July 31, 2025 • 29 mins
A spin-off from a popular series, this show centers on a well-meaning but bumbling character whose everyday misadventures provide wholesome entertainment.
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
Craft presents the Great Yilder's Leave each week at this
time presents from Hollywood, California, Harold Perry as the Great
(00:21):
Kilder's Lave, written by Leonard L.
Speaker 2 (00:24):
Levinton.
Speaker 1 (00:31):
We'll hear from the Great Kilder's Leave in just a moment,
but first we might say that one good thing at
least has come out of the world crisis, and that
is that we Americans have learned that the right kind
of food, and plenty of it is vitally essential to
national health and morales. And realizing this, we Americans can
become the strongest nation on Earth. That's why U homemakers
(00:51):
should know about Delicious Parquet Margarine made by Craft, because
Park margarine is an economical source of nourishment and energy
your whole family needs. Yes, Park margarine is a highly
nutritious food, one of the best energy food you can serve,
and equally important is the fact that every pound of
Park contains nine thousand units of vitamin A. What's more,
(01:14):
your whole family will like Park Margarine's delicate, appetizing slavor. Yes,
Delicious Parquet margarine makes everything taste better, whether you serve
it at the table or use it for baking or
pan frying. So try this nourishing economical food. Ya pound
or two of grand tasting Park Margarine tomorrow.
Speaker 2 (01:35):
Just ask your dealer for.
Speaker 1 (01:36):
Park par Kay. And now let's visit our friend, the
great Guilders leave.
Speaker 2 (02:04):
Hello? Where is everybody? Oh? Oh, there you are, Marjorie.
Speaker 3 (02:09):
Did you bring the things I wanted for dinner?
Speaker 2 (02:11):
Yes, here's the flowers, the apid dinner mints, and the
candles for the cake.
Speaker 3 (02:15):
I hope this wasn't too much trouble, not at all.
Speaker 2 (02:17):
My dear. The market was so crowded. I just drifted
with the tide. That's how I happened to get this
quarter clams.
Speaker 3 (02:25):
How many of these candles do you think we shoul
put on Jade Hooker's birthday cake?
Speaker 4 (02:28):
Uncle?
Speaker 2 (02:28):
Well, I don't know how many cakes did Bertie baked?
Speaker 3 (02:31):
Now, Uncle, I don't think he'd be polite to put
on more of them.
Speaker 5 (02:33):
Thirty.
Speaker 2 (02:34):
Well, if that's all the candles you're gonna use, you
better burn him at both ends.
Speaker 3 (02:37):
Then I don't think he's that old.
Speaker 2 (02:41):
No, say, he's got a Lincoln penny that he got
from Lincoln.
Speaker 3 (02:44):
Oh, come on, I do we should make an effort
to get along better with a judge, especially the night
at dinner.
Speaker 2 (02:51):
Well, seeing that it was his birthday, I'll give him
a break, you will, Yes, I won't sell him until
he insults me first.
Speaker 3 (02:58):
Hey, do you think he's going to be surprise when
he finds out we know it's his birthday?
Speaker 2 (03:02):
Oh, he'll be dumbfounded. He's got a good start too.
He's been dumb ever since he was founded.
Speaker 3 (03:10):
And Judge Hooker's really awfully sweet.
Speaker 2 (03:13):
Well, it doesn't show on his face, then, why George?
If I had to push that sar, I'd take it
out and drown it. Hey, something smells mighty nice around here.
Speaker 3 (03:23):
It's a dinner Bertie fixing.
Speaker 5 (03:25):
Is there going to be delicious?
Speaker 2 (03:26):
You know that Bertie is a real treasure. Her dinners
are always delicious. The only trouble is, I'm beginning to
develop what is known as second helping spread. Well, what
do you mean, Well, my laps are starting to overlap?
Speaker 3 (03:39):
I don't talk that way Onclemore. Uh, you're just the
right weight for a man of your uh weight?
Speaker 2 (03:46):
Yeah, well maybe so everything's expanding these days.
Speaker 3 (03:52):
Oh, by the way, Oliver Highwell's coming to dinner too,
What Oliver again?
Speaker 2 (03:55):
Seems that every time we sit down to eat, there's
that overgrown saint Butnard puppy yapping around the table.
Speaker 3 (04:00):
Well, his family's out of town, and Oliver.
Speaker 2 (04:02):
Doesn't like restaurants, of course not they charge for meals.
You know, I don't like to appear inhospitable Marjorie. But
I'm beginning to get bored with Oliver as a border.
Speaker 3 (04:12):
Well, this family will be back by Thanksgiving.
Speaker 4 (04:14):
Say, by the way, where is Thanksgiving?
Speaker 2 (04:16):
Anytime Oliver's family comes back? Another thing, Marjorie. Can't you
persuade him to get a haircut?
Speaker 6 (04:22):
Oh?
Speaker 3 (04:22):
Well, he says, a barber shop fightening he cuts his
own hair and it gets long enough for.
Speaker 7 (04:27):
Him to reach.
Speaker 2 (04:29):
Well, somebody should drop a hit. That is time for
the Paul harvest. Or else, buy him a paper of
booby fins.
Speaker 3 (04:36):
Uncle, you mean Bobby Pim.
Speaker 2 (04:38):
You heard me, Marjorie. Let me see. Have we've forgotten anything?
Speaker 3 (04:42):
I don't think so let me see that dinner.
Speaker 2 (04:45):
Oh I ordered a cute singing telegram delivered at ten pm.
Speaker 3 (04:49):
Oh say, what time do you? What time did you
tell the judge to be here?
Speaker 2 (04:54):
Well? Well, I said that, Oh my goodness, where's my hat?
Speaker 4 (04:58):
Right in your hand.
Speaker 7 (04:58):
What's wrong?
Speaker 2 (04:59):
I forgot to a right somebody, Judge Hooker.
Speaker 5 (05:12):
Hey, Marge, here comes see biscuits one negro?
Speaker 6 (05:15):
What do you mean?
Speaker 4 (05:15):
Oh shallow?
Speaker 7 (05:17):
Oliver?
Speaker 5 (05:20):
Gee, you look lovely this evening.
Speaker 4 (05:22):
Hollo ago, gee, you look lovely too, Oliver.
Speaker 2 (05:26):
Hello, meet Paul.
Speaker 8 (05:28):
Hi Oliver, how logics tonight?
Speaker 3 (05:31):
Zero and I'll be more polite. You mustn't make fun
of Judge Hooker.
Speaker 2 (05:34):
Marjorie.
Speaker 3 (05:35):
Oh, you know we'll be ready very soon.
Speaker 5 (05:38):
That judge, really, madorie, You folks shouldn't have gone to
all this trouble.
Speaker 2 (05:42):
There's no trouble with all, Judge Hooker, we had eat anyway.
By the way, Judge, if you know Oliver honeywell.
Speaker 5 (05:47):
You mean that anemic young cap and hangs around Madre.
I've heard about him, but I've never seen him.
Speaker 2 (05:52):
Well, take a good look. This is him right here.
Speaker 4 (05:55):
Oh what?
Speaker 5 (05:57):
Oh, they don't mind me.
Speaker 2 (05:59):
I'm all.
Speaker 5 (06:00):
I was kidding, Oliver. That's the trouble. Everybody's always kicking
all of them.
Speaker 2 (06:04):
No, no, my boy, you mustn't get bitter. Say why
is your hear all bandaged up?
Speaker 6 (06:10):
Huh?
Speaker 4 (06:10):
Oh?
Speaker 6 (06:10):
I did this this afternoon when I was giving myself
an haircut.
Speaker 5 (06:14):
You mean to say you cut your own hair? Yeah,
Gord with mirrors.
Speaker 2 (06:19):
But what happened this afternoon? Did the bowl slip?
Speaker 5 (06:21):
No? No, I was using manicure scissors. I guess I
didn't allow for the curve.
Speaker 2 (06:26):
O weather hair looks very pretty with his scalloped edges.
Oh excuse me, I mean I'm from the telegraph company. Oh,
for goodness sakes, you're too early. Boy later, but I
got a message. Come back at ten o'clock. Now beat
it before you spoil every Yeah, wrong address.
Speaker 4 (06:45):
Folks, Sam, Can I give it to him?
Speaker 6 (06:47):
Now?
Speaker 7 (06:48):
What? Oh?
Speaker 5 (06:49):
Oh?
Speaker 2 (06:49):
The present for the giant? Why sure, let's all give
him his presence.
Speaker 6 (06:55):
For me.
Speaker 2 (06:56):
Now, I wonder what Jim listen to him? You think
you the sweet sixteen instead of a sour sixty. Go on,
I'm wrapping, Judge.
Speaker 5 (07:04):
I will thank you.
Speaker 6 (07:06):
He's open in yours purposes If you.
