
(11:52):
seventy three, thirty two four and seventy four thirty two thousand,
four hundred and seventy five, Oh my goodness, two o'clock already,
and still not a wink. Yes, thirty two thousand, four
hundred and seventy six, thirty two thousand, four hundred and
(12:18):
seventy eight. Oh, what's the use? There's only some way
of stopping that buzzsor down there. I can't stand this
any longer. Where's that quarter? I'll fix this guy?
Speaker 6 (12:35):
You call him? He sir?
Speaker 3 (12:36):
Yes, would you mind getting me a drink of ice water.
I can't sleep.
Speaker 6 (12:39):
Yes, yeah, heah, here's the water.
Speaker 3 (12:53):
On this d Thank you, you needn't wait. Good night,
good night, good night, sir. Yeah. If I can hold
this cup in his hand and open the lower curtain
with it, uh, I've got it. Steady down, Guildish leave ready?
(13:18):
What was that? Horner?
Speaker 6 (13:20):
Horner? Shut this window while you're draining right in on
my face?
Speaker 3 (13:28):
What can of man get any restaurant here?
Speaker 6 (13:47):
Good morning, sir? He's just pouring into sama Field. You
want me to brash, y'all?
Speaker 3 (13:52):
No, I'll walk down the steps like the rest of
the passengers. By the way, Porter, you've given me such
good service. Here's an order for a gillis leeve girdle
for your wife.
Speaker 6 (14:07):
Eh, thank you, sir. I happened to be a sponge
at the moment. But if it's all right with you,
I put in my hope chair.
Speaker 3 (14:17):
Yes, yes, that's perfectly all right, Eh, Summerfield. Eh, bye, George.
I'm certainly looking forward to seeing Marjorie and little Lee
Roy again.
Speaker 4 (14:41):
Why can't I Marjorie? Why can't I call him teeth?
Feel like I do? Donald's Foundry. It isn't a found really, Roy,
it's a own of the mind. It's nothing that concerns
little boys.
Speaker 13 (14:51):
And I'm sure that he will prefer to have you
call him uncle rock Morton.
Speaker 12 (14:54):
Oh shucks, you can't go around call him a big
tough guy who runs a steel foundry, Rock Morgant. It's
positively degradatory.
Speaker 13 (15:03):
It's derogatory, Yes, not too, Lee, Roy, who told you
Uncle crock Morton was in the steel business.
Speaker 12 (15:11):
Nah, you thought you were so smart. I saw one
of his letterheads, the Gilder Sleeve Girder Company. Oh, oh, yes,
Guilder Sleeve Girder Company.
Speaker 4 (15:25):
See he should be here by now. Shim me, Monterie,
don't you hear any?
Speaker 3 (15:28):
Roy?
Speaker 4 (15:28):
Just the Senator's train arrived.
Speaker 13 (15:30):
Mister Willis will bring him here for beakfast.
Speaker 4 (15:32):
I wanted to go down to the station too, I know,
but Ted.
Speaker 13 (15:35):
Has to discuss all the legal details with Uncle crock
Morton before we go to court.
Speaker 4 (15:38):
Say, you're getting pretty arm stuck on that Ted guy.
Aren't show by Leroy, chorister?
Speaker 6 (15:43):
I am not Ted.
Speaker 12 (15:45):
Wills is really all Lloyd. He is not Williams and Williams.
Willis and Wills are all lawyers and Ted's nothing but
the tail ends. Well he's young.
Speaker 4 (15:54):
Yeah, you just give him time.
Speaker 6 (15:56):
Ah, there you go.
Speaker 4 (15:58):
Who'll say? How if I should Uncle Morton called? Who
oh Uncle cross Morton? Well, I don't think you object
to that? Wait, I can do better than that. How's
this Uncle mort Who's that Uncle More?
Speaker 3 (16:12):
Hi as well? Well? Well i'll bet this is little
leroy h?
Speaker 4 (16:18):
Uncle More?
Speaker 3 (16:20):
Why who.
Speaker 6 (16:22):
You Uncle More?
Speaker 4 (16:23):
You don't mind if I call Uncle Morton the uncle More?
Speaker 3 (16:26):
No, not at all? Go right ahead, Uncle More? They
I like that? And this is Marjorie mister gildersleep Marjorie.
Eh eh, I'm here, my dear my, how are you growing?
Speaker 7 (16:50):
Okay?
Speaker 3 (16:51):
Hello?
Speaker 6 (16:51):
Uncle Fross Morton.
Speaker 4 (16:52):
Let me take your hat and coat?
Speaker 3 (16:54):
Will you have no thanks? I've already had mine on it. Well,
I'll have a couple of coffee?
Speaker 6 (17:00):
Did right here? Uncle?
Speaker 4 (17:02):
Did you sit over there?
Speaker 3 (17:03):
Okay? My, this looks wonderful. Hey?
Speaker 4 (17:06):
Will you take me back to wistful Bristol? Will get
and let me work in your factory?
Speaker 3 (17:10):
What? Well, I didn't think you'd be interested in that
sort of thing.
Speaker 12 (17:13):
Lee, I am a gomore. That must be somewhay out.
I bet you make US apports for a lot of
big projects there.
Speaker 3 (17:28):
Eh oh, we don't turn out anything much like it
that we sort of confine ourselves to a foundation.
Speaker 12 (17:38):
Say, I'd like to go along sometime when you install
some of those foundations.
Speaker 9 (17:42):
Do you hurt me?
Speaker 3 (17:45):
What did you say, young man?