Speaker 5 (07:08):
Like it, Jee, I'm sure I will. Well, what do
you think a necktie?
Speaker 2 (07:13):
Just what I need?
Speaker 5 (07:14):
Thank you, madre. Now let's look at the next one
with all best wishes from Oliver. Honeywell, well, well, well,
honeywell you shouldn't have done this.
Speaker 4 (07:25):
Gee, another necktie?
Speaker 5 (07:26):
It'sn't a nice yellow one with green polkodit?
Speaker 2 (07:30):
You know what? God?
Speaker 3 (07:31):
One just like that for Christmas last year.
Speaker 4 (07:33):
Well that's it.
Speaker 5 (07:36):
Well let's see about this one. Although it is not
Christmas Eve. Here's a preasent you will perceive from your
old friend Rock Martin Gilders.
Speaker 2 (07:44):
Yeah, catch on, it's a poem, Judge.
Speaker 5 (07:47):
And another necktie purple less time.
Speaker 2 (07:49):
Yes, just matches your complexion, Judge, thank you.
Speaker 5 (07:53):
I wonder what's in this package. It's from Leroy, I
see one.
Speaker 8 (07:56):
Guess, Judge Hooker.
Speaker 3 (07:57):
It's a next tie, all right, but this one's different,
a picture.
Speaker 2 (08:00):
Of superman us. Well, now that the necktie party is over,
let's flot into the dining room, Judge. Bertie's fixed a
special new dish in your honor?
Speaker 6 (08:11):
Is that so?
Speaker 5 (08:11):
I'm flapped?
Speaker 2 (08:12):
I thought you would be. What do you call it?
Gildy Cam's brains all our Judge Hooker, No thanks.
Speaker 5 (08:30):
No more, no more. That certainly was a delicious cake
and beautiful too.
Speaker 2 (08:36):
Yes, with all those candles lit up, we had enough
heat to bake another cake.
Speaker 5 (08:40):
Have your fun gildish sleeve. I'm so full of wonderful food,
I don't mind. Oh, that was a marvelous meal. I
wish I had a cook like your Bertie.
Speaker 6 (08:49):
Well what happened to your cook?
Speaker 7 (08:50):
Chit?
Speaker 5 (08:50):
I'll let her go when I found out after fixing
dinner for me, she'd go out and have her dinner
in a restaurant.
Speaker 2 (08:55):
E Oh, excuse me, I wonder who that can be. Yes,
I'm from a telegraph company. No, I said come back
at ten o'clock, but I got a date.
Speaker 5 (09:05):
Of ten o'clock.
Speaker 2 (09:06):
Break it.
Speaker 5 (09:07):
What was a guilty old man?
Speaker 2 (09:09):
Nothing wrong, judgy, just a boy out looking for the
wrong house.
Speaker 5 (09:12):
Say, if you don't mind, I'm going into the kitchen
and thank Bertie for that wonderful dinner.
Speaker 2 (09:16):
Oh well, don't overpraise your judge. I don't remember too
many compliments. Spoil the cook.
Speaker 5 (09:23):
Something I can do for you, Nahma, No, Berdie, I
just wanted to tell you that that dinner you just
served was an epicurean collation.
Speaker 4 (09:31):
Is that considered good?
Speaker 5 (09:33):
I didn't think it was good. I thought it was
a gastronomic achievement.
Speaker 4 (09:36):
Oh you didn't like it?
Speaker 5 (09:38):
I did too, And I consider myself a pretty good judge.
Speaker 4 (09:41):
You so to one. I'll be glad to vote for
you win the.
Speaker 5 (09:44):
Lection next rain. No, no, I mean judge of cooking.
Wish you were working for me, Berdie. That Guildersleeve is
a mighty and lucky dog, but he doesn't really appreciate you.
Speaker 4 (09:56):
He don't look at the way he makes you wash.
Speaker 5 (09:58):
Those dishes, getting your hands all chapped and red.
Speaker 4 (10:01):
Well man, that's rubble glove.
Speaker 5 (10:06):
Well, the least he could do is to buy you
a nice electrical dish washing machine. I've got one in
my kitchen. See, you'd have a lot of fun up ready.
Speaker 4 (10:16):
Well, I don't know. I may be old fashioned, but
I prefer to bunk the dishes in water instead of electric.
Speaker 6 (10:22):
Cutes me.
Speaker 5 (10:24):
Great, tensey you rea there, Bertie. By the way, did
I ever tell you about the fine big maid's room
in my house?
Speaker 6 (10:31):
Nothing?
Speaker 4 (10:32):
Is it pretty?
Speaker 5 (10:33):
Is it got everything? But Rochester.
Speaker 6 (10:38):
I ain't.
Speaker 4 (10:39):
Certainly sounds like the elphant's ear links for me.
Speaker 5 (10:42):
Yes, of course, I'm not home more than three four
nights a week, so that means my cook has plenty
of days off and very little to do. What do
you think, Bertie?
Speaker 4 (10:50):
Well, I think you're gonna make some gut a wonderful employer.
Speaker 5 (10:54):
Well, you don't understand I want you as my cook.
Speaker 4 (10:57):
Me, but I've already got a position.
Speaker 5 (10:59):
But think what it would mean to your social position
among your friends if you were to cook for Horace Hooker.
Speaker 7 (11:06):
Yes, sir, that certainly would impress the other members of
the Mystic and Bewildered Orders of the Daughters of Cleopatro,
which I, as the head think.
Speaker 4 (11:17):
But course I just.
Speaker 5 (11:17):
Couldn't do it. Why not as guillous. We've got you
under contract, no fraud, yes.
Speaker 4 (11:21):
Strict, We're on a meal to meal basis.
Speaker 5 (11:24):
Well, then, where no contractual entailment exists between principal and
agent at the time of severance of service, notice a
termination is not required if so facto, ain't that the truth? Yeah,
that's common law.
Speaker 8 (11:36):
Oh it happens off well, yes, say.
Speaker 5 (11:39):
After you left yonder Sleeve and come to work for.
Speaker 8 (11:42):
Me, you wish that you would have left old stupid over.
Speaker 5 (11:47):
That is I was saying to Bertie that it must
be hard working, all stupid over a hot stove.
Speaker 2 (11:54):
I see. Well, come on back in the living room.
The kids want to play tin the tail on the donkey,
and you're going to be the Democrat, all right, I'm
coming bye Bertie and don't forget what I said.
Speaker 4 (12:05):
You mean about the ipso facto, yes, and.
Speaker 5 (12:08):
The quicker you. If so, the sooner it'll be a facto.
Mon't kill the old pal Let's.
Speaker 2 (12:13):
Go in the other room, all right, jed here is well, children,
what should we do? Well?
Speaker 8 (12:18):
I think it'll be just dandy if we play drop
the clean egg.
Speaker 2 (12:25):
Oliver, don't you mean drop the handkerchief?
Speaker 4 (12:27):
Or I figured that the old would be more solitary.
Speaker 6 (12:31):
How about musical chairs or something like that?
Speaker 2 (12:35):
Well, I bet I know who that is it.
Speaker 8 (12:37):
Come in, mister, this is positively my final appearance.
Speaker 2 (12:42):
Here's a telegram for you. It's not for me. It's
this gray haired gentlemen right here. No, no, no, don't
hand it to him. It's supposed to be opened and sun.
Speaker 4 (12:50):
Oh but I don't think.
Speaker 2 (12:51):
You're not paid to think you're paid to think I'll
break in the song, young man.
Speaker 8 (12:55):
Well okay, but remember you asked for it? Yes, you
you you me me me, mister Frock Martin T.
Speaker 7 (13:06):
Gillis.
Speaker 2 (13:06):
Leave.
Speaker 8 (13:07):
I'm an awful, bad sham.
Speaker 4 (13:09):
Can you send me fifty dollars to bail me out?
Sign your brother in law.
Speaker 6 (13:13):
Sign.
Speaker 4 (13:29):
You'll leave. Resident.
Speaker 5 (13:31):
Good morning, Birdie. This is Judge Hooker. How are you
this bright and sunny morning?
Speaker 4 (13:36):
Dulln cloudy.
Speaker 7 (13:37):
I's up all night trying to decide between remaining where
I is with the status.
Speaker 4 (13:41):
Quol or packing up moving over to the it soul facto.
Speaker 5 (13:45):
I just caelephoned to tell you that whatever your salary
is now, I'm better at for ten dollars a month.
Speaker 4 (13:50):
Ten dollars a month, Judge, you've done?
Speaker 5 (13:53):
Just hide your bilk a book sign. How soon you
can you come to work?
Speaker 4 (13:57):
Well, that depends on how soon they'll let me go.
Speaker 5 (13:59):
Well, cook up some excuse to be quick by.
Speaker 7 (14:03):
That's gonna take a meth of doing all nobody news
the troubleized getting into.