Speaker 4 (17:49):
Please excuse me, Royal coom More.
Speaker 13 (17:51):
He's didn't like that ever since he found out that
you owned this guildless leeve girder company.
Speaker 3 (17:56):
What oh, yes, I see it all now.
Speaker 7 (18:03):
Yeah.
Speaker 3 (18:03):
As a bride boy, I'll ever have to.
Speaker 4 (18:09):
Slug it out with any of them. Tough steel workers
are yours?
Speaker 3 (18:12):
No, No, I never do, you know? Huh oh, Well,
of course there have been times when I've had to
put the more snap into their work. And once I
was so angry I picked up a badly made foundation
and bounce it right off the foreman's head.
Speaker 4 (18:29):
Yeah, Tali, Roy, that's your uncle's.
Speaker 6 (18:32):
More.
Speaker 3 (18:33):
No thanks. Oh. Speaking of toast reminds me of an
amusing incident on the train last night. You'll enjoy this, leroy.
When I went into the diner, the only empty chair
was at the table with the Yeah, when the ice
water hit him in the pack.
Speaker 7 (18:52):
Well, it's time we leave for courtments to guild the
sleeve it is.
Speaker 3 (18:55):
Come on, kids, this won't take long. Well, all I
can say is we run things better than this and whistle.
This day eleven o'clock and the judge hasn't even shown
up yet. Judge Hooker is usually very prompt. Yes, it's
the trouble with some of these judges is they think
(19:15):
they're little tin gods. Take those black robes away from them,
and what have they got? Bow legs? Yeah, I'm glad
you like.
Speaker 6 (19:25):
Everyone?
Speaker 3 (19:26):
Rise please h lext.
Speaker 5 (19:28):
Compare car topot of twenty five the ahead and hey
Chooker judge was tiling his talents, said they see this,
thank you.
Speaker 3 (19:38):
Oh my goodness. Who's that man sitting in the judge's chair,
Well that's Judge Hooker. Judge Ooker, that's the man in
the lower Birkely.
Speaker 4 (19:51):
For a pint administrator to stay to break.
Speaker 3 (19:52):
Part, that's us. Come on, mister Gilbertsleeve, I'm not feeling
very well ted. Couldn't we post on this over to
another judge?
Speaker 4 (20:01):
Come on, uncle more, I love what you said.
Speaker 3 (20:03):
This guy will be a pushover, Yes, a pushover.
Speaker 2 (20:07):
Come on, come on, step up, don't goal. I haven't
got all day.
Speaker 13 (20:10):
I could not be posted.
Speaker 3 (20:11):
Judge is pretty short timp of this.
Speaker 5 (20:12):
Won't you didn't get me sleep last night?
Speaker 3 (20:13):
Oh, my.
Speaker 7 (20:16):
Your honor, With your permission, I'll put mister Gilder's leave
on the stand.
Speaker 2 (20:19):
Person. I had mister Wells wear in the witness you
Thomas were to tell the whole.
Speaker 3 (20:25):
I do well do your don't you speaker?
Speaker 2 (20:29):
I do? That voice is very familiar. Turn around, mister,
Oh so it's you.
Speaker 3 (20:38):
Yeah, oh, jud mister Wells, Yes, your.
Speaker 2 (20:44):
Honner, I will examine this man's qualifications.
Speaker 3 (20:47):
If you don't mind, I don't you runner, but I
do Silence now.
Speaker 2 (20:52):
Then, Gilder's sleeve?
Speaker 4 (20:53):
What do you do for a living?
Speaker 3 (20:55):
I make goodles, your honor, A court order in the
court had order.
Speaker 2 (21:04):
And you'll build a sleep any more cheap humor and
I'll judge you in contempt.
Speaker 3 (21:08):
But it's true, your honor. I'm the president of the
Gillis Leave Goodle company.
Speaker 7 (21:11):
Uncle.
Speaker 4 (21:12):
Tell him a true he doesn't make girdles, Judge, and.
Speaker 9 (21:15):
What does he do?
Speaker 4 (21:16):
Steals foundation?
Speaker 3 (21:17):
I bet he would too.
Speaker 2 (21:21):
Now, no more interruptions, my boy, I remember this the
court room. You realize who I am of court sture
you're a ball legged little king don who.
Speaker 4 (21:31):
You just said so yourself?
Speaker 11 (21:33):
Uncle?
Speaker 6 (21:34):
Oh you.
Speaker 3 (21:37):
Just a little joke, your honor, You know how I kid.
Speaker 2 (21:40):
I know, and I'm going to ask you a plain question,
and I want a plain answer. What business are you in?
Speaker 3 (21:48):
Well, I us, oh that is if leroy, would you
mind going out into the hall and get me some
some ice water?
Speaker 2 (21:55):
One moment was running this court.
Speaker 12 (21:57):
You are right and not get uncle morter man, judge
last night he through a whole bucket of.
Speaker 3 (22:02):
Water on a guy on a park under Oh my,
here we go again.
Speaker 11 (22:07):
He did it?
Speaker 3 (22:08):
Is yeah, and poor.
Speaker 4 (22:14):
You're here go board talent.
Speaker 2 (22:17):
Thanks, I will let's hear all about it, uncle mord.
Speaker 7 (22:32):
But Judge Hooker, it's up to five o'clock. This poor
man's been on the witness stand all day.
Speaker 2 (22:36):
All right, one more question than I'll hand down my decision.
Mister Gildersleeve, what makes you think that you have executive ability?
Speaker 3 (22:44):
Well, I have a large staff on my own, and
through years of experience, I know the proper relationship between
employer and employee, your honor asked, mister.
Speaker 7 (22:57):
Well, our firm has thoroughly investigated mister to sleep and
we're satisfied as to his qualifications.
Speaker 2 (23:02):
Eh, mister Wills, I have great respect for you and
your associates. That is probably the only reason why I'm
going to grant your petition. However, in order to protect
these children from their own misguided enthusiasm, I'm going to
require this killed us leave to report to me every
single week. But you get an okay for every CENTI
(23:23):
he spends with John, and I will require him to
post a bond of fifty thousand dollars in cash.
Speaker 3 (23:30):
No see here, hooker heard. I won't stand for this.
I'll resign.
Speaker 2 (23:35):
I killed this leave I never sent for you. You
came here begging for this job to quote from Bravy
versus Union Bugget Corporation Civil cod of Nebraska. You made
your bed and you can't lie.
Speaker 3 (23:48):
Out of it. Let my business and wistful vistener.
Speaker 2 (23:51):
You remain here and make this a state pay or
go to jail for contempt telling him and I'm not whose.
Speaker 6 (23:56):
Part is a journ.
Speaker 3 (23:58):
Well, little goof ted, We've got to do something about this.
Do you realize that a fifty thousand dollars bond did
not only take every cent of my ready cash, that
also means a mortgage on my gordle works.
Speaker 7 (24:13):
See, I'm sorry about how the whole thing went, mister Gildersley.
Speaker 13 (24:16):
Well, maybe if we went into the judge's chambers we
could persuadehim the lower of the bond.
Speaker 6 (24:20):
There, sure, just.
Speaker 3 (24:21):
Let me talk to him, young man. You've talked enough
for one day.
Speaker 4 (24:25):
How about it?
Speaker 3 (24:25):
Ted, won't hurt you try? Come on man, excuse us.
Judge Hooker, Eh, you remember me, don't you. I thought
perhaps maybe we could possibly get that little cash bond reduced.
Speaker 2 (24:42):
I don't see why I should.
Speaker 3 (24:43):
If you spoke to somebody who'd known me for a
long time, they might convince you that I'm not such
a bad fellow.
Speaker 4 (24:49):
Oh that would be fine, Untimore. How could the judge
talk to Why the.
Speaker 3 (24:53):
President of the Whisker visit Chamber of Commerce. He's my
next door neighbor too, that chap named Peter McGhee. We
can call him long distance.
Speaker 2 (24:59):
You're yes, Yes, I see mister McGee. Yes, I'm glad
you put me straight on that.
Speaker 3 (25:14):
Yes, I knew my little chum would set me in right.
It's a very good point, Leroy. I want you to
meet McGee one of these days as one of Nature's noblemen.
Speaker 2 (25:23):
I guess you've made up my mind for me. Fibber
hold the phoney second, I'll tell you.
Speaker 3 (25:31):
Yellous leave. Yes, John, yellous leave.
Speaker 2 (25:34):
I've decided to recind that fifty thousand dollars bond.
Speaker 3 (25:38):
H I knew that would happen if you spoke to
my little pal.
Speaker 2 (25:41):
Yes, after talking to McGhee, I'm going to make that
bond one hundred thousand dollars.
Speaker 3 (25:46):
What give me that telephone? Hello, you're a hard man. McGee.
Speaker 1 (26:13):
The Great Guilder Sleeve will be with us again in
a few minutes. While Uncle Troc recovered from that one,
I want to say a word that I believe will
make every thinking housewife want to try parka marginin tomorrow.
This delicious new craft product is most popular as a
spread for bread and the seasoning for hot cooked foods
because of its delicate, pleasing flavor. But the same qualities
(26:34):
that make it so good for table use make it
an extra fine shortening for baking. I say extra fine
because it has all the qualities of an ordinary shortening,
plus fine flavor and added nourishment. Let me read you
a statement from missus Lillian Watts, who having been born
and raised on a farm, is mighty particular about food.
She says, quote, I have a family of eights, and
(26:55):
they all like parka marginin.
Speaker 3 (26:58):
I use it in various ways.
Speaker 1 (26:59):
Cakes, bread muffins, biscuit soups, spreads in other ways too,
numerous dimension. Thank you a thousand times for this wonderful product.
End of courte. Now that's a mighty enthusiastic statement. But
you'll be just as enthusiastic once you have tried Park.
It's so delicious, so nourishing, so grand in every way. Tomorrow,
be sure to order Park the economical spread made by Craft,
(27:23):
and remember every pound of Park margarine contains nine thousand
units of vitamin A.
Speaker 4 (28:40):
Gee, uncle, what are you gonna do now?
Speaker 3 (28:43):
George Leroy, I'm gonna show that judge I can run
that estate. Or my name won't be frock Morton.
Speaker 4 (28:49):
You've better war the more you won't even have a name.
Speaker 3 (28:52):
Yeah no, I'll just have a number. Good night, folks.
Speaker 1 (29:24):
Original music on the night's program was composed and conducted
by William ramdaph This is Jim Bannon saying good night
for Craft and reminding you to tune in again next
week at the same time to hear the further adventures
of the Great kilders Lady. This is the National broadcasting
Company
Craft presents the Great Gilder Sleeves each week at this time,
the Craft Cheese Company presents for your enjoyment, Harold Perry
(00:22):
is the Great Gilder Sleeve, written by Leonard l Levins.