Speaker 2 (14:13):
Breakfast, Yes, sir, good morning, Bertie. You better step another place, Bertie.
Oliver invited himself over for breakfast again.
Speaker 4 (14:20):
More people to see, just working myself to a shadow?
Speaker 2 (14:23):
No, Bertie, can I help it with that biological blunder?
Come right in, Oliver fink.
Speaker 6 (14:28):
Morning bert All prunes again.
Speaker 4 (14:31):
Huh don't you like the way I fixed breakfast?
Speaker 2 (14:33):
Of course he does, Oliver. Never wrinkle up your nose
at a prune?
Speaker 4 (14:37):
What everybody you two? Oliver say, what is this pruse again?
Speaker 6 (14:42):
Now?
Speaker 4 (14:42):
Isn't you don't like it?
Speaker 7 (14:43):
Is?
Speaker 2 (14:44):
Leroy? Sit down and pass the toast? Thank you?
Speaker 1 (14:48):
Yeah?
Speaker 2 (14:49):
Yeah? Where's my shoe?
Speaker 5 (14:50):
Isn't she?
Speaker 2 (14:52):
Oh? Done this toast?
Speaker 4 (14:54):
What's wrong with that too?
Speaker 2 (14:56):
It just went down the wrong way. It's oh you
don't like it?
Speaker 4 (14:59):
Left o my bringers to the bone. Straighten it off
for you.
Speaker 2 (15:04):
But all I said was heir the wrong way.
Speaker 7 (15:08):
Oh now I'm doing things the wrong way, teaching me
my business. I'm tired of not be appreciated around here.
Speaker 4 (15:14):
I'm designing.
Speaker 5 (15:15):
There's other people who like my cookeries.
Speaker 2 (15:18):
Well, Bertie seems to be a little twittery this morning.
Speaker 4 (15:21):
She she never acted this.
Speaker 6 (15:22):
Way before, and you think she means that about resigning?
Speaker 2 (15:25):
Hey, I better find out what's wrong now, Bertie. I
don't understand what Bertie? Where are you? Oh Bertie? Oh Bertie?
Oh Bertie? Oh oh my goodness, Bertie? Is form the coup?
(15:56):
Come come wake up, le Roy. It's time to go
to school, young man.
Speaker 6 (16:01):
Were just give me another fifteen minutes, Bertie.
Speaker 2 (16:05):
This isn't Bertie, it's Uncle mort. I just haven't shaved yet.
Speaker 4 (16:07):
Oh hi, uncle, where's Bertie?
Speaker 6 (16:15):
Oh?
Speaker 2 (16:16):
Yeah, wake up, young man. Look at the clock. You
want to be tardy.
Speaker 4 (16:20):
It's okay with me.
Speaker 2 (16:22):
Come on, Lee, Roy, wake up. Oliver's fixing some nice
hot muce for breakfast.
Speaker 3 (16:27):
Just let me sleep ten minutes more.
Speaker 2 (16:29):
I can't, Lee Roy by George, I'm gonna pull the
covers off of you. Up. They she's downtown interviewing cooks
at employment. Oh, Oliver's in trouble in the kitchen. Get
up me, Roy, coming, Oliver. Yeah, now watch the Trouble's
the musha.
Speaker 4 (16:46):
I'm fixing for breakfast.
Speaker 2 (16:48):
It keeps over flowing.
Speaker 6 (16:50):
I still four parts.
Speaker 2 (16:51):
Already, No I need another one. Oh well, here's a
double boiler, Oliver. I'll keep stirring or it'll start burning.
Speaker 5 (16:58):
She were hying you, marsh multiplied like this.
Speaker 4 (17:03):
Your seems to go on and on and on.
Speaker 2 (17:06):
It's the morning cereal, isn't it? Oh jumping jelly beans?
Speaker 4 (17:14):
What is it now?
Speaker 6 (17:16):
Oh?
Speaker 2 (17:17):
Good morning mail man.
Speaker 8 (17:18):
Oh good morning, mister, yelled the slave.
Speaker 2 (17:20):
I've got a postage due letter here.
Speaker 5 (17:21):
It's a free cents.
Speaker 2 (17:22):
Please surely three cents here you are, thank you? Say
this letter is for Bertie Lee Coggan's He doesn't work
here anymore.
Speaker 8 (17:30):
Oh, yes, yes, that's your cook Say I've got a
change of address for her.
Speaker 2 (17:34):
Better give me that letter of back, certainly. Oh, by
the way, what is her new address if it isn't
violating any professional secret.
Speaker 8 (17:40):
Oh it's twenty one hundred burn Side.
Speaker 2 (17:41):
It's twenty one hundred Burnside, Thank you very much, twenty us.
That address sounds familiar to me. Whirve I heard it
before twenty one hundred Burnside. Why of course, Lee Roy Oliver,
I know who hired Bertie away from us. Yes, I
should have guessed it before. It was the judge. Yes,
that crook of a hooker, our cook way. Who I
(18:02):
lay my hands on him? He's still our birdie. He's
a horse thief, that last cooker. I finally tracked you down.
Speaker 5 (18:19):
How do you mean track me down? I'm always in
my chambers this time of day. What do you want
with me?
Speaker 2 (18:23):
Why you oily wor him? You got our birdy?
Speaker 5 (18:26):
We want to back? I think joy not get out? O.
Speaker 2 (18:29):
That does it. I'm gonna create a vacancy on the
Superior Court.
Speaker 5 (18:32):
Bend, don't put down, put down those booking I will not.
Speaker 2 (18:36):
I'm steal your old coat so I can hit stay
where you are, deulous sleeve, or I'll pres this buzzer.
I will stay where I am. I'm gonna knock you.
What happens when you press the buzzer? I fail?
Speaker 5 (18:45):
If I'll come in and drag you down to jail.
Speaker 2 (18:47):
Yes's a frame up, that's what it is. First you
steal my cook, then you upset our whole household. And
now you're gonna.
Speaker 5 (18:52):
Railroad me to the kaboos, the big balloons, losing all
this hot air. Your dress didn't work, yellous, leave. You're
a beaten man.
Speaker 2 (18:59):
You have to rub it in, you judicial judas. I
know when I'm licked. We can't find anybody to do
Bertie's work. We can't find where she puts anything. We
haven't had a decent meal since you left.
Speaker 7 (19:10):
You haven't.
Speaker 5 (19:11):
Oh that's too bad. Well, I don't want to be
too hard on you. So you promised to behave yourself.
Maybe I'll invite you over at the house for dinner.
Speaker 2 (19:19):
Sometimes I wouldn't sit down at the same table need
a meal with you, hooker. If I were starving, what
am I talking about it? If I were starving, I
am starving.
Speaker 5 (19:28):
I knew that your stomach was bigger than your stubborness.
You can't come to dinner tomorrow night if you want.
Speaker 2 (19:33):
You I don't want to. I wouldn't humiliate myself to
the extent of what time tomorrow kept mcclough.
Speaker 8 (19:39):
And don't forget to bring Marjorie and Lero.
Speaker 2 (19:42):
Of course I won't forget. That's the only reason I'm coming.
I'm just doing it for the kiddies.
Speaker 6 (20:03):
Now, remember, Uncle.
Speaker 3 (20:04):
Marty, this genus to work, you've got to keep a
tight control over your temper. Who me, I never lose
my temper, Leroy, Now, don't overdo the business of being sassy.
Speaker 7 (20:12):
Oh no, why shift, I'm a born.
Speaker 3 (20:14):
After Well, I guess we're already, Geeve, we surely look
like tramps, don't we go ahead and ring the bell?
Uncle all right, and your god?
Speaker 5 (20:24):
Everybody here she comes.
Speaker 6 (20:26):
Oh, hello, missus, Morris, o, Helloa, Roy, Hello, Bertie, good
even mister gil Slee. Won't y'all kind of come in
and rest your hats and coats?
Speaker 4 (20:38):
They look kind of tired.
Speaker 2 (20:40):
H yes, of course they come on in. Children, Well, well,
come on in, hello, Judge.
Speaker 3 (20:47):
Okay, so sweet of you to invite us. You have
no idea how we're going to enjoy.
Speaker 6 (20:52):
This Hill's a cooker, lemoy, don't you salk that a way?
Speaker 2 (20:57):
Oh?
Speaker 4 (20:57):
Holy poor, you can't walk me anymore.
Speaker 3 (20:59):
Bertie Lee Rod behaved yourself. Oh, I just can't imagine
what's gotten into you lately. You used to be such
a little gentleman.
Speaker 6 (21:06):
Oh who wants to be a gentleman?
Speaker 3 (21:08):
I'm gonna be a heavyweight prize fighter on and Trudelbacker.