We'll hear from the Great Gilder Sleeve in just a moment,
But right now, here's a message of very great importance
for today's menu makers. I don't know how much you
housewives actually know about modern margarine, but there's probably been
(00:44):
no time in the history of America when it was
so important for you to have the true facts about nourishing,
wholesome foods for your family. So I want to tell
you about Park. Park is the new quality margarine made
by Craft, a delicious bread for bread, hot rolls, and toast. Now,
of course, the fact that Park does taste so good
probably a consper its popularity as a spread in millions
(01:05):
of homes. But this is even more important. Park margarine
is a protective food with exceptionally high nutritional value. It
is one of the best energy foods you can serve
and a reliable year round source of vitamin A. There
are nine thousand units of this vitamin in every pound
of Park, so tomorrow, ask your food dealer for a
pound of Park margarine made by Craft. The whole family
(01:28):
will like it because it tastes so good, and you'll
know that you're giving them an economical, highly nutritious food
made to the Craft standards of quality. Just say Park
par kay. And now for the adventures of the great guildersleeves.
Speaker 2 (02:07):
Coming into a smolvest Say this is all wistful, mister,
We'll give him agee and mon lieu.
Speaker 3 (02:13):
Yes, madam, Oh my, do.
Speaker 4 (02:16):
You think I'll be able to see them from the
train window.
Speaker 5 (02:18):
No, ladies, the mcgeez are on their vacation. Oh let's
say there's an ext door neighbor of there's rock Morton
p Guilders leave.
Speaker 6 (02:25):
Yeah.
Speaker 5 (02:25):
Great, that portlely gent with the mustache on the platform,
the one making a speech to his employees.
Speaker 4 (02:30):
How do you know they are his employees.
Speaker 5 (02:32):
Because every time he goes away he gives him an
hour off to come down to the station and wave goodbye.
Speaker 4 (02:37):
So that's mister Gilder.
Speaker 3 (02:42):
I can't tell you how touched I am to see
all the employees of the Guilders Leave Girdle works down
here at the station to bid me goodbye. It's indeed.
By the way, is there anyone left at the plant?
Speaker 6 (02:53):
Well?
Speaker 3 (02:53):
Uh no, A lot of some orders come in. Who
take the phone calls? Uh mert oh murday. As I
was saying, while I'm away, I expect every one of
you to uphold gildless leave girdles to the best of
your ability, and don't forget our motto if you want
the best of coursets. Of course, it's guildless leader. Very good, TV,
(03:15):
very good, thank you, thank you. You'll get a raise.
And though it's necessary for me to go away and
attend to other enterprises, the one thing closest to my
heart is the guildless leave girdle.
Speaker 4 (03:25):
How long will you be gone?
Speaker 7 (03:26):
TP?
Speaker 3 (03:27):
At least three days and maybe the the end of
the week.
Speaker 8 (03:30):
Before you go TP, the guildless leave girdle workers, GIL
wish you to present you with this handsome leather briefcase
has a token of our esteem for you.
Speaker 3 (03:41):
For me, I don't know what to say except yes,
all aboard, who know? Oh my goodness, on my way,
everybody wear my bags on the train T. Thanks, I
forgot to buy a ticket. Where do I buy a
ticket on the train?
Speaker 6 (03:53):
TP?
Speaker 3 (03:53):
Oh, yes, let go me. Boys, where are you pushing me.
Speaker 9 (03:58):
To my children?
Speaker 3 (04:20):
Here's your ticket, mister Gil to leave. Sorry, I haven't
any berths left. Couldn't you squeeze me in somewhere.
Speaker 5 (04:26):
I'll try, though it'll probably be a tight squeeze.
Speaker 3 (04:30):
Tight squeeze, side splitting. Isn't it going to be in Summerfield?
Speaker 7 (04:36):
Long?
Speaker 3 (04:37):
Just three or four days? I'm taking over the administration
of my brother in law's of state. You're gonna run
it from my niece and nephew. But that's quite involved.
And I'm hungry. Which way is the diner?
Speaker 10 (04:45):
Why an old experienced traveler like you should know where
the diner is?
Speaker 3 (04:49):
Of course, no matter where you are, the diners always
at the other end of the train.
Speaker 11 (04:53):
See you later.
Speaker 3 (05:11):
Oh excuse me, madam? Eh? What he crowded this dinner
by George? I'm so hungry I could eat the waiter. Yes?
Is it all right if I sit at this table? Yes,
it'd ride down. If this gentleman doesn't mind reading his
(05:32):
paper on his own side, I said, if this gentleman
doesn't mind reading his paper on his own side, excuse me?
The does you mind?
Speaker 6 (05:41):
Yes?
Speaker 3 (05:41):
I do.
Speaker 2 (05:42):
I'm particular whom I.
Speaker 3 (05:43):
Eat with you, are well? I'm not. I'm hungry, waiter,
Bring me a steak, a nice juicy double ten line rare.
Speaker 2 (05:52):
Wait there, where's my milk chosed? I ordered it fifteen
minutes ago. I'm sorry, but milk toze takes time.
Speaker 7 (05:58):
You know.
Speaker 3 (05:58):
And waiter, I want a big heaping played the French fry.
French fry and a cup of strong coffee with lots
of crete. I'll get it right away.
Speaker 2 (06:05):
And bring me my milk toast made with gluten bread.
Speaker 3 (06:08):
Remember bread, Oh that reminds me some hot biscuits and
a little Apolo jam.
Speaker 2 (06:12):
Gluten bread toasted, and a cup of hot water and.
Speaker 3 (06:16):
An apple pie ala mode with cheese with tea.
Speaker 2 (06:18):
I can't stand this. Listening to you is giving me heartburn.
Speaker 3 (06:24):
It ish all waiter, don't forget the steak, sauce, ketchup
picciliy and relish.
Speaker 2 (06:29):
Bring me a glass of icarbon anisoda quick, yes, right away.
Speaker 3 (06:36):
Of course, it's none of my business, mister, And don't
stick your nose in it. All right, that's the way
you feel about it. I was just gonna tell you
you're getting your newspaper in the mustard.
Speaker 2 (06:46):
I don't use mustard.
Speaker 3 (06:47):
No, I guess you don't need any Well, I was
going to say it was okay, I won't say it.
Then that mustard from your newspaper is all over your sleeve.
Speaker 2 (06:56):
Now I don't care what all the messes.
Speaker 3 (07:01):
Water only spreads it. You see what they tell you?
Speaker 2 (07:04):
How thank you to mind your own business.
Speaker 3 (07:06):
What's the big idea jumping down my throat?
Speaker 2 (07:08):
What do you expect dressing a perfect stranger?
Speaker 3 (07:11):
You're far from perfect stranger, And from now on I'm
gonna make a career out of ignoring you. Here comes
my food. That's pretty snappy, service waiter.
Speaker 2 (07:25):
Yes, well, where's my milk toast?
Speaker 3 (07:27):
I'm sorry, sir, But the chef he's all out of
gut and bread. He wants to know what pumper nickel
do just as well.
Speaker 2 (07:34):
No, purple nickel wouldn't do just as well. Why keep
me waiting all the time? Why you serve this big
buffalo the minute he sits down.
Speaker 3 (07:42):
No look here, mister, I don't want to look here.
Speaker 6 (07:45):
I'm sticking aside of you.
Speaker 2 (07:47):
The idea an over stuffed ox like you, guppling and
gumbling and gorging yourself like an ostrich. I've got a
bad case of indigestion already, just from looking at you.
Speaker 3 (07:58):
You despectic little dodo, just because you're mean to your
stomach and your stomach talks back to you, you belly ache.
Excuse the expression. You're not suffering from indigestion. You're just
green with that pecurian envy.
Speaker 6 (08:12):
I won't sit.
Speaker 2 (08:13):
Here, and here's your bicarbon minisodam is to.
Speaker 4 (08:15):
Take it away.
Speaker 6 (08:16):
Take it away. I need something stronger than that.
Speaker 2 (08:18):
Now, I've got some pills down here, my briefcase.
Speaker 3 (08:21):
Just a minute there, What are you doing with my briefcase?
Speaker 6 (08:23):
Your briefcase?
Speaker 3 (08:25):
This is mine. It is not my employees gave it
to me just this afternoon.
Speaker 2 (08:28):
Take your fat paws off of my briefcase before.
Speaker 3 (08:30):
I before you watch you dried up a little crab apple.
And I'll wait a minute. Gentlemen, please let go my briefcase.
Speaker 6 (08:37):
Well it's mine.
Speaker 3 (08:39):
The idea.
Speaker 4 (08:41):
Did you see anything of my briefcase?
Speaker 6 (08:43):
I left it?
Speaker 4 (08:44):
Oh you gentlemen, have it, Thank you so much.
Speaker 10 (08:47):
Well, Oh there you wished to go to sleep, I've
located a berth.
Speaker 3 (09:06):
For you would last. Oh that's fine, conductor. I was
getting tired of sitting around here in my pajamas. Where
is it? It's upper nine of the next car, upper
n iron. Oh my goodness. The last time I was
in an upper berth was it? Let me see, fifty
pounds ago. The porter is making it up for you now, Yeah, thanks.
I do hope that porter gives me a wide berth. Eh,
(09:36):
it's the dark here, oh, porter, a porter? Oh excuse me,
it must be sleeping, oh porter. Yeah, have you got
upper nine ready yet?
Speaker 6 (09:49):
Yes?
Speaker 5 (09:50):
But I didn't anticipate no gentlements or such ample proportions.
Speaker 3 (09:54):
Yeah, well maybe i'd better take a ladder.
Speaker 4 (09:57):
Yes, I've got a tea too.
Speaker 6 (09:59):
They're small.
Speaker 3 (10:02):
Well all right, come.
Speaker 6 (10:03):
On, yeah, you got right up there?
Speaker 3 (10:06):
Up there? Oh my goodness, the holy latter steady porter.
Remember if they tip, I won't.
Speaker 12 (10:13):
Yeah, now be careful, mister trains coming to a shop
play forty soon?
Speaker 2 (10:19):
When when.
Speaker 3 (10:22):
Miss the latdst night. I can't hold on. I'm coming
down with a blow.
Speaker 6 (10:28):
Watching me.
Speaker 3 (10:30):
Oh my sack? Really yeah, Miss Elen a half.
Speaker 6 (10:36):
Yeah, I don't want to get up.
Speaker 3 (10:38):
I want to sleep, not you.
Speaker 6 (10:39):
Missing the man and Dappa. He's now in the lore
and where am I?
Speaker 3 (10:44):
You're right here? Brother, Get off of my four stomach.
Who is it?
Speaker 6 (10:50):
Oh it's you.
Speaker 2 (10:52):
What are you doing sneaking into my birth?
Speaker 3 (10:53):
Are not sneaking into your I'm not sleep I'm fining
to climb into bed. I'm your upstairs neighbor.
Speaker 6 (11:07):
Isn't that nice?
Speaker 2 (11:09):
I hope that swinging shelfs necks.
Speaker 11 (11:11):
At on you.