Speaker 4 (21:12):
You ain't gonna be no prize fight along. If somebody
hits you, smack on that you a tobacco and look
at your hair. Somebody must have been chimney with heads crippled.
Speaker 6 (21:20):
No, I'm gonna told me how to cut it all
by myself.
Speaker 4 (21:25):
You never did these vomba boodles when I was there.
Speaker 5 (21:27):
Wife, Bertie? Bertie isn't getting ready?
Speaker 4 (21:29):
Yes, sir? Well when when you needed?
Speaker 5 (21:31):
I had it served the first course? Please?
Speaker 4 (21:33):
It's fitting on the table.
Speaker 5 (21:35):
Oh shall we go in now.
Speaker 2 (21:37):
Yes, sir? Come on lyright, come on, Mathie death.
Speaker 5 (21:42):
Well, how do you think everything left?
Speaker 2 (21:44):
Oh? Just splendid except for Bertie.
Speaker 5 (21:46):
What's wrong with Bertie?
Speaker 2 (21:47):
Oh? I think she must be worrying. He's got dark
circles under.
Speaker 6 (21:50):
Her eyes.
Speaker 5 (21:52):
Nonsense. Incidentally, you shouldn't talk coming here without a shave.
Speaker 2 (21:56):
Oh, yes, that's reminded me, Bertie. Where did you hide
my good racer? I've looked high and low for it.
Speaker 7 (22:02):
Oh, I'm bye, mister Gillee it's out on the back porch.
I used to cad with me when I went out
in the backyard at night, sort.
Speaker 4 (22:09):
To discourage you know, late visitors, Bertie.
Speaker 5 (22:13):
Isn't it time to bring the soup?
Speaker 4 (22:15):
In's right here, old mister Gildersleeve. I fixed a special
turtle soup for you. I knows it's your favor.
Speaker 2 (22:20):
Well, thank you. It's a don expensive to make it.
We don't have it very often, but I'll come over
here every day if you will cook it for me.
Bert I'm that's splendid. You mind if I bring over Oliver?
He just loves turtle souper.
Speaker 5 (22:33):
Well you're invited, Yildie.
Speaker 4 (22:35):
Boy, that's super super. No matter how you like it,
Lee Roy, you just eat it, don't kiss it, Lee Roy.
Speaker 5 (22:44):
Isn't your responsibility anymore? Bertie?
Speaker 2 (22:47):
Yes, the judge is right, Bertie, but I know how
to handle him.
Speaker 5 (22:49):
You just send him over here, Bertie. Pay attention to
your work.
Speaker 4 (22:53):
That's just what I'm doing. Oh, miss mart that bandage
you don't cut your finger?
Speaker 3 (22:58):
No, Berdie, I I burned it well.
Speaker 6 (23:01):
Ironing, Oh honey.
Speaker 4 (23:03):
How many times have I told you you ain't got
no neck for ironing?
Speaker 3 (23:06):
Somebody's up to do it and we haven't found anyone else.
Speaker 4 (23:10):
Yes, then I'll come over to my ac noon and
do it for you.
Speaker 5 (23:13):
So wait a minute, Bertie, you're working for me. You
can't do that.
Speaker 4 (23:17):
Oh yes I can.
Speaker 7 (23:18):
I've got three afternoons off out of the week, and
if I want to spend them island for miss March.
Speaker 4 (23:23):
Nothing in the world can stop me.
Speaker 7 (23:25):
It's so fact.
Speaker 4 (23:25):
Boy, here your corpus or pop laud mother.
Speaker 5 (23:30):
I tell you I won't stand for it. As long
as you're working for me. You can't spend all your
time straightening out Guilrously's message.
Speaker 2 (23:37):
Why George, I can straight not my own message? You
live at I'm remember now you're mussing' Oh oh yes,
excuse me, judge, what were you say?
Speaker 5 (23:47):
I was just telling Bertie to quit acting like one
of your family.
Speaker 4 (23:50):
Well, I've been a member of their family so long.
I just can't up and quit all it want.
Speaker 2 (23:55):
Don't be foolish here.
Speaker 8 (23:56):
You have all the extra time in the world.
Speaker 4 (23:58):
That's just the trouble. Nobody to cook for it except
one is septic. That eat eaty baity dance. There's no
big parties will not go work like over mister Gillslee.
Speaker 8 (24:07):
Well, I must say that, that is.
Speaker 6 (24:09):
And when I see that need Roy who, I practically.
Speaker 7 (24:12):
Raise myself acting so fresh because he needs a guiding
hand that's flapping down.
Speaker 4 (24:17):
Once in a while. Well, I just don't like this job, judge.
And if I thought Ms Marche would have me back again,
I'd go right up there and pack my babe.
Speaker 8 (24:26):
Wat's why you ungrateful?
Speaker 2 (24:28):
We'd be very happy to have you come back.
Speaker 4 (24:30):
Okay, I resigning, judge, But you can't do that.
Speaker 5 (24:33):
You haven't given me any notice.
Speaker 4 (24:34):
I don't need to.
Speaker 7 (24:36):
Where there's no contraction, entailment exists between the principal and
the agent at the time of sevens of service, notice
of termination is not required him so facto, Oh what's
the hus.
Speaker 4 (24:50):
I'll get my things and I'll be waiting out in
the car, and y'all get.
Speaker 5 (24:53):
Ready good d job by now it's a fine mess
and I have a sneaking suspicion regarding.
Speaker 2 (25:01):
How it all came about you, judge, what are you
hipping at?
Speaker 5 (25:05):
Never mind? Oh whatever are we going to do about
this dinner?
Speaker 2 (25:09):
Well, if you want to come over to our house,
our Bertie will be glad to fix us up some
ham and eggs.
Speaker 5 (25:13):
No thanks, you sneak in the grass.
Speaker 2 (25:15):
Look who's calling? Who are watt and to wear? Come on, children,
I won't to let you remain in this atmosphere A
moment long, huge me. But there's just one thing I've
got to do before I go. Yeah, we choking me?
Speaker 5 (25:29):
Yeah, I'm choking.
Speaker 2 (25:32):
I'm not choking a little fifth week. I'm just taking
back the next time I gave him for his birthday?
Speaker 3 (25:41):
Did I do my part?
Speaker 6 (25:42):
Light?
Speaker 7 (25:42):
Oh?
Speaker 2 (25:43):
You were perfect, my boy, You were a regular dead
end kid.
Speaker 3 (25:45):
It's Danny gum I finger bother. Don't take it off now?
Speaker 2 (25:48):
No, no, no, keep it on for at least another
day or so Michie or else. Bertie might get wise
and this was all a put up, Abertie. Are you
all ready to come home with us now, Bertie?
Speaker 7 (25:58):
Yes, that was mighty teach the way y'all pretended things
was wrong at home, becod didn't fool me a.
Speaker 2 (26:06):
Bit what we didn't.
Speaker 1 (26:08):
Oh my goodness, the great Guilder Sleeve will be with
(26:30):
us again in a few minutes. But right now that
you've grown ups, listening and remember the good.
Speaker 2 (26:35):
Old cookie jar.
Speaker 1 (26:36):
Yes, and for a treat as well, to come home
after school and fill up on those wonderful cookies mother
used to make. Well, the cookie jar is an American institution.
Every family with youngsters certainly ought to have one, and
for making better tasting cookies to put in the jar.
Let me tell you about park margin, made by craft.
Speaker 2 (26:55):
You see, because park.
Speaker 1 (26:56):
Margin is so delicious for table use, it makes better
tasting rockies too. Yes, park margarine is a genuine flavor shortening,
not bland and tasteless. Park adds flavor to all baked foods.
That goes for cakes and pastries too, And for the
same reason, park margarine makes pan fried foods tastier too,
And it doesn't spatter a stick to the pans. Another thing,
(27:18):
whether you serve park margin at the table or use
it for baking and pan frying, it's a nourishing, wholesome
energy food and a reliable winter and summer source of
vitamin A. Now, for all these reasons, you should keep
plenty of economical Parkue margarine on hand, So tomorrow ask
your dealer for park p a r KA.
Speaker 4 (27:39):
Y oh my sure, it's good to be back in
(28:45):
my own kitchen again.
Speaker 2 (28:46):
Well, we're glad to have your back. Berdy.
Speaker 4 (28:48):
Well, there's one thing you show up with surprise like that.
I expected to find. A sleek poud High with dirt
edition is named a single one.
Speaker 2 (28:55):
No, we've been using paper plates. Yeah, we brought all
the yes. Good night.
Speaker 1 (29:11):
Original news I heard on this program was composed and
conducted by William Ramdler. This is Jim Bannon speaking for
the Craft Chief Company and inviting you to be with
us again next week at the same time for the
further adventures of the Great Yellous Leave, and reminding you
of America's first line of defense is you and your support,
So investor the best of your ability in defense saving farms.