Speaker 3 (11:12):
Yeah, it's gonna swing. I'll see that swings your way.
And if I land on you again, brother, you'll spend
the rest of the night sleeping in the road bed.
Speaker 6 (11:19):
Oh quiet, let me go to sleep.
Speaker 3 (11:20):
Okay, Grandpap, unpleasant dreams? All right? Porter, give me a
leg up again, will you? Thirty two, four hundred and
(11:52):
seventy three, thirty two four and seventy four thirty two thousand,
four hundred and seventy five, Oh my goodness, two o'clock already,
and still not a wink. Yes, thirty two thousand, four
hundred and seventy six, thirty two thousand, four hundred and
(12:18):
seventy eight. Oh, what's the use? There's only some way
of stopping that buzzsor down there. I can't stand this
any longer. Where's that quarter? I'll fix this guy?
Speaker 6 (12:35):
You call him? He sir?
Speaker 3 (12:36):
Yes, would you mind getting me a drink of ice water.
I can't sleep.
Speaker 6 (12:39):
Yes, yeah, heah, here's the water.
Speaker 3 (12:53):
On this d Thank you, you needn't wait. Good night,
good night, good night, sir. Yeah. If I can hold
this cup in his hand and open the lower curtain
with it, uh, I've got it. Steady down, Guildish leave ready?
(13:18):
What was that? Horner?
Speaker 6 (13:20):
Horner? Shut this window while you're draining right in on
my face?
Speaker 3 (13:28):
What can of man get any restaurant here?
Speaker 6 (13:47):
Good morning, sir? He's just pouring into sama Field. You
want me to brash, y'all?
Speaker 3 (13:52):
No, I'll walk down the steps like the rest of
the passengers. By the way, Porter, you've given me such
good service. Here's an order for a gillis leeve girdle
for your wife.
Speaker 6 (14:07):
Eh, thank you, sir. I happened to be a sponge
at the moment. But if it's all right with you,
I put in my hope chair.
Speaker 3 (14:17):
Yes, yes, that's perfectly all right, Eh, Summerfield. Eh, bye, George.
I'm certainly looking forward to seeing Marjorie and little Lee
Roy again.
Speaker 4 (14:41):
Why can't I Marjorie? Why can't I call him teeth?
Feel like I do? Donald's Foundry. It isn't a found really, Roy,
it's a own of the mind. It's nothing that concerns
little boys.
Speaker 13 (14:51):
And I'm sure that he will prefer to have you
call him uncle rock Morton.
Speaker 12 (14:54):
Oh shucks, you can't go around call him a big
tough guy who runs a steel foundry, Rock Morgant. It's
positively degradatory.
Speaker 13 (15:03):
It's derogatory, Yes, not too, Lee, Roy, who told you
Uncle crock Morton was in the steel business.
Speaker 12 (15:11):
Nah, you thought you were so smart. I saw one
of his letterheads, the Gilder Sleeve Girder Company. Oh, oh, yes,
Guilder Sleeve Girder Company.
Speaker 4 (15:25):
See he should be here by now. Shim me, Monterie,
don't you hear any?
Speaker 3 (15:28):
Roy?
Speaker 4 (15:28):
Just the Senator's train arrived.
Speaker 13 (15:30):
Mister Willis will bring him here for beakfast.
Speaker 4 (15:32):
I wanted to go down to the station too, I know,
but Ted.
Speaker 13 (15:35):
Has to discuss all the legal details with Uncle crock
Morton before we go to court.
Speaker 4 (15:38):
Say, you're getting pretty arm stuck on that Ted guy.
Aren't show by Leroy, chorister?
Speaker 6 (15:43):
I am not Ted.
Speaker 12 (15:45):
Wills is really all Lloyd. He is not Williams and Williams.
Willis and Wills are all lawyers and Ted's nothing but
the tail ends. Well he's young.
Speaker 4 (15:54):
Yeah, you just give him time.
Speaker 6 (15:56):
Ah, there you go.
Speaker 4 (15:58):
Who'll say? How if I should Uncle Morton called? Who
oh Uncle cross Morton? Well, I don't think you object
to that? Wait, I can do better than that. How's
this Uncle mort Who's that Uncle More?
Speaker 3 (16:12):
Hi as well? Well? Well i'll bet this is little
leroy h?
Speaker 4 (16:18):
Uncle More?
Speaker 3 (16:20):
Why who.
Speaker 6 (16:22):
You Uncle More?
Speaker 4 (16:23):
You don't mind if I call Uncle Morton the uncle More?
Speaker 3 (16:26):
No, not at all? Go right ahead, Uncle More? They
I like that? And this is Marjorie mister gildersleep Marjorie.
Eh eh, I'm here, my dear my, how are you growing?
Speaker 7 (16:50):
Okay?
Speaker 3 (16:51):
Hello?
Speaker 6 (16:51):
Uncle Fross Morton.
Speaker 4 (16:52):
Let me take your hat and coat?
Speaker 3 (16:54):
Will you have no thanks? I've already had mine on it. Well,
I'll have a couple of coffee?
Speaker 6 (17:00):
Did right here? Uncle?
Speaker 4 (17:02):
Did you sit over there?
Speaker 3 (17:03):
Okay? My, this looks wonderful. Hey?
Speaker 4 (17:06):
Will you take me back to wistful Bristol? Will get
and let me work in your factory?
Speaker 3 (17:10):
What? Well, I didn't think you'd be interested in that
sort of thing.
Speaker 12 (17:13):
Lee, I am a gomore. That must be somewhay out.
I bet you make US apports for a lot of
big projects there.