(29:31):
Good Night. This is the National Broadcasting Company.
Craft presents the Great Yilder's Leave each week at this
time presents from Hollywood, California, Harold Perry as the Great
(00:21):
Kilder's Lave, written by Leonard L.
Speaker 2 (00:24):
Levinton.
Speaker 1 (00:31):
We'll hear from the Great Kilder's Leave in just a moment,
but first we might say that one good thing at
least has come out of the world crisis, and that
is that we Americans have learned that the right kind
of food, and plenty of it is vitally essential to
national health and morales. And realizing this, we Americans can
become the strongest nation on Earth. That's why U homemakers
(00:51):
should know about Delicious Parquet Margarine made by Craft, because
Park margarine is an economical source of nourishment and energy
your whole family needs. Yes, Park margarine is a highly
nutritious food, one of the best energy food you can serve,
and equally important is the fact that every pound of
Park contains nine thousand units of vitamin A. What's more,
(01:14):
your whole family will like Park Margarine's delicate, appetizing slavor. Yes,
Delicious Parquet margarine makes everything taste better, whether you serve
it at the table or use it for baking or
pan frying. So try this nourishing economical food. Ya pound
or two of grand tasting Park Margarine tomorrow.
Speaker 2 (01:35):
Just ask your dealer for.
Speaker 1 (01:36):
Park par Kay. And now let's visit our friend, the
great Guilders leave.
Speaker 2 (02:04):
Hello? Where is everybody? Oh? Oh, there you are, Marjorie.
Speaker 3 (02:09):
Did you bring the things I wanted for dinner?
Speaker 2 (02:11):
Yes, here's the flowers, the apid dinner mints, and the
candles for the cake.
Speaker 3 (02:15):
I hope this wasn't too much trouble, not at all.
Speaker 2 (02:17):
My dear. The market was so crowded. I just drifted
with the tide. That's how I happened to get this
quarter clams.
Speaker 3 (02:25):
How many of these candles do you think we shoul
put on Jade Hooker's birthday cake?
Speaker 4 (02:28):
Uncle?
Speaker 2 (02:28):
Well, I don't know how many cakes did Bertie baked?
Speaker 3 (02:31):
Now, Uncle, I don't think he'd be polite to put
on more of them.
Speaker 5 (02:33):
Thirty.
Speaker 2 (02:34):
Well, if that's all the candles you're gonna use, you
better burn him at both ends.
Speaker 3 (02:37):
Then I don't think he's that old.
Speaker 2 (02:41):
No, say, he's got a Lincoln penny that he got
from Lincoln.
Speaker 3 (02:44):
Oh, come on, I do we should make an effort
to get along better with a judge, especially the night
at dinner.
Speaker 2 (02:51):
Well, seeing that it was his birthday, I'll give him
a break, you will, Yes, I won't sell him until
he insults me first.
Speaker 3 (02:58):
Hey, do you think he's going to be surprise when
he finds out we know it's his birthday?
Speaker 2 (03:02):
Oh, he'll be dumbfounded. He's got a good start too.
He's been dumb ever since he was founded.
Speaker 3 (03:10):
And Judge Hooker's really awfully sweet.
Speaker 2 (03:13):
Well, it doesn't show on his face, then, why George?
If I had to push that sar, I'd take it
out and drown it. Hey, something smells mighty nice around here.
Speaker 3 (03:23):
It's a dinner Bertie fixing.
Speaker 5 (03:25):
Is there going to be delicious?
Speaker 2 (03:26):
You know that Bertie is a real treasure. Her dinners
are always delicious. The only trouble is, I'm beginning to
develop what is known as second helping spread. Well, what
do you mean, Well, my laps are starting to overlap?
Speaker 3 (03:39):
I don't talk that way Onclemore. Uh, you're just the
right weight for a man of your uh weight?
Speaker 2 (03:46):
Yeah, well maybe so everything's expanding these days.
Speaker 3 (03:52):
Oh, by the way, Oliver Highwell's coming to dinner too,
What Oliver again?
Speaker 2 (03:55):
Seems that every time we sit down to eat, there's
that overgrown saint Butnard puppy yapping around the table.
Speaker 3 (04:00):
Well, his family's out of town, and Oliver.
Speaker 2 (04:02):
Doesn't like restaurants, of course not they charge for meals.
You know, I don't like to appear inhospitable Marjorie. But
I'm beginning to get bored with Oliver as a border.
Speaker 3 (04:12):
Well, this family will be back by Thanksgiving.
Speaker 4 (04:14):
Say, by the way, where is Thanksgiving?
Speaker 2 (04:16):
Anytime Oliver's family comes back? Another thing, Marjorie. Can't you
persuade him to get a haircut?
Speaker 6 (04:22):
Oh?
Speaker 3 (04:22):
Well, he says, a barber shop fightening he cuts his
own hair and it gets long enough for.
Speaker 7 (04:27):
Him to reach.
Speaker 2 (04:29):
Well, somebody should drop a hit. That is time for
the Paul harvest. Or else, buy him a paper of
booby fins.
Speaker 3 (04:36):
Uncle, you mean Bobby Pim.
Speaker 2 (04:38):
You heard me, Marjorie. Let me see. Have we've forgotten anything?
Speaker 3 (04:42):
I don't think so let me see that dinner.
Speaker 2 (04:45):
Oh I ordered a cute singing telegram delivered at ten pm.
Speaker 3 (04:49):
Oh say, what time do you? What time did you
tell the judge to be here?
Speaker 2 (04:54):
Well? Well, I said that, Oh my goodness, where's my hat?
Speaker 4 (04:58):
Right in your hand.
Speaker 7 (04:58):
What's wrong?
Speaker 2 (04:59):
I forgot to a right somebody, Judge Hooker.
Speaker 5 (05:12):
Hey, Marge, here comes see biscuits one negro?
Speaker 6 (05:15):
What do you mean?
Speaker 4 (05:15):
Oh shallow?
Speaker 7 (05:17):
Oliver?
Speaker 5 (05:20):
Gee, you look lovely this evening.
Speaker 4 (05:22):
Hollo ago, gee, you look lovely too, Oliver.
Speaker 2 (05:26):
Hello, meet Paul.
Speaker 8 (05:28):
Hi Oliver, how logics tonight?
Speaker 3 (05:31):
Zero and I'll be more polite. You mustn't make fun
of Judge Hooker.
Speaker 2 (05:34):
Marjorie.
Speaker 3 (05:35):
Oh, you know we'll be ready very soon.
Speaker 5 (05:38):
That judge, really, madorie, You folks shouldn't have gone to
all this trouble.
Speaker 2 (05:42):
There's no trouble with all, Judge Hooker, we had eat anyway.
By the way, Judge, if you know Oliver honeywell.
Speaker 5 (05:47):
You mean that anemic young cap and hangs around Madre.
I've heard about him, but I've never seen him.
Speaker 2 (05:52):
Well, take a good look. This is him right here.
Speaker 4 (05:55):
Oh what?
Speaker 5 (05:57):
Oh, they don't mind me.
Speaker 2 (05:59):
I'm all.
Speaker 5 (06:00):
I was kidding, Oliver. That's the trouble. Everybody's always kicking
all of them.
Speaker 2 (06:04):
No, no, my boy, you mustn't get bitter. Say why
is your hear all bandaged up?
Speaker 6 (06:10):
Huh?
Speaker 4 (06:10):
Oh?
Speaker 6 (06:10):
I did this this afternoon when I was giving myself
an haircut.
Speaker 5 (06:14):
You mean to say you cut your own hair? Yeah,
Gord with mirrors.
Speaker 2 (06:19):
But what happened this afternoon? Did the bowl slip?
Speaker 5 (06:21):
No? No, I was using manicure scissors. I guess I
didn't allow for the curve.
Speaker 2 (06:26):
O weather hair looks very pretty with his scalloped edges.
Oh excuse me, I mean I'm from the telegraph company. Oh,
for goodness sakes, you're too early. Boy later, but I
got a message. Come back at ten o'clock. Now beat
it before you spoil every Yeah, wrong address.
Speaker 4 (06:45):
Folks, Sam, Can I give it to him?
Speaker 6 (06:47):
Now?
Speaker 7 (06:48):
What? Oh?
Speaker 5 (06:49):
Oh?
Speaker 2 (06:49):
The present for the giant? Why sure, let's all give
him his presence.
Speaker 6 (06:55):
For me.
Speaker 2 (06:56):
Now, I wonder what Jim listen to him? You think
you the sweet sixteen instead of a sour sixty. Go on,
I'm wrapping, Judge.
Speaker 5 (07:04):
I will thank you.
Speaker 6 (07:06):
He's open in yours purposes If you.
Speaker 5 (07:08):
Like it, Jee, I'm sure I will. Well, what do
you think a necktie?
Speaker 2 (07:13):
Just what I need?
Speaker 5 (07:14):
Thank you, madre. Now let's look at the next one
with all best wishes from Oliver. Honeywell, well, well, well,
honeywell you shouldn't have done this.
Speaker 4 (07:25):
Gee, another necktie?
Speaker 5 (07:26):
It'sn't a nice yellow one with green polkodit?
Speaker 2 (07:30):
You know what? God?
Speaker 3 (07:31):
One just like that for Christmas last year.
Speaker 4 (07:33):
Well that's it.
Speaker 5 (07:36):
Well let's see about this one. Although it is not
Christmas Eve. Here's a preasent you will perceive from your
old friend Rock Martin Gilders.
Speaker 2 (07:44):
Yeah, catch on, it's a poem, Judge.
Speaker 5 (07:47):
And another necktie purple less time.
Speaker 2 (07:49):
Yes, just matches your complexion, Judge, thank you.
Speaker 5 (07:53):
I wonder what's in this package. It's from Leroy, I
see one.
Speaker 8 (07:56):
Guess, Judge Hooker.
Speaker 3 (07:57):
It's a next tie, all right, but this one's different,
a picture.
Speaker 2 (08:00):
Of superman us. Well, now that the necktie party is over,
let's flot into the dining room, Judge. Bertie's fixed a
special new dish in your honor?
Speaker 6 (08:11):
Is that so?
Speaker 5 (08:11):
I'm flapped?
Speaker 2 (08:12):
I thought you would be. What do you call it?
Gildy Cam's brains all our Judge Hooker, No thanks.
Speaker 5 (08:30):
No more, no more. That certainly was a delicious cake
and beautiful too.
Speaker 2 (08:36):
Yes, with all those candles lit up, we had enough
heat to bake another cake.
Speaker 5 (08:40):
Have your fun gildish sleeve. I'm so full of wonderful food,
I don't mind. Oh, that was a marvelous meal. I
wish I had a cook like your Bertie.
Speaker 6 (08:49):
Well what happened to your cook?
Speaker 7 (08:50):
Chit?
Speaker 5 (08:50):
I'll let her go when I found out after fixing
dinner for me, she'd go out and have her dinner
in a restaurant.
Speaker 2 (08:55):
E Oh, excuse me, I wonder who that can be. Yes,
I'm from a telegraph company. No, I said come back
at ten o'clock, but I got a date.
Speaker 5 (09:05):
Of ten o'clock.
Speaker 2 (09:06):
Break it.
Speaker 5 (09:07):
What was a guilty old man?
Speaker 2 (09:09):
Nothing wrong, judgy, just a boy out looking for the
wrong house.
Speaker 5 (09:12):
Say, if you don't mind, I'm going into the kitchen
and thank Bertie for that wonderful dinner.
Speaker 2 (09:16):
Oh well, don't overpraise your judge. I don't remember too
many compliments. Spoil the cook.
Speaker 5 (09:23):
Something I can do for you, Nahma, No, Berdie, I
just wanted to tell you that that dinner you just
served was an epicurean collation.
Speaker 4 (09:31):
Is that considered good?
Speaker 5 (09:33):
I didn't think it was good. I thought it was
a gastronomic achievement.
Speaker 4 (09:36):
Oh you didn't like it?
Speaker 5 (09:38):
I did too, And I consider myself a pretty good judge.
Speaker 4 (09:41):
You so to one. I'll be glad to vote for
you win the.
Speaker 5 (09:44):
Lection next rain. No, no, I mean judge of cooking.
Wish you were working for me, Berdie. That Guildersleeve is
a mighty and lucky dog, but he doesn't really appreciate you.
Speaker 4 (09:56):
He don't look at the way he makes you wash.
Speaker 5 (09:58):
Those dishes, getting your hands all chapped and red.
Speaker 4 (10:01):
Well man, that's rubble glove.
Speaker 5 (10:06):
Well, the least he could do is to buy you
a nice electrical dish washing machine. I've got one in
my kitchen. See, you'd have a lot of fun up ready.
Speaker 4 (10:16):
Well, I don't know. I may be old fashioned, but
I prefer to bunk the dishes in water instead of electric.
Speaker 6 (10:22):
Cutes me.
Speaker 5 (10:24):
Great, tensey you rea there, Bertie. By the way, did
I ever tell you about the fine big maid's room
in my house?
Speaker 6 (10:31):
Nothing?
Speaker 4 (10:32):
Is it pretty?
Speaker 5 (10:33):
Is it got everything? But Rochester.
Speaker 6 (10:38):
I ain't.
Speaker 4 (10:39):
Certainly sounds like the elphant's ear links for me.
Speaker 5 (10:42):
Yes, of course, I'm not home more than three four
nights a week, so that means my cook has plenty
of days off and very little to do. What do
you think, Bertie?
Speaker 4 (10:50):
Well, I think you're gonna make some gut a wonderful employer.
Speaker 5 (10:54):
Well, you don't understand I want you as my cook.
Speaker 4 (10:57):
Me, but I've already got a position.
Speaker 5 (10:59):
But think what it would mean to your social position
among your friends if you were to cook for Horace Hooker.
Speaker 7 (11:06):
Yes, sir, that certainly would impress the other members of
the Mystic and Bewildered Orders of the Daughters of Cleopatro,
which I, as the head think.
Speaker 4 (11:17):
But course I just.
Speaker 5 (11:17):
Couldn't do it. Why not as guillous. We've got you
under contract, no fraud, yes.
Speaker 4 (11:21):
Strict, We're on a meal to meal basis.
Speaker 5 (11:24):
Well, then, where no contractual entailment exists between principal and
agent at the time of severance of service, notice a
termination is not required if so facto, ain't that the truth? Yeah,
that's common law.
Speaker 8 (11:36):
Oh it happens off well, yes, say.
Speaker 5 (11:39):
After you left yonder Sleeve and come to work for.
Speaker 8 (11:42):
Me, you wish that you would have left old stupid over.
Speaker 5 (11:47):
That is I was saying to Bertie that it must
be hard working, all stupid over a hot stove.
Speaker 2 (11:54):
I see. Well, come on back in the living room.
The kids want to play tin the tail on the donkey,
and you're going to be the Democrat, all right, I'm
coming bye Bertie and don't forget what I said.
Speaker 4 (12:05):
You mean about the ipso facto, yes, and.
Speaker 5 (12:08):
The quicker you. If so, the sooner it'll be a facto.
Mon't kill the old pal Let's.
Speaker 2 (12:13):
Go in the other room, all right, jed here is well, children,
what should we do? Well?
Speaker 8 (12:18):
I think it'll be just dandy if we play drop
the clean egg.
Speaker 2 (12:25):
Oliver, don't you mean drop the handkerchief?
Speaker 4 (12:27):
Or I figured that the old would be more solitary.
Speaker 6 (12:31):
How about musical chairs or something like that?
Speaker 2 (12:35):
Well, I bet I know who that is it.
Speaker 8 (12:37):
Come in, mister, this is positively my final appearance.
Speaker 2 (12:42):
Here's a telegram for you. It's not for me. It's
this gray haired gentlemen right here. No, no, no, don't
hand it to him. It's supposed to be opened and sun.
Speaker 4 (12:50):
Oh but I don't think.
Speaker 2 (12:51):
You're not paid to think you're paid to think I'll
break in the song, young man.
Speaker 8 (12:55):
Well okay, but remember you asked for it? Yes, you
you you me me me, mister Frock Martin T.
Speaker 7 (13:06):
Gillis.
Speaker 2 (13:06):
Leave.
Speaker 8 (13:07):
I'm an awful, bad sham.
Speaker 4 (13:09):
Can you send me fifty dollars to bail me out?
Sign your brother in law.
Speaker 6 (13:13):
Sign.
Speaker 4 (13:29):
You'll leave. Resident.
Speaker 5 (13:31):
Good morning, Birdie. This is Judge Hooker. How are you
this bright and sunny morning?
Speaker 4 (13:36):
Dulln cloudy.
Speaker 7 (13:37):
I's up all night trying to decide between remaining where
I is with the status.
Speaker 4 (13:41):
Quol or packing up moving over to the it soul facto.
Speaker 5 (13:45):
I just caelephoned to tell you that whatever your salary
is now, I'm better at for ten dollars a month.
Speaker 4 (13:50):
Ten dollars a month, Judge, you've done?
Speaker 5 (13:53):
Just hide your bilk a book sign. How soon you
can you come to work?
Speaker 4 (13:57):
Well, that depends on how soon they'll let me go.
Speaker 5 (13:59):
Well, cook up some excuse to be quick by.
Speaker 7 (14:03):
That's gonna take a meth of doing all nobody news
the troubleized getting into.