Speaker 3 (17:28):
Eh oh, we don't turn out anything much like it
that we sort of confine ourselves to a foundation.
Speaker 12 (17:38):
Say, I'd like to go along sometime when you install
some of those foundations.
Speaker 9 (17:42):
Do you hurt me?
Speaker 3 (17:45):
What did you say, young man?
Speaker 4 (17:49):
Please excuse me, Royal coom More.
Speaker 13 (17:51):
He's didn't like that ever since he found out that
you owned this guildless leeve girder company.
Speaker 3 (17:56):
What oh, yes, I see it all now.
Speaker 7 (18:03):
Yeah.
Speaker 3 (18:03):
As a bride boy, I'll ever have to.
Speaker 4 (18:09):
Slug it out with any of them. Tough steel workers
are yours?
Speaker 3 (18:12):
No, No, I never do, you know? Huh oh, Well,
of course there have been times when I've had to
put the more snap into their work. And once I
was so angry I picked up a badly made foundation
and bounce it right off the foreman's head.
Speaker 4 (18:29):
Yeah, Tali, Roy, that's your uncle's.
Speaker 6 (18:32):
More.
Speaker 3 (18:33):
No thanks. Oh. Speaking of toast reminds me of an
amusing incident on the train last night. You'll enjoy this, leroy.
When I went into the diner, the only empty chair
was at the table with the Yeah, when the ice
water hit him in the pack.
Speaker 7 (18:52):
Well, it's time we leave for courtments to guild the
sleeve it is.
Speaker 3 (18:55):
Come on, kids, this won't take long. Well, all I
can say is we run things better than this and whistle.
This day eleven o'clock and the judge hasn't even shown
up yet. Judge Hooker is usually very prompt. Yes, it's
the trouble with some of these judges is they think
(19:15):
they're little tin gods. Take those black robes away from them,
and what have they got? Bow legs? Yeah, I'm glad
you like.
Speaker 6 (19:25):
Everyone?
Speaker 3 (19:26):
Rise please h lext.
Speaker 5 (19:28):
Compare car topot of twenty five the ahead and hey
Chooker judge was tiling his talents, said they see this,
thank you.
Speaker 3 (19:38):
Oh my goodness. Who's that man sitting in the judge's chair,
Well that's Judge Hooker. Judge Ooker, that's the man in
the lower Birkely.
Speaker 4 (19:51):
For a pint administrator to stay to break.
Speaker 3 (19:52):
Part, that's us. Come on, mister Gilbertsleeve, I'm not feeling
very well ted. Couldn't we post on this over to
another judge?
Speaker 4 (20:01):
Come on, uncle more, I love what you said.
Speaker 3 (20:03):
This guy will be a pushover, Yes, a pushover.
Speaker 2 (20:07):
Come on, come on, step up, don't goal. I haven't
got all day.
Speaker 13 (20:10):
I could not be posted.
Speaker 3 (20:11):
Judge is pretty short timp of this.
Speaker 5 (20:12):
Won't you didn't get me sleep last night?
Speaker 3 (20:13):
Oh, my.
Speaker 7 (20:16):
Your honor, With your permission, I'll put mister Gilder's leave
on the stand.
Speaker 2 (20:19):
Person. I had mister Wells wear in the witness you
Thomas were to tell the whole.
Speaker 3 (20:25):
I do well do your don't you speaker?
Speaker 2 (20:29):
I do? That voice is very familiar. Turn around, mister,
Oh so it's you.
Speaker 3 (20:38):
Yeah, oh, jud mister Wells, Yes, your.
Speaker 2 (20:44):
Honner, I will examine this man's qualifications.
Speaker 3 (20:47):
If you don't mind, I don't you runner, but I
do Silence now.
Speaker 2 (20:52):
Then, Gilder's sleeve?
Speaker 4 (20:53):
What do you do for a living?
Speaker 3 (20:55):
I make goodles, your honor, A court order in the
court had order.
Speaker 2 (21:04):
And you'll build a sleep any more cheap humor and
I'll judge you in contempt.
Speaker 3 (21:08):
But it's true, your honor. I'm the president of the
Gillis Leave Goodle company.
Speaker 7 (21:11):
Uncle.
Speaker 4 (21:12):
Tell him a true he doesn't make girdles, Judge, and.
Speaker 9 (21:15):
What does he do?
Speaker 4 (21:16):
Steals foundation?
Speaker 3 (21:17):
I bet he would too.
Speaker 2 (21:21):
Now, no more interruptions, my boy, I remember this the
court room. You realize who I am of court sture
you're a ball legged little king don who.
Speaker 4 (21:31):
You just said so yourself?
Speaker 11 (21:33):
Uncle?
Speaker 6 (21:34):
Oh you.
Speaker 3 (21:37):
Just a little joke, your honor, You know how I kid.
Speaker 2 (21:40):
I know, and I'm going to ask you a plain question,
and I want a plain answer. What business are you in?
Speaker 3 (21:48):
Well, I us, oh that is if leroy, would you
mind going out into the hall and get me some
some ice water?
Speaker 2 (21:55):
One moment was running this court.
Speaker 12 (21:57):
You are right and not get uncle morter man, judge
last night he through a whole bucket of.
Speaker 3 (22:02):
Water on a guy on a park under Oh my,
here we go again.
Speaker 11 (22:07):
He did it?
Speaker 3 (22:08):
Is yeah, and poor.
Speaker 4 (22:14):
You're here go board talent.
Speaker 2 (22:17):
Thanks, I will let's hear all about it, uncle mord.