Speaker 2 (14:13):
Breakfast, Yes, sir, good morning, Bertie. You better step another place, Bertie.
Oliver invited himself over for breakfast again.
Speaker 4 (14:20):
More people to see, just working myself to a shadow?
Speaker 2 (14:23):
No, Bertie, can I help it with that biological blunder?
Come right in, Oliver fink.
Speaker 6 (14:28):
Morning bert All prunes again.
Speaker 4 (14:31):
Huh don't you like the way I fixed breakfast?
Speaker 2 (14:33):
Of course he does, Oliver. Never wrinkle up your nose
at a prune?
Speaker 4 (14:37):
What everybody you two? Oliver say, what is this pruse again?
Speaker 6 (14:42):
Now?
Speaker 4 (14:42):
Isn't you don't like it?
Speaker 7 (14:43):
Is?
Speaker 2 (14:44):
Leroy? Sit down and pass the toast? Thank you?
Speaker 1 (14:48):
Yeah?
Speaker 2 (14:49):
Yeah? Where's my shoe?
Speaker 5 (14:50):
Isn't she?
Speaker 2 (14:52):
Oh? Done this toast?
Speaker 4 (14:54):
What's wrong with that too?
Speaker 2 (14:56):
It just went down the wrong way. It's oh you
don't like it?
Speaker 4 (14:59):
Left o my bringers to the bone. Straighten it off
for you.
Speaker 2 (15:04):
But all I said was heir the wrong way.
Speaker 7 (15:08):
Oh now I'm doing things the wrong way, teaching me
my business. I'm tired of not be appreciated around here.
Speaker 4 (15:14):
I'm designing.
Speaker 5 (15:15):
There's other people who like my cookeries.
Speaker 2 (15:18):
Well, Bertie seems to be a little twittery this morning.
Speaker 4 (15:21):
She she never acted this.
Speaker 6 (15:22):
Way before, and you think she means that about resigning?
Speaker 2 (15:25):
Hey, I better find out what's wrong now, Bertie. I
don't understand what Bertie? Where are you? Oh Bertie? Oh Bertie?
Oh Bertie? Oh oh my goodness, Bertie? Is form the coup?
(15:56):
Come come wake up, le Roy. It's time to go
to school, young man.
Speaker 6 (16:01):
Were just give me another fifteen minutes, Bertie.
Speaker 2 (16:05):
This isn't Bertie, it's Uncle mort. I just haven't shaved yet.
Speaker 4 (16:07):
Oh hi, uncle, where's Bertie?
Speaker 6 (16:15):
Oh?
Speaker 2 (16:16):
Yeah, wake up, young man. Look at the clock. You
want to be tardy.
Speaker 4 (16:20):
It's okay with me.
Speaker 2 (16:22):
Come on, Lee, Roy, wake up. Oliver's fixing some nice
hot muce for breakfast.
Speaker 3 (16:27):
Just let me sleep ten minutes more.
Speaker 2 (16:29):
I can't, Lee Roy by George, I'm gonna pull the
covers off of you. Up. They she's downtown interviewing cooks
at employment. Oh, Oliver's in trouble in the kitchen. Get
up me, Roy, coming, Oliver. Yeah, now watch the Trouble's
the musha.
Speaker 4 (16:46):
I'm fixing for breakfast.
Speaker 2 (16:48):
It keeps over flowing.
Speaker 6 (16:50):
I still four parts.
Speaker 2 (16:51):
Already, No I need another one. Oh well, here's a
double boiler, Oliver. I'll keep stirring or it'll start burning.
Speaker 5 (16:58):
She were hying you, marsh multiplied like this.
Speaker 4 (17:03):
Your seems to go on and on and on.
Speaker 2 (17:06):
It's the morning cereal, isn't it? Oh jumping jelly beans?
Speaker 4 (17:14):
What is it now?
Speaker 6 (17:16):
Oh?
Speaker 2 (17:17):
Good morning mail man.
Speaker 8 (17:18):
Oh good morning, mister, yelled the slave.
Speaker 2 (17:20):
I've got a postage due letter here.
Speaker 5 (17:21):
It's a free cents.
Speaker 2 (17:22):
Please surely three cents here you are, thank you? Say
this letter is for Bertie Lee Coggan's He doesn't work
here anymore.
Speaker 8 (17:30):
Oh, yes, yes, that's your cook Say I've got a
change of address for her.
Speaker 2 (17:34):
Better give me that letter of back, certainly. Oh, by
the way, what is her new address if it isn't
violating any professional secret.
Speaker 8 (17:40):
Oh it's twenty one hundred burn Side.
Speaker 2 (17:41):
It's twenty one hundred Burnside, Thank you very much, twenty us.
That address sounds familiar to me. Whirve I heard it
before twenty one hundred Burnside. Why of course, Lee Roy Oliver,
I know who hired Bertie away from us. Yes, I
should have guessed it before. It was the judge. Yes,
that crook of a hooker, our cook way. Who I
(18:02):
lay my hands on him? He's still our birdie. He's
a horse thief, that last cooker. I finally tracked you down.
Speaker 5 (18:19):
How do you mean track me down? I'm always in
my chambers this time of day. What do you want
with me?
Speaker 2 (18:23):
Why you oily wor him? You got our birdy?
Speaker 5 (18:26):
We want to back? I think joy not get out? O.
Speaker 2 (18:29):
That does it. I'm gonna create a vacancy on the
Superior Court.
Speaker 5 (18:32):
Bend, don't put down, put down those booking I will not.
Speaker 2 (18:36):
I'm steal your old coat so I can hit stay
where you are, deulous sleeve, or I'll pres this buzzer.
I will stay where I am. I'm gonna knock you.
What happens when you press the buzzer? I fail?
Speaker 5 (18:45):
If I'll come in and drag you down to jail.
Speaker 2 (18:47):
Yes's a frame up, that's what it is. First you
steal my cook, then you upset our whole household. And
now you're gonna.
Speaker 5 (18:52):
Railroad me to the kaboos, the big balloons, losing all
this hot air. Your dress didn't work, yellous, leave. You're
a beaten man.
Speaker 2 (18:59):
You have to rub it in, you judicial judas. I
know when I'm licked. We can't find anybody to do
Bertie's work. We can't find where she puts anything. We
haven't had a decent meal since you left.
Speaker 7 (19:10):
You haven't.
Speaker 5 (19:11):
Oh that's too bad. Well, I don't want to be
too hard on you. So you promised to behave yourself.
Maybe I'll invite you over at the house for dinner.
Speaker 2 (19:19):
Sometimes I wouldn't sit down at the same table need
a meal with you, hooker. If I were starving, what
am I talking about it? If I were starving, I
am starving.
Speaker 5 (19:28):
I knew that your stomach was bigger than your stubborness.
You can't come to dinner tomorrow night if you want.
Speaker 2 (19:33):
You I don't want to. I wouldn't humiliate myself to
the extent of what time tomorrow kept mcclough.
Speaker 8 (19:39):
And don't forget to bring Marjorie and Lero.
Speaker 2 (19:42):
Of course I won't forget. That's the only reason I'm coming.
I'm just doing it for the kiddies.
Speaker 6 (20:03):
Now, remember, Uncle.
Speaker 3 (20:04):
Marty, this genus to work, you've got to keep a
tight control over your temper. Who me, I never lose
my temper, Leroy, Now, don't overdo the business of being sassy.
Speaker 7 (20:12):
Oh no, why shift, I'm a born.
Speaker 3 (20:14):
After Well, I guess we're already, Geeve, we surely look
like tramps, don't we go ahead and ring the bell?
Uncle all right, and your god?
Speaker 5 (20:24):
Everybody here she comes.
Speaker 6 (20:26):
Oh, hello, missus, Morris, o, Helloa, Roy, Hello, Bertie, good
even mister gil Slee. Won't y'all kind of come in
and rest your hats and coats?
Speaker 4 (20:38):
They look kind of tired.
Speaker 2 (20:40):
H yes, of course they come on in. Children, Well, well,
come on in, hello, Judge.
Speaker 3 (20:47):
Okay, so sweet of you to invite us. You have
no idea how we're going to enjoy.
Speaker 6 (20:52):
This Hill's a cooker, lemoy, don't you salk that a way?
Speaker 2 (20:57):
Oh?
Speaker 4 (20:57):
Holy poor, you can't walk me anymore.
Speaker 3 (20:59):
Bertie Lee Rod behaved yourself. Oh, I just can't imagine
what's gotten into you lately. You used to be such
a little gentleman.
Speaker 6 (21:06):
Oh who wants to be a gentleman?
Speaker 3 (21:08):
I'm gonna be a heavyweight prize fighter on and Trudelbacker.
Speaker 4 (21:12):
You ain't gonna be no prize fight along. If somebody
hits you, smack on that you a tobacco and look
at your hair. Somebody must have been chimney with heads crippled.
Speaker 6 (21:20):
No, I'm gonna told me how to cut it all
by myself.
Speaker 4 (21:25):
You never did these vomba boodles when I was there.
Speaker 5 (21:27):
Wife, Bertie? Bertie isn't getting ready?
Speaker 4 (21:29):
Yes, sir? Well when when you needed?
Speaker 5 (21:31):
I had it served the first course? Please?
Speaker 4 (21:33):
It's fitting on the table.
Speaker 5 (21:35):
Oh shall we go in now.
Speaker 2 (21:37):
Yes, sir? Come on lyright, come on, Mathie death.
Speaker 5 (21:42):
Well, how do you think everything left?
Speaker 2 (21:44):
Oh? Just splendid except for Bertie.
Speaker 5 (21:46):
What's wrong with Bertie?
Speaker 2 (21:47):
Oh? I think she must be worrying. He's got dark
circles under.
Speaker 6 (21:50):
Her eyes.
Speaker 5 (21:52):
Nonsense. Incidentally, you shouldn't talk coming here without a shave.
Speaker 2 (21:56):
Oh, yes, that's reminded me, Bertie. Where did you hide
my good racer? I've looked high and low for it.
Speaker 7 (22:02):
Oh, I'm bye, mister Gillee it's out on the back porch.
I used to cad with me when I went out
in the backyard at night, sort.
Speaker 4 (22:09):
To discourage you know, late visitors, Bertie.
Speaker 5 (22:13):
Isn't it time to bring the soup?
Speaker 4 (22:15):
In's right here, old mister Gildersleeve. I fixed a special
turtle soup for you. I knows it's your favor.
Speaker 2 (22:20):
Well, thank you. It's a don expensive to make it.
We don't have it very often, but I'll come over
here every day if you will cook it for me.
Bert I'm that's splendid. You mind if I bring over Oliver?
He just loves turtle souper.
Speaker 5 (22:33):
Well you're invited, Yildie.
Speaker 4 (22:35):
Boy, that's super super. No matter how you like it,
Lee Roy, you just eat it, don't kiss it, Lee Roy.
Speaker 5 (22:44):
Isn't your responsibility anymore? Bertie?
Speaker 2 (22:47):
Yes, the judge is right, Bertie, but I know how
to handle him.
Speaker 5 (22:49):
You just send him over here, Bertie. Pay attention to
your work.
Speaker 4 (22:53):
That's just what I'm doing. Oh, miss mart that bandage
you don't cut your finger?
Speaker 3 (22:58):
No, Berdie, I I burned it well.
Speaker 6 (23:01):
Ironing, Oh honey.
Speaker 4 (23:03):
How many times have I told you you ain't got
no neck for ironing?
Speaker 3 (23:06):
Somebody's up to do it and we haven't found anyone else.
Speaker 4 (23:10):
Yes, then I'll come over to my ac noon and
do it for you.
Speaker 5 (23:13):
So wait a minute, Bertie, you're working for me. You
can't do that.
Speaker 4 (23:17):
Oh yes I can.
Speaker 7 (23:18):
I've got three afternoons off out of the week, and
if I want to spend them island for miss March.
Speaker 4 (23:23):
Nothing in the world can stop me.
Speaker 7 (23:25):
It's so fact.
Speaker 4 (23:25):
Boy, here your corpus or pop laud mother.
Speaker 5 (23:30):
I tell you I won't stand for it. As long
as you're working for me. You can't spend all your
time straightening out Guilrously's message.
Speaker 2 (23:37):
Why George, I can straight not my own message? You
live at I'm remember now you're mussing' Oh oh yes,
excuse me, judge, what were you say?
Speaker 5 (23:47):
I was just telling Bertie to quit acting like one
of your family.
Speaker 4 (23:50):
Well, I've been a member of their family so long.
I just can't up and quit all it want.
Speaker 2 (23:55):
Don't be foolish here.
Speaker 8 (23:56):
You have all the extra time in the world.
Speaker 4 (23:58):
That's just the trouble. Nobody to cook for it except
one is septic. That eat eaty baity dance. There's no
big parties will not go work like over mister Gillslee.
Speaker 8 (24:07):
Well, I must say that, that is.
Speaker 6 (24:09):
And when I see that need Roy who, I practically.
Speaker 7 (24:12):
Raise myself acting so fresh because he needs a guiding
hand that's flapping down.
Speaker 4 (24:17):
Once in a while. Well, I just don't like this job, judge.
And if I thought Ms Marche would have me back again,
I'd go right up there and pack my babe.
Speaker 8 (24:26):
Wat's why you ungrateful?
Speaker 2 (24:28):
We'd be very happy to have you come back.
Speaker 4 (24:30):
Okay, I resigning, judge, But you can't do that.
Speaker 5 (24:33):
You haven't given me any notice.
Speaker 4 (24:34):
I don't need to.
Speaker 7 (24:36):
Where there's no contraction, entailment exists between the principal and
the agent at the time of sevens of service, notice
of termination is not required him so facto, Oh what's
the hus.
Speaker 4 (24:50):
I'll get my things and I'll be waiting out in
the car, and y'all get.
Speaker 5 (24:53):
Ready good d job by now it's a fine mess
and I have a sneaking suspicion regarding.
Speaker 2 (25:01):
How it all came about you, judge, what are you
hipping at?
Speaker 5 (25:05):
Never mind? Oh whatever are we going to do about
this dinner?
Speaker 2 (25:09):
Well, if you want to come over to our house,
our Bertie will be glad to fix us up some
ham and eggs.
Speaker 5 (25:13):
No thanks, you sneak in the grass.
Speaker 2 (25:15):
Look who's calling? Who are watt and to wear? Come on, children,
I won't to let you remain in this atmosphere A
moment long, huge me. But there's just one thing I've
got to do before I go. Yeah, we choking me?
Speaker 5 (25:29):
Yeah, I'm choking.
Speaker 2 (25:32):
I'm not choking a little fifth week. I'm just taking
back the next time I gave him for his birthday?
Speaker 3 (25:41):
Did I do my part?
Speaker 6 (25:42):
Light?
Speaker 7 (25:42):
Oh?
Speaker 2 (25:43):
You were perfect, my boy, You were a regular dead
end kid.
Speaker 3 (25:45):
It's Danny gum I finger bother. Don't take it off now?
Speaker 2 (25:48):
No, no, no, keep it on for at least another
day or so Michie or else. Bertie might get wise
and this was all a put up, Abertie. Are you
all ready to come home with us now, Bertie?
Speaker 7 (25:58):
Yes, that was mighty teach the way y'all pretended things
was wrong at home, becod didn't fool me a.
Speaker 2 (26:06):
Bit what we didn't.
Speaker 1 (26:08):
Oh my goodness, the great Guilder Sleeve will be with
(26:30):
us again in a few minutes. But right now that
you've grown ups, listening and remember the good.
Speaker 2 (26:35):
Old cookie jar.
Speaker 1 (26:36):
Yes, and for a treat as well, to come home
after school and fill up on those wonderful cookies mother
used to make. Well, the cookie jar is an American institution.
Every family with youngsters certainly ought to have one, and
for making better tasting cookies to put in the jar.
Let me tell you about park margin, made by craft.
Speaker 2 (26:55):
You see, because park.
Speaker 1 (26:56):
Margin is so delicious for table use, it makes better
tasting rockies too. Yes, park margarine is a genuine flavor shortening,
not bland and tasteless. Park adds flavor to all baked foods.
That goes for cakes and pastries too, And for the
same reason, park margarine makes pan fried foods tastier too,
And it doesn't spatter a stick to the pans. Another thing,
(27:18):
whether you serve park margin at the table or use
it for baking and pan frying, it's a nourishing, wholesome
energy food and a reliable winter and summer source of
vitamin A. Now, for all these reasons, you should keep
plenty of economical Parkue margarine on hand, So tomorrow ask
your dealer for park p a r KA.
Speaker 4 (27:39):
Y oh my sure, it's good to be back in
(28:45):
my own kitchen again.
Speaker 2 (28:46):
Well, we're glad to have your back. Berdy.
Speaker 4 (28:48):
Well, there's one thing you show up with surprise like that.
I expected to find. A sleek poud High with dirt
edition is named a single one.
Speaker 2 (28:55):
No, we've been using paper plates. Yeah, we brought all
the yes. Good night.
Speaker 1 (29:11):
Original news I heard on this program was composed and
conducted by William Ramdler. This is Jim Bannon speaking for
the Craft Chief Company and inviting you to be with
us again next week at the same time for the
further adventures of the Great Yellous Leave, and reminding you
of America's first line of defense is you and your support,
So investor the best of your ability in defense saving farms.
(29:31):
Good Night. This is the National Broadcasting Company.
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