Speaker 7 (22:32):
But Judge Hooker, it's up to five o'clock. This poor
man's been on the witness stand all day.
Speaker 2 (22:36):
All right, one more question than I'll hand down my decision.
Mister Gildersleeve, what makes you think that you have executive ability?
Speaker 3 (22:44):
Well, I have a large staff on my own, and
through years of experience, I know the proper relationship between
employer and employee, your honor asked, mister.
Speaker 7 (22:57):
Well, our firm has thoroughly investigated mister to sleep and
we're satisfied as to his qualifications.
Speaker 2 (23:02):
Eh, mister Wills, I have great respect for you and
your associates. That is probably the only reason why I'm
going to grant your petition. However, in order to protect
these children from their own misguided enthusiasm, I'm going to
require this killed us leave to report to me every
single week. But you get an okay for every CENTI
(23:23):
he spends with John, and I will require him to
post a bond of fifty thousand dollars in cash.
Speaker 3 (23:30):
No see here, hooker heard. I won't stand for this.
I'll resign.
Speaker 2 (23:35):
I killed this leave I never sent for you. You
came here begging for this job to quote from Bravy
versus Union Bugget Corporation Civil cod of Nebraska. You made
your bed and you can't lie.
Speaker 3 (23:48):
Out of it. Let my business and wistful vistener.
Speaker 2 (23:51):
You remain here and make this a state pay or
go to jail for contempt telling him and I'm not whose.
Speaker 6 (23:56):
Part is a journ.
Speaker 3 (23:58):
Well, little goof ted, We've got to do something about this.
Do you realize that a fifty thousand dollars bond did
not only take every cent of my ready cash, that
also means a mortgage on my gordle works.
Speaker 7 (24:13):
See, I'm sorry about how the whole thing went, mister Gildersley.
Speaker 13 (24:16):
Well, maybe if we went into the judge's chambers we
could persuadehim the lower of the bond.
Speaker 6 (24:20):
There, sure, just.
Speaker 3 (24:21):
Let me talk to him, young man. You've talked enough
for one day.
Speaker 4 (24:25):
How about it?
Speaker 3 (24:25):
Ted, won't hurt you try? Come on man, excuse us.
Judge Hooker, Eh, you remember me, don't you. I thought
perhaps maybe we could possibly get that little cash bond reduced.
Speaker 2 (24:42):
I don't see why I should.
Speaker 3 (24:43):
If you spoke to somebody who'd known me for a
long time, they might convince you that I'm not such
a bad fellow.
Speaker 4 (24:49):
Oh that would be fine, Untimore. How could the judge
talk to Why the.
Speaker 3 (24:53):
President of the Whisker visit Chamber of Commerce. He's my
next door neighbor too, that chap named Peter McGhee. We
can call him long distance.
Speaker 2 (24:59):
You're yes, Yes, I see mister McGee. Yes, I'm glad
you put me straight on that.
Speaker 3 (25:14):
Yes, I knew my little chum would set me in right.
It's a very good point, Leroy. I want you to
meet McGee one of these days as one of Nature's noblemen.
Speaker 2 (25:23):
I guess you've made up my mind for me. Fibber
hold the phoney second, I'll tell you.
Speaker 3 (25:31):
Yellous leave. Yes, John, yellous leave.
Speaker 2 (25:34):
I've decided to recind that fifty thousand dollars bond.
Speaker 3 (25:38):
H I knew that would happen if you spoke to
my little pal.
Speaker 2 (25:41):
Yes, after talking to McGhee, I'm going to make that
bond one hundred thousand dollars.
Speaker 3 (25:46):
What give me that telephone? Hello, you're a hard man. McGee.
Speaker 1 (26:13):
The Great Guilder Sleeve will be with us again in
a few minutes. While Uncle Troc recovered from that one,
I want to say a word that I believe will
make every thinking housewife want to try parka marginin tomorrow.
This delicious new craft product is most popular as a
spread for bread and the seasoning for hot cooked foods
because of its delicate, pleasing flavor. But the same qualities
(26:34):
that make it so good for table use make it
an extra fine shortening for baking. I say extra fine
because it has all the qualities of an ordinary shortening,
plus fine flavor and added nourishment. Let me read you
a statement from missus Lillian Watts, who having been born
and raised on a farm, is mighty particular about food.
She says, quote, I have a family of eights, and
(26:55):
they all like parka marginin.
Speaker 3 (26:58):
I use it in various ways.
Speaker 1 (26:59):
Cakes, bread muffins, biscuit soups, spreads in other ways too,
numerous dimension. Thank you a thousand times for this wonderful product.
End of courte. Now that's a mighty enthusiastic statement. But
you'll be just as enthusiastic once you have tried Park.
It's so delicious, so nourishing, so grand in every way. Tomorrow,
be sure to order Park the economical spread made by Craft,
(27:23):
and remember every pound of Park margarine contains nine thousand
units of vitamin A.
Speaker 4 (28:40):
Gee, uncle, what are you gonna do now?
Speaker 3 (28:43):
George Leroy, I'm gonna show that judge I can run
that estate. Or my name won't be frock Morton.
Speaker 4 (28:49):
You've better war the more you won't even have a name.
Speaker 3 (28:52):
Yeah no, I'll just have a number. Good night, folks.
Speaker 1 (29:24):
Original music on the night's program was composed and conducted
by William ramdaph This is Jim Bannon saying good night
for Craft and reminding you to tune in again next
week at the same time to hear the further adventures
of the Great kilders Lady. This is the National broadcasting
Company
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